#but i think that there’s this thing going on where stede has become a man that reminds ed of a part of himself he associates-

[electric-friend]

i’ve got so many unfinished fics in my drive and maybe even one published one where someone calls stede strong and brave for maintaining his softness even when life pushes back.

recently i feel like stede made a choice ed and izzy have both made in the past that they’ve always wished they never did, and stede could have been spared from. at the very least i think it hurt ed to see the version of himself he hates in stede. he probably thinks stede wanted to become that man for reasons other than stede has been bullied his entire life for being inadequate and told a man a bit like blackbeard is a real man.

call me crazy or whatever but i actually think a major thing that should be communicated between ed and stede is something on stede’s end. his trauma and his feelings and his issues. as it stands now, i don’t think ed understands what’s going on with stede. i don’t think he understands the person stede really wants to be. i don’t think he understands stede’s own issues of self-doubt and stede’s insecurities. hell i don’t think ed even has that much of a grasp of how unpopular and disliked stede has always been his entire life. and i think maybe if stede explained himself better, ed would understand more of what was going on. that he wouldn’t be seeing stede as manifesting something he wants to escape from, he would see stede as someone he needs to help escape with him.

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[adickaboutspoons]

Happy sexual Sunday. In honor of Rhys announcing his upcoming substack by pointing at hand-written bulletpoints on a chalkboard with a screwdriver, I want to share the OnlyFans Stede idea that has been in my plot bunny pen for ages, but prolly isn't going to go anywhere. Stede's OF account was set up for him by Lucius, and is completely neutral content of him demonstrating basic auto maintenance and, like, how to tie a fishing lure, and a bunch of other Dad things, and he's completely oblivious to how unintentionally suggestive he's being. Like, he's filming himself working in the garden when it's super hot out, makes a "it's not the heat, it's the humidity" dad joke, strips off his shirt and uses it to mop his brow. He's on his hands and knees, pulling up weeds, and when he manages to pull up a particularly stubborn one, roots and all, kind-of-whispery/grunting-to-himself, "Aww, yeah. That's what you want, baby." Then he sits back and takes a deep drink from his water bottle, and accidentally holds it near his crotch while encouraging his watchers to stay hydrated. Ed is one of his subscribers and finds the whole thing just brain-meltingly hot. Eventually, they accidentally meet IRL, and Ed is trying to be SO COOL and not let it be known that he knows this guy and where from. And then they keep running into one another (by total coincidence - Ed hasn't become a convert to going to the farmer's market instead of just picking shit up from the grocery store on the off (likely) chance of running into Stede while he's there. Not at ALL.), and start becoming friendly. It's during one of these meetings Ed accidentally slips that he's a subscriber. He's mortified. For a moment he thinks Stede is going to get all weirded out. But Stede is just like "Oh! You like the feed? Why didn't you say so?! Always glad to meet my Only Fan!" (Stede has a v. healthy subscribership, but he thinks making the Only Fan joke is Hilarious) Stede asks for his username, and when he tells him, Stede is all "Oh! I know YOU! I can't tell you how much your feedback means to me. Always leaves me feeling all glowy for days!" Ed is all blushy and stammery and, "Uh... yeah, man. Me too." He offers Ed a hug, and Ed is internally combusting. Stede is all "If you've got any ideas for the feed, I'm always open to suggestions. Is there anything you'd like to see me doing?" There are MANY things Ed would like to see him doing. None of which are appropriate to give voice to in a crowded open-air market. Eventually eventually, after many instances where Ed is going crazy trying to figure out if it's a date or just a hang, there would be a v. thorough railing wherein Stede whispers all the tender, affirmational things Ed could ever have wished to hear. So! here's the only bit of it I've actually bothered to write:

The man on the screen smeared a little grease around the tight little hole, then inserted the cylinder into the gap in one smooth, gratifying motion. "There we are," he said, his voice a low, self-satisfied hum, "A nice, tight fit. And doesn't it feel good to do it yourself?"

Ed's breathing picked up pace a little.

"And that's how you replace a spark plug. Nothing shocking about it." He smiled a charming, little shit-eating grin and winked at the camera.

Ed's breath caught in his throat.

"So that's it for this one! Thanks, as always to my subscribers, and a special tip of the hat to this week's new friends," he looked away from the camera and put on a pair of gold wire-rimmed glasses. Ed swooned a little as he read out the names from an actual printed page.

At the end of it, he took off the glasses and looked directly into the camera again, his eyes soft and his smile genuine and kind. "Thank you for sharing this time with me. Lots of love!"

There was nothing explicitly sexual about the CapriSun_Erotica OnlyFans page. In fact, the most shocking thing about it was how roundly wholesome the content was. Just a man and his phone camera and a world of practical advice and dad jokes. An intensely hot man in the tiniest shorts or tightest jeans Ed had ever seen, who seemed allergic to doing up the top three buttons on his shirts, and that radiated so much DILF energy Ed was a little astonished the videos didn't just melt his phone screen. It was the most intensely arousing thing Ed had ever seen.

He eased himself out of his boxers and hit the replay button.

When he had cleaned himself up, he tapped out a quick reply. "Hey DaddyStede, great vid as usual. Really got my motor running. 😘"

[piratecaptainscaptainpirates]

I'm just curious since I absolutely adore all your trans Ed fics, what made you read Ed as being trans? Is it more of a personal headcanon since we tend to see ourselves in fictional characters, or did you notice some tiny detail on the show that made you think so?

Oh my friend, I'm so glad you ask.

The cool thing about reading Ed as trans, I think, is that you do not even have to squint to do it. Literally you need to change exactly nothing, and this read suddenly adds a lot of nuance and additional juicy layers to his story and his journey with masculinity.

Ed's whole deal with masculinity, precisely exactly all of it, makes him feel so much like a trans guy who never outgrew the "I need to be hypermasculine so I pass" phase, fitting that read so precisely that given there are trans writers on the OFMD team I would be absolutely SHOCKED if at least some of it wasn't intentional. Every single trans guy I know has been through a version of this, where you come out and you know you're a man but you need everyone else to know, too, and so you lean very hard into masculinity to make damn sure you pass. And not just pass, but pass perfectly. Ed is forcing himself into such a heavy ideal of masculinity that it feels artificial; he needs to make sure everyone sees him as this perfect ideal of a masculine man that he cannot possibly live up to because no one could.

Certainly, parts of Ed's hyper-masculine presentation seem to be things that genuinely make him happy and bring him joy. That's important. Ed's happy to be a man, the problem is that he's trying to force himself into such a narrow idea of masculinity that it's stifling him. It's preventing him from enjoying more ""feminine"" things that he genuinely loves, because he's terrified of being seen as less of a man for it, and people like Izzy reinforce the idea that if Ed fucks up in his performance of masculinity, he's going to be in danger because of that. It's very real, and the added juiciness from reading Ed as trans adds so much to the great story that's already there, I think. There's this additional element of Ed knowing he's a man but needing to make sure everyone else could never doubt it, there's an additional perceived danger to slipping up, there's a sort of jealous admiration for guys like Stede who seem, at least on the surface, so much more comfortable with a different type of masculinity that Ed wishes he could have more of.

And on top of that, there's just a lot of other little additional things, like:

Ed making his beard his whole brand, it just screams beard dysphoria and "no one could ever claim I'm not a man because the beard is my whole THING."

Something about his relationship with his name, and how hard he has to try to get people like Izzy to call him by his name in front of others

The way Ed is dehumanized when he dares to step outside a very safe, masculine gender presentation - it's why Izzy saying "this thing you've become" when Ed is wearing a robe and painted nails hits so hard for me, I think

Okay. okay. listen. You know the scene where Ed makes CJ whip him in the balls. Listen. Ed baby. It just SCREAMS "people here don't know I'm trans and I don't know how much getting hit in the balls should ACTUALLY hurt so I'm gonna lay it on really really thick just to be safe"

There's a lot to be said about Ed and his clothing in a lot of directions, but I'm gonna leave it at how he's really figured out a safe set of clothing that works for him and consistently allows him to be read as this super masculine guy, and he's scared to step away from that. Also, I really like imagining the full-fingered gloves at the end of s1 as a way to cover up the nail polish on his fingernails until it wears off.

I think it's very sweet that Ed tends to be very private when talking about his personal and sex life with others, but a very, very easy explanation for how that got started is he just doesn't want to go around sharing personal details about his body with people!

Yeah. A trans read of Ed is so shockingly easy, fits so well, and adds so much to his journey, frankly I'm amazed it's not more common.

[ourflagmeansgayrights]

hi i cant reblog this post but the results are bothering me so im gonna go through everybody listed here one by one in order of who's leading in this poll:

CALICO JACK: the entire reason im making this post and the entire reason i even thought abt this poll longer than 2 seconds is bc i immediately wrote him off for several reasons and then saw that he was WINNING and i need to set the record straight. first of all, calico jack does not have cybertruck money. those things are going for like $100k right now, cj has $30 in his savings and he does not have the credit score necessary to get himself a goddamned cybertruck. second of all the car calico jack owns is like a ford something or other and it's one million years old and does not pass inspection but it DOES have a pair of truck nuts dangling off the back. you know that video with the red truck speeding through an open field with cinder blocks on it?? that’s jack’s truck

A BADMINTON: i could see it, and i know this is insane bc OP said they're interchangeable and the ARE but i could see it with nigel specifically. my first thought was that ppl who own cybertrucks aren't usually RICH rich like that, but also there's a certain type of arrogant morons who like to showboat their wealth but also are dumb and have bad taste and i think nigel is that type of guy. im thinking abt him going out of his way to hang out with stede just to bully him and make fun of his ship and i think nigel would think owning a cybertruck is some sort of flex. chauncey is less interested in tormenting stede for the hell of it and more into just straight-up trying to kill stede by any means necessary and something abt the single-minded goal of it makes me think chauncey's a bit more pragmatic and less into the showboating compared to his brother (yeah there are like Reasons why nigel might seem a bit more lighthearted than chauncey, only one of them is trying to avenge his brother when we meet him, but also who cares it's the fucking badmintons lol). the car(s) chauncey owns isn't flashy but it is pricey.

PRINCE RICKY: this man is like distant british royalty, i dont think he even learned how to drive until he decided he wanted to follow stede's path and run away to become a modern au equivalent of a pirate. after learning to drive with a private tutor he went out and bought a used audi that was one year old and had less than 5k miles on it and that was him "roughing it"

IZZY: so i voted for him bc i think the aesthetics PERFECTLY fit him but after thinking abt it i would probably change my vote to a badminton. izzy sees cars as a necessary tool to take him where he needs to go and his only requirement is that the color of his car is black. he only buys a new car when the one he has is so old that it's worth more to fix than to replace, and so the only situation where izzy would buy a cybertruck is if he happened to be due for a new car at the same time that the cybertruck was coming out. i think in that scenario the aesthetic kinship he would feel for the truck would be enough to make him buy one even though it's more than he usually spends on cars and it's not his usual sedan. and then he would get in the car and drive it two miles and the software would fail and the car would completely die

STEDE: would not buy a cybertruck simply bc they are ugly. he has better taste than that

ED: same as above but also he's way too smart for that. come on.

FRENCHIE: guys, frenchie's the one RUNNING the scams, not falling for them

SPANISH JACKIE: why is she even on this list. of all the polls to include jackie on, why is this the one. no she doesn't own a fucking cybertruck, come on

[nicnacsnonsense]

AU where Izzy is complaining to Jack about Stupid Stede Fucking Bonnet after getting himself exiled from the ship, and Jack is listening to all this and comes to the conclusion that Ed is fucking brilliant. Because Ed has successfully retired from pirating like he wanted by getting himself this sweet sugaring set up where he can just mooch off this stupid rich guy. In fact it’s so brilliant Jack is going to steal the idea and whole set up. So Jack still shows up to the Revenge, still tries to manipulate a gulf between Stede & Ed, but this time he’s ingratiating himself to Stede and ostracizing Ed.

I imagine that Stede would still pick up on the bad vibes from Jack right away, but when he goes to ask Ed like, hey, seems like Jack is being kind of shitty to you, Ed hasn’t realized what’s going on yet and insists that this is all just friendly ribbing, and Stede takes him at his word. Eventually Ed does realize Jack is up to something, which Jack readily confesses to when Ed confronts him, but Jack also says he’ll deny it if Ed tries to tell Stede, and is Ed really sure at this point that Stede will pick him over Jack. So it becomes a silent battle between the two of them to see who can get the other kicked off the ship first.

Then one day Stede, very serious, asks if he can have a private word with Ed. And Ed is like, oh no, this is it, Jack convinced Stede to kick me off the ship. They go to the captains quarters to have their private conversation, Ed walking like a man to the gallows, and Stede is like, I know you said it was friendly ribbing but I’m really uncomfortable with the way Jack speaks with you and also he’s been saying some very mean things behind your back and I don’t think he’s really your friend. And Ed is all 🥺You mean you like and trust me more than Jack? 🥺🥹 To which Stede is just, I fucking hate Jack, I was only being nice to him because you said he was your friend. They talk some more, then they kiss, and then sometime later they finally get around to going back up on deck to kick Jack to the curb.

[rhysdarbinizedarby]

‘Our Flag Means Death’ Star Rhys Darby on Stede’s Transformations & Hopes for Season 3

[Warning: The below contains MAJOR spoilers for Our Flag Means Death Season 2 Episode 8 “Mermen.”]

Our Flag Means Death saw Gentleman pirate Stede Bonnet (Rhys Darby) transform from a fish-out-of-water swashbuckler into the romantic hero he was always destined to be in the latest season of Max‘s original comedy.

After realizing the error of his ways at the end of Season 1, Stede sought redemption in the eyes of the infamous Blackbeard, a.k.a. Ed (Taika Waititi), after recognizing he was in love with the pirate. While the path wasn’t a direct one, they eventually found their way back to one another with the help of a fantastical mermaid sequence, some much-needed apologies, and ultimately a better string of communication.

Reflecting on his journey, star Rhys Darby is opening up about Stede’s various transformations in Season 2, including the excitement surrounding that mermaid tail, as well as about where he thinks the pirate lovebirds might end up next should the series return for Season 3.

Congrats on Season 2! Now that we can finally talk about it, what has it been like getting to see fan reactions, especially during the SAG-AFTRA strike?

Rhys Darby: Yeah, it was like a pressure cooker that needed to burst, for us and for the fans. When it finally came out, the burst happened and there was so much love for us, [but we] couldn’t talk about it. We were still stuck in this bottle and the cork wouldn’t come off, and that was difficult, but it was really lovely to see all the love and the surprise from everyone. Obviously, as you know, the fan artwork, it’s what we would say in New Zealand is pretty full on. So yeah, it was super cool.

And not that anyone gives out numbers, but I think I heard on the ethos that people [are] watching it, and it’s rating really high and at a time when we need this kind of beautiful love fest of comedy with a whole bunch of silliness to take us away from the disasters that are happening in the world. It’s been lovely. I just wish it was longer. I know people watch and rewatch and they’re so fanatical, but it’s just a comedy show, so to have any effect means so much to us.

In Season 2, Stede’s gone through a few transformations, one of which is that he’s a real pirate now, at least comparatively to Season 1. What helped you get into that new version of him? Was it the writing, costumes, or a combination of the two?

Yeah, the costumes are the first thing that comes to mind because once he starts wearing different gear, he looks at himself and goes, “Oh my God, I’m a different man.” And he really is turning from a man who is wearing these beautiful gowns with high heels and things inappropriate for a pirate ship to becoming an Errol Flynn-type hero straight away. That’s what they wanted to do with the character. So he’s lost a lot of that beautiful pageantry and is becoming a more practical guy who has to survive. He returns to this nightmare of a world because he wants to fight for love, and for want of a better term, “man up,” whatever the modern-day version of that is, “person up?” To become the guy that he dreamt of being in the first season.

He didn’t dream that he was going to fall in love with someone. He dreamt he was going to be this amazing pirate and that just was not going to happen. But then when he found this love, I think he went away from that [dream] going, “I don’t deserve this.” And then when he realized upon returning home that he does deserve it, he had to fight for it. And so the only way to fight for it was to drop the battle armor of the gowns and actually become the pirate he imagined being. So it was great to become that and to fight for that love and to thank god that [Blackbeard] didn’t die. He would’ve actually lost it, I think, because it would’ve been like, “Well, what am I fighting for now?”

I think it was just so fun to see that character change, but also within that change, see a bit of the old self come through, especially when he found that cursed red suit. And all of a sudden it was like, “Oh my God, the old me again, look how good I look!” So it was lovely that they had those elements… I was missing a little bit of the old Stede myself. So it was great to find that again. And then again near the end with the British invasion scenario where I got to do the big coat and everything, which of course looked awesome. You can see that moment where I put it on and did that slow turnaround. It was way more filmic shots of me wearing that kind of stuff. And I think that gave Stede's strength as well. So much of Stede's embodiment comes from the things he’s wearing.

Speaking of costumes, the big one of the season had to be Stede’s mermaid look. How did you wrap your head around getting ready for such a fantastical, and ultimately, beautiful scene?

That was the highlight of the whole season for me. As a kid, I used to swim around like a little merkid. I would put my legs together and I’d swim under the water. I’ve always been into mermaids and things because I’m into cryptozoology. So when I got to be a mermaid or a merman, I really took to it. It was pretty easy, to be honest with you. I didn’t have any training to swim like that. So the only training I did was some breath work beforehand to help me hold my breath longer. But that was kind of almost superfluous. Once I got that [tail] on, I just became a mermaid. It’s hard for me to describe how I suddenly become these things, but I think I just got under the water. I could swim really easily with it.

And I had weights on. So one of the things was we had to make sure I was the right weight so that I wouldn’t just float. That thing was sort of buoyant. So once we sorted that out, I could actually swim really well, and then just sort of hover underneath the water for a long time while [Taika]’s looking at me, I’m looking at him. To see it on the day, on the screen when I knew they’d got [the shot], there were just so many cheers, and I think they even played the music to see how the scene would work out. It’s one of those life moments where you go, “Oh my God, I’m becoming a cryptid again. I’m never going to forget this.”

This season really does focus even more on Stede and Blackbeard’s romance. How did you and Taika prepare for that? Especially since Stede’s more transparent about his feelings this time around.

It was good, and it was time. And because I was the new strong Stede, it felt really natural for me. I think it just worked really well with the writing because of the aggression that I was going through. When I was fighting that really bad guy [Ned Low (Bronson Pinchot) and] threw a violin at him because he ruined Calypso’s birthday, that was a good moment because it is not just about Ed, it’s about the crew, Stede’s family, and they were going through this amazing moment there, and all of a sudden this guy turns up and next thing we’re getting tortured. And I’m like, “How dare you?”

I think that progression of strength helped [Stede] break into the moment of, “I’m just going to take my lover as well now, and do something with him.” He probably had no idea what he was doing because it’s Stede, but it worked out and it was the right time in the show. Taika and I are really good mates, so it’s really easy to do emotional scenes together. As soon as we put our gear on, we’re just looking at that character, and we admire each other.

You and Taika have been known to improv on the show. Was there any improv moment from Season 2 you were particularly proud to see onscreen?

Yeah. Well, one, I noticed that some people are talking about that they thought was scripted, which wasn’t — most of the [scenes where] I’m with Taika are improvised in those emotional close moments — is on the deck of the boat where we’d do the thumb thing. That was all improvised on the day. So that was fun that we got that kind of stuff in. And there were some more little bits and pieces, but that’s one that comes to mind. That worked really well.

By the end of Season 2, Stede and Blackbeard have settled in to open their own inn. Do you think the peace and quiet will last in a possible third season, or will they get bored and want to rejoin the excitement?

Well, obviously as it stands now, it’s very lovely and it’s a nice positive ending, which is lovely for Season 2. But in reality, if you think about the characters, even in the fictional world, they’re both outlaws, they’re pirates, and the British back then… they never gave up. They did track down all the pirates and either hang them or get rid of them. There was only a couple that got away, and it certainly wasn’t those two. So I think what they’re thinking is, yes, this is bliss, but both those characters must be thinking, this is not going to last because you’ve got to sleep with one eye open.

Even though they’re in the middle of nowhere, they’re still in an area where everyone knows what they are, so they’re going to be tracked down. So I think if it was me, [they’d] end up back in action one way or another, especially if their inn is popular, which it probably would be. Word would get around. I mean, in those days, had you heard the Blackbeard and Stede had opened up an inn, [you’d have] to check that one out. It’ll be like Planet Hollywood.

There would be a wait-list, for sure.

Yeah, absolutely. Basically, they’re too famous now that Stede’s killed Ned and everything. He’s a famous pirate. So death is going to come to their door at some point. They’ll have to deal with it.

Do you think this version of Stede and Blackbeard’s story could avoid the fate of the real-life pirates?

Yeah, no, I think you’re dreaming if you think they’re going to live happily ever after.

Our Flag Means Death, Seasons 1-2, Streaming now, Max

Source: TV Insider

[bobsyourdylan]

Okay, so – a few thoughts on Izzy’s death. I’m sure other people have also laid this out, but I haven’t stumbled across it yet, so this is partially for me to get my thoughts organized. For the record, I love Izzy – he fascinated me (in a horrified sort of way) in season 1, and then he grew on me significantly in season 2. What a weird little guy. But also – I’m fine with them killing him off, and also with how they did it, because I think it makes sense for the story. But I know that a lot of people are super upset about his death, and also about the way he died. So, a few semi-coherent thoughts on that: 

Why not a sacrifice play?

This writer’s room is so self-aware, so deliberate about engaging with tropes – there is no possible way that they sat around breaking the story of Izzy’s death and no one said “woah, wouldn’t it be symbolic and gut-wrenching if he sacrificed himself for Ed? Or Stede?” No way. So why didn’t they go that route? 

Izzy’s arc in season 2 has been all about becoming his own man, separate from Ed/Blackbeard. Like – that’s what he’s worked towards, this whole season. That is his growth. It would be insulting to take that away from him at the last minute, and make his death purely about Ed and Stede.

Listen, I love a sacrifice arc as much as the next person. But Izzy’s life isn’t about sacrifice anymore – that’s the whole point of his season 2 arc. He has spent decades sacrificing both himself and Ed to the altar of Blackbeard. No more. 

It also means that Ed and Stede’s mourning doesn’t have to be tinged with the guilt of “he sacrificed himself to save me/my partner.” They can mourn Izzy purely for himself, because he is worth mourning. This, I would argue, is the send-off that Izzy’s character deserves.

Izzy’s death wasn’t accidental on Ricky’s part – it wasn’t a stray bullet.

We see from the scene when the crew is locked up in Spanish Jackie’s that Ricky recognizes Izzy. We know from their conversation that, for Ricky, Izzy is the epitome of piracy – Izzy, not Blackbeard, is the legend.

The thing is – Ed and Stede are both in the scene where Izzy dies (I’m not sure if you can see Stede on screen, but the bts photos show Rhys’ position, on what would be the far right of the shot). Arguably, Stede would have been the easier shot – Ricky wouldn’t have had to complete a full 180-degree turn before he could pull the trigger. So why doesn’t he go for Stede, who abandoned him to the tender mercies of Spanish Jackie in the first place? Or Blackbeard, arguably the greatest/most famous pirate alive, with the possible exception of Zheng, who he’s already targeted? Sure, you could argue that he’d going for Ed here… but I don’t think he is. The shot’s too low to be accidentally aimed for Izzy – it would hit Ed’s knee or something, probably. I think that yes, it’s a panicked shot, not well-aimed at all. But if it’s aimed at anyone, I think it has to be Izzy. And at the very least, the symbolism of it is very much not accidental.

For probably the first time since they created Blackbeard, Izzy isn’t just a stand-in for Ed. His significance is his own in this scene – in all of his interactions with Ricky. He’s not targeted because he’s Blackbeard’s first mate (why go for the first mate when you could go for Blackbeard?). He’s targeted because he’s Izzy Hands – because he is significant, powerful, famous, respected in and of himself.

And more than that – this is an arc about the end of piracy. And Izzy Hands is piracy – the show has been telling us from the beginning that piracy is a mixed bag, full of the good and the bad, and Izzy represents that  – represents both the toxic, violent side of piracy, and the side of piracy that he grows into, that he explains to Ricky – piracy as family, home, belonging. Izzy dies, and it hurts, because not only is he a great character, but he represents in one person all of the complicated, hilarious, heartbreakin, violent, loving aspects of piracy – and of the show. But it is so, so important that Izzy dies as himself – not as a symbol or shield of Ed, or Stede, or Blackbeard. Not even as a symbol of piracy, but instead as the active embodiment of piracy – as something/someone who grows, changes, ends. Not as static or passive, but as better than when we first met him, as transformed as Buttons in his own way. 

Izzy’s death sets up a possible revenge arc:

We know that everything in this show ties back to the main relationship between Ed and Stede. Izzy’s death is, I think, significant on its own, for him as a character – but it is also, by necessity, significant to Ed and Stede’s relationship. Namely – it sets up an interesting conflict for season 3 re: a potential revenge arc for Ed. 

Now, clearly they’ve carefully ended season 2 on a relatively high note in case we don’t get a season 3. But we know they’re gonna be terrible at running an inn, and we know there’s unfinished business with Ricky. Ed’s current strategy of dealing with everything that’s happened seems to be “I don’t want to be a pirate, get me out of here” – which, while fair enough, won’t last, because that’s the nature of unfinished business. So, at some point, Ed and Stede are going to need to confront Ricky again. And, if the writers decide to lean into the revenge arc, I’d say the odds are pretty high that, when Ed lays eyes on Ricky again, we get a flashback to Izzy’s death. 

And this sets us up for a pivotal, and necessary, moment in Ed’s character arc: when confronted with pain, loss, negative emotion in general – can Ed deal with it without losing himself? Ed needs a balance between the Kraken, Blackbeard, and Edward, and we see at the end of season 1 and beginning of season 2 how challenging that balance is for him to find, especially when confronted with loss or pain. We can see Ed working towards that balance when he’s interacting with Low – Low’s taunts don’t push Ed to violence, but instead get to Stede. But comparatively, Izzy’s loss is a much greater blow, and at some point, Ed is going to need to confront that.

Plus – we know the writing team are thinking of Izzy’s death at least partially in terms of the mentor/mentee arc, which often confronts the question of revenge – after the mentor’s death, the mentee is required to choose on their own how to go on, what kind of person they want to be. And this often requires a confrontation with both the mentor’s loss and a decision about how far they want to take their desire for revenge.

Why not a cooler death?

Okay — I get this criticism. I do. Izzy is an amazing fighter, we all love that about him. And you can keep most of the above symbolism and still have him die fighting two dozen British soldiers. 

But — again — we are back to the root of this show: Ed and Stede. 

Izzy has two deaths this season: one in the premiere, one in the finale. The first is Stede’s fantasy. Cool swordfight, and Stede triumphs, obviously — but the premise of the fight is that Izzy’s a great swordsman and Stede bests him because now Stede’s a great pirate. This is Stede’s ideal pirate fantasy. 

But Izzy’s actual death is not like this. It is messy and inelegant and painful and no one gets any glory from it at all and Ed is crying with Izzy dying in his arms, and Stede wants to help, goes for bandages, but he doesn’t know what to do and it’s not enough anyways — And this is not a fantasy anymore. This is piracy, and this is the piracy that Ed wants to escape. And it’s important that Stede sees this, sees what Ed is done with. 

And it’s also important that Stede tries to save Izzy. Izzy isn’t just a symbolic barrier between Stede and Ed anymore, to be sacrificed to Stede’s reunion fantasy. He’s his own person, with his own death, and Izzy has grown, yes, but so has Stede.

And by using Izzy’s death to make this point, we both get Stede learning the reality of piracy and growing beyond his fantasy, and the glorious fantasy fight kiss i love you reunion between Ed and Stede (if Ed and Stede had reunited by fighting off dozens of British soldiers, but Izzy had died doing the same, the dissonance would have messed with both the death and the reunion, because we the audience wouldn’t be able to distinguish between the fantasy and reality worlds). And getting both of these is the premise of the show — fantasy and reality both. 

And sure — you can be mad that the show used Izzy in this way. But that is the show’s premise — everything is in service of the protagonists and their relationship. This is not a surprise— it’s been openly talked about since day 1. 

You don’t have to like what the writers did. You don’t have to agree that it was the correct choice. But they have proven to us, time and time again over the last year, that they are self-aware and careful with this show that they know we love so much. So we absolutely owe it, to them and to ourselves, to ask why they made a choice that not everyone may agree with. What is the payoff? Why did they decide to do this thing that they knew would upset fans? Because we know it’s not that they hate us. So what is it? You don’t have to agree that the payoff is worth it. But do the writers, and the show, and yourself the favor of recognizing that there is a payoff here.

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.

[dragon-kazansky]

Spirit of the sea

Izzy Hands x Reader (GN)

You were a member of Blackbeard's crew long ago. Then you became a ghost story. Izzy Hands only sees you in his dreams these days, until he sees you for real when investigating Stede Bonnet. This sets him on a rollercoaster of emotions between you and what his captain is doing.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Warnings: Slight angst. Probably more swearing, this is Izzy here. Longer chapter than the last.

Chapter Three - Can you see me now?

♡♡♡

Izzy had entered his captain's quarters in a slight daze. He was focused on his mission, sure, but the sound of your voice was taking over his mind. It almost felt real.

The way you said his name made his heart skip. Not that he would ever say that out loud. God forbid anyone thought Izzy Hands had gone soft.

He almost believed you had been on that bar.

"Izzy?"

He snaps out of his thoughts at the sound of Blackbeard's voice.

"He's not interested in meeting. I explicitly told him... Blackbeard desired his company."

"But does he know who I am?"

"Seemed to, yeah."

"And still he said no?"

"You can "go suck eggs in hell" was his response, I believe."

"Fascinating."

Once Izzy was dismissed, he walked up onto the deck and looked out to sea. Back on open water where he liked to be. He finds himself pressing his palm against his chest, where the ring sits under his clothes. It feels heavier than normal for some reason.

♡♡♡

Turns out it was the Spanish waiting. Not a private vessel like Stede had thought. You had cursed under your breath as the dingy approached the ship.

It was a set up.

Along with the crew and the Englishman, you were pulled into a line where Stede could see you all being held at sword point.

This was becoming the last straw for you.

"I think there's been a mistake," Stede mutters. He is then promptly stabbed as his crew gasp in shock. Blood soaks his clothes as the sword is pulled out of him. "Did you mean to do that?"

You stand by quietly and watch as Jim is revealed to be a woman in disguise. Apparently Spanish Jackie knew them and wanted their head... or at least nose.

As night draws in the Spanish prepare to hang Stede Bonnet. You look up at him as he stands on the barrel, noose around his neck. You stand there with the notion that you'll never see Blackbeard and Izzy again. This time you'll really be a ghost story to them.

A pain settles in your chest at the thought.

"I'm sorry, guys." Stede says to his crew. "Any last words?"

"Yeah," Jim speaks up. "You are the worst fucking pirate captain in history."

"I deserve that."

The Spanish captain mocks Stede for his last words. As he begins to laugh, he is swiftly swiped off the ship. All hell breaks loose.

Cannon fire. Smoke. Pirates boarding the ship. Yelling. Swords clashing. Several things happen all at once.

In Stede's panic, he knocks the barrel over, hanging from the rope around his neck.

You begin to laugh, tears welling up in your eyes. You know these guys! This crew!

You're cut free from the rope binding your hands and you watch the Spanish die one by one on front of you.

Whether it was fate or luck, you thank your lucky stars. 6 years away from the ship you called home, only to reunite with them on this very night. Your eyes dart from one person to another, looking for the man you missed the most.

As the fog rolls in thicker, Stede is cut down from his hanging, falling limp on the ground. He's looking worse for wear.

You turn at the sound of heavy footsteps. You smile at the sight of your captain.

Blackbeard stands over Stede.

"The Gentlemen Pirate, I presume."

"You've heard of me?"

"Oh yeah, I've heard of you. I've heard all about you."

♡♡♡

"Blackbeard."

He looks up from Stede and sees you standing there in front of his eyes. "No way," he mutters under his breath.

"It's me."

He looks you up and down, taking you in. He has thought Izzy had been a little odd these past few weeks. Now he was connecting the dots.

"No fucking way!"

You smile at him. Blackbeard orders his men to carry Bonnet back onto his ship as he walks toward you and pulls you in close. You finds yourself a little taken off guard, not knowing Blackbeard to be particularly a hugger.

"This is fucking unreal. You're alive?"

"Yeah. Have been all this fucking time!"

He sounds super excited as he holds your by the shoulders and looks you over again.

"Izzy is never going to fucking believe this."

You fall quiet as you look up at your captain.

"How is he?"

"He's, well, ya know, Izzy."

"Captain..."

"I'm sure he will be happy to see you again. We thought you were dead..."

"Almost was," you whisper.

♡♡♡

You climb aboard the Revenge. You had hoped to never set foot on this ship again, hoping you could simply go back to the one you used to call home, but it turns out Blackbeard has a genuine interest in this Gentlemen Pirate.

You go along with him for the sake of returning to your old crew.

"So, I'm allowed back, just like that?"

"You always had a place on my crew. "Dying" isn't going to change that. Just, I need ya to talk to Izzy first. I think that's important. I'm gonna go check in with the Bonnet guy."

"Right..."

Blackbeard leaves your side to go below deck. As you turn around, you see him. Izzy Hands. Just as you remember, though perhaps a few more grey hairs on his head.

He is frozen in place. Eyes set on you, the corner of his lips pulled down, his brows are knitted together. One of his hands rests on his sword at his hip, the other is balled up into a tight fist beside him.

"Izzy," you say his name softly.

You can see his jaw clench, perhaps even his eyes watering. You realise in that moment he doesn't believe what he's seeing. You take a step forward and he takes a step back.

"Izzy..."

"You're not real," he says plainly, trying so hard.

"I am real, Izzy. It's me."

"No. It can't... it can't be you," he nearly loses his composure. "You died. That ship burnt down to nothing and you died."

You take another step closer.

"I jumped off the ship, but got swept up in the ocean. The weather turned bad, do you remember?" He doesn't respond. "I couldn't get back to the ship, and before I knew it you were all gone. You have every right to believe I was dead and that I'm just a figment of your imagination, but I'm here..."

Izzy stares at you for a few moments longer because inhaling sharply and walking off.

You stand there and feel all the shuddering breath escape you. Yeah, he had every right to walk away.

♡♡♡

After sitting with Stede for a while as he recovers, Blackbeard stands up on deck looking out at the horizon. Izzy joins him, his mind busy with thoughts. He has to be going crazy.

"Been lookin' for you everywhere. We need to move quickly before the Spanish realise we massacred all their men."

"Oh, the Spanish. They die quite dramatically, don't they, the Spaniards? Lots of blubbering for their God."

"Yeah, agreed. Now, we really should discuss..."

"Izzy, Izzy, Izzy, Izzy! Did you see them yet?" Blackbeard looks over his shoulder at his first mate. "Our spirit isn't a ghost after all!"

"So I wasn't going mad?" Izzy whispers to himself.

"What's that?"

"Nothin'." Izzy looks out across the sea. His chest feels heavy. So you are real. You really were back from the dead. Where the fuck had you been all this time? Why hadn't you reached out in some way?

"Aren't you glad?" Blackbeard asked.

"Fucking ecstatic."

"Cheer up, Izzy. We're a team again!"

Izzy says nothing as he stares out at the sea. He doesn't know what to feel right now. For the last 6 years he believed you to be dead. You haunted his dreams, his thoughts during the day. He saw you in places he shouldn't. Izzy genuinely thought he was losing his mind at this point.

"Look out there. Those clouds." Blackbeard points out at the sky, trying to change the subject. He could tell the conversation was starting to bother his first mate. "Do they look like frankfurters to you?"

"They look like clouds," Izzy sighs.

"Yes, yes, they look like clouds because they are indeed clouds, but if you just put some fucking imagination into it, man!"

Izzy looks back out at the clouds, completely done with this moment, but humouring his boss nonetheless. "I suppose they do look like sausages."

"Frankfurters, yes! Exactly. It's like pulling teeth with you sometimes, man."

The two of them turn to face the crew of the ship. Most of the crew are milling about, but you're standing against the railing with your arms crossed and bead bowed down. Izzy's gaze is on you for a moment before glancing at the crew.

"What've we got?" Blackbeard asks.

"Well, the ship sustained some damage in the crossfire, and the crew's completely useless, bottom of the barrel."

"Mm, and what about them?" Blackbeard nods over to where you stand.

Izzy bites the inside of his cheek. "Prisoner of Bonnet or something... has been trapped on his ship for weeks according to the others."

"What's the plan?"

"The uszh - make 'em repair the ship, execute 'em." Izzy says this as he avoids looking at you. He is still trying grasp onto the fact you're not dead.

"Right, the uszh."

♡♡♡

Pete looks up from what he is doing to see Blackbeard and Izzy talking quietly to one another. "I bet he's saying something genius. He's history's most brilliant tactician. I wonder if he'll recognise me."

You look up at him. "Recognise you?"

"Yeah. I was on his crew once."

You narrow your eyes at him. "I don't remember you."

"Why would you remember me? Unless you were someone we crossed, but we very rarely left anyone alive."

You push yourself away from the railing and stand in front of him. "You weren't on his crew."

"Oh yeah? How would you know?" He stands up to you.

"Because I was on his crew. Until about 6 years ago I sailed under Blackbeard. I don't ever remember you."

Pete backs down. "You sailed with... him?"

"Yeah. You see those two over there?" You nod toward Blackbeard and Izzy. Pete nods. "They were my friends. My colleagues. My family, if you like. I killed for Blackbeard. Stole for him. Tortured for him."

Pete swallows nervously. Lucius steps between you both. "I thought he would be taller."

You sigh and step back.

Fang and Ivan come over and slap Pete across the head. "Back to work!"

Blackbeard turns back around to see what was happening. "Boys, boys, boys, hey. Let's not brutalise our guests like that."

Blackbeard swings down the steps, even though it was only 4 steps to walk down. The crew applaud him for that anyway.

"Hello everyone. I'm Blackbeard." He greets them.

Izzy comes down the steps you notice him avoiding your gaze. You know you've hurt him by suddenly reappearing in his life.

Blackbeard makes the rounds of the crew. They're fans of him. He seems pretty stoked by the reactions he's getting from them. He turns to find Buttons standing beside you with a seagull on his head.

It dawns on you how little you knew of this crew due to being locked in the brig for weeks. You realise how weird this all is.

"Sorry, sir, Blackbeard, sir, I was just wonderin' if we're going to be able to live or die..." Franchie says.

"Right, come on!" Izzy cuts him off. "Blackbeard has business to attend to! Fang!"

Fang hisses and orders them all to go back to work. You remain standing as Blackbeard and Izzy pass by you. Blackbeard smiled at you, but Izzy pretends not to see you as he steps last you.

You sigh and walk in the other direction.

♡♡♡

"This place is amazing. Izzy, look, look at this shit." Blackbeard gets all excited as he opens a cabinet to find a model of the ship they're on. He's never seen anything like this before.

Izzy sighs as he watches his boss. He was annoyed by the fact that Blackbeard wasn't taking things seriously right now, and it didn't help to know you were basically haunting him even though you were no longer a ghost. He supposed in a sense you still were, to him anyway, a ghost.

Blackbeard holds up the model of the ship. "It's a teeny-tiny version of this ship."

"It appears so, yeah." Izzy takes it from Blackbeard when he hands it over. "So, Edward..."

"He's got all sorts of knick knacks and trinkets."

"Edward?"

"This guy's fucking fascinating!"

"Edward, focus. We need a plan."

"I AM focusing. I'm focusing on all of this brilliant stuff."

"Edward, we really need a plan." Izzy insists.

"Crazy little trinkets."

"Come on, a plan."

"Yes! We always need a fuckin' plan, all right?! And then what? Then we fuckin' execute the plan, then we get another plan, then what do we do? We execute that, and so on and so on, and again, and again, and again, and again! It's all so fucking boring!" Edward shouts.

"Why aren't you focusing on them? Huh? Our friend who came back from the dead and crossed our paths again! Who we thought was dead, but really they were out there all this time probably doing some way more fucking interesting than the same thing over and over again!"

Izzy bites his tongue at that.

"I'm bored outta my skull man. Is this all there is?" Ed asks Izzy, turning to face him. "I shouldn't be bored. I'm fucking Blackbeard."

Izzy stares at his captain.

"Well, as board as you might be, if you don't make a decision soon, we're going to fuckin' die."

Blackbeard looks at his first mate.

"You're doing it again."

"Doin' what?"

"Avoiding talking about them. All you wanna do is talk about what I plan to do. You won't even say their name."

"Edward-"

"Do you hate them, Izzy?"

"Ed-"

"No, Izzy. Do you hate them? Do you despise them for dying?"

"They're not dead though, are they? Never were. They just made us believe they were."

Edward stares at Izzy.

"Huh..."

"What?"

"Now, there's an idea. I haven't done that yet." Edward says curiously. "I haven't died yet, have I? Maybe we should try that." He says, standing right in front of Izzy with a look of excitement in his eyes. He then walks past his first mate to go back outside.

Izzy stands there with the ship model in his hands. "Yeah, cos that make sense."

He puts the model back in the cabinet.

♡♡♡

You sit on the deck with your head leaning back against the railing. The crew are still fixing the ship, but you're lost in your thoughts about Izzy.

Israel Hands was always a hard man. From the moment you net him, he was tough, direct, took shit from no one. He took pride in being Blackbeard's first mate. Being first mate was no joke, it was a huge responsibility to the ship and to the captain. Izzy Hands was perfect for Edward's right hand man.

He was always the same, but it took months of sticking to his side to make him soften up, if only a little bit. Izzy would find himself drawing closer to you. He would always come to stand beside you. Always found himself sharing thoughts and ideas with you. Sometimes he just liked to sit in silence with you.

You became a safe space for him.

Izzy Hands is human, despite what some might think of him. You know deep down he has thoughts and feelings too, he just does a good job of keeping them hidden. You've seen the way he looks at Blackbeard, like he's the most important man in the world. Izzy would do anything Blackbeard asked him. Even bend the fucking knee if he had to.

You liked Izzy. As much of a bastard as he was. There was a connection there, it might be hard to see, but you knew it was there. It was the things Izzy did that proved it's existence.

Now he hated you.

You should have made more of an effort to contact hi somehow, but even then you don't know how you would have managed that.

"Shit..." You sigh.

In the corner of your eye you see Izzy comes outside. You keeps your eyes away from him. If he was going to ignore you, you would ignore him too.

Izzy joins Buttons where they see ships approaching on the Horizon.

"These wee black dots look a bit Spanish to me. What do you think?" Buttons says.

Izzy looks through his telescope. "Fuck!" He hurries down the steps muttering to himself as he goes to find Edward.

You watch him go, immediately breaking your ignoring him attempt.

♡♡♡

Izzy can't find Ed. He's not on deck by looks of it, and he wasn't in the captain's quarters when he went in to check. Izzy is losing his patience right now. He sighs and heads back outside to make sure the crew are still working, and to see if Edward has appeared in the time he was gone.

Instead Izzy just finds himself staring at you. You've been sitting in the same position for the last hour. He would yell at you for being lazy, but that would mean talking to you, and that was the last thing he wanted to do.

However, as your eyes rise from the wooden deck to meet his, Izzy finds himself frozen once again. Those are the same eyes he used to look into back then. You're right there in front of him.

In his state of being thrown back to the past, he had failed to notice the crew of this lousy ship had gone from deck. He blinks and realises how quiet it is. He takes note of you looking at him. You open your mouth to say something, but he walks away immediately.

He won't talk to you.

♡♡♡

The crew are below deck eating and arguing over Jim. They seem to believe Jim is a mermaid, but they stands up and yell at the crew, stating they are not, in fact, a mermaid. Neither are they bad luck.

Izzy is not impressed.

"You don't get food when you're being invaded." He states to them, unhappy with how things are going. "You live at my pleasure! Back to work! Useless fuckin' fuckers!"

He storms off again.

When he returns to deck be finds you fixing the ship. You've picked up where they have left off. You haven't noticed him standing there silently watching you as you work away.

Izzy hates the way he feels right now, seeing you there in front of him. You're behaving like you haven't been gone for 6 fucking years of his life.

"You don't have to do that," he says, trying to remain neutral.

You don't look up from what you're doing, continuing to hammer the nail.

"As I gather, you were their prisoner. They ain't your crew."

You shrug. "Ed said I always had a place on his crew, but right now I don't feel like I belong on either. This weirdos, well, I don't know much about them. I know they're not very good pirates, that's for sure. As far Blackbeard... it's been 6 years. A lot has changed. I've probably changed."

Izzy watches you. You refuse to look at him.

"You haven't changed... much."

You stop hammering the nail, but you keep your eyes focused on the deck as you tilt your head in his direction slightly.

"Thought you were dead."

"Yeah..." You say softly. "Figured as much. Heard the stories. Ya know, pirates believe I'm some ghost who died on that ship that day, seeking revenge on anyone who gets close to the wreck. I apparently haunt the water waiting for the day Blackbeard returns so I can rest in peace. I mean, who the fuck made that story up?"

Izzy doesn't laugh, but he is mildly amused by the tale. "Some arsehole, probably."

You chuckle. "Probably."

At last you bring your eyes to meet his as you stand. You look at him with a sigh. "I'm sorry you thought I was dead. But I had no way to contact you or let you know I got off that ship that day."

Izzy says nothing.

"I thought about you every day," you confess. "You and the guys. I wondered if you ever looked for me."

"Uh..." Izzy drops his gaze.

"I get it... you thought I was dead. No point in looking for a dead person at sea."

Izzy looks back up at you. "Did you ever once look for us?" He asks.

"Every fucking day. For the record, Blackbeard isn't easy to find."

Izzy almost smiles, but the sound of the door opening behind him has him frowning again and turning around. The crew of the Revenge are coming back to finish their work.

Izzy doesn't look at you again as he watches them, making sure they don't slack off again. You decide to finish the job you started.

Izzy only glances your way when he knows you've stopped looking.

♡♡♡

You knew what you were seeing, but you weren't sure what to make of it. Right in front of everyone was Blackbeard in a white frilly shirt, sleeves covering his hands. He was waving his arms about in some strange dancing motion. His expression was very serious though.

You thought perhaps you had hit your head and were imagining things, but when Stede Bonnet comes out wearing Blackbeard's iconic leather outfit, you decided you must have been drugged instead.

Izzy has to walk off and you don't blame him. The man has put up with a lot from Blackbeard over the years, and this had to be taking the cake.

While the crew play along with this strange charade, minus you who wanted nothing to do with any of this weird cosplaying thing, Izzy pulled Ed to the side to have a word with him.

You see them standing in the door. Izzy is obviously irritated with Ed. When you see Izzy giving Ed two middle fingers, you know that he has reached his tether.

Izzy marches out and grabs Stede by the collar. He drags Stede down below deck. No longer able to stand by, you follow him.

"How quickly can we move this vessel?" Izzy asks Stede.

"I'm not sure. That's really the crew's thing."

"How are you stocked for munitions?" Izzy asks him, grabbing him by the jacket again.

As you and Ed enter, Stede looks up. "Ed! Do you know this guy? He's a complete asshole!"

"Ivan! Fang! Prepare the guns. Execute anyone who won't fight." Izzy orders.

"Well, Blackbeard... what do you think?" Ed asks Stede, getting closer. You dare to move closer to where Izzy stands.

"Do you concur?"

"Me?" Stede asks him.

Realisation sinks in for you.

"You wanted to be Blackbeard. This is what it's like." Ed tells him.

"We could just talk to them."

"OK, yes, and do you speak Spanish?" Ed asks.

"No."

You sigh softly. Stede was about to learn what it meant to be an actual pirate.

Lucius comes in counting down from 20. You looked at him in slight confusion, but the look he gives Ed means this is something they understand. It dawns you he was counting down the time before the Spanish grew closer.

"Time is almost up. What are you going to do?"

"What?" Stede panics.

"They're on us now. Time for a new idea, Stede. The crew's going to die."

"I don't have an idea!"

"Hurry, you're going to lose all your men. It's all going to be your fault. All of the men who trusted you..."

"I don't know!"

"Their blood's going to be on your hands. It's going to be your fault!"

"I don't know!" Stede says again.

All you can do is stand there and hope someone has a fucking plan. You did not plan on actually dying today. You glance at Izzy, but he's just watching this back and forth interaction between the two men.

You'd never get to apologise properly to him.

"Time's up!" Lucius screams.

"I don't know what to do!" Stede yells.

"Death it is," Blackbeard says. "But wait..."

"You're a genius, Blackbeard!" Pete comes in grinning.

You let out the breath you were holding. You should have known there was a plan all along. You feel your muscles relax. You don't see the way Izzy looks over at you discreetly from where he stands.

Upon returning to deck you see the ship is surrounded by heavy fog. You could hardly see a thing outside the deck.

"I don't believe it," Izzy says.

"No one will see us in this," Fang speaks up.

"This is why you do not doubt Captain Blackbeard!" Ivan calls out.

"You knew this would happen?" Stede asks. "How?"

Ed takes a seat. "Quite simple, really. The colour of this morning's sky coupled with the brisk westerly wind made me think we'd be safe. And then the shape of the clouds confirmed it."

"Frankfurters," Izzy mutters. "Fuck me."

"Izzy, I figured the fog would set in once the sea cooled around dusk."

"'Cept we're right in their path. They'll run snack into us," Buttons says.

"Correct! On any other day, for it's September 2nd and tonight's a full moon. So life anchor, and let the ocean current drift us into the warm embrace of safety."

You can't deny that was clever thinking, but the way Izzy glances you makes you realise something is wrong. You ask him with a silent tilt of your head what the matter is, bit he just looks back up at Edward.

"Ed, Ed, it's September 1st, boss."

"What's that, mate?"

"It's September 1st."

"Dickfuck, no, it's not."

"He's right. It's the first," Lucius conform. "The full moon's tomorrow."

"It's a leap year." Ed sighs.

"Does that change things much?" Stede asks.

"Yeah. We're goners. Those of you who can swim would be wise to do it now."

The crew start asking questions, worried.

"Where are you going?" Stede asks.

"The Captain goes down with the ship. I'm going to get pissed."

Stede goes to follow Edward.

All you can do is look at Izzy. He's not looking at you, once again. You want to say something to him, but he walks away before you can utter a word. You sigh.

Fang comes over to you. "He missed you, ya know."

You look up at him. "Izzy?"

"Yeah. He probably won't appreciate me tellin' ya this, but I'm sure I'd heard him crying in his cabin most nights after the incident..."

You turn to look at where Izzy stands, staring out into the foggy sea.

"I can never make it up to him for making him believe I was dead..."

Fang places a hand on your shoudler. "Sure, you can."

Fang leaves you alone with your thoughts. You keep your eyes on Izzy and take a shake breath. That bastard will never understand how much you missed him.

♡♡♡

@grippleback-galaxy - @askmarinaandothers - @godlikegallagher - @for-fuck-sake-im-alive - @whiskeyswriting - @lxsm2 - @bloody-bunni666 -

[bookshelfdreams]

Once again, as it so often is with ofmd, it is about violence.

Ed is capable of violence and it makes him feel monstrous. Killing his father was a defining moment in his life, something that became a core memory: The darkest, scariest part of himself, but also one that has protected him and been immensely useful. No matter how much he hurts himself with it, how much it chips away at his soul, he's willing and able to do horrible things. This is the price we pay for violence: When you kill, you die as well.

When he met Stede, a man he thinks is fundamentally incapable of the kind of violence that's slowly destroying Ed, it gave him hope that he, too, could move beyond it. That a life full of comfortable and beautiful things was not only possible but attainable; if Stede can sail the seas with his ridiculous toy ship full of books and soft fabrics, have a positive culture of open communication and constructive feedback, then fuck it, why can't he?

To him, Stede's incapability for violence is a positive thing; it might be Stede's greatest strength. But what Ed doesn't realize is that Stede's life, too has been profoundly shaped by violence, how intimately he is acquainted with it - from the other side. Stede has only ever been a victim of violence. Where the moments that replay in Ed's head (the lovely little motage at the beginning of 02x06 for example) are moments where he enacts violence, the moments that define Stede are ones where violence is done to him. We see him splattered with blood, picking flowers: we know what follows is humiliation, verbal and physical abuse, that Stede was unable to protect himself from.

So of course, to Stede, his lack of talent for violence becomes a character flaw. Something that makes him weak, pathetic, cowardly. When he finally learns how to wield violence, how to use it to protect himself and others, it's empowering. He revels in it, the small moments (I did a punch!) and the bigger ones. For the first time in all his life, he's not a victim anymore.

Ed does not know this about Stede. To him, Stede is fragile, someone not yet tainted by violence the way he is. Ed feels protective of Stede, and it's that perceived innocence that I think is a big part of it. All he sees is Stede descending down a path of violence and piracy he has walked already and cannot go down again; the last time he did, it literally made him suicidal. He can't follow, and he can't watch Stede destroy himself the way Ed did, either.

So he leaves.

And Stede, who feels like he has finally grown into a better, more capable version of himself, someone who is able to see hurt and fight back against it for once, doesn't understand this at all.

Both these viewpoints are ones that ofmd wants to validate: Violence is a terrible beast that will eat you whole and spit out your bones AND Violence is sometimes necessary, and even good. It's a delicate balance to keep, and 02x07 doesn't quite manage to do so. But despite the awkwardness, the bones are still there; we end on Roach and Fang (two characters very capable of and good at violence!) having their cute little self-care spa day. This is the future ofmd wants us to believe in: a world where we can chose care and tenderness over battles.

[fuckyeahizzyhands]

COLLIDER: I'm so glad that we finally got the chance to touch base about the show.

CON O’NEILL: Yeah. It's been really uncomfortable not being able to talk about it.

COLLIDER: Izzy, as a character, really goes on a beautiful, poignant journey this season. In the beginning, Ed is Blackbeard and back to the old lifestyle of raiding and pillaging ships, but it feels like something's off. Izzy has what he wanted back, but at what cost? What was your take on that — reverting to the way that things used to be, but, obviously, there's been a shift, and things aren't quite the same?

O’NEILL: It goes back to how it used to be, but Ed’s broken, and that's the difference. Before Stede appeared, Izzy and Blackbeard worked as a unit really, really well because they were both on the same page. When Stede breaks Blackbeard's heart, Izzy and Blackbeard aren't on the same page. Basically, Izzy’s looking at a man that he loves falling apart, and all the joy is gone — not just from Blackbeard, but from piracy. He can see Ed's decline, he can see the decline in his crew, which is fundamentally really, really the most important thing to him. He can feel his own heart breaking, because he's seeing the devastating impact of his actions. So, it's a pretty bleak start to a season, but we do have fabulous make-up.

COLLIDER: It does feel bleak, especially for Izzy at times, who goes through the amputation and has to adjust to a new normal of not being able to get around the way that he used to. But it's also an opportunity to see the changing dynamic with the crew. I was really touched by the moment when they built [Izzy] a new leg. It's moving on an emotional level, but it's also proof of how far this group has come. Was it nicer to be able to play those moments of camaraderie instead of being at odds all the time?

O’NEILL: What's interesting, though, is the love for Izzy to his crew and the crew to Izzy, it's always been there. It's just not being presented in this way. The giving of the leg, I believe, is the first time in his life where he's actually had an emotional connection that he wasn't able to control. That act of kindness overwhelms it. But he's still a pirate, and the leg ultimately allows him to be a pirate again. He does change his attitude towards his crew after the new leg and after the unicorn statement, but it's also about how to navigate the new crew as the first mate. And that's the beauty of what David's written. It's not suddenly he's this new guy. He's still a bit of a dick, but he's their dick, as Vico says.

It's a beautiful human version of the story that could have been really sentimental, and I don't think we go there. He doesn't suddenly become everyone's mate. That was never going to happen. That would have been dishonest. But he just has a need for them more because he's not as physically able as he used to be, and with that comes an understanding of them. The way he deals with Lucius is very specific in that he can't give Lucius love and understanding without calling him a twat — because that's who Izzy is, but he does give him love and understanding — and that's down to David and David's choices. Remember, this is a comedy. He's done all this in a comedy. That's really profound that we're going on these routes of human stories in what is essentially a comedy.

COLLIDER: One that really stuck out to me was Izzy singing in the “Calypso's Birthday” episode, especially because it plays as a backdrop to some pretty significant moments. I wanted to ask you about the preparation process behind performing that song. Did you have to record it and also do it live on-set?

O’NEILL: I got an email from David a third of the way through the shoot asking me if I knew “La vie en rose,” which, of course, I knew, but only as I'd heard it. I was actually in Wellington filming a different show because I did a different show for a week, and I just got this message. We were just gonna sing the English version because we didn't have the rights to the French version, and I don't speak any French at all. Nothing. Zilch. And then I got the phone call. Would I be able to learn it in French? So I did. I called a lot of people, and a lot of people who say they speak French don't. But my partner does, and I have a friend who just played Piaf. So, between the two of them, they gave me an understanding of the French.

We recorded both versions, and I lip-synced to the English version first before the scene with Ned. I thought we were just gonna do a little bit of the French version for the end of the episode. I had no understanding that it was gonna play out the episode. I’m thrilled that it does, but it was terrifying. Every minute of that, from the recording of it to the lip-syncing it to the filming it, was terrifying. I haven't sung in public for 20 years. But it felt right, and it felt like the absolute right choice of song. It felt like the absolute right choice of language. I didn't want him to be too French, I just wanted him to be able to because Izzy speaks bits of every language, as most pirates would. I thought it was audacious. I thought it was moving. I thought, again, it shied away from sentimental. And I’m just in awe of how David's brain works. If you would have asked me prior to doing it which song Izzy would sing, I'd never have thought “La vie en rose,” and now I can't think of a song that's more appropriate for Izzy.

COLLIDER: I talked to David, as well, about the scene of Izzy talking about piracy in the finale, and he said it's kind of like Izzy giving his own eulogy, in a way, before what happens next. That scene where Taika is holding you feels significant for the show — not just in terms of the weight and impact, but because so much of the cast is there, and it really feels like a moment of family getting to be together. Even if it's mostly an exchange between Izzy and Ed, everyone's there to send him off. I would love to hear about the experience of filming that on the day.

O’NEILL: David sent me the scene a few weeks prior, and the date was set to film it, which was gonna be in the last week of filming. It was early on in the last week, and then it was in the middle of the last week, and then it was scheduled for the morning of the last day. Then, suddenly, it became the last thing we were gonna ever film in Season 2.

Those things aren't easy. They're quite difficult because no matter how you think about it in your head, it's not gonna play that way. We were on a set, we were on the ship, there were hundreds of crew, there was the whole cast, they were setting up the shot. It was busy. David, bless him, played a playlist to help us all get in the mood, but it's just a cacophony of noise and busyness, and we’re getting towards the end of the day.

Suddenly, it was just me and Taika. Suddenly, all the noise disappeared, and suddenly, all the process of filming a scene disappeared, and it was just me and him. And Taika is a wonderful actor. Everyone talks about his writing and his directing, and this and that. Taika is a beautiful actor to play opposite. And in that moment, we just got to say goodbye to a character that we both loved. You never get a death scene that's going to get all those boxes, but for me, it was never about what Izzy said. It was about Izzy being vulnerable enough and brave enough to say, “Sit with me.” It was about Izzy being allowed to be held in the last moments of his life. That's all I remember about the day. I’m very proud of it.

COLLIDER: I just want to say thank you so much for taking the time to chat with me about the show. It's been great to finally get to reconnect with the cast and to really get to talk about Season 2.

O’NEILL: Oh, it’s my pleasure. It’s my pleasure.

COLLIDER: I’ve enjoyed your performance so much these last two seasons, and who knows? Maybe we'll see Izzy's ghost pop up in Season 3.

O’NEILL: Who knows?

COLLIDER: You can't predict anything with this show.

O’NEILL: No, none of us can, and none of us know. Literally, we are all in the dark, all of us, David included. None of us knows what's gonna happen. David always wanted three seasons, and I think this story should be allowed to run its course. I would say that because I'm involved, but even if Izzy isn't involved in Season 3, I would be heartbroken for the show if it didn’t get to conclude, because it's an important show.

[piratecaptainscaptainpirates]

I think that the important thing to consider, when writing about Ed and violence, is to do some self-reflection to make sure you're not giving more weight to Ed's violence than that of other characters (and white characters especially).

OFMD, as a show, does not pass moral judgments on violence, other than "if you're a bigot you deserve what you get," which is very sexy and cool of them. Ed, who is horrified that he is defined by his capacity for violence, does not feel the same way, and has invented little rules for himself to get by as the best in a very violent profession. At the start of the story he NEEDED to be able to look himself in the eye and answer the question of "have I killed anyone since my dad," honestly, with "no," even though he's a smart man and he no doubt knows perfectly well that the other equally valid answer is "yes."

I do think that Ed's hang-ups around violence extend to more than just killing itself - Ed's a social chameleon and is excellent at fitting into what the situation demands of him. Prime example is him shouting "that's what you fuckin' get!" at the Swede when Jack hits him with the whip, and then seeming extremely ashamed and embarrassed when he tells Stede "this is what I am" before he leaves the ship. It gives me the impression of a guy who has been very, very good at fitting into a violent culture, even as he becomes ashamed of it when he gives his behavior more thought. I think Knife Parade is an example of the exact same situation - Fang was ""playing along,"" just like the Swede, and Ed was playing a role just as much.

There's no question that Ed is willing to use violence as a tool when needed, but for him, we always get the impression it's more of a tool than something he enjoys. Ed is genuinely very difficult to goad into anger, and his violence is always an extremely controlled reaction (think about him threatening the boat captain to tell him where the loot is - he just flipped that persona on no problem, and shut it off just as easily). But where lovable characters like Roach genuinely seem to enjoy violence, Ed's jaded to it and seems to prefer to delegate the necessary violence whenever possible.

So the important thing to keep in mind, I think, is if you pass judgment on Ed for things like going on raids (where we don't ever even see him participate), why should that get more weight than when Stede does the same (with much more enthusiasm)?

And my biggest thing, always, is that Ed's violence is a tool he uses in service of his job. Unless your modern AU has Ed formerly being in some similarly violent occupation (which I would approach with caution and care), he's not going to be a guy with three murder charges and a double-sided rap sheet. Not every AU where Ed has a violent past is racist, and there are some that are done very well, and, hell, I'm planning one myself! But I think it's worth being thoughtful about Ed's relationship to violence and how you're mapping that into your AU.

[ourflagmeansgayrights]

ok so like objectively yes ed did things wrong but not only do i personally feel no negative emotions about any of that, i swear it would make more sense tonally with the rest of the show to NOT make a huge chunk of s2 be about ed facing the consequences for and redeeming himself from the marooning/pushing lucius overboard/izzy toe thing. like if im wrong i’m wrong and it’s whatever but i really really think the focus will be more on ed’s internal emotional state and how his choices were informed by trauma and how he’s going to learn to heal more than it’s gonna be like, Ed Learns It’s Wrong To Maroon People And Force Feed People Their Own Toes. like if anything i think it’ll be Ed Learns That He Deserves To Be Happy And He Also Realizes That Marooning People And Force Feeding People Their Own Toes Is An Unhealthy Coping Skill That Negatively Affects His Mental Health And He Learns New, Healthier Coping Strategies. like i think the focus of coming out of the kraken era is going to be almost entirely on ed’s feelings, and any mention of how his actions harmed the rest of the cast will be brief and/or it’ll primarily be played for comedy

which yes irl this would kinda suck to have some guy respond to getting his heart broken (and other stuff) by killing and maiming people and then have his whole journey of self-discovery be solely abt him and not any of the people he’s hurt. HOWEVER a biiiiiig part of the humor of the show is that the characters are experiencing some very real and very relatable self-esteem issues and insecurities and vulnerabilities, and all of that is placed on a backdrop of comedically gratuitous pirate violence. like this is a romcom and ed is basically going through the classic emotional beats of the romcom heroine getting her heart broken and eating a whole tub of ice cream and crying in her room for days before becoming cold and distant and “love is dead” edgy, only the joke is that bc he’s a pirate his “love is dead” romcom era includes some people actually literally dying. izzy and the crew all just happen to be in the blast radius for this joke, and while we as fans might love and care abt those characters too, the plain fact is that ed and stede are the main characters and the other characters’s feelings or storylines or internal motivations simply do not matter nearly as much to the show as theirs (with the exception of maybe jim, and also maybe olu depending on how s2 goes). and that’s literally just how romcoms work. this sort of “protagonist bias” is like, a core part of this kind of story.

and there’s nothing wrong with not vibing with the story because of that. if season two comes and goes and you aren’t happy with how the show handled the consequences of ed’s actions in e10 that’s fine, nobody has to feel any specific way about this show. but if i’m right and this is how s2 plays out and some of y’all don’t like this, the problem is not that ofmd is bad. the problem is just that this is not the story you wanted or expected to be told.

i DO think, tho, that there’s something very powerful abt a character like this being a queer indigenous man. he’s a gay romcom protagonist and narratively speaking his feelings trump all. this is a queer romcom that uses gratuitous slapstick violence as a punchline and where the queer main characters are allowed to get violent and unhinged about their feelings, and at the end of the day they ultimately get a pass bc it’s a gay romcom and the show is about them. like literally that description itself is more than i could’ve ever dreamed of from any tv show ever, and THEN you’re telling me that one of the main characters is indigenous???? it’s been a year and a half and s2 is right around the corner and i swear to god i still can’t believe this show actually exists. we don’t GET shows like this, we don’t GET characters like this. ed teach is such a fucking blessing of a character and i love him with all my heart.

[gottagobackintime]

I find it fascinating to witness the straight audience of any media not being able to pick up what the makers of the movie/show puts down.

It’s like when people reacted to the “You wear fine things well” scene in Our Flag Means Death with “aw, they’re such good friends” whereas the queer audience went “omg, this is happening”. We all had access to the same scene, we’d all watched the build up to that scene but the straight audience wrongly read it as friends/straight whereas the queer audience had suspected they were building up to a romance but this was the confirmation. Even the creator of the show was baffled that people were surprised that Ed and Stede fell in love. Because he thought they had made it obvious.

And as I said, we, the queer audience picked up on it. And I feel like the same thing is happening with Ted Lasso. Do I know that Ted and Trent will get together? No, I am unfortunately not a writer on Ted Lasso. But you can’t deny that there are clues pointing to it. But the straight audience barely pick up the fact that Ted and Trent like each other, be that in a platonic way or romantic way. I’ve seen several reactions to the last episode of season 2 and ONE of them included the scene where Ted reacts to Trent not being in the press room. All of them severely cut down the scene in the parking lot. One of the scenes most of us Ted/Trent truthers point to as a huge piece of evidence for it going canon. The parallel of them meeting in an empty parking lot, just like Ted and his ex-wife and Roy and Keeley. But because Ted and Trent are both men it couldn’t possibly mean anything. And Ted has an ex-wife and a kid so he can’t possibly be into men, as if there is no such thing as being bisexual. “But I’m pretty sure Trent has a family, he has a kid right?” So? He could be divorced, we also have no idea if his daughter has another dad or a mum. And the same thing applies to him, it doesn’t mean he can’t be into men (take also into account all of James Lance’s interviews, and his choice of shirt in one of them, friend of Dorothy anyone? He's the captain of this ship, we're just along for the ride tbh.)

Then we have the wonderful “I’m so not homophobic, in fact, you are homophobic because you think Ted is gay just because he likes musicals and has ‘feminine’ traits” um no… it’s the fact that he kind of acts in a way that an ally wouldn't. Yeah, he called himself an ally in that one episode. But every single person who is now out as queer who at one point considered themselves an ally because "I’m not one of them but I sure think they're neat" raise a hand 🖐️ (been there, done that. Was very into queer things before I realised I myself am one of them). What it always comes down to is "it's pandering", "it's tokenism" (having the main character on the show be queer wouldn't be fucking tokenism), "not everything has to be gay", "why can't men just be friends, there is a severe lack of male friendships on tv". And like the last one makes me go??? There are a MILLION friendships between men on TV. There are even multiple friendships between men in Ted Lasso. Beard and Ted, Ted and Higgins, Ted and Roy, the himbos and so on. Having Ted and Trent become a couple wouldn't really change anything because there are still friendships between men. They also claim that Ted is needed as the "straight without toxic masculinity" representation. As if Beard isn't right there. The man who has no problem going to an immersive show about the menstrual cycle. Has no problem with shrieking when he's surprised and so on.

I also like that if we'd get Ted and Trent together, we'd get two middle aged queer dads. Which isn't that common. It's not even super common to see people realising they're queer late in life on TV, and yet it happens every day. Because let's face it, most queer men on TV kind of look like Colin, and I don't mean that as a bad thing. And I'm looking forward to his storyline. But it's also nice seeing middle aged or old people finding themselves and being allowed to be who they are (see Ed and Stede from OFMD). Also would enjoy seeing people lose their minds when they realise they've been fooled this entire time. It'll be like Black Sails all over again.

I do not have any doubts about the fact that, had Trent or Ted been a woman and they saw Trent give up his career because of Ted's influence, they sure as hell wouldn't protest people thinking they'd become a couple. But because it's two men it's just delusional for some reason (homophobia).

What I'm saying is, it's clear that the straight audience has a hard time picking up subtext and clues that the makers are planting. Because they've never had to do that. Because they are always clearly represented. They don't have to look for minor side characters and hope that they might be queer. Because the main character is straight and most of the supporting cast too. When you've grown up with a lack of representation or with representation that is meant to be subtext, you'll learn to pick up on it. And you do look at media differently. I just wish that the straight audience could listen to us for once, without getting defensive and dancing around the fact that they are uncomfortable relating to a character that turned out to be queer.

[avastyetwats]

I've Got You

@izzyeffinhands

Gone again.

Stede lets out a quiet sigh upon finding an empty bed inside of Izzy's quarters, but the Captain isn't surprised. Israel Hands was not the type to stay in bed even when ordered. Even when it was what he needed after having been shot. The first several days that followed he had no choice but to stay in bed, but now that he was able to move about, he made sure to move. Far too much than he was allowed to and should, Stede thought with another sigh before he turned and exited the room, determined to find his First Mate and make sure he was alright.

Because with his injury, overdoing it was still a high possibility. Exhausting himself to the point of collapsing, causing the wound to come open with enough strenuous activity (though it was healing beautifully, thankfully), and causing himself so much pain he couldn't even make it back to bed. All of those possibilities filled Stede's mind and filled his gut with dread and fear. He'd almost lost the man he came to respect and care for and he didn't want to go through that again.

More importantly, he didn't want Izzy to go through that again.

The crew had done an incredible job taking care of him and though Stede was captain, he was often found helping take care of Izzy in whatever way he could. Checking in on him, helping to change his bandages, even annoying the man with a story or two while he sat in bed, but there was one night where Izzy admitted to enjoying Stede's company and that made him feel good...happy, really. Very happy.

Because he enjoyed Izzy's company just as much. He found himself wanting to be around him more, wanting to be close, in the same way he once wanted to be near Ed... especially seeing a softer, kinder side of Izzy.

Perhaps a part of it was also because he had saved Stede's life. The gun had been aimed for him, but Izzy took the hit. He got injured because of Stede... could have died because of him, or so he felt and so Stede wanted to do everything he could to help him in return.

But having nearly lost Izzy...

Stede has to take in a deep breath to stop himself from becoming emotional about it again. He's alive. He's here. He's okay. That's what matters.

Along with finding him and convincing him to rest and Stede had just the thing in mind for him. He'd be taking care of Izzy tonight, had it all planned out and everything.

Thankfully it hadn't taken the Captain long to find him. In fact, it was the first place Stede looked - at the front of the ship with the still headless unicorn statue. It seemed to be one of Izzy's favorite spots, Stede came to notice. Their current unicorn with the ship's former.

"Ah, here you are!" Stede exclaims, announcing his presence so he doesn't startle the other. "Had feeling you'd be out here when I went to your room and, surprise, found it empty." His words sound like a scold, and in a way they are, but there's also a bit of playful sass to them. "I know you don't want to hear this, Izzy, but you really should come in and rest. You've been moving around since this morning and I think it's time to come tuck it in. Come with me, hm?"

There's concern in his voice, and in his eyes, as he looks over the man perched on the side. Stede's eyes look him down and up as though making sure he's well and tonight, well... he just really wants to take care of him. Because Stede knows this hasn't been just physically tough on Izzy, but emotionally and mentally as well.