#but i don't really care about characters unless i know/like the story they're in

[flaetsbnort]

It's a very common and very damaging mistake to think that the difference between "narrativist" RPGs and "simulationist" RPGs is that only the former has a story; or that the people playing the latter don't care about story. Dungeon Gal has been fighting bravely on this front for a very long time.

The difference, in my eyes, is one of focus. When you're playing a story-centric RPG, all the mechanics exist first and foremost to tell a story. And, in order to make this story-creation process simpler and easier and natural, it uses building blocks from well-worn genre clichés to achieve that. So story-centric RPGs aren't more likely to create a story, because we always create stories from stuff that happens to us, and even more so from play; they're not even more likely to create better stories. Rather, it's just easier to create stories, and to make sure that these stories follow a desired theme and vibe.

I really like that one way to categorize RPGs that calls this axis as simulationist X emulationist. I know that the "simulationist" term comes with bad baggage from the GNS days, but I think it's a useful descriptor for systems that care more about the physical properties of objects (how strong is your punch? how dextrous is your lockpicking? how much power does your spell call forth?). But I think using the term "emulationist" for narrative or story-centric RPGs is a good way to stress that the main difference about them is that they have tools to create a story along a pre-defined thematic axis, that is, their mechanics exist to emulate a kind of existing media; it's not that they have tools to create a story at all.

One example I can think of about this difference is character death. Most simulationist RPGs don't care about it much. It's entirely possible to create a character then die in two unlucky hits fighting a giant rat in the sewers. Conversely, in most emulationist RPGs, character death is difficult to come by. Apocalypse World is known to be a particularly cruel RPG, but look at its mechanics. It outright says that most (unarmored) NPCs die after taking 4 or 5 harm, but PC's harm clock has eight segments. Sure, a PC that takes 5 harm is actively dying - but an NPC in the same situation is dead and gone. And even if a PC is dying, there are four scars you can take to keep them in the game for longer. Players can of course accept their character's death earlier, but they don't have to.

Why does this happen? That's because, in most stories, you wouldn't kill a main character (and all player characters are main characters) in the first combat unless you were going for some sort of subversion, so there are many tools to make sure that bad rolls only change the direction of the story and to make sure that every player character gets to have at least some semblance of an arc. Simulationist RPGs don't care because they know that a pompous knight that shows up talking big about their quests and then dying to a sewer rat is hilarious and makes for a great story. And it's not that emulationist RPGs don't see it - it's that they don't want a story that doesn't fit the vibe their going for.

The best metaphor for me is an offroad car. If you care a lot about driving offroad, you'll get an offroad car, and it'll do the best job at it. But you buy a car that's not specially made for offroad, that doesn't mean you'll never be able to drive it out of the asphalt. It just means you'll have a bit of a harder time to do it. But you'll eventually get to the same destination just the same.

What are some examples of mechanics in games that advance the story?

I mean very few mechanics in TTRPGs don't advance the story. So, to provide few examples:

Attack and damage rolls (advance the plotline of "how this guy got fucking killed")

Skill checks (advance the plotline of "how that one asshole did a thing and succeeded/failed"

Gaining experience/other character advancement currency (advance the plotline of "how the character learned from their experiences and learned to shoot lighting")

Random encounter checks (advance the plotline of "look at all this fucking bullshit these idiots ran into while traveling from point A to point B")

Note: I've specifically chosen D&D centric examples because while D&D is the furthest thing from whatever the fuck "narrativist" is supposed to mean, simply by virtue of being a tabletop RPG the creation of an emergent narrative is an inevitable consequence, so if you're wont to look at TTRPGs in terms of "stories" technically all those things do advance the story.

[sohotthateveryonedied]

Do you have any opinions about OCs? Because I have one I want to talk to someone about but I don't really have anyone to talk to

there are a few exceptions to the rule, but for the most part i'm just not into OCs, sorry :(

[fragmentedblade]

Boothill's presentation being entirely on the twitter post makes me think he will be irrelevant in the story in the long(ish) run, and that the game itself won't dwell on him almost at all

[aw-bean-s]

Gotta say as someone whos been out since they were young, I'm really sick of having to defend the existence of queer people in media and explain how it's 'useful' or 'plot important' when straight ppl i know can like whatever trashy het romance they want no questions. Like does it have to be useful? Can it not just be there? It doesn't 'cheapen' anything its just there and suddenly you have to fight for your life to explain why it should get to exist. And it's always the bloody 'pandering' 'it's a trend' argument and I hate it because is it so terrible if they pander to ME for once instead of you?? Is that so terrible?? But you can't say that because then you're a fool who doesn't understand good storytelling. And then if they're real annoying, they'll pull the 'well i don't like when ANY romance is just pushed in' so then why. Is it always queer stuff you're complaining about?? And then I'm forced to be defending a (honestly poorly written) queer romance because all I said was that it couldve been handled better and somehow to straight ppl that translate to 'yeah they shouldn't have done it at all' and they don't even REALISE their bias and that SOMEHOW the ONLY FUCKING TIME we have this arguement it's about a queer character. Can I not enjoy the fact a superhero I like is bisexual while also admitting I don't like how they flattened their character after it? Can I not say 'yeah it's trashy but theyre cute' to some crap TV show? Does it always have to be perfect? Because yeah. I want good shows. I want complex dynamics. But sometimes it just feels nice when the silly comic book character is bisexual. And these motherfuckers will ALWAYS find some way to argue that it wasn't relevant and therefore they shouldn't have come out at all, which is just another way of saying that queerness should be kept away from the things they like and only be included if 'plot relevant' so then they can avoid it. I'm just so tired, so so fucking tired, of having the same argument over. And over. And over again with the same people about the same things when all I wanted to do was talk about a bisexual character WITHOUT some asshole jumping down my throat. I've been doing this shit since I was 12 and I'm just tired. Christ.

[mademoiselle-cookie]

@missshelllo You know you can just reblog. It's easier and more practical.

But I will try to answer all your points. Keep in mind english is not my 1rst language.

But the manga was written in the 21th century. If you write a character having a sexist behavior, you treat him as him being sexist, even if it's to say it's normal for this time. A Bride's Story does that, and its story takes place near the Caspian Sea during the Russian conquest of Central Asia in the late 19th century. So NOT the most feminist place in the world. The women are still strong and developped and the sexist situations are treated like sexist situations even if they're normal and banal.

Or The Apothecary Diaries. It takes place in a fictional country based on Imperial China during the Tang dynasty, so again, not the most feminist place. And the sexist situations are called out by the author, even sometimes just in passing, even if no one can do anything about it.

(Or Mulan. The movie is not sexist and is considered extremely feminist despite taking place in a sexist context.)

It's also forgotting someone really important. Sir Arthur Conan Doyle. Born in 1859, who wrote A Scandal in Bohemia in 1891. In this short story, the only apparition of a character named Irene Adler, SHE OUTSMARTS SHERLOCK AND EVADES ALL HIS TRAPS. She shows a lot of independence, adaptability, and intelligence, win against a man and leaves to live her best life.

Arthur Conan Doyle wrote better female characters in 1891 than a 21th century author. Ryōsuke Takeuchi had no excuse for what they did to their female characters.

Also, Sherlock Holmes is treated as a sexist indivudual during Irene's arc. Why is he the only one? The author can called out their characters, they just choose not to when it's their favorites.

So there were about 50 women supposed to go to a dating event with only 2 men? If it was to get to know each other with a view to going further, why other men aren't there to do just that? Two men can't take care of this much women and it's a massive waste of time. It's not how it works. I don't know where to begin bc this idea is so stupid. The noble society will not force the Moriarty to organise a harem event. Even weddings are occasions for nobles to meet and chat with other people, including from a romantic perspective. Why not a tea party which goal is to meet people? It makes no sense.

Also, it doesn't answer why there's no chaperone. It's a really important thing at the time. You don't let a woman alone with another man, unless he's from your own family.

It's not just "girls alone party", It's a noble party, where the participants are taught etiquette from a very young age, and whose reputation is PRIMORDIAL. Reputation, especially for women, is extremely important. You may never get married because of this (worst fate for women of that era) because no one wants you, even if it's completely false.

Yes, women, even with etiquette, can be viscious, but they will be more subtle. They would try to do that in a way that will not hurt them. They will not act like middle-schooler kpop fan. They're adult!

And yes, some women would think they're entitled to everything, but there's a way to show that.

She's not supposed to be a strong woman going for what she want. She's supposed to be a gross individual that makes William uncomfortable with her sexual harassment. If their gender was swapped, the lady would rightfully seen as a creep, and William as a victim. It would not have been a "joke".

And it's disturbing that she is the only overweigth woman at the party, also the only woman who think harassing someone is a good idea. It's fatphobic af.

Yes, but William is mysteriously the most populair one, more than Albert, despite not being the heir and being, for the public knowledge, just a mathematician.

Even the servants get drooled all over, despite not having any statut or title.

And it doesn't explain the groupie behavior of all this women. They're educated adult.

Yeah but if you can't enter, it's not an issue if someone want to peak in. It's normal to want to lock your personnal office when you have guests. It would have not been suspicious.

I don't know what it's an answer to, but even at this time, William's plans are stupid and wouldn't work if the characters weren't Gary Sues and the world's logic wasn't bent to let them win.

William's plans don't work bc it's in the 19th instead of the 21th, it's bc it's a manga. I already talked abt this here.

But we don't see it.

I talked a bit more about this here but to be quick: we don't see what they publicly do as the Lord of Crimes.

Their last missions/arcs we saw were : Irene, the burglary, Jack the ripper, this chapter abt William/Sherlock and the commoner student, the tea party and William past.

From tome 6 to tome 9 (at least), we never saw the Lord of Crimes acting publicly, it's always in secret. So how can the public knows? And can WE knows what the public knows? How can they see him as a real person/entity when it was just a rumor before?

William makes mistakes? Really? When?

Or at least when it is treated as a mistake? I complain a lot abt him not wearing a mask while leaving a crime scene, but the story never points how absolutely fuckingly stupid it is, and the guy who caught him still thinks he's super smart and never acknoweldge what a fucking clown he was when he caught him. The famous Lord of Crime accidentally revealed is true identity to a media tycoon. And the author is not banging William's head for his stupidity. It's sound like a joke.

To go back to my example with DBD, when Edwin makes a mistake, he pays the price. When he tries to hit a powerful witch when he doesn't know how to fight, he gets sent flying; when he uses magic on a cat to force it to talk, he's stuck in a city across the ocean from home with a witch who wants revenge; when he refuses to talk to his best friend about what happened with the Cat King (bc he's figurating his sexuality in the worst situation possible), Charles is terrified and stressed out. (None of this mistakes come from stupidity or wickedness, Edwin has his own reasons to do what he does. But they're still mistakes)

At this point Sherlock is so inferior to William, I hardly believe he will be able to capture him, not if it's exactly what William want.

And William is a robot, he has no flaw, no real weakness. He's always perfect. He always has a plan and predicts everything. It's not credible and really boring. If at least the plans were really smart, and could actually work. I never have the thrill of seeing something intelligent, at best I have the writer thrill of imagining something better. I describe them often during my reviews so you can check that.

Sorry, but there is no substential difference between adult Will and child Will. Mentally, he's the same. He's still way better than anyone, even when they're supposed to ouclass him, he's still know more than it's realistically possible, he still manipulates people extremely well, he's still has no qualm torturing or hurting people he deems deserve it. He has the same personnality, can handle himself and his brother really well and has access to a lot of money despite being street orphan. Even his brother didn't change much, he's way to calm for what's happening in front of him.

The only difference is that it's way more irrealistic.

Is it treated as flaws or just quirky character traits? Did he really pay the price for that?

I don't remember the map thing so it either didn't happen yet, or it wasn't a real issue. The narcolpesy is just a joke, it never bothered him in his missions. The only women I remember he had problems with were the ones at the tea party, bc of their groupie behavior, and he wasn't the only one. Don't remember the overthink things, is it your interpretation? If it wasn't and the author really intended it like it, wasn't play like a real issue or a mere joke?

When I say flaws, I'm talking Sherlock who understimates Irene bc she's a woman and gets manipulated by her. I'm talking abt Sherlock being irascible and difficult, so much that Watson gets angry at him. Sherlock had to deal with the consequences of his actions.

To take Edwin as an example again:

Quirky character traits:

Not understanding the modern world (the only time it could have been an issue, he managed to understand it anyways despite being in a highly stressful situation)

Talking like a 1900 person

Flaws:

Not liking trying new things

His pride

His lack of bedside manners

His jealousy

The first one is light and fun, the other create problems for him and/or advance the plot. And they are, even if partially, overcome.

In Moriarty the Patriot, the plot never advance bc of William's flaws or mistakes (only when he get caught by Milverton and it's never treated as a mistake). And William... never changes. Even from when he was a kid, he's still the same.

Moriarty the Patriot Vol. 9

"En troupeau"

(translation: "in a flock")

It's only in the french version, not the english one. I don't know japanese so I don't know if it's the original intention to use words this negative and insulting toward women. The issue is, even if it's just the french translators who did a massive mistake, I had no problem believing that was just the author casually insulting women (my money on the english translators softening the term. Also the eng ver I read was fanmade).

Maybe in another manga, I wouldn't have minded. Like if the character is supposed to be a misogynist and you're supposed to think bad of them for that and not agreeing with them. But Albert is not supposed to be a sexist asshole. And given the manga's striking record in its depiction of women, I don't feel lenient.

And that's just the beginning.

(first picture of the guests)

♫ Où sont les hommes ? ♫

No reason why there shouldn't be men at the tea party. Or at least why women shouldn't be accompanied by chaperones. Etiquette was very important back then, and you wouldn't leave a woman alone with a man. The Moriartys are ONLY men to the rest of the world. No one would leave them with women alone.

Good Manners

Noble women have all received an education in good manners. They are more subject to the severity of etiquette than men. There is very little chance of seeing them throw themselves at men by elbowing each other and calling each other "primbêche" (again, only in the french version. In the eng one, it's just "these girls...")

Especially if the person in front of them is of a different rank than hers. The hierarchy is very important within the nobility and determines who you can talk to, how, who to be friends with, who to marry…

Sure, I know bc I've read hundreds of romance novels about English aristocracy but the author prides themself on depicting the real England of that period and doesn't even know that? Any webtoon whose story takes place in an aristocratic environment knows that, even when it's not the same universe as ours.

So no, aristocratic women don't behave like groupies (and of course the Moriartys have groupies, what did I expect)

It's basic for an author to do research. How many authors have you seen joke that they'd be mistaken for serial killers if you looked at their history? Do you know how long I searched for descriptions of the pain of tattoos for a fiction I'll never write?

It's crazy to put so little effort into a story that claims to be ambitious.

Servants

Nobles are raised from birth to view commoners - including servants - as inferior. Often, servants are more of a piece of scenery than actual human beings. It’s not meanness, it’s just their upbringing.

Of course, that’s the theory. There are exceptions. But that’s what they are, exceptions. Which are generally kept to oneself, and not shown publicly. Noble women won’t openly swoon over the Moriarty’s servants.

And if they ever got hurt doing something stupid, they would be more upset about their injury than about the lost work of a servant. That's what happens when people are used to having everything served on a plate since birth.

(And in this situation, the servant would indeed have been at fault. In a party with many people, an element that can easily hurt was accidentally thrown by the hip thrust of a not very thick woman? Thank goodness there was no one behind.

The protagonists obviously think that these women are wild and stupid. Why didn't they babyproof the entire property? Especially the rose garden, which is a place they know will be very busy.)

Flirting

Obviously, the woman who dares to flirt with William in an aggressive and vulgar way is fat and ugly. All the others are pretty and thin, except her. She can't be a pretty femme fatale who is used to having men at her feet and thinks that William will be the same. She must be an idiot who has the audacity to think that William will be attracted to her, whose inner ugliness is reflected on the outside. It's not stupidly fatphobic at all.

Popularity

Why are the Moriartys so popular? They are handsome but in the eyes of the general public, that's about it. They are not the only men who are attractive and have good status/wealth. In any case, their beauty is the only criteria cited to justify the obsession they are the object of (and it is NOT the most important criteria for noble society). Nothing justifies the groupie behavior of apparently all the noble ladies . They are not k-pop stars. Will is just a mathematician, not even the heir, and he is the one who receives the most attention?

There is no accounting for likes - and dislikes. If people think Jayden Revri is average-looking, I can assure you that there are women who don't swoon over the Moriartys.

The art isn't bad, but it's not good enough to rave about the characters that much. So all these compliments ring hollow. Just like in R&C

The chapter is just: look how beautiful and popular the main characters are.

(I won't talk about these ladies swooning over a math class)

Secret

William was showing off by saying that he put protection systems in his office to protect their secret. But apparently, he didn't think of a very basic one.

Locking the door.

The girls who entered his office don't seem very bright like all the women in this manga, so I highly doubt that they picked the lock (and even less broke down the door). And if these very young, naive girls managed to do it, they need to put better locks. It should be easy with a genius like Von Herder.

Speaking of him, why is the secret meeting room in the basement so poorly hidden? How did the dog (who is just a dog with the intelligence of a dog, not a spy looking for the Moriartys' secrets) get so far? Its owner too? Is the entrance to the basement so poorly guarded?

There is once again a simple solution.

A door. Locked. Hidden by a curtain or a screen. Or even the same appearance as the wall. How did they not get caught before with such miserable discretion measures? (Well, they got caught, because William and his brother are too stupid to wear a mask)

Sure, there is the wine cellar right next door. Well, they might as well not put the secret room just next to it, especially if it has no protection against intruders. Otherwise, they could have put away everything that could be compromising. And I maintain, at least a door should be put in the basement entrance.

"King's scholars"

Of course the brothers got nicknames at school because they're so cool and smart. It would have been stupid to be discreet. Especially since one was known for being stupid. And another wasn't a noble at all to begin with (he didn't get bullied for that? Lucky him)

???

How does he know it's for William specifically? They don't know they've been exposed and Milverton officially has no interest in William.

Explanations please!

Sherlock

And one booger for Sherlock, one!

Court case

I have nothing to say in particular about the trial, I don't know enough about law or how it was done at the time. For MTP standards, it's pretty good since we're shown the reasoning and it more or less holds up. Nothing transcendent (I'm pretty sure no judge will side with a street kid demanding blood, over a nobleman) but of a quality expected for this manga. The problem is elsewhere.

It's William again.

There is almost no difference between adult Will and child Will. He has the same mentality, the same habits, the same level of intelligence, the same impressive culture compared to his peers. Even considering that he lived in a bookstore and is a genius, it becomes hard to believe when he can speak and manipulate so well at such a young age and has such a vast culture. William has been perfect and superior since childhood. His adoption into the nobility, his aristocratic education and the years passed have made no difference. He is essentially the same.

(this is a problem his brother shares, being exactly the same as his adult version while he is far from having received the education necessary for it to be credible. But he is very secondary and does not have the ridiculously intelligent side)

And all this would not have been a problem if he had FLAWS. Flaws are important elements for a character, it makes them endearing and above all credible.

Look at Edwin from Dead Boy Detectives. He is very intelligent, has an impressive memory and a gigantic library of knowledge (and extremely kind despite a tragic past and strangely neither racist nor sexist despite the context in which he was raised). But if he is my babygirl, it is because he is a fucking diva (also, the other characters can shine independently of him).

William has no flaw nor weakness, no prospect of evolution, nothing. He's boring.

"The most famous trial in the world"

The newspaper tycoon only learned about this story while investigating William. Even Bond didn't know about it. So not very famous, no.

(to be fair, in french, it's just "of the century". Doesn't work either)

Cruelty

It's ridiculous how much they try to portray young William as cool when he should just be crazy. He's a kid who's 100% ready to cut up another person. The MC are only the villains they're supposed to be when it's cool and edgy, otherwise they're classic good Samaritans. When those two notions are opposite.

Higher Intelligence

You discovered his identity because he didn't think to hide himself when leaving a crime scene. Stop saying William is smart.

I repeat myself but by dint of repeating that the MC are exceptional, it has no weight anymore (especially if it is not compensated by their flaws).

Lord of Crime

Glad to see non-noble people being skeptical about the Lord of Crime but it makes no sense that he is already so famous and popular. When we see the main characters act, it is usually very discreetly, like with Jack the Ripper, or Irene. So how did he becomes so famous? The general public has no proof that he actually exists, it is just a rumor, but everyone treats him like a real person.

Bendley

A person who lacks finesse and is not very subtle. I wonder if he is sincere because it is so exaggerated but that is a question that the manga asks itself so not so much a criticism. And he is clearly treated with respect - more respect than Sherlock.

Reputation

It is sad that Milverton is supposed to be a very bad guy and not subtle (not a flaw tho), but given the situation in the US, and even in France, I can't honestly say that he is unrealistic.

In conclusion, this image I found which sums up William and his gang very well

[ruins-of-gods]

Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.

Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.

Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.

Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[hellenhighwater]

Mildly weird question for story research purposes: when your cats ride on your shoulder, what does it feel like for you?

Context: My main character has a cat who likes to ride around on her shoulder, and since it's a thing that happens frequently, I'm trying to make sure I write about it well. And, unfortunately, I do not have a cat to even attempt to test it with, so I'm going to the one person I KNOW has experience with this situation.

Specific things that would be helpful to know:

Do you have to be careful not to upset their balance, or can you more or less walk normally once they're up there?

How are they keeping themselves up there? Are there claws involved? Or just good balance?

Where's most of their weight? I looked back at some pictures/vids, and it looks like they typically ride with their front paws on the shoulder and their back paws somewhere a bit below and beside your neck, but I could be wrong.

How long can they stay on your shoulder before one of you has to take a break? Is the weight of the cat tiring, or is it pretty easy to deal with?

Anything else I should be aware of regarding shoulder cats?

Thank you SO MUCH for your help!

Oh, I can definitely answer that! One: It's waaay easier to shoulder a small cat than a big one.

For the most part, they kind of drape themselves over the shoulder; this is specifically what I've trained them to do. Cats will also "shoulder" by draping across both shoulders/back of neck, but this forces your head forward to allow room for them, and it's not comfy. Hence the trained posture. (Malice, in the early days:)

I taught Mal to jump up when I bent forward for her, and circle to face front while I stood up. She can actually do that pretty quickly. Their weight is pretty evenly distributed across the top of the shoulder and down on the pectoral, not really on the back at all. Mal sometimes hooks her back claws into my shirt near the shoulderblade, which is more about balance than weight support. Nim, who was significantly smaller, actually kept her back feet tucked up so that her feet were on the top of my shoulder. This is a significantly more ready posture than Mal's--she would have to readjust for a better foothold to jump down; Nim could leap directly off at a moment's notice. Overall, Nim had far superior shouldering skills to Mal. Malice rides like the meatball she is; I'm hoping she'll learn with age. Here's some pictures of Nim:

To give them a stable position, I do keep my back straight and shoulders back; if I have to pick something up, I will crouch down instead of bending over. If I have to bend forwards, I will put my palm up flat so that they can stand with their front paws on it and keep their body on my shoulder. Generally, I can move, walk, and even work normally. I've cooked, painted, done chores, even run. Both hands are free to use, though generally you can't lift the arm the cat is on above a T position. They don't need to use their claws for balance unless I am doing something really active. I do shoulder almost exclusively on my left shoulder, so that my dominant hand is more free.

The weight is not significant--Nim was only about 8 lbs, Mal is about 11, and because there's no grip to maintain them and they're naturally situated on the shoulder, it's easy to carry them for a long time. I used to walk miles with Nim on my shoulder. It's actually more the heat--cats run hot, and it's a lot of fur on your neck and shoulder if it's warm out. Great in the winter, though!

Notable things you might not realize--their head is in front of yours, so you can still see ear positions, what they're looking at, etc. Nim's night vision/hearing/sense of smell was better than mine, so I could tell if we were sneaking on wildlife based on her reactions and responses to things. You can also feel them tense or adjust posture before they jump or try to get down, and you can feel their tail moving. You can also feel if they're growling or purring, even if you can't hear it. If you're used to paying attention to those cues, you'll notice them while just carrying the cat normally too--Nobody could sneak up behind me if I was carrying Nim facing over my shoulder to the back.

They can jump from shoulder height but it's a hard landing. Usually if I want them down, I just kneel with a knee up, or lift a leg flat while standing so they can jump to the top of my leg and then to the ground.

If I was in a fictional setting and traveling with them long term, I would be investing in a really weird piece of leather armor, that goes to the edge of the neck/crest of shoulder, and down past the bottom of the shoulderblade, with little easy-to-grip leather loops or chainmail on the back of the shoulder.

[cheapshrimpysheep]

Hiii congrats on 1k followers!! I've really liked your writing for a while, it's so lovely to read <3 I hope you don't mind me requesting something, if it's okay :D

What if the reader also has a tsum? Then their tsum and the tsum of the person they like keep giving signs that they like each other, like for example Riddle tsum is very affectionate to the reader, but they don't want to admit it and get flustered. If that's okay, can I request that with Riddle, Azul, Jamil, and Silver?

COMMENTS: Hi! Thank you. I'm so glad you enjoy it. 😊

I really liked your idea a lot. I was even excited to write it. I know that on the Japanese server there was already a second event with Azultsum, but I didn't see anything about the story, I only read the vignette of Azul's card to have an idea of what to write. I still have a little difficulty writing for Silver, but I try my best to understand him.

I hope you and all enjoy it 🩵

CHARACTERS: Riddle Rosehearts; Azul Ashengrotto; Jamil Viper & Silver

TAGS: Fluff; GN Reader

WORD COUNT: An average of 450 words per character.

.

With your Tsum in your arms, you find Ace and Deuce, leaning over with their hands on their knees as if they were catching their breath after a run. They look at you first, but quickly the cute little creature you hold in your arms catches their attention. They both have that look on their faces like they think it's the cutest and most beautiful little thing in the world but don't want to admit it.

They say that Riddle also has one of those and he was the one they were chasing and trying to catch, but they lost it. The moment they said Riddle’s name, you felt your Tsum move enthusiastically for a moment.

They hear something, when they look they see Riddletsum in the distance and run towards it, starting the chase again. Your Tsum jumps out of your arms and runs with them, which makes you run after them too.

Your Tsum passes Ace and Deuce, which surprises them because they were so fast, and throws itself at Riddletsum, rolling together for a few seconds until they both stop. When this happened, Riddletsum didn't run away again, and the two were rubbing each other's cheeks happily.

Ace grabbed Riddletsum while it was distracted. It seemed upset about being caught. But the moment Deuce grabbed your Tsum, Riddletsum jumped out of Ace's arms, hits him in the face and threw itself right in Deuce's face to make him release your Tsum. Once back on the ground, Riddletsum positioned itself between your Tsum and those two. Glaring threateningly at Ace and Deuce.

You were the only one who could carry your Tsum without Riddletsum getting jealous. And after that, they would keep your two Tsums together to prevent Riddletsum from running away again or causing trouble. Or hurt someone else.

Whenever Riddle sees the Tsums being all lovey-dovey with each other, he will blush, and try to hide it. He won't comment on it unless you comment first. If you tell him they're cute, he'll shyly agree.

“You know, they remind me of the hedgehogs in a way.” Riddle says “I can't deny that I think it's cute whenever I see them rubbing their noses against each other.”

And as soon as the Tsums hear him say that, they rub their little round noses against each other. Which makes Riddle blush even more.

If at any point you pick up Riddletsum, it will look at you with a huge sparkle in its eyes as if you were the most wonderful person he has ever seen in its life. And freeze looking at you.

You went to Mostro Lounge with your Tsum because you heard that Azul also had one, and you thought maybe you could help each other take care of them. Which in itself is already a deal. You help me, I help you.

Little did you know that the place was full of customers, and much more than usual. When you arrive at the entrance, there is a line of customers still waiting to enter. You comment to your Tsum that perhaps it would be better for you two to give up on the idea of meeting Azul, at least at that moment, he must be too busy.

Your Tsum starts struggling in your arms until it manages to escape them and run into the Mostro Lounge, passing by the feet of all those customers. You try to run after it, but a hand grabs you on your arm shortly after you pass the entrance.

“HEY! What do you think you're doing jumping the queue?” A Savanaclaw student asked you aggressively.

“Probably exercising their right as VIP customers.” Azul says, in that politely threatening way. “And I suggest you let them go if you don't want to be permanently kicked out of the Mostro Lounge.” The student let go of you. And Azul sees you rubbing the area where he had grabbed you, as if you had been hurt. “An apology would also be polite.” The Savanaclaw student is reluctant out of pride. “You know, I'm not a big fan of doing business with rude customers. And this clause is usually part of my contracts. It's a shame that a lot of people don't read them in full, you know.” Azul smirks.

The student suddenly looks worried, and apologizes to you and promises that it won't happen again.

Once this problem is resolved, Azul greets you with that charming smile of his and asks what he owes for your pleasant visit? Were you there to see Azul Tsum too? You answer yes and tell him about your Tsum and what happened.

And then you start to hear a different kind of commuting in one part of the café. In the middle of the "Aw"s, you also hear phrases like “Double the cuteness.” and “They look even cuter together.”

Azul and you try to get closer to the place that is receiving all the attention, but it appears to be moving. And towards the VIP room. You arrive at the VIP Room door and only see the door closing, as if someone had just entered. Azul opens the door and you go in with him.

You see your two Tsums on one of the sofas. When Azul Tsum realizes that it was you two who entered, it relaxes and starts to cuddle and snuggle with your Tsum as if spoiling it with love and care. Azul automatically blushes.

From then on, Azultsum won't let go of your Tsum! It practically forgot the customers and only had eyes and gifts for your Tsum. As if it were Azultsum's most valuable treasure.

If at any point you pick up Azultsum, it will first look at you with a big shine in its eyes and then it will come close to your face to caress you.

You went to Scarabia with your Tsum because you heard that Jamil also had one, and you thought maybe you could help each other take care of them. But you didn't know where exactly they were. At least not until you hear Kalim apologizing to someone and saying he wasn't going to do something.

You arrive at the lounge with your Tsum in your arms, and you see Kalim apologizing to Jamiltsum while Jamil enjoys the scene.

“Not even if it has half the animals?” Kalim asks. Jamiltsum jumps up and hits him on the arm. “AH! Fine, fine! No parades this week...” He looked a little disappointed but Jamil was smiling.

Some students who enjoyed Kalim's parades began to comment about being disappointed too. Jamiltsum turned towards them with a threatening aura, which scared them. However, it seemed more stressed than upset.

You feel your Tsum jump out of your arms and see it running towards them. It stops near them and makes a cute little noise as if it is greeting them and to get their attention. Jamil looks at your Tsum with a twinkle in his eyes, like someone who thinks it's cute in a way he doesn't want to admit. Now Kalim...

“OH Great Seven! It's a (Y/N)tsum!” He crouches down to get closer to your Tsum “You're so cuteee! This definitely deserves a party!” POW! Jamiltsum throws itself at Kalim again, this time making him lose his balance and fall.

When it lands in front of your Tsum, it looks upset, but as soon as it looks at your Tsum, it freezes with amazement in its eyes. Your Tsum starts snuggling against it, and Jamiltsum reciprocated by cuddling it back.

A student comments that they look cute together, that they even seem in love with each other. Because of this, both Jamil and Jamiltsum blush. Jamil pulls his hood to hide his face, while Jamiltsum curls up, and your Tsum gets even closer to it, both because it thinks it's cute and to try to help it hide.

When your Tsum is around, Jamiltsum is more easily flattered. Jamiltsum won't let go of your Tsum either. Like Jamil it acts like a bodyguard, and that's exactly what it does with your Tsum. To the point where you start to doubt whether it's really Jamiltsum being overprotective or just jealous whenever someone approaches and starts saying how cute your Tsum is.

If at any point you pick up Jamiltsum, it will first look at you with a big shine in its eyes, but then it’s little face will get all red, and it’ll curl up trying to hide it.

You were passing through the Courtyard with your Tsum in your arms, when you see a larger than normal amount of birds and squirrels in a particular tree. You get closer and see Silver sleeping against the tree with a Silvertsum in his arms, also sleeping.

You feel your Tsum moving and jumping out of your arms. It approaches them and climbs into Silver's lap to get closer to Silvertsum, which wakes Silver up. He looks at his lap and sees your Tsum looking at him and smiling with its eyes. He smiled, that rare sweet prince charming smile of his.

“Hello little one. It's good to meet you.” He caressed your Tsum's cheek with his finger. “You are as beautiful as (Y/N).”

You make noise through the grass and bushes as you approach them. Silver looks at you in surprise, and blushes slightly at the thought that you could have heard what he had just said. And meanwhile, your Tsum catches up with Silvertsum who jumps off Silver's lap because it woke up with a start.

Silvertsum landed in a defensive position and with a threatening expression, as if its first instinct was to assume its position as a guard during an attack. But soon after it sees your Tsum and has a serene expression again.

Your Tsum is the one who approaches first and starts cuddling with the other. Silvertsum quickly reciprocates with its eyes closed as if they were both smiling. The birdsong becomes louder around you, but it is still a beautiful song.

“They seem to like each other a lot.” He comments, now with his usual neutral face. “Do you think it means something?”

You probably felt like doing a face palm, and the same seemed to have happened with your Tsum. It suddenly took a big jump into Silver's arms and climbed up to his face to caress his cheek. While Silvertsum remained serenely on the ground.

Silver chuckles and smile. “So you like me too?” he asks your Tsum, who nods with it's little body.

And to your surprise, Silvertsum also jumps into your arms. It will try to get closer to your face but it won't move very far, as if it wanted your permission to move forward. If you push it close to your face it will rub its little nose against yours.

Be careful, because Silvertsum easily falls asleep in your arms as it is so comfortable in them.

If you dropped in here out of the blue and want to read more from me, you can find it in my pinned post: INDEX

[6okuto]

KENMA RELATIONSHIP HCS

gn!reader, timeskip mentions

isn't a pda guy, but will fall asleep on your shoulder/rest against you as he games, and if you play with his hair, who's he to say no?

if you change your contact name in his phone, he keeps whatever it is, even if it's super silly or cheesy. like okay call "my honeybear darling angel 😚". he says it's because he's lazy but he does find it kinda cute/amusing

you cheer for kenma at practice in like, a sort of exaggerated way, like "gooo kenma!!! yeaahh!! let's go kenma!! kenma! kenma!" and he tries really hard not to look at you—not because he's annoyed, but because he doesn't want you to notice how red his face has gotten. his teammates point it out anyway

lol his team using you as motivation. "don't you want to impress them?" and kenma's like 😒😒 but gets up from the floor

kenma teaching you how to play his favourite (co-op) video games!! he's pretty patient and explains things well, so if you don't have a lot of gaming experience, don't worry too much ^^ buttt if you're competitive, get ready to Compete. he seems like someone who doesn't take it too seriously unless you start (jokingly) shit talking him

he'll try out any games you like too, even if it isn't something he'd pick himself. he doesn't really plan to when you're describing it, but then he thinks about it, or sees a post mentioning it, and the curiosity (And Affection 4 U :3) gets him

easily notices if you've gotten quieter/tired when you're out. if you're with a group, he'll tap your shoulder and offer his own, ask if you're alright, and or make up an excuse so you can both leave. if it's just the two of you, he's quick to find a place to rest for a while

he'll never make you join if you don't want to, but fans eat up any videos or streams with you—they make edits and compilations of you walking in during streams and everything. the amount of begging for a q&a and story time of how you met is crazydsjdhsj

chat is soo annoying about it too /lh "no they're not single," "i know they're out of my league," "yes they were my first subscriber," kenma telling you not to answer them when they ask if he's clingy, etc etc

! i think it'd be cute if you guys had matching phone cases, but his fans didn't know until you showed up with the other one. and they realize Just how much he has on that's matching you—the bracelet and necklace that they catch glimpses of under his hoodie, the hoodie itself from the same line as yours... yeah.

time for "he said no pickles." unless you also don't like asking/don't care,, then you guys can just take the pickles off together <3

^ if it's a serious mistake they made with your food, kenma's a lot more compelled to approach the counter.

would teach you about stocks. if you asked

mutual info dumping and yapping... he's very aware of how much he's telling you the first couple of times, but gets more comfortable when you do it back !

^ kind of guy to do his own research afterward. he makes a semi-obscure reference/joke the day after and you're like ???? Who told you that.

kind of boyfriend who hears you go "i want him" "wait why's this character kinda..." and isn't like, that offended or put off by it. says "understandable" (or questions your taste), but knows they're a character at the end of the day

quality time kind of guy. people know you're special even if they don't know you're dating because you can convince kenma to go to events or try something new when they wouldn't expect it. (obviously it's never something crazy out of his comfort zone, and it's probably because he knows you'd feel better with someone with you, but he's going all the same!!)

kenma isn't the best with receiving words of affirmation or gifts... he appreciates it, but gets awkward and doesn't know how to react ^^; you reassure him that he doesn't have to jump for joy or be super affectionate back—he shows his love in his own ways !

his gifts are very thoughtful. he gets you something practical, and then things that you've really wanted for a while. his cards aren't filled with long letters of adoration, but they're genuine and very much kenma. (+ having money in the timeskip doesn't mean he'd ever buy something expensive or flashy just because it might be 'easier.' it means he gets to buy you way more merchandise for your favourite media, paying the shipping fees that kept you away.)

you get him a super thoughtful (and maybe expensive) gift and he Lights Up. and then he's like ? you remembered / really paid that much ? really ? and he keeps smiling when he looks at it..

kenma coming downstairs with super bad bedhead and pouting when you snicker. but then he relaxes as you comb your fingers through to fix it

tying up his hair... a little ponytail or bun...

matching pajamas... or those fluffy headbands you wear to wash your face... he looks so silly and cute

university student kenma who walks in visibly irritated, and you know you're about to shit talk his group members or professor together.

late night breakfast. sitting in the kitchen eating bowls of cereal past midnight

! late night gaming sessions... and or sometimes you fall asleep waiting for kenma to finish, then wake up to realize he fell asleep at his desk. you have to coax him into bed after saving the game for him

very nervous during the first year you're together any time there's a holiday, especially valentine's day or your anniversary. he wonders if his plans and gifts are enough, not romantic enough, too boring, if you'd rather do something exciting, even if logically he knows you'll like anything he thinks up

sometimes you guys will just lie on the floor, stare at the ceiling together, and talk. maybe there's music, a game menu screen playing in the background, or you're just listening to the birds and neighbours outside. floor time is healing all the same

bleaching kenma's hair + him helping dye yours... timeskip where chat asks if you've done your hair recently because his hands have been stained :')

it's super easy to team up with kuroo to tease him but also ! teaming up to taunt and prank kuroo !! think of kenma laughing bright and loudly, eyes squinting and arms clutching his middle !! kuroo can't be that mad because he's happy someone else can get kenma this happy too

🏷️ | @icekitgeorge3 @dira333 (hey guys) @pelicanpizza @godoffuckedupcats @causenessus @priv-rose @ur-local-simp @respitable @deepenthevoid

[ghouldtime]

Neighbor! König Part 2

Part One

Part Three

After you expressed interest in his miniature collection, he actually actively OFFICIALLY invited you over one evening (and inside!)

It may not sound like much to most to be invited into someone's house but for him, it's the ultimate trust. His house is his private space, his sanctuary, where he goes to be without other people

He doesn't ever invite anyone inside unless necessary or they've truly gained his trust and being invited INTO his house, and actually into a shared space of one of the hobbies that matter the most to him?? Yeah, that's how he says he likes you

He's been working on his models and dioramas for so so long he's incredibly proud and can't help but to want to actually show them off to someone who wants to see

Usually most people don't care :( or think it's weird

But you've embraced it! You're so excited and he's over the moon, he's having the best day ever, if you do research and bring him gifts or show him some new ideas

He has exquisite attention to detail and INSISTS on everything being exactly the way he envisions it. And you notice! You actually notice. Which means you care about his hobbies, the work he puts in, and therefore him

It might be a bit early to say the L word but he's feeling certain ways

He may be a big dude but that doesn't mean he lacks fine motor skills. He's laying those tiny pieces of moss onto the cobble stones like a PRO

Miniatures allow him control over the environment, even if it's on a smaller scale, and offer a way to keep his hands and mind busy so he often throws himself into it

It also helps him relive happier memories. He's afraid of forgetting them and when he's stressing, it's his happy place because he can look at them and simply remember the things in life that matter

He'll ask you about a story you like or a favorite show or book or movie. That's his next miniature planned (in secret. Can't ruin the surprise, he needs to have it all perfect. He will either read the book, watch the movie, will study EVERY detail)

He will start to invite you over when he's having a painting night or is working on them. You don't have to follow his rules or do what he wants! He's just happy you're there and appreciating it

He will always have your favorite snacks and drinks in stock too. Need to make it fun and can't have you going hungry

If you want, he'll put on background noise! He's happy to make it immersive and to light a candle or put something in a diffuser to really set the scene you're going for. But he's perfectly happy to hangout with you as is

You'll finally get to hear him laugh and hear his really, really bad jokes. He has a dry sense of humor and most of what he says isn't even close to funny, he's awkward like that

But if you laugh? That's it, he's sold.

Time flies so fast when you're over, you don't even realize it's 3am

You don't need to go home! I know it's right across the street but he has a guest room and it saves you the trip in the morning. You have a whole nother round of characters to paint :)

Okay maybe it was an excuse so you could see the curtains he'd made and the pillows and he decorated the guest room with! Like actually tried decorating. They're made with love, that's what counts right?

Did he spray the pillows with his cologne before you came over? Maybe, but he won't ever admit to it

You can't complain. Not when he insists it's no trouble at all, you should stay over, and he does everything he can to make you comfortable.

And you're certainly not complaining when you wake up to breakfast in bed

He's so happy to finally have someone to share his life with, even if it's nothing official. He might not say it because words are hard, but he'll always show it in every way that he can 💚

If you look closely at the replica he made of his childhood home, you'll notice two figures in the kitchen who just so happen to look like you and him

Proud believer of König being just a guy! A guy with hobbies! A guy with a calm domestic life! Just because he's a private military contractor doesn't mean he's a constantly violent dude or a guy who lacks an immense amount of respect for boundaries. Sure, he gets really into his job when he does it, but that's his realm! That's his zone. That's why he's confident and having fun, he knows he's good

Outside of work, he's just a guy with a troubled childhood making the best of life and trying to find his own sense of belonging, happiness, and peace

Justice for König, he's not an insane perv or some freakytron or some stalker :(

[jeonginsleftcheek]

Stray Kids with an S/O who is a huge horror movie fan

pairing: ot8 x gn!reader

genre: fluff

disclaimer: this is as always just my opinion :)

a/n: as a huge horror movie fan myself, I had to write this! enjoy!🩷

Chan:

As he said before, it's not like he's scared of horror movies, he just doesn't think they're interesting to watch. But, you're interesting to him and he loves you so he will definitely try for you. He also thinks he won't get scared cause 'nothing scares him' but oh boy was he wrong. You have to promise him extra cuddles because he's not gonna be able to fall asleep that night. Will also try to dissect the plot with you after the movie, and try to find meaning in the story just so it's less scary to him.

If he was never really invested into the horror genre, you could show him the classics like The Shining(1980), The Omen(1976), The Amityville Horror (1979), Psycho(1960) and then also some newer iconic movies like Get Out(2017), The Ring(2002), Sinister(2012), Hereditary(2018) and The Conjuring(2013).

Minho:

Loves it. Loves to try and scare you while you're watching a movie together. At first, you're so happy that you can share your love for horror with your significant other. And you know he really doesn't like jumpscares, so you try to find movies that don't have many of those. But if they do and Minho predicts a jumpscare, he'll grab you at the same time it's happening, making you jump out of your skin even though you saw the movie already. You kinda start regretting watching horror movies with him because he annoys you on purpose. He thinks you're so adorable when you're mad at him, but he wont push too far and he'll always make it up with cuddles and kisses later. Overall, 10/10 experience.

I feel like he'd watch almost any horror movie cause he's a curious cat (hehe) and you'd both share your favorites.

I don't know why, but I also feel like Minho would appreciate good old silent horror movies. I just think if he's a horror fan he may enjoy seeing the roots of horror. Like The Cabinet Of Dr. Caligari(1920), Dr. Jekyll and Mr. Hyde(1920), The Phantom Carriage(1921), Nosferatu(1922) and Häxan(1922).

Changbin:

I don't think he's too scared of them but I think he doesn't really care for them too much? Though, if you have some interesting thriller or detective movies to recommend he will definitely wanna watch them with you. I think Changbin likes a movie that has an intelligent story with a plot twist. He likes to guess what's gonna happen next and when he's actually right he'll be so happy and proud. He'll keep talking about how he guessed the plot and how smart he is and how you have to give him extra cuddles now. Either way, you're cuddling and snacking the whole time while watching and it's just nice and cozy.

I think he'd enjoy thrillers like The Game(1997), Fracture(2007), The Machinist(2004), The Double(2013), Shutter Island(2010), Zodiac(2007) and 1408(2007).

Hyunjin:

Miss him with that shit cause he ain't watching it unless you manage to coax him into it. It's gonna take a lot of persuading until he finally gives in but you have to be careful in choosing the right movie for Hyunjin. He doesn't like loud noises and he doesn't really like to feel scared. He'd rather watch something for the story, especially if it's an emotional one, and he also likes character driven stories.

I think he could watch artsy or slow creepy movies that are more drama-like but have elements of horror like Pan's Labyrinth(2006), Dark Water(2005), Windchill(2007), It Follows(2014), The Eyes Of My Mother(2016), I'm Thinking Of Ending Things(2020) and Case 39(2009).

Jisung:

Okay, with this one you can go crazy. Any weird horror movie, anything kinda disturbing, deranged or unhinged will be right up his ally. As a horror and anime fan himself, he's seen some pretty weird stuff so experiment, I guess. I also feel like he'd like fun horror movies, idk how to explain but ones that are disturbing but fun at the same time, like you can't look away even though you're looking at a train wreck.

Movies like Funny Games(2007), The Ruins(2008), Suspiria(1977), The Perfection(2018), Perfect Blue(1997), May(2002), Audition(2000), Saw franchise and Terrifier series would be fun for him. Also, since he mentioned Paranormal Activity, found footage horror movies would be fun to watch with Jisung too like Creep(2014), REC(2007), Unfriended(2015) and Cloverfield(2008).

Felix:

This is just not happening unless you can bribe him with cookies, gummies or any other sweets and ofcourse many cuddles and kisses, even more than you share usually. You'll have to practically beg him to watch a horror movie with you or make some kind of compromise that you'll participate in some activity he likes more than you later. He's not gonna sleep all night if you make him watch anything too scary, actually he wouldn't even be watching that. He'd probably be hidden in your neck the whole time and even the creepy sounds coming from the tv will give him nightmares.

The only way to make him watch horror movies is if they're mixed with comedy or they're so bad that they're funny. Like the Scream franchise, The Cabin In The Woods(2011), What We Do In The Shadows(2014), The Happening(2008), Tucker & Dale vs. Evil(2010), Housebound(2014) and ofcourse zombie comedies like One Cut Of The Dead(2017) and Shaun Of The Dead(2004).

Seungmin:

Kind of indifferent towards the scares but I think he gets annoyed with plot holes and characters acting stupid. Rolls his eyes at every over used trope or cliche sentence. You actually end up laughing while watching horror movies with him because he's too cute when he's annoyed.

"How is this killer still alive? He's been run over by a truck ten times, this is stupid!" or "Okay but why is he going towards the sound? Is he that dumb, he's gonna die!"

He does like dry humor though so he'd like some black comedy movies with horror elements like American Psycho(2000), Parasite(2019), The Lobster(2015), The Menu(2022) but also if you want to annoy him on purpose (because he's cute when he gets worked up) show him slashers like the Halloween franchise, Friday the 13th franchise and Black Christmas(2019).

Jeongin:

With Jeongin, I feel like it can go either way and it definitely depends on the theme of the movie. Also, he will probably try to act brave in front of you (until he jumps at a loud sound and then gets embarassed). For some reason I don't have an exact subgenre of horror for him but for some reason I feel like he'd like newer horror movies like Us(2019), Nope(2022), Last Night In Soho(2021), His House(2020), Host(2020), The Invisible Man(2020) and Fear Street film series.

[faeriekit]

Writing the Occult: quick notes for non-practicing hobby authors and other nerds🕯️

Hey. Real talk. If you're writing about occult rituals, magic, the works, whatever, there are some great ways to clean up your act and get some better, more aware accuracy in there. A lot of stuff in the wider consciousness of pop culture is kind of...not correct, or, uh. Should be something you're aware of. For instance:

G*psy is still a slur! No, Romani people aren't more likely to be fortune tellers than anyone else. Quit it with the weird stereotypes. The "g*psy fortune teller" thing hasnt even been on trend since the early 1900s. Move on.

"Voodoo" dolls are a racist perspective of an African-derived traditional religious practice. Vodun is a religion. It's not even a gone or far away religion either; Vodun and Santería have followers and priests all over the US, as do other ATRs. Since. You know. Slavery. The word you're probably looking for is "poppet", which is the term for the tool itself (tiny cloth doll for magical use) as opposed to, like, a whole religion.

A wendigo isn't a catch-all cannibalistic creature; it's part of a wider religious worldview of the Algonquian peoples. Native people have requested that you Stop Talking Abou That— yes, even asking that one YouTuber to Stop That, not that he seems to care. White people seem to cannibalize other people all the time anyway, so I don't see why there's a huge need for a Native scapegoat... There are other supernatural creatures and shapeshifters that eat humans. Pick anything else.

A lot of higher-level occult rituals as writ are just. Straight up antisemitic! If you're writing rituals and your magical language of choice is in Hebrew...hey. Stop that. Same thing goes for "elites who eat babies/drink blood." A some of it is a clumsily handled metaphor for the cannibalistic nature of having an upper class in a society, but a lot of it really is just dressed-up antisemitism in a trench coat. If you're looking up real rituals for worldbuilding...FYI, you may want to glance again before adding it to your work.

Just because ten dudes are standing next to each other in order to do a weird ritual doesn't make them a cult. That's just a ritual. Cults have more specific requirements; ie, whether or not there's religious abuse going on. You can make your weird spooky org have religious abuse, but if they're just, like, high schoolers, they're probably just novice occultists who occasionally hang out together.

I haven't seen anyone use "spirit animal" in a couple years, so that's great! Native people have also requested that we Stop That. Spirit Animal is a specific religious concept we don't have to tread on. Think of a synonym for the concept you're trying to convey; don't steal a word that's already in use for a religious practice. (Same thing goes for totem FYI.)

Hallucinogens often make you throw up. Like. A lot. People do certainly attribute religious visions to them, but also like drink a lot of water and keep a bucket nearby, because the whole scenario is just super disorienting. Most spiritual circles who utilize similar substances will have a trip sitter (someone sober to call 911 if there's an emergency) if they've got the resources.

Making up rituals for your story is totally cool. People invent new rituals all the time. There isn't a standard to be held to on that front unless you outright name a real life religious or occult group they're meant to be part of; THEN people will want standards. Until then, though, you're probably good.

Most TYPES of rituals have, like, a label, though. A ward prevents something from entering a protected space, an invocation brings something forth from within you, a banishment pushes something away from you, a consecration makes something sacred...A lot of these may be obvious to you from pop culture, but if you're going to try and make a character an expert on magic, adding the vocabulary to their lexicon makes their expertise more believable.

There are a ton of ways to exorcise ghosts! Basically every religion has, like, ten of them. If you want to add a little extra flavor on banishing/preventing evil spirits, google [character's religion/culture] [ghosts/spirits] to see what sort of flavor you can add to their specific person.

Occultists and witches and wizards and priests who do magic argue all the time. ALL the time. Interpersonal drama is real and it can Get You.

It's traditional to do certain specific rituals naked. Just FYI. It's not required. Just traditional. Utilize this knowledge for narrative potential... or don't. I'm not your boss.

Yeah, sometimes there's blood; your mileage may vary narratively. Most people don't go for the whole knife thing —you can get lancets at any drug store—but maybe your character is especially dumb or otherwise desperate. Palms and fingers hurt the most knife-wise; if your character knows what they're doing, it won't be their hands.

The keeping skulls around thing is real too, if legally and financially difficult to arrange in many cases. It's usually animal though. Human remains have a lot of laws in the states and, obviously, relatives want to keep their family close to their family — still, narratively, your mileage may vary.

The "White magic" and "Black magic" dichotomy is racialized. No, seriously. The things people demonize about dark magic— soul magic, necromancy, zombies, love/control spells, etc— are all really warped versions of Ancestor worship and other spiritual practices from African Traditional Religious beliefs. Well, the whole Zombie thing is actually a holdover from slavery and it's more about forcing ex-slaved peoples into performing more labor even after their death while White people are afraid of traditional Black spiritual resistance against colonial religious oppression— I'm going too deep into this, just trust me that if a dichotomy says that White is good and Black is bad, there's probably something hinky going on.

And, finally:

Ouija boards are sold at Barnes and Noble by Hasbro for $25, and a tarot deck can retail for as little as $20 from Spirit Halloween or Spencer's. No, they can't summon demons from the astral into your house. Can they talk to ghosts? Up to you; it's your story. Are cheap paper board and plastic planchette powerful enough to murder people, though...? ¯\_(ツ)_/¯ My magic 8 ball says that the odds are unlikely.

Obviously, you can do whatever you want with your work— I'm not your dad and I can't stop you, but if you're the kind of person who's like, hey, maybe I do want to prune out accidental racial slurs from my vocabulary...hey! This list is for you! Halloween is a time to get spooky! Get scary! Get booped, even; still, if you want to have an underlying thread of what the occult looks like in practice, you might want to dust off a couple of mid Magic/Witchcraft/Spiritual/Occult books from your local library and flip through 'em for ideas. There's some fun stuff in there.

Like the sacred blowtorch ;)

Happy Halloween, everyone! 👻

[kathrahender]

I was seeing posts of one of my favorite ships (It was Swanqueen btw) and I almost started crying when I saw a gif of them and other LGBT ships from different shows because why can't we win, not even once?

Like seriously- they always make canon straight ships even if they have zero chemistry or development, and every time there's an LGBT ship with good chemistry and good development the writers go like "Haha no they're not lovers, they're just friends/family/rivals/enemies lol" or they kill one of them not to make it canon. And it's so freaking unfair. And it hurts. It freaking hurts. It's always the same story: there's two women/two men who share a lot of scenes together, looking at each other with heart-eyes, showing how deeply they care about each other, and the writers decide to pair one of those characters with another character of the opposite gender because then the ship would be straight and not LGBT.

And It hurts so much seeing the writers not making a ship canon just because it's LGBT. And for what? For who? For homophobic people? For queerphobic people who don't know nothing better? For queerphobic people who are the worst for not accepting someone dating a person of the same gender? They seriously make canon straight ships just for them? For that kind of people?

The LGBT colective are humans too. The LGBT colective are people. They're not machines. We are not machines without emotions. We are not inhumans. We deserve to be loved as much as a straight person deserves to be loved. We deserve to be represented in the media as much as a straight person does. And we deserve to be treated as people. As equals. As human beings. We don't deserve to be treated as freaks. We don't deserve to be treated as ill people. We don't deserve to be treated as some kind of monster. For the love of God, we are humans like you. Like everyone else. Loving someone of the same gender doesn't change that. Not wanting to love/not wanting to have sex with someone doesn't change that. And being trans or non-binary doesn't change that neither.

We don't deserve to be afraid of telling our parents we are LGBT. We don't deserve to go to conversion therapy because we're "ill". We don't deserve to cry because the world doesn't accept us. We don't deserve to be treated as criminals for being LGBT. We don't deserve to beg for representation in media. (Most of these things didn't happen to me -and I have to thank God for that- but I know it happened to people in other countries, so I wanted to say it)

And if you (the writer of those shows with queerbating) are okay with people suffering because you don't show the world LGBT people are normal people too (and not freaks), then I think you're not better than the queerphobic people. As someone said, "If you are in a class with a bully and you do nothing, you're not better than the bully". And if you live in a world with queerphobic people, and you do nothing to make them a minority, then you're not better than them. And no, don't come crying at us. "But I-" No, don't make excuses. If you don't make an LGBT ship canon because "the world will judge you for it" then you're not really an ally. So don't you dare try to act like one.

ND Stevenson is a real ally. Dana Terrace is a real ally. You know why? Because they didn't make a straight ship canon just because it was straight. They made a LGBT canon because they had chemistry. And we saw the chemistry in that canon LGBT couple. So unless you're like them and you make an LGBT ship canon, you're not an ally like they are. (And yes, the LGBT canon ship of their shows are good representation, so don't come at me saying it's bad representation. Just say you don't like lgbt couples and leave it there)

[handsomeamoeba]

WRONG.

Try again.

Actually let's get into this. As someone who loves a great many fantasy RPGs including BG3, Skyrim, and Dragon Age, let me explain what BG3 gets that Skyrim misses, in my opinion.

And this is the big one: the characters in BG3 feel like real fucking people. They have backstories, demonstrable feelings about the events and the other characters, they react to the things you do and they develop as people as you further your relationships. Even minor NPCs often feel fleshed out with distinct personalities and opinions. Hell, going out of my way to cast Speak to Animals is usually rewarded with at least one charming remark. I have never given even a little bit of a shit about 99% of Bethesda NPCs. I usually choose to travel without a companion rather than with unless I need a pack mule to carry my stuff, because their primary function seems to be to get in my way, set off traps, or attract aggro. I can't remember most characters' names unless I'm actively playing. I'm more likely to casually murder people in Skyrim than I am in BG3 or DA because Bethesda hasn't really made any of their NPCs feel like real people, and consequentially I feel no guilt. By comparison I tried to do an evil run of DA:O and gave up the instant I had to kill Wynne (the grandmotherly spirit healer) when she refused to let me go through with my plans, because I hated doing it. Lydia will watch me gut an innocent man and do NOTHING because she has no life, existence, or personality outside of me, the player. This extends to romances, obviously. While optional in all the games, most people will pursue a romance path in BG3 or DA for the additional character arcs it brings to the characters, the emotional nuances they unlock. In Skyrim romance is a box you tick of tasks to complete. In fact, once you marry them, most marriage candidates personalities change *completely* because all spouses have the same few stock dialog lines. That is, if they had a personality to begin with (again, see Lydia). You know how everyone wants to romance unromanceable characters in Bethesda games? Like Brynjolf in Skyrim, or Nick Valentine in FO4? It's because Bethesda actually bothered to give them stories and opinions.

Honestly, this extends to the player character themselves. To a certain extent every player character is a blank slate, but in BG3 and DA it at least feels possible to develop a feeling about who that character is and what they would or would not say or do. I've tried to do that with the Dragonborn and rarely feel strong feelings about them or have strong opinions about what kind of person they are. The only one I've made who I have much of an idea about is my wood elf Parafina, who is Chaotic Evil. Which again is an option I only pick because no one in Skyrim feels real.

The stakes also feel more real in BG3, more personal. Obviously there's the central quest involving the tadpoles, but more than that, it is about a credible threat to your world and the people and communities in it and the people you love. There are tons of reasons to invest yourself emotionally in the narrative. I have never, ever completed the main storyline in Skyrim nor picked a side in Skyrim's civil war. Why would it? Basically nothing happens if I choose not to. Furthermore, if you're not playing as a Nord (which I usually don't), why would you care about Skyrim as a place? You are a faceless, voiceless (pun intended) outsider who gets microaggressed at every turn being asked to choose between two different flavors of fascist. Also dragons are back but like... listen, I don't care? They get pretty easy to pick off at a certain point, it's like swatting flies, they're just a nuisance on the way to my daily errands. And isn't that such a common story? Don't you know so many people who don't really bother with the main storylines of Skyrim? Yeah it's one of the bestselling games of all time but I feel like the fact that most people don't really care about its narrative should be a sign of failure. We all know it's mostly maintained its popularity due to the modding community.

Ultimately both games have rich worlds which reward exploration with little secrets and environmental storytelling. But BG3 feels more "meaningful" because they give me reasons to care about what happens. The writers worked hard to give the game emotional resonance. So I come to the two games for different experiences. I go to BG3 to engage with an interesting story. I go to Skyrim for the quick serotonin hit of completing tasks and hoarding items.

[alllgator-blood]

Okay I promise my next post will be the angst comic part 4 but FIRST. THE ONE AND ONLY THING I SHIP

LITERALLY THE SECOND PERSON WHO GUESSED THE PAIRING GOT IT CORRECT??? THAT WAS FAST. This is a situation where I have to go "okay hear me out" because it makes 0 sense to anyone but me. This is really long and very dependent on my au comic nobody but me has read, but the TL;DR is:

I feel like they'd be a good pairing because shamura loves to learn but doesn't care about material goods, and mystic seller is used to all gods talking to them only BECAUSE they offer material goods. So when somebody actually wanted to know about *them* personally and what it's like to be a weird angel thing, the two established a bond. Also they're both agender and most likely asexual AND don't seem to be socially aware despite being ancient wise beings that know seemingly everything, so they understood each other like instantly.

I have a lot of sketches of them hanging out but here's a shitpost sketch thing I made AAAAAGES ago

Okay so from an in-game standpoint, mystic seller pops up to tell you how the post-game works with purgatory and all that, and introduces the purged bosses. Really ratau could've done that as the established Tutorial Guy, or even narinder but there IS the chance that you killed both of them (lol) so mystic seller is the unkillable, all-knowing angel that shows up to say "you suck at killing people. The bishops are trapped in purgatory, you know. You should probably do something about that".

But from like a CHARACTER standpoint what do they stand to gain? They're not even from your dimension so why should they care, they're just here for your god tears? From the dialogue about the bishops we can see that they don't really give a shit about any of them, EXCEPT! SHAMURA? Mystic seller doesn't feel emotions like "our kind" does but one of the only times they do, it's to say it's a shame what happened to shamura. They also say they didn't barter with them much, because they "needed little".

SO THAT HAD ME THINKING. My au comic (which is hundreds of sketched panels and the full thing will never see the light of day unless I post it unfinished. Eugh) is about shamura going around chronicling everything they witnessed during the time they were alive, and they notice everyone is like...selfish. Trying to be the last god standing. Really obsessed with trinkets and charms, so some of the gods just go around harvesting relics from the other gods and using their powers to survive a little longer. Shamura has visions of the future of siblings they don't know they have yet, so they try to be friendly with the rest of the pantheon to form a family and it always bites them in the ass, so they have to kill them.

Eventually they end up with all these fuckin god tears and they're thinking "what do I even do with these? Nobody wants them and everyone has them", and BOOM. MYSTIC SELLER JUMPSCARE. They do the whole introduction where they say they have loot in exchange for god tears, shamura just drops off the tears and is like "I don't care about trinkets, bye" and the seller is like. What Thy Fuck. Because every other god is pretty adamant on getting something good in exchange for the tears. So they call them back and ask if there's ANYTHING at all they want. And shamura, being the self-proclaimed wisdom god, just asks the seller to talk about themself for a while, who's just like okkaaayyy?? Nobody else ever asked what it's like to be a bizarre circle headed angelic creature that collects magical bits and pieces, but shamura LOVES to learn, and the two bonded that way. Shamura would bring the mystic seller god tears, the seller would tell them a story, they'd write it down to put in their archives and the conversations eventually got more personal when the stories started to run out. They both realized they don't understand how other people work, but they knew how *each other* worked so they could kinda learn how to function as normal people with each other's observations.

When I say I ship them I mostly mean like a QPP situation because I think they'd be good partners in the most autistic asexual way possible, where they don't make out sloppy style or outright say "I love you", but they have an understanding of one another that doesn't apply to anyone else really. They don't have to rely on conventional relationship stuff to know the other one cares deeply for them in the most nonverbal, oddly specific way possible. I know shamura's the smart one but I really feel like that extends to everything except understanding how people work, hence all the stuff that happened with narinder and the rest of the family. So finding someone else outside the pantheon who is quite literally inhuman, otherworldly, genderless and uninterested in Carnal Desire would definitely make them feel the closest thing to romantic love that they can. Also, since mystic seller lets the gods name them, shamura named them "sunshine" after hearing one of their followers singing that "you are my sunshine" song to the person they loved the most. I always liked how shamura has their little moon crown and the mystic seller is depicted as the sun in some of the art? They go together well is what I'm saying and I'm kinda surprised nobody has done anything of them yet.

I WILL SAY I have angst planned for them once I do the introductory comics, it has to do with how narinder's imprisonment happened literally right in front of where mystic seller sets up shop, so canonically it's safe to assume they watched shamura get lobotomized in real time :')

But for now...I must go back to kallamar angst cause I've been putting off posting this part. It gets very mentally ill very quickly so I needed to balance it out with fluff......