#but i guess its more about the story and less about the art

[osakanone]

🎵 4Aesthetics

I don't believe they did copy his older works given how much of a departure most of the designs are and how much osmosis has happened since Kawamori's last contribution to Armored Core prior to 6 was Armored Core For Answer and only the NEXT, White Glint in 2008.

AC6 went in to development in 2018, which puts a full decade between Kawamori's prior work and the nature of mechanical design is like that of horizontal gene transfer: there's an enormous amount of contact inheritance, so much so that you can't really use terms like copy and instead iterate or explore is better -- which 100% happened given the length of the timegap.

Mecha evolution is parallel, as many have said before and Argonbolt recently reiterated -- though from a presentation standpoint the taxonomic format of the video feels shitposty, I think taxonomic-adjacent descriptors are a really good way to think about mechanical design, and design as a whole.

I haven't yet gotten around to a translated read of ARMORED CORE VI FIRES OF RUBICON OFFICIAL ART WORKS as I'm busy with other projects right, and I'm a lot less enthusiastic about 6th gen than 4th gen so its kind of on the backburner.

tl;dr of why I'm less enthused: I very much agree with the Steam page that AC6 is based on the concept of Armored Core, but I wouldn't say that it is Armored Core, truly since it lacks the fundamental combat calculus defined by rates which is why AC6 is so statistically biased over being mechanically balanced. This is why the combat doesn't resolve in a satisfying way, and why the meta keeps dancing around its fundamental problems. I noticed this before the game was released based on the motion footage we got that was leaked. Following the game, my suspicion was confirmed by Inveigh and SilverGlint who felt the same way, who I consider far more hardcore players of the game than me, and I got a few apologies from people who thought I was exaggerating the design issues. I'm still very sore about AC6, both its gameplay and its story. <grievences>

Moving along:

To my understanding, Kazutaka Miyatake, Takayuki Yanase, and Ikuto Yamashita were staff designing for Armored Core 6?

Kawamori only designed IBC03/HAL826 and IB07/SOL644 afaik.

Like he gets a lot of credit, but the idea that he does "all of the design" for Armored Core is a massive misconception.

I don't know if Makoto Kobayashi or Wataru Inata, Masahiro Miki, Akihiro Goto, Kaichi Satou or Tetsuya Taniyama have returned.

I don't understand the capacity Kawamori functions under when he staffs at FROM, but if I had to make an educated guess I'd say he either briefs other designers, or serves as a means of keeping other designs cohesive in design reviews. There isn't a lot of discussion about this.

Like Okawara, he's a designer who needs very strong direction to produce good outcomes, and I get this might be heracy but his newer work while more mechanically cohesive in terms of the ability to execute on it as a physical product like a model toy is far less stylistically ambitious with its forms.

It has a far more passive appearance which in 2024's design climate (especially that of twitter or pixiv) feels very strange in a post-Syd Mead and post-Yuzo Kojima era.

This is characterized by narrower hips and a greater emphasis on chasing a more humanoid form which ironically is less characterized, less recognizable and less iconic.

I consider this kind of strange, given that Kawamori's original trick was that audiences were really really forgiving of what a robot would look like despite being somewhat strict about vehicles, and he used this to his advantage throughout many of his transforming designs.

It feels like the problems of the mechaical designs and how hard they are to realize into functioning models in Macross Plus kinda... Haunt him? Like he girlbossed too close to the sun?

My personal theory is there's a habit of mechanical designers who get typecast or trapped into redesigning the same problem for a really long time: Just like neural networks can hallucinate or hypernormalize values beyond norms to chase a utility function the same is often true of design.

I think this is what Takeshi Murakami was trying to say in his sculpture, Second Mission: Project Ko^2, which is an anime style naked girl of the era and style of Studio Nue (when Kawamori afaik got his start) transforming into a fighter-plane in an act of fascinating if grotesque body horror.

aside: I wonder how Kawamori feels about Second Mission Project Ko^2 almost daily, and if I go to Osaka Expo 2025 (which two people want to take me to) I want to ask him since he has a booth but I feel it would be really impolite???

This is how you get really strange gangly forms, or structures which don't make a ton of sense, and is honestly the work image collaging AI systems were most interesting doing.

Human designers replicate this too:

You see it with the recent BMW car designs with their giant snouts, and you also see it in Apple's fetishistic obsession with less buttons reducing to one button with the iPod nano 3rd gen which was considered unusable since users had to memorize tap sequences to use it.

Its like a kind of Fisherian Runaway but for design

I think too, we also see this in some of Mamoru Nagano's work on GothicMade, where his reinterpretation of Mortarhedds has become hypernormalized.

I'd really need to think more on this.

I don't know why this giant discussion fell out of me, and I'm not even sure how "factual" a lot of it is.

I feel a lot of what I'm saying is probably rude or perhaps even parasocial on some level, and the thought of actually testing any of this or publishing properly would insult an entire industry of wonderful people I hold nothing but the deepest respect and admiration for.

That said, I still feel compelled to write.

Its very vibes based and while I'm providing evidence, I'm probably either making a massive mistake and confabulating information/hallucinating linkages as a mentally compromised individual with autism who thinks far too hard about fictional robots and the schools of design that link them together or I'm making an insight that people will talk about long after I'm dead if my blog survives.

Then again, maybe the fact I'm even contemplating that I might be wrong might mean I'm actually covering my bases and I might actually be right? That's... The feeling I have? I wish I were brave enough to make video essays.

The thought that someone might actually read any of what I write, and even enjoy it is one of the seven thoughts that helps me keep going through my depression.

Take care.

Remember, the ask button exists.

Armored Core VI Fires of Rubicon Official Art Works

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[betweenblackberrybranches]

DUDE!!

You said castle in the sky AU.

You summoned me!

I just wanted to share this drawing I did last year for castle in the sky!

These designs probably very different from what your thinking for the story your thinking of for your AU but I could help but rush over all excited to share.

I’m feeling - Same Hat! - meme if you feel me?

Anyway, I’m super excited to see what you do with your new AU! Everything you’ve come up with so far for our celestial boys has been amazing and I’m sure this will be too!

Isndidjeiwnalwisosbalsndl waaaaaa<333 that drawing is super cute!!!!!💕 looking at them softly

Also yoooooo same hat!

But yea i kinda didnt go the same way with borrowing design elements for the guys from the movie but im probably gonna rework everything anyways i just kinda made them look generic for now :/

look under the cut for the least spoilery part of the page that i could make a pic of

Pls dont mind the shadows there is a tree right in front of my window

[wizardsix]

it's fun to look through datamined stuff but I need some of you to stop getting mad at larian for scrapping ideas you thought were cool. cool doesn't mean it'll make sense in the overarching story, and maybe larian likes this version better, or sometimes ideas just didn't work well with what they had in mind. I know this first hand from writing stories, I'll have cool ideas but realize later it doesn't fit the original tone of the story. it's okay to scrap stuff, but you can always use it for something else.

also, like it or not, it's larians game first, their story, their characters (I know.), it doesn't matter if we think something is cool, the reality is that not everything works in the end. and that's fine. that's how all art is, it's alive and ever-shifting, it'll go through many, many, versions, to the point where you might get sick of chewing on the same plot, and in the end the final version might not be as good as you thought when you look back in a few months or years. and that's ok. art isn't supposed to be perfect.

everything is subjective and I think fandoms would be a more intellectual place if people learned to critique art for what it is not what it isn't.

[inkedinfusions]

the imagery for that whole paragraph is STUNNING! I can imagine it so perfectly in my mind with the way you describe it. Istg the way you describe things is pure art in and of itself

!!!Thank you!! I find that I really like writing descriptive scenes. That is also why I struggled a little with the dialogue in the beginning, because up until the key, all the short stories I've written have no dialogue at all. I love love love describing spaces, feelings, and the character's metal state. I think they can be used by the reader to better insert themselves in the scene.

I love that you added this in cause I’m betting a lot of people might’ve been questioning if it was Zeke too

Yes! Its a logical conclusion on a surface level, but we must not forget that the Scouts had absolutely no idea that the Volunteers were a thing, and much less that they worked under Zeke. Also, it would be impossible to send anything to the island prior to Yelena's ship, as there were no other shipments to the island from anyone else, and Paradis does not have any radio technology yet.

same Reader saaaame! I can imagine it so perfectly in my head too the little smile he gave us 🤭 got me giggling and shit

Meeeee!! My sister is used to my bs so she didn't question me when I started giggling in front of my computer lmaoo

so I’m guessing then based off that line that I was right to have guessed last chapter that it is due to his future memories that he knows Readers name. That’s so interesting and I’m curious to see Eren potentially tell Reader all about that and just see what he knows

Ding ding ding! You were right on the money. I like the idea that, just as aot is a timeloop of sorts, fics are timeloops too. So I incorporated than into the key. My reasoning is: if Y/n is going to be an important part of the story, and future!Eren sends key memories to his younger self, then why would she not appear in the memories? Kinda spoilery but not really because its an Eren fic, he knows (being the Attack Titan) how the government or military would react to a random girl, much younger than any of the Volunteers, arriving to the island, and then becoming close to The scout squad. So in order to ensure her safety he ■■■■■■■■■■■■■■■■■■ (<- you can probably guess but I'm keeping it hidden for my own enjoyment lol)

AHHHHHHHH THE TAPESTRY LINE AGAIN!? it’s so gooooddd!!! I’m so happy you used that metaphor again! I love especially that you used it for this line here “…a loose thread will ultimately be pulled by an unknown force, sending you tumbling down once again.” It’s just such a good metaphor and I love the way you’ve been using it

Tapestry metaphor! Tapestry metaphor! Tapestry metaphor! Metaphors and anaphoras my true loves.

girl I don’t know why you were scared about writing the scouts wrong! I love the way you wrote Hange. I thought you captured her more… eccentric and dramatic (idk what other words to use) personality really well and I also loved how you wrote Levi’s distrust of the volunteers

Aughhhh thank you! I always get nervous when writing new characters but they always end up writing themselves. Levi is def not trusting the Volunteers, but does he trust Y/n? probably not guess you'll have to wait and see.

oooo that’s interesting. I’m excited to see what they wanna do with Reader

:DDDDDDD

Anyway, thanks for writing out your thoughts! I always look forward to reading what you thought about the chapter, as well as any theories you have for me. Thank you for reading!

𝐭𝐡𝐞 𝐤𝐞𝐲 | eren jaeger chapter 8

⊱𖣂⊰ | In which you fall into a fictional world with the key to Pandora's box.

⊱𖣂⊰ | masterlist

⊰– prev   next–⊱

𝟎𝟖 | 𝐢𝐧𝐭𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬

chapter word count: 3.3 k

content warnings: blanket warnings

a/n: So we are doing this again, where I say that I'm too busy and the next chapter will take a while and then I turn my back and upload on schedule. Anyway. I hope ya'll enjoyed last chapter's cliffhanger!

Thanks for reading!

𝐓𝐎 𝐒𝐀𝐘 𝐓𝐇𝐀𝐓 𝐘𝐎𝐔 are taken aback is a gross understatement; you’re utterly stunned. Your eyes widen a fraction, and for a millisecond the air, the ocean, and your heart all still. 

Never in your dreams –well, maybe some of them– would you have thought that your name would come out of his mouth seconds after meeting you. There are no introductions to serve as prelude to his words, no past interactions to serve as crutch for rationalization. 

The gleaming moonlight is suddenly much more brilliant, bathing you both in silver rays. Your hair sways in the salty ocean breeze, and so does his, matching yours in a gentle rhythm. The wind is much calmer than the storm that heralded your arrival, air strangely warmer despite the environment that would suggest otherwise. 

Your name in his lips is not a question, but rather an answer. 

He, somehow, knows who you are, as his tone does not ask if that is your name, but instead states it with the certainty only someone familiar with another can. It is strange, how his eyes speak of understanding, how his stance speaks of kinship.

You are frozen in place for what seems like eternity, but is likely just a couple of seconds. Hange’s enthusiastic voice is lost in the pulse of the sea’s waves, in the drum of your heart, in the whisper of breath of your unasked questions. 

How? Is the first one your mind asks.

Zeke, you reply, before discarding the idea. It is neither logically sound nor something coherent with the instructions and warnings you were given. The Scouts never knew about the Volunteers before they set foot on the island, never considered such an organization's existence in the first place, and much less one that Zeke led. 

Invariably, you know him. 

Unexpectedly, he knows you. 

“What?” you instead ask out loud, when you notice that he is searching your response for confirmation.  

You hesitate with your question, not unlike when you first asked Yelena who she was. It is terrifying how, just when you feel you have a grasp on what is happening, the rug is pulled from your feet and you are left dazed and confused on the floor. 

It makes you think that when you reweave a new carpet from your loom, when you believe you can see the whole picture it depicts, a loose thread will ultimately be pulled by an unknown force, sending you tumbling down once again. 

You are a bit embarrassed of yourself when he gives you a small smile and your stomach flutters just as your cheeks heat up. Maybe this is a dream you think, and it's not the first time that you are hesitant to accept reality, but it is the first occasion that you don't compare it to a nightmare. 

“Don’t pretend like you dont know me,” he says, further baffling you. “We both know way too much for that.”

“We do?” you ask, before correcting your tone. “We do.”

Eren tilts his head slightly, transferring his weight from one foot to another. “Yeah.”

You’ve noticed that there is a lot of space for silence in your life. Whether it contains unsaid secrets, unasked questions, or unresolved doubts, it always lingers behind you, never broken, never explained. 

And yet now, even with the uncertainty with which you approach the newborn conversation, there is implied solidarity in his words, in his actions. Eren didn’t try to pretend he was ignorant of you for the sake of having aces under his sleeve, nor did he attempt to trade that tidbit of information for another. 

Instead he came down the hill –because you are certain he was given explicit orders to not approach the ship’s crew– and talked to you, making it known that you had a connection. One that may only be just brought forth, but that came to life months before your first meeting, when he received his medal and his memories and his burden, and when you watched his story and his rage and his salvation.

You hear a whistle in the distance, and you whip your head towards its source, the sand and rock shore where the two Volunteers and two Scouts remain. You glance at them, too far away to distinguish their faces, their number, but knowing anyways who it is that stands there. Or maybe not, but you couldn't bear to think that your information was now obsolete. 

“I have to go,” you confess as if it is a great sin. 

Eren, who also turned his eyes to the shrill whistle, looks at you again. You swear his eyes soften, and gleam with something akin to… beholding? As quickly as these thoughts enter your mind you dismiss them, because, even if he could claim to know you through his future memories, it doesn’t excuse what you think you see. And so, you conclude it must be a trick of the light and of your perceived closeness to him through his story. 

He nods, not moving from his place between the dunes. You swallow, also not wanting to withdraw, but then you blink and the spell is broken on your end. The sand once again crunches underfoot, but then you stop when he calls your name again in a soft voice that is carried your way by the salty breeze. And so you cast your eyes upon him again, humming questioningly.

“Tell them your name,” is what Eren says after a moment. “They don't know,” he continues, infusing the word with weight, “but they learned.”

And it should be painfully awkward, how blunt questions and half finished answers are being thrown about, but there is no discomfort in the exchange. You know, and he knows, and you hadn’t realized how refreshing it was to just be, not relieved from the burdens but breathing in spite of them. You wonder if he has come to the same realization. 

“I will,” you say. “Thank you.”

“I’ll find you later,” he says. 

“Yeah,” you answer, almost tripping over your words. “Okay.”

You dont think to ask why until much later, when your feet have already taken you to the other side of the pier, sand crunching rhythmically under your robotic footsteps. Why he would tell you, and why now, and why in that way. But the more you delve into it, the more obvious it becomes. 

Eren knows what is supposed to happen (giant footsteps and crunching bones and the spray of blood and–) and is, in his eyes, powerless to do anything but follow the path already established by his future self, who is likewise chained by the same revelations. Perhaps you are as well, if the haunted look in his eyes is any indication of the unstoppable future that will be realized in a little more than three years. 

Still, everyone seeks salvation, even those who sacrifice themselves in order to save others. You and him are no exception. 

You will save him from his preordained fate, determined by his past, by his future. He will save you from your uncertain destiny, shrouded in mystery and paradoxes. 

Maybe you don't need to reweave a new tapestry just yet; maybe it's enough to only untangle the yarn. 

Hange Zoë is no less enthusiastic than the character you used to watch on Tv. Levi Ackerman is no less distrustful than the man you read manga about. They haven’t greeted you yet, as you’ve only just arrived to stand behind Yelena, next to Onyankopon. 

He glances at you when you arrive, silently asking with his eyes what held you back. You shake your head almost imperceptibly, imploring that neither he nor Yelena press the issue. 

“Is that her?” Hange chirps, curiously referring to you. 

You almost want to look behind you, to see if there's anyone else they might have been talking about, but you know there is no one else in your vicinity, and you're the only one who has approached recently enough to warrant the question. 

“She is the last one.” Yelena says. “Please excuse her tardiness.”

“Oh! Well, in that case it's so nice to meet–” 

“Four eyes,” Levi interrupts. “Now's not the time for chit-chat.” He turns to glance at you, before returning to look at Yelena, the de facto leader. “Expect the ship to be searched while we escort you three to our base.”

“I would expect nothing less,” is what Yelena responds. “Your caution is commentable.”

“Sure,” Levi says dryly, not an ounce of belief in his voice, signaling unnamed Scouts to march onto the ship and its crew. “Get walking.”

You all file in, walking amongst the dunes and rocks, with Yelena at the helm of your little group. You feel eyes on you, but when you turn to look no one in your direct vicinity is watching. Instead, you trip when going up some slippery rocks, too preoccupied with searching for nonexistent eyes, but fortunately Onyankopon catches you, grabbing your arm to prevent your fall. 

The rifle slung over his shoulder rattles with the commotion, and you feel how the others turn to look at you, before registering both your actions as non threatening. 

“Careful there, kid,” Onyankopon says. 

“Thanks,” you say breathlessly, heart still reeling from your near slip. “Sorry for the, uh, tardiness.”

“It's all good,” he reassures you, although you know your notoriety for being late is only growing. 

You also know –well, maybe not know, but you are smart enough to deduce– that Onyankopon does want to ask you about your reasons for not heading directly to the pier after the Volunteer in charge of letting you out of your small cabin reported to his post. 

But he won’t pose the question right now, where there is a great chance of being overheard, and where exchanging secrets would only cause more suspicion from the Scouts. 

There is no idle chatter as you make your way to the multiple tents that make up the Scout’s base, scattered around an open field in an orderly fashion. Small yellow dots light up the entrance flaps of each green structure, and there are multiple barrels strewn around. 

You once again feel eyes on you, only this time you are aware of who those eyes belong to. It is a given that the other soldiers would be apprehensive about the Volunteers sudden appearance, but you notice how their attention lingers a tad too long on you. 

You force yourself not to squirm under the weight of their curiosity, of their judgment. Yelena and Onyankopon get noticed as well, but it is you that garners the most attention. Because, well, adults are what they expected Marley to send, but a teenager? Even if you are older than some of the recruits and Marley didn’t actually send you, it was still something they didn’t account for. 

So it is strange, even to you, who was made aware of this prematurely, how you are included in the small group with the proclaimed leaders of the Volunteer faction. Yeah, you can see why all eyes are primarily on you. 

Hange reaches a tent that seems larger than all of the others, and enters through the flap, and the rest of you follow, flanked by Levi. They grab at the knob of the hanging lantern and the space is coated with light. On the inside there is a table and red chairs, two on one side, two on the other. Hange brings a third one from a corner, raising the total to five.

“Sit, sit!” they usher you, taking their place on the other side of the table. 

“Weapons on the table,” Levi says, less enthusiastically. 

You don't have any weapons to turn in, so you walk towards the chair on the far right and sit, fiddling with your thumbs before you remember to quash the anxieties bubbling inside of you. There is a strong sense of deja vu when you reach for one of the teacups gingerly placed on the table, noting with some sourness how bitter tea always seems to follow you in interrogations and introductions. 

You disassociate for a moment, choosing to retreat into your thoughts, rewinding your earlier interaction with Eren over and over again, not unlike what you used to do with his older brother. 

What sets it apart is the intention with which you are dissecting it, turning his words upside down to squeeze more of that refreshing understanding (You know, and he knows, and you hadn’t realized how refreshing it was to just be—) out. 

There is silence again, but this time it is filled with tension. You blink, unsettled by the lack of discussion between the two Volunteers and the two Scouts, only to find the later ones looking at you expectantly, Levi’s expression disguised with more finesse than Hange’s.

“…Sorry, what?” you ask. 

“Your name,” Hange clarifies. “I asked for your name.”

“Oh,” you say. “It’s Y/n.”

There is something almost imperceptible in the way Hange fiddles with Yelena’s gun, a recognition in both their and Levi’s eyes that you might’ve missed were it not for Eren’s insistence in presenting yourself with your name. 

You risk a glance at Yelena but her eyes are on you, not them, as are Onyankopon’s, so you let yourself breathe, halfway convinced they didn’t notice.

Hange does not miss a beat. “It’s nice to meet you Miss Y/n!” they say, drowning out your protests of Just Y/n please— and placing the gun back on the table, next to the rifle.

You nod, hesitant. “It’s nice to meet you too, uh, …?” You trail off, not remembering if they already introduced themselves or not.

“Hange Zoë, at your service!” They say, nudging Levi when he doesn’t say anything.

“Levi Ackerman.” And if you notice the distinct lack of add on like Hange’s introduction, well, that is to be expected.

Yelena takes the opportunity to steer the conversation away from pointless (to you) introductions and unimportant (to her) dialogue.

“So, about our proposal…”

She launches onto the plan you rehearsed and memorized with Zeke, drilled into your mind enough times as to prevent any slip ups of the scheme only him, Yelena, and you know.

It’s not different at all from the one presented in the series, and although you now have it branded deep in your mind, back home you had to watch several videos and read several posts in order to understand. 

The beauty of Attack On Titan was in the convoluted yet intriguing plot and themes, yet sometimes you needed outside help to comprehend half of the stuff that was going on. The fact that each character has their own motivations and their own secrets on top of the changing allegiances do nothing to help.

Still, hours and hours spent scraping the wiki and watching compilations finally pay off, and you’re confident in your ability to not only remember each plan, but also the people involved and the moments in which their loyalties shifted.

The motions are well rehearsed; Zeke will contact the nation of Hizuru, and Hizuru will contact the outside world, advocating for Paradis, as well as provide the blueprints necessary to help advance the island’s technology.

The plan would take around fifty years to reach completion, the amount of time that is estimated as enough to take to bring Paradis to a similar level technology wise to the rest of modern society. There would be a small-scale Rumbling to show off the island’s power, acting as a deterrent for nations with wishes to invade. 

Hange takes the gun again, pointing it directly at their face. It is unloaded, but it still unnerves you. You weren’t a gun savvy by any means, but the first thing you had been taught by Zeke when going over gun safety was to never ever point the gun at yourself, not even when it had the safety on, not even when it was unloaded. 

Yelena lists off the numbers of personnel in the army, counting all the divisions; the infantry, the navy, and aerial forces. Despite Hange’s and Levi’s best attempts, it is evident how frazzled they are by the revelation. 

One million foot soldiers, three fleets of twenty one battle ships each, new technologies and aerial weapons. Those are the new enemies that they must now fight against, a stark contrast to the mindless but brutal titans they are used to dealing with. 

“If Marley had such capabilities the whole time, why haven’t they attacked in over a year?” asks Hange. 

“There are two main reasons,” Yelena begins. “One; the Pure Titans. Even with the latest weapons available to Marley, they would hinder a land assault. Quite ironic that the very thing that is used to confine Eldians to the island also protects it from outside forces.” 

“Yeah, well, ain’t that funny,” Levi says. 

Yelena sips her tea. “Still, I’m impressed.”

“Impressed?” Hange asks.

Yelena doesn’t answer, choosing instead to take a sip from her cup. She looks at her right, directly at you, as if she wanted you to answer in her place. And you can't and won't ever be able to read her mind, but you’re pretty sure you can guess what she is playing at. 

“It's almost dawn,” you point out. “And we are sitting in a tent drinking tea. There is no commotion outside, no one hurrying to their fighting posts. There are also no protective structures around the base, suggesting that you have exterminated almost if not all titans on the island.”

It's clear they weren't expecting you to speak. Even if Eren told them something, the most logical approach to your presence in the tent was as a buffer, something for the Scouts to pick at, to find weakness in. Yelena is helping you overcome that, because, even if it would be easier to infiltrate them if you are deemed as non-threatening, the trust that would be placed upon you should you be assessed as capable makes them want to take the gamble. 

“And the second reason?” Hange asks. 

“Currently, Marley is at war with multiple nations,” Yelena says. “The loss of the Colossal and Female titan, as well as the defeat of their Warrior unit has given many of their enemies the chance to unite and retaliate against Marley.”

“If you guys are secret agents who infiltrated Marley, I’m guessing you came from conquered nations?” Hange asks. 

Yelena’s and Onyankopon’s faces harden– one fake, one true. 

“Oh, I’m right?!,” they exclaim after. “I bet you’ve got some pretty big backers to go up against Marley then.”

“Not quite,” Yelena says, and after a moment she clarifies. “Onyankopon and I are from conquered nations, but Y/n is Eldian.” There is only one truth in her whole statement, a new record. “We were powerless, forced to play soldiers for the nation that took our homes, but Y/n was deemed a devil the moment she was born.”

The fake backstory you're using makes you a little uncomfortable, but it sure was convenient. They wanted to paint you as smart, but not too intelligent as to outsmart Paradis. Dependable, but not a pushover. Eldian, just like them, facing obstacles even when outside the walls. 

You tune out Yelena praising Zeke for organizing the Anti-Marleyan Volunteers, calling him a god amongst mortals. You hoped that small, subtle discomfort showed in your face, so the two members of the Scouts present would notice that you weren't lost in reverence for Zeke. 

“We are the Anti- Marleyan Volunteers,” she finishes. “Our goal: To free the Eldian people.”

Levi and Hange share glances, no doubt discussing the answer they would give. 

“We would like assurance of your allegiances,” Levi says. “You will not be able to contact Eren, or any of the others for that matter, but we want the girl to come with us.”

taglist: @dressycobra7 @xngelsau @bloodchapell @i-think-im-adorable13 @luna4mnoon @yuuuumii @kermittears @binluvsu

ask or comment to be added!

[lucalicatteart]

Poll adventure (paventure? lol) Day 15: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should purchase some new shoes for himself while he's in the city...

~

It costs quite a bit of coin, but in the end he decides that having a new sturdy pair of boots will serve him well on his travels. After he's done in the shop, he rushes back to the local inn before nightfall, eventually settling into a somewhat restless sleep..

The next morning, he orders some cheap vegetable stew from a food stall, then lounges in a park as he has his breakfast, watching the squirrels weave through flowering trees and birds pecking about in the dewy grass.. When finished with his meal (and sufficiently recovered from the emotional turmoil of burning his tongue on the soup), he quickly sells his old pair of shoes to a sketchy pawn shop before finally getting back to his journey...

By his calculations, if he he walks all day, it should only be two more sleeps before he gets to his destination, so he sets out to travel as efficiently as possible. He doesn't have the money to rent a cart, or the skill to ride a borrowed horse, but, he does have some fancy new walking shoes and a renewed sense of purpose. No more meandering through fields looking for flowers, napping in the shade, or scanning the ground for cool rocks.. He's going to focus this time!

......After a few hours, he comes across a broken down carriage in the middle of the road, with few people surrounding it, seemingly stuck trying to repair a wheel or something. It's hard to discern from afar..

Maybe if he helps them, he could get a free ride.. or some coins.. or make a new lifelong friend! Who knows? Possibilities flood his mind, this is what adventuring is all about! Wandering into interesting situations and making the most out of them!! .. But, then he recalls his previous oath.. he's supposed to focus today and not allow himself to sidetracked.. And who says he has the skills to help anyway? It could always just be a waste of time... Hmm...

What should he do?

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[razzledazzle-pop]

I am not immune to making blogs for girlish fun and whimsy.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[starseungs]

the subtle art of cliche confessions. ksm.

kim seungmin x gn!reader — as aware as you were that life wasn’t like the fictional stories of romance that you enjoyed, a part of you still relished the thought of experiencing it for yourself.

GENRE/S — fluff, humor kinda, maybe fluffy angst but not really, battle of the bands au, lead singer!seungmin, college au, kinda semi-established relationship • 2.5k words

WARNING/S — profanity for humor, some self-deprecation as a result of nervousness but its not that bad, romance is complicated! in the same universe as "i'd weave words with every chord you strum. hjs"

( ✒️ ) a gift for @starlostseungmin for successfully completing her big exam 🙇‍♀️🤍 congratulations lovie, you deserve a fluffy seungmin fic !! the ending may be trash im sorry its 1am and i have class in a few hrs

2024 ⓒ starseungs on tumblr. do not steal, repost, or edit.

“Jisung, I think I’m about to pass out.”

The person mentioned comically froze on the spot, his right hand halting from its previous task of double-checking his electric guitar’s condition. Jisung lifted his head up menacingly to look at the offender—who currently looked like he was seconds away from losing all strength in his legs. Despite the concerning comment, life backstage did not stop for anyone. Crew members were still seen running around like headless chickens, desperately trying to keep the show running smoothly even though they, themselves, were already functioning on greater levels of adrenaline than the performers. 

“Oh, no you don’t,” Jisung warns lowly. “Kim Seungmin, you are not about to leave us without a lead singer right now!”

Unfortunately, Seungmin was not kidding. At all.

The loud cheers of the crowd from beyond the stage were deafening. It tells him that the band currently performing before them is doing a great job of keeping the audience entertained. Normally, that would’ve set him on fire to do better; bits of his competitive nature steeling his resolve to outdo the competition. And yet, something seemed to be different in today’s specific battle. 

He couldn’t care less about the crowd—no, his mind was only revolving around one thought. Or one person, to be specific. 

This makes him blanch once again. “I genuinely feel like throwing up.”

Chan snickers from his position near the dividers set up to create a makeshift waiting room for the performers. “Are you that nervous?” He asked lightheartedly. “Don’t stress about it too much, Min. We all know Y/N is going to say yes.”

Seungmin wanted to believe him. He really did. If anyone were to be asked about his natural demeanor, he was one hundred percent positive that the word ‘rational’ would come up at least once. He knew that the chances of the drummer’s words were the most probable—after all, he did his best efforts to capture your heart over the past year. And yes, Seungmin did also know that you had romantic feelings for him. That was why he was in this situation in the first place.

“If I were them, I would!” Hyunjin chirps, happily tapping on his bass guitar. “Imagine getting asked out by the lead singer of a band in the middle of their set? Anyone would be over the moon.” Seungmin merely scoffs in response.

“Of course you would, Mr. Hopeless Romantic.”

The bassist chokes out an offended noise. “Says the one doing a public confession,” he huffs. “Glad to know you learned a thing or two from those romance movies I pitch in on movie nights.”

“Yeah, well this isn’t fiction.” Seungmin deflates on his seat. Any more, and his band would’ve witnessed a person merging with a plastic chair. Wouldn’t that be a great memory to live with? “This is so cliche. What if they think it’s cringy?”

Jeongin, the keyboardist, shoots him a look full of judgment. “Why are you only second guessing this now?”

“To be fair, you both are already cringy.” Jisung stands up from his seat to stretch, only to receive a glare from the band’s lead singer. He raised his hands in mock surrender. “Just saying. It’s a miracle how long you two went on without an actual label. Everyone knows you two have been practically dating since months ago.”

And to that, Seungmin has no retort. What Jisung said had its truths—even he, himself, didn’t know why it took him so long to ask you to be officially his. It definitely wasn’t a commitment issue; he hasn’t even entertained anyone else intimately ever since he met you. There were even nights where he mentally beat himself up for being a coward about this whole thing, only for him to end the torment by convincing himself it was him going through the courting stage with you.

Not that he even asked, but that was what he was doing. Right?

It’s not his fault you always rendered him speechless. Not too much, of course. He wasn’t that starstruck that he’d make an absolute fool of himself. It was just that you made him really nervous and awfully conscious of himself. The way you talked was like music to his ears, and he swears he could listen to you all day. He finds himself wondering if his own voice ruins this fantasy of his.

You had to have noticed his advances as well. There was just no way that you didn't, with how smart you were. He just didn’t know whether to be grateful or frustrated with the fact that you never said a word about it. What if you were actually uncomfortable with the whole thing and were just too nice to tell him. Oh, he should’ve asked. This is terrible. A massive mistake on his part. An angel like you shouldn’t be forced to be with someone like him.

“What if I’m getting ahead of myself and they don’t actually like me like that?”

Jeongin’s jaw drops. “You have got to be kidding me.” He was going to tease Seungmin further, but something about the look on his friend’s face screamed anxiety, so Jeongin was quick to force his mouth closed. “Y/N does. Have you seen the way they act when they’re with you? Heart eyes, I swear.”

Okay, there’s that too. Seungmin wasn’t blind, nor was he dense. If he didn’t think you were interested in him like this, then he wouldn’t have actively pursued you time and time again. He was confident, not someone who didn’t know their boundaries. And fortunately, you seemed to have wordlessly affirmed that he could get close to you over the months you’ve been talking. He was sure that if you had even expressed the slightest bit of disapproval of his advances, he would have pulled away immediately. As well as reassess the situation right afterwards.

Seungmin sighs. “I just want to do this right.”

“And you will,” Chan says. The drummer gives him a firm pat on the back. “Trust in yourself. We’ll also have your back. Go out there and perform like you always do, just that you have your little plan before the bridge comes in.”

All Seungmin got from that was how you were in the crowd. Right, you were in that crowd. The very same crowd he didn’t give a single fuck about at this moment. You were the only audience he needed, and it both comforted and terrified him to remember that he left you to sit in the very front row earlier before the program started. Just where did all his courage go? The bastard who planned a public confession on their campus festival’s Battle of the Bands competition should be the one present to go through all this.

“I don’t know if I’ve ever been this nervous to perform ever.”

Hyunjin hums. “Then that means you really like Y/N!”

“Exactly. We didn’t agree to make a whole new original song for this competition just for nothing,” Jisung adds. “Well, I guess it’s also good publicity for when we actually do this band thing for real. Show the public our sound, you know?”

Seungmin finally begins to breathe easily again. He briefly stares at Chan fiddling with his drumsticks, twirling them around with his fingers to soothe his own nerves about their upcoming performance. After all, this wasn’t just a performance that Seungmin was doing alone. The competition also meant a lot to his other members in their own different ways, yet they still gave their full support to him when he told them about his plan.

He had great friends.

“Stray Kids?” A slightly hoarse voice called out. Seungmin knew the figure as Changbin, someone from the student government. The guy was normally a lot more energetic than this, but he guesses the fatigue must be getting to him from being one of the organizers for this particular event. “You guys are up in a few seconds.”

Well, this is it. Seungmin stands up to get ready, clearing his throat to calm himself. There’s nowhere to run now.

The crowd’s enthusiastic roars never seemed to stop after the previous band’s set ended, and it was beginning to tick you off. Granted, you should have been happy that Seungmin’s band was going to be greeted by a happy crowd, but that also meant that they were subject to pleasing an audience whose hearts were clearly already captured by the performers right before them. And you would be nothing if you weren’t competitive. Biased or not, you would die on the hill believing that Seungmin’s band is better than the others.

They had a national treasure of a voice for their lead vocals, so how could they not be the best?

An amused snort came from your left side. You didn’t have to think too hard to figure out that it came from your friend, Felix. He was probably finding humor in the way your face didn’t spare a single effort to even plaster an indifferent expression. What can you say? You were loyal.

“Alright! I see that all of you enjoyed that wonderful performance from Xdinary Heroes!” The program’s host, Lee Minho, came back out to hype the crowd. It was then that your attention snapped back up to the big stage, your eyes watching like a hawk as Seungmin and his friends settled into the equipment. A bubbling giggle found its way out of your mouth at how Seungmin looked so focused on adjusting the height of his mic stand. “A very unique band name, if I do say so myself. But it does look like the new trend, as all of you here might also find interest in our next band’s name.”

“Seriously,” Felix starts, his tone teasing. “You are so down bad.”

You roll your eyes. “Be quiet. It’s starting.”

“Yeah, sure.” Felix laughs at your reaction. “We wouldn’t want to interrupt your longtime dream of being confessed to by a singer in the middle of a set now, would we?” Your face burned warmly at the accusation.

It was such a cliche thing to happen. As aware as you were that life wasn’t like the fictional stories of romance that you enjoyed, a part of you still relished the thought of experiencing it for yourself. There was a reason why these kinds of events were heavily romanticized in the media—they held their own charm. It just so happened that you agreed to the notion that getting a proclamation of love from a singer on stage was one of the more appealing choices.

Too bad those don’t go too well in real life.

“But it’s—”

“It’s cliche. Yes, you’ve already told me countless times that it’s not as good in real life. But we all have our fantasies, Y/N. No judgement.” Felix shrugs. “Good for you, though. You are one determined person to bag an actual singer. In a band, no less.”

“You are so—”

“—over. Give it up for Stray Kids!” Lee Minho’s booming voice cut you off again, letting you know that the performance was about to begin.

It started off like normal, with Chan using his drumsticks as a countdown before the instrumental started. Except this time, the song was surprisingly unfamiliar to you. Your eyebrows furrowed in confusion. This wasn’t the piece they practiced when you came over to watch a week ago. You didn’t recognize the song in its entirety either, though it was already proving to be a song that fit right with your tastes. Seungmin’s voice echoing through the space was also adding so much to the experience. 

You let the pride you felt at how well he was doing bloom in your chest. It was great to see him shine after going through the rough process of preparation with him. You watched him passionately go through the song smoothly without any mistakes. From the day you first met him until this moment, you’ve witnessed how determined he was to achieve his goals in life. It was then that you knew you’d always be proud of Seungmin, no matter what. You were already the happiest you’ve ever been just by being by his side.

“Did they change their set?” You asked no one in particular. 

Felix bops his head to the beat, clearly pleased with the song. “Don’t know the song, but it’s great!”

You’d be lying if you said you didn’t agree with him. Though the sudden change in song choice admittedly peaked your curiosity more than it should have. Your eyes found their way back on stage, as if telling you to simply enjoy the performance now and ask later. But it looks like fate had other plans for you, as your eyes immediately locked with a certain lead singer’s.

He left no argument as to who he was looking at. It was clearly you, and you couldn’t help the way your breath hitched at the way his gaze alone held the answer to the question that lingered in your head. There were sparks of electricity being mimicked throughout your body, sending you into a mild shock. Like a scene from a movie, everything else in the world just seemed to go on mute.

All except his voice.

“Before we proceed to the bridge, I’d like to share something about this song. Would that be alright?” Seungmin spoke to the crowd, despite his attention still obviously on you. You could vaguely hear them answering back to him in interest, positively telling him to go on. It was difficult to miss the way his smile grew at this. Seungmin looked so stunning when he smiled. You always felt like falling in love all over again whenever he did.

The band continued with the instrumental, albeit toning it down as their lead singer continued on. “So this song is actually an original from us.” Oh, that makes so much more sense. “And it was written as my confession to the person I like.” 

Wait.

In the fuzz of your brain, you could barely make out Felix jumping up and down in excitement while looking at the scene unfolding before his eyes.

“I’ve been contemplating this for a while, wondering when I’d ever deem it the perfect moment for me to ask the important question,” Seungmin adds. “But I’ve realized that I was just dragging things out too much for my liking. So, to the one who my heart yearns for even through the nerves I’m feeling right now—” You felt overwhelmed at the moment, but you couldn’t seem to take your eyes off the way Seungmin looked at you with such fondness and admiration.

“—Y/N, will you give me the honor to be yours?”

And when your voice sings out the answer, the instrumental starts picking up again as Seungmin finishes the song with newfound fervor. You chuckle your happy tears away, with your friend playfully punching your arm.

“Now, what did I say?”

Maybe cliches weren’t so bad in real life after all.

MASTERTAG ━ STATUS: OPEN — ASK OR COMMENT 🫶

@fairyki @hysgf @euncsace @comet-falls @starlostseungmin @ameliesaysshoo @hyunverse @wnbnny @xocandyy @minluvly @moon0fthenight @estellaluna @hanjsquokka @starlostastronaut @minsueng @l3visbby

[desmondkane-of-ao3-fame]

Inside Job didn’t just get canceled.

It had its first season split in two, a tactic animators said was used for Cuphead to let them pay staff less. Then, the show was renewed for a real second season.

And then the show was canceled before that second season anyway.

Final Space didn’t just get canceled on the most depressing cliffhanger ever. It was removed from all platforms before becoming a tax write-off, essentially meaning the only ways of really watching the show is through DVD or pirating.

The Owl House wasn’t just given a shortened third season. Disney, a company already known for a, let’s say, complicated relationship with its LGBT+ history, took a show created by a bisexual woman, filled with beloved LGBT+ characters, some of which were teenagers just like the audience, and told said creator to destroy her shows pacing so she could finish her story in just 3 45 minute specials.

I can go on about how Hollywood and television don’t respect animation and the like but this is endemic of a larger problem:

Capitalism destroys art.

The constant need for shows to be either the biggest thing in history or a complete failure, the constant need for a cash cow, leads to any show that doesn’t immediately become Squid Game or Stranger Things levels of popular, especially animated shows, getting scrapped for no reason other then it doesn’t make them enough money.

In our hyper capitalist hellscape, I worry we’re going to see more Inside Jobs, Final Spaces, and Owl Houses: shows made with love, that showcase potential, and dedicated fanbases, having a renewal reversed, or becoming a tax write off, or having its story rushed, so that the executives can save a few cents, while also fucking over employees.

I think that’s the part that always needs to be remembered too; the people behind these shows. Not just the creators or voice actors or well known animators, but everybody. As NewDeal4Animation illustrated, staffs on these shows are often underpaid and overworked. And to then, to not just lose a show you spent months, years of your life on out of nowhere, but to essentially lose a job… it’s terrifying. And every staff member, from the creators to the unpaid interns, deserves better.

So yea. That’s just my thoughts on the matter I guess.

[kosmicdream]

Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..

1) making comics does not get easier.. Not really

Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 

2) Read your own comics after making them.

I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.

3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)

I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 

Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 

4) Don’t draw every leaf. Unless you really want to.

I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)

5) Don’t draw ahead, draw those inbetweenies.

“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.

Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.

I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 

Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic

[wixenburr]

Saw some ppl talking about Reverse Robins and i had thoughts

Talking abt u guys @eldritchdreamss @brucewaynehater101

Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.

(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)

Damian

Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.

I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)

So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.

(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)

Tim

Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...

But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.

Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)

Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.

Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.

Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.

Jason

Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.

I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.

anywho and then Jason dies rip skill issue ratio.

The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.

It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.

but Tim can.

It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.

Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).

They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.

and then

Dick

(lmao that sounded wrong)

ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.

Wham bam rip the falling Flying Graysons.

They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.

It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.

Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.

The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)

The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand

Womp womp GUESS WHOS BACK

Jason's Back

but i'll leave that for later.

[genericpuff]

So I watched ChattyMia's Lore Olympus video which was great and everyone should watch it. It seems most people who do series reviews of the Lore Olympus don't like the comic for obvious reasons. Then I was reminded by the end that the comic is expecting a TV series which is in development hell. It made me think that Rachel might be better off not having a Lore Olympus TV show. Most praise for the series died awhile ago as the story became an utter mess. If it did get a TV show, people will see the early red flags like the age gap, the treatment of Minthe, trying to excuse cheating, Hades horrible behavior to workers, nymphs being discriminated with no pushback, etc. If some of them read the comic for spoilers they would later see the other big red flags of the series. Excusing slave labor, Persephone threatening the lower class, Hera getting with Echo a 'trash nypmh' as she once called Minthe, Apollo gets community service, the continued mistreatment of Demeter etc. Which I feel will cause everyone to go 'wtf is this series? 50 Shades of Grey mixed with Keeping Up with the Kardashians?'. Then you have to wonder if some of them will do a deep dive and find the stuff about Rachel's tie to Lolita. It would be especially bad if a bigger content creator talked about it. And we already know Rachel doesn't handle criticism the best (i.e. the struggle street tweet, the Minthe cosplay situation or even the merch). So I could only imagine how much worse it would be for her if Lore Olympus got a TV show and more eyes got drawn to it and her. It would no longer be just confided to the web comics fanbase but the much larger TV one. Unless Rachel seriously considered rewriting the TV script (or rekindling it lol) I don't see how a TV adaptation of her show would be good press for her.

Yess I've seen that video, it's great! She did a great job summarizing a lot of the biggest core issues with LO's story and art without getting too lost in the sauce (though god knows the rabbithole of LO's issues runs INCREDIBLY deep in an equally fascinating and "oh god what the fuck did I just read' kind of way), her video editing was very entertaining and her Persephone cosplay was a great touch 😎

That said, regarding the thought of "most people who do series reviews of LO don't like the comic", there is an amount of bias we have to acknowledge there - there's often a lot more to say in the negative rather than the positive. By extension, people who simply enjoy LO and don't participate much in the online discussion surrounding it or the discourse concerning it are less likely to make 2 hour videos analyzing it. So while the popular opinion of LO has shifted more towards a negative point of view, that doesn't mean that fans of the comic don't exist - it's just that most of those fans are blissfully enjoying the comic and can only sum it up as "it's very pretty and the plot is great", whereas many people who didn't enjoy it are more likely to voice their opinions as to why in far more explicit detail (though on the flipside of that, it also goes to show that there's a lot more to analyze in LO's flaws than its strengths - it's ironic that the fans often don't have much to say beyond "it's cute" or "I relate to Persephone" and anything further than that is relegated to pure headcanon pieced together by assumption and best guesses to make up for Rachel's lack of writing).

All that aside though, regarding the TV adaption, at this point it's less a matter of reception and more a matter of relevancy. The perfect time to release or at least show us proof of the LO TV show was years ago, when the comic was at its peak between 2020-2021. The second best time was at last year's NYCC when Rachel was a headlining guest. The fact they still had nothing to show for it at this year's NYCC, with Rachel nowhere to be seen and instead focusing more on the Freaking Romance adaption with Snailords filling the role as their featured guest (an equally if not even more problematic creator), is astounding, but unsurprising.

To me, LO feels like a real life case of "Tortoise and the Hare". Back at the start of it all, in 2017-2018, it was doing what no other comic on the platform was doing, presenting us a retelling of the Hades and Persephone story - which was very popular on Tumblr at the time - through a modern setting and with art that was incredibly unique for the platform. That, paired with WT's aggressive marketing, propelled it far ahead every other comic on the platform, creating a gap so massive that even the comics in second place on the trending tabs still weren't even close to LO's lead in terms of stats and money.

But then it got complacent. Quality of the comic's writing and art dropped, it was becoming increasingly obvious that LO had become no more than a marketing grift akin to the likes of Harry Potter - easily turned into books, t-shirts, socks, coloring books, figures, etc. - and that gave way to an increase of criticism towards it, criticism that had always somewhat existed even as far back as its days on Tumblr, but was now amplified by the existing ongoing proof that LO was never all it was cracked up to be.

Now, at best they shill $200+ figurine pre-orders, but the show is nowhere to be seen and, with the comic now finished and locked behind Daily Pass, its relevancy is dying out. "Rachel Smythe Presents" still has nothing to show for itself, Rachel's IG and Twitter seem to be purely for merch-pushing by the Inklore team, and Rachel has, at best, two new series that she suddenly announced but, in her words, don't even have anything written or planned for them yet beyond the taglines that were thrown together for her socials.

Meanwhile, the rest of the Greek myth retelling industry is in a renaissance. Hades is still a massively popular game, with its sequel now in early access; Epic: The Musical has been making waves on Spotify and TikTok far exceeding that of LO's in terms of audience reach, and even has more to show for itself in the way of official animations than LO ever has; and now Kaos has recently launched its first season after being in production since 2018 - yes, you read that right, it got commissioned around the exact same time LO became an Originals series which suggests the idea for it was already floating around and being pitched prior to LO - and, frankly, has beaten LO at its own game by achieving everything LO set out to do - weaving a Greek epic-style story in a modern setting, balancing romance with prophecies and world-ending stakes. It took a while, but Kaos made it past the finishing line, while LO has been dragging itself behind it, still making empty promises that a TV show is "still in the works" and "coming soon", with not a single thing to show for itself.

LO may have gotten a head start in being the "sleek, modern, sexy Greek myth retelling" by the virtue of being a weekly webtoon, but slow and steady wins the race - the productions that have taken their time cooking in the oven are now coming out as beautiful and delicious as we, the guests at the table, were told would be, while LO is simply the short-term gratification junk food that bombards us with gimmicks but sits like a rock in our stomachs and leaves us unfulfilled and wishing for a better meal.

Those better meals are here now and they were absolutely worth the wait.

[djungelskog-oblivion]

the yosuke problem

ok the thing that pisses me off most about the yosuke storyline is not that the homophobia is like bad and morally wrong or whatever. BUT THAT IT MAKES HIS CHARACTER WORSE.

in canon, he's homophobic cause he's an asshole. full stop. i guess the "best friend" character is just an asshole now and you like him less. LAME.

give him a romance route and his character becomes so much more layered. he's lashing out at kanji because he's scared of himself and his own feelings.

when he confesses to you, he's also confessing to himself, accepting a piece of his identity he doesn't want to. you know, the theme of the game? accepting uncomfortable truths about yourself and finding joy through it? it also shows that self-acceptance isn't a one day thing, we don't have just one shadow, but multiple different demons that we have to conquer throughout our lives. ah, depth and thematic coherence, how homosexual thou art!

its straight up more interesting storytelling, it's efficient, meaningful and its not in the game because ATLUS ARE TOO COWARDLY TO MAKE GOOD STORIES >:((((((

[marzipanandminutiae]

Maybe I’m wildly misunderstanding what people who like the dark academia aesthetic are going for but I always thought the aesthetic was specifically about romanticizing those universities in England (or Europe in general) that were founded in like 1736 and the main building was originally a castle that belonged to the family that founded it or something like that. Obviously that’s a very niche university environment but I never thought that fans of the aesthetic thought that every single university looks like that. My university was built in the 70s and looks like a small town’s airport so I understand the appeal of escapism in pretending that you go to university in a marble building that has a secret library or something. I’m not criticizing your post btw I agree with you i guess I understood the purpose of the aesthetic wrong. I thought they just liked the old money aesthetic of those schools, not that they believed you’re not truly academic if your school doesn’t look like an ancient university in Prague.

So, yes, that is where the term came from

my issue with it is that they don't seem to know any other term for aesthetics they happen to have seen in a fancy university, anymore and totally unrelated things get slapped with the "dark academia" label

Oxford doesn't look like that because that's an ~academia aesthetic~. it looks like that because those were popular architectural styles of whenever X building was constructed. you are going to see those styles in other places! that doesn't make like...an 18th century commercial building "dark academia!"

like I've seen the term applied in completely random and incomprehensible ways. a marble bust is Dark Academia? HOW? is it in a university? or is it in an art museum where people are there to look at it, not to study it? is it in Mr. Darcy's house, where that classification makes even less sense? why is it somehow Academia when no Academia is in evidence?

an Art Deco theatre lobby. no joke. saw that tagged "dark academia." it could not have been more clearly a theatre lobby. I asked OP why they called it that, and they said it was just "the vibe." academia is not a vibe!!!! the word has a definition and the definition has nothing to do with aesthetics!!!!

my favorite movie, Crimson Peak, gets slapped with the DA label a lot. because...I don't know; there are ghosts and books in the same building? the heroine is a writer, sure, but absolutely none of it takes place in an institution of public scholarship or higher learning. there's a publisher's office, a doctor's office, and a private library in a house (that doesn't even get used for its intended purpose beyond a single scene). that's it. it's a pretty standard Victwardian Gothic.

the term DOES have function as a fictional genre; it describes a story pretty well. what happens? Dark Stuff. where? Academia. okay, I'm intrigued. but for aesthetics? no meaning or use at all, IMO

so I know they're not saying that ALL universities look like that. they're somehow saying that EVERYTHING that looks like that is University. which annoys me

(I also think "old money aesthetic" is more TikTok brainrot. I work a lot of museum benefits with old money people. they dress in many different ways, very few of them like a Kennedy vacationing on the Cape in 1965. just say "preppy" if that's what you mean!)

(and as with Dark Academia, it leads to a lot of things that have nothing whatsoever to do with the oldness of one's money getting labeled that way. which is annoying.)

[bloominglegumes]

judging earthspark s3

contains spoilers!!!

(my own opinion + not that serious :))

not in order bc i sketch-wrote these down while watching first but guys im so im so .head in hands

-15 pts for the character development, relationships, ideas, etc set up in s1 that were thrown out in s2 and s3. war trauma, immigrant experience, ghost aftermath, individuality, healing process, autobot guilt, byebye. so much character assassination still happening

+1 for following through i guess

+1 shockwave 'all are dead' comic cover reference and having him react to it

+5 every appearance of frenzy and laserbeak. theyre professional hecklers i love them

-1 bc of how the art direction was already established having 2d handdrawn effects but obv their animation has been toned down, there are quite a few instances of 3d smoke made to look like 2d shading which is not necessarily bad on its own but doesnt feel like it fits here

+1 rage virus had nice potential for bringing simmering resentments to surface,, wish the show delved deeper into the characters thoughts + fallout

-1 megatron's va sounds like he was given direction to hold back somehow on his delivery ?? idk it just feels like forced gentleness compared to earlier performance like his lines don't fit him

-2 animation lacking feeling of weight, movements are stiff, unnatural esp for huge guys made of metal. how in the world did twitch push megatron over

-2 fight choreo is more generic and plain,, characters tend to fight in similar ways when they wouldnt, considering different sizes, abilities, personalities etc,, everyone is just tossing each other around

-2 teasing us with breakbee and then actually setting it on fire and then killing bumblebee's personality too and while we're here thrash and mo as well

+1 escape room ep overall was kinda fun. i like the idea of leaning into twitchs big sister role but like u dont have to water down the others when highlighting one character?? the maltos are kids, but theyre not like.stupid

+1 optimus pushing megatron down to protect him and megs glancing down where optimus' hand is on him. someone in story room is pushing megop

+1 prowl being a skilled Hater on entrance

+1 "organics" (derogatory)

-1 optimus tells prowl that the war is over in defence of megatron but literally theyre fighting decepticons again two seconds later so make up your mind earthspark

-5 what are the autobots and decepticons even fighting for at this point? let's shoot them into space so we don't have to worry about that conflict anymore except megatron but he's our friend so don't think about that trust us this is earthspark our show was formed on the basis of being the aftermath of the war hasbro im going to kill you

+1 constructicon mention

+3 prowl being huggable and pickuppable (+1 optimus, +1 elita, +1 arcee)

+1 "terran thrash" "terran nightshade" "stygi-terran" "clan malto" can't tell me thats not objectively cute

+5 blaster feature

+2 megop being deeply embarrassing about robby's weird girlfriend

+5 dramatic megop fight. intense music, personal arguments, falling through the ice sinking to the bottom of the lake together, if i'm going down you're coming with me etc i love it

-1 grimmy not having a single speaking line?? am i tripping

+1 thrash throwing the hat perfectly onto prowls antler tip

-2 duller lighting and colours overall </3 my guy was seriously looking grey in ep 6..,.

+1 "romantic entanglements have hobbled many a soldier. ask optimus." thank u es writers

+1 "there are no implications. there are only facts." banger

+1 multiple pronouns used for the shapeshifting quintesson i just thought it was fun

-1 thrash's character being largely reduced to That One Kid

-1 might just be me but the whole plot with the fake girlfriend was just weird as hell ?? what purpose does it have in robby's character development,,,

-1 dot and alex being less compelling as caring responsible parents. like they're still nice,, but the way they've been written just feels less careful

-1 that movie and confession scene sorry i know it was on purpose but i could not handle the secondhand embarrassment

+1 mole-bots tbh i thought they were going to pull scraplets but they were fun

-4 starscream neglect. where is the justice. nothing but a silhouette all season and then finally all he does is go crazy and get pulled back to jail??wtf

+1 quintesson ship entrance

-1 generic character body language/performance

+1 weird al yankovic going so hard

+1 saving civilians

-2 quintus powers being suddenly able to save the day when they need it because plot

-2 how the chaos terrans are not written

-1 environments are sometimes not that fitting for the action taking place there?? like for the final fight i know theyd need a lot of space for the titan but seriously just a green grassy field and blue sky come on?? give us some artistry,..,.

-1 slightly weird voice effects for quintesson characters but that might just be me

+1 sharkticon pit plucked right out of g1 movie i love it

+1 mo being so polite "mr optimus" "ms elita" "mr prowl sir" sweetheart

+5 what the fuck do you mean "i appreciate you, megatron"

+1 hard confirmation prowl is a hugger

+1 epic titan fusion

+1 prowl being nice. dialogue with bee in that scene felt kind of in your face but it was cute

-1 arresting starscream. girlie was probably starving in there

+1 "little bird"

+1 i'm just happy to have an animated prowl having so much relevance to the main story again.tfa prowl i miss u every day

-2 tarantulas never being seen nor heard from ever again. he had an awesome design, fantastic voice acting, super well written just for hasbro to be cowards

-1 again for just dropping pretty big story points from season 1 for unclear reasons. like i said,, current state of earthspark works fine as a kid's show alone but after how mature and well-handled season 1 was it feels like watching the tv spinoff series to the actual thing. sorry but like zero integrity to the shows basis and values and what the original writing had set up for the world and the characters