#but i think a lot of the line will die with this generation. not everyone is having kids

[someobscurereference]

Insane over the awakening trio again. We fought a war together, saved each other multiple times, and I know for a fact I can trust you with my life. We have never learned to socialize normally so we can't interact in a normal environment for five seconds without dunking on each other. I would follow you through time and space and abandon everything with you. You are the living reminder of every awful thing that have ever happened to me. Our traumas make us hurt each other at every turn. We're the only ones who know what lead to each other becoming Like That. Our jobs are barely in the same area and we don't even hang out that much outside of necessities. You are all I have left. I cannot fucking understand you. I am the only one in this entire world who has the ability to even try to.

x

[seventh-district]

.

[fieldmoths]

i wish i could concisely explain my sims world but i’ve been fleshing the same one out for almost 2 years. where do i even begin

[latinokaeya-moving]

treated myself to the very short beginning section of three houses just now but i had to stop n turn off my switch when the game asked me to pick a house bc i started agonising over whether to go w edelgard first or just jump straight into the claude route

[thepandalion]

Attempted to leave the fandom after being made incredibly uncomfortable about it in late 2023 but also just remembered a specific line from a specific episode and now I'm going feral again

[lizard-ratt]

This idea got stuck in my head, not to be taken too seriously. If you find any typos, no you didn't <3

Other than that, I hope you enjoy!

--------------------------------------

Steve Harrington knew how to haggle. Raised by the most cutthroat business man in all of the state of Indiana, if not the United States as a whole, he knew the ins and outs of getting the best deal possible. He used this to his advantage a lot more than anyone knew.

The first time he brought out Steven Elias Harrington, son of Richard Jay Harrington was when he first got forced to sign NDAs to keep quiet about everything going on in Hawkins, Indiana. Despite only having shown up at the end, he still had a fat stack of papers to work through.

And he worked through the entire thing, taking his sweet precious time to read the entire thing, word for word. He signed nothing that day, letting the government employees watch as he took notes on every little detail, humming to himself, scoffing, and overall being as annoying about it as possible.

"These are terrible. Do better." He didn't say that exactly, but it was the general consensus as he gave them a verbal dressing down that would make his father proud (and his father was never proud). He made demands for money, for protections, for anything that he could think of. By the end, the government had agreed to provide him with a heaping helping of cash (enough to buy a house and help him live a comfortable life for the next twenty-or-so odd years), government provided medical insurance (complete coverage for the rest of his life), and a full ride scholarship for any college he wanted to go to.

Suffice to say he had rung that towel dry of anything he could ask of it. He knew that those government employees wished nothing but the worst for him, but he was satisfied with what he got, and he happily signed the fifth NDA they provided him with, flourishing his signature with relish.

Then, he became even more wrapped up in the whole thing when Dustin Henderson decided to raise a baby Demogorgon in his basement. A lot happened in those forty-eight hours, but the main one was that he got attached to the little shits, so he told them in no uncertain terms that they were not to sign anything before he looked the paperwork over.

They scoffed, rolled their eyes, but ultimately agreed. It was a very amusing few days, to say the least. The government agents (the same ones as last time) showed up with their giant stacks of paper, and came face to face with Steven Elias Harrington, and he could just see them die a little bit inside. He could practically hear what remained of their souls wither to dust.

And again, he forced them to sit as he read through every NDA, taking notes, scoffing, humming, and overall being a nuisance to them and their time. Then, he got the kids' attentions (as their eyes started to glaze over after minute thirty) and began his process.

The looks of pure awe, too, would be treasured for a very long time as he got their college tuitions paid for, government-provided medical insurance for the rest of their lives, and of course a big fat pile of cash ready for when they would turn seventeen years old. Each of them had enough money lined up for them that they wouldn't have to worry about anything until maybe their late fifties to early sixties if they were bad with their money.

And of course, he got himself another big pile of cash and access to the best lawyers in the United States if he would ever have need of it.

After that, he shouldn't have been surprised when everyone came to him for help post-Battle of Starcourt (dubbed by Dustin, of course). This time, he took two solid weeks pushing and pulling Uncle Sam in this direction and that to make sure everyone got what they needed. (Another fat stack of cash for everyone, legal protection for whatever they'd need it for, and a cover story that made everyone look the best that they possibly could. He also got college payment for Robin, since she wasn't there the first time, as well as the same medical insurance he got everyone else). Those government employees looked at Steve like he was the devil himself.

"You kinda are," Robin told him one day, after Steve recounted the specifics. "I mean, you are bleeding the government dry."

He gave her a grin. "Absolutely, I am."

Then, he and his merry band of misfits saved the world, stopping the Upside Down for good. The same government goons showed up, and instead of doing what they tried to do the previous time, they just came to Steve with all of the NDAs, and asked in the most sarcastically professional voice imaginable, "Are these up to your standers, Mr. Harrington?"

He gave his charming, King Steve smile and told them that he'd read it over. In the hospital room that held Max and Eddie, Steve pulled up a table and allowed everyone to watch as he flipped page after page, noting down the loophole phrases and weak protections, and every single trap meant to put them into a worse-off position and he threw it in the government's faces.

In return, he forced everything his heart could imagine out of them.

Another giant hunk of change for each of them.

Eddie Munson free of all charges, effective immediately

Government-provided medical insurance for Eddie Munson for the rest of his long, long life

A cover story so beautiful, so concrete that it got even the most closed minded to look at Steve's People and call them heroes.

A house for Eddie and his Uncle Wayne

"I hope I never see your face ever again," the man told Steve, forgoing all niceties at that point. "You're going to burn in hell."

"I'll save you both a seat," he told him with his sweetest, most charming smile.

The government agents left, and in their wake, Eddie Munson looked at him like he hung the sun, moon, and stars in the sky.

"Wow," was all the metalhead was able to get out for a while. "Just wow."

Robin glanced between Steve and Eddie, leaned into his side and quietly sang, "The lovers, the dreamers, and me."

Now on AO3

[bratbarzal]

Let It Happen (LH43) 1/3

Pairing: Luke Hughes x Fem!Reader

WC: 17k

If you're ready, all I mean is we could go, I've never craved someone's attention as much as yours.

General Warnings: an almost unbearable amount of sarcasm and snark, even more idiotic shenanigans, many affectionate empty threats of murder/violence, fluff, mentions of golf 🤢, cursing and I'm pretty sure that's it for this half

A/N: in line with the general consensus lmao this has been split, part two will be posted as soon as it's finished (lol) but it's best read as one whole fic, it isn't a multi-part situation really!! it was originally supposed to be my submission for the eras tour fic challenge (hence the graphic I'm too attached to to change) but took a different direction to the song I was given, and I missed the deadline, and I pretty much listened to the secret of us exclusively while writing this whole thing. also dropping an overwhelmingly summery fic in december might actually be my brand. keep your eyes peeled for a christmas fic in july.

very special shoutout to shea @sleepretreat I made a random comment one day that luke gives seth cohen energy, and she fanned that flame like a full time job. ily shea!! I hope this lives up to any expectations and I owe a lot to your instigating!!

AS ALWAYS!!! never proofread!! I'll probably get around to it when the thought of a spelling mistake keeps me awake at night. and also!! please let me know what you think I am like a teeny tiny little plant that can only thrive under the constant shower of validation and you don't want me to wither and die do you? (I’m kidding) (I’m not)

You kind of, sort of, think you might hate summer.

You haven’t always felt this way, though. Growing up, it had always been your favourite time of the year. 

No school? Check.

Going on vacation, sometimes multiple, all expenses covered by your parents? Double check.

Getting to do all the cool things you don’t have time for in the school year with all your friends? Concerts, festivals, beach days, bonfires on the evenings. Check, check and check again.

But 4 years ago, your whole world as you knew it was torn apart, and summers have never been the same, since.

A season that was once filled with light and companionship, never ending plans and joviality, became darker - isolated, getting yourself out of the house even if everyone else was busy, driving just to drive and making the best of your own company. 

School ended up becoming your escape, especially since you had started college - your studies and the chaos of Greek life distracting you from the calamitous state of your home life, making new friends that became like family and sticking to them like glue, where possible, clingy and possessive to the point of ruin, almost - and so the lack of it in the summers now actually sends you into some sort of warped spiral.

It’s manageable in the winter and spring, the breaks no longer than a few weeks at a time, but going home for summer is somewhat of a nightmare.

It’s hard to go back, hard to ignore the mess your mind has become when it’s just you and your mother - or, you, your mother and whatever bottle of pinot she’s 3 glasses deep into at any given time of the day - and you’re sat in a house that’s a cold reminder of the warmth that once filled it. 

But when Ellie - your best friend since moving to college, the girl who took the sister part of sorority sister to the next level at all possible opportunities over the years - found out you’d put your name down to be the caretaker for your sorority house instead of going home, she had put her foot down on your summertime sadness session.

Which is how you end up moving into her family home - spending the first few weeks integrating yourself into their routine while trying to grip desperately onto some form of your own - trying not to get too used to the feeling of such a big family when you know it won’t be forever.

You braid her little sister’s hair everyday, kick a soccer ball around with her little brother when he needs someone to stand in goal, wash the dishes with her mom, talk sports with her dad, and before long, you blend like a chameleon into their dynamic.

You pick up a summer job at the country club to cling back onto your independence. Your commute provides the solitude and quiet you‘ve grown accustomed to in the years before, a bus journey through town with headphones on, watching the scenery and admiring the greenery until you get to work, donning your navy blue polo and tucking your little notepad into your hip apron as you serve tables at the clubhouse restaurant and bar. 

It’s a much needed escape from Ellie, if you’re honest.

You love that girl with all your heart, appreciate her housing you more than you’ll ever be able to say, but if you have to hear her sit and mope about how hopelessly in love she is with Jack Hughes for even a second longer, you’re going to vomit. Or scream. Or both.

Jack and Ellie grew up together - their families close, Ellie’s dad best friends with Jack’s uncle, or something - and she’s been into him since he had teeth missing - a point she loves to hammer home when it comes to you always listing that as one of his (many, if it’s up to you) cons. Considering his job, and the fact he already lost one, not too long ago, a toothless boyfriend seems like a massive ick, if you’re honest. 

But Ellie is beyond reason when it comes to him. She worships the ground he walks on - talks about him non-stop, messages him every day, regales you with stories you, awfully, but realistically, couldn’t care less about - and it’s the only real problem about living with her.

Even beyond the summer, you two had shared a room your first two years in college, still live in the same house - and it’s a year round problem.

But being unable to escape, having your days tied to close to hers, and knowing that it’s bound to be worse with proximity, Jack back in Michigan for the summer, himself, she’s starting to drive you up the wall.

It wouldn’t bother you if you had never met Jack, but the two of you don’t exactly get along. He’s rude, and self-absorbed, and had looked down on you the first time he ever laid eyes on you, and you really shouldn’t let it get to you, but you do - the thought that your best friend is in love with an asshole, and that she won’t let you hear the end of it. 

Won’t stop whining about how he’ll never feel the same, or that she can’t handle another summer of biting her tongue, of being around him, feeling the way she does, and not being able to do anything about it.

She deserves better. 

Ellie has a heart of gold, and she deserves someone who handles it with care. If Jack Hughes doesn’t like her back, that’s his loss - but you’re kind of getting sick of telling her that.

Getting through a whole summer of it is going to be hard, you think, but it’s better than the alternative. Better than being entirely alone. So you put on a brave face, use work as your escape in the same way you usually do with school, and avoid blowing your top for as long as you can, suffering through the late nights and heart to hearts where Jack is the sole topic of discussion, and bask in the good stuff.

In the chaos of her siblings, in the closeness of her family, and the way they’ve welcomed you with open arms.

This summer could be okay, you’ve just got to give it a chance. 

Luke Hughes loves summer.

He loves being back home in Michigan, spending his days out on the lake, or making the trip out to parade around Ann Arbor, catching up with all his college buddies, making the rounds at all the UMich sporting events he now gets a VIP pass to thanks to his last name.

The routine of it all is familiar, and warming, and it restores a sense of normality that playing in the NHL for the past year has so brutally ripped from him, already. 

He had enjoyed starting his summer overseas - making the team for the world championships and competing beyond the abysmal end to his rookie season - had enjoyed the time away from his brothers, if he’s honest. Quinn and the Canucks making it a few rounds into the playoffs, and Jack back home recovering from getting surgery on his shoulder - and it’s the latter he needed the reprieve from.

He does love living with his brother.

Jack looks after him in ways he’ll never really be able to make it up to him for. He always has, Quinn has too, but ever since Luke got drafted to the Devils, Jack has helped him adjust to the chaos of his career without much fuss or hardship.

And he really is grateful for that.

But, God, can he be annoying.

Especially when it comes to his infatuation with his best friend, Ellie.

Jack and Ellie have always been close - despite the fact she’s Luke’s age - and grew up thick as thieves, spending summers together, especially when the family moved to Michigan, and Ellie’s family were just on the other side of town. 

He’s always been obsessed with her, even if it hasn’t always been love - but these last few years have been different. Like a switch flipped in his head when Jack saw what Ellie was like when he came to visit Luke in his freshman year of college.

A version of Ellie that was no longer just his - no longer exclusive to their summer bubble, and lived in a world beyond lounging by the lake and hanging out with the Hughes family.

A version of Ellie who liked partying, liked schmoozing and charming everybody she came into contact with, liked being the centre of everyone else’s attention, not just Jack’s.

And it’s that version of Ellie that has driven Luke’s brother crazy, which has, in turn, started to drive Luke crazy. He talks about her non-stop, and it was those much needed weeks away in Czechia that almost had Luke forgetting just how stupid his brother has gotten about the whole thing.

Until he came home to Michigan, and Jack, in all the commotion with his shoulder, with ending his season early and starting his summer off alone, has worked himself into such a stupor about the whole thing that merely a week into his return, he has driven Luke up the wall. 

He’s grumpy, all the time - which leads to him being snarky, all the time. He huffs and puffs around the house so much Luke is starting to think he might need an inhaler, and he really can’t take any more.

Not when he’s making such a show of his irritation, stomping around with heavy feet and slamming doors that don’t need to be shut in the first place. 

“What crawled up your ass and died there?” Luke frowns as he follows Jack into the kitchen upon his return from therapy, holding out for the doors he swings open with a little too much vigour so that they don’t swing back into his brother’s slinged-shoulder. “I thought the physio is going alright?”

“It is,” Jack huffs, storming over to the fridge and yanking it open, the jars and bottles in the door clanking together in a way that makes Luke cringe. “I’m fine.”

“Tell that to all the hinges you’re testing the limits of.” 

“Don’t start with me, Luke, I’m not in the mood.”

“You just said you’re fine.” Luke rolls his eyes as he starts to scroll through his group chat with his friends from college, trying to check who said they might be free today to get him out of this vicious circle.

“It’s nothing.”

“Clearly not.” It’s interactions like this that confirm to Luke just how annoying Jack has become - because what reason does he have to be so evasive? Luke is handing him the opportunity to air out his grievances on a silver platter, and he’s rather slam cupboards and create creases in his forehead from frowning 24/7.

“Fine, it’s Ellie.”

Luke wishes he never bothered asking, although he has been wondering why he’s been seeing way less of her already this summer. He had figured Ellie was away with family until he saw her at the gas station the other night - had watched from the car as Jack had what seemed like a heated conversation by the entrance. 

“She’s refusing to hang out with me.”

“Has she said why?” Luke asks, although he doesn’t really care. He’s just asking to get it out of the way in the hopes that Jack talking about it might lighten the load, might make his own life a little easier. 

It’s the bitter muttering of your name that captures Luke’s full attention, his neck audibly cracking at the speed in which his head shoots up, no longer caring what could possibly be going on with the boys in the group chat. 

“She isn’t going back to whatever fiery hell pit it is that she comes from for the summer, and she’s staying with Ellie’s family, therefore Ellie isn’t staying with us.”

Luke hasn’t heard your name in a while. Not since he left college last year, not since he got caught up in the whirlwind life in the NHL, when a schoolboy crush on a girl he interacted with once in his entire college career became the least of his worries.

But one utterance of it has his spine straightening, just like it would have done just over a year ago.

You’re in Michigan. You’re at Ellie’s, on the other side of town. You’re barely two degrees of separation from him.

“Why can’t Ellie bring her here?” Luke asks, throat dry and voice breaking so subtly that he hopes Jack doesn’t notice. That could be fun. Would make up for the hell his brother has been putting him through since he got here. 

Maybe a little glorious sunshine might finally get you to notice his existence. He wouldn’t mind third wheeling Jack and Ellie if you were there, too. It would give him the perfect opportunity to prove he’s worthy of your attention - too shy and too scared to do so, back in college, but he’s different, now. Confident, almost. More sure of himself.

“She hates me.” Jack huffs, “Last time we met she was giving me the stink eye all night.”

And of course it would be his brother to ruin his plans, yet again. You’ll probably hate him, too - a hatred so strong for Jack that it seeps through his entire bloodline, because Luke of all people knows he can be annoying like that. 

“Trust me, she probably doesn’t care enough to hate you,” Luke scoffs, not realising the spool of information he’s just given Jack to unravel. 

“You know her?”

“We had a class together. I know of her.”

Not the truth, but not exactly a lie.

Luke knows a lot about you. It’s borderline creepy, the observations he can still remember, even after so long.

He knows you like only like coffee if it’s iced, had seen you with too many clear plastic cups to count, had watched plump lips chewing at straws by the time you had finished the drink. He had even, one time, tried to zoom in on a picture of your order printed on the side in one of his many states of delusion where he had been trying to build himself up to ask you out. 

He knows you can hold your own in an argument, had watched you debate with the best of them in your business comms class, has watched you shoot down most guys that approach you with a sharp tongue and even sharper wit, and has watched you take down a frat guy or two, usually in defence of your sorority sisters - who Luke noticed you’re the most protective of. 

He knows you match your perfume to the colour of your outfit, had notice you smelled citrusy like lemons in yellow, floral like roses in pink, sweet like candy in purple, and clean like fresh cotton in blue. 

He knows the pieces of hair that frame your face curl when wet from the rain. Knows you used to volunteer at the pool on the weekends it was open to the kids of the community, would teach them how to swim. He knows you listen to Taylor Swift and has heard you humming just about every song of hers he knows.

But he doesn’t really know you - not on the level Jack is assuming, when his eyes widen and hope flashes across his crystal irises.

“You know how I’m your favourite brother?”

“No,”

“And I let you live with me all year?”

“My name’s on the lease.”

“Maybe you could talk to her for me?”

Luke sighs, shoulders heavy and eyes rolling practically to the back of his head. “I already told you, I don’t really know her like that.” 

“C’mon, you could at least try! I’m dying here, Luke! She’s hogging all of Ellie’s time, and she won’t give me the time of day if I try!”

If only Jack knew how much time you’d ever given Luke, he wouldn’t be asking him such an absurd request.

You’re so out of his league, it isn’t even funny. He probably couldn’t convince you to light a candle in a power cut, much less to give his annoying brother a shot to prove himself.

“You’re wasting your time, Jack,” Luke responds, “I’m gonna meet Dylan at the club. No, you can’t come.”

And by the time Luke makes it out to his car, he’s relieved to have ditched that conversation, entirely. He knows what’s waiting when he gets home, what his brother is going to be like for the next few months to come, but a temporary relief is all he needs.

He had already been planning on getting a few late morning holes in at the club, and meeting up with Dylan had been a white lie, needing some alone time away from Jack’s incessant whining to think about how he was going to survive the summer - and seeing you on your break, perched on the edge of the fountain in the courtyard by the clubhouse bar, basking in the sun and talking with your co-worker, he feels like he might have just struck gold.

Since when do you work here?

He supposes since you decided to spend your summer with Ellie’s family - it only makes sense. Ellie doesn’t live too far from the club - not as close as the lake house, but closer than Ann Arbor, at least. She’d worked in the club shop last summer, even when Jack insisted he’d pay for whatever she needed while she was staying with them - had said it was nice to pass the time with something else while they all went off doing whatever - and he assumes you’re doing the same. 

It’s the first time he’s seen you in a while, outside of coming across your pictures on his Instagram feed occasionally, or the flash of your figure in Ellie’s stories. 

He had thought that, after the year he’s had, he’d be over schoolboy crushes like this - would be over the way his breath catches just at the sight of you, over the way the hairs on the back of his neck prick up and stand to attention, over the way his throat goes dry as he watches your eyes crinkle from afar, watches your lips curve up into a heart-stopping grin.

But it’s like he’s picked up straight from where he left off at the end of his college career, pining after you from afar with hearts in his eyes and feet that start to shuffle at just the thought of approaching you.

If he’s going to do this, though, he needs to be clever about it, he thinks.

Approaching you on your break, limited to the amount of time he can use to put his point across, wasting yours, doesn’t seem like something that will work.

Which is how he finds himself bypassing you completely and walking straight into the bar, offering a friendly nod to the guy stood at the front of house, and letting him point him toward the right section to be served in. 

It isn’t long before you’re in front of him, sidling up to his booth, and he had almost forgotten how pretty you are up close. Hair clipped up with loose strands framing your face, chewing at your plump bottom lip as you scribble on your notepad to get your pen to work. And your honeyed voice settling deep in the pit of his stomach, warmth spreading throughout as you introduce yourself, like he has no clue who you are, and tell him you’ll be his server, “What can I get for you?”

“Five minutes of your time?”

The Luke that spent his college years obsessing over you might have stuttered - his voice might have broke, squeaked or choked in your presence - but while his throat does feel a little dry, he’s able to maintain his cool now, even when you look up from your scribblings to meet his eye. Maybe he can do this. Maybe he has matured.

His heart might jump in his chest, his mouth might tingle, his spine might stiffen, but he holds your gaze, hoping if you see a reflection of confidence that you might give him the time of day.

He’s seen you interact with guys before, has familiarised himself with the ten-foot walls you have in place, has seen others fold and try find a long way around, but he thinks that maybe matching your energy is the way to break through. 

Who doesn’t love a shortcut?

Your eyes narrow back at him as pouted lips form around a response, looking him up and down before tilting your head, and coming back with, “I all of a sudden feel the need to inform you we do have security here,” you point the tip of your pen to the entrance, where he was greeted on the way in. “I meant a drink.”

“Water’s fine,” his gaze flickers to the movement of your wrist as you click the other side of your pen, not even writing it down. “Maybe with a side of conversation?”

“I’ll go get your water,” you offer a smile, and the insincerity of it does little to cool his bravado, even if you head off with mutterings of why do I always get the creeps?

He watches you as you make your way over to the bar, not creep-like whatsoever, and he channels the nerves that sneak up on him, now that you’re distanced, through fiddling with his fingers on the table, pinching at the tips of them when you glance back over your shoulder, probably telling the girl behind the bar just how lucky you were to once again get the weirdo in your section.

It surprises him how little he cares, possessing more of your attention now than he ever has before, and if he could tell the Luke from two years ago, who spent every shared Principles of Marketing class ritualistically watching you chew on the end of your pen, that he’d be able to make eye contact without dribbling and breaking out into full body sweats, he’d have lost his mind.

He embodies a strange level of dislocated arrogance that manifests itself in his body language, sinking into the booth with arms outstretched across the back, a dangerous smirk teasing the corner of his mouth when you return, placing a pitcher of water down on the table and a glass with ice. 

“I’m Luke,” he tells you, placing a hand on his chest and doing his best to ignore the thudding he feels beneath it. “Hughes. Jack’s brother,” and when you look back over to him with a raised brow, he adds, “Ellie’s Jack.”

“And who’s Ellie?” You ask with a tilt of your head, your voice dripping in teasing sarcasm. 

“Funny,” he quips, biting back the urge to call you what he actually means. He can hardly call you cute, you’d probably pour that water straight over him. “I went to UMich, we had a couple classes together.”

Your eyes narrow again, and he knows it’s an intimidation tactic, a way to make him feel smaller than he’s acting, shrinking him down to a version of himself you can stamp your authority on, but he finds himself being resilient for once, carrying on like he isn’t affected.

He is. Massively, in fact. Just not in the way you probably want. Your indifference drives him in a way that presses into his spine, an inner voice pleading, notice me, I’m breaking through!

“Bauman’s class, Business Comms, you sat in the second row, I sat in the third, you dropped your pencil one time and I-,”

“I know who you are.”

So he’s been yapping on at you for no reason? Fantastic.

He can’t let his momentum slip, though, so he forces the corners of his lips into a victorious smile, and counters, “So you know I’m not a creep.”

“You literally memorised my seat in a class from 2 years ago, so…” 

“I have a good memory,” he’s quick to defend, fighting the urge to let his eyes linger on your pouted lips.

“Right,” you roll your eyes, “What is it you want, again?”

“I came to talk about Jack and Ellie.” He nods to the other side of the booth, and has to roll his shoulders so that his chest doesn’t inflate with misplaced hubris when you shuffle into the seat with a huff, discarding your notepad to the side as you level him with another raised brow.

“What about ‘em?”

“About how they’re hopelessly in love with each other and doing nothing about it.”

“You got hopeless right. What’s that got to do with us?”

Us. Oh, he likes that.

“I’m thinking they need a little shove in the right direction. And maybe we could be the shovers.”

You presses your lips together in faux-apology, a lopsided, patronising, adorable frown taking over your expression. “No can do, I don’t shove, I’m a pacifist.”

“A nudge, then?”

He isn’t giving up easy, no matter how much sarcasm you try to throw his way. You wouldn’t have sat down if there wasn’t something about this situation that irks you, too.

If Ellie is being only half as annoying as Jack is, he knows that you’re having a bad time of it. And you’re supposed to spending her summer with her - it can’t be easy, having your friend constantly pining over someone and refusing to do anything about it, if anything, making it your problem.

“Are you here to eat or annoy me?”

“Both,” he smiles, “I just figured a problem shared is a problem solved, and all.”

“How profound.” 

“C’mon, you sat down, you at least agree they’re into each other, and I know you’re staying with her this year, so I know you’ve been getting the same grief I have.”

“I’ve been on my feet 4 hours, I wouldn’t look too deep into me sitting down.” 

“Jack’s been moping around about her for years, I can’t listen to it anymore, he’s all, she’ll never like me back, this, and, I’ll never find a girl like her, that,” he whines, imitating his brother’s voice in the most annoying, high pitched tone he can muster, “I can’t take one more breakdown of her snap stories, especially not if it’s all summer if she’s not gonna be staying over, I’m gonna lose my mind.”

“How supportive,” the sarcasm in your bite does little to hide the beginnings of your smile, your glare softening into what he hopes is the start of some sort of bond, a shared feeling of exasperation. Finding your footfall in common grounds.

“It’s relentless, we can’t go a single conversation anymore without him bringing her up,” he sighs, slumping into his seat, finally giving in to all the ways this is starting to grate on him. “I don’t get why neither of them do anything.”

“Yeah,” you sigh, too, relenting a little. “She talks about him so much it kind of makes me nauseous.”

“How supportive,” he mimics, nerve endings set alight when your eyes meet his over the table, and narrow in a different way, almost appreciative, almost respectable.

“Can it, Hughes,” you scoff, “Me even entertaining this conversation right now is support enough, I’ve had it in my ear for months about how she doesn’t know how she’ll make it through another summer.”

“That’s what I’m saying. If we can get them together this summer, then we’re both better off. No more whining or crying or earaches for either of us.”

“I’d hope you didn’t make your way out here with the mere promise of no more earaches, Luke.” He tries not to preen at the way you say his name. “What’s in it for me?”

“You and Ellie can stay at our lake house.” He suggests, straightening up before he leans onto the table, elbows extending so that he can rest on them, “It’s closer to the club than her family’s place, it’s gotta be better than having her siblings running around you all the time, I can even drive you to work when I’m free, if you want?”

You blink at him slowly, as if to say, and? “So I can stay at your glorified frat house, and you can be my chauffeur?” You ask with an unimpressed raise of your brow, before letting out a humourless scoff of, “What more could a girl want to do with her summer?

“What do you want?” He asks, leaning further forward.

“To go back to work and not worry about strange guys propositioning me, funnily enough.”

Luke laughs, a deep, breathy laugh that rises from the depths of his chest and comes alive in an almost-bark, and he doesn’t miss the way your eyes flicker to his mouth when it comes out.

This is fun. 

There’s no way he’s letting you leave this table without agreeing - just the thought of one more singular interaction keeping him on his toes.

“Why don’t we make it interesting, then?”

“It’s about time you tried.” The quiver of your lip tells him everything he needs to know - and that’s without the entertained glint in your eye that accompanies it. You’re enjoying this, just as much.

“We could make a competition out of it.”

“A competition?” You ask, with a curious tilt of your head.

There it is, he thinks. Interest: piqued. He practically has you in the palm of his hand. Who would ever have thought, the way to a sorority girl’s heart would be a friendly little wager?

“Whoever actually gets them together, wins.”

It’s all he can think of in the moment - petulant and part-planned, but it seems to be enough.

“Wins what?” You lean onto your elbows, your gaze levelling his as he mirrors your positioning, having to slouch a little further forward in his seat to meet your pretty eyes. 

“Whatever you want.” He doesn’t intend it to come out as low as it does, doesn’t realise how close the two of you have gotten over the table, but he sees the flicker of something cross your features as your head tilts again, eyes still locked on his as yours begin to narrow, still just as pretty even when they’re glaring at him.

“It’s what you want that concerns me.”

“Don’t worry your pretty little head over it,” he jibes, watching the way your lips part in preparation of another witty comeback. “What do you say?” He asks, not giving you the chance, seeing the way it makes your skin crawl that you weren’t quick enough, for once. “Are you in?”

You heave out a sigh, shoulders slumping - a tell-tale sign that you’re about to acquiesce - and Luke starts to feel his chest puff out in victory. This feels like a shut-out. It feels like the best performance of his life. 

“You’re gonna make me regret this, aren’t you?”

“Oh definitely,” he smirks, eyes tracking you as you lean back into the booth, retreating from him in defeat, a hand running through your hair as he promises, “You’ll warm up to me soon enough, though.”

“I can’t see that happening.”

“I can,” he shrugs, leaning back too. “I’ve been told I’m inevitable.”

Luke can remember, like it was yesterday, the first time he ever saw you.

Freshman year, the week he moved into his dorm at Michigan, Jack had sent him across campus to check in on how Ellie was getting on. He had arrived with some extravagant gift basket in tow, plastic wrapped, a giant blue bow tied around the top and an assortment of snacks inside, and was left knocking for at least five minutes before you showed up.

“Please tell me you’re not another stripper-gram.”

If his throat hadn’t gone so dry all of a sudden, he thinks he would have had more wits about him to have questioned the use of another - a concept that had stuck in his head for weeks until he caught wind of a story of pledges for Pike being sent around campus and forced to lure girls to their house through way of humiliating song. 

But God, you were pretty. 

Siren eyes narrowed toward him, glossy lips pouted pensively, long lashes blinking impatiently as you awaited some kind of response that didn’t come in the form of an open, drooling mouth.

“I’m Luke.”

“Right.” You had sighed, pretty eyes rolling at him. “You’re blocking my door."

“Oh, I’m-,” he stuttered, immediately stepping to the side for you to come forward and insert your key into the lock. “Does Ellie live here?” He asked, confusion etched into his features as he watched you swing the door open, turning in your place to look him over again.

“Depends who’s asking.”

“I’m Luke.”

“So you’ve said.”

“I know her.”

“Clearly.”

“This is her basket.”

“Does she need to sign for it?”

“No, I-,”

“I’ll make sure she gets it, thanks, Lu!”

And when you had taken the basket from his hands, he had been too distracted by the way your skin brushed against his to properly respond, or worry if you had called him that as a nickname or had already forgotten his name, entirely.

He then spent days thinking about you, looking for you - at parties, in the campus coffee shop, online, despite not knowing your name - trying to commit to memory the way your eyes had sparkled when looking his way, until his first Business Communications class.

He had been a little early, first week nerves playing out and his constant craving for positive validation coming to the forefront, and was watching the door waiting for the professor to arrive. He had been slouched in his seat, chin in the palm of his hand, foot tapping rhythmically against the floor, and he had almost given himself whiplash when you walked in. 

He learned your name from there, learned a lot just from watching you in that class, but never really captured your attention.

And if the Luke that has been driving you to work every few days, who has been living with you for the past two weeks - who sits around the same dining table, laughs at the same jokes cracked when you’re all lounging around the house, sits out under the same sun, drinks from the same carton of orange juice in the morning - could tell the Luke that sat pining after you all that time, all the little ways in which he’s captured your attention lately, he’d probably have an aneurysm. 

When you and Ellie moved in, Luke had been the only one allowed to touch your stuff - and there’s a part of him that knows it was mainly because you enjoyed watching him work like a packhorse, hauling your cases up the stairs and dropping them in front of you with a huff, but there’s a larger, more delusional part that thinks you preferred him to the others, maybe even trusted him.

He’s taking credit for how quick you’ve adapted to the dynamic of the house, too. Of all the different faces coming in and out - Quinn’s friends, Jack’s friends, his friends, sometimes even his parents. If you’re around, you’re pleasant. You abide by house rules, some of them stupid, but set by the brothers so long ago that they just work now - like no phones outside of your rooms so that you can be more present. You insert yourself comfortably into conversations, you form your own relationships with everyone - you and Quinn trade book recommendations, you and Jack bicker while Ellie mediates. You do your fare share of chores - laundry, dishes, cooking, even. 

And he’s so caught up in just sharing space, just being around you, even, that for those first couple weeks, he forgets why you even agreed to be there in the first place.

At least, he forgets the incentive part - because he watches mindlessly as you interfere in Jack and Ellie’s dynamic, without a care in the world for the fact that it means he’s losing.

He watches you push one of them out of the way to claim whatever seat at the table or in the car forces them to sit beside each other. He watches you taunt Jack to just the right point where Ellie interferes, coos at him protectively and he melts into her affections. He watches you agree to plans he knows you wouldn’t in a million years follow along with, just to get them together - and all he can do is admire how easy you make it seem. 

He admires when you come out wakeboarding with the group, when you let him fasten you into a vest and don’t flinch when his fingertips brush against bare skin. Watches you bite your tongue over the fact you just got your hair blow dried - a fact you have no problems relaying back to him when he drives you to work the next day, and you’re muttering in his passenger seat about lake water giving you frizz - just so you’re not dampening the mood.

And when you agree to tag along to the golf course on your day off, despite the fact it’s so close to work if could be considered triggering, and you stick by Luke’s side so that Ellie can feign some sort of incompetence until Jack takes it upon himself to correct her form.

You stand by Luke’s side, the two of you watching with mirrored expressions of almost-disgust as Jack wraps his arms around Ellie’s body, and send a shiver down his spine when you lean in for only him to hear as you say, “I’d ask if you’ve put any more thought into what you want out of our bet, but I so have this in the bag.”

The bet.

Luke hasn’t thought about it since that day in the restaurant, if he’s honest, but he had known what he wanted then.

He’s hardly going to tell you, now, though. 

If he’s ever going to take you out on a date, he doesn’t really want to force your hand - not that he has a chance, he’s fallen so behind with this Jack and Ellie thing that it isn’t even funny.

He needs to up his game, if only for the fact that you’ll no doubt catch on to his lack of efforts, soon.

“I wouldn’t be so sure,” he taunts, because it’s what he does best, “I have a few tricks up my sleeve.”

“And how long do you plan on keeping them up there?” You call him out so easily, tilting your head when his eyes meet yours, mischief highlighted by the sunshine that speckles in your irises. 

“Maybe I’m luring you into a false sense of security,” he shrugs, “Maybe I’m letting you do all the heavy lifting so I can swoop in when those weak arms get tired.” He pokes at your side, basking in the way you scowl like you pertain any sort of threat to him.

He has you figured out, by now. 

“I didn’t have you pegged as being lazy, Hughes.”

“You spend a lot of time thinking about me, huh?”

“You wish,” you scoff, shoving when he dares to get too close, and it’s when Luke is biting back a full-blown grin that Ellie comes back over. 

“This sun is crazy, I think I left the sunscreen in the locker room and Jack’s nose is going all red, would you come back with me?”

You smile sweetly at your best friend and agree, only glaring at Luke over Ellie’s shoulder when she’s distracted with saying her brief, temporary goodbyes to Jack, and once you’ve turned and made your way over to the cart, he lets his eyes linger on your figure as you retreat.

The soft sway of your ponytail, the expanse of smooth skin along your legs, he’s completely hypnotised, and he needs to pull himself together, he thinks.

He tries to regain focus as he and Jack work their way through the next couple of holes, caddying their clubs around without the cart, and chatting mindlessly until Jack sighs heavily, like he’s been waiting to bring something up.

“I want to take Ellie out on the boat tomorrow,” He states as Luke tees up, resting on his club as he squints against the sun to watch his little brother, “Just the two of us, so we can talk about stuff.”

“Sounds riveting,” the disinterest in Luke’s tone is amplified by the lack of attention he’s giving overall, looking out across the green and trying to measure his swing before he takes it. “Have fun.”

“I was thinking I’d need your help for it to work.”

“I’m not being your boat-butler again,” Luke scoffs, mind immediately going to all the times their parents would make Jack take Luke out with him and his friends, and all the times he was made to wait on his older brother hand and foot to make up for crashing his hang-outs.

“I’m not asking you to tag along,” Jack scoffs, “You third-wheeling would be the ultimate buzz-kill. I thought you could be of use elsewhere.”

“You’re making whatever it is sound so fun.” 

Luke takes his swing, driving the ball and watching it soar to his desired point with a hand shielding his eyes from the sun. Jack watches too, stepping to Luke’s side to measure how far from his own ball it lands.

“Nice,” he mutters appreciatively as the two of them load their clubs into their stand bags. “I need you to keep Regina George busy, distract her or something, she’s stuck to Ellie like glue, it’s beyond annoying.”

If only he knew, Luke thinks, a worry in the back of his mind about how his brother owes more to you than he even realises. 

“You worried she’s gonna make her see sense?”

Jack swats at his arm and rolls his eyes.

“I’m worried she’s gonna ruin the good vibes like she usually does and I won’t be able to bite my tongue from saying something and looking like the asshole.”

Distracting you isn’t the worst thing he could be doing with his time, Luke thinks. It’s not like he has to go all out, you’ll no doubt be hanging out around the house and the two of you can hang together. All he has to do is keep you off your phone. Shouldn’t be too hard. You’ve adapted pretty well to mimicking the guys when it comes to staying off theirs.

It ticks off the box of trying to fight for a scrap of your attention. With no one else around, you’ll have no choice but to entertain his company.

And it puts him in front of your little race - lending a helping hand to Jack’s plans to talk to Ellie is surely the same as getting them together. It’s all falling so perfectly into his lap. He isn’t being lazy.

But he can’t let Jack know that, so he heaves out a sigh and offers a slow shake of his head for dramatic effect. “Fine,” he groans, “But you owe me. Big time.”

You’re starting to find it harder and harder to pretend like you don’t want to be at the Lake House.

If you’re being honest, you don’t entirely know why you’re even trying to keep up pretences, but using your disinterest as armour has become like second nature over the years, and you’re hardly going to stop now.

Even if there are already so many little things about being there that are starting to wear you down.

Quiet, early mornings, for one - birds chirping just outside your open window, sun rays pouring in through sheer curtains that flow in the slight breeze, that light feeling that blows through your chest when you’re sat out on the deck behind the house with a fresh cup of coffee, looking out over the still lake and basking in the peace of it all.

And even when it’s not so peaceful, when the kitchen is full of bodies swerving around each other to try and throw together some sort of breakfast spread - pastries and fruit, bacon and eggs, various boxes of cereal on the counter. Quinn had even made a whole batch of pancakes one morning, and you’d be lying if you said you didn’t come down every day since hoping to see him donning that same frilly apron that Cole had draped around his waist and working his magic with a pan. 

You’ve never really been a part of such a full house. You had been an only child for so long - and by the time your parents split, and it was just you and your mom, on the days she wasn’t already at work when you got up - and were so ingrained in your own routine in the morning that you think you might actually need the chaos to function better. The rush of bodies, the arguments over who drank the last of the juice, the bickering over who’s turn it is to do the next grocery run - it’s a kind of entertainment you haven’t been privy to in a long time. 

Being kind of disconnected from everything else isn’t as bad as you thought it would be, either. You’re not attached to your phone, checking socials to see what everyone else is doing, to see if your dad has sent any messages yet this summer, and you find yourself connecting a little more with the people around you and leaving your family stress on the back burner. You’re more focused on what’s in front of you, and your relationships with other people. With Ellie, with some of the guys in the house, with your friends at work, even.

And it’s nice to be closer to work too. You don’t have to rush around trying to make the bus - Luke has been keeping his word and driving you to the club most days, and where he can’t, either somebody else has offered, or you’ve just ridden one of the bikes in the garage that the boys said were free to use - the helmet hair is an easy fix when you have access to the locker rooms.

It’s an adjustment, for sure, getting used to being in a full house. Especially this one - with a constant revolving door of faces, friends of the brothers switching out week by week to come and stay, departing just as you’ve started getting to know them with a promise of dropping by again soon.

So far, you’re almost at double-digits for the names you’ve had to memorise. Some of them you were already familiar with, guys from Michigan who you already knew or knew of, but others were more Jack or Quinn’s friends that you’d never had the pleasure of meeting before now.

Cole Caufield being one of them. 

He had arrived a couple of days after you and Ellie moved yourselves in, closer to Jack than the other two brothers, you had noticed, and was going to be staying longer than any of the other visitors - having his own designated room in the house, similar to you girls.

You like Cole - he’s good fun, can take a joke unlike his supposed best friend, and has the kind of smile that almost gives you a buzz whenever it’s flashed your way. Your first few interactions with him were seemingly pleasant, despite Jack constantly in his ear with a hardened glare pointed your way and no doubt unsavoury words uttered. Cole would just shrug him off, laugh, meet your eyes and drop a wink your way - a gesture you’d usually squirm and cringe at, but Cole kind of pulls it off. 

He joins in when you chirp Luke, too - which, if your honest, is your main source of entertainment since arriving, so your interactions with him grow day by day.

You haven’t really spent any one-on-one time with Cole yet, though. You were hoping to, before he left to visit home for the weekend - for no other reason than to get the scoop on something you’d happened upon at work last week - and had planned on asking him to hang out on your day off. But with Cole now gone for a few days, Jack and Ellie off doing god knows what, Quinn and Luke working out wherever, you have no choice but to spend your free Sunday lounging around the house, trying to find something to suppress your growing boredom.

You start with your nails, painting them a summery orangey-red and doing your toes to match, then do your laundry, abiding by house rules that you rotate the loads between the machines, and fold out whoever’s clothes were last in the dryer and place them in the hamper on the side. 

You’re hoping you haven’t had to fold Jack’s underwear but you decide to live in blissful ignorance - trying to identify the load based on the rest of the clothing in there is impossible when they all share, so it kind of works in your favour. 

You FaceTime your mom for almost an hour, getting an update on what she’s been up to with work, and giving her updates on how your summer is going, trying to focus on your time at the club and Ellie so she doesn’t worry too much again that you’re spending your summer in a house filled with boys. 

And by the time Luke and Quinn come back from their workout, you’re in the lounge, 50 pages deep into a book you really couldn’t care less about, but there’s something in you that refuses to beg one of them for company, so you suffer in silence.

Even when Luke does join you, throwing himself down onto the opposite side of the couch you’re occupying and pushing your feet off his side like it’s his sole purpose just to annoy you.

“I was comfortable there, asshat,” you frown, lifting your feet back into their previous position and using one to give him a light kick to his thigh.

“Yeah, well, I hardly want your feet all up in my business while I’m trying to relax,” he sighs, sinking into the cushions with hands clasped behind his head, biceps flexing and tightening the arms of his t-shirt in a way that momentarily catches your eye. You’re thankful for his closed eyes, chewing at the inside of your cheek as you divert your attention back to the mundane words on the pages in front of you.

“And yet here you are when there are 2 other couches.”

“Yeah, well, I know how much you like to be near me.”

You try to ignore him, pulling your feet a little closer to your body and focusing back on the book, but it’s hard when Luke has such a presence. You feel the little looks he keeps sending your way like a physical touch, and the couch shifts with every slight movement he makes, so when he constantly shuffles, you start to think he wants your attention.

Of course he wants your attention. This is Luke Hughes.

“Are you just sitting down here to annoy me?”

He lights up, like he’s just been waiting for you to ask, and shuffles in his seat to face you, fully, bouncing in place like a puppy being teased with a tennis ball. 

“I’m actually trying to distract you, if you must know.”

“Bold of you to assume you have enough of my attention to be distracting in the first place,” you scoff, trying not to react to the way he smirks in your peripheral, the words in front of you all blurring together. If you were actually focused on them, you’d have lost your place, already.

“I think you pay more attention to me than you’d like to admit.”

“That’s some ego you’ve got on you, Hughes,” you narrow your eyes as you look above the edge of your book, “Is that what you spend that big NHL paycheque on, charisma classes? How to flirt for dummies?”

“Oh, is that what we’re doing? Flirting?”

Damn. You walked yourself right into that one. 

Sometimes biting back at Luke comes like second nature, words first, thoughts after - and you’d be lying if you said you didn’t like it that way. It’s easy, the back and forth, and you can’t really think of an instance with him where you’ve sat in a lingering, awkward silence. You’ve really grown to hate silence, lately.

“You wish.”

“You think I’m charismatic,” he teases in a sing-song voice, knocking at your knee and wiggling his eyebrows when you glare at him. 

“I think you’re an idiot.”

“You’re not gonna ask what I’m distracting you from?”

“I don’t really care,” you lie, eyes darting back down and diverting the attention he so desperately craves away from him.

“Jack wanted to take Ellie out on the boat.” He says, ignoring your attempts to ignore him - pushing your buttons like a full time job. Like an operator for your last nerve.

“Good for her.”

“Alone.”

“No shit.”

“To ask her out.”

“Whoop-de-doo.”

“Whoop-de-,” Luke straightens up, like a whack-a-mole with his head positioning itself over the top of your book, and you kind of wish you had one of those soft mallets right about now. It would be so satisfying to bonk at his head, you think. “What do you mean, whoop-de-doo, is this not what you agreed to be here for? To get them together?”

You scoff, flicking to the next page of the book in feigned disinterest. “He isn’t asking her out today.”

This is the exact something you had wanted to talk to Cole about - whispers in the staff lounge at work earlier in the week doing the rounds would imply otherwise, but your main source is kind of a gossip, and you’re not entirely sure of their reliability, despite the few degrees of separation to the subject at hand. 

Mutterings of Jack and Cole and their little country club connections. 

You can hardly ask Luke of all people if his brother is as much of a man-whore as everyone is making out. Cole was a safe bet - he’d probably just tell you straight up what they’re up to, wear his pride like a shining gold medal. He’s upfront about his promiscuity, at least. Luke is more protective. Of himself, of his family, you’re not entirely sure. There haven’t been as many whispers about him. 

“How could you possibly know that?”

“Because he’s a spineless idiot,” you retort, eyes flicking up momentarily to take in his furrowed brow. “No offence,” comes out of nowhere, and you surprise yourself with the instinct to lessen the blow of your words for the first time in forever.

“None taken, he’s only my flesh and blood,” Luke huffs, “You’re just jealous I’m winning our bet.”

“Sure,” you drawl, eyes widening to emphasise the sarcasm as you make a point of angling your head to the next page, like you’ve taken a single word in for the past five minutes. “He’s been talking to one of the girls from work. There’s no way he’s doing that and asking Ellie out, unless he’s completely brain dead.”

And when you look back at Luke, that furrowed brow has shifted into a full blown frown, pouted lips and eyes cast down as if he’s trying to figure everything out in his head. 

It’s probably the pout that has you cushioning your words, once more.

“Again, no offence, I doubt it’s in your DNA.”

“How do you know?”

“I’m no bio student but I don’t think there’s a genetic marker for being a fuckboy.”

“No, about him talking to one of the girls at the club. He didn’t tell me that.”

Why does he have to sound like that? Let down and unsure, quieter than you think you’ve ever heard him. It’s like the tone he carries goes straight to your fingers, clasping the book closed without marking your page - because what business do you have carrying on that charade?

“Do you guys tell each other everything?” You ask as you throw the book until it lands on the coffee table with a gentle thud, shuffling until you’re sat against the arm of the couch with knees bent in front of you, giving him your undivided attention and feeling guilty that it might not be enough.

“I thought we did,” he scratches at the back of his head, nervously, “He literally told me yesterday he was taking her out to talk about stuff, why would he make a point of asking me to keep you busy if he’s not serious about asking her out?”

“You don’t want to hear my answer to a question about your brother not being serious.” 

“Who’s the girl?” He asks, ignoring your comment despite the slight ghost of a smile you see flash into the corner of his mouth. 

“Jessica, she works at the pro shop, apparently they’ve been texting all summer.”

You know for a fact that since you’ve started paying attention, you’ve seen Jack on his phone a lot for a guy who chirps you for your own screen-time, and who has enforced the house rule of no phones outside your room like a prison guard yells out no touching at visitation. So it sort of checks out. You’ve tried to sneak a peak, but he’s protective of his stuff like a yappy little dog with attachment issues at the best of times, so you haven’t really put too much effort into it.

“There were a few people talking about it in the lounge at work the other day,” you shrug, “One of the girls talking about it is Jess’ best friend, so not exactly from the horse’s mouth, but I don’t think she’d be spreading lies about her friend around like that.”

“Can you find out?”

“You ask that like I haven’t been trying.” That gets a full smile, a small chuckle that lifts his shoulder, even, “I was gonna grill Caufield about it but he’s gone. But I know you guys have plans when he gets back tomorrow, so if you want to take Cole I’ll hack away at the grape vine at the club?”

“Does this mean we’re teammates?” 

“No. It absolutely does not.”

Hacking away at the grapevine is really a lot more like plucking absentmindedly at an overgrown patch of grass when it comes to workplace gossip. 

By the end of your shift, you’re leaving the club with a fist clutched full of loose blades, fingers stained green from the amount of information people were willing to ‘fess up.

Liam who works behind the bar had overheard a conversation where Jack had mentioned Jessica, but could only give you useless tidbits, like how he had to stop by the shop for a new putter, and Jess had been the one to ring him up.

Hardly incriminating, but you had a feeling it would be a small piece of a way larger puzzle. That, and guys are notoriously useless at gossiping, there’s definitely more to that story than Liam could even comprehend in his tiny man brain.

Cassidy who works at the front desk had seen Jack and Jess talking in the main lobby last week, definitely flirting, she had said - with hair flips and giggles galore - and way too familiar to be new. 

Much better.

Paola who has the alternative shifts in the pro shop was more than willing to take up ten minutes of your time ranting how Jess’ work is never fully done when it comes to a handover, and she spends half her time on her phone. Kiran, who works the bev cart every Monday, said Jack is always one of the most charming in their golfing group, so it’s no surprise if he is exchanging texts with girls from the club. 

You get dirt from most corners of the place, and it leads you all the way back to your station, to reservations set for the restaurant, where tonight’s list - unfortunately a shift you’re not set to work, although you very much question the serendipity of that - has Jack’s name down at 7pm. A table for 2 in the back corner, shielded from prying eyes and intimate.

And if it weren’t for the fact you’ve already worked a full shift, you would consider staying just to get the full scoop. 

You know Ellie isn’t going to be the one sat across from him, she’s been sending you pictures all day of her various hauls for her quiet night in. New paints and pencils, a sketchpad, some candles - she has all intentions of working on her watercolour technique.

So it has to be for him and Jessica.

Imagine his face, you think, picturing wide, panicked eyes as you roam up to his table to take his order. He’d actually crap his pants. 

But, it’s another set of eyes that you picture when you start to enjoy the scheming a little too much. The sad, teary eyes of your best friend, when she finds out the guy she’s been hung up on for half her life, who she has all but convinced herself isn’t interested, and is - absurdly - ‘far too good’ for her - yeah, right - is dating other girls while taking her out on not-so-platonic boat dates only the day before. A boat date that she had come back to your room, flung herself onto her belly on the bed, and kicked her feet as she gushed all about it. 

So you make your way back to the house after a long day, and resign yourself to the fact that you’re going to have to, yet again, get all your information on Jack’s date second hand.

You primed Cara, your colleague in the restaurant, to keep an eye out, and she promised to send updates on her breaks, and you have been holed up in yours and Ellie’s shared bedroom trying to keep her busy when there is a persistent knock at the door, and a mop of soft, curly brown hair pokes in before his eyes meet yours.

“Hey, Luke!” Ellie chimes, cheery and all too blissfully unaware of the potentially horrific circumstances you’ve stumbled upon. “You need to borrow my conditioner again?”

You scoff from your position on the bed, watching a slight pink hue flush up Luke’s neck.

“What? No,” he denies, running a hand through his hair and seemingly frowning a little at the way it feels. “I’m going to the store, wondered if either of you needed anything?”

“Nah, thanks, we’re good,” Ellie smiles, attention diverting straight back to where she’s drawing in her sketchbook, missing the way Luke widens his eyes and tilts his head as if to encourage you to take him up on his offer.

“Can I come with?” You shuffle from your position on the bed, swinging your legs out from beneath you and over the side as Ellie looks back at you.

“Sorry, I didn’t realise you wanted something.”

“Someone’s got to show the poor guy what’s what on the haircare aisle, El.”

And you’re thankful that Ellie has settled herself in for the evening already by 6:45, showered, pyjamas on, otherwise she might have tried to tag along, too, just for something to do.

You swipe her phone before she can notice and hide it under your pillow before you leave, thinking it might reduce the risk of her getting bored and texting Jack, or, worse, checking his location.

A trip out gives you the chance for you and Luke to debrief each other on your findings of the day - or, as it turns out, just you, because Luke Hughes might be the worst information-gatherer on planet Earth.

Finding his life’s niche in hockey is fortunate, because he definitely wouldn’t cut it as an investigator.

“He just said he didn’t know anything,” Luke shrugs of his earlier encounter with Cole, and you try not to gape at him in disbelief as he fiddles with the screen in his BMW, scrolling through the interface in search of the nearest store. 

You swat his hand away with a scoff, typing in a destination, “And you believed him?”

“Was I not supposed to?”

“You’re about as useless as a chocolate teapot, Hughes. What is it with guys and gossip, are you all really that dumb?”

“That’s the address for the club,” he points out, ignoring your jibe as he starts driving.

“Well done, you can read.”

“Why?”

“Because, thankfully, one of us is a good detective.” You snark, “Jack’s there.”

“So?”

“He’s on a date.”

“No he isn’t,” Luke frowns, attention momentarily taken from the road as he looks over at you. “I’ve been with him all afternoon, he would have told me if he had a date, tonight.”

“Oh yeah? Where’d he say he was going when he left, earlier?”

He hadn’t been home when you got back from work, but that had been around an hour ago. You figured if he was sneaky enough to book into the restaurant when you’re not working, he’d have his wits about him to avoid you, entirely. Whenever the two of you cross paths, you can’t help but try get on his last nerve, and he’s hardly going to want to start his evening in a foul mood.

“To get his hair cut.”

Jesus Christ, you think, he’s so lucky he’s cute.

“You’re so clueless. He’s at the lounge with Jessica, the girl I told you about yesterday.”

“And what are we supposed to do about that?”

“We’re gonna supervise. And maybe interfere, if necessary.” 

You don’t really have a plan, but it seems like the right thing to at least get a look in as to what the hell Jack thinks he’s doing, especially if you’re going to carry on with this whole plan of getting him and Ellie together. If he’s seriously entertaining other girls while making out to Luke that he only has eyes for Ellie, your plans might have to change. You’re not sure if Luke will be on board with the new path you’re willing to take, but you’ll be happy to kill his brother on your own.

“Interfere?” Luke’s eyes are wide, but he keeps them on the road, fingers flexing against the wheel. “I just came out for chips to make nachos, not play spies!”

“Cara’s working tonight, she said she’d keep an eye on them for me. I bet if I cover her hosting shift on Friday she’d sabotage their date. We’d just have to sit back and watch.”

“Oh,” Luke’s brows furrow, as if it’s taking any consideration at all to mess with his brother. “You really are an evil genius.”

You try not to think too hard about who’s been spewing that rhetoric already in his ear, and instead you smile when he casts his eyes your way, proud and pleased. 

“Thank you.”

It takes another 15 minutes to get to the club, considering Luke’s best Driving Miss Daisy impression, so their date is already underway by the time Cara is ushering you to a booth in the far corner, where you can see Jack’s table, but he shouldn’t be able to see yours, and agreeing to play along.

“Can I get you guys any drinks?” She asks as she hands over two menus, and you’re too interested in trying to gauge the vibe at the other table while Luke looks over his.

“Two diet cokes, shaved ice, no lemon,” he says, and you can’t help but frown at the way the specificity of that order rolls so easily off his tongue. That’s your order.

“Any food?”

“Could we just get some nachos, please?” You ask, sliding your menu across the table without even looking, not wanting to give Luke too much of a chance to peruse his own out of fear you’ll be here all night. “And extra picante on the side.”

“Extra guac, too,” Luke adds as Cara scribbles the instructions on her notepad, “And some of those chicken tenders, and extra ranch. And maybe some fries. Yeah, chilli fries. And breadsticks.”

You level him with a glare, already proven right in your decision not to give him too much time to think about what he wanted. He’ll order every appetiser on the menu, if given half the chance. 

“Thanks, Cara, that’s everything.”

“Sure thing, should be around fifteen minutes. They only just ordered,” she points her pen back to Jack’s table, where Jess is leaning onto the table and Jack is leaning back in his seat - heavy on the distance but even heavier on the eye contact. That little shit.

“Does he have any allergies?” You lean onto your own table to ask Luke, quirking a brow up when his eyes darken in response, mischief swirling in his emerald irises.

“Absolutely not,” Cara interjects, “I’m doing this so you cover my job, not make me lose it.”

“Let me guess, he ordered the steak, medium-rare?” Luke asks, and she nods, hesitantly. “Char it.”

“Won’t he complain?”

“He’ll just grumble to himself about how tough it is. It’ll put him in a bad mood. That’s what we want, right?”

“Yeah,” you confirm, nodding your head to ease Cara’s worries despite what you really want is for Chef Michael to poison the cut, entirely. If Jack Hughes wants to play with your best friend’s heart, you’ll play with his gut. But you can settle for burnt meat. Luke can work some sort of magic with that, you think, convincing Jack of all people that any first date that resulted in him coming home all sour-puss and sulky should never result in a second. “Bad mood. Bingo.”

“Fine,” Cara grumbles, “But if he even thinks about asking for a manager, you’re covering my next 3 Fridays.”

She storms off to the kitchen, and you and Luke simultaneously sink into your seats, attention immediately diverted back to the table in the opposite corner of the room.

“We should have kept the menus,” Luke mutters from across the booth, “Could have hidden behind them.”

“What are we, children?” You snark, “You can’t think of any more creative ways to stay hidden?”

“I heard PDA makes people pretty uncomfortable,” he leans onto the table, dropping you a wink when you glance over out of the side of your eye, “We should make out to throw everyone off the scent.”

“In your dreams, Hughes.”

Luke sort of envies the charm you hold over people.

The way you can convince people to do your bidding with a mere flutter of your eyelashes or a flash of pearly teeth and a glimmer in your irises.

He has trouble, sometimes, skirting around his honesty or hiding his intentions - and he knows that’s not a bad thing, knows that being clear and truthful is an admirable trait, if anything - but the way you persuade others to bend to your whim with intricate white lies based on observations you’ve made or intel you’ve gathered is a praiseworthy level of genius. 

It had taken such minimal effort for you to get Cara on side, to convince her that being a little clumsy is hardly grounds for her termination, and spilling a little of Jack’s drink close to the edge of the table - close enough that it drips onto his pants and Luke can see the steams of frustration exuding from his brother’s skin from all the way on the other side of the restaurant - or bumping her hip on the edge of their table every time she passes are really just harmless irritations, not likely to cause actual complaint. 

You had used the mere tone of your voice to convince Liam from behind the bar to squeeze a little lime in Jack’s water, knowing just from observing him back at the house that he hates the taste, face curling in disgust at even the slightest hint of it, and Luke had watched your eyes gleam in delight every time Jack took a sip of his drink and tried not to spit it back out, seeking much needed reprieve to swallow down the world’s toughest steak cut. 

You’d even worked your magic on him, pouting your lips when the food had arrived at the table, and he had initially declined to share his chicken tenders with you - your grumblings at him ordering enough to feed the five thousand fresh in his memory, but so easily wiped away by the soft, sad look in your eyes, and your whining of, “But I didn’t realise how hungry I’d get. Plotting and scheming is hard work, Luke.”

You ended up eating half, but he could hardly complain - you were doing the heavy lifting out of the two of you.

He was sitting back and enjoying the show - enjoying your company, if he’s honest. Enjoying the way his gangly limbs would sometimes knock into yours under the table, enjoying the way he kept getting little nuggets of information out of you while you were distracted, sipping at your coke and making little comments about yourself, about your life, without even realising you’re doing it. 

And an unplanned, pseudo date ends up being the first time he thinks he’s had a glimpse at the real you.

The you who knows more about hockey than you’ve ever let on before, who comes back to his stories with contextual questions about the game, even has references to a few games of his back at Michigan, and keeps the conversation flowing despite your feigned disinterest, and a constant gaze cast his brother’s way.

That would usually drive him crazy.

He’s experienced it so often that he has come to expect it, people only entertaining his company to acquire the attention of his brothers, but that’s not what you’re doing. Not really.

You pay more attention to Luke than you’d ever let on.

You ask him about his time in Ostrava at the beginning of summer, even though he’s only mentioned being overseas once while you’ve been staying with him - an offhanded comment from Quinn at breakfast that you must have taken on. Ask him about all the food he tried while out there, when he mentions he doesn’t like picante, and you use it as a springboard to talk about what sort of spices he does like, or if he’s the type to try things or stick to what he knows. 

You ask him about being the youngest sibling, and it stems from an offhanded comment Luke had grumbled about always being the last to be clued in on stuff, about how Jack had probably confided in Quinn about his extracurricular activities at the club, and didn’t trust him enough to let him in on the fact he’s going out on dates. You ask if he usually figures things out himself before he’s told them, if that’s what makes him so good at observing and analysing stuff, and he hadn’t ever realised he was particularly good at those things before you brought it up. But then you reference a day in class one time, where he had picked up on something in a textbook that you never would have figured out in a million years, and his heart leaps at the praise you don’t even realise you’re giving him.

You sandwich your perceptions in your usual snark, but he doesn’t miss the slight curve of your lips anymore when he bites straight back, knowing now that there is some part of you that feels the nip of his teeth, that acknowledges his existence beyond him being a speck of inconvenience in your peripheral.

And he gets a little carried away in that acknowledgement - stops paying attention himself to what is happening on the other side of the room and tries to focus on what’s in front of him; the girl he pined after his entire college career, sat sharing nachos and pretending not to know him at a level you so clearly do.

You must get carried away, too, because neither of you notice Jack’s date wrapping up until Luke catches him hand his card over to Cara.

He’s lost count of how long the two of you have been at the club, now - way longer than it takes to get chips from the store, that’s for sure - and all he does know is that if Jack catches either of you two here, after a night of mishaps, bad food, spilled drinks and Cara’s incessant clumsiness, he’ll know who’s to blame. 

“We better get out of here before he sees us,” Luke sighs, not entirely wanting to wrap up his time with you but knowing he doesn’t really have a choice.

“I’ve just got to pick something up before we head back,” you reply, edging out of the booth at the same time Luke does, “I’ll meet you out front just give me two minutes?”

“Be quick,” he tells you before you scurry off, and he flags down Cara, who tells him you already put your bill on your worker tab. He tells her to switch it to his, and that he’ll drop by tomorrow to pay it off, promising to leave her a good tip for her stellar services for the evening. 

He waits where you asked him to, making sure to stick to the side of the entryway where he can duck for cover if his brother makes an appearance - but you show up first, skipping out from the staff lounge with a bag of tortilla chips in hand.

“Let’s go, Lukey boy!” He follows you out like a puppy on a leash, all the way to where his car is parked, almost bumping into you when you stop and turn without warning, stretching your hand out to him. “Give me your keys.”

“Are you crazy?” He snorts, “You’re not driving my car!”

“I know a shortcut!” You reason, stepping forward and making a grabby motion with your fingers, “We gotta beat Jack home, I just paid another server $20 to spill a whole drink on him before he leaves and he’s gonna be pissed. I want to see the meltdown back at the house and you drive like a nun!”

Luke doesn’t know why he gives in so easy - it could be the proximity, the way you’re so close you have to look up at him, eyes twinkling softly under the moonlight, voice carrying over to him like a siren song, or it could just be because he’s weak - but he hands his keys over with a roll of his eyes and climbs into the passenger side, sliding the seat back with a huff to accommodate his long legs and watching as you adjust the driver’s side, cringing at the way he’s gonna have to figure out exactly how he had it before.

You drive like a maniac, to the point where Luke has to screw his eyes shut as you use some back road, can hear the squelch of mud beneath his tires and squirms at the thought of having to take it to the car wash, tomorrow. 

But you make it back to the lake house much quicker than if he were driving, he’ll give you that. So quick that you feel comfortable enough to turn to him once you’ve pulled up, in no rush to unbuckle and get out to get inside before Jack gets home.

“Just so we’re clear, this is a point under my name. You’re not claiming tonight as a win.”

Luke chuckles, turning in his seat to face you, features illuminated by the dim overhead light that turns on when the engine switches off and a slight flush of exhilaration to your cheeks. There’s no pretending you haven’t enjoyed yourself, not tonight. “But the steak thing was my idea?”

“If it weren’t for me, you’d be sat watching baseball and thinking he was getting a 3 hour haircut, you can’t seriously be trying to steal this from me, I thought you athletes had integrity!”

“You’re really keeping score?”

“You’re not?”

If Luke’s honest, he hasn’t really thought about your whole wager all night. He’s been too wrapped up in the idea that his brother had lied to him. Twice. And now his whole plan for the two of you all summer has potentially been messed up. But hearing you mention it, hearing you talk about it like it hasn’t been flushed down the toilet by his brother’s idiocy sparks something in him - excitement, anticipation. He doesn’t want to let this go.

“I actually think we made a good team back there,” he shrugs, eyes meeting yours to gauge your reaction to the thought of doing this together.

“You’re only saying that ‘cause you’re gonna lose,” you retort, eyes sparkling with those same sentiments he had just felt. 

“Probably,” he acquiesces, “Also ‘cause you kind of scare me a little after tonight, last thing I wanna do is go up against you when you have the power to turn half the country club against me.”

You smirk, and his eyes are drawn to the plush curve of your lips, watching them as they form around the softly spoken words, “God forbid you can’t go a round of golf without your caddy breaking down.”

“Exactly.” He mutters back, glad to see your gaze is still zeroed in on him when he meets it again. He can feel the thump thump thump of his pulse in his ears, and takes a deep breath before proposing, “Partners?”

He cocks a brow and holds his pinky out over the centre console, and you eye the digit, sceptically, narrowing your eyes into a glare before raising them to meet his. “Fine,” you grumble, then hook your little finger through his and tighten it to shake, a slight yelp of surprise filling the car when he tugs, your lax arm giving way until your knuckle touches his lips and he kisses it.

“Ew,” you whine, snatching your finger back as he fills the space himself with a hearty chuckle, wiping it on his hoody in disgust. “That’s gross!”

“No take backs,” he smiles, victorious, with his chest puffed out, primed for you to swat at with the flex of your hand, and the two of you are only pulled out of the moment by the sound of tyres pulling up on the gravel behind you, both of you stumbling to unbuckle yourselves and climb out of the car. 

Jack is exiting his own vehicle behind, and stomps down the driveway, shouldering past you until he realises who he has passed, turning back and looking at you with suspicion cast across his features. 

“Where have you twobeen?” Jack asks, glancing a curious eye between the two of you before meeting Luke’s gaze, levelling him with an inquisitive glare.

“We went to the store for chips,” Luke holds the bag up, the crinkle loud enough for Jack to hear, and he feels an insurgence rising within him, spurred on by the way his brother is looking at him like he’s the one who should be ashamed of his actions. “Nice haircut.”

Jack runs a hand through his hair, surprise crossing his features in a brief flash at the call out, like he had never even expected Luke to notice his hair looks no different to the last time he saw him mere hours ago, like he would never even need to question his alibi.

“Oh, yeah, I got the day wrong. Went out for dinner instead.”

“On your own?” You ask from beside him, your presence giving Luke the kind of back up he very much needs right now, a new target for Jack’s narrowed eyes that takes the heat off of him a little, lessens the burden of lying to his brother - despite Jack being the one who started it, it doesn’t make Luke feel any less bad, doesn’t quell the need to word vomit and admit to all the ludicrous things he had done to ruin Jack’s night. “You end up having a little accident there, bud?”

Luke tries not to outwardly laugh as his attention is diverted to the wet patch that still soaks up the front of Jack’s pants, lips quivering as he presses them together, oblivious to the steam pouring out of his brother’s ears as he immediately gets riled up. 

“One of your esteemed colleagues at the club apparently lacks hand eye co-ordination. Plus, some of us like our own company,” Jack scoffs, “Some of us can go an evening without the need to annoy anybody else.”

“It’s not news to me that you’re in love with yourself, dude,” you retort back, entirely unbothered by his jibes. “Bet you’ve got all sorts of riveting thoughts swirling around that ginormous head of yours, must keep you busy for hours on end.”

“At least I have thoughts, at least I’m not some airheaded-,”

“Hey,” Luke’s tone is authoritative when he calls out, stern and demanding, “Cut it out, Jack.”

“She started it!”

“She asked you a question,” Luke frowns, disappointed with how quick his brother had taken to escalating the situation, all in an attempt to deflect the attention from his own deception. He knows you don’t need him to protect you from Jack’s sharp tongue, knows you can very much defend yourself, but he needs to vent his frustrations, somehow, without causing a bust up on the driveway. “You could have just give her a straight answer without biting her head off.”

He feels like you’re a little closer, all of a sudden, and he doesn’t know it’s the slight brush of your arm against his or if it’s something else, something less tangible - but it warms him, all the same. Steadies the static thump of his heart in his chest at the thought of starting an argument with his brother out of nowhere. 

“Whatever,” Jack rolls his eyes, “I’m going to bed.”

And as Jack turns, Luke sees your lips part, ready to send him off with the last word until a large hand clamps itself over your mouth, and your wide eyes meet his over the sides of his fingers.

He’s not sure why he did it, why he all of a sudden feels comfortable enough to cross the boundaries of purposeful touch, but he doesn’t entirely regret it.

Plush lips press mid-word against his palm, and your skin is soft, cheeks warming ever so slightly beneath his hand.

“You gotta let him go, there’s no use fighting with him tonight, it’s better to drag it out. Didn’t think I’d have to teach you about the beauty of the long game,” he says, voice low as he watches his brother retreat to the house, waiting until he’s safe inside to retract his hand. “Not like this, anyway.”

“Your brother’s an asshole,” you grumble, “Full offence.”

“No arguments from me,” Luke concedes, holding his hands as if surrendering to the fact, himself. “What are you gonna tell Ellie?”

“Nothing.” You sigh, stepping a little down the drive and toward the house before turning back to him. “We’ve got a lot of work to do, partner.”

There have only been a handful of times in your life you’ve ever been thankful for work coinciding with huge plans, but when the group had decided that they wanted to go see Zach Bryan play Ford Field, you had thanked your lucky stars you had been put down to work a full shift at the restaurant and wouldn’t be able to go.

Not only for the fact that he isn’t really your thing, but for the fact that you’re finally getting a full evening to yourself.

So far, in your time at the house, most evenings have been spent with everyone else - group dinners, game nights, movie nights, even a couple of girls nights with just you and Ellie scattered in there, but nothing on your own, yet. 

You can’t wait. And with an empty house, you have a full pamper night planned. You’ve been stocking up odd bits on your trips to the store over the past couple of weeks - sheet masks, aromatherapy candles, you’ve even picked up some flower petals from the spa at the club, in the hopes that you might even treat yourself to a relaxing soak in the bathtub. You can play whatever music you want, make whatever food you want, sit wherever you want in the house, out on the deck, overlooking the lake with a book in hand and no chirpy voices in your ear all night.

You can’t wait.

The only downside is not having a ride home, but you haven’t finished too late. The sun will still be up for a couple of hours, and a walk in the simmering heat back to the house doesn’t sound like the worst thing in the world.

Your feet carry you with ease down the back roads, and you even make the journey without your headphones on, taking in the scenery, the blissful peace of your surroundings, so lost in the tranquility of it all that the sight of Luke washing his car on the drive when you get home dampens your mood as quick as a torrential downpour of rain, flash floods coursing through your evening and wrecking your plans entirely. 

“What the hell are you doing?” You can’t help the bite in your tone as you approach, sneakers crunching against the gravel as Luke pauses the hose, looks over at you with the sun in his eyes, and you have to remind yourself he’s just ruined the one night you have for yourself before you get distracted by the fact that he’s shirtless.

“Washing my car?” he calls back, like it’s the most obvious thing in the world.

“Aren’t you supposed to be in Detroit right now?”

Luke shrugs, and you have to will your eyeballs not to move any lower than his neck to watch his shoulders lift and drop, lest you get too caught up in the broad expanse of his chest and do something ridiculous like drool.

“Wasn’t feeling it.”

“You weren’t feeling a concert you guys haven’t shut up about for weeks, but you were feeling washing your car?”

He’s dead. When he’s finished with his car and he retreats to his room, you’re gonna smother him with a pillow and discard of his body in the lake. You’re not even gonna let him shower, first. That’s what the lake’s for.

He’s crapping all over your plans because he wasn’t feeling it?

“It needs cleaning,” he shrugs again, and you swear you’re gonna jump in and run him over with the damn thing, “In fact, you really should be helping me.”

There’s a small part of you that feels like the thoughts of violence are worryingly aggressive, but then a larger part of you realises he must have a death wish.

“How’d you get to that conclusion?”

“You’re the one who drove us through a swamp,” he scoffs, a pointed hand flung toward the body of his car, where the sides are lined with a thick layer of dried dirt from the other night, “You get it dirty, you clean it up.”

“As much as I would absolutely love to fulfil your pervy car wash fantasy, I have much better things I could be doing with my time.”

Or you did, until Luke rained all over your parade of solitude.

“Like what?”

“Literally anything but this.” You gesture at the show he’s putting on. The suds dripping from the roof of the car, the hose in his hand, the buckets scattered around the perimeter. “I need to shower, I just walked from the club and I-,”

A death wish might actually be an understatement.

Luke wants you to murder him in the most gruesome, horrific way you could possibly muster - he has to, because there’s no other explanation for why he’d turn the hose on, point it straight at you, and drench the front of you, entirely. 

You can feel the fabric of your t-shirt dampening and sticking to your chest, and you scrunch your eyes shut to stop droplets of water slipping into them, thankful that when they open again, his own are looking back at you, and not any lower.

You’d really have a reason to kill him, then. 

“You did not just do that.” You growl, glaring back at him with a clenched jaw as the fucker beams back at you, pressing the trigger once more in a short burst that fires straight at your chest, again.

“What, that?”

“You’re so dead.”

You drop your bag and launch for him, aiming to take the hose from his grip, but he fires it again out of sheer panic, the water spouting out from between your splayed fingers, cold and pressured, and it soaks the both of you, raining down as you grapple for the head and Luke remains unrelenting.

There are squeals and yelps called out into the misty air between the two of you, and you get to a point you can’t tell what sounds are coming from who, but you manage to wrestle the hose from his grip and point it straight at him as he jets away with a laugh that rumbles straight from his belly.

It’s the kind of laugh that elicits another, and you don’t realise until he’s circling back to you that the laughter is coming from you - giggling, even, as the two of you engage in a water fight like misbehaving children - and it isn’t long until all aggressive thoughts wash away with the suds that slip to the gravel, forgetting why you were even annoyed in the first place.

It shouldn’t be as fun as it is, but after the long day at work, and the tiring walk back, letting your guard down and engaging it a little mindless chaos seems to wake you up a little.

Your childish game gets Luke what he wanted, anyway, the two of you working together to clean his car when you realise he’s only running in front of all the parts that actually need hosing off and relying on you having bad aim to get the job done, and you figure getting your hands a little dirty is harmless when you’re already soaked through and in dire need of a shower.

And your pamper-plans of a bubble bath and self-care don’t entirely come to fruition, but Luke promises to make up for his petulance by ordering pizza and sticking a movie on, so you bite your tongue to refrain from voicing your initial complaints, and decide to just go with the flow, for once - he hasn’t exactly led you astray, yet.  

You take a little longer in the shower than normal, with no one around to complain about hogging the bathroom or worry about them barging in unannounced, and you suppose that’s a small victory - one little luxury you get to cling to as you bask in the steam, letting all the tension slip from your aching muscles after being on your feet all day.

And once you’re out, hair dried just enough with a towel that it isn’t going to drip or soak your t-shirt, and you’re dressed in your pyjamas, you make your way downstairs, where Luke has already set up a plethora of snacks in the living room.

Nachos, popcorn, candy and drinks scattered across the coffee table as he relaxes on the couch, hair extra curly after his shower and an old Michigan t-shirt stretched tight across his now much-broader chest. 

“Thought I’d wait for you to pick a movie,” he chimes up from where he’s sat, gesturing with a lazy point to the wall of blu-rays beside the TV. 

“Did Netflix never make it to the Hughes household?” You scoff in disbelief as you take them all in properly for the first time. You’d seen them in your peripheral when you’d been hanging out down here, before, but actually looking at them up close, reading all the titles, seeing the sheer volume of how many there are, it kind of surprises you.

“We can look on Netflix if you want. They always take stuff off, though.”

You know. All your favourite movies get taken off of streaming, and you only ever find out about it when you’re really in the mood to watch them. As soon as you realise the wall is alphabetised, you know exactly where to look.

“That’s alright,” you shrug, stepping to the side as you track backwards, through M, L, K and J. “You guys are pretty analogue, I’ve noticed.”

“What do you mean?”

“The board games, the DVDs, the whole no phones around the house thing.”

“No phones around the house is common courtesy,” he chuckles, “But I guess we’re a little weird about the other stuff.”

“It’s pretty cool,” you shrug, spotting the DVD you want and sliding it out to assess the case. “It’s old school. Probably better for the brain. My little brothers can’t really function without an iPad and they’re 5, it’s freaky, like they’re haunted by the capitalist ghost of Steve Jobs or something.”

“I didn’t know you had brothers,” Luke frowns where you almost expect him to laugh, and you spin on your heel to face him. He has this look about him like he should have known that - like the two of you have ever conversed in anything other than sarcastic quips and scrunched up faces, or whatever attempts at flirting have been on his part. 

“Technically they’re half brothers,” you shrug, “They live out in Philly with my dad and step mom, I don’t really get to see them much.”

“Didn’t know you were from Philly, either.”

“I’m not, my dad moved out there when him and my mom got divorced.”

It’s not something you really love talking about. 

The few times you’ve tried, you’ve been shot down, patronising tones scoffing at how your biggest trauma is the separation of your parents, as if your whole world didn’t crumble down with the demise of their relationship, the demise of life as you knew and very dearly loved it.

“You don’t see him even in the summer?”

“Him and his family are on vacation in Europe for 6 weeks. England, France, Spain, Germany, the boys are into soccer so they’ll be out there until the Euros.”

You don’t miss the way Luke’s face scrunches at how you call them his family, and you’re not sure you’re ready for him to start pitying you, so you throw the DVD case toward him before you can second guess your choice.

Interstellar. 

You hope he doesn’t pick up on why it might be one of your favourites. Especially not considering the topic of the conversation at hand. Something about the crippling regret Cooper has for leaving Murph behind plucks harmoniously at some unidentifiable strings deep within you, but you’re hardly about to admit that to Luke, of all people.

“I love this movie,” he smiles, almost surprised, as if he expected you to throw The Notebook his way. Maybe next time - he’d probably love that movie, too, if he gave it a chance. 

“Me too. I love space movies.”

“Like Space Jam?” He asks as he pushes himself up, going toward the TV to set up the movie with the DVD in one hand and the remote control in the other. 

“No, like movies about Space,” you say, throwing yourself down onto the same couch he just vacated and tucking your feet beneath you to get comfortable. “Although I guess Space Jam would technically fit into that bracket.”

“I didn’t realise that was a genre,” he chuckles.

“Not the scary ones, though, I don’t wanna be freaked out by space.”

“Is that like a thing? You just like any movie set in space?”

“I like anything about space, period. Movies, documentaries, books. Thinking about it makes me feel really insignificant.”

“Insignificant? Is that not a bad thing?” He asks as he makes his way back, settling into his side and angling his body toward yours.

“Do you ever think about how big the universe is, Hughes? It’s humongous! If I ever feel anxious or panicky I think about just how big it is and how I’m not even a speck of dust in the grand scheme of things. If I’m so tiny, how big can my problems actually be?”

“I guess that makes sense,” he seems to mull it over in his head, the thought of him even considering it and not making you feel stupid warms your chest - makes you forget just how much of yourself you’ve shared with him in the last couple of minutes alone, makes you worry less that you’re sharing too much. “I think I might be the opposite, though. Probably the youngest brother in me, I only feel better if I feel bigger.”

You think that might be why he’s always trying to one up you - sassy comments and inappropriate jokes galore. Not that you mind any of it, not really.

“What about you? What movies do you like?”

“You’re gonna be so shocked.”

“Sports movies?”

“Look at you, knowing me like the back of your hand.” He coos, nudging at your knee with his hand. “I’ll watch anything, though. We should take it in turns, whenever it’s just us,” he says like the thought of spending time alone with you has only just crossed his mind. “Picking a movie to show each other.”

You think there’s a lot of yourself in the media you consume. The movies you watch, the music you listen to, and sharing those things with Luke feels like giving him the only other key to a high security vault. It’s something you’ve avoided so far - letting him play his songs in the car, avoiding making any sort of pick in the group movie nights. It’s daunting, and it’s a lot of pressure, and so you don’t know why you agree with so much ease - a shrug, and a casual muttering of, “Sure, why not?”

The pieces of your dynamic slowly start to slot together, and you start to realise why you’ve been entertaining his company so often, lately. Why your mood so quickly de-escalated itself, earlier. Why you’ve found yourself curled up on the same couch as him, instead of literally anywhere else in the house, doing anything other than this. Why you’re so quick to agree to letting him access all these unseen parts of you.

And why you think he might be able to read your mind, after he asks, “Can I ask you a question?”

“Only if I get to ask one back.”

“What were you gonna do tonight, if you were on your own?”

Thank God, you think, your heart jumping at the thought of anything else he could have asked.

“I was gonna do a sheet mask and steal the bottle of wine Quinn stashed behind the laundry detergent.” You admit with a nonchalant shrug, the plans you had been looking forward to all day seeming mundane in comparison to this. “Why’d you stay behind? You love Zach Bryan.”

“I love sheet masks and stolen wine, too.”

Your lips curve up before you get the chance to huff at his non-answer, and you feel your throat go a little dry at the way his curve, too - the way his green eyes darken when they meet yours, and you feel like he’s looking straight through you.

It’s around half way through the movie that you realise how much you’re enjoying yourself - when you look over at Luke, and the light from the screen is still bouncing off the sticky white sheet plastered to his face, only just able to make out his round eyes through the little slit in the fabric. 

You sip at your wine to hide your smile, and turn your attention back to the TV until Luke nudges at your feet with his, and your eyes meet over the tops of your bent knees. 

“You tell anyone I did this, I’ll never speak to you again.”

Your laugh ripples through every inch of your upper body, rumbling up from your belly and manifesting itself in shaking shoulders, your smile wide and your sheet mask slipping out of place. “You can’t threaten me with a good time, Hughes.”

You spend the rest of the night trying not to think about how there might just be a tiny door in your heart, eking it’s way open for him to squeeze his gangly limbs into.

>PART TWO<

another a/n: I don't want to put a timeframe on when the next part will be posted bc as soon as I do that, my brain will revolt and it won't happen, but I'd love to know your thoughts in the meantime!!! I have a lot of the rest actually written, and what I don't have written, I have drafted, so it shouldn't be too long but!!! like I said no timeframe!! I've had a lot of fun with this dynamic, and hearing any opinions would mean a lot to me!!

this was my first time writing reader insert if you saw any instances of she/her where they shouldn't be, no you didn’t. I tried as best as I could to avoid using Y/N because it takes me out of it I don’t even remember if I put it anywhere but sometimes it's hard to get around I did my best ok!!!

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.

[zours025]

Zombie apocalypse face au I've been thinking of...

Thoughts/details on the AU and an alt color vers of the first drawing (luring you into my evil cave) ⬇️⬇️⬇️

Face as unrelated parties... All normal humans. Caname and fruk (separately) wandering the world after generic zombie outbreak. Theyre some of the last ones left so they rarely meet people and need to depend on the other party heavily. Blahblah its miserable everyone is sad and hurt and tired. Francis had to cut off Arthurs leg to prevent an infection. Arthur has to learn to lean on Francis for a lot of stuff and they learn to get over past grudges and such... 😇 Alfred is bitten at some point and hides it from Matthew. Matthew knows, but he's basically lost any will to live and is ready to die whenever Alfred turns because. Well. "I'm only living for him anyways..." type of sentiment... They ignore it and it's never brought up but it's like. I know you know that I know that- Anyways. So those two are trying their hardest to live out their last days in relative happiness. Doing fun stuff. Appreciating the simple things, landscapes, each other's company, etc... That is until they bump into Francis and Arthur in a totally horrible state. And it's like "Well... We can't just let them die can we? We have nothing to lose anyways." So they watch over the two and care for them and once they're all in okay health they decide to stick together and move on. But Arthur and Francis are clearly more determined to live than Mattie and Alfred and they're good fighters. So they wanna keep em around, all while hiding that Alfred is slowly dying and is eventually gonna kill them all. Milking Francis and Arthur's good will... Eventually new relationships form between the four and inevitably weird "betrayal!" and jealousy type feelings show up... Francis is tired of just sleeping with Arthur and when he gets mad he flirts with either of the twins... And the like... Well I haven't thought the whole thing through but these are the important emotional bases to the idea I guess...

I wrote a scenario for many different possibilities of first-to-dies (because i find them all interesting and bcuz twitter oomf asked and i have no restraint. lole)

Alfred dies first: Most obvious scenario (like hes already a bit zombified and clearly hes getting physically weaker) Im imagining a terrible scenario no matter what. Matthew probably finds him first all hunched over and stuff womdering whats wrong before realising that it's finally the end of the line. Francis/Arthur aren't far behind and they blow "Alfreds" head off without hesitation. Obviously causes a rift between the two and Matthew, who broke their trust by hiding this from them. Matthew is inconsolable for a few days, he thought he had more time. Despite the lie I think Francis and Arthur would end up feeling sympathy. They try to keep Matthew up on his feet but frankly I think this would end with him blowing his brains out eventually anyways... 😊

Alternatively Mattie has been mentally preparing himself for a very long time and he immediately kills "Alfred" and then himself in quick succession. Francis and Arthur are haunted by the memory of the two for the rest of their trip.

Arthur dies first: Similarly, I think its easy to imagine this. He's missing a leg and mostly needs to be near someone else to survive zombie attacks/ambushes. Would probably accidentally get separated from the group and get overrun... Might use himself as a distraction to allow the other three to get away in a particularly dire situation... In a way he thinks hes just dead weight anyways and he wants to see the other three live knowing that he doesn't have much left to offer them (Francis would disagree). Francis is obviously very upset and he loses sleep over the memory of Arthur, his last "real" link to his normal life before all of this. But I think Francis is stable enough to prioritise the twins he took under his wing. He knows they need someone to keep them together, so he toughs it out. Everything is fine till Alfred turns some many months later. By then, Francis developed a strong attachment to the two and doesn't have any regrets. Would probably struggle against Alfreds strength to allow Matthew to escape or something along those lines...

Francis dies first: I can also see him just getting killed by sheer numbers. I think he grew very fond of the twins pretty fast + had to be Arthurs protection for a long time and so he developed this feeling of "I need to keep them all safe at all costs". I don't think itd be as much of a letting go type thing as Arthur. It's more calculated and would only happen in a worst-case scenario. I think Arthur would be pretty irritable for the next few weeks, a lot of things remind him of Francis. It bothers him since he wants to just forget and move on, but he finds that his feelings are more difficult to control than he initially thought. Yells a lot at Matthew and Alfred and gets into petty fights. Its not pretty, but they have their moments... In the end, it's not like he wants to make them suffer. They're all he has left now. Hes trying his best. Has a lot of days where he just wishes he had been the one to die instead.

Matthew dies first: Honestly I'm imagining a non-zombie related death, like an accident with one of the guns or some unrelated illness or like. Falling onto a branch? Falling from high up in general? Setting off a trap? Lol idk. Something that allows Alfred to hold Matthew during his final moments or at least look into his eyes. I think hes also the most liable to flip out on everyone and just kill the four of them all together idk ❤ Crazy girl ❤ It shocks Alfred immensely. He expected to be the first one to die and he's really upset about the whole thing. Outwardly, he cracks jokes and tries to convince the other two that he's fine but he's very much not. Doesn't really know what tk do with himself. Just goes through the motions every day. Francis and Arthur notice the slight change in behaviour but don't really say anything and pretend everything is fine. Playing at being a normal family. Arthur and Francis try spending lots of time with Alfred but nothing really helps. Eventually Alfred turns without ever telling them he was infected and they all die the end. Alternatively he kills the other two and then himself on like a random Tuesday. ❤

Bonus: Everyone except Alfred dies lol. Alone in the desolate empty landscape. Welp!!! What now!!!

If you saw my first post of this text part no you didn't im editing this and putting it here with the drawing its more organised ❤ okay ❤

[evilminji]

*evil grin of The Ponderings™*

You know who DEFINITELY would have Unfinished Business?

Heroes. Professional "If I could just MOVE, just fight a BIT LONGER, save ONE MORE PERSON" Heroes. It's the ultimate and unending Unfinished Business. To protect people. Not just their friends, their co-workers, but the innocent people around them.

That kid, stuck crying in the rubble.

That business man, screaming in pain, caught in the cross fire.

The People NEED them. They SWORE. Their very SOULS burn with the NEED to help. But... the flesh gave out. Injuries. Age. Quirk overuse. They knew... they KNEW, this was not a safe line of work... but... but! Please! Just one more person! Why can't they just make their breaking, dying, bodies MOVE!

Of course they refuse to move on.

They are needed HERE.

Yet? Their hands pass through. Their voices do not reach. A hell of their own, unknown, making. They can't let go, but they can't HELP either. There isn't enough Ectoplasm here. The walls of their reality overly patched up, since that unfortunate leak a few centuries back.

After all, the Zone had dumped near lethal quantities of unfiltered Ecto into the atmosphere. They're STILL dealing with the mutations and fall out, aren't they? At least, they are according to the Zone. (Wtf is a "Quirk"?) And, yeah, someone should PROBABLY do an assessment on the ecological recovery of the Reality. But like?

Do you have any idea how few people have an Obsession for stuff like that? Wait your turn! The list is long and you're not fuckin special, okay? The agents are BUSY.

Now, you might wonder? Wait. If they aren't moving on. Are DEFINITELY Ghosts. Starving as they are. Refusing to die as they may be. Wouldn't... Wouldn't that leave the whole ass area around their Reality an ecological dead zone? If it got over patched and no Ghosts LEFT, thus noticed, and started to try and work on it from the outside? Assuming the COULD?

Yeah. Yeah it would be!

It's called the "New Wastes"!

There used to be some cool Lairs around there. But there was a turf dispute. Someone DID something. Punched a HOLE. And everyone re-died. It was fixed but never quite re-healed. Portals... don't show up there? For some reason? Meh. Wanna brawl?

No. Danny's curious. He wants ANSWERS.

It's his fatal flaw.

Well... that and his inability to keep his mouth shut. But he likes to think he's funny. So... off he goes! And MAN! Does it feel funky out there! Weird textures. Mmmm, Don't Like THAT ™. It's probably a King thing? The Zone here... FEELS wrong.

Not... the way it's SUPPOSED to be shaped, if that makes sense?

And? It feels... if you sorta squint? Like... a LOT of people AREN'T where they should be. But aren't gonna leave until they're READY. Ooof. Great. Someone messed up again. Why does he KEEP FINDING bits and pockets that need straightening out? Unruffling? It's like he has to keep smooth out this giant peice of fabric with all these stains on it. Clean the messes on it.

He feels more like a maid then a King.

Maybe he is?

Pretty sure he's more of a nanny, since the Zone is more of a whiny yet excitable toddler then anything else. Alright, let him in. And fix... whatever THAT is.

So he steps into the Reality and? Huh. Japan. Neat. He always meant to go, never got around to it. Why is that man an otter?

.......oooohohooo, this place was HELLA fucked up by Ectoplasm, wasn't it? This is multi generational exposure. It's in the air. The water, ground, buildings. But stale to the point of stagnation. That can't be healthy. At least a few people he sees have developed ecto-resistance, thank the Ancients.

Danny discovers there are? "Superheroes"? Or just... heroes, apparently. They sell shampoo lines and athletic gear. Villians are petty criminals and psychopaths. All lumped together. He gets fuckin CHASED by the COPS and half the cities spandex patrol, called a "villian" (you know, like the purse snatchers and the DUDE WHO TRIED TO OPEN FIRE ON A CROWD) for flying around trying to assess the situation. Not speaking Japanese fast enough.

Soooorry! He TRIED to answer your confusing barked demands! This isn't his native language! He's translating through Ghost Speech! He knows it sounds unsettling to the living! It's the best he's GOT, man! (Asshole)

He escapes, obviously, because he's not 14 anymore. And honestly? He could top 200mph or so AT 14. He's only gotten faster. Intangible flight means no wind drag, motherfuckers~! OR need to dodge buildings! HA. Try to follow him through THE GROUND!

A few Blob sucked (to remove the ectoplasm) bits of treasure later? And he leaves a pawn shop with local currency. Thank YOU shady pawn shop! Ask him no questions, he'll tell you not lies. Enjoy Pariah's gold.

He does tourist things. Buy foods he's never tried, wanders around. Sees what's needed. Noticed a lot of people struggle with some aspect of the ecto-mutations brought on by the extreme Limnality. Need accessibility aids.

.....well, he IS a Fenton. His parents would disown him on the SPOT if he left with out at least TRYING to help. So he tracks down one the local ghosts. He'll need a guide or two.

He? VASTLY underestimates how desperate a sea of Obsession Starved Hero and Vigilante Ghosts will act, the INSTANT, they realize not only someone can see them... but it's? Their "Boss"? They aren't sure HOW they know that. But they DO. It's THE Boss. Here to help them! Asking for HELP ™ from THEM!

Yes

YES THEY CAN DO THAT

He gets swarmed. Hundreds of ghosts fighting over each other. Shouting. Turning on each other like rabid animals. All worn down and ragged by their Obssesion starvation. He's forced to shout over them.

And? Holy shit, these are only the ones from THIS CITY, too.

Thank Zone, again, he's no longer 14. That he has friends who are Rulers ™ that taught him HOW to Rule. To delegate. Pretend he TOTALLY knows what he's doing. That every action is on purpose.

It takes less then two hours, with all the experienced Unground Heros help, to make himself a Real Boy and buy a building. Put himself into the correct databases. He officially has licenses for things he's never studied. Is a tax paying citizen. Even belongs to several local clubs.

Over the next few days? He sets up his new... oi! Quickdraw! What're they called again? Right. "Lifestyle Support Company" which? Is a dumb name. But, Fenton Works is Fenton Works. Somehow he always kinda knew he'd be inherenting. It's in a cruddy part of town and the prices are cheap as he can safely get um.

He already had two customers, even though half the building isn't even fully set up. Which? I mean... he gets it. Poor guy. Knives for hands. Sharp ones too. The other guy's Obsession made him emotionally react to colors and like three different ones were ruining his life. So, hand Prosthetics controllable by knives and color filtering wrap around glasses.

Took him a lunch break or two.

Changed THEIR lives.

Suddenly his shop is packed. Schedule screaming for relief. And the ghosts? Getting more tangible by the day. See, his work shop? Ecto proofed. Let's him relax. But it ALSO let's him radiate fresh, clean, Ecto out into the air. And as King? With a direct line to The Zone? He puts out a lot.

There start to become Sightings.

People who SWEAR they saw long dead Heros out of the corner of their eyes. Dead vigilantes. That was who through that bottle. Who tripped that thug at just the right moment. Who unlocked the door. The SWEAR. They aren't crazy!

And... at first? Brushed off. Stress does a lot of crazy thing to a person, ma'am. But? How do you brush off, making eye contact with your dead best friend? Your old mentor on the other roof? That vigilante, who you WATCHED bleed out? Can you brush them off... when a vigilante from the dawn of quirks, punches some two bit villian on live television? Calls the Heros on the scene gloryhounds? Goverment dogs?

Runs from the cops and vanishes into thin air?

When this shit KEEPS HAPPENING?

Is spreading?

Are... are you supposed to arrest them for illegal vigilantism? How? They're THE proto-Heros! You don't want your name tied to that! The HPSC is furious. The goverment is uneasy. There are like... 6 dudes and a lady, openly stalking some kid in UA. Trying to mentor him. He looks moments away from a nervous breakdown.

Us too, kid. Us too.

All? While Danny? Is just sitting in his lil shop. Tinkering. Not HIS problem. Gotta let the ghosts here get it out of their system. Get their Obsession's full. Then it's all aboard the Zone Train. He's just here to make sure no one does anything "Too Crazy".

What's HIS definition of "too crazy"?

Wouldn't YOU like to know, weather boy~☆

@hdgnj @lolottes @nerdpoe @babbling-babull @mutable-manifestation @spidori @the-witchhunter @legitimatesatanspawn

[randomwriting]

Love Letters I Won’t Send

Pairing: James Potter x Fem!Reader

Word Count: 1.1K

Summary: In the midst of summertime heat and breakdowns, you find yourself falling in love with all the people around you. (some, more than others.)

A/N 💌: I intend to make this a series, haven’t decided if I should make it fully Poly!Marauders x Reader or not yet, so let me know what you think!

Also this is my first fic ever so kindness & reblogs are sincerely appreciated 💕

Beneath the annoyance permeating the halls of Hogwarts, and infesting every common room but the ones conveniently hidden under wonderfully cool lakes, (an amenity you were not jealous of at all), there was an amazingly rare heat wave sweeping over the entirety of scotland. You had to admit, the timing could not have been worse.

The unrelenting heat was the worst in the Gryffindor dorms, where some of the residents had begun looking an awful lot like one of their house colors. This unexpected side effect meant that dorms were essentially uninhabitable, and swarms of students had taken to the courtyard, the common room, or the halls, in refuge. And since hiding from your lingering feelings in your dorm was no longer a viable option, Lily, Marlene, and Dorcas had been forced to drag you out into an open space where you were far too susceptible to seeing the three boys you had been avoiding like the plague.

“You are going to bloody fucking kill yourself if you do not get out of that room.” Marlene practically shouted at you, after yet another failed attempt to free you from the boiling temperatures of your bedroom. Her exasperation with you, general fury with the world, and hatred of the weather was a dangerous combination. One you couldn't entirely fault her for.

“I'd sooner die than have to face those men, marls.” you heard her grumble something along the lines of “Merlins fucking beard” at your response.

“Look, I know this whole thing is complicated and whatnot, but you are driving yourself mad, holed up in a ridiculously hot room, overthinking about James, Sirius and Remus, when you should be swimming, or living, or fucking someone else to get over them!”

“I agree. You are too pretty and smart and funny and frankly too fucking hot to be sitting here moping.” Lily chimes in, smiling at you, unrelenting in her beliefs, you take a second, in the midst of the chaos, to admire her smile. The ridiculously engaging quality of her shiny teeth, the perfection of her skin and the red hair that floats around her in the sun, too much like a halo for you not to take note. It is so easy to love her. All of them, really. You only wish, quietly, that it was so easy for you to be loved. The way everyone knows Mary loves Lily, the palpable way you all can feel how Marlene loves Dorcas. It radiates under the surface of the whole group and flows further out into the school, they radiate love, and you feel it, in that brief and wondrous moment before you have to face the world, you ask yourself how on earth you got so lucky, that they might tolerate you enough to allow you this close to the masterpiece of their friendships and lives.

“Okay.” You relent, soft yet reluctant, as you come back to the present, a feeling of inadequacy settling heavily on your shoulders and in your lungs, “I'll leave the room but I'm bringing a book, and I insist on snacks and enormous amounts of lemonade if I'm being forced out into the wild.” You allow them to pull you up and out of the sweltering room, only because you’re not entirely convinced you won’t be able to simply meander away into some obscure hallway, cooled by the touch of the century old stone in refuge, the moment Dorcas and Marlene begin to notice just how little clothing there is between the two of them due to the immense heat. You stare ahead as you walk down through the common room, shoulders tense with something indescribable. Lily notices it, she also noticed the soft, odd look on your face earlier, and just like Lily Evans does, she files it away in a neat folder in her mind with your name written on it, one new thing to figure out about you, where exactly it is you go when your eyes get foggy and you drift off.

“Why are you avoiding the boys?” Dorcas asks suddenly, and you feel marlene and lily stop, to turn and look at her the same way you do.

“It’s just easier, if I don’t see them.” You tell her this half truth slowly, as you all continue to walk down the stairs, you don’t miss the dry look you get from Marlene.

“Easier? You were miserable earlier and I can’t imagine they’re thrilled at the prospect of one of their best friends disappearing without explanation.” She somehow manages to be blunt and soft and so uniquely wise.

“I have to move on, because we are just friends. That’s easier to do when I’m not constantly overwhelmed by Remus reading to me, and Sirius’ relentless flirting, and James calling me-”

“Angel! There you are.” A sweaty James Potter practically yells from across the courtyard as he sees you. Your heart stops, the sun is on his face and bouncing off of his glasses, his hair has never looked this good, ever. It’s damp and sideswept and you just know Sirius has been somewhere near it, because it looks particularly soft. You aren’t sure he isn’t actually an angel of some kind as he jogs over to you and the girls in his white tank top and shorts, positively beaming.

“Nice to see you too, potter.” Marlene snarks with a grin as James enters your personal space.

“Oh come on Marls, you know I’m always positively thrilled to see you.” His smile unwavering as he looks over at her, you take that moment of freedom from his gaze to wipe the sweat that formed away from your brow, and to start a silent conversation with lily, which really only pertains you mouthing “help” and her grinning at you happily, thrilled with the confrontation. She hated when you hid from things, from yourself.

“Did you put on sunblock? Sirius has plenty, if you haven't.” James asks you softly as he leads the small group to the tree where he had come running from, you can just make out Sirius and Remus under it, Sirius sprawled out on the grass, head in remus’ lap, who’s back is against the tree as he reads. You’re struck with fondness yet again as you look at them, finding it all too easy to fall back into that habit of loving them from afar.

“I did. Lily made me.”

You answer, with a playful glare at your favorite redhead. James’ smile grows somehow larger at the playfulness. You watch Lily sling her arm over Dorcas, you laugh as Marlene shoves it off, grumbling playfully about how she should go find Mary if she wanted to get all lovey dovey. Despite the tension you can feel, always present it seems, since you fell for James, there is an easiness. Perhaps because of the warmth and the abundance that comes with this time of year, or maybe just because you have found yourself living here, with people who you feel if you didn't already have magic coursing through your veins, would make you believe in its existence. They were just that wonderful.

[gffa]

Hiiiiiiiiiiiiii

Do you take rec requests? If so, can I ask for your recs for Obi Wan centric fics where Obi Wan is just absolutely adored by everyone around him? Like people love him, think he's great, beautiful, talented, etc. you could also include fics where Anakin isn't one of his adoring fans but he comes around eventually. If you've ever read the Shoulder The Sky series by @kcrabb88 ? Where Anakin is kind of weird about Obi Wan in the beginning but he'd die for him at the end? Yeah like that.

Preferably no Obitine please, and also no order 66, if you would. They can be fix its or maybe they just don't get to order 66 in canon. Long and short is fine. I just want to read fic to justify my absolute rabidity over Obi Wan Kenobi.

Yknow if you're going to answer the ask? Might as well include every fic that you know that portrays Obi Wan very well. Whether everyone thinks so or not, I just want an excuse to fangirl over Obi Wan. Whether it's cute adorable initiate obi wan; smart skilled Padawan Kenobi, best master in the galaxy Kenobi, best general in the gar Kenobi, unfuckwithable Kenobi that everyone knows not to piss off, the Jedi's best member, whatever. Just fics of obi wan being great, whether people acknowledge it and love him, or acknowledge it and go still like prey animals when he looks at them

Hi! Oh, this is going to be a bit of a difficult set, mostly because avoiding Order 66 is a tough one, and I'm not sure how you are with various Obi-Wan pairings (which tend to have some good Obi-Wan fic), but I can at least start you out with a few recs sets I've done that have a lot of Obi-Wan fic and hopefully the Order 66 fic will be pretty avoidable.

My Star Wars fic recs tag (pretty much anything that mentions Obi-Wan in the subject will treat him well)

Obi-Wan Kenobi epic fic

Post-OBW's first two episodes-centric set

It's hard because some of my favorites:

Reprise by Elfpen (absolutely epic time travel fic that does the really good, hard work of showing us the timeline shifting and why it has to be done in baby steps)

Fire and Ice by Yesac (set in an AU where Order 66 happened, but Anakin won the fight and took both Obi-Wan and Padme hostage, and it's about the incredibly long road to recovery from there, which does have some love = attachment minor, minor notes, but has an Obi-Wan characterization that was fundamental to how I see the character)

Aren't necessarily about Order 66, but it does happen in both those fics, as something that's either being avoided or fixing the aftermath of them, and I'm not sure where you stand on such things, since you don't want Order 66. Same for

The Desert Storm by Blue_Sunshine (time travel AU where Order 66 happened in Ben's timeline, but not in the one the fic is set during)

Knightrise by deviantaccumulation (this one includes Order 66 happening on-screen, but it's an AU where more Jedi survive and they go into hiding together to rebuild)

where it's time travel to fix things, is that still over your line? Is it about the other characters that love Obi-Wan or the narrative of the story that loves Obi-Wan, because that would change a lot of the recs I make! Not that he's unloved in them, but Cataclasm by dendral is one of my favorites, but it has Obi-Wan off on his own a lot of the time, so the narrative loves him, but the people around him aren't in the room with him, etc. I also have a Jedi culture set of recs, which you can scroll through to find Obi-Wan mentioned in the summary, it's probably going to be about how much everyone loves him. But some good places to start for you would be:

ruth baulding's Lineage series and then her Legacy series. The first series is an epic length run of adventures when Obi-Wan was a padawan with Qui-Gon, and then the second series is his time teaching Anakin, with more adventures

Remedial Jedi Theology by MarbleGlove, a fantastic look at Jedi theology, philosophy, and interaction, with Obi-Wan in a prominent role.

Supreme Chancellor Obi-Wan Kenobi stonefreeak, which is crack treated seriously, very Jedi-positive, and while it's an ensemble piece overall, Obi-Wan is very much at the heart of the story and the focus will always come back to him. Just so much fun and very soft on the heart, this is a universe where everything goes right.

Tano and Kenobi by FireflyFish, which is a time travel fic where Ahsoka goes back into the past and becomes Padawan Obi-Wan's Master instead of Qui-Gon. The fic is kind of harsh on Qui-Gon, but if you love the disaster lineage or if you just want more Obi-Wan & Ahsoka, this fic will scratch the itch so good.

Unexpected Awakening (The Rewrite) Rhiw, another time travel fic where Order 66 did happen, but the fic is about Legends!Obi-Wan taking a different path from what happened in the first Jedi Apprentice book, instead of becoming Qui-Gon's Padawan the way he did in canon, he and Bruck go to Bandomeer and then get wrapped up in an epic story about Obi-Wan slowly changing the galaxy's course.

walk by faith/tell no one what you've seen by Killbothtwins, which is time travel with Obi-Wan after the end of the galactic civil war (the one against the Empire) going back to his 12 year old self and diverting the timeline, with a really great voice for Obi-Wan's character in this fic.

The Uses of a Sandwich by Laura Kaye (laurakaye) is a fun young Padawan Obi-Wan fic where he meets Qui-Gon's first apprentice and has a great sense of comedy.

Uncle Ben and Little Luke by phoenixyfriend which is de-aged!Luke and suddenly alive again!Obi-Wan and is just so much fun for a dynamic that doesn't get enough fic. (NEVER ENOUGH.)

Well Met by avocadomoon is one if you don't mind Obi-Wan/Padme fic, where they develop a friendship and later in life just slowly fall into a relationship, where it's about discussions and politics and philosophy and worldbuilding, it's such a subtle dynamic between them in a way that felt so natural to me. I also enjoyed the author's other fic Anamorphosis just as much, too.

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[uriekukistan]

JJK 261 ANALYSIS: What happened, how, why Yuuta made the choice he did, and a discussion of tragedy & major themes of JJK

MAJOR spoilers below the cut so please read at your risk.

i wanted to dissect what happened a bit, and address a few points i saw floating around since the leaks dropped. of course, these are all my interpretations, so feel free to disagree, i just had a lot of thoughts floating around that i wanted to put out for discussion.

I. Gojo was never coming back

first of all, i don't know how you guys expected him to survive bisection. i said this earlier in the day as my justification for why i didn't think gojo was coming back, prior to leaks, and i don't think i can say it any better now.

and this is just my interpretation of reverse curse technique, but if anything, yuuta in this chapter supports my theory. in the scene where he's on shoko's table and arata nitta says that he's used rct to keep the wounds from getting worse, but it might be too late for yuuta to recover. in that case, gojo wasn't coming back from being sliced in half. it's just not possible.

additionally, and this is another thing that i've said for a long time. he says right in episode 6 (i forgot the chapter) that his dream is to reset the jujutsu world raise up a generation of strong students that work together. that is why he became a teacher. this very clearly comes from his relationship with suguru, and it's one of gojo's clearest motivations from the beginning.

the problem is, in order to achieve this, he has to die. so long as satoru gojo is alive, he will have to carry the burden of being the strongest alone. his students won't have to work together, because gojo will just take care of everything. this is already in the works, with how many people have come together to stand against sukuna. if gojo lived and defeated sukuna on his own, this wouldn't have happened, and bringing him back would, again, reduce the need for his students work together.

unfortunately, gojo has been doomed by the narrative from the start, and his primary goal as a character basically requires his death to be realized in its entirety.

II. They're not heroes, they're jujutsu sorcerers.

yeah, i'm stealing megumi's line because it's true. he literally said it twice for a reason, and then yuuta said a repackaged version of it in this chapter ("we're about to fight history's strongest jujutsu sorcerer. if we can win by throwing away our humanity, we shouldn't even be arguing about this").

trust, all the characters are well aware of the ethical issues with taking gojo's body after he's dead, both with what it means for gojo, and with what it means for yuuta. but this isn't a story about heroism, this isn't a story about the power of friendship. if it was, yuuji would have saved junpei all the way back at the beginning of the series. it was pretty clear from the start that this wasn't going to be the typical shounen manga like that.

in fact, expecting it to be is unrealistic. it's unrealistic in real life too, if i'm being so honest. everyone wants to think they'd take the moral high road in this type of situation, but the reality is, when you're fighting tooth and nail against an opponent that is fighting dirty, you have to fight dirty too if you want to win, and i think that's what yuuta is trying to point out in this chapter.

this happens in real life wars which im not gonna get into examples because i dont want to start that kind of discourse, but like...it's so great to be idealistic and hope that virtue will triumph simply because it is virtuous, but i think if you take a look around, you'll realize it's true that good people do not get what they deserve simply because they're good (that's so megumi of me to say...). or if you think of it like a board game, if a player is cheating, it is infinitely harder to win without cheating yourself.

maybe this is a bit pessimistic of me to say, but you will not win a dirty fight without getting dirty yourself, and i think it's pretty clear that sukuna fights dirty.

additionally, it's shitty to see gojo be weaponized, and i understand that, but it plays into the themes about strength in jjk, which i will get into.

III. This was not an "ass pull."

i don't really have much to say to this. did you think yuuta wouldn't take kenjaku's technique? plus, kenjaku being eaten by rika is probably the only surefire way to ensure that they're dead and won't just hop to another body. i've already said why gojo wouldn't come back, but it makes sense that if yuuta were to copy kenjaku's technique, who else would he body hop into, if not gojo? there's already narrative evidence to support this action, from the guidelines of yuuta's technique, kenjaku's technique, and gojo's technique, to the character of yuuta okkotsu, which i want to do an analysis in a separate post for him, so i won't get into that right now.

idk...to me, all the threads connect, plus i felt like yuuta's return was foreshadowed pretty heavily in 259 & 260, with the mention of yuuta's plan that yuuji couldn't know, and then on the last page of 260, the comparison of sukuna and yuuta, so for me, i always thought that it was not actually gojo, but yuuta at the end of 260.

IV. Themes of JJK: The burden of being "the strongest," or even just strong

even many jjk fans see gojo as "the strongest," and nothing more, doing exactly what the narrative sets up as one of the chief problems of jjk. a lot of gojo's actions are spurred on by the burden he feels from being the strongest modern sorcerer. his entire character is built around this problem of the responsibility and burden that falls on someone who's considered to be "the best" at anything.

in fact, this is also a driving point for geto too, and the conflicts geto and gojo come into with each other, as well as geto's inevitable fall from grace. it all comes from this issue that's at the core of jujutsu society. gojo recognizes that, and, as i mentioned, that is why he became a teacher. so that no young sorcerers will feel the burden of being the strongest alone.

the problem is this is easier said than done. after gojo dies, this burden gets passed down to yuuta, and he feels that immense pressure, which is why he decides to do what he does. he says "haven’t we been pushing the burden of being a monster onto gojo-sensei alone? if gojo-sensei is gone, then who else will be the monster? If no one intends to become one, then I will!" and i think this really powerful evidence of the pressure and burden of being the strongest, and i think the word monster is really important here. the burden pushes people to be something they're not, a shadow of their true self.

it distorts morality, like with geto. it isolates people, like with gojo. it forces people to go to unspeakable lengths to uphold their burden, like with yuuta. it leads people with immense power to doubt themselves, like with megumi. it leads people to feel like a cog in the machine, not a human, like with yuuji.

this is sooo so important and a key theme of jjk, and this chapter in particular, and the driving force behind yuuta's actions.

V. Themes in JJK: Loneliness and Isolation

this one has, in my opinion, a bigger role in the story overall than just in this chapter.

as i mentioned before, gojo is lonely. the only person who could understand him was geto, and he turned away from him, and then died. he seems like a silly guy or whatever, but it's just a mask.

but geto also felt alone and isolated, and that's why he turned away. between gojo and geto, neither of them were able to put share the burden of carrying their strength alone, and it's what kept them apart and made their relationship so tragic.

arguably, and though he would never admit it, sukuna is also lonely, though it's buried deep within him and something he will likely never acknowledge, despite it, and his lack of understanding of love (arguably a symptom of his loneliness), are major reasons for the way he acts.

yuuta, though supported by maki, inumaki, and panda in a way that the previously mentioned characters are not, is still isolated. he alone carries the burden of his strength. he was also alone his whole life after rika died, and then again when he was shipped off to africa, away from his friends (yeah he had miguel, maybe i'm missing something, but i dont see them having that type of relationship.

not only that, but yuuta recognizes gojo's loneliness, and reaches out to tell him not to try to stand by himself once again, and gojo admits that's something he can't do, the reason being his relationship with geto.

even further, yuuji and megumi, the parallel to satosugu, are both deeply lonely, except for when they have each other. i mentioned in this analysis that the reason megumi can't just get up and keep going is because he's alone and has been for over a month. i want to get into this more in my next point.

VI. Where I think (hope) this leads for JJK

a satisfying ending for jjk, in my opinion, would be the resolution to this loneliness and burden of strength issue that has been present throughout the narrative. something like yuuji being able to save megumi and them being able to correct what went wrong with satosugu in their own relationship.

personally would like to see satosugu reach the ending they should have had through the itafushi parallels - let them save each other! but i do know gege said only one of them (the trio + gojo) will die, or only one will live....that was years ago maybe he changed his mind :D

we all want to see yuuji take down sukuna himself, but i think it would be a great resolution to see everyone take down sukuna as a team. no one person is alone, no one person has the burden of the strongest. i know i said this wasn't a "power of friendship" manga, and i stand by that, but i think this would be the perfect ending. yuuta throws his humanity away to do what he did in 261 because he felt like it was the only choice and it was something he alone could do, but yuuji represents unwavering humanity (literally his name), and i think to preserve that, they all need to share that burden. let them realize they need each other.

this is what gojo died for, and this is what he lived for. this is why he became a teacher in the first place- to raise a generation that can be strong together, that can support one another.

VII. "It's poorly written torture porn!" "There's no point if there's no happy ending!" etc

i said this in a separate post but tragedies have existed in literature since the 6th century BCE, 2600 years ago. many of the most popular stories throughout history have been tragedies, for example, orpheus & eurydice, romeo & juliet, even things like the fault in our stars and the titanic movie. here's a quick explanation of what it means for a story to be a tragedy (yeah it's from wikipedia but they want me to pay to access the original source and im not doing that for a jjk analysis)

one of things i like most about this definition is the use of the word "catharsis," which is to say that the expression of strong emotions is a way of bringing about renewal and relief. in literature, it's used to say that with the arousal and following release of negative emotions relieves suppressed emotions for the viewer. im not gonna get too personal with it, but i know i've experienced this with jjk.

additionally all of the aforementioned tragedies, they have a message, no matter how sad they are. orpheus & eurydice inspires perseverance and faith in the gods. even something like titanic has messages about everlasting love that overcomes all boundaries. jjk has its message too, and it's long underway. we just have to wait for it to reach its conclusion.

it's easy to lose sight of the bigger picture when we only get one chapter a week, and the fact that the pain is so dragged out is a bit tiring, i'll admit. but that doesn't mean it's bad. having negative emotions stirred by a story doesn't mean bad writing. i mean, i would hope you feel sad. i would hope you feel angry. i would be concerned if you didn't. but given that jjk is a tragedy, that just indicates good writing. especially these last two chapters, i've felt moved in a way nothing else has done for me in a long time.

as always, these are just my thoughts!!! im happy to hear from anyone what they think :D

[baby-tini]

Hellloo:33 so i was thinking dazai and chuuya just sharing reader like how would that go?? :3

I'm not doing bsd requests right now but this has been in my inbox for a while, so... also More poly!SKK. TW- very small hint of implied abuse in paragraph two. Dazai and Chuuya sharing someone would be so chaotic, they would have arguments out the ass about who gets too spend time with you and who gets too have you for the day. Because their schedules are so chaotic, you are alone for a bit, but on average you're with Dazai more often then not because his job isn't as demanding as Chuuyas. Being in this.. relationship does have a multitude of factors though, which are as follows. Whether Dazai is still in the port mafia, if the relationship is poly or if it's just sex and how attached they both are to you. If Dazai is still in the port mafia, the relationship between the three of you would be extremely toxic. There would be constant arguments between them about literally everything. Dazai, in the port mafia, is a lot more sadistic and open with his behaviour, whether that be hitting you or saying the meanest shit, he doesn't care. With Chuuya there though, he'd keep Dazai in line and isn't afraid too get physical with Dazai when he needs too, especially if Dazai puts his hands on you. I personally don't see Chuuya ever laying a hand on you, it doesn't matter if he's pissed or not. if Dazai was in the ADA though, it'd be chaotic but not super toxic. Sure, there'd be arguments but it's mostly just funny banter, they also aren't as likely too get into fights together with Dazai being in the ADA, especially if you're there. Dazai in the agency has calmed down quite significantly and isn't as prone to violence, whether that be towards you or people in general, although he does still instigate things, especially with Chuuya, but it's mostly a healthy, fun relationship. If this is a poly relationship, let me just say, you are the safest person in the world and they'd love you deeply, making sure you're safe, because you are the most important person in the world to them and they put you before everything and everyone. I think a poly relationship with them would be so fun and sweet, there's never a dull moment with Dazai and Chuuya is cannonly the best boyfriend in all of BSD, the definition of dream a man. I feel like you'd live with Chuuya and Dazai would also live there or he'd be at Chuuyas house so much that he basically lives there. It would make more sense too live with Chuuya because his house is definitely bigger and more secure. Also the sex with them would be so fucking good with either of them but both at the same time? It's like euphoria. If it's just for sex, Chuuya would still care about you and would most likely develop a deeper connection with you but Dazai wouldn't really care that much for you, also they would be very reluctant too share you with the other, but if you ask nicely, they'd begrudgingly agree. If they are both attached then they're never letting you go, like, ever. They'd want too constantly spend time you, always buying you gifts and taking you out. They would take such good care of you, especially Chuuya, he'd help make dinner, help with the house work and so on. While Dazai would plan spontaneous dates and coddle you constantly, he's also the one you'd spend the most time with because Chuuyas job is very high maintenance. If it's just Dazai that's attached to you, Chuuya would still wanna spend time with you, but he wouldn't be around as often. If Chuuya was the only one attache to you, which is the most likely case, Dazai would wanna be around mostly too spite Chuuya. Overall, a relationship between you and SKK would be a one and only experience. They would both make amazing boyfriends, despite their individual trauma and problems. They care very deeply about you and are willing too kill or die for you, tear the world down with their bare hands for you. They're both very loyal towards you and keep you spoiled and happy.