#but i guess its more about the story and less about the art

[literaticat]

If an author writes a book not knowing the genre, will the book fit into a genre when it’s finished—or is it possible for a book to be completely genre-less?

I'm about to GO OFF, so if you just want the short answer:

I presume that if an author is writing a novel and they don't have a specific genre in mind when they are doing it, they are just writing fiction. You can get more specific after you finish the book and figure out where it belongs in the bookstore and how to describe it.

It's not really possible for a book to be "completely genre-less" because that implies that it CAN'T be categorized in a bookstore -- I bet your book can be. (I should hope so, anyway, otherwise how will it sell???) -- but also, uh -- it doesn't really matter? Everyone gets really hung up on these hyper-specific genre labels, but you don't really need to get THAT specific. If your book is just "general interest fiction" that's OK -- so call it a novel and describe what the tone is. (Funny? Realistic? Literary? Fast paced? Tearjerking? There has to be some way to describe it, no? )

Even if your book is just weird as hell rambling about things I would never read about in a hundred years -- guess what, that's a genre, Experimental Fiction. ;-)

--

Long Answer: Fun fact about the word "genre" -- it comes from the same root as genus, like what you probably heard back in school when learning about the taxonomy of animals and whatnot.

Because I am extra, I decided to do a little taxonomy of books. It's still a work in progress, I might decide to change it a bit, but this is the basic chart.

I'll assume that pretty much any book we're talking about here has the same domain, kingdom, phylum and class, and PROBABLY the same order, too, since most of you are likely writing Fiction.

Within the order FICTION, there are "families", which I here call Categories -- novels, graphic novels, plays, essay collections, short story anthologies, young adult novels, young adult anthologies, middle grade novels, middle grade graphic novels, chapter books, picture books, ETC. Categories in the order NONFICTION include Biography/Memoir, Cookbook, Reference, Religion, History, Science, etc.

Within each Category, there are different Genres -- that is, the type of [novel, or whatever] it is. Genres of novel include mystery, science fiction, horror, realistic, historical, romance, western, etc.

And within each Genre, you can get even more specific with species, which I am calling subgenre/tone. That's the type of the type, in other words. There are well-established subgenres (like Horror could be slasher, or gothic, or psychological. Romance could be historical, or realistic/contemporary, or whatever) -- but it's also acceptable to get more specific with tone or style -- "Comedic", "literary", "commercial" "upmarket" etc. (You can also have books that have both subgenre AND tone -- that's like species and sub-species)

Examples:

DRACULA: ORDER: Fiction > CATEGORY: Classic Novel > GENRE: Horror > SUBGENRE/TONE: Gothic

DON'T LET THE PIGEON DRIVE THE BUS: ORDER: Fiction > CATEGORY: Picture Book > GENRE: Meta-fiction > SUBGENRE/TONE: Comedic

LINCOLN IN THE BARDO: ORDER: Fiction > CATEGORY: Novel > GENRE: Magical Realism > SUBGENRE: Experimental > TONE: Literary

JAMES: ORDER: Fiction > CATEGORY: Novel > GENRE: Historical Fiction > SUBGRENRE: Retelling > TONE: Literary

You get it?

OK SO, in the bookstore, the books are first divided by CATEGORY. All the Cookbooks are together, because that's the Category, but if there are a lot of them, they will be broken up into categories-within-the-category ("genre" if you will). Perhaps they would be grouped by region or style (Mexican cuisine, Middle Eastern cuisine, European cuisine; Health Food; Baking; etc). Mastering the Art of French Cooking would be in Cookbooks, of course -- but in a larger bookstore with many cookbooks, it would likely be found in its region, either French or European Cuisine -- and in a store with a HUGE French cooking section, those books might even be further divided into "French > classic techniques" "French > desserts" "French > postmodern cuisine", etc. So:

MASTERING THE ART OF FRENCH COOKING: Order: Nonfiction > Category: Cookbook > Genre: French > Subgenre: Classic Technique

And so it goes with Fiction as well; the sections are divided by Category. So all the Middle Grade Novels are probably together. All the Picture Books are probably together. Etc. But for very large categories (like Fiction > Novel), there are enough books that it becomes easier to browse if they give the biggest genres their own shelving. Hence there are probably sections for Mystery, Science Fiction/Fantasy, Romance, etc.

MIND YOU: There are PLENTY of books that fall under "Fiction" and DON'T get separated out into one of those other genres. They are just categorized as fiction. The fiction section is probably the largest section in most bookstores -- it's not weird to write a book that gets filed in the "fiction" section! Those books still have a genre. That genre just might be "realistic" or "historical" or "western" or magical realism" or "postmodern/experimental" or something that doesn't neatly fall into the Mystery or Science Fiction (or whatever) genre categories.

For example: At my bookstore, we ONLY separate out Mystery, Science Fiction/Fantasy/Horror, Romance, Classics. So within the regular Fiction section you'll find a huge variety of books -- they all DO have a "genre" -- it just isn't one of those genres that gets shelved separately!

So, no, I believe there are books that just *don't have* a category or genre. ALL books have them. We might disagree a little about what they should be -- we might use slightly different words -- new species might pop up here and there -- we might be able to categorize some of them into even more minute niches -- but all books CAN be categorized in some fashion.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[masterfuldoodler]

Recently I've adopted a phrase "it's not my best work" and I've been using it in multiple situations (drawing, cooking, or social interactions) and I find it kind of helpful actually. Especially in regards to social interactions, it allows me to step away from the interaction and say, "yeah that didn't go perfectly. Maybe I could have done that better, but that'll be for next time. That was not my best work, but I know better now how to handle it." Idk it lets me feel more free to try and maybe mess up. I don't have to be perfect.

[betweenblackberrybranches]

DUDE!!

You said castle in the sky AU.

You summoned me!

I just wanted to share this drawing I did last year for castle in the sky!

These designs probably very different from what your thinking for the story your thinking of for your AU but I could help but rush over all excited to share.

I’m feeling - Same Hat! - meme if you feel me?

Anyway, I’m super excited to see what you do with your new AU! Everything you’ve come up with so far for our celestial boys has been amazing and I’m sure this will be too!

Isndidjeiwnalwisosbalsndl waaaaaa<333 that drawing is super cute!!!!!💕 looking at them softly

Also yoooooo same hat!

But yea i kinda didnt go the same way with borrowing design elements for the guys from the movie but im probably gonna rework everything anyways i just kinda made them look generic for now :/

look under the cut for the least spoilery part of the page that i could make a pic of

Pls dont mind the shadows there is a tree right in front of my window

[wizardsix]

it's fun to look through datamined stuff but I need some of you to stop getting mad at larian for scrapping ideas you thought were cool. cool doesn't mean it'll make sense in the overarching story, and maybe larian likes this version better, or sometimes ideas just didn't work well with what they had in mind. I know this first hand from writing stories, I'll have cool ideas but realize later it doesn't fit the original tone of the story. it's okay to scrap stuff, but you can always use it for something else.

also, like it or not, it's larians game first, their story, their characters (I know.), it doesn't matter if we think something is cool, the reality is that not everything works in the end. and that's fine. that's how all art is, it's alive and ever-shifting, it'll go through many, many, versions, to the point where you might get sick of chewing on the same plot, and in the end the final version might not be as good as you thought when you look back in a few months or years. and that's ok. art isn't supposed to be perfect.

everything is subjective and I think fandoms would be a more intellectual place if people learned to critique art for what it is not what it isn't.

[lucalicatteart]

Poll adventure (paventure? lol) Day 15: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should purchase some new shoes for himself while he's in the city...

~

It costs quite a bit of coin, but in the end he decides that having a new sturdy pair of boots will serve him well on his travels. After he's done in the shop, he rushes back to the local inn before nightfall, eventually settling into a somewhat restless sleep..

The next morning, he orders some cheap vegetable stew from a food stall, then lounges in a park as he has his breakfast, watching the squirrels weave through flowering trees and birds pecking about in the dewy grass.. When finished with his meal (and sufficiently recovered from the emotional turmoil of burning his tongue on the soup), he quickly sells his old pair of shoes to a sketchy pawn shop before finally getting back to his journey...

By his calculations, if he he walks all day, it should only be two more sleeps before he gets to his destination, so he sets out to travel as efficiently as possible. He doesn't have the money to rent a cart, or the skill to ride a borrowed horse, but, he does have some fancy new walking shoes and a renewed sense of purpose. No more meandering through fields looking for flowers, napping in the shade, or scanning the ground for cool rocks.. He's going to focus this time!

......After a few hours, he comes across a broken down carriage in the middle of the road, with few people surrounding it, seemingly stuck trying to repair a wheel or something. It's hard to discern from afar..

Maybe if he helps them, he could get a free ride.. or some coins.. or make a new lifelong friend! Who knows? Possibilities flood his mind, this is what adventuring is all about! Wandering into interesting situations and making the most out of them!! .. But, then he recalls his previous oath.. he's supposed to focus today and not allow himself to sidetracked.. And who says he has the skills to help anyway? It could always just be a waste of time... Hmm...

What should he do?

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[razzledazzle-pop]

I am not immune to making blogs for girlish fun and whimsy.

[mandalhoerian]

Repost because tumblr's tags were broken yesterday and it ate my post up 😞 Spoilers and translation notes for Rafayel's intertidal zone & analysis because it kinda floored me, I was just as a blank page as he was throughout this. I had to watch it like 5 times to understand what the story was saying and dig into chinese and japanese versions of this to piece together what was really happening. It may be my idiot brain not getting it and maybe it was like the easiest thing to understand for you but. Yeah. I may be just dumb LMFAO AND!!!! There's also a theory of mine into how Rafayel is actually able to read mc's mind/wishes through their lemurian bond, so stay tuned for that I guess

EDIT: correcting some transcriptions of chinese characters and the translations. sorry about that! google couldn't transcribe it correctly. for clarity's sake i will also include original screenshots. please tell me if anything is wrong!

EDIT 2: Check out part 2 to this as well for stuff I missed!

EDIT 3: An Abysswalker connection I found

EDIT 4: Debunking the myths of non-consent & Rafayel hurting MC in the spicy scene

So Rafayel’s whole deal in this memory, I believe, is dependency. Like, too much intensity, too much need, too much fear -- about scaring her off, about what he sees himself possibly becoming in the future, overall just being too reliant on mc and getting scared by it.

Let's begin with this massive fear of being a taker, not just in the “I’m stealing someone’s fries” way, but in this existential, soul-deep kind of way where he’s terrified of turning everything he loves into something he exploits out of demand for his art. And yeah, it’s sad when you first hear him say it, but it’s also really interesting when you look at how this all ties into his relationship with MC and his inspiration source drying up because of her.

Before Rafayel became an artist, he looked at the world in this super pure, wholesome way. Sceneries and nature were just there, things to admire and feel awe over without needing to do anything about it. Like, imagine standing at the edge of a desert, looking at a sea that’s drying up. Sure, it’s tragic, but it’s also kind of beautiful in a raw, heartbreaking way. That’s how Rafayel saw things, he could appreciate them without feeling like he had to do anything.

But then Rafayel started creating, and suddenly, sceneries weren’t just sceneries anymore. They became inspiration. He wasn’t just admiring beauty, he was extracting something from it, its meaning, its pain, its soul, to turn into art for other people. And that made him feel all kinds of icky, because now he wasn’t just looking at the drying sea. He was taking from it. Just as he's using his people's pain in his art as well, that's also a thing.

Now let’s talk about MC. Rafayel loves her like he used to love those sceneries,,, in this pure, untainted way. There's a parallel here. But here’s the kicker, he’s not the same guy who can just admire something and leave it untouched anymore.

And suddenly, this is no longer only about losing inspiration for him.

This happens after he and MC get together, and it’s like all the pain and anguish that used to fuel his creativity just.. ... dries up. He can’t find that spark anymore because now his life is surrounded by love instead of suffering. In fact, his inspiration starts coming from her and it's starting to clash with how he makes art. In the phone call, he seeks her out and says he needs her so bad and she only needs to talk to help him out. This is the first wink wink nod nod of the story.

So what does Rafayel do? He goes on this big, dramatic trip to "find inspiration" (or at least his muse), but it’s not just about his art. He’s not just looking for inspiration, he’s trying to figure out how to be less dependent on her and becoming increasingly more restless over this. The temparature and physical discomfort is making things worse, he's anxiously overthinking, and imagine trying to fight this and the longest art block as of late off when all you want to do is indulge in this special person and be comforted like a lap cat all day every day.

He understands that if he lets himself indulge without restraint, one day his love for mc will turn into pure need. He’ll become more and more greedy, and he doesn’t want that and is afraid of being abandoned because of that growing neediness and dependency.

This is in relation to his art, because as @/dat-silvers-girl put in the comments, he's struggling with "the genuine fear of not being able to enjoy anything in life because all you're thinking about how to use it (as an artist)" . what if he starts doing this to her? to their love and relationship? take from her, and become someone who only takes in every area of life -- like someone who only exploits things by extracting what he feels about them to use it for his art. he's afraid of that, he doesn't like that and possibly doesn't like himself who does it. so why should she? she would leave him for sure, in his head, that's a solid reason to.

The first time around he brings up his anxiety about MC leaving him out of the inner realization of his dependency, the possibility of just what he can become, and fear of abandonment. she effortlessly soothes his worries. It's heavily implied they did it afterwards and after hearing "her life has already been consumed by him" he tweaked out a little bit and his "obsession" seeped through.

After it fades to black, he says ほら……僕もとっくに……君に侵食されてしまっているんだ…… which means "See... I've already been completely consumed by you too" in Japanese instead of the life being made a chaotic mess localization. While I think MC's line was jokey and lighthearted, I don't think this man is joking at all. Rafayel didn't say his life was consumed by her as well, he said HE was consumed. Ouh.

This took the edge off from him for a while but they hadn't gotten to the root of the problem yet, so he was back to square one after the memorial hall, because remember, he's trying to find inspiration as an act of making this dependency of his better. Pain and suffering are all around him here, which his inspiration feeds off of. The dried up ocean he could hear weakening, the skeleton of the whale, the burden of his people and homeland more prominent than before. And what does MC do? Tear through the perspective of pain and introduce a hopeful alternative, "Isn't it a surprise to see an ocean in the middle of the desert?"

This is a place that gave Rafayel the height of helplessness and suffering when he visited by himself before despite momentarily being hopeful after the locals told him such a place existed. But now, she was there to comfort him through his loneliness and pain, hug him, and give him hope yet again. He brings up how he wanted to come here with the most important person to him when he was still hopeful about it before consumed by the pain of it all, and that wish has been granted. That moment has to be so powerful for Rafayel. Literally light at the end of the tunnel.

It had me reeling that he just sat in the car after all that, staring at her for god knows how long until she woke up. He was probably overthinking again, but my interpretation that it was heavily emotional for him (it could have meant so little for MC but the world for him, she doesn't even know) and he wanted to be in that moment with her, just feel and look without restraint. Indulge a little. (I can just imagine him going just a little bit more, I'll go after she wakes up.) And like. His eyes are shining in the darkness is the description here. Perhaps he was feeling so much here. So much love. So much happiness. And he's about to go in for a kiss (heavy breathing and everything) after that, but holds himself back and actively has to pry himself away. He's feeling the neediness again.

That’s why he makes an effort to actively wean himself off and says he'll be okay on his own. What he says to her after MC is like "spoiling him" being all "hey you're sick maybe don't go? or let's go together?" (which is NOT helping Rafayel at all) is even more meaningful in Japanese and I didn't know why they left out this context, but the rearranged line would be "Do you want me to become a sea creature beached on the sand after the sea recedes, unable to breathe on my own ever again?"

Yeah. YEAH. This is about dependency. (He's saying don't coddle me I'll literally become that wolf tearing his shirt meme 😭)

So of course his stubbornness and anxiety force him to do things without MC and distance himself, he can do it. He’s determined to prove to himself that he can endure it on his own.

I also feel like part of the reason he insisted on going to the salon alone is that he’s still worried mc might come to dislike the version of him who's someone he's so sure she will leave, who isn't perfect and he hides behind the persona he's put up just for her. If he truly becomes addicted to her and shows her everything/his true self, and she ends up leaving him, it would completely break him. He's trying to be like "im so normal about her haha" but he's so not normal about her at all. He's literally obsessed I feel like, and perhaps this is him fighting it knowing it's not healthy.

and OOOH about why he ends up coming back from the salon all hot and bothered.

I have strong context that she flicked the bean in there after he left her high and dry in the car ("hot water washes away the stickiness from my body and his stifled breaths still echo in my ears, enveloping me along with the steam in the bathroom. The warmth from his fingertips lingers in the places where he touched me..." is the english. however, in chinese, it goes "熱水洗去身上的黏膩，壓抑的喘息迴��在我耳畔，和浴室裡氤氳的水氣一起包裹著我." stating "the suppressed breathing" -- which doesn't have any possessive adjectives when I translated it on google and later explicitly asked chatgpt if it had any his/my adjectives involved, just to be sure. it said no but i'd like it if a real chinese speaking person could give their input on this !!! PLEASE DONT LEAVE ME WITH CHATGPT

so um. if the context is in fact the case that he heard her masturbating to him, the intensity with which he attacked her would be normal, I think 😭

I have belief that MC unconsciously shatters his "training himself to be without her" determination through their bond. She just keeps thinking about him the entire time. about him reading her thoughts, though. we still don't know all about the lemurian bond they share. I’d say it grants him some sort of mind/heart reading ability or connects their minds together (when she was thinking about whether she should hug him, he answered “yes”).

At the salon, I imagine Rafayel was already thinking about her like crazy. Then he realized, or perhaps, "heard" she was still worrying about him and thinking of him (as much he thought about her) and decided to go back. Rafayel probably felt that suppressing himself was only making her more anxious and unsettled. She's thinking all about him, unconsciously calling to him to come to her, she didn't want to let him go at all, wanted to go with him, etc...

but even if it was his own decision and no mind reading was involved... uh. If you ask me. He did quite literally hear her after coming back. That's also something that might make him think she wants him as much as he wants her, which made his self-restraint utterly meaningless from the start.

Disregarding this theory of mine proven wrong until a Chinese speaker helps me out here, MC returned to Rafayel's room. A translation omission happened here from what I saw. There are no possessive adjectives in the Chinese text about the room she returns to, and the Japanese one states she returned to the guest room (doesn't specify which one. She was also able to enter Rafayel's room without needing to knock before.)

so uh. she went into rafayel's room y'all. the line "this is my room, you're the one who walked in here" MAKES SO MUCH MORE SENSE. (SO LIKE. NOT ONLY DID SHE GO INTO HIS ROOM, SHE FLICKED THE BEAN THERE AND HE POSSIBLY HEARD IT. SHE'S MORE OF A FREAK THAN HE IS, I UNDERSTAND WHY HE LET GO AFTER THAT LMFAO)

I don't put it past him to get worked up after he finds her in his room post-bath even without my theory lmfao (idk why they put her in a dress when she should be in a bathrobe or something 😭)

His conclusion at the end of this memory that "he finds inspiration in pain and the art of creation is a part of his life. mc made him realize love and art are so alike. even if they don't complete him but burn him instead he wants them (love and art) with every fiber of his being" and MC says she doesn't like that, rightfully so.

So like. There's SO MUCH to unpack in here.

When Rafayel says he finds inspiration in pain and that creation is a part of his life, he’s admitting something raw and essential about himself: pain isn’t just a byproduct of his art, it’s intrinsic to it. For Rafayel, pain and art are intertwined in a way that’s almost inseparable. It’s like his muse isn’t just beauty, but beauty that hurts.

But then he takes this further by connecting art to love. He’s realized that both art and love demand the same from him: vulnerability, passion, and sometimes suffering. They don’t necessarily complete him (he’s not romanticizing them as salvation), but they burn him, wear him down, consume him (coincidentally, this is something he said to MC in the JP dub of this memory, that she consumes him), but also give him life. And for Rafayel, that’s the crux, even if they burn him, he wants them with every fiber of his being.

This is such a Rafayel thing to say. It’s dramatic, it’s tortured, but it’s also deeply SUBTLE. He doesn't spell all of these out, mind you, I got a headache trying to understand him. Or I'm just slow, I don't know. It shows how much he values creation and connection, even if they come at a cost.

MC, on the other hand, challenges this perspective. When she says she doesn’t like that he views love and art as things that burn him, she’s pushing back against the idea that suffering is a necessary part of creation, or love. MC doesn’t want Rafayel to see their relationship as something that requires him to hurt. She’s telling him, “You don’t have to destroy yourself to love me.”

When MC says, “You’ll never have to burn for me,” she’s giving Rafayel an alternative to his destructive mindset. She’s saying that love doesn’t have to hurt, that their relationship can exist without him sacrificing himself on the altar of passion. It’s a refusal to let Rafayel romanticize pain as the price of love.

And I love that Rafayel goes, "Will you help me look for other parts in life outside of pain?" in response. This is NOT about art or inspiration anymore, and the way the dialogue is written is just AUGH. Again I had to rewatch this over and over again for the nuances and subtext.

I love MC's response, she knew exactly what to say. “I’ll always be the one who walks along the shore with you. Of course, diving into the sea bed is fine too. If it can snow in the desert, there will be a day when the ocean returns.”

MC’s response is layered with metaphors, but at its core, it’s about unwavering support and hope::

Walking along the shore: This represents safety and companionship. MC is saying she’ll be with Rafayel in the calm, in the moments where they’re just observing life without diving into its depths. She’ll be his steady presence, his grounding force.

Diving into the sea bed: This is an acknowledgment that life and love sometimes require going deeper and they may go through hardships, into the unknown, the murky, the challenging. MC isn’t afraid of this, she’s willing to go there with him too.

Snow in the desert and the ocean’s return: This is a symbol of hope and transformation beyond being a nod to The Sea of Golden Sand. Snow in the desert seems impossible, just like the idea of Rafayel finding inspiration outside of pain might feel impossible to him. But MC believes in the extraordinary, in change, and in the possibility that beauty and creation can exist outside of suffering.

Her words are a promise: she’s willing to stand by him, to face the unknown together, and to hold onto the belief that a new way of seeing the world is possible.

And Rafayel LOWKEY PROPOSES IN RETURN.

By saying “let’s watch the sea together,” he’s accepting MC’s offer of companionship and hope in the long run. He’s recognizing that life doesn’t have to be about diving into the depths alone, it can be about sharing the experience with someone else, even if it’s just standing on the shore and watching.

“Every sea”: This phrase is key. Rafayel isn’t just committing to one kind of life or one kind of inspiration, he’s opening himself up to all possibilities. Watching every sea means embracing all facets of life, whether they’re calm or turbulent, painful or beautiful. It’s a marriage proposal declaration that he’s ready to explore the world beyond pain, with MC by his side.

So. I love that his inspiration returns after his freak is accepted by MC because he literally feels the acceptance through the bond.

Thank you for coming to my TED Talk. This memory DRAINED me. They were just supposed to bang what the fuck happened. Why did I have to go treasure hunting to find what was going on in this card. anyway...

[starseungs]

the subtle art of cliche confessions. ksm.

kim seungmin x gn!reader — as aware as you were that life wasn’t like the fictional stories of romance that you enjoyed, a part of you still relished the thought of experiencing it for yourself.

GENRE/S — fluff, humor kinda, maybe fluffy angst but not really, battle of the bands au, lead singer!seungmin, college au, kinda semi-established relationship • 2.5k words

WARNING/S — profanity for humor, some self-deprecation as a result of nervousness but its not that bad, romance is complicated! in the same universe as "i'd weave words with every chord you strum. hjs"

( ✒️ ) a gift for @starlostseungmin for successfully completing her big exam 🙇‍♀️🤍 congratulations lovie, you deserve a fluffy seungmin fic !! the ending may be trash im sorry its 1am and i have class in a few hrs

2024 ⓒ starseungs on tumblr. do not steal, repost, or edit.

“Jisung, I think I’m about to pass out.”

The person mentioned comically froze on the spot, his right hand halting from its previous task of double-checking his electric guitar’s condition. Jisung lifted his head up menacingly to look at the offender—who currently looked like he was seconds away from losing all strength in his legs. Despite the concerning comment, life backstage did not stop for anyone. Crew members were still seen running around like headless chickens, desperately trying to keep the show running smoothly even though they, themselves, were already functioning on greater levels of adrenaline than the performers. 

“Oh, no you don’t,” Jisung warns lowly. “Kim Seungmin, you are not about to leave us without a lead singer right now!”

Unfortunately, Seungmin was not kidding. At all.

The loud cheers of the crowd from beyond the stage were deafening. It tells him that the band currently performing before them is doing a great job of keeping the audience entertained. Normally, that would’ve set him on fire to do better; bits of his competitive nature steeling his resolve to outdo the competition. And yet, something seemed to be different in today’s specific battle. 

He couldn’t care less about the crowd—no, his mind was only revolving around one thought. Or one person, to be specific. 

This makes him blanch once again. “I genuinely feel like throwing up.”

Chan snickers from his position near the dividers set up to create a makeshift waiting room for the performers. “Are you that nervous?” He asked lightheartedly. “Don’t stress about it too much, Min. We all know Y/N is going to say yes.”

Seungmin wanted to believe him. He really did. If anyone were to be asked about his natural demeanor, he was one hundred percent positive that the word ‘rational’ would come up at least once. He knew that the chances of the drummer’s words were the most probable—after all, he did his best efforts to capture your heart over the past year. And yes, Seungmin did also know that you had romantic feelings for him. That was why he was in this situation in the first place.

“If I were them, I would!” Hyunjin chirps, happily tapping on his bass guitar. “Imagine getting asked out by the lead singer of a band in the middle of their set? Anyone would be over the moon.” Seungmin merely scoffs in response.

“Of course you would, Mr. Hopeless Romantic.”

The bassist chokes out an offended noise. “Says the one doing a public confession,” he huffs. “Glad to know you learned a thing or two from those romance movies I pitch in on movie nights.”

“Yeah, well this isn’t fiction.” Seungmin deflates on his seat. Any more, and his band would’ve witnessed a person merging with a plastic chair. Wouldn’t that be a great memory to live with? “This is so cliche. What if they think it’s cringy?”

Jeongin, the keyboardist, shoots him a look full of judgment. “Why are you only second guessing this now?”

“To be fair, you both are already cringy.” Jisung stands up from his seat to stretch, only to receive a glare from the band’s lead singer. He raised his hands in mock surrender. “Just saying. It’s a miracle how long you two went on without an actual label. Everyone knows you two have been practically dating since months ago.”

And to that, Seungmin has no retort. What Jisung said had its truths—even he, himself, didn’t know why it took him so long to ask you to be officially his. It definitely wasn’t a commitment issue; he hasn’t even entertained anyone else intimately ever since he met you. There were even nights where he mentally beat himself up for being a coward about this whole thing, only for him to end the torment by convincing himself it was him going through the courting stage with you.

Not that he even asked, but that was what he was doing. Right?

It’s not his fault you always rendered him speechless. Not too much, of course. He wasn’t that starstruck that he’d make an absolute fool of himself. It was just that you made him really nervous and awfully conscious of himself. The way you talked was like music to his ears, and he swears he could listen to you all day. He finds himself wondering if his own voice ruins this fantasy of his.

You had to have noticed his advances as well. There was just no way that you didn't, with how smart you were. He just didn’t know whether to be grateful or frustrated with the fact that you never said a word about it. What if you were actually uncomfortable with the whole thing and were just too nice to tell him. Oh, he should’ve asked. This is terrible. A massive mistake on his part. An angel like you shouldn’t be forced to be with someone like him.

“What if I’m getting ahead of myself and they don’t actually like me like that?”

Jeongin’s jaw drops. “You have got to be kidding me.” He was going to tease Seungmin further, but something about the look on his friend’s face screamed anxiety, so Jeongin was quick to force his mouth closed. “Y/N does. Have you seen the way they act when they’re with you? Heart eyes, I swear.”

Okay, there’s that too. Seungmin wasn’t blind, nor was he dense. If he didn’t think you were interested in him like this, then he wouldn’t have actively pursued you time and time again. He was confident, not someone who didn’t know their boundaries. And fortunately, you seemed to have wordlessly affirmed that he could get close to you over the months you’ve been talking. He was sure that if you had even expressed the slightest bit of disapproval of his advances, he would have pulled away immediately. As well as reassess the situation right afterwards.

Seungmin sighs. “I just want to do this right.”

“And you will,” Chan says. The drummer gives him a firm pat on the back. “Trust in yourself. We’ll also have your back. Go out there and perform like you always do, just that you have your little plan before the bridge comes in.”

All Seungmin got from that was how you were in the crowd. Right, you were in that crowd. The very same crowd he didn’t give a single fuck about at this moment. You were the only audience he needed, and it both comforted and terrified him to remember that he left you to sit in the very front row earlier before the program started. Just where did all his courage go? The bastard who planned a public confession on their campus festival’s Battle of the Bands competition should be the one present to go through all this.

“I don’t know if I’ve ever been this nervous to perform ever.”

Hyunjin hums. “Then that means you really like Y/N!”

“Exactly. We didn’t agree to make a whole new original song for this competition just for nothing,” Jisung adds. “Well, I guess it’s also good publicity for when we actually do this band thing for real. Show the public our sound, you know?”

Seungmin finally begins to breathe easily again. He briefly stares at Chan fiddling with his drumsticks, twirling them around with his fingers to soothe his own nerves about their upcoming performance. After all, this wasn’t just a performance that Seungmin was doing alone. The competition also meant a lot to his other members in their own different ways, yet they still gave their full support to him when he told them about his plan.

He had great friends.

“Stray Kids?” A slightly hoarse voice called out. Seungmin knew the figure as Changbin, someone from the student government. The guy was normally a lot more energetic than this, but he guesses the fatigue must be getting to him from being one of the organizers for this particular event. “You guys are up in a few seconds.”

Well, this is it. Seungmin stands up to get ready, clearing his throat to calm himself. There’s nowhere to run now.

The crowd’s enthusiastic roars never seemed to stop after the previous band’s set ended, and it was beginning to tick you off. Granted, you should have been happy that Seungmin’s band was going to be greeted by a happy crowd, but that also meant that they were subject to pleasing an audience whose hearts were clearly already captured by the performers right before them. And you would be nothing if you weren’t competitive. Biased or not, you would die on the hill believing that Seungmin’s band is better than the others.

They had a national treasure of a voice for their lead vocals, so how could they not be the best?

An amused snort came from your left side. You didn’t have to think too hard to figure out that it came from your friend, Felix. He was probably finding humor in the way your face didn’t spare a single effort to even plaster an indifferent expression. What can you say? You were loyal.

“Alright! I see that all of you enjoyed that wonderful performance from Xdinary Heroes!” The program’s host, Lee Minho, came back out to hype the crowd. It was then that your attention snapped back up to the big stage, your eyes watching like a hawk as Seungmin and his friends settled into the equipment. A bubbling giggle found its way out of your mouth at how Seungmin looked so focused on adjusting the height of his mic stand. “A very unique band name, if I do say so myself. But it does look like the new trend, as all of you here might also find interest in our next band’s name.”

“Seriously,” Felix starts, his tone teasing. “You are so down bad.”

You roll your eyes. “Be quiet. It’s starting.”

“Yeah, sure.” Felix laughs at your reaction. “We wouldn’t want to interrupt your longtime dream of being confessed to by a singer in the middle of a set now, would we?” Your face burned warmly at the accusation.

It was such a cliche thing to happen. As aware as you were that life wasn’t like the fictional stories of romance that you enjoyed, a part of you still relished the thought of experiencing it for yourself. There was a reason why these kinds of events were heavily romanticized in the media—they held their own charm. It just so happened that you agreed to the notion that getting a proclamation of love from a singer on stage was one of the more appealing choices.

Too bad those don’t go too well in real life.

“But it’s—”

“It’s cliche. Yes, you’ve already told me countless times that it’s not as good in real life. But we all have our fantasies, Y/N. No judgement.” Felix shrugs. “Good for you, though. You are one determined person to bag an actual singer. In a band, no less.”

“You are so—”

“—over. Give it up for Stray Kids!” Lee Minho’s booming voice cut you off again, letting you know that the performance was about to begin.

It started off like normal, with Chan using his drumsticks as a countdown before the instrumental started. Except this time, the song was surprisingly unfamiliar to you. Your eyebrows furrowed in confusion. This wasn’t the piece they practiced when you came over to watch a week ago. You didn’t recognize the song in its entirety either, though it was already proving to be a song that fit right with your tastes. Seungmin’s voice echoing through the space was also adding so much to the experience. 

You let the pride you felt at how well he was doing bloom in your chest. It was great to see him shine after going through the rough process of preparation with him. You watched him passionately go through the song smoothly without any mistakes. From the day you first met him until this moment, you’ve witnessed how determined he was to achieve his goals in life. It was then that you knew you’d always be proud of Seungmin, no matter what. You were already the happiest you’ve ever been just by being by his side.

“Did they change their set?” You asked no one in particular. 

Felix bops his head to the beat, clearly pleased with the song. “Don’t know the song, but it’s great!”

You’d be lying if you said you didn’t agree with him. Though the sudden change in song choice admittedly peaked your curiosity more than it should have. Your eyes found their way back on stage, as if telling you to simply enjoy the performance now and ask later. But it looks like fate had other plans for you, as your eyes immediately locked with a certain lead singer’s.

He left no argument as to who he was looking at. It was clearly you, and you couldn’t help the way your breath hitched at the way his gaze alone held the answer to the question that lingered in your head. There were sparks of electricity being mimicked throughout your body, sending you into a mild shock. Like a scene from a movie, everything else in the world just seemed to go on mute.

All except his voice.

“Before we proceed to the bridge, I’d like to share something about this song. Would that be alright?” Seungmin spoke to the crowd, despite his attention still obviously on you. You could vaguely hear them answering back to him in interest, positively telling him to go on. It was difficult to miss the way his smile grew at this. Seungmin looked so stunning when he smiled. You always felt like falling in love all over again whenever he did.

The band continued with the instrumental, albeit toning it down as their lead singer continued on. “So this song is actually an original from us.” Oh, that makes so much more sense. “And it was written as my confession to the person I like.” 

Wait.

In the fuzz of your brain, you could barely make out Felix jumping up and down in excitement while looking at the scene unfolding before his eyes.

“I’ve been contemplating this for a while, wondering when I’d ever deem it the perfect moment for me to ask the important question,” Seungmin adds. “But I’ve realized that I was just dragging things out too much for my liking. So, to the one who my heart yearns for even through the nerves I’m feeling right now—” You felt overwhelmed at the moment, but you couldn’t seem to take your eyes off the way Seungmin looked at you with such fondness and admiration.

“—Y/N, will you give me the honor to be yours?”

And when your voice sings out the answer, the instrumental starts picking up again as Seungmin finishes the song with newfound fervor. You chuckle your happy tears away, with your friend playfully punching your arm.

“Now, what did I say?”

Maybe cliches weren’t so bad in real life after all.

MASTERTAG ━ STATUS: OPEN — ASK OR COMMENT 🫶

@fairyki @hysgf @euncsace @comet-falls @starlostseungmin @ameliesaysshoo @hyunverse @wnbnny @xocandyy @minluvly @moon0fthenight @estellaluna @hanjsquokka @starlostastronaut @minsueng @l3visbby

[kosmicdream]

Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..

1) making comics does not get easier.. Not really

Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 

2) Read your own comics after making them.

I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.

3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)

I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 

Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 

4) Don’t draw every leaf. Unless you really want to.

I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)

5) Don’t draw ahead, draw those inbetweenies.

“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.

Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.

I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 

Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic

[startheskelaton]

I'm not sure how Nightflyer and Soundblsster met Sparkplug, but I guess they met her at Earth.

So I'll do my interpretation of how Nightflyer and Soundblaster got on Earth.

Nightflyer was at the palace as usual, going to his berth after he finishes all work for the day he overhears from his sire's chambers about space bridge and how it can take someone to a different planet.

Interested, he begs and pleades Soundblaster to help him try the space bridge, which Soundblaster soon agrees with, using this as an opportunity to get rid of Nightflyer.

So they sneak out and go to the room where the space bridge is kept, and they eventually find it after a few miss ups at which room is it and knocking a few guards or less.

They tried using the space bridge, but it went wrong, and they both ended on the same planet called Earth. They ended up in different places, Nightflyer ended up in the same forest where Optimus first arrived and met Spike, and he's amazed by Earth's beauty while Soundblaster ended up in near fancy human city as he wondered where the living FRAG he ended up.

And that's pretty much it. You can tell me how they actually ended up

Also, I think Nightflyer and Soundblaster would love Earth and its culture.

Nightflyer like Optimus from idw comic and maaaaaaaybe Repunzel from Tangled would fall in love with Earth's beauty and its creatures and plants since he never saw that back Cybertron where everything's metal. To his, this would be a dream come true since, like you said, he's into mutants and plants.

Soundblaster wouldn't like it at first, but then he sees humanity's arts, creativity, literature, museums, and many more humanity has to offer. Like Nightflyer, this would be a dream come true to him, too, since he's into art and literature.

.

.

Bonus: Back on Cybertron, Starscream and Shockwave panicking where the living Primus where their sons went and screaming at anyone while Slipscream tries to eat her energon cereal.

Anyway i really love your ocs and I wish to know more about them. I really love how you have progressed the story so far. I love it.

Actually the real answer is a good bit different, however I love the story you made, It was vary fun to read!

This is how it really went down.

Shockwave chose Nightflyer in particular to be the one to go to earth undercover, he did this because he knew that Night was so loyal to his family, that he wouldn't change sides if need be (this would be proven right later). Nightflyer was absolutely mortified when he was told that he needed to go to earth, not because he didn't like earth, but because he would have to go alone to make the plan look believable. Also he would have to purposefully crash his ship on the planet... but the alone thing was more of priority for him.

He dose make it to earth and makes the ship crash, making it look like he desperately trying to escape from Cybertron. He would be found and taken to the Autobot base (after checking him for tracking devices) where he would be questioned and checked to see if his arrival would bring more enemies to the planet. He was kinda blacked out for a while (because of the crash) when he was sent to Ratchet's med bay to undergo an emergency check up. And who just happened to be the reluctant medical assistant on hand? Sparkplug. She really had to fight her dad in order to stay and help with the exam (she really wanted to be part of something exciting, and a random hot guy falling from space was definitely exciting).

They properly met during tryouts for being put on a mission team. Nightflyer passed well (however he needed to hide his full potential as to not tip off that he was part of the Cybertonian guard). Sparkplug on the other hand passed with shockingly flying colors for a bot her size, however was immediately turned away by Megatron (this is because Sparkplug has been training most of her life to be qualified for off base missions, however is shot down by her dad each time at the qualifying tests. Like her late father, she's not one to take rejection lying down, so she has trained for years and gone to every try out. Much to Megatron's dismay, this has only forced her to get stronger then she would have been if he had passed her earlier).

At first Sparkplug is kinda spiteful against Night simply because he was able to go on missions despite being so new to the autobots, however something makes her look at him differently... she notices he's lying. She has no idea what about but she can feel it, something about his story is too perfect, he's moving up the ranks too quickly and cold outer shell doesn't fit with someone who wanted to break away from his original faction. So when she finds him in the library one night, she corners him, and he breaks... but not fully. He reveals his true personality to her, but not his mission. He is vary genuin about how he feels trapped by having to mask all the time, that no one would take his seriously if he was himself, and how he genuinely felt oppressed by the "the strong rule the weak" mentality of the Decepticons. In return, Sparkplug opens up about her strange existence and confusing expectations people have for her. That she needs to be a replacement but not a copy, to have prime's kindness but none of Megatron's anger, love herself for being special but listen to everyone talk about how freaky her existence is. And after that night... Sparks start to fly between the two.

Soundblaster met Sparkplug in the middle of space.

Eventually the time comes and the seekers (slipstream and company) show up on earth and it's revealed that Nightflyer was a spy the whole time. And a dangerous one at that, actually able to go up against a good amount of the autoboots. This breaks Sparkplug's heart because she talked to Nightflyer a LOT, she had no idea if any of that was real or not. It didn't help his case when he immediately sided with his sister, going back to being a deception due to his loyalty to his family.

However during this shit show, who arrives but the DJD, taking advantage to the situation to try and take Sparkplug in order to make her a new Megatron. Seeking a chance to be praised by Shockwave, Soundblaster is able to grab Sparkplug admits the chaos (capturing the last remints of Optimus prime would be extremely useful in manipulating the public or just making a super weapon) . However due to a mix of Skywarp's powers fucking up along with Slipstream's (she has the same power's as Skywarp), Soundblaster and Sparkplug are warped halfway across the universe. This now forces our characters to try and find Spark before anyone else can.

When coming to, Sparkplug is absolutely livid at Soundblaster and immediately attacks him. But due to the situation, they reluctantly come to an agrement, get somewhere where they can get back to Cybertron or earth, then fight about it then. This forces the two to work with one another to try and make it to intergalactic space station without dying. During this time, Sound only communicates through mores code, never speaking once. However him and Sparkplug have a good amount of conversations, slowly opening up to one another. They really hit it off when Sparkplug is able to relate to Soundblaster, but admit that he defiantly had it worse then her (nightflyer on the other hand saw himself and Soundblaster as equally out cased despite the huge power discrepancy). She's able to see him for who he is, what he was supposed to be, and who he wants to be... and this makes Soundblaster throw away his loyalty to the decepticons and decide to be loyal to Sparkplug herself.

OH MY GOD this was a long post, I could go on but I need to stop myself before this becomes an essay.

[wixenburr]

Saw some ppl talking about Reverse Robins and i had thoughts

Talking abt u guys @eldritchdreamss @brucewaynehater101

Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.

(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)

Damian

Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.

I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)

So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.

(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)

Tim

Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...

But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.

Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)

Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.

Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.

Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.

Jason

Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.

I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.

anywho and then Jason dies rip skill issue ratio.

The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.

It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.

but Tim can.

It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.

Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).

They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.

and then

Dick

(lmao that sounded wrong)

ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.

Wham bam rip the falling Flying Graysons.

They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.

It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.

Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.

The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)

The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand

Womp womp GUESS WHOS BACK

Jason's Back

but i'll leave that for later.

[genericpuff]

So I watched ChattyMia's Lore Olympus video which was great and everyone should watch it. It seems most people who do series reviews of the Lore Olympus don't like the comic for obvious reasons. Then I was reminded by the end that the comic is expecting a TV series which is in development hell. It made me think that Rachel might be better off not having a Lore Olympus TV show. Most praise for the series died awhile ago as the story became an utter mess. If it did get a TV show, people will see the early red flags like the age gap, the treatment of Minthe, trying to excuse cheating, Hades horrible behavior to workers, nymphs being discriminated with no pushback, etc. If some of them read the comic for spoilers they would later see the other big red flags of the series. Excusing slave labor, Persephone threatening the lower class, Hera getting with Echo a 'trash nypmh' as she once called Minthe, Apollo gets community service, the continued mistreatment of Demeter etc. Which I feel will cause everyone to go 'wtf is this series? 50 Shades of Grey mixed with Keeping Up with the Kardashians?'. Then you have to wonder if some of them will do a deep dive and find the stuff about Rachel's tie to Lolita. It would be especially bad if a bigger content creator talked about it. And we already know Rachel doesn't handle criticism the best (i.e. the struggle street tweet, the Minthe cosplay situation or even the merch). So I could only imagine how much worse it would be for her if Lore Olympus got a TV show and more eyes got drawn to it and her. It would no longer be just confided to the web comics fanbase but the much larger TV one. Unless Rachel seriously considered rewriting the TV script (or rekindling it lol) I don't see how a TV adaptation of her show would be good press for her.

Yess I've seen that video, it's great! She did a great job summarizing a lot of the biggest core issues with LO's story and art without getting too lost in the sauce (though god knows the rabbithole of LO's issues runs INCREDIBLY deep in an equally fascinating and "oh god what the fuck did I just read' kind of way), her video editing was very entertaining and her Persephone cosplay was a great touch 😎

That said, regarding the thought of "most people who do series reviews of LO don't like the comic", there is an amount of bias we have to acknowledge there - there's often a lot more to say in the negative rather than the positive. By extension, people who simply enjoy LO and don't participate much in the online discussion surrounding it or the discourse concerning it are less likely to make 2 hour videos analyzing it. So while the popular opinion of LO has shifted more towards a negative point of view, that doesn't mean that fans of the comic don't exist - it's just that most of those fans are blissfully enjoying the comic and can only sum it up as "it's very pretty and the plot is great", whereas many people who didn't enjoy it are more likely to voice their opinions as to why in far more explicit detail (though on the flipside of that, it also goes to show that there's a lot more to analyze in LO's flaws than its strengths - it's ironic that the fans often don't have much to say beyond "it's cute" or "I relate to Persephone" and anything further than that is relegated to pure headcanon pieced together by assumption and best guesses to make up for Rachel's lack of writing).

All that aside though, regarding the TV adaption, at this point it's less a matter of reception and more a matter of relevancy. The perfect time to release or at least show us proof of the LO TV show was years ago, when the comic was at its peak between 2020-2021. The second best time was at last year's NYCC when Rachel was a headlining guest. The fact they still had nothing to show for it at this year's NYCC, with Rachel nowhere to be seen and instead focusing more on the Freaking Romance adaption with Snailords filling the role as their featured guest (an equally if not even more problematic creator), is astounding, but unsurprising.

To me, LO feels like a real life case of "Tortoise and the Hare". Back at the start of it all, in 2017-2018, it was doing what no other comic on the platform was doing, presenting us a retelling of the Hades and Persephone story - which was very popular on Tumblr at the time - through a modern setting and with art that was incredibly unique for the platform. That, paired with WT's aggressive marketing, propelled it far ahead every other comic on the platform, creating a gap so massive that even the comics in second place on the trending tabs still weren't even close to LO's lead in terms of stats and money.

But then it got complacent. Quality of the comic's writing and art dropped, it was becoming increasingly obvious that LO had become no more than a marketing grift akin to the likes of Harry Potter - easily turned into books, t-shirts, socks, coloring books, figures, etc. - and that gave way to an increase of criticism towards it, criticism that had always somewhat existed even as far back as its days on Tumblr, but was now amplified by the existing ongoing proof that LO was never all it was cracked up to be.

Now, at best they shill $200+ figurine pre-orders, but the show is nowhere to be seen and, with the comic now finished and locked behind Daily Pass, its relevancy is dying out. "Rachel Smythe Presents" still has nothing to show for itself, Rachel's IG and Twitter seem to be purely for merch-pushing by the Inklore team, and Rachel has, at best, two new series that she suddenly announced but, in her words, don't even have anything written or planned for them yet beyond the taglines that were thrown together for her socials.

Meanwhile, the rest of the Greek myth retelling industry is in a renaissance. Hades is still a massively popular game, with its sequel now in early access; Epic: The Musical has been making waves on Spotify and TikTok far exceeding that of LO's in terms of audience reach, and even has more to show for itself in the way of official animations than LO ever has; and now Kaos has recently launched its first season after being in production since 2018 - yes, you read that right, it got commissioned around the exact same time LO became an Originals series which suggests the idea for it was already floating around and being pitched prior to LO - and, frankly, has beaten LO at its own game by achieving everything LO set out to do - weaving a Greek epic-style story in a modern setting, balancing romance with prophecies and world-ending stakes. It took a while, but Kaos made it past the finishing line, while LO has been dragging itself behind it, still making empty promises that a TV show is "still in the works" and "coming soon", with not a single thing to show for itself.

LO may have gotten a head start in being the "sleek, modern, sexy Greek myth retelling" by the virtue of being a weekly webtoon, but slow and steady wins the race - the productions that have taken their time cooking in the oven are now coming out as beautiful and delicious as we, the guests at the table, were told would be, while LO is simply the short-term gratification junk food that bombards us with gimmicks but sits like a rock in our stomachs and leaves us unfulfilled and wishing for a better meal.

Those better meals are here now and they were absolutely worth the wait.

[daemon-in-my-head]

I'm gonna say smth and I need people to read and understand what I mean.

It is perfectly fine to critique games. It doesn't matter what exactly you critique. You don't like the story? Say it. You don't like the combat? Say it. You dislike the way previous lore has been handled? Say it. You dislike the character creator? Say it. You think certain aspects of the game feel lazy or odd? Fucking say it.

Games at this point of time cost 60-70 bucks. Just the game itself. And it's often not even a physical copy, just a digital key they can revoked at any moment if they feel like it. If you want an advantage or a pretty limited skin or what have ya its gonna be 80-150 bucks. Yes that's how outrageous the prices are becoming. Let alone any future DLCs.

And again, it's 60 fucking bucks for just the base game. That's a lot of money for games. Not too long ago you'd be chased with pitchforks and torches had you said your game was that expensive. Some phones are as expensive as two AAA games, games that usually shine with a shit ton of flaws, bugs, missing content, messed up lore and generally feel like the publisher just wanted to make a quick dime. And considering how little time they take to develop, the later often holds true.

But yk what else? If you don't express your disgruntlement or your anger with these practices it's gonna keep going. Shit is only gonna get more expensive while also providing a worse playing experience. Y'all know what the big guys said about BG3. That we, the players, shouldn't expect that to be the new standard.

But hey, listen, we fucking should. It's our money and time. Our enjoyment of long established series or the first title of many. We should expect it to be fucking good and finished especially for such a great prize. We should expect to find entertainment in the things we buy exclusively for entertainment.

So please for the love of god stop attacking people for voicing their very valid and personal opinions. In fact do the opposite and join them and encourage others to do the fucking same. I'm so god damn tired of publishers doing everything only for the sake of sales rather than the art behind it. And yes of course 'the poor employees' and whatever excuses there are for these attacks. Guess fucking what buddy? You encouraging the Publishers behaviour by shutting down any and all criticism and buying whatever the fuck they slapped a name on is just telling them they get away with treating their people like less than shit.

Criticism is healthy. Criticism is required for a system to work and develop in positive ways rather than whatever tf is happening now. Voicing your opinion and critiquing aspects you find poorly handled is not hating a game. It's being disappointed that something you love and are absolutely passionate about was not treated well because some rich guy wanted yet another bonus check.

If a game is shit, call it out. If a system was handled poorly, call it out. If publisher try to limit the content and systems you're exposed to in the first 2 hours because you can still return the game in that period of time, call it the fuck out.

[djungelskog-oblivion]

the yosuke problem

ok the thing that pisses me off most about the yosuke storyline is not that the homophobia is like bad and morally wrong or whatever. BUT THAT IT MAKES HIS CHARACTER WORSE.

in canon, he's homophobic cause he's an asshole. full stop. i guess the "best friend" character is just an asshole now and you like him less. LAME.

give him a romance route and his character becomes so much more layered. he's lashing out at kanji because he's scared of himself and his own feelings.

when he confesses to you, he's also confessing to himself, accepting a piece of his identity he doesn't want to. you know, the theme of the game? accepting uncomfortable truths about yourself and finding joy through it? it also shows that self-acceptance isn't a one day thing, we don't have just one shadow, but multiple different demons that we have to conquer throughout our lives. ah, depth and thematic coherence, how homosexual thou art!

its straight up more interesting storytelling, it's efficient, meaningful and its not in the game because ATLUS ARE TOO COWARDLY TO MAKE GOOD STORIES >:((((((