#but i will include where i got the character from in future posts | Explore Tumblr posts and blogs

helianthus-tarot · 1 month ago

Text

FUTURE SPOUSE: Challenges to overcome or events to experience before meeting them

As written in the title. I posted the extended version on my Patreon which includes at what stage of life will you meet 👀❤️ There are also other 90+ readings on Patreon so definitely check it out, pick a card reading is posted every week plus extra mini pac every month! 🎉

Disclaimer: Here | Instagram: Here

Instructions: Focus on the topic and ask yourself the question. Choose a number/picture that you feel the most drawn to or that you can’t stop looking at. Trust your intuition. May the message resonate. Let me know which pile you choose! Feedback is appreciated!

Like my readings? Tip here!

PILE 1

Challenges to overcome or events to experience in your life before meeting them: 2 of Swords, Wheel of Fortune, 7 of Pentacles, Knight of Swords, 8 of Cups.

I think it’s got something to do with a change in your life path; things in your life moving in a direction that is unexpected, or that is different from what you initially visualised your life to be. There may be some external events that will be contributing to this development, that will be nudging you in this direction, or that will make you aware of this path. For some of you, it will involve a change in fortune; meaning that, if you take this new path that is being presented to you, you may feel like there’s a possibility that you can change your fortune. For others of you, this path will come to the surface the further you work in the direction that you think you are going. It’s like, let’s say you are currently working on X, but the more you work on X, the more Life directs you to Y path, or the more Y path becomes visible to you. X and Y may be related, they may be logical outcomes of each other. Like, pursuing a film major and wanting to work at X company, but then instead of going to X, you are presented a choice to go to Y organisation instead which will take you to a place you didn’t consider before. It’s that kind of event.

Whatever it will be, you will have to make a decision, and this decision may cause some internal conflicts; you won’t know what you should choose. For many of you, this decision may involve you leaving something behind; this could be a place, an old idea of how you think your life should develop, it could be a project or skill you’ve been working on, or it could also be a relationship, if you’re in a relationship. For the latter, it feels like the typical event in films where one character has to break things off with their partner because they are asked to move, or they want to take on a project somewhere else and they can’t make the relationship work. This change of events may also highlight what isn’t working out in this relationship, path or place.

You may also be asked to assertively solve your problems; the solutions may be presented to you by Life itself, and you may come to a standstill where you have to make that decision. In order to progress, in order to reap your hard work, you may need to be more assertive or direct in pursuing certain things, and this will lead to a change in fortune. So yeah, there will be introspection, inner conflicts, not knowing which decision to make—your heart and your mind will be pulled in different directions, or you’ll feel like there are many things that make it difficult for you to make a decision. But I think, at the same time, the answer will be clear to you. There may be a change of perspective, or Life may show you something which will make it clearer to you, and you may choose to move on from whatever it is in the past, in search for something better for you, in the direction of what you believe will help you progress and change your fortune.

Advice for you is to stay centred in yourself, maintain that emotional balance and maturity, and be patient with yourself. I think the answer will be obvious, but the process of coming into the answer may require you to be confident in your ability to make decisions, it may require you to sit in your feelings and hear yourself out, it may require you to have a mature outlook instead of just following purely feelings or purely logic. For some of you, you may also need to believe that if you’re destined for a relationship, it’s not going to miss you. If you’re destined to be with someone, your relationship isn’t going to fail. There may need to be some reliance in the Universe with regard to your relationships, and about your emotional fulfilment. To remain strong in yourself, and trust that whatever wish or hope you send out to the Universe will not miss you even if you suddenly change your direction. I do feel like there’s a strong message that you will take this new path or that you will follow the direction that Life shows you; whether or not you’ll leave behind your current relationship (for those of you who are in a relationship).

EXTENDED VERSION IS ON PATREON! At what stage of life will you meet them? What will be going on in your life at that time? Will it happen when you are living your dreams, or when you get a new job, etc? Find out here! 😘❤️

PILE 2

Challenges to overcome or events to experience in your life before meeting them: The Lovers, 9 of Cups, 6 of Cups, The World, Wheel of Fortune.

I think you will be pursuing your passion here, or dream, especially something that is related to your past or childhood passion. For some of you, you will do this just for fun; it’s just one of the things that you’ll do because it brings you enjoyment, and it makes you get closer to yourself. It feels like a desire to express the highest form of yourself, or to be in that joyful and dreamer energy; this dream, passion, path will feel achievable to you. For others of you, you may have a bigger goal; you will have imagined that pursuing your passion or doing this thing will eventually lead you to something bigger, like you could move to a bigger stage, you could go global or international—there's something with the external world, I’m talking about something big, something that will feel like destiny to you. You may have imagined this for yourself, and because of this, you’ll pursue whatever path this is.

Regardless of what your goal will be, you will reach it and you will live that experience; it will feel expansive, it will feel lucky, it will feel like you’ve achieved your dream or wish, it will feel like this is one of your highest accomplishments—especially one that represents who you are, your talents, your soul. It will make you feel like you are on the track of self-actualisation, or you have done something that has a spiritual meaning to you. Something will reach an end (this is not negative) and reward will come, and you will enjoy it. So you will have done something here related to what I’ve just mentioned—possibly passion, wish, etc—and you will feel on top of the world, you will feel achieved and things in your life will feel like it’s moving in an interesting direction, a bit unpredictable but it will feel expansive. For some of you, you’ll meet your person either during that stage (after the end / achievement has just come to be) or after this stage entirely; but for others of you, the message will be in the next section.

This may involve you meeting someone from your past, especially past lovers or partners. I’m not sure if you will get into a relationship with them again (some of you might, and they might be your future spouse). But either way, you will feel positive about this past encounter—or this past encounter will lead to you getting in touch with yourself and pursuing what brings you the highest enjoyment, which will eventually lead you to your person. Of course, like I mentioned before, for some of you, this is you reconnecting with your childhood memory, passion or dream, and you will do something about it that will lead to a sense of achievement and accumulation of experience, and it will feel lucky. This may also involve getting in touch with many people—there could be many emotional interactions or connections here—especially with the general public. For others of you, this may be talking about people online, people abroad, people from different countries. I think your life at this point may also make so much sense; there are a lot of circles in the cards, so it feels like something that started in the past and will reach the point where it connects back to where it begins—so it becomes whole. You will feel whole too. This will generally be a positive experience.

Advice for you; keep working on yourself, your path, your skills or whatever it is that you’ve got your eye on. Constant learning, constant improvement (but with curiosity and light-heartedness of a child, instead of stress and jadedness of an adult) and constant movement towards what you feel called to—these will eventually lead you to your person. Your progress and movement do not have to be fast; they just have to be consistent. You are advised to hold on to that optimism, the belief that can you do amazing things. You are also advised to connect with the society, community, the world around you—what I meant by connect is not necessarily socialising; it’s more about your emotional connection with the world outside yourself. Connect that to the work that you are doing. For some of you, this may feel a bit exhausting sometimes, so take your breaks, but always come back to that hopefulness and that diligence, and put in the effort to reach the stars.

PILE 3

Challenges to overcome or events to experience in your life before meeting them: 7 of Pentacles Rx, Justice Rx, 3 of Swords Rx, 5 of Swords, The Fool.

Yeah, this will be a challenge. For some of you, this challenge has been brewing under the surface, so it will come out and you will realise it or you will be made to realise it—you can’t pretend it’s not there anymore, or you can’t try to hold on to it anymore, you can’t try to prolong the heartache anymore. For others of you, certain events will be obvious but some events may be quite hidden, so at first you may not understand what’s truly going on (what forces are at play), or what you are supposed to do. And when you do realise it, you may try to suppress or hold off your emotional reaction to it, not sure why. It could be that you will try to hold on to something here, something you’ve been putting effort into or investing yourself in, something that you are emotionally attached to—anything like that.

I feel like for many of you, this challenge will involve people. There may be misunderstandings, arguments, or disagreements, or people misjudging you / your intention and words. For a few of you, it may feel like bullying; I’m not sure if it is, but it may feel that way. It’s like within a friend group, something happens, and people take sides and you feel like you are standing alone. Something like that. For some of you, it may feel like you’re trying to manage multiple perspectives, or juggle different sides / opinions to the point that it’s hurting you. For others of you, it will be a battle of some kind, it could be related to law—I'm not seeing anything super big or significant though so this may be something like contract issue or small dispute. There will be a feeling of being treated unfairly though, like there will be unfairness somewhere, some kind of injustice and imbalance. You may also feel like you can’t freely express your hurt about the situation; because for some of you, the unfairness or injustice may be hidden. Like you will be able to feel it but it may not be addressed out in the open. Some of you will hurt some people’s feelings or you will get your feelings hurt when you defend yourself or argue your case.

Whatever the event may be, it may put a halt to or make you have to abandon the previous thing that you’ve been working on. You have been building something here; this could be anything like a path, project, job, programme, skill, investment—something that you put effort into because it’s getting you somewhere, because you want to progress. But because of the conflict, you may not be able to continue, or your effort may feel like a waste. It’s probably not really a waste though. Whatever it will be, you will start anew; you may take a new path, and it will feel more liberating and exciting than whatever these restrained energies are. For others of you, it’s precisely because you will be taking a new path that this conflict happens, almost like your new path disturbs or goes against some people; in this case, I think you will still proceed with that new path, but the progress may experience some kind of delay, until you overcome this conflict, so this will be like, a blockage. You will end up learning from this experience.

Advice for you; don’t be too accommodating or kind. King of Cups in reverse fell on top of Justice in reverse, and when I took it, I kinda accidentally dragged the Justice. So I think both cards are related in some way. I think one of the contributing factors to that imbalance may be your tendency to understand the other parties, to accommodate them, to want things to work—but this can only work well for you if they do the same thing. But if they don’t, it can become unbalanced, and you may be treated unfairly as a result. Don’t think too kindly of people; I mean, don’t start being suspicious of everyone, but if people have shown negative traits to you, don’t explain and give positive meanings to those traits to yourself. If you have a tendency to give yourself to others too much, maybe restrain that a bit more. You’ve got to support yourself first before you do it for other people.

Some of you are a bit too nurturing that people take advantage of that. You may also have a strong sense of responsibility, so you give yourself too much sometimes. Remain centred in who you are, your beliefs and your values—regardless who will be questioning you or starting issues with you here. Be mature, don’t add to the fire, but have confidence that you know what you are doing and you are doing the best for yourself here. Don’t settle for less—for example, if you get involved in some kind of dispute, make sure you get your fair share / compensation because you deserve it. So there needs to be that feeling of ‘I deserve to ask for this, or to be treated this way, or to hold this position without being disturbed’, because it’s a basic thing to ask for.

PILE 4

Challenges to overcome in your life before meeting them: 4 of Pentacles, 6 of Wands, 10 of Swords, The World, Page of Cups (Ace of Pentacles).

I feel like there will be several, and these things may be different from one another. You’ve got multiple energies here, and I asked how these things connected to one another, you got Ace of Pentacles. So it’s either one event leading to another event and to another event—or multiple things happening at the same time and they’ll just end up leading you somewhere new. It is also possible for some of you, that these events, although they may look different, all of them will be related to material opportunities. For example, in order to pursue those opportunities, you may experience these events. Or experiencing these events will eventually open up material and financial opportunities for you.

Now what are the events. There will be something with regard to your home life, most likely your house, or your physical location. I feel like it’s been or it will feel quite difficult to live there, or something won’t be that satisfying, or you will feel like you’re storming through difficulties or inconveniences, or you’ve got to hold on to this place for whatever reason (like a lease) before you can move on to the next one. So it will feel that way. It won’t be that unpleasant, I mean, you will still have your stability but you may feel like you need to hold on or deal with some things.

Now, another thing that you may experience is a victory; you will feel on top of the world. Some of you will feel achieved; some of you will feel celebrated, as in, people paying attention to you, people recognising you, people admiring or respecting you—this could be people abroad, or more than just one or two people. You may have been working on something, and that thing may reach an end and you will get the reward. This victory may come with some downsides for some of you. Since it will involve people, sometimes it may feel like a burden, or it may make you stressed out for some reason; some people will feel too passionately or emotional about what you are doing and they may start causing some scenes. This could be the reason for 10 of Swords.

For others of you though, 10 of Swords is a separate matter. You will experience a mental and emotional hardship. It will be either something that has started long before that ending happens, or it will feel like you have got to move on—because things are ending and stressing you out and you can’t do anything about it anymore. It’s related to a heartache; I got 3 of Swords when I asked for a clarification. It may be related to a breakup, or a relationship ending. The odd thing is, I’m not getting a strong negative energy from 10 of Swords. Some of you may experience the heavier version of it, because this is a general reading, but for some of you, this may be like... an accumulation of stress that has been burdening you and so you will finally be pushed to the end of it, and realise that you can’t take it anymore, you don’t want to think or feel hurt about the same thing anymore. It can simply be mental or emotional exhaustion from having putting in a lot of work / effort.

I did mention achievement; so whatever that will happen here, whether it’s positive or not, you will feel like a stage of your life is completing. It feels positive though. Some of you will be graduating, completing a program, a contract, project. Some of you may go abroad, or relocate; some of you will connect with people abroad, people from different countries, or simply people online through this achievement. You may also feel more connected to the world, and wiser through this experience, like you can see how the world works and what is connected to what—having a mature understanding of the world and the interconnectedness of it all. This could also be related to your passion, heart desires, creativity, or the part of you that is drawn to the arts—so you may be led to explore your idealism, your artistic inclination, a hobby that you’ve been wanting to explore because it speaks to your emotions and soul. It feels very soft and genuine and like opening a box containing parts of your soul as a child. It will feel joyful but in a quiet way; you will feel content with what you have at that time and what you want to do. I think this will be the light that you will follow, which will lead you to more material opportunities, which may lead you to your person.

#pick a card #pick a pile #tarotblr #future spouse #tarot readers #tarot community #divination #pick a picture #free tarot readings #pick an image #love tarot readings #free tarot #pac #future spouse tarot #love tarot

436 notes · View notes

fixyourwritinghabits · 10 months ago

Text

How to Tell If That Post of Advice Is AI Bullshit

Right, I wasn't going to write more on this, but every time I block an obvious AI-driven blog, five more clutter up the tags. So this is my current (April 2024) advice on how to spot AI posts passing themselves off as useful writing advice.

No Personality - Look up a long-running writing blog, you'll notice most people try to make their posts engaging and coming from a personal perspective. We do this because we're writers and, well, we want to convey a sense of ourselves to our readers. A lot of AI posts are straight-forward - no sense of an actual person writing them, no variation in tone or text.

No Examples - No attempts to show how pieces of advice would work in a story, or cite a work where you could see it in action. An AI post might tell you to describe a person by highlighting two or three features, and that's great, but it's hard to figure out how that works without an example.

Short, Unhelpful Definitions - A lot of what I've seen amount to two or three-sentence listicles. 'When you want to write foreshadowing, include a hint of what you want foreshadowed in an earlier chapter.' Cool beans, could've figured that out myself.

SEO/AI Prompt Language Included - I've seen way too many posts start with "this post is about..." or "now we will discuss..." or "in this post we will..." in every single blog. This language is meant to catch a search engine or is ChatGPT reframing the prompt question. It's not a natural way of writing a post for the average tumblr user.

Oddly Clinical Language - Right, I'm calling out that post that tried to give advice on writing gay characters that called us "homosexuals" the entire time. That's a generative machine trying to stay within certain parameters, not an actual person who knows that's not a word you'd use unless you were trying to be insulting or dunking on your own gay ass in the funniest way possible.

Too Perfect - Most generative AI does not make mistakes (this is how many a student gets caught trying to use it to cheat). You can find ways to make it sound more natural and have it make mistakes, but that takes time and effort, and neither of those are really a factor in these posts. They also tend to have really polished graphics and use the same format every time.

Maximized Tags (That Are Pointless) - Anyone who uses more than 10 one-word tags is a cop. Okay, fine, I'm joking, but there's a minimal amount of tags that are actually useful when promoting a post. More tags are not going to get a post noticed by the algorithm, there is no algorithm. Not everyone has to use their tags to make snarky comments, but if your tags look like a spambot, I'm gonna assume you're a spambot.

No Reblogs From The Rest of Writblr - I'm always finding new Writblr folks who have been around for awhile, but every real person I've seen reblogs posts from other people. We've all got other stuff to do, I'm writing this blog to help others and so are they, the whole point of tumblr is to pass along something you think is great.

While you'll probably see some variation in the future - as people get wise to obviously generated text, they'll try to make it look less generated - but overall, there's still going to be tells to when something is fake.

I don't have any real advice for what to do about this (other than block those blogs, which is what I do). Like most AI bullshit, I suspect most of these blogs are just another grift, attempting to build large follower counts to leverage or sell something to in the future. They may progress past these tattletale features, but I'm still going to block them when I see them. I don't see any value in writing advice compiled from the work of better writers who put the effort in when I can just go find those writers myself.

#writblr #AI Bullshit #The State of Things These Days

1K notes · View notes

darkficsyouneveraskedfor · 11 days ago

Text

A Man Called Danger 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You avoid drama, you avoid confrontation, and overall, you avoid men. But some men can't be denied. ~ short!late 30s reader

Characters: biker!Bucky Barnes

Note: I saw a photoshoot and lost my mind.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You sigh and set the phone down, tilting your head back as you close your eyes. Exasperation, frustration, helplessness.

This is why you never had kids of your own. Your own teenage years were tough enough. Well, life has continued to shout that lesson in your face; things don’t always turn out how you expect. Or how you want.

Let her make her mistakes, you tell yourself. No, no, you can be passive in your own life but you took on this responsibility. You can’t just wait and see how it turns out. Not like your mother did. She only got lucky you didn’t end up on a corner or like her.

You take a deep breath and run your hands over your face. Your mother taught you many lessons without meaning too. Men, kids, all that domestic stuff is just a trap. You’re better off without having to figure out the mistakes of others.

That’s why you did this right? Because you want your sister to learn the same thing, to avoid the consequences of youth and short-sightedness. To escape that family curse that keeps you so cautious.

You grab your jacket from the front door. She’s nineteen. Nineteen. An adult. You’re not her mother. No, but you won’t let it happen. Not to her. Not to that baby you spent your nights bottle-feeding as your mother spent her stipend at the bar or drove around with Robbie from down the street.

It’s underhanded. Not what you should do. Not respectful at all but after the last time, you couldn’t let it go. You open the app on your phone. The dot that is your sister’s phone pings in the map. You zoom in and squint as you stand on the doormat. Really?

You lock the front door and come down the front steps. The deep blue evening is starless as only the yellow street lights offer clarity. Oh, everything is clear. The apple is not falling very far.

You drop your phone in the cup holder and turn the engine. The grumpy old Honda chugs to life and the stick cranks loudly as you put it in reverse. You don’t have much but you have the one thing you always craved; stability. You manage with what you have.

You ease your foot off the pedal as you catch yourself speeding down the forty zone. You idle at the sign before turning onto the next street. You make a zigzag onto the main road. Your nape itches with impatience. How the hell did she get all the way out there, anyway?

You grip the wheel and snarl at the windshield. You’re not a mother. You don’t have a maternal bone in your body. You were raised to be wary. By the time your sister came around, your mother wasn’t present enough to make much of an effort or impact. You suppose neglect can be just as lingering as resent.

You keep one hand on the wheel as you chew your thumb. For all your attempts to avoid this fate, you find yourself where you didn’t want to be. Maybe not technically or even legally, but you’re stuck cleaning up this mess.

You pull up to the bar at last. Take a breath. You are not an angry person. Not like your father. Yes, the surge comes from time to time but you control it. You repress it until it’s only a flicker in your stomach.

You get out and lock your phone. You pocket your keys as you approach the door. Nearly wenty years since you’ve been in a bar, never of your own volition. You stare up at the marque.

You were the same age as your sister then. The place was glowing and hazy. You entered to the clink of bottle and the buzz of the old juke box. Darts pounded into the bullseye and cues clacked on solids and stripes. Your mother was there hanging off a greasy man in flannel. She was too drunk to answer your question as you held her child on your hip.

“Mom, where’s the money?”

It fades away with the voice from your left. The man stands with arms crossed, “ma’am, you can go in. I don’t needa see ID.”

You shake your head and make yourself enter. Your reluctance slows you along with the overwhelming wall of noise. Voices all around, music, glass meeting each other and tabletops, laughter, coughing, and snarling. The dim is lit only by the bulbs beneath the black shades, hanging from the ceiling. You squint to see through the glazed din.

This isn’t your place. This is never what you would do for fun. Drinking, talking to strange men, spending what free time you have rotting away in this pit.

You hear a familiar octave. Eva trills with laughter. Not that sardonic snort she gives you when you try to offer her some sense, no, that tinkling noise she uses when she wants something. It’s not a surprise, there aren’t too many reasons for a girl her age to be here.

You find her along the bar. She sits sideways on a stool, one leg draped over the other. She’s everything you’re not old. Young, slim, and tall. You never grew much after eighth grade and you can’t do anything to stop time from its work.

You cross the bar as the man next to her chortles and winks at her. His hand is on her stool, just by her hip. He looks about your age. You grit your teeth.

You’re not brave or bold. You learned to survive by staying out of the way but you can’t just walk away from this. You know what older men want from women half their age.

You clear your throat as you come up next to them. Eva ignores you as the man sends you a sneer, “can I help you?”

You cross your arms. You’re not good at confrontation. Not with strangers and definitely not with men.

“Eva,” you focus on your sister, “I’ve been waiting for you--”

“Don’t pay attention to her,” she flutters her fingers.

“Eva. You said you’d be home at eight--”

“Ugh, you’re not my mother, okay? We both know where she is so just go away,” she snarls. She’s drunk. When she’s a few deep, she gets mean.

“She’s grown,” the man insists.

“She’s my sister, I’m talking to her,” you turn so your back is to him and you’re almost between them. “Eva, I got that job lined up for you--”

“She said fuck off,” the man growls. You tune him out.

“It’s good. You can take the year to build the reference then apply to the community college--”

“You’re embarrassing me,” she hisses.

“Would you get out of here?” The man pushes you so hard you stumble. You hit a table and gasp as the edge jams against your ribs. The people sat their grumble at you for spilling their drinks.

“Johnny!” Eva cries out. “What the hell are you doing?”

“You told her to get off,” he sneers.

“Yeah, but you can’t just do that,” she whines.

You steady yourself and apologise to the patrons at the table. You hug your middle and swallow down the pain. You swore you would never be pushed around by another man.

You turn and march up to the creep. “You feel big picking on women? Huh? You feel like a man going after teenagers? Cause a woman your own age wouldn’t put up with you?”

Eva tugs on your arm and says your name, “please, don’t. What are you doing?”

“Do it again,” you goad. The words come out naturally.

You’re shocked by yourself but your reticence is dulled by that hereditary spark. That flame you’ve been tamping out for decades. Not like him. You are not him.

“Pfft, don’t be a bitch. You already cockblocked me.”

“No, you want to pick on me, pick on me.” You spit.

“What’s wrong with you? Why are you here?” Eva snivels.

‘Why are you here?’ Your mother drunkenly slurs. ‘I’m just having some funnnnnn.’

You stare at her. Eva wriggles and cries on your hip. You hush her, trying to comfort her. She’s hungry. You don’t have anything left in the can.

‘Mom, that money was for her. Mom, where is it? Give it back.’

She chuckles and caresses the head of the man she sits on, “go talk to Chuck at the bar, he might give you a refund.’

Your name draws you out of the past. Eva shakes you as you snarl at the man. Your hands ball to fists.

“There a problem?” A gravelly timbre undercuts your rage.

Eva babbles again.

“Walker,” footsteps stomp closer and Eva pulls you out of the way.

You watch as a dark-haired man pulls the blond from atop the stool. He has him by the scruff, “what’d I tell you about fighting?” He glances at you then the foamy spill leaking onto the floor from the table as a server tries to sop it up. “You hitting women in my joint?”

You quake with anger. This man thinks he’s a saviour. You don’t need him to defend you. In here, they’re all the same.

“You better not come back,” the brunette growls and hurls the blond onto the floor. “This is the last time I’m tossing your ass out.”

You watch the man’s shoulders strain the leather of his jacket. He’s broad, taller than you, like most, and about your age. He faces you. His hair is pushed back, the tails winging out behind his nape, his beard is thick and laced with silver, and he wears a golden medallion around his neck. His blue eyes scour you and Eva.

“You alright?” He asks with a stitch in his forehead.

“Just fine. Leaving,” you say as you twist your hand around to grab Eva’s arm instead.

“I don’t put up with that in here. I saw that man up on your daughter and I shoulda stopped it earlier,” he intones.

You scoff.

“Look, you can have a drink on the house--”

“I don’t drink,” you show your palm. “Excuse me.”

You step around him and drag your sister with him. Under the ripple of anger, is fear. These men are dangerous. You forgot that at some point. Don’t ever forget that. You just wish Eva could see the same.

You take her to the car as she stumbles in her heels. You open the passenger door and let her go. She gets in and you resist the urge to comment on her outfit. She can wear short skirts and crop tops, she’s an adult, but it’s too cold to not have a sweater.

You go around and get in the driver seat. You sit there and stare at the wheel. You close your eyes and inhale.

“I’m sorry. Are you okay?”

“Eva,” you snip and open your eyes. You brace the wheel as you look at her. “You saw what that man did. I’m a woman with no value to him, so when he loses interest, what do you think happens to you?”

She mopes and looks at her lap. She twirls her thumbs round each other and sniffles. “I was only having fun.”

“You can’t find someone your own age? Or maybe a hobby. Try the library,” you run your hands over your forehead. “I don’t want to be like this. I don’t want to act like your mother, I want to be your sister. I want you to do better.” You slap your hands down on your legs. “You can make your decisions however you like but I just want you to think before you do.”

“I’m sorry--”

“You’re sorry. Again. You keep doing it,” you relent and slacken against the seat. “You’re not a kid. We both have to accept that.”

You jam the keys in the ignition and turn. You sit up and peer around the lot. Your eyes snag on the figure standing in the glare of the marquee. That man in leather with the medallion. He watches calmly.

You lean on the gas and steer around the lot. As you come closer to the bar, he waves with two fingers and winks. You frown and put your attention ahead of you. You just want to go home and go to bed.

#bucky barnes #dark bucky barnes #dark!bucky barnes #bucky barnes x reader #biker au #series #a man called danger #fic #dark fic #dark!fic #marvel #mcu #captain america #winter soldier #avengers #au

282 notes · View notes

namgyunation · 9 days ago

Note

Hi, absolutely love your writing style and that you not oversimplify characters.

You wrote before, that Nam-gyu and y/n (I’m not sure if she is even y/n) are fighting fiery and a lot. Could you write about one of those scandals and the behavior of both after it.

It can be your headcanons or a full drabble, you choose. Though I’d love to see replicas of both during the argument and afterwards.

Once again, love your works 💋

addicted to the drama

— pairing: nam-gyu x f!reader — summary: a relationship with someone like nam-gyu isn't easy, or peaceful. far from it, but you're in this shit for the long haul. OR; three fights with nam-gyu and three ways it gets 'resolved.' — warnings: suggestive moments, a littleeeee gross, he's especially gross in the second fight i'm sorry :(, mentions of sex but no crazy explicit smut, 18+, the girls are fightinggg, there's a little fluff in here, nam-gyu is veryyy not nice in the third fight and uses rather mean language, drug use, not proof-read! — word count: 11.3k — a/n: hiiiiii thank you so so much for the request and the kind words omg (seriouslyyy thank you :*)) <333 this is my first time ever doing one, so i hope i didn't stray too far from what you wanted, haha. i think nam-gyu is definitely a petty little shit when it comes to arguments with his s/o and definitely more than a little emotionally constipated. i went ahead and included 3 different fights, all with varying levels of seriousness lolol. i'm sorry it took so long, i got a little carried away LMAO. there's a bunch of my headcanons sprinkled in here ofc, but maybe i'll make a separate headcanons only post in the future TToTT I hope you like it!!! <3

In a bad mood, baby, come work me out.

You don't ask for much. You don't think you do, at least.

A tidy space meant a tidy mind meant a tidy life. It doesn't seem that hard of a concept to grasp. To you.

Nam-gyu's shoes are strewn lazily across the floor in front of you, shoe prints outlined and punctuated by a wetness that traced their path from start to finish. Rain water pools beneath the soles, dripping like a damn crime scene. You let out a deep sigh, swallowing your anger as you hung your jacket on the rack.

Your eyes flick over the apartment, taking a mental note of every offense and sorting them in the framework of your mind as you built your case. A discarded glass of iced tea on the island, half sipped, then forgotten. A stray sock on the floor, far from its home in the laundry bin overflowing with Nam-gyu's unfolded clothes. A cup of ramen with the chopsticks still in it. You step forward, grabbing a box of snacks on the coffee table. It was too light, nothing but cardboard and air as you shook it. Empty. You slam it into the recycling bin with more effort than necessary.

Your anger simmers, about ready to spill over as you push past the door to your bedroom. He's exactly where you knew he'd be, splayed out lazily across the bed in shorts and a loose shirt, one hand pillowing his head while the other gripped his phone.

"Nam-gyu."

He hums in vague acknowledgment, eyes still trained on his phone. You swipe at it, knocking it out of his hand, watching his face bloom with a mix of confusion and anger as it tumbles onto his chest, narrowly missing his face.

He curls his lip. "The hell is your problem?"

"Your shoes."

"My shoes," he responds flatly.

You suck in a breath. "In the middle of the floor. Dripping."

He rolls his eyes at you and puncutates it with a scoff. "My god. You're so dramatic."

You throw your arms out. "Is it that hard to wipe them and put them on the rack?"

"Yeah, yeah," he says. Dismissal. "I'll do it later, relax."

"You will not do it later."

He exhales, a hand dragging down his face like you're the one exhausting him. "Shit, you're so uptight sometimes. It's just a little mess."

You scoff. "A little mess that you leave sitting there for days!"

He grunts, the only sign that he heard you, before turning over onto his side to unlock his phone again.

Your eye twitches.

Fine.

The next morning, you don't put your makeup away after getting ready for work. Your cups populate the apartment, gathering on every surface like a small village. Your jackets find homes on the couch, the floor, the backs of the few chairs you two had. A stray sock joins his on the ground. Then a shirt. A pair of underwear. Fuck it. You add another sock for good measure.

It only takes two days for Nam-gyu to break. He catches you on the way to the bathroom, his hand digging into your waist as he whips you around, interrupting your plans to continue building the ongoing crime scene of makeup in the sink.

"Cut it the fuck out."

You smile. "I don't know what you mean."

He narrows his eyes, jaw clenching. "Oh my god, you're insane. I get it, okay? Fuck." His hand goes up to rub at his temples for a moment before dragging slowly down his face in defeat.

He points past you at the bathroom sink surrounded in puffs of eyeshadow and smears of foundation. "Deal with... that. I'll get the rest of it."

You stand there, biting back a smile as he lets out an exasperated sigh, pushing up his sleeves and tucking his bangs behind his ears before leaning down to tackle the mess—half you and half him. You're about to tease him when his eyes zero in on something on the ground. He picks it up with a smirk, holding it up in the air in front of you. It's your underwear.

"Honestly?" He looks away from you for a moment, his eyes dragging over it for too long, as if inspecting every twist of the lace. "I don't really mind if you keep leaving these around." He raises his eyebrows at you as a grin stretches across his face. You roll your eyes with a disgusted scoff, but you don't care, not really.

He opens his mouth to say something more, but you're already shutting the bathroom door behind you with a click.

You lean against the sink, hands gripping the cool marble as you let out a sigh of relief. Victory.

---

The next time you fight, it's under the pretense of something fun. You'd complained about how little time the two of you had spent together in the past week. Every time you were home, he was at work. Every time he was home, you were at work— or too exhausted from said work to do anything.

So he proposed a compromise. A night out together at the nightclub, he'd said. A nice way to spend time with each other even when he was on the clock. Like 'take your kid to work' day, except the 'kid' was his annoyed girlfriend. And the 'work' was a shady nightclub filled with too many loud, intoxicated people. And the 'day' was actually a night choking on smoke and sweat and too much noise that stretched way too long, like a guest overstaying their welcome.

You lean against Nam-gyu, staring out into the crowd of people as he tangles in conversation with another one of the club's regular VIPs. You found your head spinning from the revolving door of people that he'd spoken to all night. You wonder how someone as naturally introverted and—rough as him could stand this job.

You listen in, attention flitting in and out as they spoke. He says something so out of character that it catches you off guard. You let out an amused puff of air. He's too animated, too bubbly, too eager to please people that barely know his name. For what it was worth, he was certainly one hell of an actor. Anything to get the guests—and the drugs—coming over and over again, you suppose.

It's not long before you feel his warmth inch away from your body. An alarm. You look up, and his hands are already on your shoulders, rubbing quickly up and down in a way that signals 'hey, I'm about to do something that you probably don't want me to do, but I'm gonna do it anyways'. Your mouth is already opening to complain, but he beats you to it.

"I'm gonna step out for a second, okay?" He's not looking at you. He leans in closer, voice dropping to a whisper. "This guy is offering me some good shit. Gotta take it. He's real important."

He brushes the ghost of a kiss to the back of your head, no doubt an attempt to placate your already building annoyance, but it barely registers. His hands pick up speed on your shoulders, rubbing the last bit of warmth into you before he's pulling away, smiling with enthusiasm as he leaves to pump more chemicals into his body.

You let your head tip back as your eyes shut. Nam-gyu never ceases to amaze you with just how many bad decisions he can make in one night. The air around you hums with music, closing in on your little spot by the bar. You drum your fingers against the counter, trying and failing to convince yourself that you're having fun.

You're about to stand—go outside to get some air maybe—when someone slips into the seat behind you, filling Nam-gyu's spot.

"Hey."

You startle a bit, not expecting the sudden conversation.

It's a man dressed in all black, a silver chain glinting against his collarbone. He smells like smoke and beer. Based on his attire, it's not hard to deduce that this is one of Nam-gyu's coworkers, another promoter, you were sure.

You nod at him politely, not really sure what to expect but not wanting to be rude, either. It'd be best not to cause problems with anyone working alongside your boyfriend, you figure. "Hello."

He's nice enough, asking you about how your night was going, what other clubs you'd been to, what kind of drinks you like.

Your face softens into a smile as the conversation continues, your initial suspicion simmering down and settling into something resembling ease as you realize he's just another guy on the clock doing his job: promoting the club.

He leans over, taking his phone out to show you something, and that's when you notice just how close he'd gotten to you since he sat down. You inch away slightly but still listen politely as he pitches one of the club's themed parties.

You nod your head with a vague interest as he scrolls through his photo gallery. Although you were never much into clubbing, you could admit that some of the events looked kind of cool. As he continues going through the photos, one in particular—a Valentine's night—catches your eye. You lean in, and your shoulders brush at the movement.

"That one's cute," you say, pointing at it as you take in the background details. Pink strobe lights, heart balloons, and rose bouquets. A small smile tugs at your lips as you imagine Nam-gyu in his work outfit, his sleeves rolled up and hair tucked behind his ears, knee-deep in a pile of cutesy, pink decorations. The thought brought some color to your cheeks. You'd have to bring it up to him later. Maybe that would be a more fun night for you to attend with him.

Unbeknowst to you, the man beside you was in the middle of taking your statement the completely wrong way. He raises his eyebrows, studying the pink dusting your cheeks and the way your face focused in on his phone screen. He scoots even closer, testing. When you don't react, he reaches out an arm, slowly draping over you as his hand finds its way to your shoulder. His grip on you is light, not forceful, not trapping, but you still stiffen at the contact.

"You think so?" he says, a smirk on his face. He ducks down so he's eye level with you. Too close. "Hey, if you promise me you'll go to our next one, I'm sure I can get you a discount," he brings his phone up again, tapping quickly until he's at the 'contacts' screen, "here, let me get your number so you can—"

You shrink back sheepishly, realizing that you have to nip this interaction in the bud. He looks at you, confusion written across his face, but he lets his arm fall to his side.

"Uh, sorry—do you know Nam-gyu?" you ask, thinking it was as good a time as any to bring him up.

He raises his eyebrows at the sudden shift in topic. "Nam-gyu...? Yeah. I work with him." A flash of recognition. His eyes widen. "Oh. Shit—are you the girl he came in with?"

You nod, a polite smile returning to your face as the man immediately retracts from you, an apologetic look on his face.

You open your mouth to speak, "Yeah, he's my—" Boyfriend, you try to say, but you're cut off by a rush of hands looping at your waist, tugging you backwards into a tight hold.

The familiar rumble of Nam-gyu's voice fills your ears as he leans over you. You twist around, looking up to see his face, both startled and relieved at his sudden entrance. He's staring down at you lazily through half-lidded eyes, and you can see how blown out his pupils are, even in the dim light. You barely have time to react or make a snarky comment before he's pressing his lips to yours, earning a small noise of surprise.

The kiss is welcome until a hand drifts to your chin, tilting you upwards, deeper, drifting into something that felt a little too intimate to be doing in a public space.

Remembering your audience, you pull away, a gentle hand on his chest acting as a barrier between the two of you. His coworker is looking at the two of you, his expression both sheepish and embarrassed, like he was intruding on something he shouldn't be— and honestly, he kind of was, what with the way Nam-gyu was glowering at him.

He stands up, giving Nam-gyu an apologetic nod as he clears his throat, hands flying to his pockets as he prepares to leave.

Nam-gyu smiles, nodding curtly back at him, but you know him well enough to recognize the tension in his jaw, the ingenuity in his smile. "Hey, man."

"Hey." He looks off to the side and then back again. "My bad, man. I didn't know she—"

"I think I can handle this one from here," Nam-gyu says, cutting him off with a barely disguised edge in his voice. There's a squeeze at your waist, a hand on your shoulder. "You can go find some other chicks to bother, right?" He cocks his head to crowd of people gathered in the center of the club, a small, mocking laugh leaving his lips. "I'm sure one of them will fuck you."

You recoil at his tone—and his gross implication, hand going up to lightly smack at his chest. You wonder if the drugs were cutting off the circulation to his brain.

"Nam-gyu!" you hiss, but he doesn't look at you.

His coworker curls his lip, eyes narrowing. "Jesus, dude. I said my bad. I didn't realize she was with you, alright?" He shook his head, turning around and promptly removing himself from the situation. He shot one last look at the two of you over his shoulder, returning the glare that Nam-gyu was still giving him.

Once his back fully disappears into the crowd, you stand up, knocking Nam-gyu's hands off of you as you fix him with a stare.

"What the hell was that?" you deadpan, arms crossing. "He literally said he was sorry."

"'What the hell was that?'" he mocks, his voice climbing a few octaves to match yours. He snorts, ignoring the frustration coloring your face. "I could ask you the same damn thing." He leans down, a hand drifting to the nape of your neck as he crowds into your personal space. "So. What were you two talking about? You seemed real interested." His tone dips low into something icy, accusatory.

You scoff at him, explaining how the conversation was friendly, how he was unaware of your status as a couple, how he instantly backed off at the first sign that you were uncomfortable—

But Nam-gyu ignores you, his hands travelling over your body until they find a home at your shoulders. He spins you around, and you let him, exhaustion hitting you as you realize that your statements were going in one ear and out the other. He rubs at your arms yet again as he pushes you forward, making you walk with him as he leads you to one of the side rooms—a VIP room, you come to realize.

"C'mon," he says, voice thick with whatever drug he'd just taken, "got s'more guests to entertain in here, and you get to come with me."

You roll your eyes. "Yayyy." You continue to count down the minutes left in his shift, but something told you that he was in the mood to clock in some over time.

The lounge is nice, spacious. It's at least a bit quieter than it is out in the main area, a perk you're somewhat thankful for as you adjust yourself on the couch. The guy from earlier is there too. You'd nodded at him when the two of you entered, small and polite and slightly apologetic. He ignored you, presumably for his own sake. You don't blame him.

The night continues, and you're silent, not really wanting to get in the way or be dragged into the conversation. You lean closer to Nam-gyu, craving his contact despite how annoying he's been. It wasn't exactly easy for you to relax in a room full of supposedly 'very important people' that you didn't know, all smiles and raucous laughter as they smoked and drank and huffed whatever came their way.

You were never the biggest fan of the world your boyfriend operated in, surrounded by substances and fast people with fast money that seemed to move quicker than their minds could make decisions, but it's what you signed up for when you got into a relationship with him, after all.

He's chatting it up with a particularly loud, and—unique-looking guy to his left, two girls practically melted into him at both sides. Goes by 'Thanos', you come to find out. A famous rapper with a lot of status and—from how he was speaking—a whole lot of money. His purple hair draws your attention, making his presence impossible to ignore in the confined space, that and his peculiar way of speaking, puncutated by random bursts of english.

You carefully snake a hand around Nam-gyu's arm, wanting to be closer but not wanting to interrupt. He gives you a small glance before brushing you off, you shoot him a look but then his arm is looping around your waist, pulling you into his side. He adjusts your legs so they're draped over his lap, and you redden, feeling like it was the slightest bit too much.

The others at the table didn't seem to mind, though, too caught up in their own conversations to care about your inner turmoil.

You slowly relax as he returns to his conversation. His hands are warm against you, one resting gently at the small of your back, the other rubbing light circles into the exposed skin of your leg. Nam-gyu was a touchy guy, something that you'd gotten used to in your time together. Always a hand at your shoulder, fingers ghosting against your hip, an arm slung lazily across your lap. Nothing too out of the ordinary.

It was fine at first, a comfort amidst the torturously long shift. His touches were soft, subtle, light, a welcome feeling.

Then, it escalates. He laughs at a particularly stupid joke from Thanos, too loud, too eager. It sounds fake. Whether it was due to the drugs or his desire to get into Thanos' good graces, you weren't sure. Either way, you don't have time to dwell on it before he's pulling you again, closer, until you're on his lap, his arms locking against your middle.

This, you conclude, was most definitely too much. You're quiet for a few moments as Nam-gyu's laughter winds down and Thanos turns to accept a joint from one of his lady-friends, a momentary calm falling over the room with the distraction.

You take the gap in conversation as an opportunity, fidgeting in your spot as you try to inch off of his lap. "Nam-gyu, can I get down?" you whisper.

He looks at you, his eyes blank as a playful smile creeps onto his face, but there's a tinge of something else there.

"What?" He lets out a breathy laugh, raising his eyebrows. His fingers ghost over your waist, your ribs, the slope of your neck. Then, he's tucking a fallen strand of hair behind your ears, smiling at you like a lovesick fool. You balk at the attention. He wets his lips before biting down on them. Eyeing you with a sudden razor-sharp focus. His voice comes out even, "You bored of me all of a sudden?"

You stare at him, incredulous. "What is with you right now?" He's not normally like this—touchy, yes, but not this... animated.

Nam-gyu just chews on his cheek, thinking for a moment before ultimately choosing to ignore your question. He pulls you closer until you're flush against his chest, your face burning red with embarrassment as he continues to hold you, his touch skimming dangerously close to indecency. You turn to the side, not wanting to meet anyone's gaze. At least he was warm, a silver lining.

Across the table, Nam-gyu locks eyes with his coworker, a silent battle still simmering in the weight of their stares.

This—his performance—was for everyone to see.

For him to see.

It wasn't even about you anymore. Just Nam-gyu's pride, his desire to win, even when no one else was playing the game.

A small misunderstanding, of which an apology had already been issued, it's fairly easy to let go, but Nam-gyu was never a fan of 'easy'.

The night pushes on, as does he. He whispers things you'd deem not very appropriate for company, much closer than necessary as he breathes against your neck, lips skimming the sensitive skin just beneath your ear. You mumble back a response, his fingers toying with the strap of your dress.

His behavior finally comes to a head a few moments later. Everyone at the table is chilled out, seemingly in a haze, likely from the weed and whatever else was spread out on the table. You wonder if it was finally about time for you to shove Nam-gyu in the car and go home.

Then, his hand is on your chin, guiding you to look up at him and fixing you with a stare that lasts a few beats too long, and then he's leaning down, closer, too close, pressing a kiss to your lips that he tries to deepen. It's dizzying, overwhelming, and entirely unlike him. You quickly break the contact, not giving him the opportunity to up the intensity. Not in front of all these people.

Thanos whistles from his seat, long and drawn out. It makes you want to melt into the couch.

Your face is red as you stand, suddenly aware of all the eyes on you.

"I'm going to the bathroom," you say, voice coming out in a flurry as you turn away from him.

Behind you, he meets eyes with his coworker for the last time that night, a cocky, infuriating smirk on his face.

He picks up the jacket that you'd left on the couch, throwing it over his shoulder before tossing a lazy 'goodbye' over his shoulders as he follows you. The performance was over.

The silence on the car ride home is suffocating, the engine humming beneath the tension. The energy shift is palpable—one second he was all over you, whispering into your ear and raking his fingers over every expanse of exposed skin, and then, nothing.

Nam-gyu had sobered up enough to drive, thankfully, because you were in no mood to do so. He drives with one hand on the steering wheel, his other arm leaning out the window. His posture is lazy, leaning back in his seat with his legs spread out in a way that appears casual, but the way his jaw is set, the tension in his knuckles where he grips the steering wheel, the effort he expends to not meet the stare you're boring into the side of his head—it all betrays him, how he really feels.

His lips are set into a thin, irritated line as he drives. His eyes flick to the radio, and his hand leaves the steering wheel for a moment as he turns it on, upbeat pop music filling the car but doing little to mask the fact that he was simmering, barely keeping his temper in check.

You ran out of patience from waiting for him to speak first. "So. You done being weird now?"

Nothing.

"Nam-gyu."

Still nothing.

You let out a small huff that trails off into a laugh. "Wow. So you can run your mouth all night, but now all of a sudden you're quiet?"

His fingers tighten on the steering wheel at that, his pointer finger twitching as he taps against it, the subtle clinking of his ring against the wheel queueing you in to how close you were to getting a reaction.

You roll your eyes. "You're such a fucking child, sometimes. You know that?"

"Shut up."

Your eyes widen. "Excuse me?"

"I said," he hisses, eyes narrowing as his grip on the wheel tightens, "shut up." There's something in his voice that makes you listen. It's low, firm, clipped in a way that tells you he's barely keeping himself from snapping.

You study him, taking note of the way he bites at his lip, the bob of his adam's apple as he swallows hard, and the way his hand flexes against its resting spot by the window.

You huff, turning to face the window and mirroring his posture.

Fine.

Soon, he's shifting the car into park, but he doesn't move. Doesn't turn off the engine.

Just sits there.

You don't turn around to face him. He doesn't ask you to, either.

The low rumble is the only sound between the two of you.

You didn't want to be the first one out of the car, and clearly, he didn't want to be either. It was like you two were in a standoff—a childish, petty standoff.

The silence is pointed, buzzing under the weight of all the things you weren't saying to each other. He lets out a sharp exhale, and you feel his stare on the back of his head. You refuse to turn around, refuse to give him the satisfaction.

You feel it, the way he's sitting there waiting for you to break the silence, as if this was somehow your fault and it was your responsibility to rectify it—waiting for you to sigh and grab his hand or say something snarky to give him an excuse to argue with you. It doesn't come.

He's the first to break, clearly tired from his shift, not to mention hungry for something to put in his body other than drugs ands cheap beer. He lets out a scoff before finally shifting the key in the ignition, shutting off the comforting thrum of the engine. He throws his door open, slamming it behind him as he fishes the apartment keys out of his pocket, not sparing you a glance as he walks towards the building.

You roll your eyes as you follow him, not like you had much choice.

The apartment is dim when you step inside, the only light coming from the fridge where Nam-gyu is standing, his body haloed in white as he pulls out a few snacks.

You flick on the light, ruining the dramatic environment he was building. You hang up your jacket and kick off your shoes, shutting the door behind you with a click as you fix him with a stare.

He turns, popping a few bites of something in his mouth before he leans against the counter, not meeting your eyes and instead staring at the wall across from him as if it had somehow become the most interesting thing in the world.

You suck in a breath, a mixture of annoyance and exhaustion swirling inside you. In all honesty, you just want to go the fuck to sleep.

"Nam-gyu."

Nothing.

Fuck, you hated this. Hated when he clammed up and backed himself into a corner, turning his nose up at you and forcing you to drag the issue out of him like you were pulling teeth, like he was a damn child. Because why would he ever just tell you what the problem was so you two could talk it out? That'd be way too easy for the both of you.

You drag a hand down your face, pushing past him and moving towards the bedroom, your patience running extremely, extremely thin.

"Jesus, you're exhausting."

His lip twitches at that. "What, running away again?" he says, voice indignant as he steps in front of you, cutting you off.

"Ohhh." You throw your hands up at him, a mocking smirk on your face. "Now you wanna talk."

He closes in on you, so close that you can smell the smoke and chemicals still clinging to his clothes. He looks like he's going to speak, but he doesn't, just presses his lips into a tight, thin line, his expression laced with irritation.

You roll your eyes at the silence. He has no room to talk, and you know it. He knows it too, clear in the way he won't open his mouth.

"If you're gonna throw a temper tantrum every time a guy speaks to me, go ahead. Just leave me out of it." You step back from him, finding your way to the couch. If he wants to act like a dick, fine. Let him.

"I threw a tantrum?" he says, voice laced with something icy as his jaw ticks.

"Yes, Nam-gyu," you say, voice going high as if you were speaking to a child, "a whole fucking scene, actually."

He watches you with silent anger as you fluff up the couch pillows.

You hear a snort behind you. "Oh, sleeping on the couch, huh? Cute."

"Better than sleeping next to you right now."

A beat of silence.

Then— "Fine. Whatever. Do whatever the fuck you want."

He stomps into the bedroom, the door slamming shut behind him.

You stare down at your lap, brows furrowed in anger as you gave yourself a moment to calm down. Then, it dawned on you that you were still in the dress you'd worn to the club with makeup still on your face, the only change of clothes being in the room now occupied by your angry boyfriend.

Dammit. You lay against the couch. It's too lumpy. Too cold, without your thick blanket and Nam-gyu's shared body heat. The dress is tight against your skin.

Still, you lay there for a good ten minutes, refusing to fold.

When your efforts to wait him out prove to be fruitless, you let your eyes flutter shut with a sigh, not wanting to give him the satisfaction but knowing that there was no way you were going to get a good night's sleep out here.

Reluctantly, you get to your feet and shuffle quietly to the bedroom door. You linger there for a moment, steeling yourself.

Behind the door, Nam-gyu is laying in bed, clad in only his boxers as he stares up at the ceiling in the dark, his arms crossed over his chest as he drums his fingers anxiously, angrily, against his skin. His work clothes sat in a crumpled heap by the laundry basket, taken off and dumped in a flurry as he waited for you, refusing to get ready for bed before you cut the act and gave in, like you always did. He knew you'd kill him if you found out he'd laid on the bed with outside clothes.

He reaches over to his phone on the night stand, quickly clicking it on before shutting it off again.

Ten minutes. Fuck. How long were you gonna keep this up for?

His body twitches in reluctant defeat, and he's about to get up, swallow his pride to scoop you up from the couch and drag you into bed so he could get some goddamn sleep—but the sound of the door creaking open saves him. He swallows, body going still against the bed as you step inside.

A wave of relief washes through him, and he exhales like he's been holding his breath since the two of you had stepped foot in the car. He quickly recovers, though, a smug expression replacing his initial relief, hiding the fact that he was waiting for you.

You slink across the floor, refusing to make eye contact with him as you push the closet open and search for your pajamas.

"Oh, look who it is," he laughs, propping himself up on his elbows. "Miss me already, huh?"

You don't respond, eyes narrowing as you stack your clothes in a pile next to you. After gathering everything, you stand up and make your way towards the door without shooting him a glance.

You pause, curling your lip as the smell of the nightclub reaches your nose.

"You stink. At least have the decency to shower after the club before you roll around in our bed."

His expression sours behind you as you make your way out.

You shower quickly, half convinced if you took too long that Nam-gyu was going to bust in and try to argue with you again. You dry your hair, pull on your pajamas, and brush your teeth. When you open the door, he's there, sitting on the couch in his boxers. He doesn't look at you as he gets up, nudging you with his shoulder as he makes his way inside.

"Took you long enough," he scoffs.

You roll your eyes.

His shower is quick, rushed. When the door to the bathroom opens, all the steam escapes. He stands in the doorway with his towel clinging loosely to his hips, hair dripping as he shuts the door behind him, his skin pink from the scorching water.

You quickly still on the couch, shutting your eyes as you pretend to be asleep, trying to play it off like you weren't listening intently, waiting for his shower to be over. Waiting for him to crack so you didn't have to actually spend your night on the damn couch.

He lingers in the doorway for a moment, squinting as he zeros in the outline of your body. Then, you hear the soft pad of his footsteps as he makes his way over, the sliver of light pouring in from the bathroom being his only guide as he towers over you.

"I know your ass isn't asleep," he says, eyes narrowing as he crouches down next to your face.

You don't react. He wets his lips, mind reeling, searching for his next move.

Then, his hands are gently resting on your side. You swallow, holding your breath in anticipation. The heat of his skin prickles against you, still steamy from his shower, the damp scent of his shampoo filling the space between you.

And then—his fingers press into your sides, and he's tickling you.

You yelp, eyes flying open and body jerking violently as his fingers dig into your ribs, mapping over every ticklish spot on your body that he'd come to know in the time you two had been together.

"N-Nam-gyu!" you try to yell at him, but it trails off into shaky laughter, his touch relentless.

You can't hold it in, after all, who could? And then you're a red, laughing mess beneath him, your hands coming out from where they were pillowing your head a few moments prior, trying-- and failing, to get him off of you.

You try to twist away from him, but he follows, grinning now.

"Oh?" he says, his voice mockingly sweet, "I thought you were asleep?"

He clambers on top of you, water dripping from his hair and onto your dry, warm pajamas. You want to yell at him for not drying off completely before he came out, but you can't get it out between your laughter.

He's laughing now, too, his grin growing wider, and this time, there's no venom there, no smug satisfaction, no anger. It's just him and you. Giggling in the almost-darkness on your lumpy couch in your small apartment, tucked away in your own little pocket of the world.

"You—asshole!" But you can't stop laughing, grinning so hard it hurts, despite how badly you wanted to be mad at him. "I hate you!"

He shakes his head, eyes not leaving you for a second. "No, you don't." He smirks, pressing one last ticklish squeeze in your side, before relenting and taking a seat at your legs.

You're breathless, gasping and heart racing, still half-trapped beneath him.

He stares at you for a moment. His grin softens. Yours does, too.

He knows he'd been an asshole this whole night. Knew it before and after the drugs had worn off.

And though he still doesn't say it—I'm sorry—as if his body won't allow him to say it—he leans forward, hair still dripping onto your face, and he nudges his forehead against yours. Just once.

You let out a shaky, exasperated breath, finally able to compose yourself.

Your hand goes up to rest on his bare shoulder, a beat passes, and then you're tugging him gently down, pressing a chaste kiss to his lips.

"You," you say, shutting your eye as a droplet narrowly misses it, "are the biggest fucking baby alive."

He grunts.

You laugh, amused. In that moment, you know you'd won.

"Jealous little freak."

That earns you a huff.

The two of you sit there for a while, coming down from the moment. Once you can no longer stand the water dripping onto you, you shove him off.

"Hurry up and get ready for bed. I'm tired."

There's a ghost of a smile on his face as you push past him and collapse onto the bed.

Soon, he flops down next to you, the bed shifting under his added weight.

Silence.

He turns his head. A beat.

"So. You wanna fuck? Or..."

You exhale sharply through your nose in lieu of a response, rolling over to curl into his chest.

You press a kiss to his jaw as he drapes a hand across your waist, your voice sweet and laced with sleep as you lean into him, breath brushing against the shell of his ear as you whisper, "Go the hell to sleep."

He snorts, and soon, you're both drifting off into your own worlds.

---

The third time, it's not petty, not over a bout of jealousy.

It starts over money.

Of course it does. It always does.

You stand over him, trying to rub away the tension in your temples as he scrolls through his phone, ignoring you like he has all the time in the world.

"Seriously? You spent how much?" Your face is hot. "Are the drugs that good? They have to be, with how much money you throw away over them!"

Nam-gyu doesn't even look up at you. He's slouched, legs spread against the couch as he scoffs. "Why the fuck do you care?"

Your eyes widen. "Why do I— Nam-gyu, are you actually serious right now?"

He exhales sharply, shutting his eyes for a few seconds, as if this wasn't an extremely important and serious conversation. The sight makes your blood boil. He shuts off his phone and tosses it onto the coffee table with a clack.

"Look. I made the money—so I spent the money." He looks up at you then, his expression screaming that he'd rather be anywhere ot her than here. "I don't think it's that hard to understand."

"Yeah? With what fucking rent money, genius?" you spit back, your pulse quickening at his condescending tone.

He narrows his eyes at you, jaw flexing. Dangerous. "I said." He stands, looking down at you now. "I'll handle it." He presses two fingers to your chest, shoving you back lightly, a warning. "Now can you get the fuck off my back?"

You laugh, but there's no humor in it. "Really? When? Before or after the landlord's knocking on our door?" Your voice rises, the anger bubbling in your chest, getting ready to spill over. "Fuck, Nam-gyu! You always do this! Blow through your money—our money—like it's nothing and then act like I'm the problem for calling you out on it!"

"Oh yeah?" he says, stepping closer. His neck is tense. "And you do what? SIt there and bitch at me like you're my fucking mother?"

The words sting, but you don't back down. You open your mouth to fire back, but he's already speaking, practically yelling now.

"I was working. What the hell do you want me to do?"

"Working?" You bark out a laugh, mocking, incredulous. "That's what you call working? Getting fucked up and blowing your money on drugs for people that won't even remember your damn name?"

He takes a deep breath, nostrils flaring as he bites his lip. You're sure he's about to explode. It doesn't scare you.

"It's my job!" he yells, lips curling into a sneer. "What, you think you're an expert on my job now?"

"Your job is to promote the club, not snort half the fucking inventory!"

His face darkens, and something ugly twists in his features. You can't deny the way your hands shake at your sides.

"Fuck you."

"Fuck you too," you spit back.

The air shifts, the silence hanging between you two heavy and suffocating.

He shakes his head, looking off to the side like you were being ridiculous as he runs a hand through his hair. "You love doing this shit, don't you? Acting like you're so much better than me, like you've got everything figured out." He juts his chin out at you. "I bet you were just waiting for a reason to fucking lecture me again, huh?"

"Oh my god, Nam-gyu, this isn't about me. This is about your reckless spending habits—"

"And there it is! It's always my fault, isn't it? I'm always the villain, the big, bad piece of shit ruining your life. A screw-up that you have to fix." He smirks. "Go ahead. Call me a screw-up. I know you fucking want to."

You groan. "Do you hear yourself right now? I've never called you a screw-up! That's all in your head."

"Oh, yeah, but you sure as hell think it," he sneers, taking a step towards you. You don't move, determined to stand your ground. "You're always talking down to me like I'm an idiot. Like i'm just some loser that you have to babysit, because you're such a saint for putting up with someone like me." His eyes flash with anger. "You just wanna control me."

"Oh?" you huff, eyes narrowing. "So that's what this is about? Your ego?" Nam-gyu's jaw flexes at that, daring you to continue. "I don't wanna control you, Nam-gyu! I want to build a life with you! But you just keep sabatoging yourself—blowing through our savings on useless shit and poisoning your body while I try to save you!"

He laughs, a bitter, hollow sound. "I knew it!" He turns around and walks away from you, hands going up to tug at his hair as he paces across the floor. "You're just like every other bitch I've ever met. Always running your fucking mouth—acting like you know better. Acting like I need to be saved."

Your anger comes to a head, simmering and simmering until it was at the edge, just about ready to boil over. You step forward, cutting him off. "Maybe because you fucking do!"

He pauses, his face going blank as he stares at you. For a second—just a second—he looks wounded. Like you'd slapped him.

Then— "Oh, fuck off." He spits the words out like it's poison, hands falling from their place in his hair and leaving it a tousled mess. "You wanna 'save' me? What are you, my fucking mother?" His fingers twitch at his side. Then he scoffs, shaking his head at you, and a bitter smile stretches across his face. "No. You're not like my mom. You're worse. At least she knew when to shut the fuck up."

That did it.

Your anger boils over finally, coursing through every vein and artery until your body moves faster than you can think.

You slap him.

The sound cracks through the apartment like a gunshot.

He stumbles back, eyes wide and lips parted in genuine shock. He says nothing as he brings a hand up to his cheek, fingers pressing against the red mark blooming against his cheek. He's quiet for a moment.

Then: a laugh. Sharp and cold, slashing through the silence.

"Oh. Hah. There she is." He grins, but his eyes are wild. "The real you. The one who pretends to be so mature and understanding, but the second I hit a nerve, you turn into a hysterical, emotional bitch."

Your heart is slamming against your ribs now, and there's something hot pushing behind your eyes.

"I hate you." Your voice was shaking.

He doesn't flinch, just stands there, staring at you, but his fingers twitch, something cold taking form in his chest like a stone.

"Good." His voice is low, cold. Fake. "Then why the fuck are you still here?"

Something inside you snaps. Because underneath all the anger, you can hear what he's really saying.

Why haven't you left me yet?

But you're too furious to give him the reassurance you know he desperately wants—the reassurance he's waiting for with bated breath and clenched fists.

You won't give him the satisfaction.

You push past him, throwing the door open to the bedroom, one hand grabbing frantically at your clothes, the other clumsily fishing in your pocket for your phone. He follows you, suddenly silent.

You hear his breathing from the doorway. Heavy. Unsteady. Panicked. You pretend not to notice.

You dial your best friend, quickly bringing it up to your ear to hide the screen from Nam-gyu, hands trembling with anger.

"Hey," you say as soon as your friend picks up, voice shaking, "can you come get me?"

Nam-gyu's blood runs cold, something icy snaking through him and squeezing his chest like a vice.

Despite it all, he still finds a way to be an ass, another sharp laugh clawing its way out of his throat. "You're serious? That's all it takes?" He steps forward, his indifference betrayed by his breathing, fast and raggedy. "What, been waiting for an opportunity to finally be rid of me, you whore?"

You turn to face him, your hands going still as you lock eyes with him, eyes burning.

"You don't mean that." Your voice comes out so, so small.

Nam-gyu's breath stutters, disarmed by the way you're looking at him.

You see his face rewind before you, and for a second, he's the boy you met back in university. Vulnerable, unsure, timid, scared—and you saw it. A flicker of panic and regret across his face, knowing he'd pushed it the slightest bit too far. Knowing you were at the edge. It was up to him to pull you back.

And for a second, you really believe it. That he will.

But then—

Ego.

His pride.

His biggest fucking downfall.

"Nah," he scoffs, looking away as he feigns indifference. "I meant every word."

Your stomach twists. You grab your bag and pull yourself to your feet. You won't cry. Not here. Not in front of him.

He turns around, leaning against the doorframe and forcing you to watch his back while his face goes slack, teeth grit behind his lips as he holds his breath. "So. Are you leaving, or not?"

You push past him, bag in hand as you make your way to the door. He follows you, watching as you pull on your coat. He doesn't reach for you, doesn't stop you. His expression doesn't change, but the way his throat bobs—the way his hands shake despite his best efforts to hide them in his pockets—it tells you everything.

And this time, you don't have it in you to read between the lines, to decipher the stupid act he's putting up. All because he can't be an adult and say what he really means.

You grab your bag from the floor, a ding popping up on your phone: a text from your friend saying that she was outside.

Your hand is resting on the door knob, twisting, when his voice comes out—low, cracking.

"You're really gonna do this?"

You don't look at him. Just push through and slam the door shut.

He doesn't follow.

And just like that, Nam-gyu was alone. He lets out a shaky breath that he forgot he was holding, gripping at his sides like it would keep him from falling apart.

Suddenly, despite your absence, everything is much too loud. Louder than before. The hum of the refrigerator. The buzz of the wiring in the walls. The padding of his footsteps against the hardwood as he threw himself onto the couch, his legs suddenly too shaky for him to stand.

"Whatever," he says to the oppressive silence. "She'll be back." His voice cracks, unsure. Like he doesn't even believe the words as he's saying them.

Tension crawls up his back, settling into his limbs like a concrete block. He sits there for longer than he should've, an invisible weight pushing down on his shoulders. He won't say it, but he's waiting for you.

You don't come back that night.

The next day passes by him in a blur, thick with alcohol and chemicals. He's in the bedroom, his phone on the floor next to him. He pushes his palms against his temples, quick gasps burning his lungs.

His fingers twitch, exhausted with the effort of keeping still, but he won't do it. He won't text you. Won't call you. He won't let himself. His heart pounds craters into his chest as he sucks in a deep, labored breath.

His own words from the day before echo in his head. He'd wanted to push you, break you down, make you feel as small as he did. And it worked.

And now?

Now you were gone.

It was fine. It was fine. He pulls himself to his feet, something icy creeping up his spine. Nothing some weed couldn't fix.

As he stumbles to his feet, he catches himself wishing that he'd been scheduled for work today. Something to distract him. The thought makes him laugh, hollow and flat.

His hands shake as he struggles with his lighter, trying and failing to get a flame. He curses, arms dropping to his sides as he leans against the couch. Fuck this.

He slides down the couch until he's spilling onto the floor in a heap. There's something hot and wet pushing behind his eyes now, betraying him as it finally falls. He swipes at his face, biting back the frail noises threatening to spill from his throat. He doesn't want to hear it. His hands make fists in the material of his shirt, and he hardens his jaw, forcing himself to breathe slowly as his mind short circuits.

It was fine.

You'd be back tonight. He was sure of it. He tries the lighter again, and this time, it catches.

You crash at your friend's place. She doesn't ask questions, and you don't offer answers. It wasn't like this was the first time you fled to her house after a fight with Nam-gyu had gone sour. Your friend's guest room was practically yours, at this point.

The bed is comfortable, warm, but it does nothing to calm the threads of anxiety twitching through your limbs. You grab your phone, checking for the fifth time to make sure that it wasn't on silent.

It wasn't, and as you thought, there was nothing new. No text, no call. You let out a puff of air and continue to pretend like you don't care.

A few moments later, you turn over, fumbling for another pillow in the darkness. You hold your breath, lip trembling as you squeeze it tight, biting back your tears. He didn't deserve it. To make you cry.

"Fucking asshole."

Unfortunately for you, he was right.

The next day, you do your best to stay away. Enjoy your friend's company. Calm the images of Nam-gyu's limp body flickering through your mind like a cruel recording on loop.

Then— "I'm sorry," you say, ducking your head at your friend. She pauses the movie the two of you are watching, and she doesn't startle, as if she already knows what you're going to say next. "Could you drive me home?" Your voice is sheepish, embarrassed, as you keep your eyes on the floor.

You can almost hear Nam-gyu's voice. 'How typical. Knew you'd come crawling back.'

Your friend just nods, keeping her thoughts on the matter to yourself. For that, you're thankful.

Soon, you're rounding the corner, fumbling with your keys before finally pushing past the door, betraying yourself yet again.

And he was there, right where you left him.

He’s half-slouched on the ground, his back against the couch as he stares up at the ceiling. He'd shoved the coffee table out of the way to make room for himself. His limbs are outstretched on the floor, loose and lazy. Like a cat, you think. It would've been cute, had it been under different circumstances.

A joint burns low between his pointer finger and thumb, dangling dangerously close to the rug at the foot of the couch. He brings it to his lips and takes a long drag. A stray piece of ash falls from the end and burns black into the plush fabric. A permanent stain. A reminder.

The room reeks of weed, a cloud of smoke floating lazily around the ceiling in a slow-motion circuit. The smell curls in your lungs like the argument still lingering between you. You don’t even care.

He didn't look at you when the door opened. Not when the door shut. Not when you cover your nose and mouth with your sleeve, quickly throwing the window open and ushering the hazy cloud outside as if it had the agency to listen.

He doesn’t blink when you come to a stop at his feet, your shadow falling over him like a blanket. He continues to stare up at the water stained ceiling, regarding it with a calm indifference, like a painting he couldn’t understand.

Your eyes rake over him, taking in every inch of his sorry state. He’s in the same clothes you last saw him in, shirt wrinkled and pants twisted low on his hips. His hair stuck out oddly like he’d just woken up from a nap. His eyes are red and swollen, but you know it’s not just from the weed. He barely acknowleges you, save for a lazy flick of his eyes.

You kneel next to him and and press a palm to the warmth of his chest. His face is blank, even, his mouth pressed into a thin line, but his heartbeat betrays him, hammering beneath your fingers like it was trying to get out. A bird making panicked circles on the floor of an open cage.

He lets out a quiet laugh, but it’s weak and tired, bordering on something desperate.

"You stink," you mutter.

Nam-gyu lets out a humorless snort. "Then leave." But he doesn't mean it, not really. His heart quickens beneath your fingers, no doubt scared that you actually might.

But you don't. Instead, you pluck the joint from his fingers and stub it out in the ashtray on the coffee table.

He blows smoke into your face. You don’t blink.

Your fist closes around the fabric of his shirt just above his heart, the soft cotton spilling out between the gaps of your fingers as you clamber on top of him.

He doesn’t react. Doesn’t meet your eyes. You lean down, tilting your head forward so that your foreheads touch. Your hair falls from behind your shoulders, draping over the two of you in a gentle curtain.

The smell of weed is thick as you press a kiss to his cheek. Your free hand comes up to cup his face, thumb tracing his bottom lip softly before straying to the nape of his neck. His lips part weakly, as if he's going to say something snarky, something mean, to remind you of the other day.

Your breath is hot against the shell of his ear as you speak, voice barely above a whisper, “Just... Shut up, okay?” You press another kiss to the top of his forehead, pleading. Soon, your face finds its home in the crook of his neck. You breathe him in, the smell of his skin grounding you, still managing to reach you through the haze of smoke and chemicals. "Please."

And for the first time in a while, he listens.

Nam-gyu says nothing. Not when your fingers comb through his mess of hair. Not when you're tugging his limp body up, up, pushing him—stumbling and dazed—into the shower. Not when you're peeling off his clothes and yours, switching on the faucet and rubbing circles of soap onto the gentle slope of his back as the shower fills with steam.

He won't tell you how much he appreciates it. He won't tell you a lot of things.

He's quiet as he pulls on his pajamas and sinks into the bed like a stone. Relief washes through him as the bed shifts beneath your added weight. His shoulders ease up for the first time since you'd left, though he won't tell you that, either.

The next morning passes like any other. There is no sorry. No kisses pressed to your neck or hands looped around your waist. You weren't expecting it, anyways. You don't dwell on it. Not like you had the time, to. Instead, you roll out of bed, shake the sleep from your body, pull your work clothes on, and start your day.

Later that day, when your key clicks in the lock and your legs cross the threshold, the apartment smells different.

Not weed, not chemicals, not the lingering smell of smoke.

Your eyes trail across the apartment, taking note of everything. The counters are wiped down, the floors swept. Even the clutter that usually lingered around—his clothes, empty bottles, dirty dishes—gone.

You raise your eyebrows as you hang the jacket by the door.

You lean against the counter, unable to keep the look of pure surprise off of your face as you watch his back. Nam-gyu is cooking, a novelty from when you two first got together. Before he'd sunk deeper into his drug habit.

"What's this?"

He doesn't look at you. "Food."

"Wow," you press, testing. He looks at you over his shoulder before turning back to the pot on the stove. "You? Cooking?" You lean in closer, trying to catch his eyes. "Am I dreaming right now?"

He shrugs, stirring the pot. "You always bitch about me eating. So I'm eating."

You purse your lips, deciding not to comment on his wording.

You can't remember the last time he'd cooked. It was always you. Or takeout. Or you reminding him to eat, that drugs and alcohol weren't enough to make up a healthy diet.

He flicks the stove off and grabs a plate from the cabinet, wordlessly spooning a scoop of freshly cooked rice onto the plate, still steaming. He shoves it into your hands before grabbing another plate for himself. He moves out of the way, gesturing at the pot like it'd inconvenienced him.

"It's still hot," he says blankly. His voice is tight, clipped, but you know it's just his way of masking his nerves. Tiptoeing around you like one wrong word might send you flying out the door again. "Now shut up and eat."

The food was delicous.

It tasted like nostalgia, bringing you back to the early days where he'd always cook for you, butterflies blooming in your stomach as your legs bumped against each other under the table, flirting under the warm kitchen light.

Back when his job was just a job. A 'for now'. Before it tangled and spiraled with his being, melting into him until you weren't sure where it ended and he began, the fuel for his fire, stoking his addictions and anger and insecurities until it grew big and ugly and distorted.

The thought made your chest tighten a bit, so you push it out of your mind, hands readjusting in your lap as you refocus on the movie playing in front of you.

The two of you sit on the couch, the glow of the TV flickering dimly across the walls.

Nam-gyu is beside you, sprawled as usual, his legs spread wide and taking up an offensive amount of space. His fingers drum absentmindedly against his knee, his other hand fidgeting with his ring. He hasn't reached for you all night, but every now and then, you feel his eyes flick toward you.

Like he was waiting.

And then, without a word, he pushes something into your lap.

You startle a bit at the sudden movement. You look down, and your mouth falls open.

A plushie. It's a chubby, white bunny. Soft and cute.

You wonder when he went to the store. You picture him walking up and down the aisles, scanning the shelves and chewing his lip nervously as he decides what to get you. You imagine him checking out, slamming the plushie down on the counter before roughly tapping his card.

Then, you notice the small, black box sitting on its tummy. You almost didn't notice it, blinking down at it in shock.

You pick it up, face incredulous as you turn to him.

"You bought me something?" you say, breathless, as you turn it over in your hands.

He doesn't answer, just keeps his eyes trained on the screen. His leg bounces restlessly, both hands fidgeting with their respective rings.

You sigh, and it's soft, so soft, as something wells up in your chest. "Nam-gyuuu..." you start, leaning towards him.

"Just shut up and take it," he grumbles, still refusing to look at you. "Or don't. I don't care."

You stare at him for a long moment. His ears are pink, just barely hidden behind his long, black hair.

You decide to give him a break and open the box. Inside is a silver chain, dainty, shiny, and exactly your style. It's also real. You lift it out with a gasp.

Nam-gyu doesn't turn his head, but his eyes flick to you for a moment, taking in your reaction. Something in him unclenches.

The pendant hanging off of it is small, but it's beautiful, sturdy. You let it fall against your palm, the silver catching the dim light from the television as you inspect it. It's a star.

You pout, eyes going wide and glossy as you turn to look at him. He exhales sharply. Then, you notice something else in the box, a baggie tucked away in the corner of the velvet lining. You hold it up to the light, trying to see what it is.

It's another star, just as dainty as yours, except somehow smaller.

"Is this an extra one in case I lose mine?" you ask, genuinely curious.

The moment he sees what you're holding, his whole body tenses. His knee stops bouncing, and his fingers freeze. Then, without hesitation, he snatches the bag from your grasp.

"Nothing," he mutters, shoving it deep in his pocket.

You blink. "Did you��" your voice trails off, realization dawning on you. Your heartbeat picks up. "You bought a matching charm?"

Nam-gyu glares at the TV like it'd personally offended him. "Oh my god. I said it's nothing."

You stare at him stunned. He was never the type to do this—sweet, thoughtful things. No, that was too corny for him. And yet he had. He'd gotten two of the same pendant. One for you, and one for himself.

Maybe to add to his own chain. Maybe to turn into a charm for his keyring.

Either way, it meant something. And you knew it.

"Nam-gyuuu," you press, all discretion gone as you cuddled up to his side. You watch his jaw clench as you rub his side, all smiley and starry-eyed. "You wanted us to match?"

"Okay. Shut up." He's tensing up, leaning away from you as he leans into the armrest, but you know for sure that it's all an act now. The plushie at your side and the necklace gleaming on the coffee table was enough proof of that.

But you can't. You can't stop staring at him, at the way his fingers dig into his knee like he's resisting the urge to snatch the whole damn box back from you. He's sulking like a kid caught red-handed.

Your grin widens, head going loopy with love. "Ohhh my goodness," you say, voice dripping with amusement, "you're so cute, Nam-gyu."

His head snaps toward you, eyes narrowing as he finally makes eye contact with you, but there's a color to his face that wasn't there earlier. "Don't start."

But you do start. You lean in, resting your chin on his shoulder, batting your eyelashes at him. "You wanted us to have matching charms? So that even when we're apart, we'll always have a little piece of each other?"

Nam-gyu gorans, tipping his head back against the couch. "Shut the fuck up." But there's no venom in it, not even a drop. Something tells you he might even be enjoying this, in his own way.

"It's like a promise, isn't it?" You sigh dreamily, pushing through the excitement in your chest, but also because you can't help but relish the way he squirms under the attention. "A silent vow that no matter where we go, we'll always be connected. Like two stars floating through space, spinning in a galactic embrace of eternal love—"

"I'm gonna kill myself," he mutters, rubbing his temples. The movie drones on in the background, completely ignored.

You laugh, finally letting up as you nudge him with your shoulder. "You're so romantic," you coo. "Who knew you had such a soft heart under that shitty attitude of yours?"

"I will throw you out that fucking window," he threatens, but it's weak. His ears are red, so red, and he won't meet your gaze.

You let the moment linger, then tilt your head, lowering your voice to something softer. "Thank you," you say, genuine this time. "I love it."

Nam-gyu scoffs, but his knee starts bouncing again. "Yeah, yeah. Whatever."

But later that night, when you finally slip the necklace on, the bunny plushie sitting gingerly in your lap, you catch him staring.

When you lay down next to Nam-gyu, there's something between you two. Something charged, electric. You don't say anything, but you know it's coming.

When his hand drifts over to you, lingers on your waist, you let it.

Then he's on top of you. His weight presses you into the bed, and you stare back up at him. His touch is soft, gentle, as he brushes the hair away from your face, from your neck. The necklace he bought you is cool against your skin. He stares at it again, touching it gingerly and turning it over in his fingers.

Your breath catches, and then he's leaning down, pressing a kiss to your lips. It's gentle, soft.

It's not like him at all.

That night, it's like a race. Except there’s only one pedestal, and it's a spot reserved just for you. So he's grunting, biting down on his lip as he presses his fingers into the dip of your waist, pushing you closer and closer to the finish line. There’s a ghost of his breath on your neck, a graze of teeth at your collar bone, something sickeningly sweet in your ears— something you likely wouldn't be hearing tomorrow.

Then, you reach the edge, and he’s staring in your eyes, gripping your chin so you can’t look away. He dips low and smashes his lips onto yours. The ribbon snaps, and you tip over, breath being ripped from your lungs as you gasp, sighing his name like it's a prayer.

It's been a couple minutes since he'd rolled over, your skin still slick with sweat as you continue to catch your breath, heart drumming steadily beneath your skin.

His hand is heavy on your waist, his breathing steady. He was practically half-asleep already once he'd finished.

"Fine," you breathe into the silence, eyelids growing heavy as you swallow. You push your hair out of your face and roll over to cuddle into his side. Defeat. "I forgive you."

Nam-gyu, even in his exhausted state, smirks weakly in the dark. He slowly turns to press his face into you, rubbing slow, possessive circles into your skin.

He feigns ignorance as he smiles against your hair, because accepting your forgiveness would be an admission of guilt, and he couldn't— wouldn't do that.

"For what?"

ao3 link, if you'd prefer to read it over there

a/n: omggg i had so much fun writing this! obviously, a lot of this is my interpretation / speculation of how he'd act 'normally', so when he's not crazy hopped up on drugs and locked up in a life or death situation, but hopefully it's somewhat believable. i'm like rushing to get all my writing out before season 3 potentially crushes all my hopes and dreams and imagination and/or my motivation leaaves me haha. although school's still been kicking my ass, as always please feel free to send me any thoughts / suggestions in my inbox <3 i'm in this shit for the long haul, y'all.

#nam gyu x reader #namgyu x reader #nam-gyu x reader #player 124 x reader #squid game #divider c: strangergraphics #lilyposting #my fic #nam gyu #namgyu #nam-gyu #player 124

235 notes · View notes

alaritheaurora · 7 months ago

Text

Guys I think Aeon got to Troy before Blink did. Think about it.

When Troy fell down the trash hole he immediately went unconscious. When Blink found him he was not unconscious. In fact, he was wandering around like he hadn't been for a while. He was pointedly described as roughed and dirtied and beat up, like he'dbeen wandering around getting into trouble.

Also the things Troy says "your my only ticket outa here" to which Blink respinds "why me?" And then troy says "I dunno, I'm not supposed to tell you" and then there's also the red flag of "no one's vhasing you, no one's using fir any ulterior motivation" which are the obvious ones, but I noticed some other more subtle ones.

"All I know is I fell down this freaken' hole, I woke in this wacky situation with all these cooky characters" he says this right before saying Blink is the only one who can help him. Why do I point this out? Because what "wacky characters" has he met besides Blink? He was unconscious, and then wandering around confused, Blink should be the first person that he's talking to. Who else did he talk to for that to be a description of his situation?

He also says "you have gotta run with me, if you wanna make it down here" when he just meets Blink. No hi hello, not even names yet. At this point Troy still thinks it's a convention. Currently, he's chased after Blink for seemingly no reason after proclaiming "you!" It very much seems like he's repeating something someone said to him in an effort to get Blink to trust him.

Lastly is the picture that was accidentally posted to patreon by the jrwi crew. It was in a post that was basically all the images from the first episode, but they accidentally included one from a future episode. The image is Troy sitting on a chair looking kinda nervous or indecisive while the rest of the picture is just darkness. Charlie has said that Troy gets worse during the campaign and also commits war crimes(?)

Here's what I think happened between Troy falling and Blink meeting him. I think the bear guy finds Troy, is like "wtf?" Gets a vixen over, they obviously recognize an uplander, so they fetch Aeon. Troy is a fucking dumbass and she decides she could use that to her advantage. She tells Troy that Blink, the owl man can help him get out, and she'll also help, so long as he reports Blink's actions to her. And maybe also brings Blink up to the surface with him (where he obviously won't come back from).

That's my theory, Troy unknowing villain arc. But idk, maybe I'm doing Troy Math wrong.

#jrwi #jrwi show #jrwi wonderlust #jrwi troy #jrwi blink #jrwi runt #jrwi troy lougferd #troy lougferd #just roll with it wonderlust #just roll with it #but hey #thats just a theory #a JRWI THEORY #jrwi aeon

513 notes · View notes

mayakern · 2 months ago

Note

If you don't mind sharing, what happened to vanetta's ex Edmund and his new saintess gf?

oh boy, so, a LOT has happened here so BUCKLE UP.

(and here’s a picture of vanetta for context for the maybe 2 other ppl who will read this huge post, which i have tried to summarize)

TLDR: after vanetta “died” and was yeeted into time travel, edmund died and charlotte saved the world. but edmund got brought back… and he came back wrong.

but the full story is so much weirder than that:

the core conceit of this game is that we are time (and place) hopping every time the party levels up, and mostly this is pretty normal—someone who’s from an ancient time visits a future date and finds out their country no longer exists, someone from the future goes to an earlier time and is shocked by the severely lacking technology, etc etc

except for vanetta, who is not from the past or future. she is from a book series. and she has JUST discovered this.

our most recent time hop has taken us to a dystopian capitalist future that takes place in a big mall in outer space (think a combination of tron, zenon: girl of the 21st century, wall-e and other similar media), where our wizard comes from.

and as soon as we materialize there, vanetta is recognized as a “really high quality and authentic cosplayer” of, well. herself. the book series she is from (the briar path) is popular on a level that basically combines twilight, harry potter and the bible all in one. it is fantastically popular, but also pretty old, and also is continually getting remakes and re-releases and right now they are currently making a manga adaptation of it. and it has a very active fanbase that writes a lot of fan fiction. this is, somehow, incredibly plot relevant.

an npc shows vanetta the comic, which currently i think covers 2 of the books in the series, and it shows her being depicted as basically your typical shallow, unsympathetic villainess character. and it depicts her death: the moment when, on the ramparts of the palace she was meant to preside over, she is faced with an angry mob seeking her death on one side and the crown prince (edmund, her former fiance) and charlotte (the saintess, his new woman, who in the fiction of the book was isekai’d into the world of the briar path) on the other side. vanetta climbs onto the rampart and makes a big impassioned speech (aka a villain monologue) about how pathetic and horrible they all are and when charlotte makes a swipe at her, vanetta chooses to let it unbalance her, forcing charlotte to live on with the guilt of her death.

only, the real vanetta doesn’t die. she gets yeeted out of time and space with three other time travelers. and our story continues

anyway, back to present day, the manga adaptation has just reached the part of the series where edmund dies—something vanetta did not know about. but just because he died in the book doesn’t mean he died in real life.

see, edmund had some pretty devoted fans. and one of them, who thought edmund was robbed by the narrative, got into some ancient, evil magics and combining this with the immense power of FAN FICTION, he tried to bring edmund out of the novel and into real life, and in the process ended up fusing with him and also with a force called The Hunger, a roiling miasma of despair that was the ultimate evil in the novels.

and so they all fused together and became a new thing. a god. in fact, our yuan-ti paladin’s snake god. who uhh subjugates and eats all non-snake people. the creation of this god also uhh was a huge cataclysm that basically started the earth apocalypse that lead to everyone ending up in the sky.

vanetta has JUST managed to secure annotated copies of the entire series that include academic commentaries and notes on historical context and the first chance she gets she is reading them so hopefully i’ll get more info soon lol

#ask #dnd #oc #vanetta

253 notes · View notes

sakasakiii · 6 months ago

Text

not really a modern au but more like a weird future timeline thing where beach hermit maglor Hibernates™ all through the 2nd and 3rd ages & misses the last boats to Valinor.... thus resulting in him skulking about history until he ends up living among modern day humans haha?? the kicker is that he one day finds an abandoned baby thats all-too-suspiciously like a certain dead brother and becomes a single dad-younger brother-adopted guardian person...

i wrote a few pages of this back in 2022 but never really thought abt it further after i started posting less frequently hahaha.... heres just some feel good domestic sketches of this AU bc i miss drawing modern clothes 🤭 i have sooo many thoughts about it that i couldnt fit into these doodles !! its quite a lot of yapping so feel free to skip past the cut haha

assorted au thoughts:

i planned for maglor to eventually find all 6 of his brothers one by one through the power of Accidental Child Acquisition ✨ example: he'd spot a kid lurking around some woods near his home and eventually realise said wild child living amongst stray dogs is a bit too similar to celegorm

i just couldnt fit in the time to draw that this round... maybe next time!

though he's raising reincarnated-Maedhros, i think it makes more sense for him to give him a modern name and not explicitly call him Nelyo/Maitimo/Russandol just bc he'd not want to get his own hopes up or shove said identity onto the kid

(the occasional 'hey Nelyo' does slip out by accident from time to time however)

i think as Mae-the-kid grows up he will in time start to remember bits and pieces of his original identity? with the nicer familial things (like valinor, his brothers, feanor and nerdanel) first, and then the darker things (kinslayings, angband, war) once he's grown up that Maglor will struggle explaining or even helping him through

i promise this is a wholesome au 😭

side characters include a high-strung but good guy policeman named Officer Borden who's very suspicious of Maglor bc of all the random kids he keeps adopting.... and his younger brother Farren, who happens to be Maglor's scholarly coworker

as well as Maglor's next door neighbour Morgan, a witch-woman married to some guy named Hugh... she's got 3 kids who visit from time to time but from what Maglor's heard, the oldest son is followed by misfortune and has supposedly never met his youngest sister...?

credit to Ted Nasmith and Cartoon Network for some assets used in the doodles :D

#silmarillion #maglor #maedhros #silm #modern silmarillion #feanorians #look if the feanorians arent getting reembodied i think itd be neat if they could join Maglor back in the real world in some other way #im no biologist or evolutionist so pls take Mags' ear shrinking over the millennia with a grain of salt #i just think exceptions can be made since he'd be like. a billion years old and probably not of the same biological composition as us hahah #maglors coworkers thinks hes retro and fashionable on purpose but hes just been wearing some of his clothes for 40 odd years #after centuries of eating fish on a beach he discovered instant noodles and hasnt turned back since #can you guess who's who among the side characters? :D #noldor #silm art #silmarillion comic #sketch dump #sakasakart #the silmarillion #elves #modern au #maglors single dad arc #accidental baby acquisition

394 notes · View notes

sophieinwonderland · 5 months ago

Text

The Plurality of... Bill Cipher (The Book of Bill)

Spoiler Warning for Gravity Falls, The Book of Bill, and the nature of reality as you know it

Hello dear reader.

I recently found in my possession a strange book with no explanation as to how it got there. A bizarre tome known only as The Book of Bill.

I recognized the name and imagery from someone else's memories. Bill Cipher, a character from Alex Hirsch's hit series Gravity Falls.

It honestly seemed too perfect. I've been doing this "Plurality of..." series where I look at plurality in media. And an important part of Bill's shtick was possession.

It seemed simple enough. I can read the book, learn a bit about Bill and his possession, and then write an article about his plurality. But the reality was anything by simple, with far more than I bargained for.

And by the end of this post, this book will have driven me to break a fundamental rule I've held sacred through my "Plurality Of..." series.

What is Plurality?

Before we begin, I should explain what plurality is for anyone new here. Plurality is a term for being multiple in one body in some way.

We call the body's occupants "headmates". These can be anything from alters in dissociative disorders to spirit guides bound to a mortal, to... yes... even literal demonic possession.

Yeah, even being possessed by a demonic triangle from a 2-dimensional universe is a type of plurality. If there are multiple self-conscious agents of some kind there, it's plural!

Time To Get Weird!

(Art by magentasnail)

Let's catch you up on the basics real quick. Again, there will be huge Gravity Falls spoilers.

In Gravity Falls, Bill Cipher is a yellow a 2-dimensional triangle demon bent on causing chaos.

Through the series, Bill makes deals with multiple characters to possess their bodies. This includes both gaining full control over the body of protagonist Dipper Pines for an episode, and more interestingly, sharing control over the body of Stanford Pines for an extended period of time.

Bill's possession of Dipper left Dipper outside his body like a ghost. But his deal with Stanford is much more plural in nature, where they shared control, with Bill only controlling the body in his sleep.

Obviously real plural systems don't have headmates controlling their body while they sleep like this, but the experience can be seen as analogous to dissociative identity disorder, where it's common to experience blackouts and "wake up" in situations unsure how you got there.

That's all you really need to know about Bill for the time being.

With that out of the way, it's time get weird and dive straight into the Book of Bill!

The Book of Bills

As I begin reading the Book of Bill, I'm given a warning from Stanford Pines that the book will rewrite itself based on the mind of the reader. This seems silly, and I of course dismiss the idea out of hand. Surely there's no way a book could change itself based on who's reading it.

As I venture further into this tome, I find the occasional point of interest. References to Bill living in people's brain, him being an idea, etc.

I stop briefly to ponder that. Why does Bill refer to himself as an idea? Isn't he canonically a being from a physical 2-dimensional world? Him being described as an idea is peculiar, but something I tuck away for the future.

The first thing I find that really piques my interest in regards to plurality is the multiple times that it's just referenced that there are multiple Bills in Bill's head. Such as when Bill refers to "the voices in his head" teaming up.

In the plural community, there's a concept known as median system.

A median system is typically a system which has separate parts that are less distinct from each other. There's a pretty solid case that Bill, having a bunch of Bills in his head, could be considered a median system on his own.

In fact, the book itself actually depicts communication between multiple Bills, in the form of an interview.

And throughout the interview, there are times where the Prime Bill seemingly gets annoyed at the interviewer's questions. As if they are actually different people. While this could be Bill simply duplicating himself and pretending for comedic effect, it could just as easily be that both Bills are headmates in Bill's system.

Bill being a median system is a pretty interesting direction.

As I read on though, the book dragged me down yet another rabbit hole, and raised an important question.

Does Bill Have A Dissociative Disorder???

Let's talk about dissociative identity disorder. There are two main criteria for DID. Criterion A is the presence of two or more distinct personality states. You know, like those Bills in Bill's head.

The second is memory loss.

Recurrent gaps in the recall of everyday events, important personal information, and/or traumatic events.

This is what was on my mind when Bill was describing how he was uniquely gifted with the ability to see into the third dimension, and wanted to teach others this same skill.

But when he tries to recount it... this happened...

To me, this sounds exactly what was described in criterion B. This is also called dissociative amnesia.

And it's not just this one-off example. Bill actually references later that he dissociates (his words) and "wakes up" later after a conquest.

With everything we know, it seems incredibly likely that Bill has DID, or at least a related disorder.

Bill is what he eats

Okay... wait...

So Bill can ALSO imprison the souls of those he eats inside himself, and they can apparently take over Bill's body too???

What actually is going on here? Is this one of Bill's powers? He can just eat entire universes and then whatever he consumes becomes a part of him? Or maybe it's something else...

Maybe if we looked at this less literally and consider the previous hints of Bill having a dissociative disorder then perhaps what is going on is that Bill is introjecting these people.

Maybe whenever he enters somebody's mind, some piece of them remains...

I would love to speculate more on this... But this is the only mention of it in the entire book!

At this point, I begin to reflect on the words at the beginning. Maybe it was true that the book was changing itself to give me what I wanted. Little hints of plurality to keep me reading, to ensnare me in its vicious trap and ultimately drive me to madness.

And the worst part was, I was falling into it anyway. Because I had to know, even if this was a trap, I was in it to the very end. My thirst for knowledge and understanding unquenchable.

Even if I knew I should stop here, there was no going back.

Stanford Pines, Bill's Perfect Host

At last, beyond all of the misdirects that were put in my way, I arrived at the reason that I started on this journey.

Stanford Pines.

I need to say that when I started this journey, planning to delve into what the plurality of Bill and Ford might be like, I never imagined that it would be handled so... Beautifully.

I mean that genuinely!

I love the relationship of these two characters in the book!

They are both very out of place in their own ways. Both are aware of things in their world that are denied by others, leaving them ridiculed and ostracized for it. They manage to form a genuine friendship. Even if Bill was using Stanford the whole time to achieve his Weirdmageddon.

The two compliment each other surprisingly well. Bill provides Stanford with a friend who can get him out of his comfort zone, which is something that I think Stanford really needed.

There's a really fun part of the book where Bill just gets Stanford mind-drunk, which is apparently something he can do.

Bill fills a role in Stanford's life that nobody had since he lost contact with his brother. While Stanford had friend in with Fiddleford, his lab partner, and we do get to see parts of that friendship in the book, they are more like work acquaintances.

Alas, it wasn't meant to be. Because in the end, Bill is still an evil demon who was bent on bringing about the Weirdmageddon and was manipulating Ford the whole time.

And when Stanford found out, he tried to shut Bill out. This led to Bill trying to communicate through sticky notes to get Ford to stop ignoring him. He would front in the body at night while Ford slept, and they carried on a conversation through these sticky notes.

Wait... Sticky notes?

This is such an interesting choice for the character! Especially after so many hints of Bill Cipher having some sort of dissociative disorder.

Why?

Because sticky notes are an actual method that real DID systems use to communicate with their alters, as seen in this post from the NAMI (National Alliance on Mental Illness) website.

It's fascinating how, if you were to try to depict how headmates with strong dissociative barriers might communicate, this is one of the ways you would want to do that!

Is this coincidental? Maybe. But the talk of dissociation earlier suggests the author also has at least some basic knowledge of dissociation and how it works. And, perhaps, plurality as well?

Overall, this whole section with Bill and Ford was fantastic, and it was well-worth the read for that on its own.

The End?

I suppose this is the end. I found what I wanted. I got the content I was after. A cool plural story of a guy and his headmate from another dimension who wants to take over the world.

Through all the strange distractions and hints of Bill himself having headmates that seemingly went nowhere, I got more plurality in the book than I expected.

And yet, as I turn the final page of the book, I feel unsatisfied. Unsettled.

"Is that it?" I think to myself.

This is Gravity Falls, a show built on mysteries, and looking deeper than the surface. Surely there has to be more. Right?

What if... all the plurality in this book, is obscuring something deeper? Or maybe hinting at something deeper...

And then... I see it!

After the final page, I come to the About the Author section.

Which means it's time to talk about...

The Plurality of... Bill Cipher Alex Hirsch

Yes, I am going there!

In the beginning, I promised that this post will require me to break a rule I've held sacred through these posts.

That rule... is to never speculate on the plurality of the author.

But, Alex Hirsch, at least in a fictional sense, hasn't exactly shied away from the idea of being "possessed" by Bill. This dates back at least a decade, with him making Tweets like this one.

"Bill Cipher" even did an AMA on Reddit through Alex, playing it off as Bill possessing Hirsch while he slept.

It's a pretty open secret in the Gravity Falls community that Alex Hirsch is "possessed" by Bill. At least in some meta-fiction way that may not be canon to Gravity Falls but isn't quite real either.

And were my analysis to stop here, I wouldn't really be saying anything new or valuable. A lot of this was covered by MatPat on Film Theory.

But there's something I want to go back to that confuses me in this book.

That Bill Cipher... is an idea?

Let's bring this full circle, back to the beginning of the book where Bill mentions that he's imaginary and describes himself as an idea.

These are such weird lines because Bill didn't seem to have originated from people's minds within the narrative of Gravity Falls.

His story is of being a being from a literal flat world. So why then, does he describe himself as an idea? Why does he describe himself as imaginary???

Bill Cipher as Alex Hirsch's Tulpa

While Bill being an idea doesn't make sense if he's speaking as a being from a 2-dimensional world that's real to him, it does make sense if we consider that the Bill talking to us, who wrote the Book of Bill, is a tulpa sharing the body of its creator.

Before going on though, we need to answer an important question. What is a tulpa? The r/tulpas subreddit gives its own answer to this in its FAQ.

The simplest way to describe a tulpa is simply another person who was created intentionally/unintentionally through repeated interaction and shares a body and mind with their creator. A more complicated definition can go as follows: A tulpa is believed to be an autonomous consciousness coinhabiting a brain with their creator, often with a form of their creator's initial choice and design. A tulpa is entirely sentient and in control of their opinions, feelings, form and movement. They are willingly created via a number of techniques to act as companions, muses, and advisers. Tulpa forms can either be visualized in the mind's eye, or, with practice, seen as a hallucinatory figure using a technique called imposition.

And let's stop there on the line about being created as muses, because this is something that's found repeated throughout both The Book of Bill and Journal 3, with Stanford referring to Bill as his "muse."

It's a curious term that doesn't appear in the show, but was added to the lore in these two supplemental books.

The FAQ goes on to explain that while tulpas are often considered to be intentionally created, there are also accidental tulpas that can arise through imaginary friends or from writing characters.

Is it possible to accidentally make a tulpa? Yes - many people join the community after realizing they have had tulpas all their lives, but without knowing what they were called. These "accidental" tulpas often arise from imaginary friends and writing/roleplay characters.

On the point of roleplay characters, something I also haven't mentioned yet is that Alex Hirsch didn't just write the character of Bill Cipher. He WAS Bill Cipher. In the show, Bill is one of the characters Hirsch voices along with Grunkle Stan and Soos.

Writing tulpas and how they come about are discussed a bit more below:

Is this a new phenomena? No, it's a practice that goes back in recorded history at least as far as the Greek philosophers. The present name of the phenomenon is derived from the word used by Tibetan monks in the early 20th century. There's also evidence to suggest dedicated prayer can lead to the development of 'religious tulpas' in the minds of the particularly devout, and on the secular end, writing techniques similar to tulpa development techniques can and have resulted in writers creating accidental tulpas from their characters. Having a tulpa is nothing new, although it's gone by many names throughout the course of history and does so even today. However, we believe we are one of the first groups to address this practice as a psychological phenomena rather than a magical, occult or divine experience.

Tulpamancy and Attention

There was another passage from the book that I found noteworthy.

At the end, Stanford describes what truly sustains Bill isn't power, but attention, which Stanford describes as Bill's "lifeblood."

It's even underlined for emphasis.

Why is this important? Well first, this line goes back to the weird lines earlier suggesting Bill is an idea.

But more importantly, feeding on attention is something which is actually a pretty popular philosophy in tulpamancy. That tulpas feed on and are sustained by the attention of their hosts.

How do I give my tulpa energy? Tulpas are sustained by attention, and energy is a convenient metaphor for this. So, you can give your tulpa energy by interacting with them. It is also possible, through no shortage of work and time on the part of host and tulpa alike, for a tulpa to grow beyond this need and to learn how to sustain themselves.

How much attention/energy/interaction does my tulpa need? During the creation process you should aim to interact with your tulpa daily, anywhere from a few minutes up to a few hours, and narrating to them as and when you can. After they're fully vocal and active, the bare minimum is just acknowledging their existence, but spending time talking to them and interacting with them is very much the point of bringing them into existence. Just don't ignore them, and you'll both be fine.

On Parallels in Writing

Adding another layer, it's likely that Stanford Pines is at least partially based on Alex Hirsch himself.

One point of trivia is that Alex Hirsch has a twin sister, and Gravity Falls was inspired by vacations they would take as children. Dipper and Mabel being based on Alex and his sister is pretty well-known. But towards the end of season 2, it's revealed that their Grunkle Stan is a twin himself, with his brother being Stanford Pines, the author of the journals.

During this part of the story, it starts creating a parallel between the relationships of the younger and older twins, with Dipper (who is based on Alex) bonding with Stanford over how much they have in common. Both are nerds who are into writing and science and uncovering the mysteries of the world. Both are a bit socially awkward as well.

And while not much attention is drawn to this particular connection, both had experiences of making deals with Bill that let Bill takeover their bodies at different points.

Based on the parallels between Dipper and Stanford, one might speculate that Alex based Dipper on his younger self, while Stanford was loosely based on himself as an adult.

The personalities of these two characters are also the most likely to create a tulpa based on the psychological profiles of most tulpamancers.

In 2016, Dr. Samuel Veissiere, a psychiatry professor at McGill University, found the following in his study of tulpamancers:

From coding of qualitative interviews collected in large surveys, the most common tulpamancer profile to emerge is one of a highly cerebral, imaginative, highly articulate, upper-middle class, formally educated person with many consistently pursued interests, talents, and hobbies, but limited channels of physical social interaction. Typical tulpamancers are confident about their talents, but are quite modest and socially shy. They possess – or have cultivated – a high propensity for concentration, absorption, hypnotisability, and non-psychotic sensory hallucinations.

The psychological profile of tulpamancers fits both Dipper and Stanford to a t. And many of these same traits could just as easily be true for Alex Hirsch if these characters were meant to be stand-ins for himself.

Is Alex Hirsch trying to tell us that he's plural?

In the end, this is just a theory. And it's one that I feel nervous making because plurality is so deep and personal. That's why I've avoided speculating on the plurality authors in the past. Even when the writing feels so true to the plural experience that it's hard to imagine that someone who isn't plural wrote it.

So why am I making an exception with this one?

Well, in this particular case, I think that the breadcrumbs are being left intentionally, and if he is plural, then he expects somebody to follow them. I'm not worried that I would be outing somebody who didn't want others to find out.

With Alex Hirsch's love of codes and clues and mysteries, if he were plural, I have to imagine that the hints weren't accidental and he would be wondering if anybody would follow them.

And if I am completely off base and he's not plural, I think that he would still appreciate the theorizing anyway. 🤷‍♀️

But if these are intentional clues that were left behind to hint at a real life plurality, one might ask why.

Why would he want people to know about it, and hint at it in this way?

Well, I think the Book of Bill might have an answer to that too.

Shame is a powerful emotion. But it grows in the dark. The more I've tried to hide my past with Bill, the more hold it's had over me.

Perhaps this line is meant to reflect Alex Hirsch's own feelings. Because many plural systems have felt this same way about their plurality, having hide their relationships to their headmates.

The actual end now

Finally, we come to the real ending of this.

This is, again, just a theory. I don't want anyone taking it as fact. I admit that I could be completely wrong about everything that I've said here.

But if nothing else, it's at least fun to imagine that Alex Hirsch does have a Bill Cipher tulpa in his head that has been acting as his muse this whole time. And it would give a new meaning to the gag of the Weirdmageddon intro saying Gravity Falls was "created by Bill Cipher" all those years ago.

Thanks for reading, and if you have your own muse that you think might be more than a simple muse, be sure to read my guide on how to know if your imaginary friend is sentient.

And if you like this post and want to see more like it, you may want to check out The Plurality of… Avatar: The Last Airbender or The Plurality of… IF

227 notes · View notes

theloneotaku158 · 10 months ago

Text

As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.

If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.

As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"

In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).

And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.

That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.

Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™. So we must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.

But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.

But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.

Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.

No I did not make that last part up. Read Gotham Academy istg.

Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?

Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?

Is Bruce himself aware that she knows as much about their identities as she currently does?

How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?

I'm digressing. Where was I going with this?

Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.

Let's just hope it doesn't take another year for them to follow up on this plotline again.

Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:

#dc #batman #maps mizoguchi #mia mizoguchi #bruce wayne #cassandra cain #batgirl #batfam #damian wayne #robin #jason todd #red hood #gotham academy #dc istg dont drop the ball on this i will NEVER forgive you #and PLEASE do not traumatise this robin #Bruce promised he wouldn't let anything happen to her #he better keep that damn promise #otherwise I will personally Blue Skidoo into the comic itself and kick both Bruce and the traumatiser in the groin

318 notes · View notes

lurkingshan · 2 months ago

Text

Japanese QL Corner

We've got a jam packed post this week, folks. The live airing shows continue to impress, a sequel film and a recent GL dropped, and one of my favorites of the year cam to an end. These are all streaming on Gaga or provided via fansub (feel free to ask if you don’t know where to find them).

Our Youth

This week the show gave me everything I wanted from a POV switch, as we finally went back a little to get a peek into Hirukawa's head and learn how his feelings for Minase developed. From there, we continued with the high school era story, with Hirukawa and Minase going together to see his dad's new film, which turned out to be a BL. The show really nailed how meaningful that moment was to both of them, to see characters like themselves depicted on screen and realize what it meant (@twig-tea). This episode also gave us more of a sense of what's broken in each of their relationships with their parents, and they are now heading off to spend the weekend with Hirukawa's mother. I'm nervous to see how this past iteration of their relationship ended, but also excited to get back to the present.

Love is Like a Poison

An excellent ending to all around solid as a rock show. This drama managed to blend several genres and develop a great romance and tell so many good jokes and somehow never take a single misstep in its storytelling. So refreshing! Shiba and Haruto are a battle couple for the ages and I wish them well on their future domestic and legal partnership. Can't recommend this one highly enough!

Love in the Air Koi

Color me charmed. I really like Fuma and Kai as a pair, more than I expected to. Fuma comes across more good-humored and unserious than he does sleazy, and it's clear that he is actually very serious about Kai. “Why do your eyes always look like you’re asking for help?” was a great line to demonstrate that Fuma sees through Kai's bluster, but at the same time he knows when to back off and give Kai space to process. Kai got me with his constant smiling whenever he thought Fuma couldn't see (the shot in the side mirror of the car being my favorite). I also loved the quick scene we got with Arashi and Rei discussing their friends and the casual affection between them now that they're a couple. This show is great, and so far I think they've done a good job with the darker aspects of Kai's story. I really appreciated @bengiyo's reflections this week on what it's doing well and how the show is subverting expectations with the casting.

The Fragrance You Inherit

This week we got more context for Sakura's college days, including meeting her bestie Ryosuke (an ace king!). I definitely suspect that Sakura's affections were not entirely one-sided back then, but Mone remains a mystery for now. This story is definitely about closure rather than any new romance, and maybe in the end allowing Sakura to be who she is more freely. Speaking of which, Toki might just be my favorite teenage son character ever. He's such a good boy, and he seems driven primarily by a desire to know his mother and support her in pursuing her own happiness instead of just his. I look forward to meeting Mone's husband next episode and continuing to watch all these lovely people treat each other with compassion and kindness. You can find the show here, with big thanks to @isaksbestpillow for providing English subs.

Let's Eat Together Aki and Haru: More Please

This week Gaga dropped a sequel to this charming if inessential little food BL film. The first one let us down by not making the relationship explicitly romantic, and the sequel did rectify that as the characters prepared to leave school and contemplated life no longer living together. Though still no kiss for us. It didn't blow me away, but it's a nice little bit of fluff if you have free time and want something light.

Salty Blue

This short GL film (only 15 minutes) tells a solid and sweet little friends to lovers story, with some surprises thrown in for fun. I recommend giving it a watch! You can find it here with big thanks to @nicks-den for subbing and sharing it.

#our youth #miseinen #love is like a poison #doku koi: doku mo sugireba koi to naru #love in the air koi #love in the air japan #kimi no tsugu kaori wa #the fragrance you inherit #let's eat together aki and haru #kakenuketara umi #japanese bl #japanese gl #japanese ql corner #shan shouts into the void #long post

113 notes · View notes

thealexchen · 8 months ago

Note

thoughts on LIS: Double Exposure?

This is probably gonna be my hottest take in awhile, but: I deeply dislike the idea of an official LiS1 direct sequel game existing. Excluding all my thoughts on the gameplay, story, Max's character, etc. I don't think a game like Double Exposure is necessary.

This isn't a new take either; back in 2020 I made a Reddit post saying I was glad we never got a continuation of Max and Chloe's story, because in order to have a plot, you have to have conflict. And to have conflict means your characters are forced to change or struggle in some way, and I simply wasn't interested in seeing that again. I never even read the comics. As long as Max and Chloe's future existed only in the fanbase's collective imagination and not in an officially licensed game, Pricefield could be as happy as I wanted and I wouldn't have to witness DN or D9's version of canon.

A lot of fans, including myself, are also confused and upset as to where Chloe could be in Double Exposure. Even if Chloe winds up having a surprise role, it would likely be too logistically difficult to write Chloe into one version of the story and not the other. Either way, DE is strongly pointing to Chloe no longer being the deuteragonist. If D9 was going to make a direct sequel with Max and Chloe, I could at least be intrigued by how they might write their dynamic and how they'd use Max's power in new and interesting ways. But instead there's... none of that. Chloe's nowhere to be seen and Max can't time travel anymore.

On a narrative level, Max and Chloe are the heart of the original Life is Strange. They represent the game's central relationship, and their very first interaction (Max saving Chloe's life) kicks off the entire story. Throughout the story, their dynamic advances the plot and mutually motivates their character arcs. You can't have LiS1 without either Max or Chloe; the story simply wouldn't exist without them. Now in DE, they don't even seem to be in each other's lives anymore. It's true, this series is meant to reflect universal feelings and experiences, which could include breakups, but the romantic catharsis of Pricefield as canon soulmates who defied time and space itself to stay together forever is something you can only get from the beauty of fiction. To jab DE's story with a dose of reality and go, "Eh, they grew apart. Shit happens," totally undermines everything the Bae ending stood for.

On a technical level, Max's rewind was an objectively brilliant game mechanic. LiS1 arrived onto the scene after Telltale had paved the way for the resurgence of choice-based, episodic games, but LiS1 totally reinvented the wheel by giving the player the option to go back and weigh each option before continuing, essentially save-scumming in-game. But the right choice was never that easy to determine, and Rewind brilliantly complemented Max's character arc of overcoming her indecision and learning to live with her choices. Not to mention, you could also use Rewind to solve puzzles, instead of the endless fetch quests the later games had. No other LiS game since then has given the player that kind of agency and interactivity. LiS2 had telekinesis, but the player couldn't use it, only Daniel. D9 tried with Backtalk and Empathy, but Max's Rewind was truly the narrative and gameplay jackpot that they haven't been able to recreate since.

So if you take away one half of the central relationship that made the first game so memorable, and the supernatural power/game mechanic that made it so fun to play... why even bring Max back at all? It just feels like D9 threw away their golden opportunity to build upon the major selling points of the first game and are only relying on name recognition of the Life is Strange "brand" and Max Caulfield.

What upsets me most of all about a direct sequel existing is that it proves that Life is Strange, as a series, now stands more for profits than originality. Life is Strange will always be an IP meant to make money for Square, I know that, but back when LiS1 was just a brand new episodic game, it stood out for how different it dared to be. In a landscape saturated with shooters, sexualized female characters, and casual misogyny, LiS1 instead featured a teenage girl in a contemporary setting that took her seriously and made her the hero of her story. Before it was a franchise, LiS wasn't concerned with the bottom dollar; it was a piece of art that just wanted to tell a thoughtful, unique story.

Whether you love it or hate it, Life is Strange 2 was an insanely risky follow-up to Life is Strange that refused to rely on the convenience of a direct sequel because Dontnod stuck to their artistic vision. Meanwhile, all of Deck Nine's games have leaned on the first game's following to generate interest (BtS being a direct prequel, TC bringing back Steph, and Wavelengths expanding on Steph's connection to Chloe, Rachel, and Arcadia Bay). In other words, all of the subsequent LiS games by D9 have played it very, very safe. It's worked like a damn charm because there are still elements I love about each game, but the basic principle is nostalgia-baiting fans. It's just that now, Double Exposure isn't hiding that nostalgia bait at all anymore and prioritizing profits over telling a unique story. It's sad to see that LiS has strayed so far from its risky, daring, original, and unique artistic beginnings.

Before I end, I'll say that I can't be too cynical about it all, nor do I want to be. Because I can't deny how much joy this whole series has brought me, too. LiS was what got me into narrative adventure games and pushed the boundaries of what a video game could be. If nothing else, I am truly thrilled that Hannah Telle got the chance to play Max again. D9's always been great at maintaining relationships with their actors, and the casts of their games always have consistently great chemistry. Getting recognized by Erika Mori on my own blog is still unbelievable and speaks to the amazing community that LiS has built. As you can see, I'm still posting and reblogging stuff about Double Exposure. And while I don't see myself buying or playing this game for myself, I know it'll keep all of us talking for awhile, and I still live for a good discussion.

Thank you for asking! And thank you for reading.

#lis2 #lis #lisde #life is strange #life is strange double exposure #life is strange: double exposure #life is strange 2 #life is strange before the storm #chloe price #max caulfield #rachel amber #pricefield #my post #answered asks #daraactualtrash #rad mutuals #lis: de

289 notes · View notes

bengiyo · 1 month ago

Text

The Uncertain Melancholy of Our Youth

I’ve been sorting out how I feel about the end of Our Youth, and I’ve yet to arrive at something concrete that I want to say. I’ve been reading reactions from others to see if someone else could vocalize what I’m feeling, and in the process realized I wanted to talk about Our Dating Sim again.

Like many others, I’m left with a feeling of melancholy from this show. I feel a lot like @small-dark-and-delicious in that I think this ending felt very realistic for them, because Minase has never had friends he can count on, especially the “bespectacled demon” (@chicademartinica). I find myself empathizing a lot with @asiandramas-takeover about how bleak the future feels for them.

With this series overall, I’m a bit frustrated thematically. I was glad to have @wen-kexing-apologist offering insights about the manhwa while we were watching, because, like @worm-priest, I don’t think we did much with the different kinds of people theme.

However, I am left with some genuinely warm feelings for the characters and the actors. I loved mj’s post reflecting on how Hirukawa connects for people who dread becoming like their parents (@forcebook). Like @memiaatanonymous, I really enjoyed Motojima Junsei in this; I especially loved the way he managed his physicality and expressions when Minase had to flee Hirukawa’s house before the dad began beating Hirukawa again.

I also agree with @delasaria-blog that Minase in the special does a lot to close out this story; I don’t think I’d feel as positively as I do at the end of this without the effectiveness of the special episode. The implied growth of these two into a relatively stable couple (@incandescentflower) worked well for, especially because Minase was left with separation anxiety (@lurkingshan). I also really liked the way the show approached a closeted couple’s feelings about marriage as an inevitability (@jemmo).

I think it was @theside-b comparing this to the disappointment I know I felt at the end of Love is Better the Second Time Around that got me thinking about Our Dating Sim. In that show, we spend the majority of our time in the present with Shin Ki Tae pursuing Lee Wan again after Lee Wan abandoned him at the end of high school. Our journey with them is about how Lee Wan hurt Ki Tae and himself, and the consequences of Lee Wan's decision. We focus there on how Lee Wan has to grapple with the fact that Ki Tae was open to his feelings.

I think most of why I’m feeling a bit unfulfilled by this project is that I had hoped we’d spend more time in the present. The opening sequence had me waiting in anticipation for their eventual reunion and reconciliation. I had hoped we’d spend the bulk of the show on that, like in Our Dating Sim, rather than on the events leading to their separation. I think I set myself up for this because I brought too much of that to the table.

Reflecting on what the show did or didn’t do, I don’t think there was much for me to gain from seeing Hirukawa and Minase’s separate montages, though I think it would have been interesting to see Minase getting lonelier and see where he and Hirukawa lost touch over the phone incident. I personally feel like I’d have liked to see more of them getting back together and rebuilding trust, because I felt myself pulling away from this show as it spiraled over Hirukawa’s life getting worse in the middle. There was almost a really great moment of Minase trying to step forward and use his voice only to be silenced by the adults and friends in his life.

Final Verdict: 8, Recommended With Reservations. I’m not sure how I will feel about this show in the long term, and I want to thank everyone linked above for sharing their thoughts, and all the gifmakers included for their creations. There is a useful kind of melancholy here that I personally enjoy as a person who absolutely loved All of Us Strangers (2023) last year. I am always the type who, even though I know we’re seeing marked improvement in many categories, cannot erase the scars I carry from what I survived. I struggle to find a solid coherent thought I feel coming from this one, and I hope to read more compelling reflections in the weeks to come.

#Ben watches #Ben writes #our youth #miseinen #miseinen mijukuna oretachi wa bukiyo ni shinkochu #japanese bl #bl series

97 notes · View notes

sgiandubh · 7 months ago

Text

News from Birmingham, part 3: verbatim

Verbatim means 'word for word' in Latin and it is often used in French to convey the idea something is being reported exactly as it actually happened.

Absolutely not sorry for the length, nor for the lost night spent on it.

So, here go the juiciest parts using the recording I am (for those joining in later) NOT allowed to post as is. Selection is mine and mine solely - editorial line and all the rest. Once I am done, I shall add my comments. It was hard for the girls to focus on what was being said on stage and write to me in DMs, at the same time. Recording everything was a risk, but also genius. The bits I am going to post are taken exactly as I heard them:

✔️on Blonde Bambino (yes, she elaborated and I had no idea when reporting live by proxy): '(...) and it's just amazing, he's the sweetest, sweetest thing and he looooves music. And, I feel like I succeeded being a mother purely because the other day he asked me if he could invite Kate Bush to his birthday'.

✔️on borrowed things from set: she regrets not having taken some things she liked from previous seasons. 'It's been a long time since I've borrowed anything (...). Terry gave me two nightgowns made in Season 1, she gave me one that was never used. And then she promised me a lot of things (...).' Wanted to 'borrow' something from her own surgery.

✔️on her involvement with the Blankfaces fashion label-cum- homeless charity in GLA: 'oh, that is Gerry who runs that, he is a friend of my husband's and he is just this amazing person who does grassroots organizing, you know, Blankfaces he's been doing for a long time. And I just met Gerry, you know, socially, and then I thought what he was doing was amazing, and I also found the clothes amazing and so I just bought them.' Further explains what Blankfaces does, the shop, the stories, including the food kitchen, but denies a more active involvement with the project/brand. 'I was just the other day at Hozier (...),he is amazing [cooing, booing] and I'm just paraphrasing from Andrew, and Andrew said this amazing thing, which was how we all want to be part of big things, right, you know to be a part of those things that would change the world, and all of that, but it's actually the small little things you do every single day, in your community, that have the biggest impact. (...) But you can buy their stuff online.'

✔️on producing a future movie based on Book Ten: 'I would not be in those competitions with Starz.'

✔️on her resemblance with Claire (oh dear God, not that question again!): 'As a kid, I was definitely not obedient, definitely not quiet and definitely not tidy, but as an adult, I ended up being more organized than I've ever thought I would be in my life (...) shocking (...). The world has changed crazy, (...) I used to talk to people and have opinions on things, but now it feels like a cesspool (...). I miss that space for conversation.'

✔️on 'Erself and the end of Outlander: 'well Diana came to visit, I actually don't know when it was, not that long ago, she came on set, sheeee... ugh, you'd have to forgive me, it was last season, it was so long ago, I can't remember what is what and I have to remember if she wrote something last season (...). Diana, she's created this world (...), she watches everything (...). But she's also allowed us to sort of make her characters our own and she's given us her blessing to do that, which has been amazing. And she still won't tell us the ending. [Voice in public: Sam knows!] Sammy... Sam THINKS he knows.'

✔️on the public impact of OL's Season 1 and sudden fame: 'I got this job so last minute, I was living in the US and I knew it was a US series that we're gonna be filming in the UK. And I read the first book so I was like, OMG sounds like an amazing show to film. But then I went from being cast to being in Scotland in one week. And then you're just like, you're working for 85, 90 hours a week. I didn't know who I was, where I was, what was going on. (...) and we went to Comic Con (...), I mean that whole year was a blur, an amazing blur, but a blur.' Had no expectations about what the show would become, it's now broadcast in 87 countries, 'it's insane, it's amazing'. Being able to be successful after 10 years is 'amazing'.

✔️on what she will miss most about Scotland or is she planning to stay in Scotland after OL is over: 'that's the million dollars question, I don't know. I mean, I think I'll... my husband is Scottish, so I think we'll always have something there, his parents both live there, so you know, we're not never going to be there at some point, but I don't know what is gonna happen after, but I am very, I feel, yeah, I feel like it's gonna be so sad not to... you know for 11 years, no matter like if we're gonna back in the United States or to London for a while we've always known we'd be back to Scotland at some point and be there for 10 or 11 months and so now I don't know, I don't know what the future holds, so....'

✔️on her and Tony sharing the same musical tastes: ' do Sam and I share the same music [Steve immediately BARKS: 'no, Tony, your real husband!'] Tony? Yes. Sam - no.'

✔️Sam's whisky or Graham's bourbon? 'Sam's whisky. I haven't tasted the bourbon, but bourbon is too sweet'.

✔️speaking about Steve - 'he's so mean'. In jest (?).

✔️her favorite part of making her own gin: 'tasting (...), trusting your senses'. The distillery changed, from the first to the second batch - the product's taste changed, a learning curve. They wanted to make sure it's still the same product.

✔️on regretting she did not start acting ten years earlier - mentioned not being ready for the responsibility of shooting 14, 16 hours a day, no sick days, etc: 'it's like a beast'. She felt OL came at the right time, was 'prepared and ready to be there' and eager to be given 'a shot (...): whatever you throw at me, I'll do it'. 'And I think for Sam was the same.'

✔️on memorable OL sets/places: Craigh Na Dun stones. 'The new place where we are, really cool. (....) Amazing stately homes like Hopetoun'. It's 'amazing.'

✔️on another parts in movies - she looks forward for 'good writing' and 'the character to speak' to her, in a new project, the people she will work with... Cliche AF. The Cut and The Amateur roles are 'not huge', the last she clearly said it was a small role, 'it's not my film, it's someone else's film'. She 'did not want to be working all the time, obviously with a small child'. Defined The Cut's plot as 'bizarre', and The Amateur as 'funny'. Loves her job, is happy with it.

✔️last question was asked by a French woman with a very thick accent, about traveling and learning things out of it - C. considers herself very lucky to have been able to travel all around the world as a model. Traveling taught her empathy, how to get over our very Christian centric view of the world. Mentions growing up in 'a very small village in Ireland, that was pretty much, you know, one church, one tiny school and one shop'. Her parents 'instilled a love of reading and learning'. Then she left Ireland to live in France and Japan, and traveled to Nepal. Nepal :'the trip that changed me and changed my life, because I was like seeing a completely different culture that had no correlation to anything that I grew up with, but it was the most beautiful spiritual awakening I guess I've ever had. (...) By traveling and by eating different foods and trying to speak other languages, which I try to do and I apologize to everybody because I try and speak your language, too, because I think (...) it's important to try and connect, because we expect people to come here and do that and it's so rude we don't go and do the same [ applause].' Being able to travel allows us to see how different and how similar we are'.

Ended with a huge thank you to fans, it's been so long that I wasn't attending a convention, 'but it meant the world to me to meet you all again, seen so many familiar faces, it feels so weird to be at the end of this show, because it has meant so much to me (...). Will see you all again soon.'

***

And now, for my comments and findings. Almost point by point:

Kate Bush, LOL (we'll never agree, C and I, on this one; but I can almost imagine Blonde Bambino cooing this - awww):

youtube

So, she basically repeated the same anecdote as last year, during promo. From Sade to Kate Bush, and hey, what about that birthday - 'the other day'? But let's not be nitpicky.

'Gerry' actually is Gerard McKenzie Govan, one of the three Directors and the founder of The Blankfaces CIC, a Community Interest Company (regular company with an increased social responsibility twist and, as such, heavily subsidized by the local authorities, too). More on him, here, for those who really want to know about him: https://www.glasgowwestendtoday.scot/magazine/the-man-behind-the-blankfaces-1391/. But that is not the most juicy part, actually - some blatant inconsistencies are. Like 'Gerry' being a friend of Nameless Husband's, but still she met him socially (huh? I thought he was a friend of Nameless Husband, hence a family acquaintance?). Also, C doesn't know shite about The Blankfaces, but still bravely fills in those blanks, like when she tells us fans Gerry has been doing Blankfaces 'for a long time'. The UK competent public authority, Companies House, says something very different and I can prove that the CIC was registered in 2018. Which is not really a long time at all:

'March 6, 2018 - Incorporation of a Community Interest Company' - see above. It also doesn't seem to be very well managed, at all:

Both its yearly accounts and its confirmation statement are long overdue (since 2023, in fact). The CIC is, actually, subject of an 'active proposal to strike off', which means it will be closed/dissolved, and rather sooner than later:

In their case, I suspect a compulsory strike-off, issued by the Companies House register. Fits with the legal criteria:

In a nutshell: because The Blankfaces failed to file its annual accounts and confirmation statement AND because it did not answer to the Companies House's two kind reminder letters, it will be forcibly dissolved in less than two months from now and there is NO going back on that decision, according to UK law.

Wouldn't C know about her Nameless Husband's Friend huge problems? I mean, how more tone-deaf and disconnected can you be, promoting a clinically dead business and inviting people to buy their clothes from their online shop?

Unless... Yeah, unless - but oooh, stupid shippers, slap a shipper, etc.

[Source: Moore and Stoke, an insolvency practitioners' firm based in Stoke-on Trent, UK - simply because they had the simplest and most recent legal explanation, see here: https://www.moorestoke.co.uk/active-proposal-to-strike-off/].

Compared to that, the fact that Tracula was nowhere to be seen at the recent Andrew Hozier-Byrne's concert in GLA is really peanuts. This is serious, legal stuff and please don't give me the 'she's an artist, she doesn't know shit about business' lame excuse. She is also a businesswoman, with her own spirits brand and several other companies, at least in the UK, Ireland and the US. Give me a break, #IYKYK.

Can't wait to be done with OL. Even the thought of a future movie based on Book Ten makes her cringe. Felt it in her voice and it was enough.

World feels like a cesspool? Why on Earth? She is a beautiful, successful and accomplished woman, with her own family and free from want. A cesspool is a very strong and strange word, in this apparent context. Unless.. but yeah, stupid shipper, slap a shipper. Missing conversations, expressing her opinion.... Not even LOL. It made me feel sad. Everything that happened to them since 2016 must be such a burden.

Sammy. SAMMY? Whoa, girl! Merci beaucoup, vraiment. Term of endearment, anyone? Compare with the stiff dead 'my husband' - again, the difference between a teddy bear and a guillotine is transparent in her voice. Also, DG - a difficult topic for her. She doesn't like 'Erself much and I think we all know why.

You tell me about 87 countries, Ma'am. I experience it every day, from the sidelines, so I can easily imagine what the impact could be for you. OL, that blessing and that curse. Also, when she is fed up with prodding and unwilling to kiss arses, she'd quip something along the lines of 'amazing' and be done with it.

Bonnie Scotland and the Day After. Another great moment of 'what the hell ever, just say anything'. Also, Caitriona Mary is a terrible, terrible liar - just like Sam Roland, you know. Her answer came out as incoherent and borderline illogical. Look at this: ' I mean, I think I'll… my husband is Scottish' - the 'I'll' part was her spontaneous starting to answer, about herself, but then inhibition kicked in and shit, she remembered she is married and had to somehow insert Tracula and both his parents (alive, just to make sure). Also, excuse me, hellooo: 'I think we'll always have something there'. Sounds like a flat, more like a pied-à-terre, but lo and behold, she suggests life is going to be elsewhere. What about that pharaonic McMansion, we so passionately followed the painstaking refurbishment of, double glazing included and borderline scandalizing the local heritage protection NGOs in the process? That doesn't really sound like 'something there', does it? That Bear Grylls flat looked more like 'something there', so where's the catch-22, here? What if I was right about McMansion being a fixer-upper she never planned to live in (where, oh where does The Happy Couple live? ooooh, ROFLMAO)? What if I was right about some other thoughts I am not ready to discuss yet? Questions, questions. And yes, London. IYKYK and very different from the emotional, savant blur. Also, for a very organized grown-up woman (her own words, see above), not knowing what the future holds... I mean I get it, but how peculiar, isn't it? Drawing a line, that question unsettled her. She was not planning to answer. She ended with a joke on not being able to see 'that yellow thing in the sky for five months in a row'. Get me out of this question and quick.

The music tastes' question was very clearly audible, even from the back of the room and I had zero trouble to distinctly hear it - it was also asked in a posh & polite British accent, so that helped a LOT: ' do you and Tony share the same music tastes?' The Freudian slip is simply inexplicable. Also, she answered Tony, not 'my husband' : Tony+ my husband in the same phrase is something beyond her strength. But why answer about S at all, that was NOT the question? Why? There are limits to dumbfuckery, after all. Also, Steve is such a pain in the arse. Who, in your mind and heart, is the real husband, C?

Whisky vs. Bourbon, she mumbled her answer, very uneasy, had to listen three times to untangle it. The Soup Nazi had to step in and bark the answer, train station megaphone style, for everyone to hear and get the memo. Now I understand why. And you should, too.

'He's so mean'. Definitely not in jest. Steve, that is. Fire that dick. Plus, later on, she quipped to him: 'you have the reputation of being like a strict schoolmaster'. Answer: 'maybe I am'. A cara nem treme, like they say in Brazil.

In that gin question, the Stan dutifully mentioned Tony (arse kissers, ALL OF THEM) - she could have mentioned him openly, she had a boulevard in front of her. But nope, she came back to mainly mentioning her own experience and a very vague 'we'.

'And I think Sam was the same' - conversations were had early on. In Central Park, London. And then things went very fast, as it sometimes happens. Sharing takes things on a very different level. I think this is exactly what happened to them.

Memorable places: they both are very moved by Craigh Na Dun, and it's absolutely normal. And Hopetoun - LOL, hello, of course ('The Door Faces North', pun totally intended).

Next two movies: so long for her Stans' delusions she was given a main role. She wrapped deception with grace and hid behind being a mom. ALL THE ANTI BLOGS WERE EERILY SILENT ABOUT THIS. I wonder why. Actually no, I don't. But sure, shippers twist things, shippers hide things. No shame, those people.

The last question, on travel, was my favorite one. I think it was perhaps the only time she felt able to fully express what she meant and wanted to. Many will jump on that Nepal reference and it is correct, but to me, on a very personal level, it spoke in many, many other ways. This is the C I have managed to embrace, reluctantly at first (I admit) and like a LOT. This is the witty girl I thought I have lost forever in that sea of painful innuendos, stupid Stans ass-kissing and blurring everything in the process, plus a Nazi minder on top. Fire that dick. Seriously. He wanted to end on a 'funny' Kumbaya note - she subtly managed to break free. Thank you, C. Seriously. The wonder you are and completely unaware of it. And the things you can do with words, if only you'd dare play with them some more.

Her tone at the end was emotional. Very. It was the same tone as for that 'partner everyday' gala speech. Oh, the things she wanted to tell all of us. And if we only knew. But hey, she promised we will meet again, soon. Perhaps in Paris? I'll gladly speak to you. In French.

youtube

A HUGE thank you. Both of you. I love you, girls.

#fandom #shitshow #Starfury Highlanders 7 2024 #verbatim #Youtube

213 notes · View notes

darkficsyouneveraskedfor · 3 months ago

Text

Meet the Family 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.

Characters: Lloyd Hansen

Note: um I woke up to this in my head. Sorry.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

You honk your horn as another driver slowly veers toward the line. You’re not letting them in. If they can’t weave in, then they aren’t fast enough to leave the slow lane. You sigh and gesture at them as kindly as you can in that instant. You have enough going on.

Your phone starts to ring. Again. You tap the button on your steering wheel to answer. You would know who it is even without his custom ringtone. Your boss allows no space for breathing, even on a call.

“How far out are you, pixie?” Lloyd asks as you growl and lean on the gas pedal. You hate driving on the highway, especially at night, and the sky is steadily dimming.

“Close,” you assure him. “Next exit,” you flip your blinker on.

“Thank god. You got everything?”

Yeah, everything you forgot. You don’t give the dry retort aloud. You know better. Where your boss has no filter to be found, you find yourself often censoring yourself. As much for his ego as for others’. Arguing never gets you anywhere.

“I believe so--”

“You believe or you do?” He asks impatiently.

“Mr. Hansen, I got everything on the list,” you assure him. “All with a bow on top.”

“A life saver, pix, I swear,” he praises, but a compliment from him is rarely genuine, more transactional. You did him a favour so he’ll give you a treat.

“Alright, I need to get over, ramp’s coming up. So--”

“Yeah, yeah,” his ends rustles and you hear a muffled female voice, “I got shit going on too. You got the address, text me.”

He hangs up first. You can never be the first to end the call. He has to make the decisions. You just know how to guide him to the right one. You merge into the exit lane and follow the ramp away from the whirring stream of headlight. Finally.

You’re less than pleased to be within minutes of your destination. This isn’t how you envisioned your holiday. A last-minute itinerary change to fix yet another of Mr. Hansen’s oversights. It’s never a mistake, he’s just a man with so much going on that it slipped his radar. Another bandage for his ego.

The slower pace feeds your agitation. At least on the highway, you felt like you were getting somewhere. The lazy roll of the cars in the town tweaks at the nape of your neck. You just want to be in one place and that won’t happen even when you get to Mr. Hansen.

You’ll be lucky to have two hours of sleep before you have to catch your rebooked flight. Yep. You’ll play Santa and drop off your lot before hiding at the hotel long enough to dread the airport jungle. Then it’s off to your own familial obligations. Those are rarely enjoyable and being a day later than promised will hardly please your mother.

Your phone announces your arrival at the destination. The long drive of the over-sized suburban mansion is full. You park on the street and turn on the interior light. You get out and open the back seat. The whole medley of shiny paper and quaffed bows stares back at you.

You text Mr. Hansen and wait, huffing and puffing with impatience. Of course, you have to upheave your plans to meet his deadlines, but he’s taking his time. It’s not a surprise, not even a disappointment, you expected as much.

“Pixieee,” Lloyd drags out the last syllable, “there you are, pretty pixie.”

Pretty Pixie? He’s drunk or he’s going to ask for something else. You brace yourself as his shadow struts up the long driveway and passes beneath the cone cast by the tall street lights. Coloured lights glimmer over him from the eaves of the surrounding facades.

“Mr. Hansen, wrapped, labelled, everything you requested,” you gesture to the backseat.

“An angel. A true saviour, pixie,” he surprises you as he grabs your head, his palms pressing to your cheeks as he bends to kiss your forehead, “did I ever tell you you’re immaculate?”

“Mr. Hansen,” you gently pull his wrists until he drops his hands. You smell the alcohol radiating off of him.

“It’s the holiday, call me Lloyd, sweet cake,” he insists.

“Right,” you tut and turn to drag out the largest gift bag, “here, you better just take all this, I have to check-in--”

“About that,” he ignores the gift as you hold it out. “We’re just about to start dinner, you should pop in, have a bite.”

“I can’t, Mr. Hansen--”

“Of course you can,” he insists. You look up at him. His eyes gleam in the spectrum of lights shining from your car, the houses, and the tall poles. You sniff. He’s only tipsy, there’s still the hint of authoritarianism firmly implanted in his tone. “I told everyone you would.”

“Everyone?” You echo anxiously.

“The family,” he exclaims as if it should be obvious.

“Okay, I can come say hello but--” you wiggle the bag at him.

“Damn right you can,” he catches your hand and takes the bag. He drops it on the ground carelessly.

“Mr. Hansen, that’s fragile,” you say.

“Shhhh,” he grabs your hand and you curl and unfurl your fingers desperately, “Lloyd, remember?” He feels around in his pocket as he keeps you in his vice, “now, you just need to slip this on.”

He struggles to line up the ring with your finger as you squirm in confusion. What is he doing?

“Mr. Han--”

“Lloyd,” he growls, all humour trickling away. He squeezes until you whimper. “Look, I just need you to smile and bat those long lashes of yours, alright?”

“What’s going on?”

“As far as anyone knows, I proposed to you on Thanksgiving,” he says.

“Proposed?!” You nearly shriek.

He hushes you again and finally rams the ring down to your knuckle. “Look, pixie, mommy’s being a real pain in my ass so you just need to play along.”

“Mr.--”

“If I have to tell you one more time--”

“Lloyd,” you gulp, “please. I... this is... strange. What? Why? I have a flight in eight hours.”

“Cancel it,” he sneers. “Double time and a half for holiday overtime. See the family in the New Year.”

“What? That’s-- This is insane--”

“This is your job, honey,” he clings to your hand. “To do what I say or you can spend your January trawling the job boards.” He squeezes until the band digs into your flesh. “Now, I know Mr. Walker thinks you’re darling and he offered you a role last year but once I tell him about your little defiance issue, I don’t think he’ll be interested--”

“Huh?”

“I know a lot more than you think,” he grits. “Alright? So let’s start getting this shit inside. That’ll give you a chance to get yourself together.”

“Lloyd,” you gasp. “Why--”

“No more fucking question. Since when did you get so uppity,” he barks.

“Sir--”

“Ah, none of that, either,” he lets you go and waggles his finger in your face. “Relax. Have some eggnog when we get inside and take the edge off.”

“This can’t be happening,” you murmur.

“It’s fucking happening, alright?” He picks up the bag off the ground. “I keep you around ‘cause you’re quick on your feet, Pix, so let’s get to it.”

“Oh god,” you utter.

“Keep it to yourself,” he warns.

Your disbelief has you a bit dumb. You’re panicking. He knows you have an insurance policy with Walker and you have no doubt he’ll do all he can to spoil your future if you fuck around with his present. You’ve worked long enough for him to believe his threats, even when everything else is dubious.

You turn and grab several gifts from the backseat. You move out of his way and he gathers some more himself. He backs up and uses his knee to close the door. He nods you toward the house.

“Smile, act like you’re excited,” he commands.

You pass him and stare up at the blaze of holiday lights. The lawn is decorated with a Santa and sleigh, complete with all his reindeer. You make the march up the walk and towards the glowing windows that trim the front door.

Lloyd comes up next to you and kicks it, “open up.”

It isn’t long before obedience appears from the other side. You do a double take at the man who answers the door. He looks a lot like Lloyd but not. He doesn’t sport the same bristly stache and his hair neatly combed, the sides unshaved but tidy. He rolls his eyes.

“Was hoping you got lost in the snow,” the man scoffs.

“Shut up,” Lloyd shoulders through, “always a fucking prick, Hugh.”

The other man snarls, “don’t fucking call me that.”

“Aw, I’m sorry, baby boy,” Lloyd puts the gifts on the bench against the wall, under the large mirror with an elaborate frame. “Why don’t you go suck on mommy’s teat?”

“You’re disgusting,” the other man, Hugh, hisses.

“Speak for yourself. We’re the OnlyFans thot? She not joining us?”

“Oh, fuck you.”

“Fuck you, fuck me, we already did this, remember?” Lloyd faces him.

“And who’s this slut?” The man tosses you a sharp glare.

“Woah, man, that’s my future wife,” Lloyd lies so easily it startles you. He sounds almost genuine and you’ve never heard him sound like that. “Not a slut, so keep your eyes and your hands to yourself.”

“Huh, I didn’t believe it,” the man puts his hand on his hip as he looks you up and down, “she’s tiny.”

You narrow your eyes, speechless as they talk about you like a new lamp.

“Ransom,” Lloyd gestures to him derisively, “Pixie. Now you’ve met so you can skedaddle back to the liquor cabinet.”

The man, Ransom, snickers, “good luck, sweetheart,” he scoffs. “If you need a drink, just look for me. You probably will. At least for the next forty years.”

He struts off through the archway behind him and you look at Lloyd. He takes the armful of gifts from you and grumbles. He stops and crosses his arms.

“Well, get your boots off. Mom will kill you if you’re tracking salt all over her freshly polished floors,” he shakes his head. “And a bit of advice, stay away from my cousin. Ransom’s a fucking pest.”

“Right, sir.”

He tilts his head and you show your palms, “Lloyd.”

“Good girl,” he says and slips free of his loafers. “Now, you’re going to have to meet my parents before anyone else or I won’t hear the end of it. I’ve already got an earful. I know I shoulda booked that resort...”

You unzip your boots and set them aside on the rack. You stand and he beckons you past the open archway and down the hallway. You take in the decor; gold on beige on ivory. It’s all very luxurious.

He pushes through a white birch door and warmth enshrines you along with the smell of turkey. There’s a clattering beneath a shrill voice snapping out orders, “oh, not mashed, whipped!”

A tall blonde woman crosses her arms as she hovers like a vulture over the aproned staff crowded around the large marble island. Lloyd grabs your hand and drags you after him. Your socks slip on the tile as dread coils up your limbs.

“Mom, she’s here,” he announces as he gets close to her.

“Ugh, about time, they already set the table and I was dreading the empty plate,” she slithers. She turns her chin down to see you, “Oh, look at her. She’s so... petite.” She levels her hand with the top of your head, “much different than I envisioned.”

You look at Lloyd as he pushes his shoulders back. You’ve never heard anyone talk to him like that and you’ve never seen him so uptight. You turn your attention back to the woman.

“Hello, Mrs. Hansen, it’s nice to meet you,” you offer your hand.

She considers it then grabs it, turning the ring up. You examine the jewel as she does the same, your first glimpse at the thing. She harrumphs, “that’s the ring?”

“Mom,” Lloyd utters.

“Mm, very well. Dear, you may call me Gwenyth, not Mrs. Hansen,” she lets you go. “Now, dear son, out of my way. I’m trying to get dinner done.”

Lloyd stares at her, almost expectantly, the takes your hand again and leads you away. He pulls you back through the door. You don’t dare say a word. He leads you away from the kitchen and the wall of voices buzzing from the front room. He guides you through the archway opposite and around to another door.

He knocks and there’s a lull as you wait. He taps again. There’s coughing from the other side. “What do you want?”

“Just me, Dad,” Lloyd answers.

“Ugh, get in here then,” the timbre calls back.

Lloyd twists the knob and urges you in ahead of him. The smell of cigar smoke blows in with the cold wind. A gray-haired man puffs by the window, his efforts to puff through the opening sabotaged by the wintry gusts.

“Close the door. I don’t need the banshee sniffing me out,” he growls.

“Sure,” Lloyd shuts the door. “Dad, uh, this is her. The woman I told you about. My fiance.”

“Took you long enough,” the man sneers. You flinch and his grey eyes soften, “him, I mean. Forty-three years--”

“Dad,” Lloyd rasps.

“Well,” his father looks you over, “she’s young. Bit small...”

You do your best not to let your annoyance show. So you’re a little shorter than average.

“William,” he introduces himself, “and you are?”

“Pixie,” Lloyd answers for you.

“Didn’t ask you, boy,” William rebukes and keeps his eyes on you. “You smoke?”

You mull his question and sigh, “never tried it but I guess it’s never too late to start.”

William snorts, “truer words.” He puffs, “I don’t recommend it. Horrible habit.” He tamps out the stogie in a copper tray. “Well then, is the food ready, or did you just come to show me your woman?”

Lloyd stiffens and touches your lower back, “guess I just came to do that.” He mutters, “come on, let’s go get something to drink.” He turns and opens the door.

“Don’t let the smoke out,” William snips as you spin around.

#lloyd hansen #dark lloyd hansen #lloyd hansen x reader #series #fic #dark fic #dark!fic #the gray man #dark!lloyd hansen

349 notes · View notes