#but i do think there's plot potential in all of these that we don't necessarily see explored

[unproduciblesmackdown]

ideal scenario is that i like thinking about this like, essential short story adventure where winston and tuk hook up w/a couple [that bachelorette party] members, and as a foursome/quartet because they have these parallel stories of two pairs of friends who are like "sure i'd have sex with you if things aligned for that" and now are living that short story about expanding a dynamic & becoming closer friends for the end of it (of course billions only wrote winston as standing next to tuk next episode, instead of rian as he's often written to be standing with incl in a previous finale, to shove him out of the path of getting material and let taylor have confusing nonresolution w/rian based on this proximity and coincidence instead. but who can't say that that, And winston next not even trying to sit with tmc in the last finale appearance which at this point is probably for the best and instead again hanging out with tuk and then ben, isn't about having been closer for whatever all happened there in obtaining casual sex together)

and they can have perpendicular stories of also just having some nice chats and enjoying other interactions together such that maybe it's just fun for this one night of crossing paths, maybe anyone stays in touch at all, who even knows, if winston or tuk are dating anyone it's probably only going to come up again in how they were last dumped for being too much effort for how unepic they are, so godspeed to offscreen unmentioned dating. but just friendly acquaintanceship, or again this one-time spontaneously crossed paths night's acquaintanceship, is also a lot of fun. and why not imagine that winston "he's not allowed to not feel self-loathing or, by doing basic things like talking or initiating Or oppositng anything, Not operating as though he's too low in a social hierarchy here to be allowed thusly" type of material where his spontaneity, vivacity to bon vivantocity, self-assurance that is apparently arrogance/aggression to every who thinks he ought to be self-effacing instead, etc, is actually just a social success in other less wretched non-work situations, and his personality is taken as a contribution to the proceedings even before anyone takes up his proffered contribution of himself as a potential sexual partner. and lending confidence to tuk as like one person who won't, at any given time, go into hostile mode with him or even like take up the position of issuing this criticism, which is an inherently elevated (over tuk) one when it's a unilateral thing. such that tuk's personality can be a potential contribution as well. and winston and tuk's Friendship Developing Moments can be happening then, too, b/c Maybe they've hung out outside work on their own aleady, but also maybe they've never really been interacting with a larger group outside work, such that that group is less likely to include some people, or entirely people, who will suddenly go sicko mode on either or both of them. and then meanwhile, who knows anything abt this bachelorette party, could be already a cohesive friend group who all see each other all the time, or people who see each other more infrequently meeting up on this trip, or a mix; could be fun and chill or something so scheduled/demanding it's kind of like a work trip, or fluctuate....and of course zero info abt the individuals such that imagining anything abt them is entire OC territory, and i'm bad at that, or at coming up with stories, so not exactly a lot of details here from me but godspeed if two of them unlock another tier of friendship here b/c like parallel to winston and tuk, they're like hmm okay so we're mutually down re: potentially having a foursome here, and spending some time away from the larger group

(or of course the scenario that tuk and winston can also have that moment but just as putting "and/or: a threesome?" as an option, and that tips the scales for someone who might've otherwise felt more indecisive like "hmmmm casual convenient hookup, or spending more time out & about like this / whatever other activity...." but then is like oho Well, if it's a threesome, i'll seize that opportunity, sure....such that then maybe afterwards [winston and tuk hanging out together] happens sooner, if the third member feels more third wheel about things lol, since now they'd be the only two who already know each other. like ooh who knows, round n+1 in the aftermath just one on one (and/or i mean, maybe another thing the third party's still around for, re: further casual sex opportunities that don't just fall into your lap every day), and/or talk, watch tron together, go back out on the town even. where the conclusion of this truly is the essence of "it Is easy to imagine that winston and tuk are real Genuine Friends for the implicit further offscreen time spent together outside work / interactions between them here. and fun" and with that flair of "and give that a juxtaposed parallel in it being the same for a couple bachelorette attendees, why not, good for them"

[itwasntimethatdidit40]

On a razor's edge.

Gif credits

Pairing/Au: Joel Miller x F!reader, no outbreak.

Word counts: 3087

Rating: +18, MDNI, NSFW

Summary: Joel helps you shave. there.

Warnings: pov second person, no use of y/n, smut with very little plot, established relationship, soft Joel, Joel helps to shave your pussy (I also wrote it in the fic but I'll repeat it here, I don't mean to judge anyone's habits, I respect everyone's tastes and habits and everyone can do what they prefer with their body. Do you want to shave? Good. Don't you want it? Good too. For me it's enough that you are comfortable in your body and if you aren't I hope you can be soon), mention to reader's mom who is annoying about shaving, use of a razor, mention of a potential razor cut (it doesn't happen, there’s no blood), unprotected p in v (wrap it up IRL!), I didn't mention Joel or reader’s age but in my mind I imagine them both around 30/40, reader has hair, breasts and vagina, no other specific description of her is given, pussy pronouns, references to pussy as a flower, sex in the shower, oral (f receiving), cream pie, pet names (baby, honey), I think that's all, if by chance I realize I forgot something I'll add it right away.

English is not my first language, no beta, no proofreading, I already know I'm going to notice a lot of mistakes as soon as I post this and I will have to edit again and again because I'm like this, what can we do? 💀

Comments, reblogs and interactions are very much appreciated, please be kind.

Thanks to anyone who will read this!

You love Joel.

You really love him with all your heart and soul.

You also love your private time in the bathroom, that little time in your day that you spend alone doing skincare, face masks, tweezers your eyebrows, scrubbing your body and taking a nice shower with your favorite music playing in the background.

You just took off your favorites eye patches and you're ready to shave with your trusted razor when Joel knocks on the door.

“Honey, we’re going to be late, hurry up” His voice is muffled by the closed door but you can clearly hear a certain apprehension.

You hum as you take out your shaving cream and reply, “I’ll be right there”

Your neighbor invited you to his pool party the other day and of course you enthusiastically accepted.

It’s been so hot lately that being able to enjoy his pool for a while seemed like a dream.

Unfortunately, work kept you busy all week so you couldn't make an appointment with the beautician and you've arrived today with a few hairs on your legs and in your bikini area.

You're not particularly concerned when you can't wax and totally respect those who don't, hair removal is a personal choice and everyone should be able to do what they want with their own body.

Joel doesn't care if you have them or not, he's happy to have you either way and is feral with you regardless. In fact, you suspect he especially likes it when you have some down there but still he never stopped you from choosing for yourself and he never made inappropriate comments.

Anyway, today you planned to wear your favorite bikini and you wouldn't feel comfortable with hair sticking out from the sides of your bottoms.

The fact that a woman must necessarily be hairless down there is something that has been instilled in you since you were a teenager and as much as you manage not to care about it most of the time, when you wear a bikini you still have your mother's voice in your ears telling you to make those hairs disappear.

Ugh, your mother.

You shake your head, get in the shower and wash yourself, body and hair.

Then you spread the shaving foam well on your legs. You pass the razor carefully and rinse.

This neighbor is quite wealthy and Joel has heard that he would like to renovate his house so he is fully intent on offering him a quote with his construction company, which is why he is so worried about being late.

He needs some time to approach him until there are not too many people, have a casual chat and throw out the idea.

You also want to make a good impression since his wife is the head of the neighborhood committee and you want to ask her to convince the neighbor next door to cut down some branches that end up right in your yard filling it with annoying leaves. You tried to talk to him yourself but he is a cheap man and doesn’t want to spend money to have a gardener come and do the work. Joel tried too but to no avail.

Joel, on the other side of the door, is still impatient "baby, what are you doing?" you hear him ask after another 10 minutes have passed.

“I’m getting ready,” you say out loud from the shower as you check to make sure there’s no hair left on your ankles.

“You’ve been in there for an hour, what else do you have to do?”

You giggle, Joel will never understand how long it takes to be the way he always sees you. He’s in the bathroom for a maximum of 20 minutes when he decides to trim his beard, otherwise 10 minutes is more than enough for him to take a shower and come out with a towel around his waist looking as beautiful as a God. It’s so unfair.

“I'm making myself beautiful for you” you shout at him smiling at the thought of his answer which in fact comes exactly as you imagined “Love, you're gorgeous, you don't need to do anything, just get out of there”

“I'm almost done,” you reply as you begin to spread the foam on your bikini area.

“You said the same thing 10 minutes ago and yet you're still there,” he grumbles “and I don't hear water running so I don't understand why”

“You don't understand ‘cause you're a man darling, it's not your fault” you grin while you carefully run the razor to the right of your sex, at the point where your leg attaches to your pelvis.

You can clearly see him in your head rolling his eyes, hands on his hips, his weight resting on his right leg while his left leg is slightly jutted forward, his typical pose when he's annoyed.

“Cut me some slack, baby, you know how much I care about getting this job” he replies

“Yeah I know” you say sweetly “but I can’t come around like that, I need to be extra pretty next to you”

At this point he opens the door, just enough to enter and as he does so he replies "no one has a prettier girlfriend than me, I don't know how many more times I have to tell you"

You're all busy shaving so you don't even notice him until you hear his voice closer than before.

You look up and jump, almost cutting yourself with the razor. “Are you crazy?!” you yell at him. “Joel, I almost cut my thigh because of you!”

“And how was I supposed to know?!” his expression is halfway between embarrassed and horny, his eyes scan your body as if it were the first time he's seeing it, his pupils are dilated, his jaw muscles tense and his lips tight on the verge of curling into a smile, you can see it growing at the corners of his mouth.

Seeing you like this, leaning against the shower wall, completely naked and with nipples hardened from the fright he gave you, his nerves are going away.

“So, what? I have to finish, I certainly can’t go around with only a small part of my bikini area shaved, can I?” you rumble at him feigning irritation but oh, you like the way he's looking at you, hungry and feral. And you like that particular dark shade his eyes take on when they're lit up with desire.

He frowns and asks, “Can I help you?” rubbing his neck.

“Doing this?” you ask, raising an eyebrow, moving from the wall to the center of the shower, razor still clutched in your hand “Joel…”

“Let me try,” he murmurs hoarsely

“Joel, if you cut me…” you say feeling a shiver down your spine, your eyes fixed on his, sparkling in anticipation.

“I won’t. I promise” He is deadly serious.

“Okay” you say with a sigh and you immediately regret having said it.

Joel takes the razor from your hands brushing your fingers slightly and then drop to his knees fully dressed on the wet shower floor without even thinking about it, as if in some kind of lascivious trance. At least he’s barefoot.

The deal, the job, the money seem like a distant, faded memory and the neighbor’s tree? You’ll think about it another day.

His heavy breathing crackles on your skin as he brings the razor close to your skin with the most intent look you've ever seen him do.

He starts with small movements from the bottom up and shaves a small portion of the left side of your pubic area, his hand is firm and precise and he doesn't seem to have any hesitation, however he is proceeding with caution and you are grateful for it, you have been holding your breath since he started.

The razor seems so small in his hand, like a child's toy, yet it has sharp blades that could cut you at any moment if his movements were not precise.

He pulls it away from your skin to shake off excess shaving foam and rinse it under the flexible shower head and you catch your breath.

You flinch for a moment as he brings the razor closer again, “stay still” he tells you in a peremptory voice.

There is something deeply erotic in what he is doing, in his calm and dedication, in his deep knowledge of every curve of your body. It seems like he knows exactly how to move his hand so as not to hurt you.

He rinses the part, then proceeds to take more foam and spread it tickling your skin with his calloused fingers. You're even impressed that he didn't put too much on, just a thin layer, so he can see the part and have full control of what he's doing.

His jeans are now soaked and stuck to his legs and you can see a bulge growing in his crotch.

He stretches your skin with his fingers and runs the razor over you, still in small motions, shaking it, finishing the sides of the top of your pubic bone.

“I need you to lay down, baby, I have to do the bottom part” he says tilting his head to one side to look better at what he has just done.

Joel himself wanted this shower to be big enough for two people, it's his job and he knows how to be far-sighted in this.

It is wide enough for you to lie down and for him to sit between your legs without difficulty.

You bend down and lay your back on the floor “spread your legs” he tells you “keep them raised”

The floor is cool and wet against your skin but you still feel heated.

You crane your neck to look at him and his eyes are focused, deciding how to position you to do the job.

He takes your ankles and bends your legs slightly, if it was a moment when you wanted to laugh you would say that you look like a frog but now you feel like a rose of flesh. A bold, cheeky flower that has blossomed for him.

“Stay like this, can you?”

You nod because you can’t do anything else, you don’t know what to say, you’re hypnotized by his deep breathing and his eyes.

You feel a pulse between your legs.

A heat that starts to rise from below.

He smears a thin veil of foam on the inside of your thighs near your pubic area, he runs his fingers almost absentmindedly near your folds, you know that every movement is thought out, he's purposely ignoring your pussy so he doesn't lose his concentration but you can feel desire creeping through the air between you.

It's thick, heavy, and smells of your perfume that invades your nostrils now that you're playing the obscene dancer for him, with your legs bent as if you had to warm up your muscles before a show.

He draws your edges with the razor, rinsing continuously, you feel the blade glide over you, darting across your skin, only slightly resisting to your roughest hairs.

You feel a glimmer of clear drool dripping between your petals, all the way down to the crack of your butt, that gives away your eagerness.

A couple more gentle swipes and he's done.

You can hear him swallowing nervously, your throat is dry too.

“All done” he whispers, running his fingers over your smooth skin.

You sit up, legs at the sides of his body and tug at his shirt to give him a kiss. You suck his bottom lip between yours, tasting his minty flavor.

You dwell on that ecstatic feeling for a while before you let go of his lips and take a breath back into your lungs.

“Do you want me to shave it all off?” Sometimes you do, you like it when you feel just the soft, just that, that tingles every time he runs his tongue over it.

Shiny as egg white, voracious, naked luscious lips ready to salivate and swallow until they’re full.

But now you can't wait and you know he doesn't care, they're short hairs anyway, you keep them trimmed.

It's just a little line that surrounds your flower to browse.

“No baby, I need you”

The razor is lying on the shower floor, you pick it up and place it on the steel shelf that Joel installed for you to put your things on.

“Mmm tell me what you want” He asks, grinning from ear to ear, his eyes sparkling with lust.

He already knows the answer.

“Fuck me” you plead, voice trembling with excitement “fuck me with your tongue and fingers, please. Fuck me with your cock. Fuck me until I see white and I’m a mumbling mess underneath you”

You put your hand over his bulge, running slowly to his zipper strained and you fiddle your fingers on his button.

You feel him squirming, his eyes feral and mesmerized by your touch and your words.

You open his jeans as he takes off his water-spattered shirt and throws it on the floor outside the shower.

Sitting like this, you notice even more the softness of his belly, that little bit of flesh that you love to bite.

He gets up to get rid of his jeans, now soaked, annoying, heavy, he throws them on the floor and they land with a dull thud.

His boxers are damp and have a big stain on the front, but it's not water. It's his pleasure dripping.

He’s rock hard leaking profusely.

He leans down and gives you a long kiss, looking at you. His hands slide slowly over your arms, slipping onto your hips, squeezing your flesh and your body arches towards him, your tongue quivers on his, every fiber of you reacts and bends gently to him.

He brings a hand to your cheek, deepening the kiss, eagerly licking the inside of your mouth, tasting you.

You moan into his lips as you feel his other hand move up and rest on the side of your breast, his long fingers reach your nipple and trace its contours, they move circling it, he does it first with his thumb and then with his index finger. He passes them over your bud, titillating it, making it harden under his fingertip.

He makes space between your knees again, makes you lay down on the floor, caressing your torso, going down to your ribs, he touches the area just below and whispers “you look beautiful here”.

You like that he appreciates everything about your body, even those parts that others ignore, he sees the overall harmony and knows how to notice the details. He knows the map of your scars and every shade of your skin. He goes down, brushing your navel and then unexpectedly goes back up and takes your lips again.

He sucks.

He tastes.

He drinks.

He lowers himself and leans over your opening. He breathes hard as he gives the first lick, with his tongue flat, crawling from bottom to top, lingering on your clit. He spreads your folds a little with his thumbs and looks at you for a moment whispering “God, baby, you have the most beautiful pussy I’ve ever seen” he inhales your scent “and she’s so wet…” and he licks again “so sweet” another lick “and she tastes so good”

You throw your head back, squeezing your eyes shut, wrapping one hand around the back of his neck, pushing him against you.

He keeps his mouth glued to your slit, his tongue seems everywhere, meticulous and insatiable, it seems he can never get enough.

You listen to his movements with your whole body, as if he were speaking to you, using a language unique to yours.

You feel his hand resting on your hip, you grab his wrist and bring him back to your tit, you don't need to ask him to touch it, he silently takes your nipple between his fingers pinching and twisting.

Your ribcage expand for air, you gasp with your mouth wide open and a long moan leaves your lips rising from deep inside you.

You lift your head to see him, looking disheveled and grateful, his beard glisten with your fluids as two of his thick fingers slide into you.

He traces with his tongue that little stripe of hair he left you, which frames your lips, he caresses them, takes them in his mouth, sucking lightly.

His strong aquiline nose is hitting your clit now, fingers curl to find that perfect spot, the one that makes you see white, like you asked.

You moan in disarray “your cock – God – I want your cock, please Joel”

He gives a couple more licks and then moves, towering over you, kissing you with lips that taste of salt and lemon, of you. It’s your taste, all over his mouth.

He lower his boxers and the tip of his cock presses against your hole, slowly making its way in.

You throw your arms around his neck, giving him sloppy kisses on his sultry skin.

He grunts as he thrusts into you, you wrap your legs around his waist as he slides a hand behind your arched back, pushing you, anchoring himself to you so you don't slip on the wet floor, his knee braced on the floor.

You stammer senselessly yes yes yes, you're both close to your peak.

You feel disarmed, completely enveloped by him, by his body, by his scent.

You're sweaty, even though your skin is still wet, your body contracts against his, waves of pleasure modulating your breathing.

Your orgasm explodes in a long sigh, then it goes silent, you bite your lips, you are overwhelmed.

He takes your hands, intertwines them with his and brings them above your head, sinking relentlessly inside you, hitting again and again, deeper and deeper until you feel thick, sticky stems filling you, painting your walls, dripping from inside you onto your thighs.

His hair is plastered to his forehead, his eyes searching yours as he fills his hands with your ass cheeks, giving the last hard thrusts before he pulls out of you and lets himself go on the shower floor next to you.

You take deep breaths, trying to come back to your senses, your bodies completely exhausted.

“Well,” he says after a while, “we’re officially too late to go now.”

“Do you mind?” you ask, rolling onto your side, tracing his broad chest with your fingertips.

“No,” he replies without even thinking.

You burst out laughing together.

No, this is definitely more important.

[bobbydagen24]

come to think of it how do you think Branch learnt everything he knows?

in TBT he says in the argument scene that after Grandma died there was no one left to take care of him confirming that he literally had no one after her death.

implying with everything else we know about his backstory that he Raised himself from a very young age likely 5 6 or 7 I'd assume based purely on his looks alone.

but thinking about it how could he have learnt how to do everything that he knows as an adult?

I mean I know some of it can simply be self taught but do you really think a little kid that age would be able to self learn everything that Branch knows as an adult?

like how to build an underground Bunker without it collapsing in on itself? and how to build a working lift in the Bunker?

and just basic stuff like cooking and maintaining a House by himself ( Hell I'm in my early 20s and I still struggle with a lot of that crap 😂😂😂😂 )

I mean do you think he literally is meant to have just been alone? or do you think its more a case where he didn't have a specific guardian per say.

but maybe he was still technically looked after by the village to an extent like he had people to teach him certain things and or bring him food and stuff that he needed to make sure he was still healthy.

but he still sorta just lived on his own and didn't interact with other people unless he absolutely had to due to how closed off he was.

some people like to HC Kismet as having visited him during all those years to check up on him occasionally and bring him stuff and make sure he was properly taking care of himself.

so maybe we could find out something like that was the case in a future film tho maybe not necessarily with Kismet as cute as that would be.

like maybe he did have certain people looking out for him over the years when he was a kid despite him closing himself off from everyone.

IDK it'd just be sorta cute I think he still has large gaps in his Backstory that DreamWorks could potentially work with in the future.

like maybe a future film does actually introduce a new character from his past during that period in his life who tried to look out for him or at least check up on him every now and then to make sure he wasn't literally dead.

as I like the idea of him maybe having a kinda surrogate parent figure in a future film who he didn't even really think of in that way.

but later on its pointed out to him just how much they tried to do for him as he was growing up even tho they had to somewhat do it from a distance given Branch's wishes of wanting to be alone.

like maybe they were someone who also lost loved ones to the Bergens and they were more understanding of Branch's grief and him not being able to move on like the rest of the village did.

plus they just had a basic human amount of empathy and could see it probably wasn't Right to leave a grieving traumatised little kid with nothing to take care of himself with.

and maybe over the course of the film he kinda slowly realises even during all those years he spent alone someone did actually care and at least tried to look out for him.

and Branch comes to appreciate them like family plus Bro zone would instantly like them given how they looked out for him when they weren't there.

so they don't judge the relationship at all and are just kinda happy for Branch. ( I mean they can't claim he's betraying their parents memory or anything he didn't even know them as far as we know )

but now I'm getting more into fanfic ideas territory than cannon based speculation territory lol.

I just want the next film to give my boy some Happiness and a cute little semi surrogate parent plot has been spinning around in my head for the past week now.

I just kinda love the idea even if it would sorta be a retcon to his backstory and more new characters for the future films to have to introduce and develop even tho the cast is already super full.

but like I said I just find the idea kinda sweet plus screw Brozone lol I'd love for my boy Branch to find a found family member in the future.

who actually did try and be there for him throughout the worst periods of his life even when the rest of the village may have saw him as a lost cause.

but like I said that's more fanfic idea territory anyway what do you think in regards to the main question of the post? 😂😂😂😂

[madokamagicasecrets]

I have some thoughts about the potential direction of Walpurgisnacht Rising after sitting on it for a while and watching the speculation on the part of Madoka fans.

I have a strong feeling that when Homura changes the universe at the end of Rebellion that my old theory has been confirmed, namely that she's only been able to create a pocket in the universe where things are dictated by her. We see this radius of influence when the corruption from her hostile takeover spreads across multiple star systems until solidifying into a sphere.

This frame of the "mystery girl" also hides an extra detail which may point in that direction, namely a barrier composed of the lizard sigil that represents devil Homura. We already know that Madoka's arrows pierced the veil of the incubation field. Perhaps she's trying to do the same?

Another odd detail is the presence of 2 Homuras. I don't necessarily think this is literal, though. It's possible that a second Homura does actually exist, but most likely only because much like the incubation field Homura's world is shaped based upon her desires and cognition, and this second Homura may be trying to say something about her. But what, exactly? Well, we know that this decision was really hard for Homura, in fact Rebellion implies that she's bordering on suicidal as a result of it. I posit that the second Homura represents her mental conflicts. She loves Madoka and wants to protect her and knows that what she's doing is selfish and that she's imprisoning someone she loves. It's the war that's being waged in her own mind that I think these 2 versions of her represent. I think that's who she's talking to on the phone, in a metaphorical way that's being represented quite literally. Note the way that the voice on the phone implores her to "bring hope" and "release that girl".

Another point of interest for me is the role of incubators in Homura's world. At the end of Rebellion she very openly states that she still relies on incubators as a system, but she's definitely very resentful towards them and is seen abusing one near the end of the film. One detail about the movie that I think is important is the recurring imagery of Kyubey's eyes. Throughout the majority of the film Kyubey is totally silent and we see repeated shots of his glassy, detailed eye. However, when being tormented at the end of the movie the art style changes into something more cloudy and abstract. I've wondered for a while if this would be the start of an incubators developing emotions and potentially contracting itself. I can't say for certain right now if that's the case, given we don't see incubators in the trailer at all, but given they all seem to be trapped in Homura's world with her, we may see something like that emerge in the plot.

Speaking of the incubators, some have brought up the possibility that the contract system now flows through Homura herself instead of Kyubey. It's hard to really verify this yet, but we do have some evidence pointing in that direction, mostly in the form of parallels. Homura's new world is very similar to the incubation field. It even shares some similar golden clockwork aesthetics with it. Note the way the moon is represented split down the middle with clockwork components apparent in the new trailer. I think that this new world is being run much like the incubators did, with Homura in charge of the "experiment". Has Homura become the monster she once hated as a result of her selfishness, trapping Madoka in the very same prison that she was tormented in?

It's also potentially significant to mention what the phone Homura uses in the trailer morphs out of: the same salamander seen in Rebellion that is squashed when she turns into Homulilly, except now instead of the typical purple and black tones, it's a bright red. Does this signal a potential rising frustration and anger, perhaps at herself for the reasons I listed above?

The version of Homura that we see in the trailer has a black hairband. Given she answers the phone and seems very confrontational with the person on the other end of the line, we have to assume that the other Homura has the red hair tie that she wore in Rebellion. This is significant because this hair tie belonged to Madoka and she puts it back in her hair near the end of the movie. The ribbon is her only physical memento from Madoka's existence before she became the law of cycles, and if you've read wraith arc you know that Homura has a significant crisis slowly forming that crescendos in Rebellion where she can't prove that Madoka ever existed. This is exemplified by her new memory manipulation magic rather than time manipulation. Remember, she doesn't have time magic anymore. She only had it in Rebellion because the incubation field caused her to develop a world based upon her memories.

So, if you didn't want to read any of what I wrote above, here's my primary hypothesis for what this movie is gonna be about.

Homura knows that this experiment is deeply flawed and as such her psyche has manifested a second version of her, a more sentimental version that wants this whole thing to come crumbling down and let goddess Madoka take her. In this sense it's quite a bit like Homura trying to figure out the truth behind the incubation field and Madoka and the girls trying to rescue her. But now it's Homura fighting against herself. The black hairband Homura is in charge and the red hairband one takes up the challenge of trying to overthrow her. The mystery girl on the trailer could be Homura. The lighting and framing make her appearance a bit ambiguous, but she has a bow. Many point towards Madoka on that front but Homura also had a bow, featured at the end of the original series. We've just gotten so used to her return to scavenged weapons in Rebellion that this detail has been forgotten. I also feel as though the Walpurgisnacht imagery may be literal in the sense that Homura's imagination may conjure up a transformation, but I think it's intended to be more of a metaphor. Homura's world harkens back to a longstanding theme in the shoe of incredibly powerful beings trying to escape despair through false realities. Homura is the stage master now, whose nature is helplessness (trapped by her own selfishness), and has in a way become the monster she faced so many times. And now she has to stop herself. It may even be possible that the other girls with their altered outfits are allying with this renegade Homura to help her stop herself, much like time loops past. I don't think this will manifest as a time loop where Homura becomes Walpurgisnacht because her existence was represented by a gramophone in Rebellion, aka a broken record. And at the end of the movie it literally explodes because she's shattered literally any chance of this loop happening again. This is the end for all of them.

I think this hypothesis is headed in the right direction but ir definitely neglects some details in the trailer, such as the finer points of the girls and their altered designs, the mystery girl, the role of the incubators and the second Homura, as well as if these signs that I've taken as metaphor may be more literal than I assume. I'm hoping that others can help fill in these gaps for me. Maybe by the time the movie releases we'll have predicted the entire meat of it, lol.

[gingergofastboatsmojito]

Like clockwork

Knowing that I nailed every single prediction except the awards bc the time span covered in S3 was too short for the restaurant to even be considered for one (YET) and the apology, which he thought about making to C but chickenshit at the last minute forcing her character to lurk around a little longer next season, unfortunately.

And also knowing that S4 (which I always considered ENDGAME) might be finally the one where they get those awards and end the show on a perfect note, makes me incredibly happy because even though I do think S3 is the weakest so far, I also fully expected everything that happened in it, except the low Sydney screen time, compared with the excessive Faks screentime, which was the biggest bummer of all times.

I think that Storer is straining along the “non-Sydcarmy” narrative in the right-hand column and leaving about a million Sydcarmy breadcrumbs in the LEFT-HAND COLUMN, so he’s putting all the money on the endgame and that is why most people, including critics, and non-sydcarmy truthers feel underwhelmed after all the build-up excitement and high-expectations that had been forced around it. The critics are mixed, BECAUSE you didn't get exactly what you wanted, both truthers and anties, whereas I got exactly what I assumed I was gonna get from Storer, a TWIST that he will resolve in S4.

As I always said, my ONLY priority is getting my SYDCARMY ENDGAME, not putting Syd’s happiness above all, not even the restaurant getting a star, although IK it will at some point, not even Carmy finding happiness in any other place that is not that meadow Sydney. Etc. I don't play that game. I only want those things to happen in a Sydcarmy context, hopefully, but not necessarily, explicitly, not in a Lalaland kinda way.

What Storer did was open the game enough for a potential Clairmy endgame to happen, which last season seemed impossible, now he forced the narrative to make it fit in S4 if he wanted to. That’s why everyone is soooo underwhelmed, except me. Because I trust my intuition in the left-hand column which is what allowed me to nail all the predictions so far to the letter. Including Carmy being an ass to Syd and Syd not going anywhere, even when offered a way out of The Bear (the restaurant and the man).

And due to this accuracy in predicting Storer’s behavior, I still, like always, feel Sydcarmy is a S4 dish. Fully endgame material. Nothing has changed for me after watching S3. If anything, that belief is even more cemented in my mind now.

Storer is still right on schedule and the Sydcarmy clock started ticking more than ever, exactly as I anticipated HERE. I even nailed the "no sorry sign" thing, which is what we need to watch for in S4, as soon as it happens, we will be out of the woods.

I don't come from a place of wanting to get my needs met or wishes granted by someone as cruel and infuriatingly brilliant as Storer, that would be too naive on my part. I know what to expect when it comes to his writing and he's the Zodiac Killer for me, he can write the perfect crime, and the perfect plot and twist it in ways I can anticipate but no one can control in terms of layout and order but himself. He's a perfectionist and a control freak, incredibly talented piece of shit(sounds familiar?). So I work with what he serves me. I expect from him nothing but asphyxia first, to then give me breathing room for a few scenes, and then take it away. That's what this season was. The chokehold. The lack of oxygen. He's depriving us or making us think he will "on the table", while "under the table" the conversation or unspoken dialogue is the following:

Syd didn't sign The Bear's agreement, and neither did she sign the poaching contract, she's stalling both because she leads with her heart, not her head, which woulda made her get the hell outta the restaurant that has her name nowhere to be found in the reviews that are all about Chef Berzatto, where her business partner is a fucking robot she "can't babysit anymore" and who explicitly told her he's about to crack and where she dreads going to work every day. I mean NOT EVEN THAT CAN MAKE HER SIGN THE POACHING OFFER. I wonder why...

Carmy is still breaking the vow he made to Syd under the table: "You deserve my full focus". He's focusing on getting that bullshit star for her, he's focusing on the bully chef that used to torture him in EMP and ruined him mentally (because according to him it's that asshole's fault, not his own upbringing, and responsibility for having stuck around his bullying and not standing up for himself back then) while Syd is seating right next to him and Luca is flirting with her (I'm OK with that btw) and he's still blaming other people for the choices he made or the things he FAILED to do, instead of taking full responsibility and changing them, which I'm sure he will in S4 and I never expected him to do now because that process IRL for anyone takes YEARS, maybe DECADES, so...

And lastly, we have Chef Terry being the one who tries to open their eyes with her wisdom and they are both still blinking and being blinded by the brightness of it, they still can't see clearly what she's trying to tell them. Especially Syd, who had a full-on panic attack (her getting stuck in a walk-in while everyone else was on the other side of the door moment exactly as I predicted too). Why would she have that if that wasn't her realization moment? → THE ONE WE, SYDCARMY TRUTHERS HAVE BEEN FUCKING PRAYING FOR AND WILL HAVE TO FORCE HER TO FINALLY FOR THE LOVE OF DOG MAKE HER FUCKING MOVE!!!!

So summing up, like I said, I don't come from a place of expecting Storer to please me, my approach to anticipate his moves is asking myself: How can I get what I want while he gets his way because he will get his way regardless, so why fighting him? He will make me suffer, he will play every single string of my heart and he will make me think I've lost all hope and that is not even worth keeping on trying, on the surface. But under the surface, he will prepare THE TWIST and it's gonna be beautiful, and if I play my cards like this, fully expected. That's exactly what I did and what I got, the thing is that this was THE TRANSITIONAL SEASON, S4 is the RESOLUTION of all loose ends because it's ENDGAME. He's right on schedule as far as I'm concerned.

Bonus track: Sydcarmy breadcrumbs he planted: * Menu (heartshaped and best meal Syd ever had) → which is MEAT. * Her panic attack in the hallway after thinking of Carmy and all the history they have together. * Cicero and Nat asking her to sign the agreement once and for all, THEY ARE ASKING HER TO ENTER THE FAMILY, not just the restaurant. * She not quitting, even though someone offered her an easy way out on a silver platter. She can't quit The Bear, and I'm not talking about the restaurant. Even if she eventually does, Storer made it clear that her heart is not in it, she doesn't want to, otherwise, she would have done it by now. * Carmy NOT APOLOGIZING to Claire. Even if he eventually does, Storer made it clear that his heart is not in it, he doesn't want to, otherwise, he would have done it by now. (He did call her "peace" though, which was a cruel way of Storer giving us truthers the middle finger for having told him that the panic attack scene was his way of telling us SYdcarmy was endgame). We shouldn't trust this, Storer is Storing. * Lastly: In the final sequence (CLIFFHANGER), Carmy gets the reviews that will make or break The Bear, which leads to S4 → if the reviews force Cicero to pull the plug, Syd is free to sign the new contract and start over elsewhere. If the reviews are great (they are not because the menu was called INCONSISTANT) then he has a reason to go to Syd's place and show her they made it! Either way, in any of those scenarios he has the perfect motive to jug all the way to Syd's apartment and find her in the midst of her panic attack and CONFORT HER, which I think will be the opener of S4 and then the whole ENDGAME will go from there. This endgame will include Syd signing something that will tie her to Carm. And this endgame will also feature "Andrea". My only fear is: LALALAND ENDING, and I'll tell you why → COPENHAGEN+CLAIRE. Knowing that MG was with JAW in Copenhagen a few weeks ago, I'm sure that shooting some scenes, even though many said they didn't I still believe they did, leads me to think that Carmy, who is reminiscing of his time in Copenhagen like one of the most beautiful times of his life, can go back there with Claire after apologizing to her and rekindling their flame and after Cicero pulling the plug on The Bear letting Syd off the hook for her to pursue the other option presented to her. This will mean Carmy ends with Claire in Copenhagen somehow, sketching and maybe even fully leaning into his artsy side, who knows? And Syd gets her Star elsewhere, which she will find underwhelming because she wanted to get it with The Bear (the restaurant AND the man). This will pave the way for them to give themselves a second chance eventually if Carmy ever comes back from Copenhagen and chooses her over C. Or something along these lines but not necessarily in this order. Either way would explain JAW and C being in Copenhagen recently and would be a Sydcarmy endgame but bittersweet, not spoonfed and cruel, just like Storer likes it. I hope I am mistaken about this since the Lalaland kinda ending is my biggest fear and it's still fully plausible given S3. Still, sometimes I'm wrong... like when I thought that Richie was gonna quit on Carmy after the walk-in fight and he just stayed to spite him and make his life miserable LOL!

[bunneechan]

JJK rant because i'm sad it's ending so soon

i feel like shounen manga these days are too condensed, which isn't necessarily a bad thing but JJK just feels like one of those long-running mangas that covers a lot of characters and arcs in detail.

i love the worldbuilding of JJK, it's similar to Chainsaw Man (cursed energy and fear); the sorcerers and their history, this story was absolutely rich in potential. it had a lot of content to cover and a lot of characters that can easily have their own story arcs.

i'm sad to see its ending is rushed. lots of unanswered questions and not enough time. there are plotlines that are kinda just left out and characters who just faded from the picture. as much as i like Sukuna, the story focused on him for too long.

like you're telling me Megumi just recovered like that? not even a flashback to how Megumi was doing during the entire Shinjuku storyline? him seeing his sister get killed with his own hands, killing Gojo, fighting Yuji and everybody else dying by his hand. I kinda wanted to see him have his "all is lost" moment before he slowly gets back up again. i feel like Megumi deserved more screentime during this storyline.

Hakari and Uraume were in the background for so long that when things ended, they sounded like they were friends saying goodbye.

and what about the military invasion? that was honestly such a weird plot to me but i don't remember them actually doing something about it. as far as we know, they still have unrestricted access to take whatever resource they can.

does Yuji even know what exactly Sukuna was to him and his family? or does he even know about his weird family tree?? now even Nobara had some developing tidbit about her mom.

i know there are many more but this is all i can think for now.

sad to see it end but even sadder to see it so rushed.

[museum-of-dreams]

A lot of people have been speculating who the character thats going to die is, and I have done some Long, Hard, Thinking, with what has been presented to us in the show and the information that has been given to us.

❗️Potential Spoilers ahead as I give my thoughts!❗️ (also a warning that this is long)

(Also, please be nice. These are just my opinions. Please tell me what you think!)

Some of this is also just me assuming, don't take my word for fact unless proven otherwise.

So I am going to jump right in and say that, while Vivzipop DID state that a major character death may possibly occur in the show, that doesn't necessarily mean the end of season one.

However I will also take into account that they didnt realize a season 2 was happening untill halfway through production of season 1, so they tried to cram A LOT into 8 episodes (and that's why it's so fast paced)

So if a character death IS to happen soon, here are my thoughts, by process of elimination of course 😊

I am first going to start out with Nifty. I know many people are rooting for her to die instead of their favorites. However, that's why I don't think they would kill her off.

To put Nifty in the original main 6 cast just to never touch up on her character, give her depth, or give us her full backstory that lets us connect to her character more. Unlike the rest of the main 6 casters, where we are exploring their personalitys and connecting with them, we don't really get that with Nifty just yet. Her episode is still to come. So, to put her in the main cast just for the purpose of never touching up on her character and killing her off would be very bad writing, why put her in the main cast at all, then?

I don't even think I need to talk about Charlie. She's supposed to be the main character (but that's a talk about that for another day)

Third, I am able to most likely cross off the list is Vaggie. Much like Nifty, she has not gotten her episode yet (however for both Nifty and Vaggie's cases, at the time of writing this the last 4 episodes of Hazbin are yet to realease), however we do know that vaggies story is supposed to be a deep one and there is still a lot to go when it comes to building her character up to the audience and just building in general. So I dont believe it would be her neither.

Fourth that I can pretty much cross off the list is Alastor. With the whole suggested connections to Lilith, there is definitely a much larger plot that surrounds Alastor that will keep the series moving forward. He is too much of an important character to kill off right away.

I will not be talking about Cherri Bomb just yet (however, sence 2 episodes ARE about to release with one apparently being the one she is introduced in, I may edit this later and share my thoughts)

Our last three options would be Angel Dust, Husk, and Sir Pentious.

I am going to talk about Sir Pentious first. Sence, they sped up the pace of the show quite significantly, his character progression has also been a little fast. Sir Pentious wasn't even supposed to be in the main series. He was supposed to be a one-off character for the pilot. However, people just loved him so much, but the idea of his character being anywhere near some sort of impulsive "I must save my friends" moment during an extermination or something similar, would just be bad writing and wayyy to fast even for the paceing the show is currently at. they would have to do it just right.

I do know that Vivzi wants to go somewhere with his character, though, the idea of Sir pentious developing a crush on someone in the show (suggested to be a woman, but not confirmed) is somthing that has been brought up multiple times. So I do think they actually plan on going places with his character. Also, this is NOT by any means confirmed, and just something that I have heard a couple of times, is that the potential major character death announcement was made BEFORE Sir pentious was even planned on being in the offical show (remember one-off character). So, a character was planned to die before he was officially a part of the show. With all of this, I dont think it would be him either.

WHICH LEAVES OUR LAST TWO.

Husk and Angel Dust are both very impulsive and very attached to one another. However, there is a certain character building that goes into stuff like this. And I don't think Angel Dust has this character building.

I dont think it will be Angel Dust because

1. I dont think Vivzie would want to let him go so soon

2. While he is a fan favourite and people do connect with Angel Dust, I don't think his character has been built up for dying just yet. He still has a lot of stuff set up for his character.

3. I think his character is supposed to be all about being in a cycle of abuse, and his character development is getting out of it and healing over time until eventually his soul gets redeemed and he goes to heaven. Yes, he has husk, but that doesn't mean that anything with Valentino (or in Husks case Alastor) has stopped by any means.

When it comes down to Husk vs. Angel Dust, I would say it depends on the next couple of episodes, really. You can argue with husk that he still has not gotten out of his thing with Alastor.

However, I still lean towards it being Husk that dies because 1. I really don't think Vivzi would want to let go of Angel so soon

And 2. His character is kinda built up for it? I can't explain this one all too well, and most of it is personal opinion.

While they have angel dusts character set up to go through rough times trying to escape Valentino. They don't really show this with husk and Alastor. Sure Angel and Husk relate to each other's situations, but most of Husk and Angel in episode 4 (the last 4 episodes are yet to be released at the time of writing this) was mostly Husk comforting angel, he talks about how he regrets his decisions and how he related to Angel Dust, but unlike angel dust, they never really build his character up for any kind of potential attempt to escape from Alastor. While Angel dust has that character buildup, Husks just isn't there.

They also painted husk in a way that was very likeable to a lot of people. For example, if you were to ask someone who their favourite Hazbin Hotel character is, saying Husk is a VERY safe choice. A lot of people are very sympathetic for him. They buttered him up just for us. If anybody is theoretically going to die at the end of the season, it would be Husk.

There are still some unanswered questions of mine, though. My opinion can be changed A LOT by how the next couple of episodes go. Thank you for reading this much!

I will probably keep you guys posted. :]

[sophsicle]

you mentioned being jealous of the idea of the marauders in the hunger games but couldn’t you still write something of the sorts? i feel like a bunch of fics occur in the same spaces…or is it like when you see someone’s paper and can only think of the way they’re formulating an argument? also all this hate is so stupid literature is subjective and we should all love eachother🤓❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥 you, zar and all the other fic writers deserve all the love!!

Yeah i mean, of course, you can always write your own version of an au.

but i think for me it's only fun if i feel unfulfilled by the versions that already exist. like if i read something and i'm like "there is so much wasted potential here to explore this plot or this character arc or this relationship" then that makes me want to write something, but that is not how i feel with CR

it's a bit like, obviously people can, and do, write long canon compliant wolfstar fics, but for me, atyd already exists, and while it's not necessarily my version of those characters, it's close enough that i feel like that story has been told 4 me, and i don't really see any new stuff for me to add

i don't think i could write a better cross over than zar did (in fact, like i said before, i think in general i would have written a worse au, because i don't think i could have mixed those stories as cleverly as they did), literally all i would add is more death and tragedy and like, no one would get married at the end and everyone would be sad and depressed :)

[winter-sol]

Spoilers for Lesson 11!

About Solomon, MC and their relationship with demons.

There's this pretty interesting thing I noticed about Solomon's perspective compared to MC's when it comes to their vision towards demons.

Solomon made clear he sees demons and angels as creatures that underestimate humans and won't ever treat us as equals. I don't actually blame him for this, as he is not even wrong. We've seen them call us "mere humans" or belittle us for being humans in both games. So his approach to demons is mostly from a utilitarian and confrontational point of view.

He needs to prove humans can be equal or surprass them, and for that, he's willing to do anything. He's willing to use demons, become more powerful and defend humanity above anything else. He was even teaching MC his way of dealing with demons, as in "leveling the playing field" to face them because "When it comes down to it, that's what negotiating with demons is all about, really".

He then proceeds to talk about how he plans on changing that, and to almost manipulating us into making a promise about siding with humanity no matter what. That, in a place that probably binds us to said promise or something like that. It was... shady, but if anything I got even more intrigued about his intentions. (as a Solomon enjoyer, I'm living for how his character keeps getting more complex).

Then we have MC.

See, I'm really curious about how this game will deliver its promise about making choices matter because if there's an intereting branch in this game, it's probably about MC either siding with humanity/Solomon, or the demons they love so much.

No matter what we choose in L11, MC will end up handing out the grimoire out of their own will, and making a promise on either protecting them or letting them find joy. And I think that speaks loud about MC's vision on demons and how it's opposing to Solomon.

MC refuses to see demons as potential enemies, and their approach is not confrontational like Solomon's. It's from love and understanding.

MC was able to do something Solomon could never, and that is making a pact with the Seven Rulers of Hell, and actually gaining their trust for these powerful demons to be willing to obey them on their own will (even if, magically speaking, they are being forced). And the main difference is, MC didn't achieve it through becoming the most powerful sorcerer or taking advantage of them, like Solomon did with Asmo.

At the end of the day, the seven brothers chose to have a pact with MC, and keep choosing MC no matter what.

Solomon and MC have opposing views. They've been working as a team, but they will inevitably collide.

So, what will happen next? I'm waiting for next lesson! But for now I'd like to wonder.

I'm not sure if MC will have to deliberately choose to side with either party, since I believe MC wouldn't purposefully betray the demons because they're too important for them and already proved they're on their side. Also, I don't think MC would like to turn against Solomon, as they still trust him and need his guiding. But how long will it last?

I want to believe our choices regarding our relationship and trust in Solomon will affect the plot.

If MC is too passive and diplomatic, Solomon could end up having his way, whatever that is, since his intentions are one of the biggest mysteries of Nightbringer. I'm not necessarily trying to frame Solomon as a villain or antagonist, that still remains uncertain. But I think we can all agree he has a very important role, and that role is highly related to his ambiguous morals and actions.

If MC is too reckless, they might end up messing up with the timeline, their relationships and the demons themselves or even Solomon and humanity. (does anyone else want bad endings??)

I wonder if MC's trust in Solomon, and vice versa, will eventually break, or they'll find a way to work it out. He already seemed dissapointed at us handing out the grimoire instead of using it, as if we're already proving we don't have the same intentions he has regarding humanity and demons.

What kind of decisions should MC make in order to keep a balance between humans and demons without betraying either side?

Does MC actually care about balance, harmony and humanity's well being? Or will they only act based on their feelings, wherever that takes them?

I love Obey Me's MC, I think they hold great potential, but they've been relying on others' help a lot. It makes sense, since they've been just learning about this world and building their own way to grow and become more powerful. But I'd like to see them deciding and facing bigger consequences for their actions. And I'm dying to see how this plays out ;)

As always, I'm open to talk more about this :) Bai-bai.

[goodluckclove]

Are You a Writer That Isn't Writing? Join Me Inside My Blanket Fort!

Hi! Welcome! It's so good to see you. i've just been hanging out here, kind of listening to my favorite podcast and drinking some green tea. I have another bottle here - do you want to try? It has lemon in it. It's sweet, but not too sweet. Just like I like it.

Yeah, so I might need to introduce myself. My name is Clover, but you can call me Clove. I've been a write for fifteen years and I've finished fourteen novels. I published one and I'm working on the sequel. I've written and produced plays, published short stories, and even worked as a copywriter and ghostwriter. That wasn't very fun. Actually, the writing was fun, but they brough in AI right at the end - it's a long story. Anyways, what I mean to say is that you could consider me a working writer. If you go through my blog I post a lot of snippets from what I'm working on. You can even Google my old pen name "Miranda Seaver" and find some columns and stories and I think a short play I had some strangers do over Facebook.

I'm not saying this to brag. I'm saying this because I've been doing this for a long time and I want you to have context to the work I've done as we keep talking to each other. If you read what I write and you don't like it, maybe you can decide that I have no idea what I'm talking about. That's fine. We can still be friends!

Okay, so you're probably here because you're having trouble writing. Either that or you just can't resist the allure of a blanket fort - that makes sense too. But assuming you're unable to write for some reason, I just wanted to speak to you in private. Because I know it's hard. I know it's disillusioning. And though there's this weird perception online that writers are supposed to hate writing, I personally believe the situation is a lot more nuanced than that.

Maybe you're scared. Or you're tired. Or the whole act of sitting down and writing feels so big and clumsy and unwieldy as it bounces around your head that you don't know what to do with it. The weight of it doesn't feel right. It happens - it happens to me too sometimes, and it never feels good. But it's a natural part of the creative process and it's more of a slight mishandling rather than massive sin or flaw of character.

It might not help that there's so much advice online, isn't there? It seems all these people have a set guide to how to do literally everything. There's some sort of odd binary to the creative process that some make it seem as if writers innately fall under. You're either a pantser that never outlines, or a plotter that only structures. Every draft has have a specific focus, and you must follow an arc to achieve any specific goal in your character or plot.

That's a lot! Isn't that a lot? I've been talking to a lot of new writers on here who find all of that information - especially the information that conflicts (A lot of them) to be deeply intimidating. If not intimidating, then just slightly...off. Potentially enough to make the act of opening a word processor and slamming out a few hundred words to not really seem like that much fun anymore.

See, there are useful writing resources on tumblr. People with unique experiences sharing their specific information in a public space where writers can benefit from it. How would a certain mobility aid impact a person's life? What are the physical ramifications of training on a sword? Look at this picture of some sickass gems of different colors! These are all super cool things that I find incredibly useful for both current and future reference.

On the other hand, the guides that speak structurally to writing? That try and tell you the exact steps to follow in order to achieve a certain result? A lot of them end their posts by plugging their ko-fi but don't actually show any of their own personal writing? They don't necessarily have the answers.

If you read some prompt list and it inspires you, that's cool and great! Our brains think of a lot of really innovative things based on the smallest spark of input and that's a truly incredible thing. But if you read someone who makes a list of ways to show a certain emotion and you're left confused and discouraged - consider that they're wrong. Or not wrong, not really. They just don't have the right story.

For other forms of writing advice, maybe they're right - only not in a genre you want to write in. That's the weird thing about all these writing blogs that don't actually say what they write or read. If I was looking for writing advice, I wouldn't go to someone who specializes in reading and writing political thrillers or mysteries. They're valid genres, just not what I specifically do.

You just can't make grand blanket statements about this kind of thing, and that's an unpleasant truth I think we all need to hear.

Every writing rule has been broken successfully. The Dharma Bums, and frankly anything else Jack Kerouac has ever written, has truly no plot. American Psycho chains you to a truly reprehensible protagonist. Naked Lunch was written in one long chunk that was then cut up and rearranged, and then that nonsense was published. If On a Winter's Night a Traveler takes YOU (literally you - half the narrative is written in second person) and sends you on a wild goose chase where every other chapter is a different book. Kurt Vonnegut has a literal self insert of himself that shows up as a side character in Breakfast of Champions and then takes role in the lead cast in Timequake. Read a Chuck Palahinuik book and he will lie to you three time at least. Read House of Leaves and you'll feel like you're wandering a contemporary art gallery. I can't fucking get past the first 60 pages of Ulysses but I've been TRYING for YEARS because the prose is BEAUTIFUL.

I'm rambling. What I mean to say is that - you know Monet? Manet? Degas and Renoir, and all the other painters of the Impressionist era? They make the kind of paintings you probably think of if I ask you to imagine a painting you'd find in an art museum. They're respected - idolized, even. People will dedicate their lives to painting in honor to the legacy of Impressionism.

This would be a great surprise to early Impressionists, who were mocked mercilessly for their work. The name itself - Impressionism - was a reclaimed dig at how their art style was an impression of actual art. The road for it to even be CONSIDERED art, much less respected AS art, was a long one.

I'm rambling again, aren't I? I had a lot of this green tea. I just hate to hear so many people refuse to develop the ideas in their heads for one reason or the other. Or, even worse, they circle the brainstorming stage over and over again, far past the point of usefulness. I agree that some people function better with some form of an outline. I outline in my own way, through short form bullet points or taking space to storyboard in my head to music. It can help! But even if you work better with structure, there's a good chance that you don't need that much structure.

You can't fail here. You truly can't, I promise you. If you finish listening to me and you crawl out of the blanket fort and write two paragraphs, nothing bad will happen. If it's not the strongest thing you've ever written, that's okay. We're writers, aren't we? If you write something that you don't like, you aren't a fraud. You aren't weak. You aren't a hack. You haven't failed. You don't lack creativity or imagination or motivation.

Here's the truth: If you write something you don't like, you're a writer who wrote something you don't like. It doesn't mean you're bad. It doesn't even mean the writing is objectively bad. That's it.

Writers tend to be dramatic. I know I am. I laid on the couch for an hour trying to wrestle with act three of my newest book, and as my wife tried to talk me through it I slowly sank off the couch and onto the floor. Much as a slug would. If you ever get into that mindset, that's just a thing that happens when you're an artist. I think in the Hemmingway days writers would drink or smoke until they had the strength to try again.

We've seen how that turns out though. So welcome to the new era of writers who - though occasionally neurotic - try again at some point. And everyone is welcome. As I said already, there are no real rules or guides to the structure of writing, only ideas. And if you don't like the idea, you can look or think of another one.

And you can think of another one. Assuming you don't just have a drastically unrealistic perception of how much societal clout you can achieve by saying you're a writer (Answer: nearly none), you clearly want to tell a story. I haven't met a single person with that dream that has it based on nothing. The situation is so much more vast and complicated than the internet will try to make it out to be. Did you see some variation of the Apple Test and decide that your Aphantasia means you can never be a writer? Consider reading up on the Aphantasia Network to get a better look at the condition and learn more about what it means for you. Imagination is nuanced and it is absolutely not limited to Overall Apple Clarity!

Okay, that's all I have to say. I just want to see more people here putting their ideas to paper because a lot of them are really good and interesting, and they deserve to be seen. The feeling of writing your story is so much more complex and rich than just thinking about it, I promise. I know you can do it.

Okay okay. I have to pee. This was a long talk! I'm going to scoot past you in the fort now, but I think before you go on with your day you should maybe check out a video I think you'd like.

Have a nice day, Friend!

oh and this too.

yeah nice

[daubigny-stan]

If you used to be a fan of HP, please read Witch Hat Atelier

I am so serious. I think everyone who's read WHA will tell you this, it is a more refined and perfected flavor of HP's lore and worldbuilding. Moreover, the mangaka of WHA isn't a complete bigot unlike someone else who wrote a witch based story. It's so good even, that I think it's an insult that I'm comparing the two, however HP is the most familiar reference I have and in this post I'll be comparing and breaking the down.

HP feels like a 'chosen one' story whose world was haphazardly built around it, meanwhile WHA's story feels like one that is naturally developed from its well executed worldbuilding

Ok, this is not an elegant title, so allow me to explain. The HP method of worldbuilding which puts the ideas first and makes the world bend to the ideas is apparent in two concepts: how Harry is the chosen one and the separation of wizards and non-wizarding folk.

How is Harry positioned by the writer to be the chosen one? Because of the prophecy! And that's marked with him surviving the death curse which is an impossible thing to do lore-wise, so here's the complicated bad magic which explains why Harry did the impossible thing! See, it's like they thought of a cool design for a boat, but the boat wasn't able to float on water, so they just kept adding patches to the plot holes. And this isn't necessarily a bad thing in my opinion, the horcruxes were an interesting bit to the lore and does bring up the idea "oh killing someone splits the soul in half" which is a fine metaphor, I guess. But it feels like the world revolves around Harry and Voldemort rather than Harry and Voldemort living in it.

Meanwhile, Witch Hat Atelier? Airtight. Coco doesn't feel like a chosen one for the sake of being the protagonist. The ongoing battle after against the current magic policy of secrecy and limitation and the goals of exposing magic and unleashing its potential has existed long before Coco was around. Coco feels like just one of the Brimhats' many attempts to expose the witches' secrets to the Unlearned. At the moment we don't know if Coco was deliberately chosen because she has some special property or not, but even if she doesn't it just feels more special. Coco's protaganism is not defined by being special or powerful, she is birthed from the current circumstances and worldbuilding.

And Shirahama sensei's explanation for the separation of witches and the Unlearned don't feel arbitrary and contribute to the plot. Witches aren't special, they are just this group of people that were deemed worthy of learning magic. And magic is still shown to non-magic folk, it is not void from their world. This feels like the mangaka actually took from how real-world politics, it doesn't matter who is at the top actually, there is just an inherent injustice from the fact that some people can wield magic and some cannot. And this message is echoed with almost every story arc thus far. Coustas as a character is an incredibly example of how magic is also analogous for privilege or power. He is underprivileged for both being Unlearned and coming from the slums.

On the other hand, HP's idea of magical folk feeds back into how there are ideas for people first and then the world revolves around it poorly. This is not a novel complaint about HP but if magical babies are born randomly and can even be born to non wizard folk... how have they been concealed all this time? Like, I get it, magic and achieve amazing things including concealment and memory erasure but there is not concrete argument to keep concealing. The story and characters accept that rule without questioning it which really paints them as shallow. And also since magic is something you are born with, the idea that some people are born special and some are not? Really rubs you the wrong way.

HP's concept of morality is just... bleugh

A lot of the points I make here and in the previous point I think I'm echoing from Shaun's video on Harry Potter which you should go watch. The point I'm taking here is how arbitrarily good and evil is decided in the HP world, if you are the snake house or the snake KKK, you are evil. I didn't know you could strawman people in prose but there you go. Meanwhile, in WHA there is not necessarily an evil. People have different goals and those goals contradict with each other. That is the definition of conflict in this manga. It is also possible that characters have the same values but different goals so it makes for so many interesting foils.

Voldemort and the Death Eaters, I feel like their status as a bad guy with bad values is poorly rooted in the world. The wizards already have this pure world void of non-wizards and non-human wizards and they keep their magic to themselves, they're already plenty fascist against non-wizard folk. The Death Eaters don't really have a reason for existing. They feel evil for the sake of having a bad guy with fascist aesthetics, not because they are the consequence of the rules of the world or because they have goals that make sense. They don't really need to rid the world of non-magic folk, they already have a world to themselves. They don't need to rule the entire earth for its resources, they're already not sharing magic. They don't need nuclear weapons or oil or whatever. And it's not like the good guys are going against magic separatism either. They're just protecting the status quo and maybe asking "could we be a bit nicer to magic kids born out of non-magic families pwease?"

Meanwhile, the Brimhats, the antagonists of the WHA world, they make so much sense both the readers and the main characters are in this constant state of questioning who is right or wrong. Heck Coco, the main character, is the embodiment of the story's moral conflict. We are first introduced to Brimhats who are more hungry for power or unlimited magic that they will harm children so we accept with little hesitation that they will be the bad guys, but then we are introduced to Ininia. Ininia is also a little girl, much like the main gang, with the same values. Magic brings people happiness and can heal. Forbidden magic can do that much better so why not use it? And so far, even the protagonists don't have the answer! We are only shown the consequences of using forbidden magic. But throughout the story we are also shown the flaws of the current system.

There's so much more I could say, like about how WHA's characters are so well written, to the ACTUAL representation of gay people, disabled people, and class in the manga; but those are the two main points of why the story of WHA is so much better. Shirahama sensei does not treat her readers like dumb idiots. She trusts us to be intelligent and shows us scenarios that will leave us thinking for hours. GO READ WITCH HAT ATELIER

[bridgerton-bard]

Bridgerton Season 3 Rambles

Warning: Spoilers for Romancing Mister Bridgerton and Season 3 of Bridgerton on Netflix

Just a compilation of thoughts that I have had about Netflix's adaptation of Romancing Mister Bridgerton for Season 3.

The combination of writing and/or editing was definitely different, and not necessarily in a way that I enjoyed. I am not a cinematographer, so I can't necessarily say why, but this season definitely felt like a much faster pace than S1 & S2. This is especially true for part 1. Prior seasons felt like they were meant to be watched casually and understood easily on the first watch. This season was so dense that I ended up re-watching part 1 again just to make sure that I didn't miss anything. Part 2 did feel like a slightly more reasonable pace, but still faster and more chaotic than any other Bridgerton season. Given that Netflix controls exactly how many episodes and how long they are, I wish they had decided to do 10 episodes so that the story could be slowed down to a more enjoyable pace and less context for each storyline had to be cut for time.

I liked all of the side stories. There are no characters in this show that I don't want to watch. Knowing the backstory from Queen Charlotte, it was so great to see Violet with Marcus (her garden is most certainly in bloom 🌸) and to see Lady Danbury get some closure from the past. It was also great to see more of the continuation of Lady Danbury and Queen Charlotte's friendship. Watching the Featherington women reconcile with each other was probably my favorite of the side plots. I enjoyed the Mondrich storyline. (🎉 Welcome to the ton, officially, Mondrich family! 🎉) I was a little skeptical about how the Benedict/Lady Tilly storyline was going to prep him for S4 (🤞) at the end of part 1, but fully onboard after part 2! I just wish we had more time to see the romance between Colin and Pen build before and after their wedding.

Side note: Do we think that Netflix/Shondaland had always planned for Benedict to be bi/polyamorous, or do we think that choice was made after they were heavily accused of queerbaiting in their characterization of Benedict?

Colin's realization of love seemed rushed even in RMB, but it seemed out of place as it happened in the series. There needed to be more development. Maybe we were meant to see his feelings growing through Colin's conversations with Eloise about Penelope and Cressida, but due to his characterization as "good guy Colin", it mostly just seemed like an older brother who wanted his two friends to reconcile? There was something missing. If the show had gone in book order and Kanthony/Benophie had been around, Colin maybe could have realized his love based on witnessing how those couples interacted?

In my opinion, all of the time in part 1 spent on the Queen coming up with a new name for a diamond ("sparkler") and then agonizing about naming one could have been put to better use. I know that the show doesn't want to bore watchers by automatically having the female Bridgerton lead of the season being named the diamond on repeat, but it's functionally the same and 10ish minutes of screentime that could have been better served elsewhere. Especially with the Queen playing such a big role in the potential match between Francesca and Lord Samadani as well as the reveal of Whistledown, I could do without the agonizing over the special title the female lead will get.

I really missed Lady Danbury playing the role of encouraging Penelope to be herself the way she did in the books. I know Lord Debling might have taken on some of that role in the Netflix series, but there's a different dynamic when Penelope realizes her worth based on a suitor compared to the objective perspective of a smart woman in the ton. To me, Netflix Pen felt like she gained some confidence simply based on that Debling was interested and not that she actually realized she was desirable. Whereas in the books, Lady Danbury encourages Pen to be more confident and show more of her personality because it makes her more authentic and fun to be around.

Speaking of Lord Debling, we were promised during the press tour that Debling wasn't going to be used as a plot device to make Colin propose, and that Colin would express his feelings to Penelope without that sword hanging over his head. But what we got was Violet mentioning to Colin that Lord Debling was planning to propose to Penelope which prompted Colin to rudely interrupt them and cause Debling to rescind his proposal????? I really did enjoy that book!Colin loved Penelope for being Penelope and proposed to her even though he knew that nobody else would and it would lower his social standing to marry the unpopular spinster girl who read romance novels.

In general, past seasons have felt like even where Netflix/Shondaland changed plot points in the books, the changes were still correct in the characterization. While the above might be correct to Colin's characterization it's a significant downgrade from the story that was already written. Why did that need to be changed?

Speaking of characterizations, I really enjoyed the characterizations for Francesca and John. They're such different characters to the other leads on the show and I really appreciated that both seemed to be characterized as neurodivergent in some way. It's nice to see the show acknowledging that gay people, neurodivergent people, etc. still existed in regency times even if the public awareness/conception of them was different.

I wish we had seen more of Colin and Pen repairing their relationship after Colin learned that Pen was LW. I know they were trying to build the drama, but the whole time it felt like Colin was two seconds from applying for an annulment, which was not even mentioned in RMB. Again, it just felt like too much was implied and not shown here, or that the show's characterizations were off from the books.

I enjoyed the peek into Cressida Cowper's world that we got this season. She's no longer just an antagonist cardboard cutout that's moved around the ballroom to create conflict. It's nice to understand her motivations. I really appreciated her storyline this season and I'd love to see a spinoff about her life in Wales and her eventually making her way to the continent or back into the ton. The scene where her mother threw her under the bus as she was counseling her that it was every woman for herself in the ton was beautifully sad. I think it was only in that moment that Cressida realized the only way for a young woman to do well for herself in the ton is to befriend and rely on her peers. I appreciated the aspect of tragedy that Cressida only realized her bad moves when it was far too late to go back and correct them.

Another issue with the writing: some of the modern language was slightly jarring. I know Bridgerton flirts with the modern/regency dichotomy because there are multiple parts of the show that aren't period-accurate. That being said, you're really on the cusp when a character in a regency period drama says "Don't come for my cane". I'm not saying I want it to be 100% period accurate with bonnets, etc. However, I think maintaining the use of Regency slang and slightly modernized regency phrases/syntax is part of what helps make it feel "regency" even though the fashion, music, and social norms about race and sexuality are not accurate to the regency period. The same can be said for obviously acrylic nails. Not everything needs to be period accurate, but some things are definitely a step too far. Big disparities like this are distracting and remove people from the story.

I know people have a lot of feelings about Michaela Stirling, however, I want to let Netflix/Shondaland cook. We don't know yet whether Francesca is also going to be bi or whether she's going to be a late-to-life lesbian. We truly have no idea. I have liked how they've handled Francesca/John so far, so I'm just going to wait to see how this plays out.

I think that's all for now. I'd love to hear anything you'd like to add, as I could yap about Bridgerton for hours.

Varley . . . release the BUGS!

[another-lost-mc]

thoughts on obey me as an actual game? anything u wan a change if given the chance?

it honestly makes me mad everytime i think about the obvious lack of effort for world building but specifically for the nobility plotline... sooooo underutilized it's upsetting. like i've read isekai manhwas with better use/grasp of the nobility and political climate... also (can't remember if it's from swd or nb) the fact that lucifer and the brothers' are basically living off an allowance/salary set for them by diavolo is just... ugh. they couldn't have given them actual positions with titles ??? they couldn't have brought their title as princes/lords of the underworld into play ??? like i get they did it for the game, for shits and giggles and idk maybe it's just me lawl

sorry for ranting lmao i've sent asks a couple times and i quite like your insights and takes on things. was wondering if you'd have anything to say 🫡

I love talking about this stuff! I know it's a dating game and the lore/world building is basically an afterthought because the game's focus is on MC's relationships with the characters now, and not necessarily on the world/characters before MC existed or became involved.

I've mentioned before that the world feels really empty to me at times because they don't really talk about characters that exist (in a meaningful way) unless they're the established dateables (or soon-to-be dateables) for MC. Many of them are nameless demons/angels (the demon lords, the owner of The Fall that's been mentioned more than once by his title but not name), generic sorcerers and angels we know exist in the other realms. (For some reason, Uriel has been name-dropped twice with very little info besides that.)

Part of my motivation for developing the angel/demon OCs is to give more context and depth to the world that MC interacts with, even if they don't necessarily interact with MC in their own day to day lives. There are countless Devildom businesses that keep the realm running – who owns them? Who are the demons that develop their technology and vehicles? Who are the demons that acquire the raw materials used to build these items, or design/build the Devildom's architecture and homes? Who are the professsors at RAD and the other students? They're probably not all demons born from nobility, so where did they come from? What do the parts of hell outside the Devildom metropolis look like? Do they live on other levels? Rings? How easy can you travel between them, or why would you want to (or not want to)? Who are the demons that make up the demon armies and where do they live? Also, how in the world did Solomon end up in pacts with so many powerful demon lords, and now that he's not a power-hungry king, how do those pacts serve him (and the demons he's bound to)?

So yeah, maybe I think about the game world a lot because there's so much potential that goes ignored. I understand that the game isn't meant to be an in-depth look at the Devildom or Celestial Realm outside of what's relevant for character development or plot purposes, but it would be nice to have answers for some of the obvious questions that come up over time. Some of the information we're given in Nightbringer feels incomplete or doesn't match the tone/characterization we were presented with in the OG game either which makes me worry about continuity issues and retconning going forward.

(This got long so the rest is going behind a read-more link. lol)

When I started developing/outlining The Fall, it was meant to be a personal interpretation of the game's lore and my own creative spin on filling in all the gaps. At the heart of it, it's a love story between two angels-turned-demons. But the worlds they live in change over time, and there's a lot of nuance and deeper insights to explain how and why those things happen.

Some of the topics I wanted to explore in this project include:

Rank/power structures in the Celestial Realm. Basically, how do the various ranks of angels interact with each other, and how do they view angels with ranks higher or lower than their own?

Xenophobia. How angels and demons interact and perceive the other races/species. Metatron is an angel that was originally born as a human and ascended to the Celestial Realm after being chosen by Father to do so. Knowing that, how does his former human life impact what other angels think of him, if it does at all? (Spoiler: It does.) There's also significant issues that come up with the arrival of fallen angels, although Meta and Azra falling has very different reactions compared to Lucifer and the others later.

The role of the Seraphim. This story begins before the Celestial War with Lucifer, so he and Michael are still the two primary beacons of power in the Celestial Realm. How often do they agree or disagree on handling disputes, and how do they resolve their differences of opinion? I also wanted to explain the role of other Seraphim – basically, it's not just Michael or Lucifer calling the shots, and the other Seraphim are expected to lend their voices to discussions/debates about serious matters and it's treated almost like a council where majority vote wins if they can't all agree on something.

Side note: I really don't like the idea that Michael (or any of the other Seraphs) are free to do whatever they want without any sort of accountability or repercussions. I think the things Michael might want to do (ex. sneaking into the Devildom in disguise) and what he should do (literally anything but that) are two completely different things, and being emotional/grief-stricken isn't a good excuse for a leader that wants to YOLO his way through his problems when he has an entire realm of citizens he is responsible for. Gabriel is my solution to some of Michael's emotional impulses and rash decision making. He's the angel OC that acts as Michael's voice of reason when he struggles to separate logic and reason from emotions. He keeps Michael in-check when he wants to do things that are too erratic or personal, but he whole-heartedly supports Michael's plans or ideas that benefit the Celestial Realm. I like to imagine Gabriel and Barbatos are similar in that way and have the potential to be good friends as they bond and commiserate over their loyalties to leaders that sometimes act like spoiled children.

Fallen angels in general. There are a lot of fallen angels besides Lucifer and his brothers. Meta and Azra are two angels that go through the process of falling together and I had a lot of ideas about how I think that looks on a physical and spiritual level. There are differences for angels that are cast out by the Seraphim for breaking the rules/putting the Celestial Realm at risk vs. angels that choose to fall vs. angels that are punished by Father for defying him regardless of what the Seraphim choose. Azra and Meta's motivations and reasons for how/why they fall are slightly different, and how that plays out (and the impact on the angels left behind) are different too. They don't have a pre-existing relationship with Diavolo to pave the way for their new lives in the Devildom either, so how do they cope? Who helps them start their new lives, and how do they navigate being strangers in a foreign land while undergoing the physical and emotional changes of becoming demons? Diavolo's father is still the Demon King when they fall and it's only Belial's involvement that keeps things from completely going off the rails after their arrival. The fact that Belial himself is a former angel has its own significance. There isn't a manual or one-size-fits-all approach to this either, and Azra and Meta demonstrate how the Devildom's negligence of their newest citizens can lead to disastrous results sooner or later.

Navigating tension and conflict between the Celestial Realm and Devildom. There is violence that breaks out between the two realms, so how does the Celestial Realm respond to that sort of crisis? Once in the Devildom, there's a glimpse of how the Demon King (Diavolo's father) handles these developments and why the conflict happened at all. (Spoiler alert: Belial is an antagonist in this part of the story for a reason.)

What is Solomon up to? He has all these pacts with powerful demons and he's no stranger to the Devildom, so of course he's going to be interested to meet some new fallen angels – especially one with as much power and common interests as Metatron. Solomon is very human in this story too. He has his own selfish motivations for getting involved, but he also shows genuine care and concern for those he considers friends. He gets involved maybe more than he should, but for good reasons. He's a useful bridge to help the demons understand some of the obvious implications of having ex-angels living in their world. He also manipulates things a bit behind the scenes because of his connection to Barbatos (and therefore Diavolo) but there's no immature feud souring their relationship in this story. (Gonna be honest, I do not think Barbatos's problem with Solomon had anything to do with his place on Solomon's list of demons.)

Lesser demons and the nobility. I wanted to explore the lives of lesser demons versus the lives of noble demons. Where they live, what they do for a living, how they view demons of higher/lower ranks than themselves and other races. Zee's an example of a lesser demon who does whatever he needs to do to earn a living for himself, and Azra doesn't have much clout behind him so they almost meet each other as equals. It's an interesting look at their friendship and the way connections to more powerful demons (like Belial) help them both make better lives for themselves in the central Devildom where they eventually grow their business and social reputations. Meta, despite being a fallen Seraph, has practically no motivation or reputation to speak of and this has its own consequences later. But Zee's not the only lesser demons in this story, and if you thought the nobility in Nightbringer had problems with fallen angels, the lesser demons are far more hostile towards them – they're the ones on the front lines whenever war with the Celestial Realm breaks out, so its understandable they might not be very welcoming. For the demon nobility, the ones that aren't actively criticising fallen angels are mostly indifferent to them, but that's not such a great thing either.

There are other areas I wonder about that I don't explore in The Fall, but I hope to do so for the various OCs and their stories. The Devildom's power hierarchy/use of titles is one of them. The demons of the Ars Goetia all of their own armies at their disposal, and some are dukes while others are kings. That doesn't seem to have any meaning or impact in the game world, but surely there are ways that can affect how the demon nobility interacts with each other? It certainly made a difference to Solomon, I doubt he would've wanted so many pacts if the demons didn't have anything to offer him at the time. The how and why of Solomon's pacts is it's own area of exploration, which I hope to do with Belial and Bathin.

[ellie-the-oracle]

The Bad Batch Season 3 - A New Theory and the future for Tech

Spoilers ahead!

Hey you guys! So I've previously discussed how I believe that the operative character could be Tech and how that affirms my winter soldier theory. However, I am here to retract that statement as I do not believe that it makes sense narratively, as it would either copy Crosshair's story or Echo's story. I propose a new theory: the operative is not Tech, but rather Cody. Let me explain why.

Firstly, we now know (via Crosshair's confirmation) that the program Hemlock is running does not work on defective clones, as they attempted and failed to integrate Cross into said program. This would rule out Tech as he was also a defective clone.

Secondly, and more prevalently, we know (from Rebels) that some event needs to push Rex over the edge and make him quit his efforts of saving other clones. I suspect that this event could be an encounter with a brainwashed Cody, and perhaps a botched operation to Tantiss resulting in a lot of casualties.

Thirdly, why do I think it's Cody? While it's true that we were told in season two how he went "awol" (albeit by an unreliable source), that doesn't necessarily mean he escaped, it just means that he defied the Empire. We also know that this operative program is designed to repurpose defiant clones. I also want to point out how the operatives voice, while warped through a modulator, sounded like a reg, instead of a higher pitched, vaguely English accent.

Lastly, Tech has been mentioned only once in this season, briefly in conversation. Yes, Cody isn't mentioned at all but I'll get to that. The end of season two, in my opinion, felt like a lazy write off of Tech's character (in an attempt to elicit reactions from fans), that essentially served as a "wrap up" of his story (more on this in a moment). Cody's story is still a loose end though. It's also important to mention that in the EU, Cody was used as the template for the dark troopers.

Now onto the discussion of where this leaves Tech. Well...I think he's dead for good. Trust me when I say that deeply hurts me beyond words. I have related to and deeply bonded with Tech's character, so to me, his death was very real and painful, and I'm honestly still having a hard time with it (I was literally sobbing about it the other day). Unfortunately, I just do not believe that the writers of this show are capable of what the writers of Lucasfilm era Clone Wars were capable of (please dkm, this is just my personal opinion). I'm sorry but I just don't have faith in Disney, not after the sequels and most (if not all) of the live action shows they've put out. Yes, Tech should, logically, 100% be alive...if they were good writers. He has a potential love interest, a family and a potential peaceful life to live on Pabuu to return to. There are so many plot holes that would remain unanswered, and would be extremely disappointing. Tech's story is largely unfinished. Should he be dead for good, it will show the utter lack of writing talent that Disney possesses and a lack of care or respect for fans.

Apologies for the spicy takes at the end. Again these are just my personal opinions and experiences. No hate to anyone who enjoys any of those shows/movies.

[maybe-boys-do-love]

The Trainee Episode 8, Tensions

I had a premonition from this week's episode about what online reactions to the conclusion of The Trainee will be, and I want to take this chance to preface the discourse. Episode 8 lays out all the tensions The Trainee utilizes to drive its plot and character development. Because of the specific topics it explores and their relevance to both our lives and our tv viewership, I expect no matter how the show ends, people are gonna have oPiNioNs. To me, that relevance is a sign of a show's success, whether I would make the same decisions or not, especially when the show addresses it with as much thoroughness as The Trainee does and braids them all so well together into every element of the show. Spoilers ahead.

Personal vs. Work-life

These values hold the biggest tension in the series, as we saw how unhealthy balance between the two caused so much conflict last week. This episode gave us more balance. After the last couple episodes, I had started wondering if we had forgotten about Ryan's homelife (I miss Ink :'(). How refreshing to get so much time outside of work in this episode, then!

Of course, we now know two characters live at the same location as their family's businesses. We get Ryan doing his printer duties at home again--interestingly dressed in blue after GMMTV this week officially released his "green guy" color scheme in the series (check out @respectthepetty 's rundown of character color schemes and their meanings for the show). This color change suggests Ryan's confidence and security with his home business duties. We also got to see that Ba Mhee's grown up in a home business environment in the form of her family's restaurant. This gives us an unexpected parallel between them. It personally had me considering their relationship to workplaces compared to the other characters.

Despite their different attitudes towards it, both Ryan and Ba Mhee seem to represent the potential for growth in a workplace environment instead of depending on pure passion and confidence in a field. They grew up in workplace environments that they didn't get to choose and where they were likely expected to do basic jobs to support without needing to be dedicated in a way that they caused them to feel married to the occupation and kept them from living their own personal lives. They don't necessarily think of a workplace as an environment where they need a professional version of their self to be "turned on." It's quite the opposite from their mentors and romantic counterparts Jane, Judy, and Tae.

Ryan's personal life, in the form of his best friend, waltzed into his work environment, which caused Jane's personal feelings--those things he tries so hard to bury deep down and keep out of sight of his coworkers--to emerge outside of his full awareness as he shouted orders directly to Ryan to the point that the clients noticed.

Whereas Ryan and Jane had thoughts of their professional life enter into their personal life, Ba Mhee had her professional world phsyically crash in on her personal life, as Judy met her unannounced at her family's restaurant. While I naively expected Judy to have breached that line to apologize to Ba Mhee for taking advantage of her mentor position, the show had different plans. I'm so intrigued to see how this dynamic plays out, and this moment in the episode was what led me to believe the show CANNOT resolve this tension adequately for all of its audiences because of the other two tensions the show is exploring, which have dramatic impacts on how we interpret an appropriate resolution of this first tension.

Maturity vs. Immaturity

I'm chose the language of 'maturity' specifically to point to the multiple questions the shows asked about these romances so far. We've gotten references to age between the two (Ba Mhee notes the significance of the age gap between her and Judy, Jane has not answered Ryan's question about his age). We see the differences in status and direct supervision roles at the office, which also comes with differences in knowledge about the field.

However, we also get to see the levels of maturity with which these characters deal with their problems and mistakes. Two trajectories have occurred in the show so far within this category. Ryan and Ba Mhee have grown in their abilities to take on responsibility, and I expect we will see how some of the aspects with which they entered into the office, while seemingly 'immature' are actually more mature and necessary to create a healthy and functional office environment. On the other hand, we have the peak ideal of professionalism Jane and Judy demonstrated at the beginning of the series. We can all admit that it was hot af to see people just getting the job done. The last two episodes are deconstructing the myth of these figures to give us more human characters with their own flaws and blind-spots. @dropthedemiurge has a great mini write-up about the contrast between the mature way the interns deal with their problems in this episode compared to the immature responses of the mentors.

I love that episode 8 is called "New Shoes" because we finally got to shift to Jane's perspective (and Tae viewed things from Ba Mhee's perspective). Everyone is becoming more understandable to one another in an equalizing fashion. Where does that equalization land us in the romance questions, though? How you feel about appropriate age gaps and office romance is, to some extent, going to be quite cultural. (Looking up Thai laws, it looks like a few things we've seen in the series, specifically with Judy if considered unwanted by Ba Mhee, would have crossed the line into sexual harassment).

Whatever your perspective, The Trainee has infused the series with the serious issues of sexual behavior in the workplace, from Ba Mhee and Pie's sexual harassment by a crew member, to Jane's less obvious sexual harassment by the company's client, Joy, to the client choosing to work with the company because of Judy and Ba Mhee's looks. To address and satisfactorily resolve these trends of sexual harassment fully would take quite a feat, and even then, in the way it will inevitably run up against the two romances at the heart of the show, its conclusion will have to wrestle with the final tension, which is...

Fantasy vs. Reality

The film industry is a dream factory, and this show absolutely ADORES contrasting dreams and reality. Look at Ryan and then Jane's confused daydreaming of each other throughout the morning. Look at how Ryan and Jane must stand-in for lovers for a lighting check. Look at how the stage lighting runs through the vents as they have their conversation about the shoes. We are constantly reminded throughout the show that the show itself is being constructed for our entertainment within a film industry itself. We love a meta romance!

Romance in life and in film lives in an in-between space between fantasy and reality. You have to give yourself over to romantic moments and believe in love and connection and magic, but you also have to work at relationships and compassion and paying the bills, etc. Actors and creators in romance have to make the audience believe in the reality of the love and affection on screen, and there's plenty of documentation of more than a few pairings occurring through the creation of romance works, with just as many people hating the people they're creating the appearance of romance with. The BL/QL world goes double for this confusion of fantasy and reality with the fan service of lead branded pairings and such.

Most important to The Trainee, though, is the history of the Boss-Employee trope in BLs. Its got its critics and its lovers, with great reasons on both sides if you ask me, and that's the biggest reason I can't imagine The Trainee pleasing everyone. It loves the tension between reality and fantasy, maturity and immaturity, and the personal and the workplace too much! It can't fully land on one side, and that's going to upset people on both sides. But I personally will relish it, however they choose to conclude, because few shows are taking on these kind of tensions with such dexterity and attention to detail.