#but i got it down on paper all by myself

[thefaggifier]

I’ve journaled about it and told a bunch of friend about my plan, but I wanna say here too that I’m gonna write a musical this year by myself.

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[creatureprofessor]

Peglar and Bridgens for day 2 of @terroryuriweek - pride 💕🏳️‍🌈

details and inspirations are found in my tags

[figofswords]

i know ive made myself the #1 izutsumi stan in the eyes of all of my friends and probably some of you online people but what if i became a mithrun stan. there is something about him that compels me. i just want to *clenches fist* put him on the drying rack. lovingly stick him into a tupperware for later. make him into. a broth of some sort. do you understand

[grapeskeeto]

kinito I missed uuuu. messing around with shading

[kitsunesakii]

Two is Better than one

I went wild with this one :D

Chapter six

Sasha entered her apartment with the quiet click of the front door. She tossed her backpack onto the chair in the kitchen and started a cup of tea. A clatter from the adjacent room caught her attention. She frowned slightly before peeking her head into the other room.

It took her a moment to process the scene before her eyes.

Micheal was sitting on her living room floor, long fingers carefully curling through the fur of a content cat purring below him. She noted a secondary feline to the left, pawing at a strand of long spindly blonde hair. He glanced at her lazily, tipping his head to the side and humming.

There was only one thing wrong with this picture. Sasha didn't own pets.

"Micheal-what?"

His smile widened. "Hello my dear."

She gestured to the cat now rolling onto its back as Micheal petted its belly. "Where did these come from?"

He looked over at the one still playing with his hair. "They followed someone into my corridors. They followed me here."

Right. Sasha shook her head and sat down, the one on its back stretched out before moving towards her curiously, it had orange hair like a tabby. She pet it and it purred in response.

"Micheal."

"Sasha."

"I don't have the stuff for these guys. I barely have the room, you don't really expect me too-" Her words were cut short as she watched the grey one tangled in Micheal's hair sound out a small mewl as Micheal tenderly picked it up in its hands with too much bone and fingers that stretched too far across. The cat didn't seem to mind.

Micheal hummed as he watched the cat in his arms twist and curl, purring contently as if Micheal wasn't a terrifying monster. Sasha dared to smile.

"I believe, if I remember correctly, these creatures need food, water." He chimed lightly. Sasha rolled her eyes.

"Fine. There's a store down the way from here. They have pet supplies." Sasha sighed as she stood to her feet. "And they are cats, Micheal."

He didn't so much as stand to his feet, rather a blur of motion and colors that stretched out and scattered like sand before he was standing in front of her. "Cats. Yes."

She grabbed her bag and walked towards the door, stopping when she realized Micheal was following her.

"What are you doing?"

"I'm coming with you of course." He giggled, "silly question."

"Right." Sasha smiled, "This won't end badly at all."

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The actual trip wasn't horrible.

Besides the fact that every single dog started barking at Micheal which earned them a few curious glances from the staff, they made it out with a sack of cat food, cat litter, and a box. Even more than she had expected, Micheal paid. Handing the cash to the women as Sasha looked at him with such a confused expression she partially believed he did it just to see her reaction. Laughing as they left the store with the supplies. She simply shook her head.

"I think- he had one."

Sasha looked over at him, he looked, well, human. The way his coat sat on his shoulders and down past his boots, his hands wrapped around a bag of cat food. His eyes trained on nothing before looking over at her with a sharp smile.

Sasha frowned. "Who?"

"Micheal. Before-" His words echoed and trailed off.

Sasha understood. "I'm sorry." The words felt stupid in her mouth.

"Do not be, its-" he paused. "It's a nice memory, I am not sorry to have it, amongst the fractals of everything and nothing and the not-in between, it is nice."

Sasha thought about her question a moment before asking. "What's it like?"

"What?"

"The...what you said about the fractals and the nothingness, delusion...what's it like?"

"It Is Not What It Is and it is a part of me" he said it like a broken tune from some forgotten nursery rhyme. "It is madness- throaty, hollow, the depths of doubt- madness that stirs in the mind. It is not a physicality, but, within it, there is a certain…” He paused. “Ah! Beauty. Like a fine piece of decoration in a mundane hallway." Micheal laughed long and hard as they approached her building.

"You say it's beautiful?"

He giggled and shook his head. "You tell me, my dear, what with your It Knows You, all that knowledge will never satisfy, never relief, you see all and yet-" They entered her house to the two cats scratching up her couch and seemingly content with life. “Madness floods the senses and dilutes the mind, leaving it clear. It changes perception, blinds reality. It's a song sung with all the wrong notes and the wrong tune but it is beautiful nonetheless.” He sat the bag on the kitchen table and she prepared two bowls.

“A broken melody is still broken.”

“Ah, but only you would know if it's broken.”

Sasha paused and stared at him. He was crouched down, pouring the food into the bowl she had provided. It got everywhere and he giggled. Letting out a hummed “oops.” Before moving a long finger to scatter the dropped food even further. His hair cascaded around his shoulders and swept across the floor, the grey cat already taking interest in his dubbed playtoy.

She understood what he meant. And maybe there was a relieving beauty to it. Someone’s only lost if they themselves don’t know how to get to their destination. But if someone is simply wandering, well. There could be a comfort to that. Ignorance is bliss after all. A buzz of muddled headspace that someone looks for within drugs or alcohol. A weight lifted from the mind as it's consumed by something that isn’t tangible.

“Do you understand?” He looked back at her, the pieces of food that had missed the bowl now nowhere to be seen. The two cats had taken an interest in the food and water and were quick to indulge themselves. She looked into Micheal’s eyes, the swirling spirals that seemed to impossibly dilate as he looked at her. He seemed softer, somehow. All folded up and crouched on her floor seemingly as protection to the felines happily eating away. His sweater changed and morphed in color and she half wondered where his coat went. His scarf was wound around his neck and seemed to move like a snake, continually curling over his shoulders. Twisting and bending and pulling in every direction. He was an enigma to look at. Madness. An ever shifting idea that barely took shape before it was changing again. Beautiful. She decided.

He was beautiful.

She almost forgot he was waiting for a response. “I understand.” The words didn’t feel nearly enough. Some part of her reminded herself that she was supposed to be scared of this thing that had casually dropped two cats at her feet like it was nothing. This thing that bought the supplies with money she wasn’t sure he was even supposed to have. This thing that had given her a distorted flower that she still had in the living room. This thing that followed her around with a curiosity she couldn’t explain. This thing that had kissed her cheek instead of killing her when she had been in its corridors. She ignored that voice and instead moved to fix the litter box in the washroom.

Not even an hour later she was curled up on the couch petting the tabby as Micheal played with the gray one on the floor not even a foot away.

“What are their names?” She asked him, breaking the silence that seemed to muffle Micheal’s laughter as he let the cat swipe at his long fingers, pulling them away just in time.

“Names are redundant.”

She rolled her eyes. “I think I’ll call this one Pumpkin.”

He didn’t look away from the cat, letting it catch his fingers and pull them down to bite playfully. Micheal hardly seemed bothered. “Daisies.”

“The cat? That’s a pretty name.”

“No-” He giggled. “I remembered. I was picking them up.” He drew his hand away and pointed at the mess of lines and colors that had once been a flower, sitting in a jar on the coffee table.

Sasha smiled back. “Daisy it is. Pumpkin and Daisy.”

Chapters:

1 2 3 4 5 6 7 8 9

[urprofsqueermenace]

had no problem falling asleep 2 days in a row!! ...but both times I woke up before my alarm

[dbphantom]

How its been going if I'm being quite honest

[silverselfshippingchaos]

I think about this line so much

ougghh found family trope how i love you so

[motionpicturesforcarrie]

welcome to my world of anik anik… been building a collection?? of stuff for years, a lottt of these things are presents, things ive had since i was a kid, or things ive gotten from traveling/conventions. i just love postcards and posters and stickers and buttons and i love wearing a bunch of bracelets and necklaces and i love scrapbooking. trying to get back into art i like besides my beginner level film photography (though i should learn photoshop) so i wanna try to collage/make zines again and maybe even get back around to painting

[the-lark-ascending69]

Had this moment of extreme anger and aggression out of nowhere and ended up hurting myself and then i wrote about it, went out to get some coffee, chatted w the coffee lady for 5 minutes, watched an episode of amphibia and now i feel weirdly refreshed and hopeful about life and the future??

[butts-bouncing-on-the-beltway]

I don't have a lot of energy these days [because of The Horrors] so I'm looking at my day and my priorities and trying to plan how I'm going to spend what energy I have, because I do need to be able to rest and relax but there are also things that need doing and that is a careful balance for me.

I managed to [mostly] clean the kitchen last night so I've kicked it out of the priority list until next weekend. Unfortunately the living room, bathroom, bedroom, and my office all need cleaning too. I think of the priorities, my office and the bedroom are the most important to me, so I'll probably push the living room and bathroom until at least Friday.

There's also the laundry. I don't have any clean clothes and as we're moving into winter I need to be more rigid about getting that done because days where the clothes can be dried on the line will be more limited. So I definitely need to wash an outfit or two and hang them up in the next hour.

That's already a really busy day, so I'll probably cut it there. But it's definitely going to still leave me a lot of work this week. Half my cleaning, at least one more round of laundry, settling dog food for the next couple of weeks, planting the fall/winter greens, doing some set up work on my computer, work on some writing projects, cleaning out the fridge, and patching some worn clothes. My work week isn't insane atm, but it is definitely limiting. Right now I have 6+4+0+4+2+5+5= 25 non work/non-survival needs (sleep, food, shower, etc) hours available each week. I need to figure out a regukar distribution of these that means everything is getting done and I still have an hour a day to myself as often as possible. I think it's probably not realistic to give myself more than an hour a day for free time/fun, which is a bit unfortunate because I've found in the past that my floor tends to be getting 2-3hrs of free time most days because of how I deal with transition and decision-making.

25-7 [1hr per day] is 18 hrs, so I just need to decide where and how to distribute those in order to keep pace with things.

Lets say the garden needs 3hrs per week, the laundry needs 4 hours (specifically 2 sets of 2 morning/early afternoon hours), the cleaning needs an hour a day to get through a maintenance clean of the house, and 3 hours once a week to work down any deep cleaning that's built up. Which is....already three more hours than I actually have each week. So I guess I'll make a plan to work in the garden for 20-40min of 4 of my free hours each week.

It really doesn't leave me any wiggle room. Only about 4 hours a week that isn't explicitly allotted to something that needs doing, which means there will probably me a lot of weeks where I only get an hour or so at best across the whole thing for free time. I guess I've had a hard time accepting that at this point, having actual time for myself or a time-intensive project is only available if I've taken a day off work. I love my job, but it's ... not comfortable to realize that it's the only love in my life I actually have time for anymore.

I think that's probably why I end up here so much. It's this mindless little way of zoning out into my own head, dissociating away from the exhaustion, for a few minutes at a time. I keep thinking I want to use this space differently, make it more if the things I enjoy. But I think what I really want is just to actually have the time and energy to do things I love that take work. I keep crying a few times every day and I couldn't figure out why, but like

I dunno

Why **wouldn't** I cry a little every day? It's the closest I'm getting to actual emotional release or relaxation in my life. We'd probably all cry. Heck. A lot of us probably DO, capitalism being what it is.

I guess I'm starting to wonder why I'm doing what I'm doing. What is there left for me to sacrifice to this life? What is actually serving me about not just letting myself go up like a fireball and take my surroundings with me? What in the ever loving fuck am I fighting this hard for?

All I ever want, all I want now, is to be able to live. To really, actually live. How does wanting to live bring you this close to killing yourself, whether on accident or on purpose? What am I actually doing that is LIVING and what am I doing that is FACILITATION of living? It can't all be facilitation, or I'm not actually facilitating fuck all.

I'm 30 goddamn years old and I need to figure out what it looks like to actually love my life. I fundamentally refuse to zombify myself like this for everyone else around me forever.

[neonbodyache]

Making a themed diet even just for myself sounded like fun but i immediately got so hyper specific and niche about the aesthetic and caught up in potential little rituals i was 30 minutes into researching exploratory vlog channels [i was gonna make a playlist of videos to watch whenever eating/as POVs/ to put on in the background/potential soundtrack for your life type stuff] when i was like. Okay we need to call this off 😭 just the boards for now for me

[good-beanswrites]

Woo hello 🎬!! I kept all of your ask here -- I put it like this for my own easy scrolling, but no way am I cutting any of this, it's so perfect AH

Oughhhhgh Haruka getting more confident from hanging out with everyone and getting such positive feedback… I’d imagine the back to back innocent verdict and night of compliments would do wonders for his psyche ;-; And same for Muu and Amane! Minus the inno verdict, but the sudden influx of explicit compliments and acknowledgement of “hey, that was fucked up what they did to you, okay?” I wonder if there’s any awkwardness since After Pain directly follows Bring it On, but I like to imagine Fuuta and Muu have a deeper talk about things in private (and maybe Muu hesitantly mentions her involvement with Rei in preparation for INMF…)

Damn, who’s going to give the sex talk to the kids after Yuno’s vide-- Shidou. Sidou does. Without hesitation. They have to stop him because no one wants to hear it and everyone there already understands the basics.I love the idea of she, Mahiru, Muu, and designer Mikoto chatting about everyone’s fashion sense (I can imagine them poking fun at Fuuta’s tracksuit and Shidou’s patterned shirts.) And planning shopping trips that include everyone!!! Amane and Kotoko are given no choice in the matter, and a lot of the guys are genuinely interested in coming along.

Awww, I love the thought of Haruka getting into a “boy” interest with Fuuta and Mikoto -- he never knew what it was like to have brothers but he’s really enjoying it <3 (Also I’m cracking up over Fuuta trying desperately to convince them “it’s not cringe!!!”)

ASDFSDF Mappi just straight up sobbing and Mikoto handing her tissues 😂 But yes, she also gets choked up during Magic and Amane can’t figure out why. This begins the adults’ efforts to get her out of whatever situation she’s currently in (which Jackalope was already half-working on, but is definitely spurred on by several angry almost-murderers demanding he get it done now.)

I do like that idea of Red more comfortable with showing skin than Blue. (I know people are very emotional about the stalker theory, but I personally never took it in a harmful way. I always enjoyed how it was a symbol of stripping away everything else until you’re left with your true, whole self.) So I like to think that Blue feels too exposed, but Red/Green are the ones who pitched it in a symbolic sense! 

I’m losing my mind at Kotoko/Kazui/Red talking about sparring. Everyone else is like “hell yeah, let’s see it!” and Shidou just sitting there like “you all are going to be the death of me. You are NOT fighting.” Because I really want to think about it happening, I’ll say they manage to sneak away at least once and nearly break a prop in the process, to which even Jackalope shuts them down.

I think they all manage to get pretty serious again by the time T2 rolls around, but the hiatus is filled with a lot of sweet moments and healing conversations between everyone. Also, making so many plans for the future helps keep them sane when some of the project immersion gets a bit too real. Whenever they start realizing they might be condemned for their actions and worried that they’re too broken/they’re life is ruined, they come back to those plans and relax a bit.

Absolutely no pressure, but I would love to hear your T2 thoughts! 👀👀👀 I’m so incredibly grateful you’ve taken the time to share your ideas -- from the very beginning this au has been a big collaboration, so it’s super fun bouncing ideas around :D

[nelyyo]

something so freeing about saying goodbye to a friendship, even though it's not over