#but i think you can apply the principle

[the--highlanders]

I've been thinking a lot about this whole RTD thing and I guess what I keep coming back to is.

he wrote Jack kissing Nine in 2005. at a point in time where he must have known that having a same-gender kiss on a 'family show' was going to attract some pretty open vitriol - I mean, it probably still would now, but even more so back then. he must have known that any homophobic commentary around that would have reached the ears and eyes of vulnerable people, and would have hurt them. he could have opted to make a different writing decision - just had them shake hands, or nod to each other. anything at all. but he stuck with it and had them kiss. maybe knowing that showing that kiss on tv would do good, even if the backlash would do bad.

I do believe he's made the decision not to carry over Thirteen's clothes out of a place of genuine concern. and I do think it's heavily influenced not just by the levels of rabid transphobia in the UK at the moment, but by his own experiences as a gay man who has lived through a lot of very serious homophobia and transphobia. I believe he's wanting to spare people the pain of that backlash. and I can't blame him for that. maybe there's no right choice here. someone's always going to get hurt.

but I just wonder what the effect might have been if he'd stuck with it, just as he did in 2005. knowing that there would be backlash, but choosing to put a male actor in clothes designed for a female actor anyway. I have no doubt that there would have been people who laughed, or raged, or threw out all sorts of horrific things. but if he'd gone with it, and never made a joke of it in the show, never had a comedic moment or written any character commenting on it, just treated it as if it were as normal as any other regeneration costume carry-over -

maybe it wouldn't have changed anyone's minds. the people writing transphobic headlines and takes on social media probably wouldn't have picked up any nuance from the show, or have been effected by it treating the whole thing as if it were normal. but it would have /been there/, like Jack kissing Nine was in 2005. just there, in the show, normal. we've never gotten anywhere without vitriol and hatred and criticism following along. and I can't shake the feeling that it would have mattered, just like it did in 2005, if he'd taken that risk.

[suddencolds]

.~

[kyngsnake]

nasty little creature

[averlym]

whshdfhfjf.,,,

[quantumshade]

if your response to someone talking about their negative experiences in any sort of space, whether that's their country or their g-ddamn tumblr account, is to tell them "if you don't like it, you can leave", you're an idiot and a fascist

[fideidefenswhore]

the tudors (2007-2010)

anne boleyn (2021)

bonnie burstow (1992)

[orange-frog]

ppl up in arms about “sentence mixing being way better than AI voice generators” be so for real. theyre different things. joe biden Pills. Now. Please. and ben shapiro Im Not Gonna Get Old on the Beach are both landmark videos and pretending the second one isnt because it was made by the “scary AI” is like. come on. be serious.

[astralazuli]

So there's that D&D class quiz going around, & I took it & was so deeply offended I got Paladin.

& so I have had conversations with both Bestie & Birdfriend about this grave insult & they both were like, "Well... They have a point?" & informed me that my desire to absorb hits meant for others & deep drive to help whenever I actually can & strong convictions make me a bit Paladin-coded.

& I am just so... Idk. It's just interesting to get glimpses of yourself from other people's POVs. To be told that my defining characteristics are protecting & healing others & being incredibly fighty about the things I care about... Especially as someone whose brain specifically fixates on whether I care enough, do enough, give enough... Yeah. It's just kinda wild.

Anyway, I'm now adjusting my self-perception to include the fact that if I were a D&D character, I would be an Oath of the Ancients Paladin & not a wizard & that actually that's okay.

[petluck]

some of you "leftists" will see a dude suffering mentally and physically under capitalism and be like "mmm should've introspected harder or maybe tried not being born bad and irredeemable" and call that praxis

[aeide-thea]

dipping my toe into fandom discourse here, which is never a great idea, but—i really am baffled by the contingent of fans who apparently want AO3 to not only denounce but ban AI-generated works, as if there were any reliable way to distinguish between mediocre writing produced by a human and mediocre writing produced by an AI…?

[icryyoumercy]

... i feel like the easiest solution to the whole ~but migrants keep coming here with nothing and then expecting us to feed and clothe them~ thing and whining about the cost to the coast guard of trying to find the boats they arrive on would be

offer free shipping? station a number of reasonably big ships near or at where migrant ships usually leave from, kind of a schoolbus version of a passenger ship, nothing luxurious or pretty, but staffed and equipped to transport as many people as possible in safety and dignity while being as cheap and low-maintenance as can be. and then get barracks set up as close by as possible, where people can stay until the ship sets sail, with the same low-cost, low-effort setup

and then anyone who wants to cross the mediteranean, instead of having to pay exorbitant amounts of money to some shady entity for a space on an overloaded ship, can just. report to the official coast guard ship, which will make the trip the same time every week, and if they missed it, they can get a bunk in the nearby barracks and wait for the next one

and then! everyone who shows up can get basic medical treatment and at least temporary papers if they haven't any, and there can be co-ordination with the european ports, so everyone knows when and where the next ship will arrive, how many people are on board, what immediate assistance they will need, and any other relevant information

hell, if there's something stressful or expensive or otherwise troublesome at one port, they can contact the coast guard and go 'yeah, we said we'd accept the next ship, but there's been [thing] and we're overwhelmed as-is, but the next port over is set up for your arrival', and then no one needs to deal with the unexpected arrival of several hundred injured, ill, or starving people that need immediate help in a million ways

just. we know migrants will cross the mediteranean. it's a thing they've been doing for decades at this point. we also know it's a source of stress and trouble for everyone involved. might as well accept it and make it as safe and controlled as possible, reduce the amount of emergency something-or-other to react to and ensure that the people who arrive are fed and clothed and ideally can actually migrate with their families instead of having to figure out who they can afford to pay the fare for and make their situation even worse

[meltorights]

aristotle really does spend like 100 pages talking abt semen in Generation of Animals tho

[lo11as]

nothing like an hour long yoga class to still feel like you want to take a lighter to a safety pin to your thigh :)

but hey i'm starting a new job tonight, surely that will cure me

[maddy-ferguson]

People really need to read up more on surrogacy, I'm pretty sure those in favor of it just think "Well if the woman wants to do it why not" but there is so much more to it :/ It's extremely exploitative in most cases, not to mention that wombs and babies shouldn't be seen as products to be bought.

exactly thank you...so many different angles to choose from too like commodification of the human body commodification of women's bodied specifically exploitation of poorer women...like TO ME it's liberalism on an insane level

[butchlinkle]

How I Animate

The Technique:

I draw the frames and then I use the liquify tool to push the lines into the next frame and redraw them where I need to. This allows me to keep the lines consistent, but gives me the control of frame by frame animation bc I am still making each frame manually! I also use 3d models as reference to help me with the angles! Super important to use reference while you animate (and with art in general), if youre no good handling 3d models then act it out and record yourself!

The Theory:

i think most people are at least loosely familiar with the 12 principles of animation (if youre not, heres a 2.5 minute video showcasing them!), but may not necessarily know how to employ them. the main 3 i tend to focus on when I animate is rhythm, telegraphing, and inertia so ill cover those there 👍

1. Timing & Rhythm

Timing is how you space out your frames both in how long an individual frame is held for, and also when you drawn an inbetween of two frames you can favour one frame slightly more than the other instead of drawing the exact average of the cels, giving the favoured cel more timing weight.

Left line has the cels evenly spaced out on the timeline, right holds the first cel for longer and the second cel slightly favours the last frame. It creates a more interesting rhythm to the animation! Rhythm is how I think of animation timing. Theres a beat like a song to every animation I make, and creating an interesting beat is what makes an animation fun to watch (for me, anyway):

2. Anticipation / Telegraphing

Before I animate a big change in movement, I like to telegraph that its coming. Usually this is doing a little counter movement in the opposite direction, but thats not the only way to telegraph a motion, e.g. eye movement can telegraph a head turn!

3. Follow-through / Overshoot / Inertia

Unless the movement is mechanical, it wont come to a hard stop and will have some level of bounce or easing out to it. How much "bounce" you add will have a big impact on how the animation feels, but a very subtle bounce will add a natural feeling to the end of a motion.

Secondary animations will use a lot of this, note that the head and the hand have a small amount of continuous motion (primary animation), and then the hair has a lot of bounce and inertia (secondary animation which reacts to the primary animation). Note the different amounts applied to the braid vs the sideburn vs the bangs

anyway! I hope this was insightful ❤️ if you like my art you can commission me by the by :)

[autogyne-redacted]

Let's Talk About Security Culture: Why Keeping Secrets is Cool and Sexy

It's a natural impulse -- if you love crime -- to want to talk about how great it is. And if you hate America, it's only natural to want to share your dreams for its future with the rest of tumblr dot com. It can feel brave and transgressive. And there is a drive to share your soul with the world at the heart of social media. Surely I should be posting the most concrete implications of my politics, right? This is the poster's curse.

Security Culture refers to a set of "best practices" developed over the past several decades, largely (in a US context) coming out of radical environmental groups as they faced intense state repression, infiltration and entrapment. If you're not familiar, there's some fascinating crimethinc write ups to give you a window into that world:

Much of it boils down to: don't talk about crimes, past or forthcoming with people who don't need to know about them, and be mindful of the possibility of surveillance and infiltration. And, we can support each other as a community in minimizing risks, with an eye towards enabling bold action rather than getting bogged down in fears and anxieties. The guidelines that make sense for AG-based trouble-makers are different from the guidelines that make sense for posters, but plenty of common principles apply. To speak briefly to our position here as posters:

First, it bears saying that long term anonymity is extremely nearly impossible to maintain. Unless you've never accessed Tumblr without a vpn, and avoided connections with other ppl who can be associated with you/your location, and never shared pictures without scrubbing metadata, and a bunch of other 100% consistent steps, it's trivial for the state to know who you are.

Second, just because something isn't actively being prosecuted now doesn't mean it can't be prosecuted later. The priorities of the state change and a shift in power towards the right or a growth in radical action from the left can suddenly make it a priority to destroy anarchist networks or just find a few ppl to prosecute as examples (who probably weren't that plugged into larger networks before getting arrested. Advocating for specific anti-government crimes or declarations of intent to commit such crimes are likely prosecutable even if charges don't stick they're an easy vector for legal harassment.

Third, it's worth thinking about heat as separate from prosecutability. There are modes of engagement that may not be directly criminalized but signal that you are someone worth watching. Some people choose to be public in ways that make heat unavoidable. But it's worth noting that heat isn't strictly individualized, that it persists over time but also is going to shrink over time.

It's easy on here, ime, to see yourself as a proud member of the crime fandom but not much of a content creator. And it's easy to feel like you've generated an amount of heat where you're locked into that role. But heat you generated 10 years ago is probably pretty well gone. Heat you generated 5 years ago has faded substantially. It's worth thinking about how the world might shift in the coming years and what doors you want to keep open.

The non-individualized nature of heat also means that leaning into the spiciest of anti-state positions will make it a bad idea for people who are acting out those positions end up tied to you. Loudly talking about how "more people should be doing [X/Y/Z]" unfortunately sets you up to remain distant from people who might be doing or thinking about doing such things.

Which brings me back to: keeping secrets is sexy. Not spelling everything out builds intrigue. You can lay out a theoretical position and leave working out the practical implications of that as an exercise for the reader. There's value in opacity. The poster's curse and the drive to confess are extremely convenient for the state, but we can resist them. We can hold dreams in our hearts that we refuse to offer up to the posting spectacle.