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#but i'm not the mood for it today
louisianna · 3 months
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I could write an entire essay (and perhaps one day I will) on how 'Furiosa' is Gothic fiction, a Gothic romance in particular, but I just need to talk about one key aspect of the relationship between Furiosa and Jack for a minute. A lot of discussion surrounding them has been about the nature of their relationship. Most people seem to love the ambiguity, myself included, and I think looking at it through a Gothic romance lens can help us understand why it works so well.
Most Gothic romances feature a heroine who is trapped inside a literal and/or figurative domestic space by a domineering man, typically a father or husband. Poor Furiosa gets both. Dementus imprisons her in the role of daughter. Immortan Joe imprisons her in the role of wife. These are restrictive domestic roles which have been forced upon her and which she cannot freely walk away from. Gothic romance is at its best when it is exposing and critiquing the cruelty of a patriarchal society and the unfair limitations it places upon women.
Furiosa evades attention by disguising herself as a boy. When Jack realises she is actually a woman, and that she is determined to leave the Wasteland, he immediately offers to help her get to wherever she needs to go. No questions asked. And what does Jack expect in return? Absolutely nothing. The trope of a good man, with experience, skill, and social standing, selflessly assisting the heroine, is quite common in Gothic romance.
Jack's words to Furiosa are never paternalistic. They speak to one another as equals. Dementus wanted to shape Furiosa in his own image, but Jack only wants to pass on what he knows. He doesn't want her to stay his protégé or sidekick. He wants her to be able to take care of herself. Until she asks him to come with her, he has every intention of letting her go her own way, leaving him behind.
Jack never comments on Furiosa's appearance. They dress as equals. Immortan Joe put Furiosa in delicate fabrics and planned to use her body for his own selfish desires, but Jack only ever touches Furiosa for her own sake. He doesn't want to possess her. He wants to protect her. He cleans and stitches up her wounds. He will place a comforting hand on her shoulder, only for as long as it takes for her to relax beneath his touch.
It's important to remember that this is a thematic tale being told to us by a History Man, a framing device which is extremely befitting of the Gothic genre. Within this legend, Jack and Furiosa's disregard for clearly defined domestic roles draws a stark contrast to the priorities of Dementus and Immortan Joe. It serves to highlight that their dynamic is free from patriarchal dominance. Whether their relationship is sexual or platonic, romantic or familial, is irrelevent. What matters is that their relationship is based upon genuine concern, deep respect, and unwavering trust. This is the lesson of their story, and it is a lesson for all to the hear. Jack does not merely represent a good father or a good husband or a good mentor. He represents it all. His character is fluid and multi-dimensional. His relationship with Furiosa is ever-shifting and all-encompassing. This allows him to be a role model to all men. But I digress from talking about Gothic fiction!
True domestic happiness for the Gothic romance heroine is only possible once she finds a companion who treats her as a peer; a social equal who gives her the freedom to choose and define the role she wishes to have in his life. It also requires finding or creating a refuge in which the heroine is safe from male power and violence. Furiosa found a more than worthy partner in Jack. Unfortunately, they didn't succeed in reaching freedom together.
Perhaps, in a less Gothic setting than the Wasteland, putting a name to what they were wouldn't have mattered so much. As it was, "my Jack" and "my Fury" was enough.
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conditioned-to-obey · 13 days
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"Sit. Stay. Down. That's right, good pup. Now, play dead." You laugh and lay back with your eyes closed. Thinking it's a joke. The way you sprawl out under me makes my cock twitch.
There's a long pause, longer than any other. It's an off key, absent kind of sound.
Lifting your head up a bit, only to be pressed back down firmly into position. "Down. Stay-" You try to peek an eye open but my hand doesn't alleviate from your face. "I said: Stay."
You keep your eyes shut, confusion trickling like cold water down your spine. My breathing turns heavier as I run my hands down your body, "that's it. Good. Stay just like that- you're doing so good."
You freeze. Not moving a muscle as I pry your limp legs apart. Looking up from your pretty little cunt to your slack face, eerily still–you almost look like you're sleeping. Almost– and back down.
I'm bottoming out inside you before I can process the vapid desperate motion. Barely enough thought to pull your panties around your ankles. Holding you down by your head as I growl and quiet you. "shhh, that's right. Don't make a sound. Play dead. playdeadplaydeadplaydead, pup. Fuck- dead things don't whimper. They don't react, shush now."
While I violate you, I feel the dead weight of forcibly relaxed muscles clench and grip my thick cock. The tension and discomfort in you palpable. But your little head is spinning, it feels so good. You have to be a good doggy while you lie there and just take it. Doing exactly as your told. Each thrust jostling you, and you can't even scream. You can't move. You're dead. You're dead and I'm using your holes to jerk off.
A sick twisting in your guts tells you that you're going to cum from being used like snuffbait.
I tell you that too.
Right before I fill you up and clamp a hand over your mouth so you can't breathe and ruin the immersion of the moment for me. I want you to play dead a little longer.
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oblique-lane · 2 months
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Mourning what's not lost
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adamsrcnan · 2 months
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i would like to know how many times neil curled up in the passenger seat facing andrew as they went on their little road trips. and how many times andrew told him he's missing the view. and how many times times neil just stared at him and said "no. i'm not"
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ftmsteveraglan · 6 months
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i find it so funny when people say they're about the "sexualize that old man" life but then take away every old man aspect about him. in THIS house, we stand for the wrinkles, the receding hairline, the dad bod, and the joints that pop whenever he walks. if he doesn't age ten years next time you rail him, you're not doing it right. blow that old man's back out! fuck him so hard he needs a hip replacement! go big or go home!!
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regulusrules · 2 months
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Do I know you? // I thought I knew you.
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BBC Merlin (2008) - s01e01 // s05e13 parallel
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ladeldee · 9 months
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I just like the idea that once Missa hears Phil has another "kid" he'd try and do whatever he can to help and Phil feels emotions about it
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somegrumpynerd · 2 months
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I like the idea that Cross realised Killer was touchstarved (he didn't have the words for it but he noticed how much Killer would settle down from it) and started giving him very small basic affection. Pat on the back, hand on the shoulder, maybe a quick friendly hug, all things he probably learned through royal guard training and thinks of as normal friend/coworker stuff.
But as they both got more comfortable in the routine of it, Killer started instigating touches and he was not shy about it (like not just leaning into Cross's side during movie night, he looks like he's trying to get into Cross's jacket with him)
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And that this more intense affection made Cross realise he might also be just a little bit touchstarved
Bonus:
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thefrogdalorian · 5 months
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Din Djarin has fallen down the stairs at the Met Gala!
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somanywips · 3 months
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After Sanji gets more comfortable with himself and starts wearing dresses and skirts and all sorts of clothes, Zoro just goes "this is free real estate". His hands are somehow Always up Sanji's skirts, sometimes he's not even doing anything, his hand is just there resting on Sanji's upper thigh or ass, other times, because he's also a pervert and a freak, Zoro just puts his hands Inside Sanji's underwear, that either leads to a fight or a good time (most times it's both, because they're both freaks and fighting is foreplay for them.), Zoro is a big fan of the mini skirts, makes his life easier, all he needs to do is bend the cook over the nearest surface and boom he's got a whole feast right there. He starts drinking less so he can buy Sanji more mini skirts and mini dresses and sometimes even lingerie when he's feeling like tempting fate a little. Sanji starts wearing more skirts and short shorts simply because seeing Zoro get so riled up over his legs is hilarious
(it's worse when they're older cause Sanji's always wearing skirts and little dresses and everyone kinda thirsts over his legs so Zoro makes it his mission to make it Very Clear that the cook is indeed very married thank you)
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oozedninjas · 9 months
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HELLOOO I LOVEEEE YOUR FICS and i binge them when im bored and i had an idea 😋
could you possibly make headcanons about how the 07 or 12 boys would react to their s/o calling them a good boy or pet names or something when they’re yk 🤐 (ITS CORNY I KNOW BUT LIKEEEE THE LOOKS ON THEIR FACES WOULD BE PRICELESS HAHA)
2012 verse cause I don't have much of those guys :)
Leo: It's been 84 years and he still hasn't fully processed the compliment. When it finally kicks in that you called him a good boy, like a good ninja maybe but that specifically fuels something he didn't even know he could feel. Leo blurts out the sweetest, most awkward laugh you've ever heard as he makes his best to return the compliment. Fails.
Donnie: His initial reaction is his is to ask for confirmation he heard correctly. When you confirm, he chuckles and blushes slightly, a bit embarrassed with the cheesiness. He collects himself pretty quickly and tries to play it cool. He appreciates the sentiment.
Raph: He rolls his eyes but can't hide the smile. Good boy? really? well if you come here he'll show you one better.
Mikey: Yes. He's a good boy, he's a sweetheart, a love angel, your cupcake, teddy bear, sugar pie, he'll thrive in each one and come back with more ten times cheesier! It's a contest.
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fellthemarvelous · 4 months
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Aziraphale hate makes my brain hurt.
Like let's be really fuckin' for real here.
Neurodivergent fans have repeatedly said that Aziraphale is autistic coded. I agree with them. I have never been diagnosed but I wonder about myself. If only I could get a doctor to take me seriously enough to test me for it, but alas, I'm a 43-year-old woman living in the good ole US of A.
Those with religious trauma have repeatedly said that they identify with him as well. I'm one of those people. I endured 12 years of Catholic schools and just as much time being taught a very black and white view of things that I've had to spend more than 20 goddamn fucking years working to unlearn.
I find that my views as a survivor of religious abuse are often dismissed because people keep wanting to say "Aziraphale doesn't have religious trauma." Yes, thank you, I get that, but unless you've been indoctrinated and brainwashed into a very black and white view of the world, you probably don't understand the kind of feelings Aziraphale's onscreen experiences evoke in so many of us. Heaven might not be real, but the feelings of "God is always watching" still stick with me today even though I no longer believe in God. I have entirely denounced Christianity because of my own personal experience, and I refuse to allow people to try and guilt me or shame me for trauma that I didn't ask for. I wasn't given a choice.
As a child I was told that God was real and always watching everything you do (just like Santa Claus) and can hear everything you say and knows everything you are thinking. Do you know what I learned to do in order to cope with this overwhelming and anxiety-inducing information as a small child? I learned to censor my thoughts. I never spoke up, and I have always felt like I was putting on a show for people because I had to be who I was told to be or I would get into trouble.
Aziraphale said "poverty is a virtue" during The Resurrectionists, and as someone who grew up in the Bible belt and went to private schools, I was taught this very same shit by the Catholic church. He learned in that very same episode that "poverty is a virtue" is actually a tool of oppression to keep the poor poor and the wealthy wealthy. I know we all watched the episode. He went into that episode believing what he said, but by the end of it he knew it was actually utter bullshit. Aziraphale is not ignorant. He's highly intelligent, and he has never been too proud to admit when he has been wrong. He accepts that the information he learned before is not matching up with reality.
And it's so obvious some of you have zero experience with that type of indoctrination because of how very little empathy you show Aziraphale for his "mistake" of "choosing Heaven over Crowley" and "making Crowley sad" so clearly Aziraphale must somehow be "abusive" and "manipulative" and "selfish" and "self-centered" because he didn't choose to run away with Crowley at the end of season two.
First of all.
FIRST OF ALL...
Aziraphale has a mind of his own.
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Aziraphale is always going to try and do what is right.
Aziraphale is an angel. He's a being of love. And the reason he's so "bad" at being an angel is because he actually wants to protect humanity. He has always loved humanity. He repeatedly has to contend with what is "right" versus what is "good" and "wrong" versus "evil". Yeah, he has flaws. He's an angel, not a goddamn fucking saint. He has lived on Earth for more than 6,000 years. He has seen everything. He loves doing human things.
He's obsessed with magic. It makes him so happy. He's not very good at it...well not when he's trying to put on a show for Crowley.
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He chose to learn French the hard way, so even though he knows every single language in the world, he chooses to be mediocre at French. Something that annoys and amuses Crowley at the same time.
He loves to dance even though angels aren't supposed to dance, and dancing with Crowley was what he wanted the most.
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He owns a bookshop and refuses to sell any of his books because they are books he's had for as long as there have been books. He will chase customers away from his collection, and Crowley understands how much they mean to Aziraphale because he refuses to sell any when Aziraphale leaves him in charge.
He and Crowley have been speaking to each other in coded language for more than 6,000 years. They have to be very careful about what they say because Heaven and Hell are always watching.
Heaven has photographs of Crowley and Aziraphale sitting or standing together throughout history. Hell had one photo of Crowley and Aziraphale actually working together and it was Aziraphale's quick thinking and how good he actually is at sleight of hand tricks that managed to get that photo out of Furfur's hands so he wouldn't be able to turn Crowley over to the Dark Council.
Aziraphale saved Crowley from being taken to Hell again. He wasn't able to save Crowley from Hell in Edinburgh, but he sure as heck managed to save Crowley from Hell during WWII. He took Crowley to his bookshop and showed Crowley that he stole the picture from Furfur. He saved Crowley.
You get that, right?
Aziraphale SAVED Crowley.
People always talk about how it's "always Crowley saving Aziraphale" because apparently heroic acts are only heroic when they are grand gestures. The sleight of hand wasn't heroic at all, am I right? It wasn't sparkly and showy. It wasn't interesting enough, therefore not heroic. At least that's all I'm hearing when people start with their "blah Aziraphale deserves to suffer because I have no imagination or ability to understand the media in front of me blah", and all these reasons he deserves to suffer is because Crowley almost got hurt.
Aziraphale did that without flinching and I watch that part closely every single time. He's not scared for himself. He's scared for Crowley, and he managed to hold onto that photograph. He did not fail Crowley. He protected Crowley.
And so here's another thing that we like to point out. The way that Aziraphale, an angel who is effeminate and male presenting, an angel who is soft and full of love, an angel who is kind and forgiving because he has empathy and compassion, is somehow painted as abusive and manipulative. He's not violent, but he could easily fuck up your world. He doesn't use his powers. We have no idea how powerful he is because we only ever see him do small acts. He's used to hiding. It's the only way he has ever been able to protect Crowley.
And I'm not saying that Aziraphale has actually saved Crowley before means that Crowley hasn't also saved Aziraphale. Like, you get that those are not mutually exclusive and their relationship is not transactional, right? They have spent their entire existence protecting each other but never actually getting to be together because Heaven and Hell are always watching.
Yeah, Crowley fell. We all know this. We are aware of this. He was the serpent of Eden. He gave humanity the knowledge of free will.
But what we don't talk about is what Aziraphale gave humanity.
What did he give them?
We all know what it is!
Let's say it together!
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He gave Adam and Eve his flaming sword because it was dangerous outside the garden and Eve was pregnant and she was already having a really bad day. He showed them compassion and gave them his extremely powerful angelic weapon so they would stand a chance on the outside of the garden. He gave humanity the gift of compassion. It's just unfortunate that his flaming sword became a weapon of War.
And then what did he do after that?
Ooooh, yeah, that's right.
God asked him about it and he straight up lied to her and pretended he had no idea where he'd managed to misplace it. She didn't say anything after that. He told Crowley the truth though. He told Crowley the truth even though Crowley fell.
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Yeah, we know Aziraphale has done some really fucking questionable things. He and Crowley both suck at passing for human in front of observant people like Nina. They're not human. They are still learning, but they managed to experience human history together despite being on opposite sides and their experiences with humanity are what has shaped them into the compassionate and loving duo they are now. One of them is not better from the other.
This, my friends, is what we call meeting in the middle. It's why shades of gray is so important. Aziraphale constantly breaks the rules. Crowley refused to play by Heaven's rules. It's the reason he fell. He doesn't play by Hell's rules either. These two dorks figured out how to cancel each others' miracles out throughout human history in order to have more time learning about humanity and each other because working all day every day sucks when there are so many new things to learn and experience with the people you love.
We know Crowley and Aziraphale both love each other. Neither of them are good at hiding the hearts stars in their eyes.
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But here's what's really fucking annoying about the Aziraphale hate.
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Aziraphale was already crying when Crowley grabbed him and kissed him. Aziraphale is trying so very hard to do the right thing. He loves Crowley. He does. But he also has a duty to humanity, and he has taken that job very seriously since the creation of Adam and Eve. He sent them out into the world with a flaming sword so they would have a chance at surviving beyond the walls of the garden.
And he knows that Something Terrible is going to happen and he spent all of second season trying to figure out what that Something Terrible was while trying to have some sort of more honest and open relationship with Crowley, but again, they aren't human, they are a demon and an angel approaching life from opposite sides who met in the middle and fell in love with humanity together.
He wants more than anything to tell Crowley how he feels about him, but he wants to do something grand for Crowley because Crowley has always been grand and dramatic and sexy and a little bit scary.
Crowley is impulsive and has a temper and sometimes says the wrong thing but he has always trusted Aziraphale because Aziraphale gave him a chance even after he fell. Aziraphale chose to shelter him instead of smiting him while they stood on top of that wall. He knew he was supposed to kill Crowley, but oops, he gave his sword away to the humans so he didn't really have anything to kill him with and Crowley is the one who created nebulas. The Pillars of Creation is Crowley's work and Aziraphale was there to witness that, but he watched Crowley more than he watched the nebula. He witnessed the pure joy on Crowley's face when he said "let there be light" as a nebula full of colors exploded before their eyes. He was fascinated by Crowley.
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But Aziraphale is going back to Heaven even though he has made it perfectly clear he absolutely has no desire to go back to Heaven. He told the Metatron this during their conversation. He spoke these words out loud. They exist.
But then The Metatron said this....
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The Metatron. The very same angel who told Aziraphale in season one "to speak to me is to speak to the Almighty." He's the boss. He's the big guy. He's used to existing as a giant head and he had to give himself a body so he wouldn't stand out on Earth. And he knows that Aziraphale and Crowley have been working together since the beginning. He knows they worked together to prevent Armageddon in season one, and now he's made it clear he knows they were working together long before that. And let's face it, Aziraphale really wants to know what this Something Terrible is that Gabriel is running from so he can try to prevent it from happening.
It makes sense that he would want to take Crowley to Heaven with him because he would be able to keep Hell from getting their hands on him again. Aziraphale hates it in Heaven. He doesn't want to go, but Something Terrible is happening and Metatron isn't taking no for an answer, and maybe Heaven won't be so bad if Crowley is there with him. At least they can fix Heaven together.
But Crowley can't go back. We all get that. We don't blame him for saying no. It doesn't change anything.
Something Terrible is about to happen and Aziraphale has to figure out what it is. He wants to change Heaven.
He is fully aware that Heaven sucks. He still has faith in God. His faith isn't in Heaven. He deserted his platoon in season one and threw himself back to Earth so he could figure out how to make sure the war between Heaven and Hell doesn't happen.
But see, here's the thing. Heaven is at the top. Heaven has all the resources. Heaven is responsible for the creation of Hell. Heaven is empty and Hell is overpopulated. Aziraphale knows this. Crowley knows this. It's obvious every time we see either place. Both sides are desperate to go to war and will not hesitate to destroy humanity in the process. This is the opposite of what Crowley and Aziraphale want for humanity. If anyone can change Heaven, it's Aziraphale. He's the only one up there who gives a shit about humanity as far as we know. No one else is going to speak on humanity's behalf.
Some of us are so busy getting mad at Aziraphale for going back to Heaven and giving Crowley a Big Sad. Newsflash: Crowley is not the main character of Good Omens. Aziraphale and Crowley are equals, yet we wanna hold Aziraphale to higher standards because he's an angel, and when he makes mistakes it's proof that he's the bad guy.
Holy mother of all things that trigger my religious trauma, let me tell you. I spent my entire life hating myself every time I made mistakes. I've had to teach myself that just because I mess up sometimes doesn't mean I'm bad. It means I'm human. I still struggle with it. I probably always will. So when you say that Aziraphale deserves to be punished for breaking Crowley's heart, you not only ignore that Aziraphale's heart is also broken, you're saying he deserves to be punished for doing what he thinks is right.
Wanting to change Heaven for the better is not a bad thing.
And some of y'all wanna see him suffer for going back into the lion's den that is Heaven, knowing that he is already an outcast, that they have already tried to kill him once, knowing that he is a deserter, that he has been lying to Heaven about a lot of things, and you still think he's blinded by Heaven? You think he's just so naive and that's the only reason he's going back. He doesn't show his emotions the same way Crowley does so it means he doesn't care as much. He's expected to consider Crowley's feelings over his own when making choices. Like holy shit if all of that hasn't defined my experience as a woman with religious trauma in this fucking society. He's expected to be subservient to Crowley and if he doesn't do what Crowley wants then he's being unreasonable and illogical.
What the actual fuck, y'all.
Like seriously.
I'm sick of this bullshit. I had to step away from this fandom because of how toxic some people in this fandom are. It's not chasing me away, but the fact that I chose to hang out in a a more toxic fandom that is already notorious for being really toxic over a fandom that claims to be more open-minded and welcoming should probably tell you something.
It gave me a lot of perspective, and yeah, I'm still gonna speak up against the bullshit Aziraphale hate.
People are entitled to their opinions, but the Aziraphale hate isn't an opinion. It's just ableist, misogynistic garbage. At this point we all know y'all say these extreme things about Aziraphale because y'all get more joy out of the harm and alienation it is causing others.
Keep being loudly wrong, but if you think I'm not entitled to challenge shitty-ass, harmful, hateful discourse, bite my ass.
I'm not the one who lost the plot in this fandom.
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chaotic-carnifex · 5 months
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Today's aro mood is the sheer fucking relief of becoming aromantic
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icantdothistodaybruh · 11 months
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chimchiri · 1 year
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Secret love letter ??? Who could it be???
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titstatstummy · 4 months
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tommy drooling all over the pillow while evan fucks him with deep long thrusts leaning over his back with a hand in his hair.
evan edging tommy for hours until tommy's unable to form even a single sentence.
tommy riding evan until they almost break the bed with the force of it.
evan kissing and caressing tommy's face while fucking him making love to him like he's the most precious thing in the world.
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