#but i think a lot of the line will die with this generation. not everyone is having kids

[seventh-district]

.

[fieldmoths]

i wish i could concisely explain my sims world but i’ve been fleshing the same one out for almost 2 years. where do i even begin

[latinokaeya-moving]

treated myself to the very short beginning section of three houses just now but i had to stop n turn off my switch when the game asked me to pick a house bc i started agonising over whether to go w edelgard first or just jump straight into the claude route

[thepandalion]

Attempted to leave the fandom after being made incredibly uncomfortable about it in late 2023 but also just remembered a specific line from a specific episode and now I'm going feral again

[lizard-ratt]

This idea got stuck in my head, not to be taken too seriously. If you find any typos, no you didn't <3

Other than that, I hope you enjoy!

--------------------------------------

Steve Harrington knew how to haggle. Raised by the most cutthroat business man in all of the state of Indiana, if not the United States as a whole, he knew the ins and outs of getting the best deal possible. He used this to his advantage a lot more than anyone knew.

The first time he brought out Steven Elias Harrington, son of Richard Jay Harrington was when he first got forced to sign NDAs to keep quiet about everything going on in Hawkins, Indiana. Despite only having shown up at the end, he still had a fat stack of papers to work through.

And he worked through the entire thing, taking his sweet precious time to read the entire thing, word for word. He signed nothing that day, letting the government employees watch as he took notes on every little detail, humming to himself, scoffing, and overall being as annoying about it as possible.

"These are terrible. Do better." He didn't say that exactly, but it was the general consensus as he gave them a verbal dressing down that would make his father proud (and his father was never proud). He made demands for money, for protections, for anything that he could think of. By the end, the government had agreed to provide him with a heaping helping of cash (enough to buy a house and help him live a comfortable life for the next twenty-or-so odd years), government provided medical insurance (complete coverage for the rest of his life), and a full ride scholarship for any college he wanted to go to.

Suffice to say he had rung that towel dry of anything he could ask of it. He knew that those government employees wished nothing but the worst for him, but he was satisfied with what he got, and he happily signed the fifth NDA they provided him with, flourishing his signature with relish.

Then, he became even more wrapped up in the whole thing when Dustin Henderson decided to raise a baby Demogorgon in his basement. A lot happened in those forty-eight hours, but the main one was that he got attached to the little shits, so he told them in no uncertain terms that they were not to sign anything before he looked the paperwork over.

They scoffed, rolled their eyes, but ultimately agreed. It was a very amusing few days, to say the least. The government agents (the same ones as last time) showed up with their giant stacks of paper, and came face to face with Steven Elias Harrington, and he could just see them die a little bit inside. He could practically hear what remained of their souls wither to dust.

And again, he forced them to sit as he read through every NDA, taking notes, scoffing, humming, and overall being a nuisance to them and their time. Then, he got the kids' attentions (as their eyes started to glaze over after minute thirty) and began his process.

The looks of pure awe, too, would be treasured for a very long time as he got their college tuitions paid for, government-provided medical insurance for the rest of their lives, and of course a big fat pile of cash ready for when they would turn seventeen years old. Each of them had enough money lined up for them that they wouldn't have to worry about anything until maybe their late fifties to early sixties if they were bad with their money.

And of course, he got himself another big pile of cash and access to the best lawyers in the United States if he would ever have need of it.

After that, he shouldn't have been surprised when everyone came to him for help post-Battle of Starcourt (dubbed by Dustin, of course). This time, he took two solid weeks pushing and pulling Uncle Sam in this direction and that to make sure everyone got what they needed. (Another fat stack of cash for everyone, legal protection for whatever they'd need it for, and a cover story that made everyone look the best that they possibly could. He also got college payment for Robin, since she wasn't there the first time, as well as the same medical insurance he got everyone else). Those government employees looked at Steve like he was the devil himself.

"You kinda are," Robin told him one day, after Steve recounted the specifics. "I mean, you are bleeding the government dry."

He gave her a grin. "Absolutely, I am."

Then, he and his merry band of misfits saved the world, stopping the Upside Down for good. The same government goons showed up, and instead of doing what they tried to do the previous time, they just came to Steve with all of the NDAs, and asked in the most sarcastically professional voice imaginable, "Are these up to your standers, Mr. Harrington?"

He gave his charming, King Steve smile and told them that he'd read it over. In the hospital room that held Max and Eddie, Steve pulled up a table and allowed everyone to watch as he flipped page after page, noting down the loophole phrases and weak protections, and every single trap meant to put them into a worse-off position and he threw it in the government's faces.

In return, he forced everything his heart could imagine out of them.

Another giant hunk of change for each of them.

Eddie Munson free of all charges, effective immediately

Government-provided medical insurance for Eddie Munson for the rest of his long, long life

A cover story so beautiful, so concrete that it got even the most closed minded to look at Steve's People and call them heroes.

A house for Eddie and his Uncle Wayne

"I hope I never see your face ever again," the man told Steve, forgoing all niceties at that point. "You're going to burn in hell."

"I'll save you both a seat," he told him with his sweetest, most charming smile.

The government agents left, and in their wake, Eddie Munson looked at him like he hung the sun, moon, and stars in the sky.

"Wow," was all the metalhead was able to get out for a while. "Just wow."

Robin glanced between Steve and Eddie, leaned into his side and quietly sang, "The lovers, the dreamers, and me."

Now on AO3

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.

[evilminji]

*evil grin of The Ponderings™*

You know who DEFINITELY would have Unfinished Business?

Heroes. Professional "If I could just MOVE, just fight a BIT LONGER, save ONE MORE PERSON" Heroes. It's the ultimate and unending Unfinished Business. To protect people. Not just their friends, their co-workers, but the innocent people around them.

That kid, stuck crying in the rubble.

That business man, screaming in pain, caught in the cross fire.

The People NEED them. They SWORE. Their very SOULS burn with the NEED to help. But... the flesh gave out. Injuries. Age. Quirk overuse. They knew... they KNEW, this was not a safe line of work... but... but! Please! Just one more person! Why can't they just make their breaking, dying, bodies MOVE!

Of course they refuse to move on.

They are needed HERE.

Yet? Their hands pass through. Their voices do not reach. A hell of their own, unknown, making. They can't let go, but they can't HELP either. There isn't enough Ectoplasm here. The walls of their reality overly patched up, since that unfortunate leak a few centuries back.

After all, the Zone had dumped near lethal quantities of unfiltered Ecto into the atmosphere. They're STILL dealing with the mutations and fall out, aren't they? At least, they are according to the Zone. (Wtf is a "Quirk"?) And, yeah, someone should PROBABLY do an assessment on the ecological recovery of the Reality. But like?

Do you have any idea how few people have an Obsession for stuff like that? Wait your turn! The list is long and you're not fuckin special, okay? The agents are BUSY.

Now, you might wonder? Wait. If they aren't moving on. Are DEFINITELY Ghosts. Starving as they are. Refusing to die as they may be. Wouldn't... Wouldn't that leave the whole ass area around their Reality an ecological dead zone? If it got over patched and no Ghosts LEFT, thus noticed, and started to try and work on it from the outside? Assuming the COULD?

Yeah. Yeah it would be!

It's called the "New Wastes"!

There used to be some cool Lairs around there. But there was a turf dispute. Someone DID something. Punched a HOLE. And everyone re-died. It was fixed but never quite re-healed. Portals... don't show up there? For some reason? Meh. Wanna brawl?

No. Danny's curious. He wants ANSWERS.

It's his fatal flaw.

Well... that and his inability to keep his mouth shut. But he likes to think he's funny. So... off he goes! And MAN! Does it feel funky out there! Weird textures. Mmmm, Don't Like THAT ™. It's probably a King thing? The Zone here... FEELS wrong.

Not... the way it's SUPPOSED to be shaped, if that makes sense?

And? It feels... if you sorta squint? Like... a LOT of people AREN'T where they should be. But aren't gonna leave until they're READY. Ooof. Great. Someone messed up again. Why does he KEEP FINDING bits and pockets that need straightening out? Unruffling? It's like he has to keep smooth out this giant peice of fabric with all these stains on it. Clean the messes on it.

He feels more like a maid then a King.

Maybe he is?

Pretty sure he's more of a nanny, since the Zone is more of a whiny yet excitable toddler then anything else. Alright, let him in. And fix... whatever THAT is.

So he steps into the Reality and? Huh. Japan. Neat. He always meant to go, never got around to it. Why is that man an otter?

.......oooohohooo, this place was HELLA fucked up by Ectoplasm, wasn't it? This is multi generational exposure. It's in the air. The water, ground, buildings. But stale to the point of stagnation. That can't be healthy. At least a few people he sees have developed ecto-resistance, thank the Ancients.

Danny discovers there are? "Superheroes"? Or just... heroes, apparently. They sell shampoo lines and athletic gear. Villians are petty criminals and psychopaths. All lumped together. He gets fuckin CHASED by the COPS and half the cities spandex patrol, called a "villian" (you know, like the purse snatchers and the DUDE WHO TRIED TO OPEN FIRE ON A CROWD) for flying around trying to assess the situation. Not speaking Japanese fast enough.

Soooorry! He TRIED to answer your confusing barked demands! This isn't his native language! He's translating through Ghost Speech! He knows it sounds unsettling to the living! It's the best he's GOT, man! (Asshole)

He escapes, obviously, because he's not 14 anymore. And honestly? He could top 200mph or so AT 14. He's only gotten faster. Intangible flight means no wind drag, motherfuckers~! OR need to dodge buildings! HA. Try to follow him through THE GROUND!

A few Blob sucked (to remove the ectoplasm) bits of treasure later? And he leaves a pawn shop with local currency. Thank YOU shady pawn shop! Ask him no questions, he'll tell you not lies. Enjoy Pariah's gold.

He does tourist things. Buy foods he's never tried, wanders around. Sees what's needed. Noticed a lot of people struggle with some aspect of the ecto-mutations brought on by the extreme Limnality. Need accessibility aids.

.....well, he IS a Fenton. His parents would disown him on the SPOT if he left with out at least TRYING to help. So he tracks down one the local ghosts. He'll need a guide or two.

He? VASTLY underestimates how desperate a sea of Obsession Starved Hero and Vigilante Ghosts will act, the INSTANT, they realize not only someone can see them... but it's? Their "Boss"? They aren't sure HOW they know that. But they DO. It's THE Boss. Here to help them! Asking for HELP ™ from THEM!

Yes

YES THEY CAN DO THAT

He gets swarmed. Hundreds of ghosts fighting over each other. Shouting. Turning on each other like rabid animals. All worn down and ragged by their Obssesion starvation. He's forced to shout over them.

And? Holy shit, these are only the ones from THIS CITY, too.

Thank Zone, again, he's no longer 14. That he has friends who are Rulers ™ that taught him HOW to Rule. To delegate. Pretend he TOTALLY knows what he's doing. That every action is on purpose.

It takes less then two hours, with all the experienced Unground Heros help, to make himself a Real Boy and buy a building. Put himself into the correct databases. He officially has licenses for things he's never studied. Is a tax paying citizen. Even belongs to several local clubs.

Over the next few days? He sets up his new... oi! Quickdraw! What're they called again? Right. "Lifestyle Support Company" which? Is a dumb name. But, Fenton Works is Fenton Works. Somehow he always kinda knew he'd be inherenting. It's in a cruddy part of town and the prices are cheap as he can safely get um.

He already had two customers, even though half the building isn't even fully set up. Which? I mean... he gets it. Poor guy. Knives for hands. Sharp ones too. The other guy's Obsession made him emotionally react to colors and like three different ones were ruining his life. So, hand Prosthetics controllable by knives and color filtering wrap around glasses.

Took him a lunch break or two.

Changed THEIR lives.

Suddenly his shop is packed. Schedule screaming for relief. And the ghosts? Getting more tangible by the day. See, his work shop? Ecto proofed. Let's him relax. But it ALSO let's him radiate fresh, clean, Ecto out into the air. And as King? With a direct line to The Zone? He puts out a lot.

There start to become Sightings.

People who SWEAR they saw long dead Heros out of the corner of their eyes. Dead vigilantes. That was who through that bottle. Who tripped that thug at just the right moment. Who unlocked the door. The SWEAR. They aren't crazy!

And... at first? Brushed off. Stress does a lot of crazy thing to a person, ma'am. But? How do you brush off, making eye contact with your dead best friend? Your old mentor on the other roof? That vigilante, who you WATCHED bleed out? Can you brush them off... when a vigilante from the dawn of quirks, punches some two bit villian on live television? Calls the Heros on the scene gloryhounds? Goverment dogs?

Runs from the cops and vanishes into thin air?

When this shit KEEPS HAPPENING?

Is spreading?

Are... are you supposed to arrest them for illegal vigilantism? How? They're THE proto-Heros! You don't want your name tied to that! The HPSC is furious. The goverment is uneasy. There are like... 6 dudes and a lady, openly stalking some kid in UA. Trying to mentor him. He looks moments away from a nervous breakdown.

Us too, kid. Us too.

All? While Danny? Is just sitting in his lil shop. Tinkering. Not HIS problem. Gotta let the ghosts here get it out of their system. Get their Obsession's full. Then it's all aboard the Zone Train. He's just here to make sure no one does anything "Too Crazy".

What's HIS definition of "too crazy"?

Wouldn't YOU like to know, weather boy~☆

@hdgnj @lolottes @nerdpoe @babbling-babull @mutable-manifestation @spidori @the-witchhunter @legitimatesatanspawn

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[zours025]

Zombie apocalypse face au I've been thinking of...

Thoughts/details on the AU and an alt color vers of the first drawing (luring you into my evil cave) ⬇️⬇️⬇️

Face as unrelated parties... All normal humans. Caname and fruk (separately) wandering the world after generic zombie outbreak. Theyre some of the last ones left so they rarely meet people and need to depend on the other party heavily. Blahblah its miserable everyone is sad and hurt and tired. Francis had to cut off Arthurs leg to prevent an infection. Arthur has to learn to lean on Francis for a lot of stuff and they learn to get over past grudges and such... 😇 Alfred is bitten at some point and hides it from Matthew. Matthew knows, but he's basically lost any will to live and is ready to die whenever Alfred turns because. Well. "I'm only living for him anyways..." type of sentiment... They ignore it and it's never brought up but it's like. I know you know that I know that- Anyways. So those two are trying their hardest to live out their last days in relative happiness. Doing fun stuff. Appreciating the simple things, landscapes, each other's company, etc... That is until they bump into Francis and Arthur in a totally horrible state. And it's like "Well... We can't just let them die can we? We have nothing to lose anyways." So they watch over the two and care for them and once they're all in okay health they decide to stick together and move on. But Arthur and Francis are clearly more determined to live than Mattie and Alfred and they're good fighters. So they wanna keep em around, all while hiding that Alfred is slowly dying and is eventually gonna kill them all. Milking Francis and Arthur's good will... Eventually new relationships form between the four and inevitably weird "betrayal!" and jealousy type feelings show up... Francis is tired of just sleeping with Arthur and when he gets mad he flirts with either of the twins... And the like... Well I haven't thought the whole thing through but these are the important emotional bases to the idea I guess...

I wrote a scenario for many different possibilities of first-to-dies (because i find them all interesting and bcuz twitter oomf asked and i have no restraint. lole)

Alfred dies first: Most obvious scenario (like hes already a bit zombified and clearly hes getting physically weaker) Im imagining a terrible scenario no matter what. Matthew probably finds him first all hunched over and stuff womdering whats wrong before realising that it's finally the end of the line. Francis/Arthur aren't far behind and they blow "Alfreds" head off without hesitation. Obviously causes a rift between the two and Matthew, who broke their trust by hiding this from them. Matthew is inconsolable for a few days, he thought he had more time. Despite the lie I think Francis and Arthur would end up feeling sympathy. They try to keep Matthew up on his feet but frankly I think this would end with him blowing his brains out eventually anyways... 😊

Alternatively Mattie has been mentally preparing himself for a very long time and he immediately kills "Alfred" and then himself in quick succession. Francis and Arthur are haunted by the memory of the two for the rest of their trip.

Arthur dies first: Similarly, I think its easy to imagine this. He's missing a leg and mostly needs to be near someone else to survive zombie attacks/ambushes. Would probably accidentally get separated from the group and get overrun... Might use himself as a distraction to allow the other three to get away in a particularly dire situation... In a way he thinks hes just dead weight anyways and he wants to see the other three live knowing that he doesn't have much left to offer them (Francis would disagree). Francis is obviously very upset and he loses sleep over the memory of Arthur, his last "real" link to his normal life before all of this. But I think Francis is stable enough to prioritise the twins he took under his wing. He knows they need someone to keep them together, so he toughs it out. Everything is fine till Alfred turns some many months later. By then, Francis developed a strong attachment to the two and doesn't have any regrets. Would probably struggle against Alfreds strength to allow Matthew to escape or something along those lines...

Francis dies first: I can also see him just getting killed by sheer numbers. I think he grew very fond of the twins pretty fast + had to be Arthurs protection for a long time and so he developed this feeling of "I need to keep them all safe at all costs". I don't think itd be as much of a letting go type thing as Arthur. It's more calculated and would only happen in a worst-case scenario. I think Arthur would be pretty irritable for the next few weeks, a lot of things remind him of Francis. It bothers him since he wants to just forget and move on, but he finds that his feelings are more difficult to control than he initially thought. Yells a lot at Matthew and Alfred and gets into petty fights. Its not pretty, but they have their moments... In the end, it's not like he wants to make them suffer. They're all he has left now. Hes trying his best. Has a lot of days where he just wishes he had been the one to die instead.

Matthew dies first: Honestly I'm imagining a non-zombie related death, like an accident with one of the guns or some unrelated illness or like. Falling onto a branch? Falling from high up in general? Setting off a trap? Lol idk. Something that allows Alfred to hold Matthew during his final moments or at least look into his eyes. I think hes also the most liable to flip out on everyone and just kill the four of them all together idk ❤ Crazy girl ❤ It shocks Alfred immensely. He expected to be the first one to die and he's really upset about the whole thing. Outwardly, he cracks jokes and tries to convince the other two that he's fine but he's very much not. Doesn't really know what tk do with himself. Just goes through the motions every day. Francis and Arthur notice the slight change in behaviour but don't really say anything and pretend everything is fine. Playing at being a normal family. Arthur and Francis try spending lots of time with Alfred but nothing really helps. Eventually Alfred turns without ever telling them he was infected and they all die the end. Alternatively he kills the other two and then himself on like a random Tuesday. ❤

Bonus: Everyone except Alfred dies lol. Alone in the desolate empty landscape. Welp!!! What now!!!

If you saw my first post of this text part no you didn't im editing this and putting it here with the drawing its more organised ❤ okay ❤

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[uriekukistan]

JJK 261 ANALYSIS: What happened, how, why Yuuta made the choice he did, and a discussion of tragedy & major themes of JJK

MAJOR spoilers below the cut so please read at your risk.

i wanted to dissect what happened a bit, and address a few points i saw floating around since the leaks dropped. of course, these are all my interpretations, so feel free to disagree, i just had a lot of thoughts floating around that i wanted to put out for discussion.

I. Gojo was never coming back

first of all, i don't know how you guys expected him to survive bisection. i said this earlier in the day as my justification for why i didn't think gojo was coming back, prior to leaks, and i don't think i can say it any better now.

and this is just my interpretation of reverse curse technique, but if anything, yuuta in this chapter supports my theory. in the scene where he's on shoko's table and arata nitta says that he's used rct to keep the wounds from getting worse, but it might be too late for yuuta to recover. in that case, gojo wasn't coming back from being sliced in half. it's just not possible.

additionally, and this is another thing that i've said for a long time. he says right in episode 6 (i forgot the chapter) that his dream is to reset the jujutsu world raise up a generation of strong students that work together. that is why he became a teacher. this very clearly comes from his relationship with suguru, and it's one of gojo's clearest motivations from the beginning.

the problem is, in order to achieve this, he has to die. so long as satoru gojo is alive, he will have to carry the burden of being the strongest alone. his students won't have to work together, because gojo will just take care of everything. this is already in the works, with how many people have come together to stand against sukuna. if gojo lived and defeated sukuna on his own, this wouldn't have happened, and bringing him back would, again, reduce the need for his students work together.

unfortunately, gojo has been doomed by the narrative from the start, and his primary goal as a character basically requires his death to be realized in its entirety.

II. They're not heroes, they're jujutsu sorcerers.

yeah, i'm stealing megumi's line because it's true. he literally said it twice for a reason, and then yuuta said a repackaged version of it in this chapter ("we're about to fight history's strongest jujutsu sorcerer. if we can win by throwing away our humanity, we shouldn't even be arguing about this").

trust, all the characters are well aware of the ethical issues with taking gojo's body after he's dead, both with what it means for gojo, and with what it means for yuuta. but this isn't a story about heroism, this isn't a story about the power of friendship. if it was, yuuji would have saved junpei all the way back at the beginning of the series. it was pretty clear from the start that this wasn't going to be the typical shounen manga like that.

in fact, expecting it to be is unrealistic. it's unrealistic in real life too, if i'm being so honest. everyone wants to think they'd take the moral high road in this type of situation, but the reality is, when you're fighting tooth and nail against an opponent that is fighting dirty, you have to fight dirty too if you want to win, and i think that's what yuuta is trying to point out in this chapter.

this happens in real life wars which im not gonna get into examples because i dont want to start that kind of discourse, but like...it's so great to be idealistic and hope that virtue will triumph simply because it is virtuous, but i think if you take a look around, you'll realize it's true that good people do not get what they deserve simply because they're good (that's so megumi of me to say...). or if you think of it like a board game, if a player is cheating, it is infinitely harder to win without cheating yourself.

maybe this is a bit pessimistic of me to say, but you will not win a dirty fight without getting dirty yourself, and i think it's pretty clear that sukuna fights dirty.

additionally, it's shitty to see gojo be weaponized, and i understand that, but it plays into the themes about strength in jjk, which i will get into.

III. This was not an "ass pull."

i don't really have much to say to this. did you think yuuta wouldn't take kenjaku's technique? plus, kenjaku being eaten by rika is probably the only surefire way to ensure that they're dead and won't just hop to another body. i've already said why gojo wouldn't come back, but it makes sense that if yuuta were to copy kenjaku's technique, who else would he body hop into, if not gojo? there's already narrative evidence to support this action, from the guidelines of yuuta's technique, kenjaku's technique, and gojo's technique, to the character of yuuta okkotsu, which i want to do an analysis in a separate post for him, so i won't get into that right now.

idk...to me, all the threads connect, plus i felt like yuuta's return was foreshadowed pretty heavily in 259 & 260, with the mention of yuuta's plan that yuuji couldn't know, and then on the last page of 260, the comparison of sukuna and yuuta, so for me, i always thought that it was not actually gojo, but yuuta at the end of 260.

IV. Themes of JJK: The burden of being "the strongest," or even just strong

even many jjk fans see gojo as "the strongest," and nothing more, doing exactly what the narrative sets up as one of the chief problems of jjk. a lot of gojo's actions are spurred on by the burden he feels from being the strongest modern sorcerer. his entire character is built around this problem of the responsibility and burden that falls on someone who's considered to be "the best" at anything.

in fact, this is also a driving point for geto too, and the conflicts geto and gojo come into with each other, as well as geto's inevitable fall from grace. it all comes from this issue that's at the core of jujutsu society. gojo recognizes that, and, as i mentioned, that is why he became a teacher. so that no young sorcerers will feel the burden of being the strongest alone.

the problem is this is easier said than done. after gojo dies, this burden gets passed down to yuuta, and he feels that immense pressure, which is why he decides to do what he does. he says "haven’t we been pushing the burden of being a monster onto gojo-sensei alone? if gojo-sensei is gone, then who else will be the monster? If no one intends to become one, then I will!" and i think this really powerful evidence of the pressure and burden of being the strongest, and i think the word monster is really important here. the burden pushes people to be something they're not, a shadow of their true self.

it distorts morality, like with geto. it isolates people, like with gojo. it forces people to go to unspeakable lengths to uphold their burden, like with yuuta. it leads people with immense power to doubt themselves, like with megumi. it leads people to feel like a cog in the machine, not a human, like with yuuji.

this is sooo so important and a key theme of jjk, and this chapter in particular, and the driving force behind yuuta's actions.

V. Themes in JJK: Loneliness and Isolation

this one has, in my opinion, a bigger role in the story overall than just in this chapter.

as i mentioned before, gojo is lonely. the only person who could understand him was geto, and he turned away from him, and then died. he seems like a silly guy or whatever, but it's just a mask.

but geto also felt alone and isolated, and that's why he turned away. between gojo and geto, neither of them were able to put share the burden of carrying their strength alone, and it's what kept them apart and made their relationship so tragic.

arguably, and though he would never admit it, sukuna is also lonely, though it's buried deep within him and something he will likely never acknowledge, despite it, and his lack of understanding of love (arguably a symptom of his loneliness), are major reasons for the way he acts.

yuuta, though supported by maki, inumaki, and panda in a way that the previously mentioned characters are not, is still isolated. he alone carries the burden of his strength. he was also alone his whole life after rika died, and then again when he was shipped off to africa, away from his friends (yeah he had miguel, maybe i'm missing something, but i dont see them having that type of relationship.

not only that, but yuuta recognizes gojo's loneliness, and reaches out to tell him not to try to stand by himself once again, and gojo admits that's something he can't do, the reason being his relationship with geto.

even further, yuuji and megumi, the parallel to satosugu, are both deeply lonely, except for when they have each other. i mentioned in this analysis that the reason megumi can't just get up and keep going is because he's alone and has been for over a month. i want to get into this more in my next point.

VI. Where I think (hope) this leads for JJK

a satisfying ending for jjk, in my opinion, would be the resolution to this loneliness and burden of strength issue that has been present throughout the narrative. something like yuuji being able to save megumi and them being able to correct what went wrong with satosugu in their own relationship.

personally would like to see satosugu reach the ending they should have had through the itafushi parallels - let them save each other! but i do know gege said only one of them (the trio + gojo) will die, or only one will live....that was years ago maybe he changed his mind :D

we all want to see yuuji take down sukuna himself, but i think it would be a great resolution to see everyone take down sukuna as a team. no one person is alone, no one person has the burden of the strongest. i know i said this wasn't a "power of friendship" manga, and i stand by that, but i think this would be the perfect ending. yuuta throws his humanity away to do what he did in 261 because he felt like it was the only choice and it was something he alone could do, but yuuji represents unwavering humanity (literally his name), and i think to preserve that, they all need to share that burden. let them realize they need each other.

this is what gojo died for, and this is what he lived for. this is why he became a teacher in the first place- to raise a generation that can be strong together, that can support one another.

VII. "It's poorly written torture porn!" "There's no point if there's no happy ending!" etc

i said this in a separate post but tragedies have existed in literature since the 6th century BCE, 2600 years ago. many of the most popular stories throughout history have been tragedies, for example, orpheus & eurydice, romeo & juliet, even things like the fault in our stars and the titanic movie. here's a quick explanation of what it means for a story to be a tragedy (yeah it's from wikipedia but they want me to pay to access the original source and im not doing that for a jjk analysis)

one of things i like most about this definition is the use of the word "catharsis," which is to say that the expression of strong emotions is a way of bringing about renewal and relief. in literature, it's used to say that with the arousal and following release of negative emotions relieves suppressed emotions for the viewer. im not gonna get too personal with it, but i know i've experienced this with jjk.

additionally all of the aforementioned tragedies, they have a message, no matter how sad they are. orpheus & eurydice inspires perseverance and faith in the gods. even something like titanic has messages about everlasting love that overcomes all boundaries. jjk has its message too, and it's long underway. we just have to wait for it to reach its conclusion.

it's easy to lose sight of the bigger picture when we only get one chapter a week, and the fact that the pain is so dragged out is a bit tiring, i'll admit. but that doesn't mean it's bad. having negative emotions stirred by a story doesn't mean bad writing. i mean, i would hope you feel sad. i would hope you feel angry. i would be concerned if you didn't. but given that jjk is a tragedy, that just indicates good writing. especially these last two chapters, i've felt moved in a way nothing else has done for me in a long time.

as always, these are just my thoughts!!! im happy to hear from anyone what they think :D

[baby-tini]

Hellloo:33 so i was thinking dazai and chuuya just sharing reader like how would that go?? :3

I'm not doing bsd requests right now but this has been in my inbox for a while, so... also More poly!SKK. TW- very small hint of implied abuse in paragraph two. Dazai and Chuuya sharing someone would be so chaotic, they would have arguments out the ass about who gets too spend time with you and who gets too have you for the day. Because their schedules are so chaotic, you are alone for a bit, but on average you're with Dazai more often then not because his job isn't as demanding as Chuuyas. Being in this.. relationship does have a multitude of factors though, which are as follows. Whether Dazai is still in the port mafia, if the relationship is poly or if it's just sex and how attached they both are to you. If Dazai is still in the port mafia, the relationship between the three of you would be extremely toxic. There would be constant arguments between them about literally everything. Dazai, in the port mafia, is a lot more sadistic and open with his behaviour, whether that be hitting you or saying the meanest shit, he doesn't care. With Chuuya there though, he'd keep Dazai in line and isn't afraid too get physical with Dazai when he needs too, especially if Dazai puts his hands on you. I personally don't see Chuuya ever laying a hand on you, it doesn't matter if he's pissed or not. if Dazai was in the ADA though, it'd be chaotic but not super toxic. Sure, there'd be arguments but it's mostly just funny banter, they also aren't as likely too get into fights together with Dazai being in the ADA, especially if you're there. Dazai in the agency has calmed down quite significantly and isn't as prone to violence, whether that be towards you or people in general, although he does still instigate things, especially with Chuuya, but it's mostly a healthy, fun relationship. If this is a poly relationship, let me just say, you are the safest person in the world and they'd love you deeply, making sure you're safe, because you are the most important person in the world to them and they put you before everything and everyone. I think a poly relationship with them would be so fun and sweet, there's never a dull moment with Dazai and Chuuya is cannonly the best boyfriend in all of BSD, the definition of dream a man. I feel like you'd live with Chuuya and Dazai would also live there or he'd be at Chuuyas house so much that he basically lives there. It would make more sense too live with Chuuya because his house is definitely bigger and more secure. Also the sex with them would be so fucking good with either of them but both at the same time? It's like euphoria. If it's just for sex, Chuuya would still care about you and would most likely develop a deeper connection with you but Dazai wouldn't really care that much for you, also they would be very reluctant too share you with the other, but if you ask nicely, they'd begrudgingly agree. If they are both attached then they're never letting you go, like, ever. They'd want too constantly spend time you, always buying you gifts and taking you out. They would take such good care of you, especially Chuuya, he'd help make dinner, help with the house work and so on. While Dazai would plan spontaneous dates and coddle you constantly, he's also the one you'd spend the most time with because Chuuyas job is very high maintenance. If it's just Dazai that's attached to you, Chuuya would still wanna spend time with you, but he wouldn't be around as often. If Chuuya was the only one attache to you, which is the most likely case, Dazai would wanna be around mostly too spite Chuuya. Overall, a relationship between you and SKK would be a one and only experience. They would both make amazing boyfriends, despite their individual trauma and problems. They care very deeply about you and are willing too kill or die for you, tear the world down with their bare hands for you. They're both very loyal towards you and keep you spoiled and happy.

[a-killer-obsession]

Whoops, you got hit by a bus, and now you're in the world of One Piece. But not everything is quite as you remember it...

General Tags: afab reader, she/her reader pronouns, isekai, monsterfucker reader, vampire!kid, werewolf!killer, wyrm!heat, minotaur!wire, everyone has a human form, smut heavy, unhealthy relationships, dubious consent, serious violence, spoilers for Wano arc, starts pre-timeskip. There will be a lot of more intense kinks, please check AO3 for all current tags.

Chapter 8 - Wire's Turn

Sabaody continued.

WC: 3.5k

Masterlist | AO3 | Chapter 1

“Hurry the fuck up,” Wire growled, tugging on the chain leash that was attached to your metal collar. At least it wasn't explosive, small victories. You could only hope it would stay that way.

“I'm trying!” You pouted, practically jogging to keep up, “not all of us are eight feet tall!”

“You're not that much shorter than me,” Killer pointed out, “but I'm having no trouble.”

“I have a misleadingly long torso!” You whined, “I've only got little legs. Carry me if you're so bothered, I can't walk any faster, I'm basically running as it is.”

Wire grabbed you unceremoniously and threw you over his shoulder, making Killer snort a laugh as you squeaked in surprise. You crossed your arms against Wire's back with a pout, poking your tongue out at Killer walking behind as his shoulders shook with silent laughter. “I feel like a hunted deer,” you commented.

“Shut it or I'll drop you,” Wire replied flatly. You looked at the eight foot drop to the ground and quickly decided against that.

“Please don't,” you whispered.

You took some time to enjoy the view from all the way up there, finally taller than pretty much everyone around you. Killer's mask bobbed side to side, taking in the locals as well, while also no doubt staying on guard for potential trouble, considering where you were. For the “criminal” area of the archipelago, the town was pretty nice. Sure it was clear that most of the people here were more colourful than the usual Sabaody resident, and obviously on the rougher side. You saw a great deal of women, and the occasional man or child, wearing explosive collars, often being led by chains not dissimilar to your own.

The children were the hardest to look at, all clearly emaciated and abused. Your grand hope was that Luffy would become King of the Pirates and destroy the Red Line and all the disgusting pigs that lived in Mariejois on top, and put an end to this horrid human trade. If things went wrong and Kid decided to get rid of you, you desperately hoped Killer would take ownership of you. At least then you could expect the bare minimum care, though you still weren't sure if Killer would be the type to hit you. He was your favourite so you hoped not. Then again, Heat seemed like the type who couldn't hurt a fly, and yet you knew he burned people to death on a regular basis, a truly gruesome way to die. You tried not to think too hard about how many people Killer had murdered to get his epithet, or how many people had been impaled on the forks of the trident held only inches to your left.

Sabaody was certainly an amusing place. It was just as pretty in person as it had been in the anime, with the ground and bubble based structures all shimmering with a pretty iridescence, making everything sparkle. Bubbles floated from the ground and drew your attention to the giant trees surrounding you that formed the island, with their pale blue-grey striped trunks and vibrantly green leaves. Rays of light broke through between the trees, giving the whole archipelago an almost ethereal look, Killer's hair often glowing like he had a halo as he passed through the rays. You wondered if he knew how attractive he looked like that, with his cool fringed jeans and button-down shirt, opened to the chest to show off his muscles. It was a real shame he'd get rid of these clothes at some point in the next few years. Now there's a thought, I mean you'd confirmed it now that you'd seen him naked, but before you came here - when this world was still just fiction - what proof did you have that his arm hadn't always been scarred? It'd never even occurred to you now that he wore long sleeves, he could have been hiding those scars all along. Now that you were here though you knew that whatever caused that injury was still to happen. There was the comment Kid had made in Udon about one of Big Mom's pirates hurting one of his friends, maybe the burns would come from Charlotte Oven and his heating ability.

“Where are we going anyway?” You asked curiously. The commanders had already found an inn for the night and dropped off their stuff, as well as heading to a few different weapons stores to stock up, and cashing in some looted treasure for berri. Most supplies for the ship were taken care of by the lower ranked crewmates, which meant this was likely a personal trip.

“None of your business,” Wire huffed.

“Wire's just embarrassed cos his cocks too big for regular condoms,” Killer chuffed, “we're going out tonight, gotta be prepared.”

“Wait, so we're going to an adult store?” You perked up, “fun!”

“Don't get excited, we're not wasting any berri on you,” Killer spat back, making you pout. Still, you were curious to see what sort of things were available in this world. Sabaody was a hub city, you had no doubt it would have a wide range of the things available in this world, especially in this shadier area. You wondered what sort of toys were popular here, and what sort of technology they had. Did One Piece have vibrators? Suction toys? Remote controlled toys? Did they utilise den-dens? Now there was an intriguing prospect. Was it morally grey to use a snail for that?

“How big can it possibly be anyway?” You pondered aloud, “I thought those XL condoms were a marketing scam, I mean have you seen how big regular ones can blow up?”

“They break easier if they're too small,” Wire replied frankly, “I ain't risking that with random whores.”

“If you're so desperate for a lay why haven't you just fucked me?” You asked him, “My legs are wide open baby.” Wire was the only commander who hadn't taken advantage of your presence on the ship, in fact he'd barely interacted with you at all outside of Kid ordering him to jizz on you.

“You couldn't handle me,” Wire said smugly.

“What, I can take Kid's soda can cock but not you?” You asked.

“I'm bigger,” Wire replied with a cocky tint to his voice, “did you not see?”

“She was a little preoccupied,” Killer smirked.

“Someone was gagging me with his cock,” you frowned.

“And you loved every second of it, didn't you?” Killer teased, and you poked your tongue out at him again.

“Maybe if you're a good girl today I'll let you try,” Wire promised, “but don't come crying to me if you get hurt. I warned you.”

“Bet,” you smirked as Wire put you back down, “I'm not some inexperienced little virgin. I can take it.”

“We'll see,” Wire mumbled, coming to an open door that led to a stairwell, apparently the store was upstairs. There was only minimal signage outside, but once in the stairwell it was obvious what sort of store you were ascending to, the walls plastered with various posters of sexy, barely dressed - sometimes entirely nude - models advertising various products. There was even a sign that read ‘pets welcome’ with a stick figure pictogram of a human with a collar and leash. Ironic. The shop attendants would probably think Wire was your dom, not that you were opposed to that.

The shop held all the usual things you would expect; dildos, lingerie, anal play toys, lubricant, porn, basic BDSM gear. But there were things that you definitely didn't expect as well. For one, less vanilla dildos like the style you'd used on Killer seemed to be common, as well as many other monster themed dildos that you would more expect to have to buy online in your own world. There were all sorts of them, some you recognised that looked like Heat's, some even in pairs like his, others that looked like horse or cow, advertised as minotaur themed. You wondered if this was an effect of not having the internet here, whether it was easier in that case to just sell more exotic items in store, or if it was a result of being in a particularly shady area. There was a whole display of what you recognised to be dials, with a big cardboard cut out of some beautiful woman with purple hair in space buns, a strange visor, and barely any other clothing, advertising that these dials stored vibrations.

Wire selected his condoms fairly quickly but continued to peruse the store, so you followed him around, not that you had much choice as he tugged at your leash whenever you paused for too long. The store worker and other customers didn't even blink an eye at him leading you around, or your bound wrists. Killer was already off looking at the porn when Wire made his way to that section, and you were curious to see what sort of kinks were popular here. Once again you were suprised by the amount of monsterfucker targeted items, with magazines that featured all sorts of creatures on the front, often entangled with humans. It was strange how very photo realistic they were, were they just very good at costumes and special effects makeup in this world? You didn't think they had CGI here, because surely that would require computers. Maybe they were devil fruit users? Minks?

You picked up a magazine that intrigued you, the cover featuring a human woman not dissimilar looking to yourself, with a large werewolf and minotaur either side of her. You flicked through the pages looking at the various poses they put her in, quite impressed at the size of their cocks and how realistic they looked, surely they couldn't be dildos? They must be devil fruit users. The centrefold was an extra long page that could be flipped down, and you gasped as it revealed a almost to life scale image of the minotaur's massive cock.

“Oi, no free reads,” the shop attendant yelled from the counter, “either buy it or put it back.”

Killer and Wire both took note of the magazine you were holding and exchanged a look. “She'll buy it,” they both said in unison, making you extremely confused.

“What… but…” you stuttered as Wire took the mag from you, “I thought you weren't spending money on me?”

“We're making an exception,” Killer said quickly.

“Oh… okay,” you replied, still very confused.

The boys paid for their things and dragged you back out of the store, Wire putting you back over his shoulder to walk faster. “You liked that mag then?” Wire asked. Weird thing to ask when he'd already bought it for you.

“If you're asking if I'm a monsterfucker, or interested in fucking werewolves and minotaurs,” you replied, “my answer would be a resounding yes. You should see some of the dildos I have back home.”

“Interesting,” Wire hummed. Perhaps you could take him after all, if you were used to that sort of size. The thought of burying himself in you made his cock twitch, finding someone who could take him was a rarity, especially human. That's why he usually turned to professionals who knew their limits, no fucking around only to be disappointed when they tap out. It was unfair really that he hadn't gotten a chance to destroy your cunt, and with the clock ticking on your story being proven true or false, he might not have much time left to try you out before inevitably sold you off. Being from another world was a insane excuse for Wire, he didn't have a single inclination that you were telling the truth, but that didn't mean he wouldn't fuck you while he could. Making a snap decision he carried you to a nearby alleyway, still in broad daylight and in full sight of those walking past but he didn't give a shit. This was normal for this zone anyway, there were no kids in this area and besides, he'd seen at least three other couples going at it on the way here.

Killer followed you both into the alley and stood knowingly on watch towards the end, knowing full well what Wire wanted as the tall man put you back on your feet and rested his trident against the building. “Wire?” You asked hesitantly as he spun you to face the wall, “Oh,” you squeaked as he pushed his growing erection against your ass, pulling your hips away from the wall so he could unfasten your shorts. “Right here?” You questioned nervously, looking at all the people passing by at the end of the alleyway as he worked your shorts and panties down till they pooled at your ankles.

“Right here,” Wire confirmed, “you said you could take it, right? Don't come bitching to me if I hurt you.”

“You won't,” you replied confidently, the allure of being fucked in such a public area already making you wet. Wire grinned coyly as he pushed his fingers between your legs and felt your arousal.

“Dirty whore,” he purred, “so fucking wet already, I bet you'd let me fuck you in the middle of the street if I wanted.”

He wasn't wrong, but you didn't have time to respond before you were biting back a moan as his long fingers entered you, going straight to two of them. Wire knew exactly what he was doing, zeroing in on your g-spot while his other hand reached around your front to play with your clit as he worked at stretching you. He found it surprisingly easy to work you open to a third finger, your slick coating his fingers as your pussy tried to suck them in. His fingers were so long he may as well been fucking you with a dildo, and with the added simulation on your sensitive bud and the risk of being out in public, barely hidden in the alleyway by a watchdog Killer, it didn't take long for your pussy to clench around Wire's fingers. Your knees shook as you came, clawing at the brick wall of the building you were pinned against with a choked moan.

“Good whore,” Wire hummed, removing his fingers from your cunt and wiping them on your shirt, “now get on your knees bitch, this dick isn't gonna suck itself.”

Wire let go of your leash but as it landed he stood on it purposefully, pinning it beneath his boot and forcing you downwards by your collar. Your panties were still around your ankles as you knelt, and your mouth watered as Wire unfastened his tented shorts, pulling his impressive cock free.

“Oh fuck,” you gasped as you set your eyes on it. He wasn't fucking around, he was big. There was no fucking way you could take all of him in your mouth, and you had doubts that he'd be able to fit all of it inside you either.

“Change your mind already?” Wire chuffed.

You pouted at him out of feigned hurt before eagerly bringing your bound hands up to grasp him, unable to reach a single hand around his shaft. You stacked them one above the other to cover as much surface as possible while your tongue came out to lick the head of his cock, running your muscle over the smooth skin and up the underside of his shaft, letting the tip of your tongue slide along the slit. You did what you could to try and fit him, barely taking a quarter of him in your mouth before you were gagging, the corners of your mouth stinging from the stretch. Wire took your hair and wound it around his wrist to hold your head, making shallow thrusts into your warm mouth that made your eyes water as he pushed even deeper.

“There's a good whore,” he praised, “gag on it sweetheart, let me see those pretty tears.”

You took as much as you could into your throat, unable to take more than half of him even as your throat bulged and you struggled to control your gag reflex. There was no hope of breathing with him in your throat, his cock so thick that you felt like you were truly choking. He was clearly used to this though, giving you plenty of opportunity to catch your breath while drool ran down your neck.

“That'll do,” he said flatly, like he was bored, “stand up and take your shorts and panties the rest of the way off.”

You obediently did as he asked, noticing as you stood how people walking past would occasionally stop and try to watch, quickly deterred by a quick threatening whizz of Killer's punishers to encourage them to move along. You slipped your shorts and panties past your shoes and Wire picked you up like you weighed nothing, wrapping your legs around his hips and holding you far off the ground with your back pinned to the alley wall. His heavy cock was pinned between your stomachs as he rut the base of it against your mound. You whined in need, trying to roll your hips to rub your clit against him.

“Last chance,” Wire warned, “it's not too late to admit defeat “

“Give it to me,” you begged, “please Wire, fuck me, I want your massive cock stretching me open.”

“Alright then,” Wire smirked, pleased with your begging, and lifting you higher to line his tip up with your slick entrance, “don't say I didn't warn you.”

He watched smugly as he sank you down on his cock and your face contorted as you bit back the urge to scream. The stretch was almost too much, but it wasn't the first time you'd experienced such a large intrusion, having dildos back home that were about his size. Soon the pain melted to pleasure, but as you had guessed, he was unable to sheath himself entirely before you were gripping his shoulder painfully tight, warning him that you'd hit your limit as his tip bullied against your cervix.

“Fuck, look at you,” Wire praised, leaning back a little so he could admire the way your abdomen bulged. No human could take all of him, but he was thoroughly impressed with how much you had managed to take. “What a good girl, I'm gonna enjoy ruining this cunt.”

Not wanting to waste his time, he started a brutal pace, your overstuffed cunt making obscene sounds as Wire made quiet grunts and used you. You looped your bound wrists over his head and clawed at his back, burying your face in his cloaked shoulder to muffle your moans as your body was bounced up and down. You would no doubt have scratches all over your ass after this from the brick wall, overly thankful that he'd at least let you keep your shirt on to protect your back from the rough surface. Wire's hands holding you by your ass at least protected you a little. With his body so close to yours there was a slight grind against your clit every time he thrust up into you, raising and lowering you in time with his movements to get as deep as he could, showing off his incredible strength and control as he continuously avoided smashing into your cervix. The way he stretched and filled you meant every sensitive spot inside you was being rubbed against, your entrance stretched to its limit around him. With all that stimulation it didn't take long for him to have you close to your peak again, crying into his shoulder at the overwhelming pleasure as he used you like a ragdoll.

“Mmmph,” you mumbled into his shoulder, leaving a wet patch on his cloak from your combined tears and drool, “cu-cumming!”

There was a pattering of fluid hitting the concrete pathway below you as you gushed on Wire's cock, and you let out a stuttered whine that caught the attention of a few passersby that Killer had to clear away. “Good girl, mouse,” Wire praised, not letting up for a moment, still chasing his own high, “gonna cum soon too.”

Wire pulled out and put you back on your feet, pulling your arms over his head to unhook you but holding you under an armpit to keep you upright, unbelievably shakey on your legs from the hard orgasm. He pulled up your panties up most of the way with his other hand before jerking himself off, cumming with a grunt into the gusset of your underwear. The hot white fluid was thick against the fabric and you whined as he pulled your panties the rest of the way up, making the fabric stick to your cunt. He pulled up your shorts as well, fastening them before throwing you back over his shoulder. He spanked your ass as he made his way out of the alley, but you were too tired to respond, now truly looking like a hunted deer as you went slack over his shoulder.

“We're done here,” Wire stated as he passed Killer. The shorter man huffed a short silent laugh and followed on behind, not at all surprised to see you had already fallen asleep on Wire's shoulder.

[Next Chapter]

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[princess-dirt]

Number 1 Miquella defender.

Seriously tho (TL:DR), I'm seeing a lot of people online dismissing his character as pure evil, and it's insane to see. Although most of this is my fault for thinking the average gamer thinks about anything deeper than brainrot memes. DLC spoilers btw.

In a universe where there are like a dozen characters guilty of dozens of war crimes and genocide, calling the queer coded femboy pure evil for letting 2 people die and sacrificing himself to End Racism, War, and Genocide is a wild take.

I don't think I'd mind as much, but Ranni's ending and the Frenzied Flame endings are the two most beloved endings by the community. Like, it's ok for Ranni to kill her brother, but Miquella stealing his half brother's body after we kill him is too far.

It's ok to kill everyone because it means Melina gets to live. But Miquella making himself a god to save his sister from a life of constant horrible pain means he is power-hungry and evil.

And this isn't mentioning the whole "trecherous twink" and "Miquelester" memes that are rooted in homophobia.

But that part has a lot to do with misinformation being spread about Miquella's powers. People believing biased people who already decided to hate Miquella making up his powers or taking every bit of dialog or text to the absolute extremes.

The most obvious example being Mogh and how Miquella charmed him. I've seen delusional people go as far as to say Miquella mind controlled Mogh into starting a genocide and a blood cult. This despite the fact that it's entirely possible that Mogh started this process before Miquella was even born yet. Mogh was ambitious and wanted to be Consort to the next God. By all lore, even with the DLC, Mogh wasn't forced into anything. The line of text about the bloody bed chamber is also taken to the furthest extreme despite sexual violence and sec in general being devoid from all fromsoft games.

Even in Dark Souls, where cross breeding is canon and maidens being experimented on is also canon, actual sexual violence can only be inferred, and even then it's fringe theories. In reality, Miquella dies quite early as Mogh puts him in the cacoon and the "bloody bedchamer" is literal as in Mogh lives inside Miquella's blood. Making Miquella's corpse quite literally a bloody bedchamber.

But even if the incest happens. Yes, Mogh beats the rapist and kidnapper allegations, but nothing says he was forced into this. Miquella's power operates by making others not think negatively about him. While it can be argued that the use of the power is coercion, that is not the debate being had, and everything in the dlc shows us that his power can not force anyone to do anything. He can just convince people more easily.

Mogh is a tragic character like Morgott yes, but he is still a horrible person. The Tarnished (the player) kills him as easily as every other boss in the game. Miquella tricking Mogh and using the Tarnished killing him to steal his body is a bad thing.

I won't argue that Miquella's plan has some victims. Even if Radahn made a vow to be his Consort, Miquella still needed him dead to join him in the Land of Shadows. Radahn suffered even if he accepts Miquella by his own free will at the end.

As Ansbach says, taking Mogh's body is a horrible thing to do. Even if Ansbach is a murder cultist and heavily biased, he is right that it was still wrong to do. Ansbach even finds himself taking neither side and instead asking the Tarnished to make a new order. (It's just ironic that Ansbach describes what Miquella wants for the world)

Miquella sacrificing so much of himself is sad. We hear St Trina who is Miquella and likely Miquella's sense of Love personified, beg us to kill Miquella. Not because Miquella is evil, not because St Trina felt betrayed, but because Miquella can't love himself anymore and can accept the prison that is godhood.

And we see Miquella abandon his doubts right before he abandons his love and Trina, hiding them away from danger. We know even after sacrificing every bit of himself, he was still scared facing the Gates of Divinity. He leaves behind even his fear.

He does this all to fix the countless sins of his Mother and extended family and heal himself and his sister's curses.

It's not a coincidence Miquella's first action as a God is removing his own curse and taking the form as an adult. Showing despite everything, his goals remain the same. But of course, as the current or soon to be Elden lord ourselves, we stop him before he ever gets a chance to try fixing the world.

Some Tarnished even go out of their way to the Haligtree, slaughtering refugees from war, and killing Malenia, his sister, in cold blood. And I think this level of moral complexity and lack of clear right and wrong in the world of Elden Ring is tripping up so many people.

They see Mogh be a victim as a child and be tricked by Miquella and cannot fathom how he could still be evil. The genocide he is committing and his blood cult of murderous knights and "medics" are ignored.

Ranni can be forgiven because she is hot. Maliketh is never held at fault for what Marika does or did despite him only ever defending her and helping her. He is just super cool. We are the Tarnished so even when we chose the evil endings, there is still justification for it.

But the femboy who is very strongly queer coded can't be forgiven or understood. And another part of it is Griffith. Griffith is another morally complex feminine prince type character. Miyazaki is famously a massive berserk fanboy so characters like Prince Gwyndolin and Prince Lothric were often compared. But Miquella got the comparison the worst. Berserk spoilers btw.

And Griffith is objectionably a horrible person even before the Eclipse and when he stops being Griffith and becomes Femto. His moral complexity and the many nuances of his character often get forgotten because of the Eclipse, because of his horrible actions. Griffith being SA'd, self harming, having an unhealthy often one sided toxic love, and having so much self doubt that he nearly breaks down several times is forgotten about. They label him as pure evil and any deeper discussions about him as a character are lost.

And Miquella, as soon as he got the Griffith comparison because of his looks was destined for a similar fate when it is revealed he is an antagonist in the DLC. Griffith is pure evil, Miquella has a ton of similarities and thematic parallels to Griffith, so obviously, Miquella is pure evil. The classic no media literacy response.

I am yelling into he void I know, but I love writing and I love Miquella as a character so much. I think deep analysis and reflection is valuable even if it's just me talking to myself.

[jazminrhode1]

hiiii! if you're stil writing can you please write one where matt sturn and reader are just so in love and he cant stop telling people about her?

The Interview Matt Sturniolo x Reader One Shot

Matt was onto his 6th interview of the day. He set up his laptop at the kitchen table and you’d been sitting across from him all morning waiting for him to be done.

“Hi Matt,” you heard the interviewer say. He was less nervous now that he’d had some practice.

They asked the same old generic questions like, how his brothers were, how he came up with the idea for this project, and what inspired it. But, out of left field, they asked about you.

You saw Matt squirm in his seat across the table. “I hope that doesn’t cross a line,” she said sweetly.

“No,” he said, shaking his head a little too aggressively to be casual.

He looked at you and you glared right back. You hadn’t had this conversation in a while. You hadn’t spoken about keeping your relationship offline in the beginning but, it had been 2 years and things were different. Everyone knew and they reacted terribly but, the dust had settled since then.

You saw the look in his eyes. He was asking permission and you gave it to him with a shrug.

He let out a deep breath, his shoulders relaxed; he looked happy.

“Y/n is great, actually,” he said with a smile.

“I know you don’t talk about her often but, I was wondering if you could tell us a little bit about how you both met?”

“Oh,” he said, “Well, she’s a good friend of Madison and we were all hanging out there a lot and, it just happened. She’s great. She’s perfect. She feels more like my home than any house ever did.”

You swallowed down the lump forming in your throat. It wasn’t often that you got to hear how Matt talked about you to other people. Sure, your friends told you that he gloats about you any chance he got but, you never heard it from him.

The next interviewer asked what made Matt fall in love with you and he explained, “Y/n is beautiful. Even more so on the inside if that’s possible. But, it wasn’t any one thing that made me fall in love with her. It was the love she has for her family, it was the way her smile lights up a room, it’s the kindness she shows to strangers, it’s the way that she can get through to me when no one else can. She’s the first person I reach for in the morning, she’s the first person I want to call with news good or bad, she’s my best friend and she is my favourite person in the world.”

His eyes were so intense on you that you thought he could read all of your thoughts. It was often like that. He was so attuned to you, so perceptive to your needs, so receptive to your feelings. Matt was, in so many ways, perfect. You could not have dreamed him up.

The final interviewer asked the same age-old questions. You mocked him behind the screen and Matt did his best not to laugh. He was tired, you could tell. As the interview came to an end, the interviewer asked one final question.

“You’ve gotten into writing a lot, I’ve seen a few passages that you shared on Instagram. What inspires you the most?”

Without hesitation, Matt said, “Y/n. She inspires everything that I do. I read a quote once that said, ‘If a writer falls in love with you, you can never die.’ I like to think that if I write about all the people and the things that I love, I can never really lose them, you know? Even if y/n chose to leave me, I’d always have a piece of her with me”

There was silence on the other end. You started to think they lost connection.

“I think there’s a lot of people out there who 

“I’ve fucked up a lot of relationships but, I think it all needed to happen so that I can be the person I am now for y/n. You need to be open and receptive and believe that you deserve to find happiness with another person. Y/n is a much better person than I am but, no one will ever love her as much as I do. And I do. And I show her every day and I will for the rest of my life.”

Matt shut the laptop when the interview wrapped and pushed his chair back from the table. You walked around and sat on his lap, wrapping your arms around his neck and placing a gentle kiss on his lips. His arms snaked around your waist as he nuzzled his head in the crook of your neck.

“I’ve never heard you talk about me before,” you said.

“I feel sorry for people. You’re all I ever talk about,” he replied with a smile.

Matt loved you. You knew that with every fibre of your being but, today showed you just how much.

[raven-at-the-writing-desk]

I've been dreaming of the Seeker of Cradles.

He swore to protect them. His children, his princess, his country.

Lives are precious, and he will not see them snuffed out prematurely.

How does a moment last forever? How can a story never die?

Lilia acts before he can think.

He pays no mind to the audible gasps of the senators, to Baul’s worried pleading. The only voice he listens to is the one that draws him like a moth to a glowing flame.

It’s a shrill cry, the sound any infant makes. But the sob is filled with an overwhelming sadness, a deep desire that resonates with him. Lonely, longing for love.

It breaks his heart, makes him tear up.

“Wait for me!" he shouts. "I’m coming to you right now...!”

He thunders up the steps of Cradle Tower, bracing himself against the lightning hurtling his way. His hood is thrown off, hair whipping, slapping him in the face and standing on end. Lilia fears no man--but in the presence of such sheer, raw power, he's compelled to cower.

He soldiers through, forcing himself up another step. Right as his foot connects, a wild bolt comes down hard, striking him.

Lilia lets out a guttural cry, his small body keeling over. Every fiber of his being screeches in pain.

"Vanrouge-dono...!!"

He stays stationary for one long, awful moment. Then--a sharp intake of breath--and he miraculously rises on trembling legs.

"H-Hah..." he grits out, clutching onto himself. "Is that... Is that all you've got?! It'll take a lot more than THAT to take me out. Your mother has made me deal with tantrums far worse than this!!"

Lilia resumes the arduous climb. More lightning is lobbed at him. Wincing, he wills his aching muscles to weave as best he can around the incoming attacks.

He's nearing the top of the stairwell now, where the power is most concentrated and the wind howls like a banshee. Lilia raises his voice, calling over the storm.

"Are you upset because no one's paying attention to you? Well, you're wrong!! Everyone... Everyone is terribly worried about you!!

"You're such a spoiled child, rejecting your grandmother's magic. Do you know what will happen to you if you don't take it?! You'll die. You'll DIE, and all the people who sacrificed themselves so you could live was for nothing. You don't have the luxury of choice!! You MUST live!!"

The future depends on you.

He doesn't know if the unborn child can understand him or not. It must, to some extent, because the screaming in his head escalates to a frenzied pitch. A strong gale nearly knocks Lilia off the tower--he grasps onto a column and inches closer to its treasure.

The dark, speckled egg floating inside of a barrier.

"You stubborn thing!! Lilia scolds, pushing against the magical shield. His palms burn, as if coated with acid. "If you still refuse... then take me instead of Maleficia...!! I'll give you everything."

He pushes, the barrier holding firm. Pain climbs up his forearms, eating him alive from the inside out. He feels his energy being leeched, his flesh screaming, on fire, as it is sucked out.

"My love..."

The barrier shudders, shakes.

"My magic..."

His biceps are searing, his blood, molten.

"My life...!!"

A crack.

"Accept it all, Malleus...!!"

It breaks.

Lilia falls through, arms extended toward the egg. He entraps it, hugging it tightly against his chest. It’s warm. Malleus is warm, and Lilia can feel a faint flutter of a heart on his skin. Contentedness floods him, even as he feels the pull of magic as it is drained and hungrily devoured.

The egg gives off a green glow from within. The light grows brighter and brighter, until—

“Kyuuuuuuuuuuu!”

Suddenly, an explosion of blinding white. The shell splinters and sheds.

There is no egg in Lilia’s arms, but a lizard with raven scales and a violet underbelly and spines. It blinks up at the general through round, reptilian eyes, belching a line of emerald fire.

“A-Ah… You are…” Lilia’s knees go weak. He falls to the ground, still cradling the baby to him. “Malleus…! You’re here at long last. I… I-I…”

He doesn’t realize it, but he has started to cry uncontrollably. Fat tears dribble down his cheeks and land on the baby dragon’s hide.

Lilia allows himself to wail. It’s ugly, full of raw emotion. Less human and more like the cry of a hideous beast.

From below, cheers and praise float up to him.

“Our hero!”

“Congratulations, Vanrouge!”

“The prince owes his life to you.”

Their words sting his head. The world wavers, wildly distorting--Lilia can't tell if it's his tears blurring his vision or not.

He crumples over with a groan. "M-My head... Agggh!"

"Kyuuuu?" Malleus pads a claw onto his cheek, confused.

The senator's voices are growing louder, angrier.

"VANROUUUUUGE!!"

"What has he done?! This is going to be a scandal--a scandal, do you hear me?!"

"Oh, to think that a disgusting bat has tainted the noble Draconia bloodline...!"

The contradictory shouts mix. It feels like there are fists beating his skull in from both sides. Lilia hangs his head, pulls at his hair, tries to understand the clashing sounds.

That's when he senses the presence of a shadow standing over him.

"I’ve found you at last, Lilia.”

He slowly raises his eyes, careful to keep Malleus guarded with his arms. There is a man in black robes towering over him, his mouth fixed in a frown. A pair of horns protrudes from his head, crowning his ominous yet regal aura.

“What… Who are you?!” Lilia demands of the stranger. “That face, those horns…!”

They're just like Levan and Meleanor's.

The stranger ignores his question. His expression has morphed from displeasure to anger. "Insolent fools!! How dare they speak ill of you. There will be severe consequences for this.”

The air stirs, chilling. Thunder crashes in the distance, seemingly in response to his fury.

He regards Lilia again, his voice dropping to a dangerously dulcet coo. “Ah, but you needn't concern yourself with them."

He takes a stride forward, and Lilia shrinks away. "S-Stay back! I'm warning you...!"

"What sort of a dream would you like to have this time, hmm?" he asks nonchalantly. "A dream in which mother and father are still by your side? A dream where you can live freely with your children? A dream for you to find true love? Just say the word, and it is yours."

With each suggestion, Lilia backs up further and further--until he is nearly at the platform's edge. Wind blows from below, sending hair and fabric flapping.

Here is the devil, come to tempt, and the jaws of death behind him.

The stranger bends down, his smile serpentine and eyes iridescent, twisted with obsession. Charming as a snake. He extends an arm, palm open. "Come, Lilia. Take my hand."

“FATHER!!”

CLANG!

A bolt of silver arrives, expertly blocking Malleus's outstretched hand. He stumbles back, glaring at the two bodies that put themselves between him and Lilia.

“You are…”

“Are you alright?” The quiet question comes from a boy with aurora eyes—clear as a cloudless sky.

Silver.

“Lilia-sama, stand back!!” His partner, Sebek, barks, baton at the ready. “We will protect you!”

“What nuisances,” Malleus snarls. “Still you insist on disrupting these dreams? It is a hopeless endeavor.”

“Maybe it is.” Silver tightens his hold on his own baton. Resolution threads his voice, and he stands his ground against the encroaching monster. “But we will never stop trying until we’ve broken through your blessing.”

“Bless... ing?”

The single word is like magic. One droplet rippling in a pond, setting off a chain reaction.

Memories fire off—the departure, the packing, the party, well wishes, the thorns. Someone screams, jet black tears streaming down their face. The wrath, the hurt.

“I DON’T WANT TO LOSE YOU!!”

The fog lifts from Lilia’s head, and the world clears. The identity of the horned stranger, the same as the baby dragon he holds.

Malleus… It’s you. It was always you.

Lilia gives a shaky laugh. "This is no blessing, boys. It's a curse."

Malleus glowers. “… You’ve awakened, haven’t you?!”

“That’s right. It seems I was dreaming for quite some time too—but I’m alright now, thanks to Silver and Sebek~”

“Father…”

“Lilia-sama!!”

“You too then… You’ve decided to turn traitor on me.” He hisses it, loathes the taste of treachery.

“No, Malleus.”

“Kyuuuuuu?”

Lilia steps beside his students—a general joining his knights. Ruby meets emerald, glittering with defiance.

“We’re going to save you, simple as that 🎵”