Ok Ok so.
In dpxdc stories. Danny always gets assumed to be sick or uses it as an excuse or whatever to hide his powers right?
What if he wasn't lying?
It wasn't something easily noticed, not when half a dozen other things could explain it after all.
The shakes lingering? Well he'd used his ice powers a lot the night before fighting Skulker.
The faint feeling and lightheadedness? Well his mom had a good shot when people didn't interfere, and while he healed fast, it wasn't from nothing; he felt better after he ate anyway.
Heart racing suddenly? Probably just attempting to regulate the low beat on reflex again to seem normal but over shot it.
But the getting out of breath or spotty vision hadn't really been easily explained.
It was Mr. Lancer who asked about it after he'd gotten up from his seat in detention-happening less and less for actual reasons and more an opportunity to safely do his work and rest, after the truce with the ghosts to leave him and the town be during certain hours-only for the next thing he knew he was on the floor, head pillowed on Mr. Lancer's sweater, and a cool wet paper towel on his forehead and neck.
POTS. Post orthostatic tachycardia syndrome. Not uncommon for those who had had injuries too their hearts to get.
It made sense when the teacher asked if he could have it. Apparently a friend of his's daughter had it.
From there, it made things easier to an extent. Salt was pretty easy to add, he figured out a wrist brace that he could extend into a cane if needed to.
In ghost form he didn't need it at all, but human form had its limits.
Despite all that he'd gone through, he graduates and even gets accepted to a college near jazz, hers was in Metropolis but Gotham had the ambient ectoplasm that he needed, and it was a day trip away.
And so Gotham U became his home, especially after his parents couldn't take that he wasn't "their son" anymore when he told them-after moving everything and getting his cheap apartment set up just in case. He considered it lucky that they loved their son enough they couldn't hunt "his ghost".
Last he'd heard they were working closer with the GIW but hadn't had much luck since the portal strangely closed soon after he left and the other ghosts didn't feel much reason to visit Amity anymore without him there.
It was Gotham U where he met Dick by literally fainting into his arms after a long day where he'd forgotten to eat and the early dinner the night before plus the going down the stairs at a quick pace and leaning forward with gravity.
"sorry, couldn't help falling for you~" the cheesy pick up line was the only thing his foggy brain could comprehend before he fainted.
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
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gojo would kill your work husband. but if he were the work husband, that's a different story
REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you
but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact.
he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared.
he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date
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hbo Ellie is so much more childlike in the best endearing way like how her face lights up at escalators and dancing with Riley or Joel testing her grip on a gun. Bella has captured something so special and in a way so much more heartbreaking because when the shift comes when something bad happens and Ellie is screaming or panicked or afraid or has to fight, it hits so much harder how young she is and how much of normal life she has never seen nor experienced. The closest was the mall and even that was ripped away.
Joel too is softer and shows more vulnerability and emotion, something Pedro does SO well and though two Ellies and Joels can and do exist, hbo is really tugging at every emotion and diving so deep with them in the show, its beautiful and painful and is only gonna make the future journeys of them hurt even more because in some ways they feel even more deeply connected.
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