#but i just dont know if i can do it anymore

[lovebunnie]

i dont get people who dont like s1 jayce. imagine you were about to watch your own mom die and die yourself as a child but youre saved by someone who you never meet again and he gives you the key that saved you. and then you spend years of your life dedicated to trying to bring that magic back, trying to help others the way you were helped. you put every once of yourself into your work so much that you dont sleep and you dont eat and you start to hallucinate and you have no friends because you just need to get this to work. it consumes you completely and you cant tell people about it because youre not even supposed to be doing it so you carry it with you every day, the brace as a reminder of how someone saved your life and you can save peoples lives too if you just figure out how. you can do it, you sign your notes because you know you can do it, its so close. and then suddenly one random day your lab is broken into and there is an explosion that destroys your equipment and everyone finds out your life’s work and they look at every day of your life you’ve put into this and say you have to stop. all your life’s work, every night without sleep has gone to waste and no one will listen to you. your mother says youre unstable in front of all your superiors, they vote on your fate and even when you plead its not enough and your life’s work is taken from you. and you try to fight for it again, go to the people who have vouched for you your entire life who you see as a second family and they shun you, youre dangerous, leave us alone. you have no one, nothing left to work for, goals unaccomplished, you dont have access to your work and every note you took is going to be destroyed and so you try to just end it all because that work is you. youre nothing without this work. but before you can do it one person reaches out to you and agrees to hear you out, says your work has merit and if your work has value then so do you. and you both fly and its your work that has finally gotten the attention of others. theyre listening but they were so quick to run and hide before, you cannot allow them to see your mistakes. so you kiss up to the people who once wanted you expelled forever and when they cheer for you, it feels good because theyre happy with you. youre needed. you have merit. you have worth because of the work so to prove to yourself that you have worth you keep kissing their asses because theyre funding the work. you almost lost everything and you just wanted to save people, all youve wanted to do was help people. the work comes first. the work has to have merit because you are the work. they love the work so they must love you, they could never expel the man on the blimp. but you love your partner, he loved you first. and you want to do right by him but you just grew up different, you dont know what its like to grow up like he did but you never wanted to hurt anyone. you want to understand but you cant. you were okay as the face because you needed people to love you because those same people almost took everything from you. and it took cradling your partners dead body in your arms to realize that you dont need everyone to love you. you just need him to be okay, and it drives you crazy. you never asked for any of the politics or the parties or the titles or blimps. you just wanted to be with your partner, trying to understand the questions of the world. and once the stars collide you dont even need the work anymore. you just need him.

[mxsticmayhxm]

want a guy who gets into my head and rearranges it without me knowing. someone i really, genuinely trust, maybe someone ive known for years. when i need comfort, i go to him. he always knows the right things to say.

thats why id go to him if i ever broke up with a girl.

and im someone who likes touch— hed know that. im sitting on his bed while hes bent down, brushing my hair behind my ear. hes so sweet, it makes me emotional all over again.

“theres nothing to worry about anymore," he whispers in a low voice, soft on the ears. its easy to listen to, i cant help but lean closer. his hand rests on my cheek.

"im here, hun. you dont have to think about it." its quiet in his room, just the ticking of his alarm on his nightstand, rhythmic in its clicks. soothing to listen to paired with his voice.

"in fact, you dont have to think about anything," he says, staring into my eyes. my head tilts. "we can stay here for a while. you can just relax, i know its all stressful." i find myself nodding. "so, you dont have to think."

"i dont have to think?" he smiles encouragingly.

"thats right. no need to."

"sounds... kinda nice."

"it does, doesnt it?" his hand moves to trace small shapes and circles on my thigh, just barely grazing the surface. "not a care in the world, nothing weighing your mind down. like your mind is a clear blue sky; all the clouds just slip away."

"mmm," i nod again. see, he always knows what to say.

"and since you dont have any thoughts to focus on, all you need to focus on now is your breathing. slowing it down, keeping it deep." my breaths start to follow along, and my eyelids start to get heavy. he gives me another smile as he watches them flutter. "thats alright, you can close them. you could picture that clear blue sky. the warm sun on your skin, making your body and mind melt slowly, dripping down."

dripping down, melting, warm, it all sounded so nice. all i wanted was to follow his voice into that sun, let it... "...envelop me whole, taking away anything left weighing me down." i feel my head slowly fall toward his shoulder, landing in the crook of his neck. his arms wrap around me.

"no girls, no exes, nothing like that here. just you and me. everything else just slips from your mind like they werent even there to begin with."

like they werent even there to begin with.

~~~

i dont remember how long i stayed, but it was dark when i left. i came over the next day-- i had nothing better to do, i knew id just wallow in my room if i was given the chance. i felt like being with him would make me feel better, and next thing i knew, he was welcoming me in through the front door. he already had calm music playing in the background and warm tea set out for both of us. he sat me on the couch and passed over blankets to bundle myself up in before sitting down next to me. we talk for hours. the time just passes me by so quickly.

"i dont know why you only ever dated girls," he said, laughing a bit. i frowned.

"i... ive been a lesbian all my life. ive only ever wanted to date girls."

"well, sure, but nothings ever really lasted, has it?" im taken aback, straightening in my seat a bit.

"im sorry? does that matter?"

"relax." my back fell to the cushions again without thinking. "youve always been so much closer with guys. i dont want to assume anything, but you just get along better with men, isnt that right?” i stare at my mug, feeling his words sit in my mind for a moment. i guess he had a point.

“i guess. doesnt mean ive ever wanted to date them.”

“doesnt mean you arent compatible with them, though,” he grinned, taking a sip of his drink, before looking at you seriously. “i just want you to find the right person. there wasnt any love in your last relationship, you told me so.” i dont really know what hes talking about, but i dont know what to say, so i stay quiet. “i know you. i think a man would be able to love you much better than any girl could. arent you even the least bit curious?”

i couldnt help but admit that, after hearing him ask about it, i kind of was. i nodded.

“maybe after a bit. well see. i need some time.” he nodded and placed a comforting hand on my shoulder.

“its okay, i get it.” he turned to the window, seeing how dark it was. “its pretty late, how about you just rest on the couch? its been an emotional few days. i could make breakfast in the morning.” my head was already lolling to the side at the idea.

“that sounds good. thank you,” i look into his eyes, “really, thank you. this all mean a lot, youre always there for me.”

there was a look in his eyes that i couldnt make out.

“exactly, hun. now,” he passes a pillow, “you rest, and ill wake you in the morning.”

as he left, he changed the music playing in the background to something slower, deeper. it seemed to worm its way into my head quickly. i fell asleep before i could even think about it, feeling him pull the blankets a bit tighter around me.

~~~

i ended up staying for a few days. i didnt know what id do if i left— its not like i had a girlfriend to run to anymore. so i rested at his home, even when he left for work. he always insisted.

“i promise im fine with it, hun,” hed say. “besides, im a good friend. what are good friends for?”

there wasnt much to remember about each day; they passed like syrup or molasses, and trying to think back on what happened felt like wading through the sticky mixture. when he went to work, i listened to the radio he had in the living room— he had a cd rack full of albums by people and bands id never heard of, but each track kept me more and more peaceful. when he came home, time was fluid. it didnt exist.

i was close with him before my breakup, and even closer now. ive found weve gotten closer physically as well, like somethings changed in our friendship. i hug him more, we half cuddle on the couch. ive even started holding his hand every so often. the touch, the connection between us just centers me so well.

his words, too. theyre soft. they find their way into my head and sink into my being somehow. i dont know what hed do without me.

were having a meal in the kitchen. i finished but just wanted to sit with him longer.

“gosh, how long has it been since your breakup?” he asks, bringing a fork to his lips.

i stop for a moment. i try to think. my breakup was…

i dont know. i dont know when my breakup was or how long ago. i dont even know what day or month it is.

“ah, doesnt matter,” he laughs. and suddenly, it didnt matter.

“have you thought more about it all? dating guys?” i played with my hands. i had. a lot.

and it was with him.

i dont know what it was. maybe it was the proximity, or the kindness, or the looks, or an amalgamation of all of it. but when i sat around all day, the only thing on my mind was him.

the warmth he brought when he sat next to me in our deep conversations at night. the soft touches. the smiles he would give me. just thinking about him now had me staring at his hands as he used his utensils. large hands, hands id like to hold, hands that could hold me tight, hands to undress me and suck on and use to—

“well, have you?” he says, breaking me out of my daydreaming.

“uhm. a little bit.”

“a little bit? no, youve been talking about it a lot more recently, isnt that right?”

i shook my head for a moment, trying handle the fuzzy sensation that flooded my brain. it was hard to remember what i was talking about now.

“i know i go on and on about dating guys now, but… i just want to wait for the right one to come along.”

“hmm,” he hums, nodding thoughtfully. “im sure youll find him soon. what kind of guy are you looking for?”

“i dont know, someone who really cares for my needs. when i dated women, they never really understood what i wanted. a man would know best about what i need in a relationship.”

his eyes gleamed at what i had said. i dont know what cued it, though. i was just being honest.

“tell me more.”

“dating men would just be much simpler for me. i cant love a woman, but i can serve a man.”

something didnt seem right, but the thought fell away into the pervasive fuzziness. his eyes looked so beautiful right now, all i could do was stare into them.

“thats right, you can serve a man. did you ever love women to begin with?”

i think back on all my ex girlfriends. i think of our intimacy, our dates, and i feel nothing. i think of what i could have, and all i feel is love for him.

“no. no, i never loved women. i could never be attracted to one. i…” my words drifted off. i was supposed to say something there. what was i supposed to say?

“youre straight, arent you, love?”

oh. that felt different. straight. i found myself starting to grin. straight, i… i was straight.

“im straight.”

“say it again for me.”

“im straight.”

“again.”

“im straight.”

“good,” he says, “good girl.”

my brain melts from my head. theres not much to think of past that.

[akascow]

UGHHH the way viktor was afraid of people forgetting his accomplishments and how his memory will be short lived only for it to ACTUALLY HAPPEN is SO FUCKING HEARTBREAKING

because he was never included in the hextech credits, his name isnt as publically known and ppl will only see him as That One Guy who started a cult and tried to take over the world or smth (IF that. like do most people even know thats viktor in there or is it just another Piltover’s nameless baddie of the week to them… sad)

and the FEW people who knew him and his contribution to hextech are either just dead or probably saw him as a villain as their last memory of him, was he even worth saving in their mind??

the ONLYYYY person who understood him and loved him for who he was (other than sky ofc, who also died lmao) was taken with him in death, so viktor’s story wont even live on in honor for how he truly was and what he really stood for, bc jayce is the only one who can accurately describe him post-mortem

and people will probably think jayce (THE GOLDEN BOY, MAN OF PROGRESS in the eyes of piltover) died trying to fight him bc no one knows what their conversation was about before they went out, or how jayce was willing to sacrifice himself too because he shares blame in it all, so theyll likely just villainize viktor for that as well, 'the one who killed jayce talis- creator of hextech'

and no one is alive to mourn him :( so fucking depressing

also i dont blame jayce for 'taking all the credit' like some people do lol ive seen ppl say he was egotistical and taking it all in for himself and pushing viktor aside, but he literally always says viktor is his partner and never implies that HE ALONE developed hextech or that hes the sole creator in it all

like its always been 'OUR inventions' and 'my PARTNER' and 'WE created this' whenever jayce talks about hextech. he literally corrects viktor from "your [jayce's] hextech dream" to "our hextech dream" the very first night they partner up bc, despite knowing this man for maybe 4 hours max, he already recognizes the importance of their partnership and that hes not the sole idea-man in this project anymore

i think that whole negative idea was probably developed from jayce signing every single page in his notes,, but itd make more sense to me that he'd do that- not out of arrogance- but he might share the same fear that viktor has: in being forgotten for his work... so he signs every page making sure no one can take a piece out of context and pass it as their own years down the line, or erase the possibility that forget the origin of the creator, especially in a world where a species like yordels are seemingly immortal, names hold a lot of weight as time withers tangible things away

and im assuming jayce recognizes that the fact that being from the undercity could have easily silenced viktor's ideas and contributions in the eyes of the public, and jayce doesnt want to diminish his work towards it. two very important lines jayce hears from viktor that night are "do you think i want to spend my whole life as an assistant" and "a poor kid from the undercity, no one believed in me, i was an outcast the moment i stepped foot in piltover" and he probably took those to heart (paraphrasing those quotes bc i have the memory of a goldfish or smth)

i feel like its moreso piltover to blame (? imo) lmao they set up jayce as the golden boy, and piltover is all about names and status and wealth. they very obviously discriminate against zaunites (and viktor himself states that too) like yeah we dont see the whole process of The Man of Progress being made,, BUT viktor expresses how he doesnt want to go out in front of people in Progress Day, so jayce is very much just respecting his wishes and boundaries to not drag him up there when hes clearly uncomfortable at the thought yk?

viktor might also recognize himself that piltover will use his knowledge as a celebrity idol for people to look at rather than as an actual scientist for people to acknowledge and appreciate. he wants to be known for what he did, not a soulless face for people to gawk at. makes sense tho, irl u usually dont remember celebrity actions unless theyre negative, but you do remember scientist's accomplishments rather than what they look like

ppl bring up the hexgate blueprints at the end and how it only has Jayce's name on it as another argument and idk i feel like it has multiple things to stem off that before getting to the 'jayce took credit for everything' idea?

maybe they were changed after the whole cult incident, like viktor's name taken off, which yeah thats obviously depressing in itself. i think its more likely bc piltover wont want their whole gimmick to be associated with that incident, rather than jayce purposefully leaving viktor's name out of it... thats probably the strongest explanation imo. we gotta remember viktor is quite literally jayce's best friend- do you really think jayce would take away his best friend's accomplishments like that? lets be real yall HAHA

my own guess is that jayce was actually the sole designer in the hexgate design, and while they can share custody, maybe viktor doesnt take credit for things that werent his ? like yeah they worked on the hextech ideas together but it could be more like jayce drew up the plans and viktor helped with the science of it idk, but thatd explain why only jayce's name would be on it (in a non depressing way that kind of makes sense), bc jayce designed the hexgates specifically

maybe viktor didnt want his name on it either bc reasons i said above, tho this is unlikely to me bc he probably wouldnt want his name taken off if he was scared about legacy erasure,, but these are just theories idk

anyway i think blaming jayce for viktor's erasure is kind of - uhm -stupid because jayce has always made it his goal to not just save viktor but to include viktor every time he brings up hextech in conversation, whether it calls for his mention or not. because jayce knows drilling viktor's name association as co-contributer to hextech into the heads of other people is important, considering viktor's background, and jayce's own current social status as the golden boy: the leverage he holds when he speaks. people will listen lol

[softness-and-shattering]

My experience is that people *would* describe birthing like this, motnhs of nausea in pregnancy etc. And then they saw me looking at them in horror and hastily add "and its the best thing Ive ever done and Id do it all again, just wait till its your turn, you'll understand" and Id mumble something and walk away.

I asked someone once, if its so difficult and painful and uncomfortable, how does anyone choose to do it more than once? She told me, she thinks Gd makes you forget a little so you'll be willing to do it again.

And sometimes theyd talk about how magical it was alongside the gory detail, how worth it it was to have their kid. Ok worth it for kid is at least a point I can understand logically if not viscerally.

And I kind of expected that Id grow out of it and one day id be like, oh that doesnt sound like complete and utter body horror anymore.

And like, I visit the idea occasionally. Mostly I dont get further than "Im disabled and struggling to look after myself and get care for myself. At this stage it would be beyond irresponsible to add in a baby. I worry I dont adequately look after my cats". Its not entirely off the table forever but its certainly not polished up on a shelf for me to admire, you know? If surrogacy was a real option that could be a real consideration but its enormously expensive and for good reason obviously. The body horror of it doesnt go away, I just wonder if its worth the outcome sometimes.

Im just still baffled how many people describe how awful it is and then assure me its the best decision they ever made. I dont doubt this truth for them. I just cant believe they thought it would be reassuring to me.

giving birth sucks tbh. not only do you and the baby you’re birthing almost die, usually you shit yourself and often you tear your taint. then you have to push an organ out of your body (placenta) and if even a little of that remains in your body, you can hemorrhage to death or develop an infection that essentially rots your body from the inside out. even if you had a relatively “easy birth”, you bleed for weeks on end. even after that stops, your body and brain is changed for the rest of your life, the pregnancy leeched minerals from your bones, that can cause osteoporosis later. minor urinary incontinence is not uncommon, brain scans of people who gave birth show permanent changes in their brain, you’re never quite the same.

I say all of this not to say giving birth is disgusting but it is a harrowing and visceral experience. society downplays how fucking awful it is and makes it out to be a ~magical~ experience but it isn’t a magical transformative experience for everyone. it can be an extremely traumatic experience for someone who wanted to carry a pregnancy to term, much more so for someone who did not want to be pregnant in the first place or someone who knows their baby won’t survive the birth. anyway, abortion is a right. pregnancy and birth aren’t just inconvenient, it’s fucking awful.

[moeblob]

You just made me realize for the first time since I've been drawing these guys. The person I have known the longest irl (met him in fourth grade and am still in touch with him) is a Scorpio. Holy moly.

[isuggestforcefem]

sorry to bother you but i rly don't know well where to express this. like. for most of my childhood i didnt really care about masculinity - but i also didnt feel much attached to femininity - however as i grew and during my teenage years and by now as im a bit older ive been thinking a lot abt these things and i just dont know. like when i was a teen i'd be ecstatic when my friends said that smth that i did was feminine; but i didnt really know why. and i remember when girl friends both now and then said that they think i'd have giant boobs if i was a girl (silly but ok) and i'd feel like. cool. it was cool. and as i've been thinking about this i've been experimenting a little using eyeliners and stuff like that and i'm terrible at it but when i get it right i feel SO pretty. but i don't know? what if i'm just, like, a feminine man? and like even if i'd feel pretty and nice i'm scared shitless of going out with even an eyeliner, imagine as.. as a girl. and i'm used to being adressed as a male and being called he even if i feel nice when people adress me with feminine terms. so i really dont know anymore. but, alas; if things were thirty times easier, maybe i'd transition asap. who knows

Transitionning is scary. It is. But there is so much joy on the other side, to be found, it’s very much worth it. If you can do so, try taking steps to be a girl. See how it feels to be you. You won’t regret it.

Find friends that can be here for you, too, to make it less scary.

[doodler16]

nobody can directly be linked the tweet anymore because viv privated her twitter, but if i remember correctly, when the dire gentlemen made a video on her with the title being the question of, "why did helluva boss fall off so hard?" after exes and oohs dropped, viv made a vague tweet about it. and off the top of my head, she said something along the lines of, "professional writers dont shit on other writers work publicly. professional writers know better," because the dire gentlemen themselves stated that they were professional writers in the video, or maybe because theyre publicly known to be professional writers based on that video where they critique lily orchards writing tips. i even remember someone else responded to that tweet and pointed out that she consistently doesnt take critique well publicly, and she said something in response like, "i can handle critique just fine. i just find it laughable when other professionals do things like this. its funny." it mustve stung for viv, because they used to make videos praising s1 a lot, not realizing it was because of brandon that the writing was as good as it was, and not because of her, if her heavier involvement in s2 is any indication. i mean, they REALLY didnt like the circus, and that was all written by her. anyway, hope someone has a screenshot of this tweet, because i certainly dont! i'll look on chaifootsteps blog for it, but i dont think he has it since people just sent in asks about how immature it was of viv to do that, not with a link to the actual tweet itself to my knowledge.

Don’t worry Anon, I got you. I don’t have Twitter but thank god for Google. (Hopefully it’s the right one). But yeah like I mentioned earlier with DireGentlemen they praised the hell out of Helluva Boss then season 2 came and they understandably got its ass.

[realhumanbaby]

what do you do for work? how do you make a living? how do you negotiate your days, works, dreams, and creative practice?

carole maso spoke, in an interview i can’t find anymore, about how she can’t come home from a day job to write, that time just didn’t work like that for her. and she refused to go to grad school right away because she didn’t want anyone telling her what she was there to do before she knew herself. so she worked odd jobs, temporary jobs, and she would take a couple of months working as much as she could, and then take as much time off as she could afford and write all day. and then repeat.

i love her solution but i don’t know that im cut out for it; i can’t really be without health insurance… i dont think I can really plan on hopping from one minimum wage job to the next… I need some sort of career, apparently….yet they all seem so suffocating. I want to be a poet, philosopher, artist; right now im studying to be a scientist. I love being in school, but I don’t know if Im going to love the careers that come after. Im terrified of embracing precarity for the sake of freedom, but it feels like the only freedom I can access is in precarity. :(

from your online presence it seems like you’ve figured something unusual and maybe wonderful out? or that you might at least be wise on this topic…

do you have a solution? whether it’s material or psychological or something else, Im turning 22 and willing to try anything different ….. what does time and work and career and money and fulfillment mean to you, what’s your negotiated relationship to it?

I am going to answer earnestly because today I love you. I know you feel a sense of urgency to produce, but you must understand something about the world before you attempt to capture it. The work is not an end, really, it is the residue of living. But you're right that the only freedom is in precarity. You may crave certainty, but what you really need is the opportunity to resolve uncertainty over and over again. I personally found it impossible to work for money under the pretence that I might use it to acquire beauty and love. No, I work for beauty and love directly. If you're scared, then you're on the right track

[thatdeadaquarius]

Hello ^^ r u alive??

Yes actually!

Shocking I know, but yall haven't heard from me bc I've been having a busy year.

TLDR: Moved out of homestate year after graduating college, working paycheck to paycheck now, while taking online class (still taking, ill be done mid january), got hit by Hurricane Helene like 6 months? After moving here, and have been recovering from that while also maintaining job/class.

(It was like Katrina but for this area, bc they were unprepared for hurricanes here)

Have had No time yo work on my hobbies really, and if anyone remembers by now, ive been working on a followup fic for the eldritch reader sagau one shot from,, last year? Idk anymore, point is!

I wanted yo write it all out then make just post the chapters one after another so u guys wouldn't be waiting months on next update (like my Players Possessions fic rn 😔)

But, ive barely had any time to myself, and I usually have been filling it with my class or living my life, or other hobbies, so on top of busy life I've been unmotivated bc I've had to force myself to make time and write it out

(I'm deadass fighting for my life against my fic writing style, which i guess is pretty long winded, so the word count is like,, tied me to a car and is dragging me tf out lol)

So im still working on that fic, so that way I can post all at once,

I also feel very bad for you guys who've left asks and im very slow, so they're pretty old now and I felt bad answering them so long after you asked :/

Ill probably still be posting them eventually, but just wanted to let you guys know im alive and very sorry about not doing your asks for forever (years atp??) /gen

(Also ive had like, no time since Fontaine let alone Natlan to even play Genshin LMAO, which makes writing about the new characters kinda hard obv lol)

Thanks for checking in, sorry for the word dump!!

Here's to a (hopefully) more active deadaquarius blog next year!! 🫠🎉🥂

Safe Travels, happy holidays, and if I dont see you, happy new year!!

💀♒️

[babymorte]

i just need to know what it is about me that everyone thinks it’s okay to constantly disrespect me and treat me like a subhuman. everyone keeps telling me it’s not my fault that i keep getting used and fucked over but the common denominator is me.

like i don’t know what it is about guys being on the internet that makes them think women are a roster for them to act how every they want and have no consequences. im sorry it’s fucking trashy and what’s worse is when they’re people you have been friends with for years. even worse when they’re in a relationship. being online does not mean anonymous and social media is not a fucking dating or hookup app and i dont do that shit. i dont associate with people who do that shit and i don’t tolerate it being done to me.

you can ask people to stop but unless they respect you and actually want to i guess change for lack of a better word you’re stuck on a constant cycle of this harassment and borderline mental abuse and it’s really starting to take its fucking toll on me.

I’ve lost some of my best friends who think i just fuck around with whoever gives me attention because of my personality i guess i don’t know but it makes me sick to my stomach and i have never hated myself more. and then to find out your boyfriend is/was doing the same thing? it’s fucking devastating.

all it tells me is that im worth nothing to no one. the only thing im good for is sex or my appearance and when they get bored of me theres always someone else.

i have given up so much of myself to people who don’t deserve to be a thought in my mind and I still will protect them because i want to be the better person.

i just can’t take it anymore. i want to be chosen by someone who chooses me. me the person. sure i want the compliments and the flirty bits n all that but like there’s so much more to me than just my appearance and it’s becoming sickening clear that’s all im good for.

i’ve never felt so alone and i hate myself for it.

[svtiddiess]

⋆˙⟡ svtiddiess tumblr wrapped 2024 ⟡˙⋆

Thank you so much to Raven @shadowkoo for tagging me! This seems like such a fun idea!

I'm forever grateful for all the love and support I've gotten this year! Through this platform, I've met so many wonderful people, many of whom I can truly call my close friends. Thank you so much for all the likes, comments, and reblogs, you leave on my fics, they really mean a lot to me ♡ I hope to continue putting out fics and sharing my love for writing, SVT, and tiddies. See you all in 2025! ♡

2024 FIC STATUS

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Thot Hour (1.7k notes) Mingyu x reader

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↳ there's nothing i love more than a man groveling for forgiveness LOL the intro alone had me hooked. i do love when he cracks tho, not able to take it anymore. we love men that are down bad for their girls 🥹🖤 @shadowkoo

↳ #im jealous i wanna dream about some yoga mat fun too @luvseungcheol

Nom Nom (1.5k notes) Seungcheol x reader

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↳ #what the fuck!!!!#screaming without the s#the way i already think bout this man’s tiddies 24/7 and now THIS????#about to reach levels of delusion never before seen in humankind I mean that with full seriousness and as a warning @nightshadeblooming

↳ #used as a wallpaper???#this is vile#EUNHA YOU'RE FUCKING VILE#svtiddiess has never been more accurate before @multi-kpop-fanfics

↳ #SCREECHING HERE#need to mark him up good and proper#like fr fr#that man NEEDS to be bitten#I dont make the rules#I just enforce them @whipped-for-kpop-fics

Sex Education (1.3k notes) Mingyu x reader

Favourite Comments:

↳ Oh sexy nerd 😩👄💗 @thepoopdokyeomtouched

↳#SUBBIE GYU IS MY WEAKNESS#oh my lord#oh my fuck @feat-sun

MOST RECENT FIC OF 2024

Moonlight (posted 28/12/2024) Jeonghan x reader

Favourite Comments:

↳ The way you wrote this I felt like I was actually there @do-you-remember-summer-127

MOST LONGEST FIC OF 2024

Green Eyes And Confessions (3.9k words) Mingyu x reader x Wonwoo

Favourite Comments:

↳ #I HAVE READ THIS APPROXIMATELY THREE TIMES NOW. OR A LITTLE MORE#the buildup??? delicious. conniving mingyu??? scrumptious.#WONWOO'S SWITCH UP??? ABSOLUTELY DELIRIUM-INDUCING @kwondotcom

↳ Rereading this while in heat was not a good idea 😖 but a GREAT idea 🥵😝💦💦 @brownbunnyb

PERSONAL FAVOURITE FIC OF 2024

Quiet Baby Seungcheol x reader

My first ever smut fic! The one that started it all. It might not be my best work, as I've improved a lot since then but it'll always hold a special place in my heart ♡

Favourite Comments:

↳ #unintelligible thoughts#as for enjoying it?#yes#thoroughly#in fact#im logging off till i recover#you have @svtiddiess to thank#yes i know i participated#but this?#😭😭😭😭😭#shambles @brownsugarbaybee

↳ Me when i realized there's only one choi seungcheol and i can never have him this way #SCREAMMMMINGGGGG WITHOUT THE S#you did so well bby 🩷#the jumpscare in the middle of the cafe was worth it @tomodachiii

FAVOURITE READS OF 2024

⭑.ᐟ Troublemaker by @whipped-for-kpop-fics ⭑.ᐟ Hush by @sailorrhansol ⭑.ᐟ The Intruder's Eyes by @miabebe ⭑.ᐟ Creature's Of Desire by @ddeonghwa-s ⭑.ᐟ Tease by @gyuzgrl ⭑.ᐟ Anything And Always by @miabebe ⭑.ᐟ Calendar Killer by @miabebe ⭑.ᐟ Sixth Sense by @gyuzgrl ⭑.ᐟ Crossroads by @smileysuh ⭑.ᐟ $60 billion by @onlyseokmins

MY TOP TRACKS OF 2024

➣ LALALI - Seventeen ➣ Rain - Seventeen ➣ Whiplash - Aespa ➣ Supernova - Aespa ➣ Igloo - Kiss of Life ➣ 1-800-hot-n-fun - Le sserafim ➣ Kazino - BIBI

GOALS FOR 2025

✮ Finish and publish all wips and write more! ✮ Adopt a more active lifestyle. ✮ Get back into reading books.

No pressure tags: @tomodachiii @welcometomyoasis @soo0hee @chanranghaeys @c-oupsie @pochaccoups @diamonddaze01 @ylangelegy @brownsugarbaybee @miabebe

+ anyone who wants to do it!

[sukunafuka]

NOOOO MY PHONE DIED AS I WAS WRITING BUT ITS OKAY I WILL TRY TO REMEMBER WHAT I WAS SAYING *clears throat*

HEAR ME OUT. after puppy!satoru and puppy!reader mate for the first time they CANNOT get enough. satorus libido especially is crazy. he just wants to keep cumming. however he figures out that when he knots reader it exhausts them and prevents them from going for more rounds like he wants… so he compromises. he fucks between readers folds and only puts the tip in to cum inside, basically pussyjob marathon sex. at first reader is enjoying this too but they dont want to just cum, they want to be BRED and its not enough. satoru is so delirious and obsessed he mistakes the whines as that of pleasure instead of overstim… and then owner!suguru comes home. sees whats happening. clocks immediately. oh no my poor puppy!reader. hes angry at satoru yes, but theyve only just started to mate and theres no way satoru is doing is maliciously. either way hes told off, shoo’d out of the bedroom (not before giving reader a quick apology lick) and suguru locks him out. he doesnt often get angry but hes had a long day at work. reader is whining, tearing eyed, rubbing their soaked thighs together. he tries to comfort them but they paw at him and kiss him and take his hands to place on their chest to play with and suguru just. folds. his poor puppy, his angel unsatisfied? not on his watch. so he takes his cock out, runs it through satorus loads and readers wetness before pounding them so good theres a good chance they wont even care for satorus cock anymore. has to bury his face in their tits so he doesnt bust immediately from the look on their adorable face. he feels so filthy and guilty but it feels too good to stop. like puppy like owner? and if he creampies them just this once no one has to know right? hes doing this to satisfy reader! totally not because the thought of him breeding his own puppy is so perverted that he cant help but indulge. (satorus sadly pawing at the locked door)

mb that was totally self indulgent thank u for reading my ramble. tldr: guys cucks his own dog 💀

oh my fucking god. i’m so serious when i say this was so hot that i double tapped my phone as i was reading it bc i forgot it wasnt its own post💀💀💀 anon can you be my mate instead🧍‍♀️ ily and ur brain <3333

CUCKING YOUR OWN DOG OMGGGG POOR SATORUUU all he can hear is your breathy whimpers and deeep groaning ‘mfh’s coming from suguru, along with the rapid banging of the headboard on the wall lmaooo

IMAGINE satoru whines a particular loud whine behind the door and it makes suguru feel bad so mid thrusting inside of you, suguru grits out a ‘it’s—ngh— okay, boy. g-go to bed toru. ‘m just gonna be a— fuuck!— a second!’

satoru doesn’t even know better to understandably be like wtf?? that’s my mate that you bought for me and now ur fucking her?? ur own puppy??

suguru knows it’s soo wrong, the world would absolutely spit on his name if anyone knew he fucked his own hybrid puppy but he just can’t help himself😵‍💫

[bookishfeylin]

Hmm. I didn't want to do this, but after receiving a lot of harassment here and on Ao3 I'm debating abandoning ACOHAS. It is just... not fun to go there and expect negativity all the time about THAT ONE THING so my internet experience would be much better by simply stopping with that one fic BUT it also is the fic of my heart and I have so many arcs I want to complete, so I have really mixed feelings on it :(

[belobogindustries]

PHAETHON

[im-smart-i-swear]

coming back home.

@barrenclan

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.