#but i recognized the art style Immediately

[kalmeria]

not me finding out from the divorced tourney that the shiloh creators have a new wt out

[cobaltcable]

WHY IS JERMA IN ASTRO BOY 2003??????

[notdeezy]

SOME MF JUST POSTED AI ART OF ROY HARPER AND Y'ALL JUST ATE IT UP??????

[feralandmoonstruck]

All of this art actually belongs to Iren Horrors. Her signature is in every single picture. I know I'm late to the game here, but dammit don't steal people's artwork and then credit the wrong artis.

Art by Ksenia Svincova

[c0rpsedemon]

on one hand gwen steffani's whole deal esp when it comes to japan is. christ. but on the other hand harajuku girls is the realest song in the world. usually i can't relate to pop hits but like. she's so right. vivienne westwood CAN'T go wrong. super kawaii DOES mean super cute in japanese. i DO have expensive tastes and better save up.

[supercityboys]

Do DC comic fans not have their own “Jeff the Shark”? And by that I mean lil silly comic where it’s not much for plot or “accurate” characterization but it’s very cute “what if?”

Cause people are acting like Wayne Family Adventures is ruining the Batfam as a whole. Is it not just a palette cleanser that you tap into after reading sumn heavy?

[bleucalire]

HEAR ME OUT : DETECTIVE/BURGLAR AU

Well, not really an AU but, i’d like to see an episode like this, y’know, Lupin the 3rd/Magic Kaito style

(basically, the year is 1946, and Azi’s trying to take back art pieces that fell to the hands of nazis during WWII. Aziraphale thinks he’s super clever, and super incognito, Crowley of course recognizes him immediately, and just go along to play tag with his bf. Hell is using miracle blockers on the art works, so Azi can’t use his miracles.)

I also like the idea that Aziraphale really manages to hide his identity, and Crowley has some doubts but is not sure ?? And Azi is putting strategies up, Conan Edogawa/Magic Kaito style, to clear Crowley’s doubts.)

Azi’s burglar name would be… idk, The Winged Thief ? The Tartan Burglar ? lmao anyway, i really have to come up with a detective and/or burglar AU everytime i fall in love with a media

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[doodledstars]

I remembered seeing snippets of Dragon Ball, but never grew up with them. I remembered seeing his name as he was famous for the series. Then I got to play Blue Dragon and I was heavily invested in the characters with my family. And a few years ago, I immediately recognized his art style when I saw the Super Smash Bros trailer for Dragon Quest, and if it weren't for Smash Bros I wouldn't have known about Dragon Quest and his legacy as an artist in the series.

Thank you Akira Toriyama.

[peachycloudcats]

source

[the-gateway-to-madness]

Platonic dynamics I want to see more in the (tiny) Rise of the Brave Tangled Dragons fandom:

Jack being like an older brother to Hiccup and sort of seeing an older version of Jamie in him and not scoffing at how nerdy he is ("holy crap you MADE this? Man show me how it works!!")

Rapunzel post-her-movie being all gung-ho and cheery, and Merida trying to get her to stop being so naïve, only for Rapunzel to calmly list all the ways she was betrayed and abused throughout her adventures (and you'd only have to go through the canon events of the movie and show to make this work, btw, girl's been through STUFF) and tells Merida she is upbeat and kind because she chooses to believe that most people are good, because so many people stuck with her through so much and so many people came back to her after betraying her. And Merida is like "well dang ok, wanna learn to shoot a bow"

Jack being calm, responsible, and protective of the others without becoming too angsty in the process- playing harmless little pranks to bring everyone's spirits up, that sort of thing

Merida being annoyed by Jack at first, but it's because she misses her brothers, not because she categorically dislikes the pranks. She tells Jack this and he asks her to join him doing pranks. She has much more fun after this.

Rapunzel is good at many things, but not so much inventing, as we see in TTS; her trying to assist Hiccup and him being good-natured about it but entirely accidentally outclassing her

Jack very deliberately keeping his past and loneliness to himself, and the others figuring out something's off because they never catch him sleeping, he's pensive when he's not interacting with them, he's got such wide and extensive experience, and he starts admitting bits and pieces like "I'm older than I look" etc etc

Jack never openly getting angry with the kids because they're kids and he's a Guardian, so instead when one of them is upset or trying to pick a fight with him, his staff will glow brighter or it'll get cloudier or windier or snowier- his magic responds, but Jack refuses to, making his calm all the more scary.

Jack being the first to realize Rapunzel has been through Stuff and sitting down with her when the other two are asleep "what happened to you?" entirely gently and patiently because HE'S A GOOD BIG BROTHER DANGIT I WANT THIS SIDE OF HIM TO SHOW MORE-

Hiccup worrying/getting upset/doing that I Have To Stand Alone thing and Rapunzel approaching him like "you're not the only one who grew up alone, you know. It's okay to rely on us, we won't let you down"

Hiccup doing the I Have To Stand Alone thing in general cause I don't see that a lot in crossovers or at least the arts

The others finding Jack in weird places because super-balance go brr

Jack being reluctant to touch any of the kids for any reason because he doesn't want to see the way they treat him change once they realize how cold and inhuman he really is

Merida recognizing Jack immediately as the only other obviously competent fighter by the way he moves (she was raised around all manner of warriors and guards, after all) and immediately setting about allying herself with him because Heaven knows they all need as much protection as they can get

Merida helping Hiccup to have a moment like he has in the HTTYD books where he realizes he's actually a really amazing swordfighter when he actually uses his dominant hand

Hiccup and Rapunzel asking Merida and Jack what siblings are like

Jack just treating them all like his little siblings

Jack and Merida gathering ingredients together and, depending on the region, Jack teaching Merida the safe local vegetation and herbs because he's been everywhere. Also, Jack teaching the others how to cook with local ingredients

Jack knowing a lot about herbal medicine and helping and teaching the others

After much internal deliberation, Jack choosing Hiccup to hold his staff while he takes care of two-handed tasks

Jack knowing how to style hair because of Mary, and he and Merida helping Rapunzel tame her hair

[junosswans]

FMA sketches by Ace Attorney's character designer, Iwamoto Tatsuro

For the past week, Iwamoto-san has been posting sketches of FMA characters on his twitter as a part of his daily sketching challenge and they are absolutely BEAUTIFUL.

I really want to share his art over here and also translate his posts for you all because I think his commentaries are quite insightful for people who are interested in character design!

[Those who know their AA lore would recognize him as who voiced Edgeworth (Mitsurugi) in the games :3]

Anyways, below are his FMA sketches he's shared on twitter so far! (Contains: Ed, Hughes, Kimblee, Mustang, Breda) You can click on the dates to see their original post. I will add to this post if he shares any more sketches, it seems that he has been on an FMA roll xD

###

25/11/2023

If you draw your favourite things out you will know them better! So, this is Edward Elric from #FullmetalAlchemist.

Even if you have decided on the pose you want to draw, it is better to sketch out these three first:

the moment before the pose is struck

the pose itself

the moment after the pose is struck

then decide which image works better for your art. I learned this from a really great senior of mine, and it is very solid advice.

###

29/11/2023 (Translator's note: I decided to move this one to the top because it is my favourite. No I don't accept criticism.)

I have been drawing Ed's automail again.

I like it when the machine part has a distinctly different silhouette compared to the human body, so I added some original ideas to the design.

What design should I draw next? Perhaps I should draw the military uniform?

# (combined two posts because they’re the progression of the same piece.) #

26/11/2023

Again, it is the time of "drawing your favourite things to know them better!"

It feels so good to draw such great characters...

27/11/2023

My Photoshop has been crashing for mysterious reasons the whole morning, and I tried to troubleshoot in the afternoon and it was a PAIN. Computers are really difficuuuuuuuult--

###

28/11/2023

Iwamoto-style drawing Masterclass: Bonus!

It is the "Give the leather and metal items a bit of flare/shine to immediately make the drawing look more complete"-jutsu!

###

30/11/2023

I wanted the clothes to give off an oversized, loose impression.

Canon Hughes didn't seem to be wearing a shirt underneath... hmm.

03/12/2023

I am beginning to understand the structure of the military uniform better...

Realising the butt flap/cape didn’t actually connect to the upper jacket is a shocker to me.

###

03/12/2023

A continuation of yesterday's sketch

...or so I thought, until I realized how King Bradley and Kimblee during the Ishval war had a different overcoat design, in which they actually wore a single long coat instead of a separated upper and bottom set.

###

04/12/2023

When his clothes were unbuttoned, there was something that looked like an additional button on his right chest... I wonder if it could be fastened from the back?

(Translator's note: sorry, I have no idea what button he's referring to here lol)

###

05/12/2023

I like how each character's personality was expressed through the way they dress. Contrary to his appearance, this person was very intelligent, which makes him such a great character.

[yuesya]

“They finally found her?”

This is not the first Pillar meeting that was held in recent times, but it is certainly an unusual one, because these meetings are generally never called on such short notice. Pillars have many responsibilities, and are often traveling all over Japan, after all. And yet, Kocho Shinobu can understand the haste in this case; the search for the strange demon slayer whom Rengoku had spoken of had finally borne fruit, and Oyakata-sama wished to meet her.

The strange demon slayer who’d killed Upper Moon Three in combat during nighttime.

All demon slayers know that there are two ways to kill a demon. Decapitation, or sunlight. Yet according to Rengoku’s report, the girl had not gone for either option. Beneath the cold moonlight, she’d sliced Upper Moon Three into pieces with a sword that was not forged of sun-blessed nichirin steel.

How had she done it?

“One of the Tsuchinoto-ranked demon slayers found our mysterious demon slayer,” Shinobu tells her fellow Pillar. “From what I’ve heard, apparently she wasn’t even aware that we were looking for her.”

It was strange that this girl had, according to the Tsuchinoto’s report, never heard of their organization before. Hadn’t even known what ‘demon’ referred to, until the Tsuchinoto had brought up her feat of killing Upper Moon Three. To which the girl had responded with a simple, ‘So that’s what they’re called.’

It’s not unheard of for humans to encounter and kill demons prior to learning about the existence of the Demon Slayers and receiving proper training and support. Shinazugawa Sanemi, the Wind Pillar, had deliberately gone around hunting demons on his own before eventually being recruited… and he had been in a terrible state at the time. If he’d continued as he was, he’d likely only have succeeded in driving himself into an early grave.

If this girl had managed to kill Upper Moon Three, then it meant that she’d been trained –if not specifically in slaying demons, then at least in the art of combat. And yet, Rengoku had said that she hadn’t used any Breathing Style.

Considering that no one had any idea of who she was, or where she’d come from… was it possible that she shared a similar background to Uzui Tengen? Shinobu knows that the man came from a shinobi village hidden away from the world, where children had been trained from birth in the ninja arts.

… But musing endlessly on the various possibilities will get her nowhere. It’s best to see the girl in person first, then make any judgments after.

…

Shinobu’s first impression of her is pretty.

The girl that walks through the set of sliding doors is petite, with delicate features that are almost doll-like. Long white hair, deep blue eyes.

But she’s not pretty in the way that one would say of the loveliness of flowers, or a sun-bright smile. Rather, the girl’s beauty is one that Shinobu associates with the fragrance of wisteria poison, or the sharpness of an open blade.

Dangerous.

Shinobu takes one look at the girl and immediately recognizes that her instincts ring out in warning. But what–?

“Thank you for accepting my request for a meeting,” Oyakata-sama says softly, a gentle smile on his lips. “I am Ubuyashiki Kagaya, ninety-seventh leader of the Demon Slayer Corps.”

“… Gojo Shiki,” the girl names herself, impassive and expressionless.

“It is a pleasure to make your acquaintance,” Oyakata-sama remains amiable. “I understand that you were the one to save Kyojuro. Thank you for–”

Oyakata-sama suddenly breaks off in the middle of his words, harsh coughs wracking his body. Shinobu abandons decorum, scrambling to reach his side; she’s a doctor–

“… It’s alright, Shinobu,” Oyakata-sama shakes his head at her. Blood trickles down from the edge of his mouth, and Shinobu can feel something in her chest twist horribly at the sight.

“No, Oyakata-sama,” Shinobu shakes her head. “Your sickness, it’s getting worse. You need rest, Oyakata-sama–”

“Not while there are still other matters to attend to,” Oyakata-sama rebukes gently, and Shinobu falls silent, biting her lip. “I am touched and grateful for your concern, but I am not yet invalid –and there remains much to be done.”

… Oyakata-sama is not one to shirk his duties, but he can’t go on like this. His body–!

“Is this why you sought me out? Because your curse is killing you?”

Shinobu stiffens, and whirls around.

“What do you mean?” she demands.

“Your oyakata-sama isn’t sick,” the white-haired girl shrugs carelessly, “He’s cursed.”

[demilypyro]

I knew I recognized that art style. This mangaka literally just finished their years-long transfeminine manga series two weeks ago and immediately started a new one. Legend

[jesncin]

Thinking about Disney and how we talk about Cultural Representation

(concept art by Scott Watanabe)

Old essay originally written on Cohost in November 2023. With additions.

With all the promo stuff about Disney's upcoming animated film Wish, I can't help but think about Raya and the Last Dragon again. I spent a year intensively researching things about that movie and the discourse surrounding it for a series of videos on Xiran Jay Zhao's channel, and oh boy did that reveal a lot about the current way we talk about cultural representation in casual media criticism.

Lately we've grown a habit of looking at signifiers to culture, things like a cultural dish, a nod to a martial arts style, a piece of clothing, maybe a hairstyle, a weapon and so on, and then projecting a bunch of intentions onto the work regardless of authorial intent. I witnessed this a bunch of times in discussions surrounding Raya and the Last Dragon.

You basically get a bunch of 4d chess-style justifications for the lazy implementation of culture in Raya.

random examples cuz there's too many to name:

The movie will do something like make the leaders of the villain nation women, and people immediately assumed it was some kind of bespoke reference to Minangkabau matriarchical society.

the art book of Raya specifically stated that they purposely misplaced things as a stylistic fantasy choice "we could take something that is known and place it in an unexpected location, like coral in the desert and cacti in the snow". But when people saw a water buffalo placed in the desert they assumed it was some super clever environmental story decision.

The movie will tell you it includes things like Borobudur, Angkor wat, Keris, and most people will take their word for it without hesitation. Never mind that Southeast Asians could barely recognize these nods to our culture through how amalgamated the designs are.

(early concept art by Scott Watanabe)

Moving forward, I think we need to talk less about "what" parts of a culture are being represented in these movies, and more about HOW they're being included, we need to ask:

What is this piece of media's relationship with the cultures it represents?

Because Raya and the Last Dragon is not a cultural movie, it's a monolith film pitched and written by white people and a Mexican director with 2 SEA writers added later in production to avoid backlash. Culture serves the purpose of aesthetic set dressing in the film, as opposed to something that informs its themes and characters.

it wasn't even initially pitched as a Southeast Asian movie. The white writers who pitched it were going for a vague East Asian sci fi fantasy story under the working title "Dragon Empire". Southeast Asian culture was an aesthetic change added much later.

This is what happens when a corporation tries to put representational value on a shallow aesthetic. Because of the way Disney constantly marketed Raya as this big authentic cultural film, it primes its audience to read cultural intention in the most benign details. And when we get lost in the details, we lose sight of the bigger picture.

Contextualizing Cultural media criticism

(visual development art by April Liu)

We need to start demanding more context in our analysis. The next time we see a reference to culture in media we consume, take a step back and ask what purpose it serves in the narrative. And most importantly!! What Is Its Relationship With The Culture It Represents? We shouldn't just accept things at face value.

start asking yourself,

through what lens is this cultural dish and its spicy flavors being presented to us? Are the customs surrounding the food being respected?

If martial arts or dance is represented, how is it translated in the adaptation? Are you getting generic hollywood-fu or are you seeing specific movements with purpose and motivation? Are the philosophies or spiritual contexts of these traditions present in the text?

Are the clothing, hairstyles, and presentation of the characters being de-yassified through a colonial filter? Is the non-conformity of the cultures' different framework for gender presentation being adjusted to fit a more recognizable binary?

If language is present, what role does it serve? Is it presented as other through being exclusively used by villainous beings? Is it being made a monolith as one "non-English" language?

is this temple actually a place of worship or is it just a set piece for a goddang Indiana jones booby trap action fight sequence

This way, instead of unquestionably defending a piece of media because a character wore a traditional outfit one time, or because some characters took their shoes off at a temple, or because there were Arnis sticks in that one fight scene, we can approach the text with a more nuanced and holistic understanding of how culture informs narrative.

To quote Haunani K. Trask (author of From A Native Daughter):

“Cultural people have to become political… Our culture can’t just be ornamental and recreational. That’s what Waikiki is. Our culture has to be the core of our resistance. The core of our anger. The core of our mana. That’s what culture is for.”

[pillowspace]

I like being in the tumblr Daycare Attendant fandom because I'll see a piece of fanart and won't even have to check the username to know who drew it, I'll just see the art style and immediately recognize who on this site it belongs to. I don't think I can do that in any other fandom I'm in