#but i want people to understand

[unhinged-transmasc]

been thinking somewhat on like. transandrophobia discourse and like. really it all just feels like a matter of being prickly over semantics. almost everyone can agree transmascs do experience some form of gender-based oppression. but whether we call it misogyny, transphobia, transandrophobia, etc -- complaining about what terms we use to describe that oppression just feels like a red herring argument, detracting from the real point.

so what if trans men don't "actually experience misogyny" because we're men and not women, still doesn't change the fact that we experience some kind of oppression based on often being perceived as women by society, no matter what you wanna call it. or "transandrophobia" doesn't exist because that implies "androphobia" is a form of oppression or whatever. at the end of the day they're words we use to varying degrees to describe the very real phenomenon of being oppressed, discriminated, and hurt for our gender.

how do you call my mother lamenting over the fact i was trans and trying to convince me i was meant to be a girl? me being called slurs all the time for being openly trans/gender nonconforming as an online presence with a decently large audience back then? how do you call me being fetishized/objectified while being more femme-presenting? what do we call that? it's still a fact that trauma exists. why argue over the words we want to use to describe it. why make pointless arguments about how misogyny "doesn't" affect trans men or how androphobia/misandry "doesn't exist" when that's absolutely not the point of the post.

is it a perfect terminology? debatable. but that's not the issue. use a bit of brains and think about what it means to be born and raised female in this society, and how you might be treated if you turned your entire life around by being transgender and acting upon the desire to transition. constantly telling people you're a boy and you go by another name, or maybe being so afraid to tell them. being told what a boy and girl should be, becoming so goddamn acutely aware of how stiflingly binary this world is. the multitudes of ways people can treat you in that position. hell, transphobes have a huge violent aversion to masculine presenting people having "female" bodily functions. people constantly called me slurs and degraded me/harassed me for being a boy with a "girl" voice, and later on being a boy with that "transmasc few months on T" voice (as a singer online). if you have a problem with whatever we call that phenomenon, that experience, that issue, let it go. drop it. just think about the issue itself. and maybe realize there's much more in common with the trans experience in general and that's why we have fucking got to stand up for each other instead of dismissing one anothers' trauma. in THIS fucking political climate? we cannot afford that.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[millificent]

Every Nico Di Angelo fan focusing more on the background of the episode than the actual plot

[ravenmccookies]

Weird phenomenon I've seen on tumblr

[birdy-babe]

Blitzøs entire life spent being unwanted. So he adapted, and learned how to be something needed, something to be used.

Which is why I think he firmly believes he is being used by Stolas. He simply cannot fathom a different reality, one in which he is wanted for once in his life.

[chloesimaginationthings]

Vanny mixed up FNAF Help wanted with Digital circus,,

[botanicalbasilly]

I hate being a person who loves bugs, I can't say anything without the person I'm talking to reacting with disgust. Today I had to literally beg a coworker for the life of a spider, and then after I put it in a nook outside she thought it'd be funny to show me a video she took of her killing one. Like idk man. Birds scare the shit out of me but I still get why people love them. They come in pretty colors and they sound nice and they're interesting to observe. I don't understand why people don't feel the same about bugs. The rich amber color of a cockroach, the iridescent glow of a fly, the intricate hydraulics that power their little legs, the chirp of a beetle, the art of the spider's web... It's all so beautiful. Why is it the habit of so many to destroy?

[heartorbit]

if we could stay connected, just like this

[bitchofdarkness]

I hate how fandom has become "if you haven't created anything in this very specific time frame after the release of the show/movie, everyone will have moved on"

And call me old fashioned, but that's just not me. I sometimes take ages to create and publish. And I will love a show or movie for such a long time (years, babes, years) that I just can't relate to the fast consumerism that's going on.

Because, let's be real, it can get really lonely in a fandom if most have simply moved on to the next shiny thing. Is what's created less worth, just because it was created outside the hype? Why is it such a taboo for this new fandom generation to love an old or "late" fic or art?

It's so tiring and I'm too old for the 30-seconds-hype-tiktok-shit. Just tired. So, so tired.

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[grievingbovine]

Nona the Ninth is one of my favorite books of all time. Not just because it's Locked Tomb, but it is the purest form of one of the big messages the series is trying to divulge.

The price of love is grief. We will never be free of it as long as we love anything at all. Our family, friends, our pets, even beloved media. Anything that connects that deeply to us that we love it will leave a gaping hole when it's gone.

But no one rejects loving to avoid grief. Every one of the characters holds on desperately to something they love, to levels that seem unhealthy to us. They want the perks without the cost.

John is holding on to a world and people that died 10k years ago.

The lyctors cling desperately to their cavaliers memories, to the point of being willing to end the 9 houses to honor them.

Cam held on to Pal, Pal held on to Dulcie. Harrow held on to Gideon so hard she disappeared her from her memory to avoid the grief she would pay for the privelege of caring for her.

But Nona loves indiscriminately. She loves the polluted sky, she loves the sad people, she loves the stray dogs and her friends and her teachers and Varun. She loves Pyrrhas lying ass, she loves Camilla and Palemedes, she loves crown and even cares about Judith. Nona isn't afraid of grief, because to her all that love balances it out. Nona is the only one in the end willing to pay the price for that 6 months of unconditional love. She knows from the beginning of the book that her own days are numbered, but she doesn't shy from it and avoid loving.

She loves all that much harder.

"If you could see your whole life, start to finish, would you change anything?" The movie Arrival (2016) approaches this same theme. If you knew what you'd lose, would you go back to avoid it? Would you keep away from the people and things you knew you'd lose? Would you shy away from experiencing love just because it hurts?

"Love and Freedom don't coexist, warden."

[bamsara]

I think it would be nice to have the option to hide numbers on ao3. Make it where the 'kudos' and 'hits' number is author-viewable only, have an alternate option for when a list is sorted by such so people can read things based off their tags and preferences rather than see big number go brrrr

I speak as someone with popular fics, it doesn't have to be a requirement but like, an option? This could go for other websites too, tumblr notes and the like

[girlboyburger]

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.