#but i do like this idea a lot. seems fitting

[cinnaminhon]

behind the seams | lee minho

idol!leeknow x stylist!reader

➵ summary: as a stylist for stray kids, with your main client as lee minho, you can’t resist dressing him in outfits that fuel your secret crush—tight fits, low necklines, the works. but leeknow knows more than he lets on. suspiciously flirty since the past few concerts, he is constantly teasing you with sly comments and lingering stares. it’s not until you put him in a dangerous outfit does he call you out on it, and boy you did not regret the aftermath at all

genre: smut!! mdni!!

warnings: profanity, explicit sexual content, unprotected sex, dirty talk, graphical descriptions of sex, leeknow and y/n go at it backstage, implied also at their dorm, also the dance practice room, eh they’re both whipped. mentions of voyeurism, mentions public sex, discussion of kinks and sexual fantasies but nothing is specified, a LOT of bickering and a hell lot of sexual tension.

wc: 6k

a/n: this is VERY self indulgent. it’s finals week and i came across this one compilation reel of angry leeknow vs his outfits and i had this idea ffsfsfssfs i couldn’t get it out of my head and HAD to write it. enjoy ;) also, UNEDITED

one

you loved your job. you really did! absolutely adored it with every inch of you. being a stylist for one of the biggest idol groups had always been a dream out of reach, so when you were finally extended that offer, you gladly left your previous one to work for stray kids instead.

you loved fashion and all things related to it, even as a kid, you would often dress your dolls up in your own creations and that was enough for your parents to enroll you into design classes. from a very young age, your keen eye for fashion was evident, and your skills only grew with each experience you encountered. after graduating from a prestigious fashion school with your B.A in fashion design, you got the best job opportunities which you loved.

the first few jobs had been tough, no lie, but as your expertise grew, you found yourself designing for luxury brands, and more and more celebrities reached out with personal orders. it wasn’t long before you were transitioning from mere designing to personal styling too, your eye for aesthetics always helping you shine in the field.

immediately becoming a favourite in the area, you had numerous opportunities to work and network with various celebrities, but nothing ever came close to the exhilaration you felt when your company revealed to you the latest offer: be a main stylist for stray kids.

it was like heavens descended on you, god himself knocked on your door and blessed with you with the only thing you’d ever dreamed of. of course styling celebrities was something you loved, but having the chance to style stray kids? it didn’t take you a week to accept the offer and by the next monday, you were at their company, signing the contracts with them.

you weren’t one to give your past up no, you would have stayed in your older position which paid really well and worked with your passion, had it not been for the client in question. approaches from kpop groups were not foreign to you, so when you finally accepted one by stray kids in one go, your boss was really surprised.

“are you sure you want to do this y/n? you’ll still be signed with us should you choose to, but you’ll be expressly under jyp’s terms and conditions. none of my powers will protect you there nor will you enjoy any protection or support form our company. you’ll be completely at their beck and call to do as they please.” she’d said in a concerned manner, letting you know all the pros and cons in a professional yet gentle manner. that and she also wanted to try and retain her top talent.

“i read the contracts, and had my lawyer go through it too. i understand the conditions and i am willing to work with them,” you’d told her, confident and firm in your stance.

this was new, really, and the look on your boss’ face told you just out of character this seemed. no wonder everyone would conspire if there was a deeper meaning, a more suitable reason to as to why you were suddenly accepting this offer after rejecting thousands of kpop groups.your politely dismissed all such rumours, simply citing that you wanted to try something new after 5 years of designing and styling other kinds of celebrities. the kpop scene would be new and you were excited.

so as you sat at the company, your lawyer in attendance. you couldn’t help but bite back the smile threatening to grace your lips. when you finally agreed on all terms and negotiated a few which you could, you picked the pen up and signed on the sheet.

oh really, there was no reason behind you picking this offer at once.

definitely not the prospect of getting to style lee minho up close and personal…. definitely not that.

——

two

you’d been with skz for about 8 months now, and styled them for multiple concerts and a few music videos too. you weren’t sure when your job stopped feeling like a job. it had became a part of your life that you now passionately adored and would never want to change. being a stylist for stray kids wasn’t just about picking outfits—it was about understanding their personalities, their moods, and sometimes the things they didn’t say. somehow, you always understood lee minho the most.

or maybe…just maybe… you liked how good he would look in anything you picked out for him. it was a silly thing really, how much it bothered you that what he was wearing had been decided by you, of all the people, you.

you wouldn’t admit it out loud, but dressing him was your favorite part of the job. every time you chose an outfit for him, it felt personal, like you were creating something just for him. and maybe, in a way, you were.

you spent more time on his outfits than you probably should have. you’d carefully consider every detail—what color would bring out his sharp features, what cut would highlight his broad shoulders, what style would match his quiet confidence. what would highlight those strong, toned thighs, bring out those biceps, his hard chest and his milky neck…. it almost felt illegal to be so invested in your client. it wasn’t just about him looking good for the cameras; it was about knowing that you were the one behind it.

but you were a professional. so every day, you pushed the feelings down and focused on your job—making sure the fabrics and fits were just right, making sure they all looked their best. still, sometimes your fingers lingered a little too long when you adjusted his jacket. and every time he looked at you, you couldn’t help but wonder if he saw more than just the stylist who made sure his clothes fit.

how could you not be absolutely obsessed with that walking god? the way he carried himself had you on your knees, and all he had to do was look at you to have you craving for him. it didn’t help that he liked your designs, even if he didn’t show huge reactions, you could tell it from the way he would take extra care to not ruin the look, stand and sit straighter, keep checking in the mirror to not ruin the style you spent so much time to perfect for him.

and his body oh god, you absolutely loved taking inspiration from the way he moved so gracefully. it wasn’t hard to imagine clothes for him, but you’d be lying if you didn’t admit….you liked putting him in slightly…dangerous clothes at times.

fabrics that would slip, shirts that would be tight at the arms, or necklines that would be deeper than what was defined for them. you couldn’t help it, there was something about seeing an angry minho trying to fix his outfit on stage that had you squirming in your seat.

it started out as a mistake, you ended up giving him longer than usual sleeves and he kept pushing them up his arms, naturally it made the stays go crazy and the fancam went viral. he didn’t say much, just asked you to be careful next time and you nodded. however, once he realised just how much his fans liked seeing him that way, he had other thoughts.

“you seem to know what the fans like” he said, entering the dressing room where the two of you were alone. he had just come back after performing his solo and had to get ready for the next group song. the members all had private changing rooms at their arena tour concerts for ease and privacy during their solo performances, and of course, you were minho’s designated stylist.

“that’s my job isn’t it?” you grinned, noticing that the shirt was doing hat it was supposed to, hanging meekly on his strong frame and exposing his sharp collarbones. you tried not to make it obvious but you were staring. how could you not when he was looking like that in front of you?

“true, in fact, i believe you know a little too much about how to dress me up for the female gaze.” he hummed, taking a towel to wipe the sweat around his neck and walk over towards you.

you looked away from the greek god before you and pretended to fix his jacket. “huh?” you stuttered, ignoring him as he leaned behind you, his chest pressing against your back and you did everything you could in your power to not melt into his hold.

“we both know what im talking about darling” he muttered into your ear as you heard him peek his sticky, sweaty shirt off, throwing it on the table. “come on, you’re so bold with the clothes you pick, what’s wrong now? cat got your tongue?” he teased at your lack of response, taking note of the way your ears turned red and chest raised and fell so quickly.

“i-“ you began, turning around meekly to hand him his next piece for the nest song, ignoring his naked body inches from you.

“it’s okay kitten, i won’t tell.” he mused, a sly smirk on his face as he took the short, brushing his fingers against yours to grab it. “in fact, i’ll let you” he winked, putting the shirt on in seconds and leaving you standing there.

fuck, that man would be the death of you.

——

three

the next time, you dressed him in a pair of pants just tight enough to reveal his thighs, the shape, the tone, the muscle….oh when he stood in that pose before beginning the performance, you swore you felt yourself shiver just looking at him. sure they were a little more tight and firm fitting than what he usually wore but he’d given you permission…right?

you couldn’t count the number of times you’d imagined what it would feel like to rub yourself on his thick thighs, how he would softly grab your waist, kiss your rough and talk you through it sweetly. you could picture him teasing you, smirking at you, making you feel things you didn’t think were possible.

the performance was a huge success, and the boys came back to the room, clapping along with the staff in joy and satisfaction. you greeted them all, celebrating for a while before you headed back to check on what they would have to wear for the rest of the program.

“thinking of other ways to make me appealing to stays are you?” minho chuckled as he entered the dressing room, leaning across the door frame.

it started as harmless teasing—at least, that’s what you told yourself. minho always had a sharp tongue and a smirk that could make your knees weak if you let it, but lately, it felt different. his comments lingered longer and the space between you seemed to shrink even when neither of you moved.

“come here” you said instead, grabbing the jacket he was supposed to put on.

he obliged a little too easily, not before locking the door after him, and you found it strange. no teasing or flirty remarks this time? that was new.

“you like dressing me up, don’t you?” he said, his voice low, almost lazy, as you adjusted the collar of his jacket.

“it’s my job,” you hummed, keeping your tone neutral even as your pulse raced. but you did notice that his eyes followed the movement of your hands.

“doesn’t feel like just a job,” he murmured, tilting his head slightly so his face was closer to yours. your breath hitched, and you quickly stepped back, pretending to fuss over a wrinkle that wasn’t even there.

“stop moving, or the jacket won’t sit right,” you muttered, avoiding his gaze.

but he didn’t stop. instead, he leaned closer, so close you could feel the faint warmth of his breath against your skin. “maybe you like it when i don’t listen,” he said, his voice just above a whisper, and you froze.

your eyes flicked up to his and there was something darker in his gaze, something that made your stomach twist in a way you couldn’t ignore.

“you’re impossible,” you said, trying to sound annoyed.

he just smirked. “and yet, you’re still here.” then he moved away, walking past you to go check himself in the mirror.

your eyes followed his lean body, unable to tear your gaze away.

“you’re staring,” he said once, catching you off guard as you watched him adjust his sleeves in the mirror.

“i’m making sure it fits right,” you lied, your voice a little too defensive.

he turned to face you, his smirk melting into a smile. “is that all it is?”

your throat went dry, and for a moment, you couldn’t find the words.

“minho, i—” you began, worried that you’d made him uncomfortable, scared that you’d taken this game too far and had crossed into the like of being unprofessional-

“relax,” he interrupted, stepping closer until there was barely any space left between you. “i don’t mind if you look.”

he reached out, his fingers brushing yours as he adjusted the measuring tape hanging from your hand.

“im your canvas anyway kitten” he winked before leaving the room once again.

——

four

this was a big award show for the kids, and you had to make sure they looked perfect. so you did what you had to, you picked out the perfect black zip up tee that you’d been saving.

minho had been working out, you could tell with the way his measurements changed and the way his muscles flexed underneath your hands when you dressed him or measured him. this tee would be the perfect fit on his body, it would highlight all the-

you stopped yourself from going too far.

as you put it on him, you couldn’t help but stare. it was a little riskier than usual, but you couldn’t help yourself. the way it clung to his frame in the fitting room was almost too much.

you adjusted the zipper just so, leaving it open just enough to give a hint of skin—teasing, but still tasteful. or at least, that’s what you convinced yourself.

“this works,” you murmured, stepping back to admire the way the outfit pulled together.

minho gave you a once-over in the mirror, his expression unreadable. “a bit much, don’t you think?”

“not if you can pull it off,” you supplied.

“it looks like it’s painted on,” he muttered

“exactly,” you teased, biting the inside of your cheek to keep from smiling too wide. “you’ll thank me when you see the photos later.”

it fit even better than you imagined, clinging to his chest and tapering perfectly at his waist. the zipper glinted under the dressing room lights, catching your eye as he adjusted it just slightly.

“you’ve got that look again,” he said, breaking your thoughts.

“what look?” you asked, playing innocent, though you could feel the heat creeping up your neck.

“like you’re too proud of yourself,” he said, smirking as he turned to the mirror.

you stepped forward, tugging along the zipper to adjust it. “it’s my job to make sure you look good,” you said, your voice quieter now that you were so close.

he watched you through the mirror, his gaze dark and steady. “you sure that’s the only reason?”

you froze for a second before stepping back, clearing your throat. “stop fishing for compliments, minho.”

he chuckled, “so... halfway, or all the way up?”

you tilted your head, considering. “halfway. it’s... more balanced.”

“more balanced,” he echoed, the corner of his mouth curling up. “not because you want everyone to stare?”

your cheeks burned “i’m thinking about the aesthetic, not—whatever you’re implying.”

he leaned against the counter, his arms crossing over his chest. “right. sure. just aesthetic.”

“just get out there,” you said, waving him toward the door and he laughed, “okay okay,” he nodded, “i’ll go and perform well in your outfit miss” he teased one last time before walking out to join the group.

oh he was insufferable.

five

fuck fuck fuck….you watched the performance as the song began, and a dread filled you. in all your teasing with him, you forgot to secure the zipper. fuck, no, what if,,, nah, case 143 choreo wasn’t that hard was it? it won’t slip down. why would it? it’s not like minho has a strong dance break in that song….

you were proven wrong right as the final leg of the performance began. the zipper, which you’d adjusted to sit slightly open for a teasing effect, slid further down as he danced, exposing more of his chest than either of you intended. the crowd went wild, the cameras zeroed in on him, and while the rest of the group laughed it off backstage, minho wasn’t as amused.

you were in the dressing room when he walked in, still flushed from the performance, his jaw tight and eyes sharp. you barely had time to open your mouth before he shut the door behind him with a little too much force. you knew the second he stormed into the dressing room that you were in trouble. he didn’t say anything at first, just shut the door behind him with a force.

“what the hell was that?” his voice was low, controlled, but there was an unmistakable frustration behind it.

“the zipper?” you asked, trying to play it cool even as your pulse quickened.

“yes, the zipper,” he snapped, taking a step closer. his hair was slightly damp from sweat, clinging to his forehead, and the way he looked at you—frustrated, intense—made it hard to think straight.

“it wasn’t supposed to go that far down,” you said quickly, reaching for an excuse. “it must’ve slipped—”

“slipped,” he repeated, his tone heavy with disbelief. his gaze dropped to your hands, and then back up to your face, his lips curving into a dangerous smirk. “you’re telling me this was an accident?”

“of course it was,” you shot back, though your voice wavered slightly under his stare.

“really?” he snapped, his voice rising slightly. “because it sure looked like you wanted every single person in that crowd to see me like that.” he moved closer so that he was inches before you.

your cheeks burned, and you took a step back, only to find yourself against the counter. “i was just doing my job,” you muttered, trying to sound unaffected, but the way he was looking at you—like he was ready to devour you—made it nearly impossible to focus on the unholy thoughts wrecking your brain.

“your job,” he repeated, leaning in until his face was inches from yours. his hands came up to rest on either side of you, trapping you in place. “you’ve been awfully hands-on lately, haven’t you? fixing collars, adjusting sleeves, picking out clothes that fit just right.” his hands came to grab the ends of the measure tape across your body, one that you used and hung around your neck.

you swallowed hard, your heart pounding in your chest. “minho, i—”

"you what?" he taunted, hands tightening around the tape and he pulled it slowly, deliberately till you were closer to him.

“is this part of your job too?” he murmured, his voice low and dangerous. his hand moved to the zipper on his chest, fingers brushing it as he tugged it down another inch, exposing more of his skin.

“minho,” you breathed, barely able to get the word out.

“what?” he challenged, his lips curling into a smirk that was equal parts angry and... something else. “you seemed to enjoy dressing me like this. or maybe you just wanted a better view.”

your cheeks burned, your heart pounding so loudly you were sure he could hear it. “that’s not—”

“don’t lie to me,” he growled, his hand slamming against the counter behind you, caging you in completely. his face was so close now, you could see the tension in his jaw, the way his tongue flicked over his teeth like he was barely holding himself back. “every touch, every look—don’t think i haven’t noticed.”

his words were sharp, cutting, but the way his eyes roamed your face made your knees weak. "minho i wasn't-" you stuttered, trying your best to ignore the way your panties felt more and more damp and uncomfortable to be in. subconsciously, you pressed your thighs together at the glare minho gave you. he was furious enough to make you lose your senses, you couldn't even think properly, much less speak.

this scene before you was straight out of your fantasies.

“you wanted attention?” he asked, his tone mocking. “you’ve got it. so tell me—was this for you, or for them?” he chuckled darkly, placing an arm around your waist, holding you tight as the other one came to pull your chin to face him.

“it wasn’t—” your voice cracked, and you swallowed hard, trying to steady yourself. “it wasn’t like that.”

"then what was it like kitten?" he tilted his head lower, lips brushing against yours and you sighed, melting into his hold. "can you tell me?"

"i-" you began, "i just wanted to dress you in an attractive manner-" you mumbled but he wasn't having it. he wanted to hear it, from your own mouth. hear you say how stupid obsessed you were with him and how it led you to do this.

he needed to hear that you wanted this as much as he did.

“you don’t get to play innocent after that,” he continued, his voice dropping even lower. “i saw the way you looked at me when you zipped this up earlier. you knew exactly what you were doing.”

his thumb brushed your bottom lip, and the slight, almost careless dominance in the gesture left you speechless.

“nothing to say now?” his smirk was sharp, dangerous, as his eyes roamed over your face. “you were so bold earlier, picking this out for me. so confident.” he breathed out.

“minho,” you finally managed to whisper, though it came out shaky, barely audible.

“what?” he pressed, his tone mocking yet laced with something darker. “don’t tell me you can’t handle the consequences of your little games.”

his fingers trailed along the edge of the zipper on his chest, tugging it down another inch as he watched your reaction. "i won't do shit to you until you admit it kitten, you're the one dragging this out." he hissed, his hand coming to grip your neck and tilt it back, while his knee pushed between your thighs, rubbing against your wet core. "at least pretend like you're not into this kitten, ive seen you push your thighs together thrice already.'" he scoffed lightly, his touch on your neck sending shivers down your spine. "admit it," he murmured "or i will you here like this, wet, desperate and needy" he hissed in your ear and you broke.

"go on," he teased, the challenge clear in his tone. "say it. i want to hear you admit exactly what’s been running through that pretty little head of yours."

"i...i did it on purpose" you choke out and he hums in approval. “i dressed you up because i liked seeing you in these kinds of outfits”

he lets out a chuckle, his grip loosening as he leans back to get a good look at you. “so my kitten admits it wasn’t for her job, but rather because she found me attractive?” he rose a brow, daring you to disagree.

the sheer confidence, the cocky arrogance had you folding already and you nod, placing your hands on his chest, desperate for his touch.

“there’s my good girl” he smiled, leaning closer. “what do you want me to do then kitten?” he tilted his head, waiting for your approval before he took this far into the other line.

“kiss me minho, please.” you whispered and you had barely completed your sentence before his mouth had descended on yours.

the kiss was hot and heavy, laced with need and desperation. his lips moulded with yours with a strange urgency, as if he’d been dying to have you. his hands clawed at your body, struggling to feel all of you at once.

when you came up for air, he barely let you breathe for two seconds before he was kissing you again, knocking the air out of your lungs.

“mhh-“ you moaned into the kiss, eliciting a grown from the man kissing you.

“fuck kitten, you’re gonna be the death of me” he hissed, pulling away and grabbing your chin to look at the mess he’d made.

your lipstick was smudged, lips swollen, bitten, rightfully so, and covered in a sheen of his spit.

you looked beautiful.

“more- please” you whimper and he obliges, he would be stupid to say no.

“more? what does my kitten want huh? for me to touch her? where?” he played with you, pushing you up on the counter table and standing between your thighs as his hand came to run over your clothed cunt. “here?” he teased, watching you throw your head back and whimper a meek yes.

“aww, haven’t even done much yet” he cooed, pulling your skirt to your waist, eyes locking in on the wet patch on your light pink cotton panties. “fuck, have you been this wet since you dressed me up?” he said, his eyes blown wide with lust.

you gulped, your hands fisted at your sides and nodded softly, and that seemed to make minho lose his mind for he groaned and threw his head back.

“fucking hell” he whispered more to himself, “seeing me in this did that to you?” he chuckled, pulling you closer. “want me to take care of it kitten?”

you could only nod, lost in the situation that you’d wanted for god knows how long.

“not quite yet baby, you’ll have to get wetter for me yeah? show me how bad you want me” he winked, pointing to the zipper and your eyes lit up.

“can i-“ you began

“everything you’ve imagined baby, do it to me” he nodded, pulling you closer by your neck till your lips were against the zip. “use that pretty mouth” he ordered.

your lips wrapped around the zipper, taking care to not touch your teeth because you hated the feeling of metal on them, and pulled it down, all the way down, revealing his naked body before you to admire.

your lip nipped slightly in the process of keeping your teeth away and minho all but pulled you up to suck on the wound, turning it into a kiss that ended with his hands in your panties.

“shit baby, you’re so fucking wet, do you hear yourself?” he moaned, leaving kisses all down your neck while his thumb worked on your clit, two of his fingers curling inside your hot, wet cunt. “taking my fingers so well, i wonder if that cunt can take my cock that well too” he chuckled, earning a deep moan out of you.

“shh baby, don’t forget, we’re still in public” he warned, sticking his fingers inside your mouth to suck on while he pushed yet a third one inside your pussy, fucking you with them both simultaneously.

oh how you loved him being ambidextrous.

“shit” he grunted when you began to shudder around his fingers, and he pulled them out before you could cum, putting them inside his mouth at once to suck them clean.

“mhm, sweetest taste baby, was so fucking worth the wait” he groaned, kissing you and making you taste yourself.

“im going to fuck you now okay baby?” he rose a brow, laying you back on the table.

“please, please minho, i, i cant-“ you began, and he paused, eyes widening as he cupped your cheeks.

“hey hey, you want to stop? did i hurt you?” he asked, tender worry in his eyes and guilt.

your heart warmed and you shook your head. “no no, im fine, it’s just that…could you keep the shirt on while you fuck me?” you asked, tracing your hand down the shirt and leaning ahead to kiss it.

“aw baby fuck, you can’t just- you can’t do that and expect me to stay still” he hissed, hands coming into your hair once you gave him the green light again.

he let you play with him, kissing his chest, biting, licking, all you want while he played with your hair and mumbled how good you were being for him and how amazing you were making him feel.

“is my kitty satisfied?” he asked, pulling you back by your hair and making you look up at him.

“not yet” you pout, and he swears he loses it. how could you be so fucking hot and cute at the same time?

“what else baby?”

“cock.” you pout, a little huff leaving your lips and he swears he lost his mind. “want your cock min, want to suck your cock” you plead.

the shaky breath he takes tells you everything you need to know about how you were on the edge of his self control at that point.

“baby…” he breathes out, “as badly as i want that pretty mouth around my cock, i want to fuck that cunt before i have to be up on the stage again” he mumbles darkly, his hands on your waist as he lays you back. “is that okay with you? i promise kitten, i’ll let you do whatever you want once the program ends yeah? but i’ve only got a little time left and i can’t leave you needy here yeah? i can’t go out there’s without fucking that pussy with my cock after seeing it take my fingers so well baby i’ll lose my mind on stage” he grunts as you nod, letting him know you were okay with him going a little rough and faster than before.

“i don’t, i don’t have a condom though.” he said with a sudden realisation, pulling back to cup your cheek. “how about i just eat you out instead?” he offered, but you shook your head.

“im on birth control,” you said at once, “im clean, i know you are too,” you whisper, “staff privileges” you add with a sly wink and he chuckles.

“i really have quite the obsessed girl here don’t i?” he mumbles a little darkly as he kisses you this time.

“gonna take it yeah? gonna take my cock” he hissed as he unbuckled his pants, leaning down and licking a long stripe over your pussy. “sorry, couldn’t resist” he chuckled before grabbing his cock and placing its tips against your clit, pressing on it and making you whine.

“baby, quiet” he warned sternly as he slowly pushed in, letting his jaw fall open at the pleasure.

your hands came to grab at this shirt on his body, feeling your back arch from the sheer size and girth he carried. “you’re-you’re big” you choke out but you knew that. hey, you fitted his pants too didn’t you?

“but you know that already don’t you kitten? you’re not exactly subtle when measuring me” he cooed, teasing you as he bottomed out all the way, staying there to let you adjust. “fuck baby, you’re taking me so well, so fucking well, just relax a bit more yeah? you’re so wet and so fucking tight i don’t- i don’t want to hold back-“ he grunted, kissing you hard.

“you- you can move” you nod as soon as you feel him get all the way in, he’d worked you up well before and you felt your cunt suck him in.

“ah fuck” he hissed as he pulled out only to push back in, the loud squelch making you both groan. the sounds of his hips slapping against the yours, the creaking of the table, the squelch of your wetness coating him drove you crazy and you couldn’t help but feel your orgasm form earlier struggling to come back.

“min im close-“ you whine.

“already? baby we just started.” he chuckled, grabbing your thighs and pushing your knees to your chest, the angle pushing him deeper and you both moaned at the same time. his fingers came to rub at your clit in tight circles, making your whined get squeakier and your orgasm built up like crazy.

“go on, cum for me yeah? show me how good im making you feel” he cooed, and it didn’t take long for you to feel your orgasm hit you like a truck.

your body shook in waves, your eyes wet from slight tears due to how good it felt and how much pleasure minho was giving you all at once. “fucking goddess” he grunted, staring at you mystified as he kept fucking you through your orgasm, “gonna let me keep going? gonna let me keep fucking this cunt?” he hissed.

“yes, please, need more minho, need you, all of you please” you plead, looking up at him as he went harder, his rhythm losing pace as his own orgasm neared.

“you close min? you’re going to cum for me? cum inside my pussy?” you cooed, watching his expressions contort to one of pure pleasure and he nodded vigorously.

“fuck yes, keep talking to me like that’s baby” he grunted, “gonna fill this pussy with my cum”

“do it, please min, what your cum inside me so bad, want to watch you onstage in my handpicked outfit, with your cum dripping out of my pussy” you whine and that’s when minho loses it.

“cum with me, again yeah? once more please” he moans and you couldn’t say no, not when he was fucking you so good and so deep.

it didn’t take long before the two of you came together, your hands clutching the collar of the shirt as you both stayed close.

“fuck” he moans with sensitivity, slowly pulling out of you and cupping your cheek. “you did so well, so so good for me baby” he cooed, laying soft kisses on your tried face as you tried to catch your breath.

“so did you-“ you gasp, chuckling softly. “did you just tire yourself out before you last stage?” you point out and he just playfully rolled his eyes.

“oh please, my stamina is endless baby. you only saw a quarter of it because i fucked you right after performing three songs in a row. wait till we get back to the dorm and i have you to myself all night” he winked and your brows shot up.

“you want to do this again?” you ask with a slightly hopeful tone and he simply smiled, grabbing a few tissues to clean you up while you laid there.

“of course y/n, i know the order isn’t the best but will you let me take you out to dinner? and then can i be your boyfriend?” he chuckled at the play with words, ironically the lyrics of his own song when that zipper slipped down.

“i could never say no min” you smiled, pulling him into a kiss one last time before you’d both have to get cleaned up and dress him up again.

——

a/n- i hope i wrote it well and you enjoyed it💗

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red- unable to tag

[nebula-nonhuman]

(preface: cluster B-wise, I have diagnosed BPD and from conversations with therapists and my therapy group and people with NPD, it seems that I have a fair share of NPD traits. Which isn't uncommon. My friend has NPD with a lot of BPD traits.)

The question marks because my splitting has been pretty mild for the last year or two and also because I'm unsure if it counts if I can double book keep? Like I usually feel like someone is super ideal and can do no wrong ever but I can recall their "bad habits" and flaws just fine if I force myself to, I just can't change the emotions. And I don't think I feel victimised (or like. I assume it doesn't count if you feel like you deserve it aka if you don't actually feel like a victim) per se but I do feel misunderstood a lot of the time but in a good way. My fears usually concern being understood. Also while I do partake in behaviour I do consider potentially self damaging, I know the exact way the criterion is worded in DSM-V and I know that I don't fit it.

Question marks either because I don't understand (define "often") or because it's something I do only in specific situations (I DO like being the center of attention and when I am I expect the attention to be on me and me only, but it has to be a scripted interaction. I hate being noticed in an average encounter. I'm supposed to be in the spotlight when I'm in a debate competition and speaking, when I'm giving a presentation as my final, when I'm playing theatre, when I'm hosting an event. But I hate when people try to make the situation deviate from the script. If I'm the organisator, I am supposed to be noticed as an organisator. I will not take part in a conversation with you and the me who is suited for a conversation is not the me who is suited for the spotlight. If I am forced to become the other I will no longer be capable of being in the spotlight, and the me who takes part in conversations is afraid of conversations anyways. My point is don't go off script and keep your eyes on me and everyone will enjoy whatever the hell the event du jour is.) or something I used to do much more in the past (I DO exaggerate my achievements but these days usually only when the urge to one-up others kicks in or when they don't have a sufficient reaction to my honest statement). And we've been over the "misunderstanding" thing.

??? - what does that mean. Not yes or no because I am stupid and have no idea what exactly is meant by that and what counts.

Also actually had a problem with the stress and anxiety one. As far as I know it only counts if you aren't stressed in normal and abnormal situations. But I tend to get stressed in everyday situations but when push comes to shove I just go "Oh well. I am The Responsible One now (usually because I look around and estimate that I am the best person for the job or that nobody else would be capable of being responsible and putting their panic or stress aside)." and experience no emotions whatsoever. Also I compulsively lie all the time ngl. For literally no reason. I'll just say something and then go "That's literally not true, I have no idea why I said that."

Made for fun, don't use as a tool for self diagnosis. 🎼

[olderthannetfic]

As someone who some times works with disabled people who do handcrafts. It's not actually an accessibility support to make those thousands of sizes, so I really get your issues with it.

Most of those patterns work like shit. Most of the physically disabled people still do their own patterns and adjustments, they just need tools that are better suited their individual needs. A person in a wheelchair or with one arm has to adjust things, but the ones I've worked with, who've been into their crafting hobbies for decades, can do most these things themselves.

People with mental disabilities (lower functioning (IDK if Anglospeakers still use that term tho)) can't get a use out of these hundreds of pattern types because they need a different kinda help when attempting them. (Easier standard patterns with good instructions are way better than advanced patterns ranging from the XXXXXS to XXXXXXXXLs, basically)

All in all, these "inclusive" patterns whatever else falls into it is just another one of those "THINK OF THE DISABLED!!!" when in most cases it's performative and seems to be more of a "Lazy ppl/Hustlers use disabled people to demand/sell something."

--

Godddd.

The latest crochet thing was an issue where the pattern is written in a normal, traditional style. It has a lot of shorthand. It also explicitly says that it isn't for beginners. The free versions are a video or one of those oldschool blogs with bajillions of ads that make it impossible to read.

Now, I can see why this would be a problem, especially if you aren't willing to cough up the $5 for the download.

However, the solution is to either teach a person to read traditional-style patterns with their nice, succinct abbreviations or find them a crafting buddy who can work with them one-on-one on that particular pattern.

Learning to read patterns sometimes isn't easy. That's true for everyone with every type of brain. That's why it's a thing you teach. The moaning about this is like someone going "Some books are harder than See Spot Run and that's bad!"

The wank was a combo of people wanting every pattern written out fully in sentences the way one on etsy from last week would be and of people wanting to participate in some stupid viral tiktok trend and thus "needing" an accessible version of that specific pattern.

(Someone created said accessible version... i.e. they drove traffic away from the blog post with the ads. Good job, genius. Both this person and the pattern designer have ended up with a million haters descending on their heads, of course. Everybody lost.)

--

I'd trust a designer like Skeindeer Knits to have some idea how to design a sleeve that can fit over my upper arm. I would not trust Andrea Mowry and her weird stick arms ideas about biceps circumference. I love her patterns and especially her promo photos, but jesus.

I think there's a poisonous pattern of both ~needing~ to make what everyone else just did (so all patterns have to be all things to all people) and of everybody just picking whatever designer looks most aspirational in their photo shoots.

I'd have way more respect if "I only promote size inclusive patterns" was followed by "Here are designs from designers who found a plus size model or who are plus size themselves" instead of "I checked the size range listed on ravelry." (Who am I kidding? Of course they won't do that. So few big designers bother to get a plus size model that it would mean tons of extra work for the youtuber doing a pattern roundup.)

So it all ends up back at "The sophie scarf looks good on everyone!!!"

It's the holidays.

Everyone is making that overrated dishrag as a gift for their 20 nearest and dearest.

Kill me now.

[ghostieblr]

Definitely Not Adorable Behavior

based on a reel i saw on instagram lol. changed the narrative a bit to fit the characters.

Stiles' eyes track Merlin's, towards the corner of the massive ballroom, where two men are standing with their hands crossed against their chest. Their side-profile are almost identical: crisp, tailored black suits, accentuating their biceps, broad shoulders, and tantalizingly shaped body figures. Even their heights seem to be the same; the only notable difference from this angle is the color of their hair: a dark, deep, raven onyx versus a golden halo.

"They're arguing about something."

"Yes," Merlin sips his drink, the one he's claimed several times into the evening to be a disgusting piece of beverage, and winces. "I don't know why I keep drinking it."

"That's because Arthur brought it for you," Stiles tells him with a knowing smile. "And you won't deny him the pleasure of serving you, no matter how awful the taste might be."

Merlin looks at the gaudy, unneeded, and entirely unnecessary piece of diamond ring that Derek gifted him for this evening. It's almost the same size as his engagement ring, and it sits prettily enough on his left hand's pointer finger. Merlin catches his eye with a gentle smile on his own face.

"Arthur and I share something special," he begins, voice lilting into the foreign accent Stiles hasn't been able to place yet. It sounds like Welsh, but different than the one he knows. Older. "For a long time I thought my devotion to him wouldn't be reciprocated, and it was fine. I was fine with it. But as always, the clotpole had other ideas." Clotpole. What the hell does that even mean? Merlin's chuckle brings him back to what he is saying, "—told him, and so, now Arthur thinks he must make it up to me."

"Or he just loves you very, very much, but has awful taste."

"That, too."

They'd turned towards each other for the conversation, the din of the hall loud enough to keep it private from prying ears, but now they turn. Someone just gasped, and they're both most definitely into drama from the sidelines.

"Oh my god."

"Are they— ARTHUR!"

"DEREK SEBASTIAN HALE!"

Both men freeze. The old lady who gasped turns to look at them, as does the rest of the room, but Stiles isn't paying them any heed, and neither is Merlin. No. Their focus is entirely on their idiots.

Arthur's left hand is fisted at Derek's tie, and his right hand is frozen near his waist, crooked fingers looking for purchase. Weirdly, Stiles likens this action with looking for a sword in its scabbard, tightened securely near hips.

On the flip side, Derek's got his right hand centimeters from Arthur's nose, while his left one must be aiming to intercept Arthur's sword-hand or whatever.

And their faces. Oh Jesus Christ, their faces.

Red with anger. Mouths open in a feral cry of war. And eyes? Stuck on Stiles and Merlin, fear melting their rage.

Both him and Merlin stride towards them, Merlin's glass of questionably purple drink handed to one of the catering staff, and it's as if their movement reminds Arthur and Derek that they're caught. They jump apart, though they do share a look of commiserating grief over being caught.

Bastards. United against spousal anger.

Merlin and him don't say anything in this hall with interested ears and human eyes and multitudes of equipment ready to immortalize this scene; they simply take their respective husband's hands in their own and drag them out towards the parking lot, which happens to be mostly empty. Still, they go in deeper towards a secluded corner.

Once there, Stiles stares their Derek down, hands back at his sides. Merlin does the same.

"So? Care to elaborate what the fuck that was about?" His question is met nervous breathing and another commiserating look. "Oh, so now you're both buddy-buddy, but inside the hall you two were — what, enemies?" He snorts. He can't help it; Derek and him have faced literal monsters, and yet Derek was about to fight a posh, young man for... some reason?

Before either of them can speak, Merlin narrows his eyes. "Wait. Was this a ruse?"

"A ruse? What do you mean, Merlin?"

"Your royal pratness, by that I mean a very elaborate scheme to leave that dull place with questionable drinks and—"

Arthur's face goes from confused to dull. "Did you not like the Favor?"

"Favor?" Merlin question's, and Stiles shoots Derek a look to shush. Why the hell is he finding this so funny?

"That's what the drink was called. And it was purple. It wasn't nice? So I..." Arthur's gaze turns wide. "And you still drank it all! I even brought you a second glass of it, why didn't you tell me you didn't like it?"

Merlin rubs the back of his neck, a sheepish gesture. When no answers seem forthcoming from him, Stiles steps in.

"It was thoughtful, I guess, since I'm gonna assume purple and that name means something to you both?" They nod in assent. "Right. See, thoughtful gifts are nice... but not always. Like, maybe you like it, but Merlin wouldn't. And it's not a bad thing at all, you just need to communicate."

Merlin rolls his eyes. "Says the man who hates the diamond ring gifted to him."

Stiles hisses, "Hey!" at the same time Derek asks, voice small, "Stiles?"

He turns towards his husband, moves closer. "Hey, it's nice. It's a very good gift."

Arthur says, weirdly with glee, "Which you don't like!"

"I love the thought behind it though!"

"But you don't like it," Derek repeats, eyes on Stiles', daring him to lie again.

Stiles cups his face, rubs his thumb against his stubble. "No," he admits. "I don't."

"I think we have gone a bit off-track here," Merlin says, after a while. Stiles turns to see the other couple in a similar position: in an almost-embrace, an intimate moment shared. "Why were you two at each other's throats?"

A third look is shared between Derek and Arthur. Then, Derek says, "It was about what that lady asked us."

"Yeah."

Merlin and Stiles wait for further elaboration, one which doesn't come. Now they share a look, and take a step to move away from their respective embraces. That, apparently, does the trick, and Arthur continues from his monosyllable answer, neither of the men letting Merlin or Stiles leave their personal space in the process.

"She asked us, 'What's the most expensive thing you've ever eaten?' and we told her. We disagreed at each other's answer, though."

"This was done over a trivial question? Derek. What the hell."

"I wonder how bigger your head can grow, Arthur. Really?"

Derek leans in close to him and tells him, in almost his Alpha voice, "My answer was you."

Stiles blinks. Huh? "Huh?" And then, "Oh my god—"

"And I said you," Arthur adds. "Of course, my Merlin is more expensive than your husband."

"I said this, and I'll say this again: Stiles is literally wearing the most expensive set of clothes right now on this side of the coast, he's wearing two diaomond rings, and that's just today's outfit."

Both Derek and Arthur push him and Merlin behind them, and move closer to each other, gearing up for a fight. Again.

"Unappreciated gifts don't count, and my husband is wearing a neckerchief made of the most pure gold, and that's just one of them!"

Stiles and Merlin look at each other.

"I had no idea this suit was that fucking expensive," he tells the man, who is eyeing up his own neckerchief in betrayal.

"You said this was just the color gold!"

"Merlin, we're leaving. Let's go."

"Yes. They can duke it out between themselves, while we enjoy this evening with people who tell us the truth."

They turn around, and start walking back towards the ballroom. Behind them, the fight never occurs. Instead, pounding footsteps follow them, and really, this evening did not go how Stiles had envisioned it to be.

(Lydia tells them a week later that "Derek Hale and Arthur Emrys begging their partners for forgiveness in the charity gala" is still a solid opening hit for a conversation, and Merlin rolls his eyes before his eyes glow gold and his favorite chips appear in his hand.

Because apparently, they're the Merlin and Arthur: Magic itself, and the Once and Future King.

Stiles' own eyes glow a deep purple, and both him and Lydia now have their favorite drinks in their hands.

Meanwhile, Derek's authority and Arthur's ego clash over something else equally trivial in the kitchen. Hopefully their bickering won't get in the way of dinner.

If it does... oh well. A Spark and The Sorcerer can cook something, can't they?

And no, both him and Merlin have decided that in no way, shape, or form, are they telling their husbands that the fact that their arguments occur mostly over being the 'better husband' is adorable. Nope, never, ever.)

[callahanisms]

apt.

unfortunately i don't really drink so i don't know any drinking games. so this fic is based on the song's ✨vibes✨

not beta read. first draft is my final draft mentality. uhhh based on promos and nothing else so if this becomes outdated next week i'm so sorry

pairing: ash x gender neutral! reader

word count: 2.1k words

accompanying bot: 🍻

You weren’t a heavy drinker. Not like you could be one anyways, considering you were deemed the designated sober friend for tonight. Not that you minded. You were more than cautious about drinking at a frat house. It was Essex’s only Asian frat and you had been invited by your friend Myung-Jun, or “MJ” as some of your friends call her. In all honesty, Essex had little diversity—an unshocking reality for 2021’s “Most Liberal College in America” which explains why Greek life was still mostly led by the historically white fraternities. The doors to the party were open to everyone because everyone at Essex liked to party.

Except your friends, for some reason.

You wanted to go with other people you know, outside of darling Myung-Jun. She was sweet and super into this guy at the frat and you didn’t want to end up third wheeling. But all your friends had other plans.

“There’s an event tonight at the antiracist research center. And as the events coordinator, I have to go. I organized it. I’ve been working on this for months!” is the excuse your friend Apinya gave you.

“I have homework.” was the excuse you got from three of your other friends.

“I have to stay at the lab to work on this report.” was Whitney’s reasoning.

“There’s an event at the KJ house tonight. Sorry.” Multiple of your friends were going to the KJ House tonight.

So essentially, it was just you and Myung-Jun and her friends, most of which you just met. And first meetings were always a little awkward, even at parties. You’re only nursing some Sprite in the red solo cup when Myung-Jun walks over, giggling. “(Y/N)! (Y/N)!” She says, her arm around the shoulders of a girl with shaggy dark hair, high cheekbones, and pouty lips wearing a denim jacket. “Oh my god! Are you having fun?”

“Yeah. I’m doing great.”

“You looked so lonely over here, so I thought I’d bring someone to keep you company!” She pats the girl’s shoulders. “(Y/N), this is Ash. She’s Talia’s friend.”

“Talia? Like…Talia Tran the philosophy major who already has an idea for what her capstone is going to be? That Talia Tran?” You ask.

“I mean…that’s one way to put it.” Your heart nearly stops hearing her voice. You can’t describe it exactly without letting someone else hear it. But her voice is warm, smooth and there’s a slight hint of a rasp. She clears her throat. Her cheeks are pink. “But yeah. Talia Tran. She’s cool.”

“You should’ve seen her! We taught her how to play APT. She can really hold her liquor!”

Ash shrugs. “I barely feel anything.”

“(Y/N) on the other hand, is a lightweight.”

“I-I’m not!” You feel your own face heat up with embarrassment. But it was true. A lightweight and depending on the day, you either got sleepy or really giggly. The first option didn’t exactly make drinking outside of your home or a friend’s place safe.

Myung-Jun looks between you two, smirking. “Ash is also single.”

Ash looks over at the slightly shorter girl. “Okay. Outing me as single already.”

Myung-Jun only giggles before walking away, leaving you alone with the attractive girl. She looks nice beneath the blue and purple lights of the fraternity house basement. “She does this a lot. When she’s drunk, she tries to matchmake. Unfortunately it actually seems to work.” You explain. It hasn’t worked so far, mostly because you didn’t want another situationship. Your last one ended pretty badly and left you laying in bed for the remainder of the year. It being winter probably didn’t help.

“How long have you two known each other?” Ash says, raising the volume of her voice so you can hear her over the loud music and people singing and dancing to it.

“Ring Ding Dong.”

Definitely fits the vibes.

Ash glances back, slowly moving towards you. The denim jacket is grazing your knuckles. She looks at you curiously with her eyes. “Since high school. She also ended up moving from the city to the suburbs like me. So we became friends in a school where everyone’s known each other since they were in diapers.” You also raise the volume of your voice as you talk to her.

“And you both went to Essex together? That’s cute.” Ash leans towards you, glancing down at your cup. “What’s your poison?”

“I prefer weed. A good edible. Not much of a drinker.” You take a sip. “It’s Sprite.”

“Honestly smart. I think I took too many shots of soju. I started hating the taste of yogurt.”

“That’s like the worst flavor!” You can’t stop the small laugh that leaves you and your lips from curling into a smile.

“It’s not. It’s very underrated. But honestly, I had enough for tonight.” She takes your cup and presses it to her lips.

If it was a man who did that, you would hate them immediately. But here was Ash, taking your cup and taking a sip of your Sprite. It was weirdly attractive, in a drunken sort of way. Of course, she might be a little tipsy, which would explain the lack of inhibition. Sober people usually don’t take other people’s drinks. “How do you know I didn’t mix it with anything?”

Ash looks at you up and down. “MJ told me you’re the designated sober friend for today.”

“That I am. But some people don’t like being sober friends.” You take the cup from her hand. You can’t help but admire how…relaxed she is. You’d probably be a bit of a mess if you weren’t sober. Some of these parties could be overwhelming. “Some sober friends end up more wasted than the people that brought them out.”

“Okay well…you’re not wrong. That’s happened on more than one occasion.” You finish up the Sprite and set the cup down on a flat surface. It wasn’t your house. They’d clean it up anyways.

“It smells too sweet down here.”

“That’s from all the people vaping inside.”

“Do you want to get some fresh air?”

Your heartbeat picks up a little bit. “Yeah. Sure.” You swallow your saliva, letting Ash take your hand and guide you through the dancing people, up the stairs, and out of the frat house.

Her hand was soft and the silver rings on her fingers were cool to the touch. You want to look at them more closely, feel the intricate designs and study them, ask her about how she got them, how long she’s been collecting jewelry. She was a silver girl it seems.

The air outside tastes better. It’s more crisp and you’re able to breathe without issue and needing to deeply inhale for some semblance of oxygen. But the air bites back against you through your thin clothes. Goosebumps form on your skin and you involuntarily shiver. It was supposed to be warm today. But you could never trust the weather app, could you?

“Now we can talk without yelling at each other.” She says, leaning against the wall of the house besides you.

“And breathe. Finally.” Your hand slides into the pocket of your pants and you could feel the joint inside of its tube. Pre-rolled of course. You didn’t have time to roll while working on your midterm papers. And you’re tempted to light it.

“So what are you studying?”

“Is that the question we’re starting off with?” You turn your head to look at her.

“It’s college. We all start with that question. What’s your name, what are your pronouns, where are you from, what are you majoring in.” Ash puts her hand out.

You roll your eyes. But you tell her anyway. Your name, your pronouns, where you’re from, what you’re majoring in at Essex. She doesn’t interrupt you, she just watches you with curious eyes. You fail to notice how her eyes glance down at your lips while you’re talking, too busy looking at other things because eye contact was uncomfortable. You soon end up going on a small tangent. About what, you don’t exactly remember because you mostly remember the biting chill of the wind.

“Sounds rough. I’m sorry your situationship was an asshole.”

You have to stop talking, looking at her. She’s looking at you with those big eyes of hers. Beneath the porch light, they look dark blue. Had you been talking about your situationship? “Yeah…I just…wish they were better.” You huff, crossing your arms over your chest. Your hands rub your upper arms, trying to get some friction going to warm yourself up.

Ash slowly slides her jacket off. “Here. Take it.”

“What? But aren’t you…” You look at what she’s wearing beneath the jacket. A baggy Depeche Mode shirt and a black compression shirt beneath. “Wouldn’t you also be cold?”

“I’m used to it.” She shrugs. “Come on. Take the jacket. Don’t be stubborn.”

The jacket does look cozy. So you take it, your fingers brushing against her own, and you place the jacket on your shoulders. “It’s a shame. If I was your situationship, I wouldn’t leave you for another average white guy.” She takes a step closer and you can feel her body heat.

“Really?” You raise your eyebrows. “I don’t know. People love average white guys. That’s the whole point of the white boy of the month trend!”

Ash clicks her tongue against the roof of her mouth. “People are…shortsighted, I guess we’ll say.” Her hand cups your face. You blink. Shivers run down your spine. “They don’t realize they have someone awesome in front of them.”

“And…are you…” You lean closer. “Are you saying…you’re not shortsighted?”

“I’m just saying…I appreciate people as they are.”

Your brain can’t process the sudden physical sensation of warmth against your lips. Ash’s lips on yours, her hand holding your face in place so she can set a sensual rhythm. Your stomach churns, your heart feels like it’s going to burst from your rib cage. When you breathe in, you can smell the scent of bergamot and sweet oranges lingering on her clothes. It’s a little overwhelming actually.

The kiss itself is overwhelming.

You pull away, breathing heavy, face hot. You might collapse. Ash looks at you, your lips parted, and there’s a flash of disappointment in her face. “Shit. I’m sorry.” She says immediately, pulling back. You already miss her body heat. “I shouldn’t have assumed—”

“No! No!” You grab her other wrist and pull her back towards you. “I…Sorry. I just…I haven’t kissed someone in a while.” You swallow. “A-And…” Ash looks at you expectantly, but there’s a sad expectation reflecting in her eyes. It’s as if she’s expecting you to reject her.

Who would reject her?

“You’re the first person in a while. And I…I liked it.”

Those sad expectations leave her eyes, replaced with a sparkle that mixed hope and suggestion. “So…do you want ano—”

You kiss her again before she can finish her question. You add more pressure to the kiss and some more passion. Ash melts beneath your touch, pulling you closer with one hand resting on the side of your neck and the other resting at your hip. She enjoys that you taste of Sprite. Her teeth gently bite down on your bottom lip and pull, causing you to gasp. Your back stiffens from the shiver that runs up along it, your hands beginning to slide along Ash’s sides. Your other hand goes to the back of her neck, gently wrapping some of her hair around your finger.

Ash finally pulls away, her breathing heavy, her chest moving up and down. “Do you…want to get out of here?” She asks.

“I…” You think back to your friends. “I shouldn’t—”

“You absolutely should!”

Both you and Ash nearly jump. You both look, seeing Myung-Jun taking a hit from her vape and blowing. “MJ! H-How long have you been out here!” Your voice cracks as you speak, only furthering the embarrassment of getting caught making out with a girl you just met.

“Sorry, sorry. I didn’t want to interrupt.” The Korean girl giggles. “Go have fun (Y/N). Just text me when you get back to our dorm. If you get back.” She raises her eyebrows suggestively.

“I’m…W-What about you? And being your sober friend?”

“(Y/N), I’m smarter than that. We have multiple sober friends. Besides, Kimberly and Bela are here. They can take care of me.”

You furrow your brows, thinking. “Since when…” You shake your head. “Okay. Fine. Text me updates okay?”

“Okay~” Myung-Jun winks at you, taking another hit from her vape and then sauntering back into the frat house.

You lean your head against the wall of the house, groaning a little bit. Ash can’t help but let out a small laugh. “Don’t look so embarrassed.” She says.

“I’m not embarrassed.” You look down at her.

“I think your face says differently.” Ash grabs your hand, intertwining her fingers with yours. And you let her pull you off the wall and take you back to her dorm.

You ended up submitting your paper late. Thank god for having a chill professor.

[greatbridge]

My versions of Relativity Scalene & Euclid :]

(Second drawing is the more recent one)

For my version of Relativity Falls, I really liked the ideas that people put out about scalene and Euclid, so I sort of took that concept and ran with it. Here are some Thoughts I had, if u wanna use em for ur own rf versions then go wild!!! Just tell me that you’re using them because I love to see other people’s interpretations of this au :)

I really liked the idea that someone else had of them sort of being physically “together” in a sense (this, where they are back-to-back(made by @fungalscrungle)). the idea of them being so codependent they actually sort of became “one” was really interesting, but I messed with it a but more and ended up with them both shaped in a way that they can “snap” together like magnets. They are actually two separate entities, but they are joined at the hip in the most literal sense to the point that they are constantly at each other’s side.

They both have little pieces of one another, which I decided were the Euclidean version of wedding rings. Idk it seemed fitting for Bill’s parents to “carry a piece of the other wherever they go” but literal. He’d probably think it’s romantic to have a piece of your partner’s body at all times, and… these are his parents.

Scalene is the one on the left, she’s the “mother”, and Euclid is the one on the right, he’s the “father”. Considering their dimension has 14 billion different genders, I like to think that they decided to emulate the 1950’s “nuclear family” stereotype to seem “friendlier” to humans

Actually their whole vibe really revolves around that stereotype. They really REALLY give off 1950’s nuclear family suburban white couple vibes in the way they talk, like “hey honey! How about we mentally torture this human today?” “I thought you’d never ask, pumpkin!” Because those always seem threatening to me. It’s the sanitization, the perfection, the blank smiles that show just a bit too much teeth. The “perfection” to the point of inhumanity, you know?

And that sort is is the opposite of what gravity falls embodies, isn’t it? Like being ur authentic weird self vs. being a perfect version of you that hides anything different

Euclid is more methodic and calm, meanwhile Scalene is sweet, but it’s a cover for a lot of the same manic instability that bill had, LIKE THE 50’S HOUSEWIFE STEREOTYPE.

Their dynamic can essentially be summed up as “She kills ppl, he hides the bodies.” True love💖

When they possess someone, maybe since there’s two of them doing it at the same time, the person’s brain starts to overheat or get damaged, since there’s not enough space for them.

In relation to Dipper, I absolutely ADORE the idea that @amissamidstthemist had (here). LIKE YES!!!! They WOULD have a sort of “parental bond” with Dipper! That is SO PEAK!

They would like baby him and praise him and Euclid would ruffle his hair and Scalene would call him affectionate names.

Not only do they tap into his loneliness when it comes to that, but they also tap into his paranoia, make him believe everybody else is out to get him. He can only rely on them. “TRUST NO ONE!” (This actually is them just making a trait dipper already has worse, but one day I think i’ll touch on that)

For their backstory, I don’t know if anyone else has thought of this(someone probably has tbh) but for me they probably tried to see the stars for their son and because of that destroyed their dimension and their son with it(ow.)

BECAUSE OF THIS, they actually begin to get attached to Dipper, because he reminds them of their son, and constantly compare him to their son.

They treat Dipper a bit like the Other Mother treated Coraline.

OKAY I THINK THAT’S ALL. UH. ENJOY I GUESS LMAO

[pomrania]

So, ah, it's been a while; but this will be finishing it off, for this year.

THE ANTARCTIC: A Fangame? by @ringedretrospective I am genuinely curious if this IS a fangame OF something; and if so, what, because "penguins fighting against angels in the long day, and other penguins in the long night", sounds RAD AS HELL.

Core Competence by @rathayibacter I always like "pick a beneficial trait, and take the detrimental trait which comes along with it", and that's like the base concept of this whole thing. It'd benefit from some examples -- ideally a wide range of skills and their corresponding restrictions to choose from -- but that's what you get with a 200-word limit (and also "coming up with good examples of stuff" is hard work).

Dagobert et Saint-Eloi by @bossarmadimon It's things like this which make me glad I can read French at a functional level. I highly respect the mindset of "doing it because someone said it was impossible", plus the game itself seems like fun. I'm probably missing a LOT of the context, since my exposure to francophone culture consists of two non-sequential months spent in Quebec in the mid-late 00s.

Destiny: Keep Dusk by @notsomeoneyouknow I already liked this just from the title; I've a weakness for things that are just synonyms of what they're based on. I love the concept of picking a Summons by just getting a random wikipedia article. Everything else feels like it would be hilarious if I knew more about Fate Stay Night.

Earth, Sun and Rain Grow a Plant by @cornishpatsy I just really like the bit about how it works out to okay if there's two much of two different specific things, because it balances out.

Expert Professional Liars by @souridealist I appreciate something that starts with "here's a weird thing to use as a randomizer" and then continues to "what type of thing would most fit with the results pattern given by this".

from nothingness by @kalinary That's something I don't think I've seen before, where everyone gets randomly assigned a trait and THEN only one person gets to keep it, I'm assuming here that it's their "true" trait and not something they were just "acting as" in the moment, going by "best embodied". I always love coming across new shiny concepts.

I'm an English Major, Not a Scientist! by @coopbella This concept amuses me. Like, I always love "everyone is secretly an X pretending to be a Y, and they think everyone else is actually a Y", but "librarians on a submarine" is great.

Interlocked Fates by @thefaewriter I respect the idea of having a bunch of games all together, which are all linked. But more than that, I like all the "again" in the vampire one; you can TASTE the frustration and annoyance with those damn vampires, and I love it. The rest of the stuff seems pretty good too.

AN INTIMATE INTERPLAY OF SWORDSMANSHIP ATOP A SUNLIT PEAK by @seth-a-nahk I really like that dice mechanic here. That's… not much to say, but there's not much TO say; it's not like I write a poem extolling the virtues of baked goods every time I eat a cookie, even a really yummy cookie.

Naive Rules to Argumentative Fantastical Play by @meticulac From the notes about this, it seems really cool; I love the concept. From the text of the game itself, however, that… wasn't so clear. This is another of those games that would really benefit from some more words; this one in particular, I want to read a version of it done WITHOUT a word-count limit, because some ideas simply can't be compressed beyond a certain degree without losing what makes them worthwhile (compare the album art done for vinyl records, vs the album art done for things that will play online and it'll mostly be seen in thumbnail), and I don't know what its "full proper size" would be.

On God's Desk By End Of Days by @krawkpaladin There were a bunch of things posted on the last day of this event with the theme of "oh frick it's nigh the deadline and stuff still needs to get done" (for obvious reasons). This one though actually feels like its own game, prolly due to the setting/concept (which is cool).

Prototypes by @derpravener I do not care about mech stuff; I don't HATE it, I just don't find it intrinsically cool. That being said, I like this, with the different options it has available to choose from.

Quaint Seaside Town Stuck In A Time Loop by @believerindaydreams Gotta say, "changing up who you are and what your role is" WORKS for a "stuck in a time loop" situation, can't believe I'd never seen that before. (One thing I need to point out, though: d66 means "roll a d6 for the ones place, and a d6 for the tens place", and leads to a total of 36 possible results, not 66.)

Secret Agents of the 60s by @wrrdbrrd I can't articulate what exactly I like about this, but I like it.

Sneaky Snack by @blueberrybananasmoothie This is simply DELIGHTFUL, large smile on my face.

TANGERRITORIAL by @certified-llama-chauffeur I'm just impressed that someone managed to figure out a way to make a TANGERINE part of a game. And the whole thing seems pretty functional, which… isn't a given for this event, and ESPECIALLY isn't a given for weird gimmicky stuff.

!(Zombie Apocalypse) ? Proceed As Usual : CYOA by @that-house I fucking hate Choose Your Own Adventure stories, and I have ever since I was a child; it doesn't matter the quality, I just hate the whole genre or medium or whatever it counts as. Still, I have to respect someone who manages to a) write this and b) get it all within the wordcount.

So that's it for the stuff from this event; I've talked about all the ones I found interesting enough to talk about. If I've mentioned one of your games on here or on the previous thread, and you want further feedback on it, feel free to hit me up. If you have a game I didn't talk about here... I can still give you feedback if you wish, I just likely won't have much to say and/or a decent chunk of it would be criticism, but it's your choice.

Continuation from my previous thread (because it got long), of stuff from @200-word-rpgs that I find interesting.

THE CURSE: A Rabbit and Steel Fangame by @ringedretrospective I'm not sure I've even HEARD of "Rabbit and Steel" before, let alone know what it's like. But having "apologize for what you did last night", as the single sentence for the "day" phase, amuses me greatly.

Make Brown by @thee-rat-king I like colour stuff; I also appreciate how "should or shouldn't end up brown" is a 50% thing determined at the start of the game. And that's just SUCH a cool concept, how one player gets their colour combined with that of the other.

Paleolithic Fantasy by @cavetalesz I agree with the writer (whose url is PERFECTLY fitted for this game), we need more stuff set in this… setting. And also more FANTASY stuff in that setting; heck, if we're going from the thing we commonly see in fantasy of "magic has been fading from the world", then the earlier back we go, the more room there is for magic (and also it's not like there's any written documentation to contradict it). As to the game itself, I appreciate how the "stuff you find" table includes entries with relevant stats, and then at the end there's just "the antlered man", no detail given.

Elegy For A Better Yesterday by @notsomeoneyouknow I don't have enough familiarity with John Woo movies to properly appreciate this. But from the design notes, it seems like a lot of thought went into mechanics that properly match the theme.

Mires by @i-exist-for-spleen and manguypersondude I appreciate something that, as they put it, turns "how partial a GM is inevitably going to be" into a feature and not a bug. Also, something that started with a design requirement ("no dice math") and then built from there. And yeah, when you just stumble upon a theme or concept that ties everything neatly together, that is SUCH a good feeling; the spark of inspiration that lights up the tinder you've prepared from your own efforts.

You Know How This Story Ends by @indraklyr I just think it's cool; everyone has things that will happen, then those things get placed in an order, then you play out how the things happen.

You Sunk My Battleship! by @ineffable-gallimaufry Gotta respect something that finds a way to turn BATTLESHIP, of all things, into an RPG.

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[cent-scratchnsniff]

More sketchy employee profile images. Mostly made to be able to replace the picrew I had in the template I made since I can draw. I did end up just putting it as back and white though but the color is just nice to have. I'm STILL trying to tweak the template since it is very finicky and there is an example of what it looks down below if you're interested. It is a lot. It will happen. I am just not the quickest

There are typos and inconsistencies I missed but in general it should be fine...

[kyouka-supremacy]

--

[just-sp-in-inginthevoid]

Takeomi, Self-Esteem and Denial (and more)

@raizelswitch, thank you for waiting!

TL;DR : I want a BD spin-off and I want it from Takeomi’s POV even though he’d be such an unreliable narrator (and like that we could also have a Akashi siblings spin-off, two birds, one stone). Takeomi has a lot of issues and making him raise children and naming him vice captain was a bad idea since it only made things worse. He had developed both an inferiority and superiority complex to cope. And we were robbed of any interaction between him and Inui, the other famous ‘can’t let go of Black Dragon even after x years’ character.

Who wants to read about 17,000 words about Takeomi (I didn’t expect to write this much, what the heck)? Clearly not Tumblr because I spent way too much time having to reorder this post, it mixed it all up everytime ! It also refused to post it for hours

The translations of Wakasa’s and Benkei’s ‘a day in his life’ as well as Takeomi’s failure story come from the Twitter user RanHaruchiyo

I feel like I made a few mistakes so there : English is not my native language, I apologize if some sentences don’t make sense. Sorry for any type of typos as well.

I referred to the past (beside the final timeline) as ‘canon-timeline’ several times because I had no clue how to name it. It’s not the futures, it’s not the original or final timeline, it’s… it’s the past until the final timeline comes in.

When you reach the top – the only way is down. (and up and down…)

Let’s get started with something very quick – Takeomi was created to be the exact opposite of Shinichiro. And when you’re the exact opposite of a character who’s perfectly good, loved by everyone (other characters and fans alike), then the writer uses you to be bad. Not necessarily evil - Takeomi isn’t evil - but ‘not good’.

And Wakui doesn’t shy away from that. I’m keeping the analysis of the kanji of the Akashi and Sano siblings’ names for the end, so I’ll just talk about the ‘shi’ of ‘Akashi’ here, to show what I mean.

司 (Akashi) means ‘administrator, official, a governor whom the emperor chose to carry on the imperial policies in provinces’. It fits Takeomi’s role pretty much, right ? He had a high rank in Black Dragon, but Shinichiro was above and that’s when it starts to be very interesting. 司 upside down gives 后. And it means ‘monarch, king, emperor, queen, empress’ – nice coincidence, isn’t it ?. It’s literally the same kanji upside down. Takeomi is Shinichiro upside down. Is that why he’s the rain bringer while Shinichiro, always being seen in a positive light, would be linked to the sun ? I already thought of Takeomi as a ‘teru teru bozu’ since they’re supposed to bring rain when hung upside down and it’s not stupid to think of Shinichiro, oh so perfect Shinichiro, as a ‘sun bringer’ – after all, like Mikey, he took over Japan, did he not ?

Plus, the sun is their most famous goddess (Amaterasu)’s symbol, Japan’s symbol, and by such the emperor’s symbol.

And when you’re that. When you’re the mirror of such a perfect character, how can you not be made but only of flaws ? You’re made to be bad in everything he is good – and the opposite isn’t guaranteed to be true. What if making you good in things he’s bad in makes you good ? No, no, you’re supposed to be bad. Because he’s good, and you’re his polar opposite. He’s bad in excusable things. You’re bad in barely forgivable things. It’s not important for him to be a horrible fighter, even in a story centered around gang fights. It’s unforgivable for you to not know how to raise your siblings, in a story built on siblings' relationships.

And Shinichiro is great at raising Mikey and Emma, while Takeomi isn’t that much of a fighter. We see him fight a bit when he goes with Brahman to confront South about Draken’s death, but it’s not big important fights, Benkei and Wakasa, and later Senju, are the ones fighting. And Benkei and Wakasa were Black Dragon 1st generation’s main fighting power, as the guard and special attack unit captains.

(Heck, Shinichiro is listed n°1 best in bikes riders, Takeomi is n°3 worst - yet another thing he's either bad or average at. (Wakasa is n°3 best, we dont know where Benkei lies. Mikey is 2nd best, Takemichi and Senju are respectively 1st and 2nd worse))

Shinichiro is good, even when he kills. Takeomi is only ever bad or less-bad. Perhaps Wakui initially planned scenes where he was ‘good’, but they never came to be, so instead we’re stuck with a character who has a potential for a redemption arc and who never got it.

(Look at this ! He became self aware! And finally stopped living in denial !)

(We never see him again after this btw. He never gets to talk to Sanzu.)

If there’s one thing Takeomi is good at, it’s strategy.

He is feared, he is called « God of War », he is named vice-captain…

By other people. By other delinquents. By Shinichiro.

He doesn’t think he’s the reason all of that happens. He isn’t those things, he receives them (use of passive voice). By such, if people don’t give him, then he’s left with nothing. No matter if he is good at something, if people aren’t there to tell him, then he doesn’t think he is. Takeomi thinks of his worth, his validity as a person by how others perceive him - they praise him ? He must be great ! They ignore him ? How pathetic has he become.

When do people say that ? When he’s Black Dragon Vice-Captain. When is he Black Dragon vice-captain ? When Shinichiro is on top. That’s why he panics in chapter 230 when Shinichiro tells him about disbanding the gang. If the gang gets disbanded, what does he have left ? If Shinichiro tells him to stop following him around (chapter 230: “I was always by Shin’s side”) what is he supposed to do ? He is but “an ordinary kid. Whether it be in sports, or studies, [...] just average. [...] a normal child, not special at all” (same chapter) whose childhood friend “had a mysterious charm that attracted people around him. Even with that charm, Shin never resorted to violence.[...]he was just very earnest and kind” (same chapter). Without Black Dragon he’s nothing. Without Shinichiro he’s nothing. Because he never learnt to let go of Shinichiro‘s hand, nor did he wish to. But Shinichiro just.. let go one day. We know how Shinichiro is. If he was aware of how much he is needed by Takeomi, he would have done things differently. And while he shouldn’t be responsible for Takeomi’s well-being, he is the reason whether Takeomi’s self-esteem is stable (or a bit too much over the top) or not. Takeomi made him responsible for it, and Shinichiro surely would’ve helped if he figured it out, (because Takeomi is a stranger to himself and wouldn’t have ever asked for help (he doesn’t know he needs help after all)), but Shinichiro didn’t. The same way Mikey didn’t notice why Baji acted the way he did during Valhalla arc until it was too late. It’s not because they’re childhood friends that they read each other like an open book.

Shinichiro, while he never intended to and we can’t blame him for this either, is the reason Takeomi turned out like he did. Takeomi followed him everywhere, he wouldn’t have entered delinquency if Shinichiro didn’t. Takeomi tried so hard to climb to Shinichiro’s level and kept comparing himself to him and it got worse when he was appointed the role of vice-president. His ego skyrocketed. And even if Shinichiro had noticed it, would he have figured out how to change that ? For sure, if he knew how to help he’d have helped – then again, would Takeomi accept this help ? He’s a professional when it comes to denial, he pushes everyone away. And denial is what he does best. From denying he would be nothing without the other Black Dragon founding members and hiding behind his God of War persona, to denying his involvement in Senju and Sanzu’s life. Even if Shinichiro, Wakasa and Benkei did try to help, you can’t help someone who doesn’t want to be helped, who refuses to believe there’s something wrong, and by doing so who refuses to talk about it. It’s all made to protect himself from the truth. Because the truth will hurt him, facing it will make him realize he’s not special and that will shatter his self-esteem. It will make him feel painful emotions he can’t deal with. So he runs away from it, and thus, dives deeper into misery. If you refuse to see the problem, then it will grow, and Takeomi’s problems, his mistakes, grow a lot. The world changes but he doesn’t, he keeps the same behaviors, and soon they turn against him. His fame turns into debts. Debts he can’t pay anymore, but he refuses to admit it. Because he would have been able to pay, if Black Dragon had remained. Takeomi likes to live in luxury (his dream is to be a multimillionaire), so he’d keep on denying the fact he can’t afford it anymore just to carry on living this way.

Maybe the reason him and Wakasa & Benkei aren’t close isn’t that they see him as ‘Shinichiro’s childhood friend we’re obligated to endure/tolerate even though he’s insufferable’ (when the BD founding members interact, Wakasa and Benkei always tease, laugh at Shinichiro, chapter 230, Benkei “Look at all your battle scars !” Shinichiro, “Quit it !” Wakasa, “A loser in both fights and love !” Shinichiro “Hey man, that's none of your business”; chapter 269: Benkei “You sure are dumb, Shinichiro !” Wakasa, “Haha. Well, that's shin-chan for ya.”) they’re never shown as friendly toward Takeomi) but more that, even if they did try, Takeomi, unconsciously, never let them know who he really was underneath it all. To be fair, Takeomi lied to himself so strongly he wasn’t aware he wasn’t this façade he had created. I’m not sure if Wakasa and Benkei succeeded in seeing through his lies, Takeomi himself surely didn’t. Shinichiro was left but whether it be the original timeline or not, he didn’t succeed to help Takeomi. Takeomi compares himself to others (him being an ordinary kid vs Shinichiro not being one), is sensitive to criticism and compliments alike (while he didn’t seem hurt when Kakucho uno-reversed him by asking him if he had forgotten about Shinichiro after Takeomi had asked him if he had forgotten about Izana, he did react, unlike Kakucho who remained unfazed; “Drunk in the praises of my name, I became arrogant”), seeks attention and validation, makes things about himself (“[...]He talks about the Brahman Senju created as if he created it. [...] I remember he used to brag about Shinichiro's achievements as if he himself had done them[...]”, Benkei’s ‘a day in his life’) and has troubles admitting his faults (even if he eventually apologizes in chapter 230 to Senju, he is fighting back tears while doing so). Those are all things inferiority and superiority complexes share (beside the low self-esteem). And while there are signs we can’t be 100% sure he has, reading about Takeomi echoes to those two complexes. First, inferiority complex. Feeling insecure, incomplete or unworthy → “not special at all”; “I was broke and powerless“; ”at the lowest of low. But they accepted me as I was”. Withdrawal → “I got news of Shin's death. But I was too busy in struggling for money.”, that ‘too busy with money’ (in good (“treated as a VIP [...] never got short on money” and in bad “my debts piling up”) seems like the perfect excuse to avoid your friends and family. All or nothing thinking, things are either good or bad → he’s either at the top of Japan and everything is doing great or he’s not and nothing’s working in his life. Insecurity in relationships → Benkei and Wakasa are his disliked/feared people because "they look down on me" (3rd guide book) (there is no proof of that but I’ll dig into that later). Feeling good when doing better than others → only felt at ease when he was the God of War. Finding fault in others, demeaning others as a way to transfer their feelings → will go back to it way later, but his relationship with Sanzu is basically that. Shutting down because of shame, guilt, embarrassment or an inward sense of defeat → once again, what he did after he started to be indebted.

For superiority complex there’s : hiding feelings of mediocrity and underlying or persistent low self-esteem or feelings of inferiority → hiding his “powerless”, “ordinary” and all behind his mask of second in command of Black Dragon and Brahman. High valuation of self-worth, a self-image of supremacy or authority, overarching belief that they are better than others → “the first generation Black Dragon once ruled the nation - with me as the vice captain. I was feared, since my decisions determined how any conflict would end. I was called the « God of War »” . Feelings of entitlements and boastful claims that aren’t backed up by reality → he brags about Senju and Shinichiro’s achievements, they aren’t his own (even though he must have some). Which goes with: need to be in control → he’s the one who’s in charge of making Brahman gain money (and he’s the one who decided of it, Senju is against his ways), Brahman listens to him when he says they’re attacking Rokuhara Tendai and not to Senju who tell them to stop, and is convinced Senju is only where she is thanks to him, Wakasa and Benkei being around and dealing with everything (chapter 229, Takeomi: “Senju got herself included in the ‘three deities’ only through first gen Black Dragon’s support. Senju can't take this fight alone !”).

There are also signs which I can’t find quotes or panels to say Takeomi has them but, knowing the character, it wouldn’t be surprising. These include : feelings of hostility, frustration, nervousness, or aggression (he does express those but given the context it's justifiable; he's impulsively decide to go against Rokuhara Tendai even though Senju tells him no because they aren't ready, Benkei says "It's no use, Takeomi has lost his cool". There's also his nicotine addiction which does not help). Highly competitive, perfectionist paired with an avoidance for any kind of competition where efforts might be compared with others’ ; don’t do something if there are risks one would fail (he dislikes efforts (3rd guide book), so that may mean he only does things when he’s sure of his own capacities and refuse to leave his comfort zone, he doesn’t participate/try if he’s not sure of succeeding). And : unwillingness to listen to others (if BD founding members tried to take his head out of the sand, it failed). Overcompensation to specific elements of life (perhaps linked to his childhood but we have no information about it). Mood swings, often made worse by contradiction from another person (→ him seemingly aloof, becoming mad very quickly at Sanzu when he or Senju do something wrong ? His whole reaction to Draken’s death; “I'm gonna destroy Rokuhara Tandai right now.[...] Assemble everyone in Brahman for an emergency meeting !!”, followed by South’s comment in chapter 225: “It's so rare to see Akashi getting all rowdy like this.” and Senju’s trying to calm him down (only making it worse). Takeomi’s interaction with Kakucho about Izana and Shinichiro in chapter 212 too maybe). Gets offended if there’s no positive feedback.

I will like to add that no official list of signs exist or if it does, I didn’t find it. But knowing how both of these complexes work, it was interesting to talk about it, in my opinion.

(By the way, Takeomi was listed number 1 worst at ‘who is needy when dating ?’ (whereas Sanzu and Wakasa were 1st and 2nd best). Except that in Takeomi’s case the reason he’s not needy is because he's straight-up avoidant which isn't better. As opposed to Senju and Draken (2nd and 3rd worst) who seem non-needy in a healthy way.)

Takeomi wants to stand at the top, Shinichiro knows how to go up there, so he just has to tag along, easy-peasy. But like for a jungle gym, you have to get down one day. Did Shinichiro want to become Japan's number 1 ? I’m not that sure. It may have been a goal, but not the main one. What he liked most was the journey, not the destination, if it was then he wouldn’t have disbanded Black Dragon. But Takeomi wants to go on top of the jungle gym. Takeomi wants to be Japan number 1. Forever. Takeomi wants to learn how you get up there and how to stay/keep standing still.

That’s one of the most tragic point with Takeomi in my opinion. He was the brain of Black Dragon, he was the brain of Braham (it may have been an excuse but Senju recruited him for his guidance, his wisdom), and he was, supposedly as Mikey’s advisor, the brain of Bonten. He knows how to get on top of Japan. He knows how to become influential, how to make money (Brahman’s B-1 fighting club), how to recruit people and make them stay, he knows which decision to take to assure victory or defeat.

He’s smart, insanely. And he. doesn’t. see. it. If he did, he could have managed to live without the gang.

For Takeomi, it’s not that he becomes number 1, it’s that there’s a number 1 by his side and he knows how to follow them (his special skill is ‘taking advantage of others’ (3rd guide book)). He is aware he was the lead actor as to why victory or defeat were but – Takeomi isn’t a fighter. Wakasa and Benkei are. Shinichiro sucked at it but he was still insanely strong.

Takeomi doesn’t fight and that’s not his role. He likely knows how to pull out punches and other fight moves but as a ‘God Of War’ he’s mainly a strategist. He takes decisions, Shin agrees or not (and Shin is the one who has the last say), Wakasa and Benkei, and the rest of the gang, apply. (chapter 224, Benkei answering “yes, sir” to one of Takeomi’s command (even though Senju is clearly against it))

However, he’s not the one who brought them together. All of what he has. It’s thanks to Shinichiro. Wouldn’t be number 1 without him. Wouldn’t be friends with Wakasa and Benkei without him. Takeomi lives on what Shinichiro gave him. Him, an average, good-for-nothing kid. And when it’s time to say farewell to all of that – he doesn’t.

Shinichiro has his own shop. Wakasa and Benkei have their own gym.

Takeomi stays as if he was still on top. As if he wasn’t already falling, as if the impact on the ground wouldn’t damage him. As if Shinichiro, who decided climbing the jungle gym wasn’t fun anymore, didn’t stop stabilizing him.

He lives in denial. And it works at the beginning. People still think of them as number 1 so it’s not too hard. But then they realize they aren’t. But Takeomi is an average kid. In everything. He’s only good at what Shinichiro designed him as. And he didn’t think he'd be good at it. He isn’t good at anything else. He can’t do anything else. So it goes on.

The debts pill up.

Shinichiro dies.

And ? And repeat. Without the debts, this time.

Senju, joyous, cheerful, strong-willed Senju, asks him to join her gang. As her second in command. Even though he is “broke and powerless”. “At the lowest of low” (chapter 230). Even though Wakasa and Benkei are right there.

(Shinichiro asked him to be his vice captain. Even though Takeomi was average, good at nothing but following his childhood friend around. Even though Shinichiro had become friends with Wakasa and Benkei who were in this world since way longer.)

And so Brahman is created.

Their prestige comes back. They remember mannerisms days after days, they remember how you do it. Brahmam grows. They have hundreds of members, they make a lot of money with deals and underground fights. Whereas Wakasa and Benkei moved on (or, way more than Takeomi did), Takeomi didn’t and it shows even in their Brahman uniforms. If you look closely, they don’t have the same patterns on their sleeves – Wakasa and Benkei both got flowers, although different from the other’s (same thing for Senju) but Takeomi has a dragon. (Average Brahman members have the same thing they have on the back of their uniforms)

Draken dies. Draken dies. He shouts it – It’s not a childish brawl (chapter 224). I find it hard to believe that during Black Dragon 1st Gen, they never lost anyone, but Draken’s death snaps him back to reality. It isn’t like it was with Shinichiro. There’s no fun. It’s war. Standing at the top isn’t like standing on a jungle gym. Draken is dead and so is Shinichiro. Why isn’t he ? (chapter 225, Takeomi: “Souuuuuuuth !! Why did you kill Draken !? He wasn't even a formal member of Brahman ! If you wanted to kill someone it should've been me !”)

Either Draken dies, or Senju does.

For what else would have Takeomi joined Bonten ? Actually, let me change that question ; where is and what does Senju do in Bad Toman and Manila timelines ?

Because Mikey goes down a dark path in all the timelines so, did she try to stop him ? If yes, is she dead ? The three deities battle might or not have happened (South wouldn’t have the same members if that’s the case – Tenjiku never came to be in Bad Toman and Izana is alive in Manila). And… And if that’s the case or not – why are Wakasa, Benkei and Takeomi nowhere to be seen ?

Wakasa and Benkei work in a way that opposes Takeomi. Not only with how they dealt with Black Dragon disbandment but how they dealt with Senju’s death. No matter how it happened, Takeomi joins Mikey after his sister’s death (Bonten), Wakasa and Benkei join Kanto Manji when Senju doesn’t (nowhere to be seen in Bonten).

Difference being, if Senju dies, Wakasa can’t witness Mikey’s dark impulses and can’t talk to him about it. And even if he witnessed it, if Senju is dead, would Wakasa care ? Wakasa must know there’s nothing against the dark impulses so why join Kanto Manji ? They love Senju, their princess, do they want to keep her safe ? Surely. Why take this option then?

It's never stated. So it's interpretation/theory time.

Wakasa would choose Shinichiro over Mikey. In chapter 270, he says "Honeslty speaking, I'm glad that Manjiro has passed. I was worried that you'd be first to die [...] Right now, you're just rotting away", now, Wakasa from the original timeline and from canon-timeline aren't the same. Original timeline Wakasa had the time to accept Shinichiro had lost his brother (and Mikey could perhaps regain consciousness one day, but the more day passes, the more the chances lower), but he couldn't see his friend rot away. His previously bright and charismatic friend was being devoured by sleep deprivation, helplessness and so much more. Hence, if Mikey dying would free Shinichiro from his suffering (although it would also add to it, he wouldn't have to work himself to the bone to take care of Mikey, and would finally have time to process all of what happened to him) then Wakasa is okay with it. Shinichiro is important to him, more than Mikey could ever be.

Wakasa, is the only person Shinichiro talked to about the original timeline. Out of the two people knowing about it, Wakasa is the one Shinichiro went to to tell him about it (Sanzu is the other and he came to Shinichiro asking about it). We don't know if Shinichiro planned to tell more people, and if yes, Wakasa was on the top of his list. Thus, this means Wakasa had heard Shinichiro telling him he killed a man and then himself. Because Mikey died. So that Mikey won't die. And he probably was murdered because of it later on too, because Shinichiro told him the homeless man's last words – because Shinichiro told him everything with every details.

So, when Wakasa finally sees Mikey again, sees the level of destruction he causes, sees that he kills like it's nothing, like he's enjoying it, this boy his friend killed for to keep alive... Well, Wakasa, dragging Benkei along, joined Kanto Manji to keep Mikey alive — because that's what Shinichiro sacrificed himself for, so, so many times. He can only stay near Mikey and try to not have him killed when they're in a world where being murdered is common. Mikey is strong, but he won't ever survive a bullet shot in the wrong place.

For Takeomi though, when he joins Bonten, his sister is dead. After his best friend. He failed the two people who meant the most to him and who appointed him as their second in command because they trusted him. He let them die. It’s not a child game anymore. South signed his death warrant.

And Takeomi hasn’t seen Mikey or Sanzu in years. (They’re the only ones left, he can’t leave them alone. He can’t stay alone.)

That’s the first theory. Second is, he crashes, he and Mikey end up meeting again, he gives him the role as his advisor. Rinse, repeat. The circle continues ; Bonten is at the top of Japan. Mikey is at the top of Japan – and that, even without Kisaki. 

Even without Kisaki.

Is Takeomi on the same level as Kisaki ? I don’t know. Kisaki is the moon to Mikey’s sun. But what was Takeomi to Shinichiro ? Perhaps his rain. And I'll keep going with the ���perhaps’, because we’re never shown what Takeomi is to Shinichiro, beside a friend. Every meaningful interaction they have is from Takeomi’s POV. In Shinichiro’s chapters, Takeomi is briefly mentioned once when Sanzu gets out of the juvenile center, then when Shinichiro time leaps, he is too focused on Mikey to give (me) us any useful interaction/thought about Takeomi. There’s only one case, “Takeomi…” in chapter 273 but without that ? The start of chapter 269 is shallow. It gives us information on Shinichiro’s relationship with Mikey and Takeomi’s own relationship with his siblings (“I'm like his father figure at this point. Its best from him to learn from his peers” /"What kind of parent would let their kids learn from gang rides ?”) and also a quick information on Black Dragon founding members but that information is basically ‘they’re good friends :)’.

Anyway, Shinichiro nicknamed Takeomi ‘Rain Bringer’. So what does rain symbolize in Japan and does it somewhat fit Takeomi ? Rain is strongly linked to death and rebirth (as water usually is in Japan), to becoming something, someone else. This makes a nice little link with his siblings as Senju’s flowers are sakura (and so is her image color, pink sakura) which also symbolize the cycle of death and rebirth, the fleeting nature of life, how short if is, but also renewal and optimism, and Sanzu got his name from Sanzu no kawa, the three-crossing river, who is a river souls have to cross to get to the afterlife and/or to resurrect.

Takeomi’s other nickname, which wasn’t given by Shinichiro, is God of war. Japan has two gods of war, either Hachiman from shintoism, or Bishamonten from buddhism (since it’s Japan we’re talking about, those two got mixed up a bit but). Hachiman is a god of war and agriculture and was said to determine a samurai’s fate in battle (chapter 230 : “[...] my decisions determined how any conflict would end”). Bishamonten is a god of war and warriors, a punisher of evildoers and the ruler of rain. Bishamonten also carries a chatra (a kind of umbrella that symbolizes kingship, sovereignty).

This, while it gives more tracks to analyze Takeomi, doesn’t answer the question ‘What was Takeomi to Shinichiro’. So, if the story refuses to give us the answer, we have to find some parallels with other characters and see if they fit.

Shinichiro’s...

...Baji

That’s right ! Baji and Takeomi share the same role. For this topic, Sanzu (and Senju) is the anomaly between him, Baji and Mikey.(and although we could say Sanzu is Baji’s parallel, he’s mostly Kakucho’s.)

Let’s start with why Wakui decided to depict them that way.

For Mikey and Baji, it was mostly there to show how long they’ve known each other. Mikey had said they were childhood friends but that doesn’t give us a time indication as to when they met. Then, there is the ‘Baji is behind’ aspect. It isn’t a problem between them, that Baji never wins against Mikey, no matter the years. Baji is just after Mikey and can’t reach the top yet.

For Shinichiro and Takeomi, it’s the same. ‘They’ve known each other for how long?’ ‘Probably since then’. Takeomi is behind Shinichiro who is standing at the top. Takeomi wants to do so too, and Shinichiro helps him to. Takeomi can’t stand here unless Shinichiro holds him still.

Shinichiro doesn’t enjoy being Japan’s number 1 - standing at the top. He became a delinquent to form relationships, to have fun, to deal with his father’s death and his mother’s stay in the hospital. He wasn’t against becoming the strongest but it wasn’t his goal (chapter 142, Shinichiro, in a quick Inui’s flashback: “Is winning really that important ?”). After all, if there’s nobody above you, the only people left are below, and Shinichiro says it, it’s only bullying and that’s meaningless (chapter 230, “Now that there's no one better than us, at this point it's just gonna be bullying the people weaker than us, wouldn't it ?”)

However, the childhood friend dying changes. For Mikey and Baji, the one climbing dies ; for Shinichiro and Takeomi, the one at the top does. How can we interpret this ? We already did for Takeomi – that means the one climbing falls. But for the one already on top ? The person who (tried to) followed him there died on the way. He’s still on top, but now he’s alone. Mikey is never alone, but after Shinichiro, Baji’s death is one of the last indispensable nail on his coffin. A nail aggravating his isolation and loneliness.

Personality wise, Baji and Takeomi are awfully different. Takeomi is awfully different to all characters – he is one of the most flawed and most fans don’t find him any redeeming quality.

Baji does share one of Takeomi’s characteristics, and that’s what (ironically) led to Shinichiro’s death. As Kazutora says in chapter 44 while stealing the bike: “You might complain but you always go along with whatever I'm doing”, Baji follows people. He can do well on his own (Valhalla), but if it wasn’t for his stubbornness in pursuing Mikey around (chapter 39, Mikey: “We lived in the same neighborhood. It’s not like we got along that well. He was always picking fights with me”), they wouldn’t have become childhood friends. They are also younger than their childhood friends (Sanzu and Shinichiro are the oldest).

Baji is Shinichiro in one aspect though: he is the one to have created Toman and to have assigned every founding member their role in the gang. (Baji does it in a flashback of chapter 63, Shinichiro gave Takeomi his position as vice-captain so it won’t surprise me if he gave Wakasa and Benkei their). They both also challenge people stronger than them. (Shinichiro on a daily basis “He'd challenge guys way stronger than him to fights”, Baji with Mikey “He was always picking fights with me. And I handed him his ass every time.”).

If there are parallels between Shinichiro and Baji – are there parallels between Takeomi and Mikey ? The answer is yes. They both don’t know what to do after Shinichiro’s death (and Mikey is even more lost after Baji’s), so much that if you push them in the wrong path, they end up as the number 1 criminal organization of their country (Kisaki for Mikey (Bad toman, Manila) helped to speedrun the process — as we see with Bonten, Mikey’s circle in Bonten (Sanzu “There they are ! The dark impulses ! I've been waiting for this” Haruchiyo) helped too. And the one thing to do to get Takeomi back in his prime is to restore his self-confidence (Bonten, and what he was close to do with Brahman)), they both cope with their emotions the same way as well, ‘I’ll keep all my emotions right here. And then one day, I’ll die’ as one may say. They hide between smiles or blank faces. Little things matter as well, so.. chapter 123, Mikey “I wanna stand out” - they both do (even if Mikey is about 4 in this chapter).

...Kisaki

the fact takeomi is both baji and kisaki is hilarious pls. Those two hated each other so much. Well i wont be surprised if Wakui made it official that Takeomi hates himself

Yeah you read that right. Takeomi is Shinichiro’s Kisaki to the same extent he is Shinichiro’s Baji. Like with Baji, he fills Kisaki’s role while dealing with it differently – they don’t have the same personality so it’s not that surprising.

They’re both the gang’s ‘brain’. Whereas Takeomi was given the position, Kisaki approached Mikey with this exact idea in mind. Kisaki wanted to make Tenjiku Toman (chapter 126, “I'm going to make my own Toman”), and Takeomi was about to transform Brahman into (a much darker) Black Dragon (Chapter 219, Senju: “Brahman’s gotten bigger.. and Takeomi has changed. Now, instead of making brahman ‘stronger’ he thinks that making it ‘bigger’ is more important”  → all the more people to praise him). Both had the same goal too (to become number 1), and end up being criticized for it because of their way to attain it by Mikey (“in order to make Toman bigger I've ignored your underhanded methods until now. But that ends here [...] Your arbitrary decisions will screw up my dream”) and Senju ("I get that not all the jobs we take will be clean. However, thinking about dirtying Brahman for trash like that pisses me off”) when those two asked them are the one who asked them to guide them (chapter 265, Mikey: “there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything. Kisaki… I want you to stay by my side with that part of me. I want you to guide me, Kisaki” (and worse, when Kisaki asked him if he’s sure, even if Kisaki doesn’t guide him the way he wants, Mikey answered “yeah, I don’t care.” But then, it was before Takemichi waltzed in his life); chapter 230, Senju: “I want someone who I can trust ! Someone who can give some guidance to the team ! Will you fill that role, big bro ?”). They had different reasons, for sure, Kisaki wanted Hinata’s love, Takeomi wanted (to keep) that idolizing love other people had for him, but those different reasons have the same roots.

They never grew up from their child-mindset.

Kisaki kept that childish logic of ‘Hinata loves Takemichi. Takemichi wants to be Japan's number 1 delinquent. Hinata loves Japan's number 1 delinquent. If I’m Japan's number 1 delinquent, Hinata will love me.’ (and he wanted Hinata’s love because she was the only one interacting with him and being nice to him, she said “He’s a good kid” when everyone else doesn’t, even back in elementary school where he is described as “creepy”) and Takeomi kept that childhood wish of being important, needed, validated.

Now, they turned out differently because of a very essential point :

Chapter 182, first chapter of Kisaki’s flashback : “When I was in elementary school, they called me a child prodigy.”

Chapter 230, Takeomi’s chapter : “Whether it be in sports, or studies, I was just average. I was but a normal child, not special at all.”

Kisaki was made aware from an early age that he was smart. He is as arrogant as much his intelligence allows him to be (sure, it’s insufferable, but he is as smart as he says). He is well-assured of his capacities and is the one to make his life decisions, he is very independent from Mikey or anyone else. Kisaki has an actual self-esteem. He doesn’t under or overestimate himself. He knows what he does, he knows he is the one doing so. Takeomi is the opposite. He’s too arrogant, doesn’t know in what he is smart, but the others say so, so he must be, he makes his decisions while looking at Shinichiro – he got there thanks to Shinichiro. And Kisaki got there thanks to Takemichi, although in another way. Kisaki also followed Takemichi around. By stalking him, but still. And unlike Takeomi, Kisaki is very conscious of it when he lies, it is but another strategy to manipulate people.

Kisaki is Takeomi if people had noticed and talked about his capacities in his childhood. Takeomi is what Kisaki could’ve been if people never praised him, if he never finished number one at any national mock exam and if he became childhood friends with Takemichi (instead of stalking him).

Both of them corrupted Toman and Brahman (and Black Dragon if Shinichiro hadn’t been Shinichiro). “Brahman is closer to a group of adult gangsters than they are a motorcycle gang. Some nasty rumors follow them, too.” (chapter 215, Inui); “Money is power. How valuable do you think your ‘strength’ is !?” (chapter 229, Takeomi); but are also the reason why they became huge organizations. They are the reasons why Brahman (almost) and Toman fell into criminal organizations (although Toman would’ve anyway).

They also both first got into a gang when they were 13. (Black Dragon was created the 22nd February 1995 – Takeomi was born the 10th march 1981 (the year after Shinichiro’s own birth btw, Shinichiro who is the oldest Black Dragon founding member), so he was about to turn 14 BUT HE WASN'T, and in 2005 Kisaki is 13 since he was born the 20th january 1992 (two years younger than Mikey, one year younger than Takemichi))

...Draken.

Shinichiro and Mikey both have their “This is the breeze of a new era !”(chapter 230)/”I’m gonna seize this world” (chapter 223) speech that only Takeomi/Draken could hear ; and they’re both vice-captain/second in command.

When Black Dragon gets officially disbanded (their final garthering), Wakasa and Benkei shed a tear or two, Shinichiro being the crybaby he is, has a lot of tears running down his face, and Takeomi… too. Takeomi is the only one with his eyes close. He grins his teeth. He can’t accept this reality, can’t look at it. Even if Shinichiro talked about it with him beforehand. And… it’s the same with Draken. Not that Mikey informed him before saying Toman was over (and they didn’t have a second generation to lend the name too, as opposed to Black Dragon), but with how he reacted. On paper, he said he agreed with it (even after his “What ? What’re you goin’ on all of a sudden ?” in chapter 189 which is the same as Takeomi’s “Disband !? But why !? I mean, we just became Japan's number one !” in chapter 230, and Mikey also disbanded Toman after becoming Japan’s number 1), that since it was Mikey’s choice, he had “no objection to the leader's decision” (chapter 189), but in reality, not only do we learn it’s not true when they dug up the time capsule (chapter 198, Draken reading his letter : “I’m at a crossroads in my life right now. Toman disbanded. […] I actually regret it. Toman is everything to me. Im sure everyone in toman felt that way ? I’m worried… I cried”), but he also joins Brahman. There was nothing prior to that revelation pointing at it. In Bonten he has his shop, he says “I’m retired” and “I left everything i had back in Tokyo Manji” to South (chapter 211) in his letter he wrote “So, I'm leaving all of my regrets in here” and that’s what teenager Draken tried to do. But he joined Brahman instead. And we learn why after, when he says in a flashback to Mitsuya (chapter 238) : “Have you grown accustomed to living life without Toman ? Because I can't seem to move on from it. That’s why I think i’m gonna go back to the life of deliquent. I’ll continue following Mikey [...]”. Draken couldn’t leave Toman, his whole life behind. Then why did he in Bonten ? Because Senju died. Not only must it have affected him, but it affected Takeomi, Wakasa and Benkei. And, yes, we can say Senju died in Bonten regardless of the fact it’s never said. Why ? Bonten is a memorial for Izana, its symbol, its members’ tattoo come from Izana’s earrings and the (天) ten of Bonten 梵天 from Tenjiku 天竺, the (梵) bon of Bonten 梵天 comes from Brahman 梵. The executives, advisor, second and third in command, are either former Tenjiku member or Senju’s brother (or both for Sanzu but again, can we really say he was a Tenjiku member when it’s clear he was acting as a spy on Mikey’s unaware behalf..) - and its leader had a deep relationship with those two as well. There’s no need for Senju to have the same role as Izana in Bonten if she’s not dead. So, Senju’s death is the answer as to why Draken utterly left Toman (and Mikey) behind in Bonten timeline (he loves Mikey very much but he can't lose any more loved ones). But Draken’s wish to get back to Mikey until then, his refusal to abandon Toman, was what led him and Takeomi to understand each other. That’s what led to Takeomi recruiting Draken (because he must have been the one to come up with the idea, like he is the one to have thought about recruiting Takemichi). That’s what leads Takeomi to get this angry at his death. Not only is Takeomi is partially responsible for it, Draken is essential to bring back Mikey, and Takeomi is not. And so, “If you wanted to kill someone it should've been me !” (chapter 225). And also why he becomes even more angry when Mikey arrives (“Fuck off, Kanto gang ! You guys abandoned Draken !”). Takeomi takes his role as Senju’s second in command very seriously, she asked him to guide the team and he accepted, he swore to give his all for them (chapter 230). He is the one telling her to keep cool and not being driven by her emotions (chapter 218), which is ironic because he’s the one to act before thinking after Draken’s death whereas Senju tries to calm him down (and fails).

Kanto being “a three-way state of equilibrium between these three teams and has entered the three deities era” (Yamagishi, chapter 208) was not an innocent choice when it is also revealed in chapter 226 by Senju that “Benkei and Waka. Before the first generation of Black Dragon happened, these two divided the Kanto region. Kanto used to be divided into two parts”. South takes the role of Benkei, and Senju, who created Brahman for the only purpose of stopping Mikey the same way Kodo Rengo was formed to stop Ragnarok’s expansion, takes the role of Wakasa. This is also backed up by their fighting style and body type. Mikey takes Shinichiro’s role, but whereas Shinichiro ‘defeated’ Wakasa and Benkei and became their friends and leader which lead to them ruling over the region, Mikey crushed South/Rokuhara Tandai and made Senju disband Brahman, for the same result (Takemichi could’ve taken on Shinichiro’s role but the power of friendship can’t do everything). And Draken is in Takeomi’s role. Not Sanzu. (because Sanzu doesn’t care about Toman while Draken just wants it back.). Furthermore, I like the fact South, in the final timeline, “is a heavyweight champion of foreign martial arts. When he visits Japan, he hangs out at the Gojo gym” because not only does South finally have friends (like Senju, he is friendless in canon-timeline) but because Benkei’s dream is “to produce a MMA champion from Gojo gym”, which while not being exactly the same thing is still close enough for me.

A difference between them worth mentioning is that while Draken is the oldest of Toman founding members, Takeomi is the youngest of Black Dragon founding members.

(+ Inui, Kokonoi:

The other character introduced as refusing the end of Black Dragon is Inui. He's a character who is developed alongside Kokonoi who can't accept Akane's death.

But whereas Takeomi seemingly doesn't do anything by himself to get out of his vicious circle and debts, Inui actively tries to keep Black Dragon alive. He even takes Shinichiro’s shop as his hideout (with Kokonoi), although it has been abandoned. Nobody else came to keep that place alive – it reminds them of a too painful reality. And it could've with Inui too, but Inui has only good memories of this place (chapter 143, Inui: “All those senpai who’d stop by were so dazzling and awesome. [...] I heard so many stories in this bike shop from our senpai. They all had so much fun talking about their old leader [...] Even as an adult, he could still laugh about the dumb stuff he did years ago together with his friends.”). Not to say the others don’t; but Inui is able to see pass the pain of this happiness unable to come back.

Inui is the first out of the three to let it go. He finds Takemichi and realizes that.. maybe he could live without Black Dragon. It takes a bit but Bonten Inui has let it go completely, unlike Kokonoi and Takeomi, both going deeper and deeper into criminality ; both still running away from reality, refusing to look back and see what they loved isn't there anymore.

Inui heals in Bonten. He doesn't in Bad Toman, where he's with Hakkai who became BD 11th leader. He doesn't in Manila, where Izana who was the 8th BD leader and the first leader Inui worked under comes back. Always running after BD shadow. Manila Inui met Takemichi, but Manila Inui wasn't separated from Kokonoi, not for years, not for more than a decade, since Tenjiku merged with Toman. They probably didn't have their 'Akane is dead, I'm Seishu!' talk, and if they did, it clearly didn't change anything.

We don't know how Inuis family life is. We know his parents couldn't pay for his sister's surgery and she ended up dying. We know he had had to witness his best friend lose himself in the prospect to make money. We know somewhen, he met Shinichiro. Spent time with him at his shop. Perhaps to stay away from home ? Home who burnt him? Home who took away his sister ? Meeting Shinichiro did a lot to him accepting his sister's death, surely. A bit of positivity in his life. But nobody was there for him when Shinichiro himself died. When Izana disappeared nobody knew where and the Haitani Brothers left Black Dragon when it became to hard to deal with, leading it to fade away (chapter 105, Kokonoi: “They ended up in a tough spot when the Haitani brothers of Roppongi came to power… So they ditched the gang, and disappeared.”).

Inui learnt about it after getting out of juvie. He went to juvie for Black Dragon. For Izana. This can't be the end of it. So he makes Taiju the 10th leader. He's not loyal to him because he's Taiju, he's loyal to him because it's the Black Dragon leader (chapter 143, Inui: “That good old Black Dragon I used to know was no more. I panicked when Black Dragon died for a while. That’s when I sought help from Shiba Taiju.”). But the Christmas Showdown happens, and Inui witnesses the force of nature that is Takemichi Hanagaki. And he's like Shinichiro was.

He leaves Black Dragon behind when he puts on Toman uniform for the first time. Black Dragon won't ever leave him, but he can let it go and cherish the memories he has. He didn't get to be in Black Dragon when he wanted to (chapter 143, Inui: “I’ve always admired such a team. That’s why I joined Blakc Dragon. But by the time I joined Black Dragon it was the eightth generation. It was shit.”) and that changed him (as being in a gang changed Takeomi) (chapter 143: ”During the eighth and ninth generations.. our gang did extortion, robbed people, sold drugs, all sorts of heinoius stuff. There was no trace left of the gang’s original intentions. And before i knew it, the gang’s evil had an influence on me. I landed myself in juvie.”), but he can maybe experience a similar thing with Takemichi, or maybe it'll be completely different. It's okay, he has turned the page. Now, he has to bring back Kokonoi and make him turn the page as well. Except Inui had a slow and nice 'turn the page', while Kokonoi won't.

Kokonoi needs more time, Kokonoi can't let Akane go just yet, even if Inui yells at him to stop acting as if he was seeing his sister instead of himself. Inui practically slaps him up. He has failed during Tenjiku, but this failure planted a seed in Kokonoi's mind which finally bloomed during the battle with Kanto Manji. It's a more abrupt realization than Inui got, but it doesn't hurt him. Akane tells him to let go, that she's glad he did all of that for her but that he doesn't need to continue – she's dead. Seishu is not. And even if that's meaningless, even if he knows he's, they're, going to lose, he goes help Inui against Wakasa and Benkei.

Takeomi's realization of having done something wrong falls upon him all at once. A part of it. His realization concerning Brahman, about Senju and Sanzu is there ("I've failed Brahman principles"(chapter 230)/"But me going crazy and Haruchiyo going astray[...]"(chapter 241) and it hurt him. Acknowledging his mistakes to himself and to others, to Senju, made him cry.)

But where is his realization about Black Dragon and Shinichiro ?)

But not Shinichiro’s Takemichi.

Takeomi isn’t Shinichiro’s Takemichi because for starters, Takemichi is Shinichiro as it is constantly repeated throughout the story.

Takemichi changed Mikey’s life (if it wasn’t for him, he would’ve kept listening to Kisaki, kept thinking he only needed darkness, he would’ve killed Kazutora (chapter 265)). Takeomi didn’t change much Shinichiro’s. Not the same way Takemichi did at least. Mikey, like Takeomi, needed someone to guide him, to follow around, whether this person was Takemichi or Kisaki depends entirely on the timeline’s events. Shinichiro could guide himself, he didn’t need somebody to show him the way. So what ? Why does it matter? It matters because all the friendships in this story have an impact on the characters it concerns. Whether it be the Twin Dragons, Izana and Kakucho, Inui and Kokonoi, Mikey is changed by Pah (going to jail), Kazutora (Shinichiro’s death), Baji (him siding with Kazutora and his own death), Draken (“Draken is Mikey’s heart. He compensates for what he’s lacking”) (not Mitsuya though. Which is very sad. I want a concrete example of how Mìtsuya impacted Mikey's life!!)… And the Black Dragon are out of this rule. Especially Shinichiro. Takeomi, Wakasa and Benkei all changed because of him (in good for Wakasa & Benkei, in what could’ve been good but ended up bad for Takeomi) but the other way around isn’t shown to be true. Wakasa & Benkei became friends, really good friends since they own a gym together in several timelines, and Takeomi got something to fill his lack of self-esteem which then got taken away from him without him having learnt how to cope with it in the meantime.

And Wakasa & Benkei aren’t supposed to have a gym in canon-timeline. Wakasa is a gang leader in the original timeline – supposedly he only changed vocation because Shinichiro told him about the original timeline and he decided not to go down that path. But then, when did Shinichiro had the time, during his time in the past, to tell Wakasa about his time leap ? He barely stayed one day. So did Wakasa, in the original timeline, came back to the illegal world so he can produce/obtain money and help Shinichiro out ? We don’t know what Benkei does in the original timeline, but I’d find it hard to believe he’s not with Wakasa. As for Takeomi, his situation is most likely the same, he’s in debt (which would explain that brief “Takeomi…” from chapter 272 from Shinichiro before he has to focus on the date, and very much alive Mikey). Or, if we want to look at another option, since Shinichiro got into “shaddy stuffs” (as he says in chapter 270), they could’ve followed and got back into delinquency. If they did it fast enough, Takeomi probably didn't get to the point of having debts. If you add the “Join my gang, Shin. With you we'd be the top gang in the world” of Wakasa (same chapter)  to any of this option, and the lack of negative response from Shinichiro you end up with one terrifying timeline where Shinichiro could have become, actually, a bad guy (or kill himself anyway).

What did all three of them do to make Shinichiro grow, positively or not ? Nothing (concrete that is, his admired/respected people are ‘’the Black Dragon First Generation Members‘’). Shinichiro’s entire personality, and that’s one of the only if not the only character, is centered exclusively around his family, mostly but not only, Mikey. He is changed by his father’s death and his mother’s hospitalization and starts to be a delinquent, he is changed by Mikey’s accident, by Emma running away, by his grandfather dying, by Mikey’s death and is so broken he is ready to believe in time travel, maybe was he also changed by Izana’s reaction when he discovered they weren’t blood-related. Only Wakasa is here in his flashback. No Benkei, only a mention of Takeomi. That’s not right. They’re his friends, why aren’t they here ? Why do we have so little information ?

Shinichiro stays the same until Mikey has his accident. He isn’t shaped by anybody else, not even his childhood friend whom he has known for more than a decade.

Shinichiro didn’t need guidance like Mikey did, but he didn’t need to stagnate either.

– which beg the question : Why did Wakui decide to put the exact same kanji, pronounced the exact same way in both Takeomi (武臣) and Takemichi (武道)’s name ? As a writer, making this decision means something (most of the time), alas, i didn’t find what. (Takemichi like Takeomi has self-esteem problems at the beginning of the story because he got beaten up as an middle school student by Kiyomasa but other than that..)

What I did find was Wakasa, Benkei and Takeomi pages in the third guide book. There’s still not much about Shinichiro (he is listed as all three’s admired/respected person), but there’s a bit more about their relationship with Takeomi. First, the one thing that actually surprised me : Wakasa and Benkei are listed as Takeomi’s disliked/feared people. Then, Wakui was kind to explain since it’s followed by “(They look down on me )”. Now, to see if it’s true or not (if they do think that, or if it’s just Takeomi (who must be such an unreliable narrator)) we have to take a look at Wakasa and Benkei’s own page.

Takeomi is only mentioned once for Wakasa, in his ‘a day in his life’ :

“I had a one-week holiday, so I went on a quick trolling trip to Okinawa. I wanted to enjoy fishing alone, but Takeomi and Benkei came along. The aim was yellowfin tuna. Takeomi got tired of not being able to catch anything after 3 hours on the boat and said he wanted to go home, while Benkei was seasick and exhausted. I knew I shouldn't have brought them along.”

We learnt that Takeomi isn’t that patient (to be fair, fishing isn’t something he likes to do, unlike Wakasa) but not that much is said about how Wakasa really thinks about him and him alone. He is irritated by both of his friends, who ruined his holiday, equally. You can’t say if he looks down on Takeomi or not.

For Benkei, Takeomi is also mentioned once and it’s in his ‘a day in his life’ as well :

“The gym is closed today. Takeomi persistently invited me out for a drink. I usually don't go, but we went to an izakaya together. His drinking is long. At first its fun, but as we get deeper into it, he starts to brag. He talks about the Brahman Senju created as if he created it. He has always been like that. I remember he used to brag about Shinichiro's achievements as if he himself had done them. Shinichiro liked him, including such a bad part of him.”

It gives more than Wakasa’s did. First, Takeomi, although he dislikes/fears them, still tags along with both of them when he can. Second, not that much of a news, Takeomi brags and takes on Senju’s achievements, the same way he took on Shinichiro’s. Third, Shinichiro was aware of it and didn’t stop him ?

While we can say Benkei is probably irritated by it, like for Wakasa we can’t say he looks down on Takeomi.

It pains me that there’s not much interaction between them. You can say Wakasa and Benkei are friends – but do they consider Takeomi a friend ? I don’t think he’s still labeled ‘Shinichiro’s friend’ in their mind, but – especially with Takeomi’s fall – they aren’t close, have they ever been. They don’t have that kind of relationship like Toman’s founding members have for example. Perhaps they did once.

Takeomi’s page, in my opinion at least, is the one that gives the more information on the character it‘s about. He likes Akechi Mitsuhide because he has the same birthday as him (sure why not – Akechi Mitsuhide, to make it very short, a general in the Heian period who attempted to become Shogun, and whose reign as Shogun lasted thirteen days), he dislikes making efforts (makes sense, he makes others’ achievements his own, which also leads to:), his special talent is taking advantages of people, and his dream is to be a multimillionaire (he is also ranked number 1 best to ‘Who has a way with words ?’).

Except confirming what I was already thinking, it still doesn’t offer much (but i’m so glad it has been explecitely written). But his failure story, that’s, well, another story.

And all of that offers a great transition, but let me change the topic first –

Family - the first thing you learn to run away from

(You were probably waiting for it from the start, sorry it took so long for me to talk about it !)

Takeomi’s failure story goes like this :

“I was their father figure. My father was busy because we are a motherless family. I was strict with Haruchiyo because he’s a man. He cut my face with a knife one day and left the house. He’s a hell of a fucking brother. I vowed that one day I would let Senju punish him.”

Sanzu gave him the scar.

Worse, looking at the timeline, Takeomi doesn’t have the scar when Black Dragon is founded (in February 1995 Sanzu would have been 4 so, not that surprising) but he gained it along the way, before Black Dragon disbandment (in late spring, early summer 1999, so Sanzu was either 8 or 9 (Takeomi was 18 – they have a 9 years gap)). That’s… young. What could have pushed Sanzu to do this ? Did Takeomi really do such a poor job raising him, Sanzu decided that attacking him was the only way out or something like that ? Sanzu, who says to Senju, “I wish I knew how to talk back to big bro like how Mikey and Baji do…” (chapter 241), cut his brother’s face with a knife before the age of nine? (he was nine when he said that, so perhaps he did stand up for himself before but then he gradually stopped (or all at once, it depends on how Takeomi reacted to being cut i suppose.)).

This leads to a question : did any outsider of their family know about it ? Sanzu probably wasn’t running around yelling about what he did, but did Takeomi complain (to Shinichiro) or did he keep his mouth shut about how his scar came to be. Both ? Complained about how hard it is to raise Sanzu (who ran away after what he did) while saying his new scar is from a fight he has gotten into ?(of course he didn’t get his scar from a 4-9 years old. Who do you take him for, he wouldn't let anyone, let alone a child, scar him like that.) Since we know Sanzu doesn’t go home when he’s in Toman (chapter 206, Muto : “What's with that look in your eye ? You don't have anywhere you belong ?”), it may not be an unusual thing for him to run away. (Which begs the question: what does his grandmother and father think about it ? Are they even aware of it ?)

Looking again at the timeline, what did Mikey and Takemichi do during the final reset ? They came back in October 1998 (Sanzu 8, Takeomi 17), yet Takeomi has his scar during the wedding. So either Sanzu cut his face before (and be 8 years old at most), or Mikey and Takemichi failed to prevent it.

this baby cut his brother’s face.

Talking about scars… We never got to see how Takeomi reacted when Sanzu got his. Did he blame him (he thought Sanzu was the one who broke the toy plane before Senju confesses she is in chapter 241) ? Did he just not do anything and left (oh sweet guilt) ? Did he decide to stay away from Mikey a bit ? Did he go to the hospital ?

For both Sanzu cutting Takeomi’s face and the toy plane incident, I pity Senju for having to witness it and feel guilty for not doing anything, but also because she knows sometimes she should be punished and not Sanzu. Her and Hakkai should get along well (once he stops freezing everytime girls talk to him).

But above all, I pity all of them for witnessing how the Sano family works. How, even though they also have absent parents, they’re healthy. How Mikey talks back to Shinichiro, how Emma loves her brother without feeling unwanted or lonely, how Shinichiro knows how to raise his siblings even with his family life, his parents' condition. And my heart ached the first time I read chapter 273 and Sanzu called Shinichiro ‘Shin-nii’ – thing Mikey never did. They addressed Takeomi as ‘Take-nii’ in their childhood, but they stopped. (Sanzu calls Shinichiro ‘Shinichiro-kun’ in the original timeline, which makes you wonder why, but I think he did since he was young and stopped because, for one, Shinichiro is too busy with his study and taking care of Mikey, and two, Sanzu went to juvie.) And Sanzu goes directly to Shinichiro after getting his memories back. He shares his confusion with Shinichiro, even if what he says seems unbelievable (even for himself) because he trusts him and knows he can share his worries with him. And Shinichiro answered to this 13 years old needing reassurance by telling him he killed a man.

I’d give a lot to see how the Akashi father is. I’d give a lot to see how Takeomi was raised. Because with Shinichiro it’s easy. Mama Sano and Papa Sano, for the little we’ve seen of them, seemed like good, stable people. They must have raised Shinichiro great until they couldn’t anymore. We don’t know when Mikey’s mother got to the hospital, but his father died when he was 3, so Shinichiro at least spent 13 years of his life with (guidance from) his father. Sure, it would’ve been better if it be longer, but it’s already more than.. Taiju (which, with some calculation, was 8 when his mother died). But we don’t know for the Akashi. We only know that Sanzu and Senju don’t call themselves Akashi. That Senju says “ We’re the mysterious siblings !” which is funny but makes me think about ‘let’s not talk about whatever’s going on in our family/at home’ which is not funny. Think of it, if the Akashi parents were the same as the Sano, they wouldn’t have turned out that way. It’s not fair to compare families or even people but to be fair they’re characters so they’re meant to be compared. And maybe the Sano siblings would have turned out like the Akashi siblings if their dad survived and their mom still died, who knows.

Takeomi didn’t take Senju and Sanzu to gang meetings, or anything gang-related whereas Shinichiro did. There could be two reasons (which can both be true at the same time) : 1, gang stuffs are dangerous, who would bring kids along, seriously, Shinichiro ? (chapter 269, Takeomi “are you stupid ? what kind of parents would let their kids learn from gang rides ?” after Shinichiro said “I'm like his father figure at this point. It's best from him to learn from his peers”) 2, it was the only thing he had that wasn’t family/home, where he could be himself and not have to care about his siblings (and be completely crushed under his responsibilities and doing a poor job because of it--). The fact he didn’t isn’t that important, Sanzu didn’t want to be part of a gang to start with (chapter 277 : “Nah! I don’t wanna be a delinquent!”), he only joined Toman after having his memories from the original timeline back and talking with Shinichiro about it (and Shinichiro dying). But Black Dragon, like for Shinichiro, was Takeomi’s life and by not bringing Sanzu and Senju in it, he didn’t interact with them much, he let them out of his life. Mikey and Emma “followed him [Shinichiro] everywhere” (chapter 109, Mikey), Takeomi needed his me-time, far away from his siblings. He couldn’t, unlike Shinichiro, put on the ‘perfect big brother’ role/façade.

Since he left his house often, Sanzu was left in charge (chapter 241, Takeomi “[...] you have to set a good example for her”; chapter 249, Sanzu (to Senju) “Did you forget who raised you [...]?”). If Takeomi had to take care on their father's role, it’s easy to understand that he delegated his big brother role to Sanzu. This was clearly not a good move, but Takeomi back then didn’t understand how strict he was with Sanzu, nor how unfair it was that he would blamed him for things Senju had done (following the rule of ‘you’re the older, you should have taught her better’) (perhaps Takeomi was so strict with Sanzu because he lashed out all of his self-anger/hatred on him; there's also the fact he may have recognized himself (his childhood self at least) in Sanzu – shitty move, but as a professional of denial, Takeomi might not have even been aware of it). But Takeomi wasn’t meant to be their father figure in the first place, and he could have failed his big brother role as well even if their life had been different, but he shouldn’t have had to endorse the responsibility of raising his siblings, had he been given the choice or not. It’s also somewhat ironic, that Takeomi did take on their father’s role the same way their father did – he left home for work and everything to the oldest child who stayed. Just like Shinichiro took on his father’s role. Not only because Shinichiro spent time with his siblings, which their father seems like he would have done, but also because, like his father, he gifts Mikey a toy, and tragedy soon follows (his father’s death in the car accident, Sanzu’s scars or Mikey’s accident). He was also a crybaby – although his father never cried in public (chapter 263, Mikey: “My father also cried easily ?”, his mom: “I wonder if he ever cried in public? That man was hopeless”). Mikey looked up to him, like he looks up to his father. I honestly think Mikey, who was also a crybaby as a child (chapter 263, Mikey’s mom: “[...] you too… used to be a crybaby when you were younger. All you did was cry and wail.”), started to stop crying (in public and in private alike) after his father’s death. Sure, he was very young when it happened, but children lack life experience not intelligence, sometimes they’re very capable of reading the room, and Mikey, who probably didn’t understand what was happening, knew that weeping wouldn’t help his already crying brother and mother. Mikey saw his father as this very strong, capable man who protected the family and decided to take on that role by being ‘strong’, by not crying and by beating people up (chapter 263, Mikey: “I am not going to cry. That's why, mom, I'm going to protect you, so come back home”; “I met that big guy from east elementary’s third grade. And I beat him up !”, his mom: “You're so strong, Manjiro. Just like your father.”). He has one memory of his father, where he hands him a superhero figurine – and what are fathers if not the superhero of their young children ? 

Sanzu was a better big brother than Takeomi was. Sanzu, like Takeomi in the past, doesn’t want Senju to be in a gang and much less a gang leader (chapter 216, Senju : “Haruchiyo doesn't like the fact I’m the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me.”). “Because of my mistakes, Takeomi got mad at Haruchiyo even so Haruchiyo was always nice to me” (Senju, chapter 241) ; he could have. He could have let out the anger he had on Senju since he couldn’t talk back to Takeomi. He didn’t, because Sanzu was a kind child, but also because seeing how Takeomi favored Senju (in his actions, this does not mean he loved her more) if he had learnt Sanzu got angry at her or even made her cry… Sanzu was already aware of how his brother acted when he got angry.

I refuse to believe “The curse Shinichiro created by killing the time leaper, that is what my ‘dark impulses’ are. It affected everyone around him” (chapter 274) as the reason behind Sanzu and Mikey’s behavior. Simply because, if it did, then why was Wakasa, Benkei, Emma, heck even Sano grandpa, not affected by it ? And why was Kazutora ? The only way I accept it is with ‘it affected Sanzu because he was Shinichiro’s trigger, so they shared the power and by such, Sanzu had to carry a bit of the curse’ (im not going to talk about mikey’s case here but i also came up with a more complex reason as to why he was affected, that is not just ‘he was close to him’). However, we don’t know what the curse does. The homeless man only said ‘’curse you’’ (chapter 271), any explanation from a character who isn’t the homeless man can’t be taken as the perfect truth. Anyway, all of that to say that behind Sanzu (and Mikey’s) actions, there was a bit of genuinity. The curse pushed them to act, but a part of them wanted to act, the curse made them unable to stop (and think of alternative solutions), worse, the curse made them like it. (okay, it’s theory time heck it. the curse feeds on tragedy, the more tragedy, the more it grows, the more it grows, the more hungry it gets, the more it wants tragedy, the more it triggers tragedy. And by feeding on tragedy i mean all the negative feelings that go hand-in-hand with. Sadness, despair, helplessness, rage, regrets, guilt… It clings to someone who already has a tragic life (Mikey, Sanzu, … Kazutora,…) and it worsens it. End of theory time.) ANYWAY. All of that to say that, this ?

Was something Sanzu would (without the curse) regret, but did anyway because he couldn’t stop it (because of the curse) because a part of him wanted to (not necessarily, hit Senju with a pipe, but get a pay-back from what he had had to go through as a child. Who knows what he would have done to Takeomi if Wakui decided to not drop our ‘God of War’ by the road before the last fight of the story). And he says things her ‘always nice to her’ brother wouldn’t have said (especially) to her such as “fighting all flamboyantly like that.. you buzzing disgusts the hell out of me. You disgusting fly !” (chapter 248)

Sanzu knows Senju isn't responsible for Mikey's curse, but he learnt about it when he was 13; not before (i'm not saying that's why he hit her, that’s not my best transition). Who knows, maybe somewhere in his mind he did blame Senju before memories of the original timeline flew back to him and he realized whether the toy had broken or not, Mikey would've turned up like that either way. This also begs the question : what did Sanzu think about the accident, before Shinichiro admitted what really happened on that day, before he got his memories from the original timeline back ? What did he think about staying friends with the one who scarred him for life ? Did he really wholeheartedly agree to stay friends for life with Mikey to Shinichiro?

Speaking of the original timeline, Takeomi is said to be on “non-speaking terms” with Sanzu. But let’s put everything back into context : Sanzu “used a damn katana and slashed all of his friends” (Baji ; chapter 270) (which also doesn't support the 'it's because of the curse' explanation or the "You can't erase the curse! [...] I've been following Mikey as if I was in a trance [...]"(chapter 275) of Sanzu. Because there wasn't a curse in the original timeline to 'explain' Sanzu's behavior), and Baji himself says to Shinichiro “Why do you give a fuck about somebody like him ?”(same chapter). Whether Takeomi blames himself for how Sanzu turned out or not, Sanzu at best hurt his friends, at worst killed them. And in this timeline, Takeomi still has Senju to look after – hence, he can’t let Sanzu interact with her, and he refuses to talk with him after what he did (whereas in Bonten, Senju is dead and Takeomi came back in the game and ends up accepting murder as part of his, their, life) Takeomi is also against Mikey killing (South), as he says “Are you even human!? There’s no reason for you to go that far, y’know?!”(chapter 233) which Mikey kindly answers to by kicking Takeomi in the chin and saying “you're better off dead, too.”(same chapter). Shinichiro, like Sanzu, justifies it ; “He just attacked them because they were talking shit about Manjiro. Isn’t that how Haruchiyo is ?”. Would Shinichiro have justified it in another timeline, though ? If Mikey was okay, if Emma was there, if his grandfather didn’t die… Would he have accepted Sanzu’s actions ? Shinichiro in the original timeline, is in deep, deep denial about his entire life collapsing around him.

One second he’s working at a job he likes and wants to do, the other he is a university student, a nurse and his brother’s main and only caregiver. One second, he lives with what is left of his family, the other his brother is his only family left, and he can’t leave the hospital. Not only did his life go downhill after Mikey’s accident, he must blame himself for it too. Why did Mikey have his accident ? Because he didn’t want to lend the Concorde to Baji and the rest. Who bought the Concorde as a gift for him ? Shinichiro. He guided his brother, the boy he raised, to his death, and the girl he raised is nowhere to be seen (which might have been in part his fault since he was too busy studying for Mikey to pay attention to her), even though he had promised to his father to look after the both of them (chapter 269, “Father [...] I’ll take care of both Manjiro and Emma for you.”). His parents, his grandparents, he had nothing left. But Mikey is still alive. So he keeps on focusing on that, only that. Mikey can’t interact with people, nobody knows if he is aware of his surroundings, but he is alive and that fact alone is the only thing keeping Shinichiro from facing reality, from realizing that at this point, he is his family on his own, it’s the only thing keeping him going. He has to keep Mikey alive, to the price of his health (chapter 270, Baji: “In order to get the qualifications to be a caregiver he had to study while working in the hospital. I’m sure he doesn't even have time to sleep, his life is a total mess”; Wakasa: “I was worried that you'd be the first to die [...] Right now you're just rotting away”), his money, his morals (same chapter, Shinichiro: “I've gotten involved in many shady businesses. So I could help Manjiro in whatever he needed. I've done whatever therapies and even paid a lot for those suspicious religious groups”) anything, anything for Mikey. So of course, Haruchiyo was justified in his actions, no matter what Baji or Takeomi might say (plus, Baji says all kinds of things (“He isn't right in the head.”) but he still tags along and interact with Haruchiyo, he doesn’t fool many people. Then again, does Baji have any friends ? If “there’s nothing great about middle school”, he can’t meet Chifuyu, and who knows if he met any other founding members, if he met Kazutora at least.) because killing for Mikey is exactly what Shinichiro does.

The homeless man tells him to gain the power he killed his predecessor, and for a man who has lost everything, killing isn’t much. Except it doesn’t work. Shinichiro doesn’t go back to the past instantly after killing this man. His last hope is gone. And it wasn’t even one – he helplessly believed in the idea of time leaping because it was the only thing left he could believe in. So he kills himself. There’s nothing left anyway. Wakasa, Benkei, Takeomi, Haruchiyo, Baji ? Not enough. And then it works. He’s back. He saves Mikey. Then when he unexpectedly goes back to his present (2003) and goes look for the homeless man, he doesn’t find him. Probably to talk, to thank him. But the thing is, he killed this man. But not once is he seen feeling guilt about this. Denial ? Maybe. Or maybe it’s because he finds it justifiable. He killed for Mikey, for his baby brother, for his own sanity. One doesn’t mean the other isn’t true – he could justify it to stay in denial. He dies too soon after for him to learn to cope with what he did anyway.

There’s also the fact that out of everyone, he goes to Wakasa to tell him about the original timeline. Not Takeomi (who isn’t doing well in any point anyway), and not Benkei (who… we don’t know), but Wakasa. And he confesses his murder to him (as we’re told by Mikey, chapter 268 : “I was informed by Wakasa” ; chapter 274 : “the curse Shinichiro created by killing the time leaper… that is what my dark impulses are.”), the same way he confessed what he did in his previous timeline and what he thought of doing (“In these four years, I've gotten involved in many shady businesses [...] Maybe I should kill them all for deceiving me.” (chapter 270)).

So, while in the original timeline, Takeomi focuses on Senju even if that means neglecting Sanzu, Shinichiro focuses on Mikey which leads to Emma running away (to where, we don’t know). And those two little sisters fit their role differently. While Emma cooks (she is seen several time cooking; and to Draken after he asked her if she was housekeeping “well, gramps is old and…” (chapter 263)), likes cute things (the teddy bear she wanted and Draken got for her birthday), isn’t a fighter and in the final timeline becomes a housewife, Senju chases Mikey, Baji, and Sanzu around, wants to play with their toys (Mikey’s concorde), trains at Wakasa and Benkei’s gym and is a gang member. Takemichi refrains her to buy punk clothes and even though she still buys a lot of items, she prefers Brahman’s uniform and she goes shopping because Takeomi tells her to (“We’re shopping in Harajuku because Takeomi told me to ‘do some girly stuff sometimes.’ This is his card.”) and gives her his credit card (whose money comes from Brahman’s activities, so as to whether it’s his or Senju’s decisions leading to him being rich..). They’re both feminine, but Senju is a bit more of a tomboy in what she likes. Emma doesn’t feel lonely (“Since then, I've never felt lonely. Not even once”)(she has friends her age, such as Hinata), Senju clings to Takemichi the moment he joins Brahman (“Brahman’s full of old guys, so I’m glad people my age are joining”(chapter 216);”So can i think of us as friends now ?”(chapter 219))(seemingly, her only friends remain Mikey and Baji, whom she likely hasn't seen in years, even before Valhalla arc). They are also the only girls Takemichi saw in bra (chapter 9/chapter 216) but uh.. I don't want to know if that was made on purpose or not. But it joins the feminine/tomboy dichotomy – when Emma undressed, she had something else in mind (which, fortunately, didn't happen) and she has lace underwear, whereas Senju is very uninhibited (“Oh, it's fine. It's just sports bra”, chapter 216) and is wearing a sports bra like she says. They were raised the same way (Emma taking care of/helping her grandfather with chores ; Senju being forbidden to use ‘ore’ by Takeomi because it’s not ‘girlish’, making her go shopping for her to ‘do some girlish stuffs’; both being surrounded by men/boys (who are gang members, or former)) so it’s not because of outside influences they came to have different personalities and behaviors – Senju doesn’t fight or is tomboy-ish because she was raised among men (heck, she lives/lived at her grandmother’s while Emma had no woman/girl family members), she simply likes what society deems ‘for boys’ because she is herself and likes those things ; same for Emma, she doesn’t force herself to be someone she isn’t.

The Akashi are a motherless family but we don’t know why. If the Sano parents are dead (beside Karen, Emma’s mom) then I have two theories coming to mind. Either, the Akashi parents are alive or, they are indeed dead and the father in charge of raising them is Senju and Sanzu’s but not Takeomi's (or a mix of both, who knows). There are various details pointing to Takeomi being half-siblings with Senju and Sanzu.

First, it would be another obvious parallel with the Sano → Emma is Shinichiro and Mikey’s half-sister, but make it a twist by making the half-sibling the oldest instead of the youngest. Second, Manjiro (万次郎) and Shinichiro (真一郎) share a kanji and so do Haruchiyo (春千夜) and Senju (千咒)– if their parents wanted to give them names with a same kanji why don’t they all share it ? I get it with Emma (her mom probably named her and we don’t know how involved her father was in her life, plus, 郎 is a kanji that literally means ‘son/boy’, but she could have have a name ending with 子(ko) meaning ‘child’ and who’s only used in feminine names), but Takeomi ? If they wanted to do that, even if Sanzu and Senju came after, couldn’t they choose 武 or 臣 ? Both feminine and masculine names with those kanji seem to exist (and even if they didn’t, it’s the Japanese name system, they could very much invent it – that’s what they did for Senju!(can’t find information on this name like Wakui decided to write it)). And third, the Sano brothers look a lot alike (Mikey did get his hair color from his father but beside that, they both look a lot like their mother) while Emma looks like her mom (they don’t realize straight away she’s their sister “Isn’t she a foreigner ?”, chapter 123 and Takemichi, Hinata and Naoto don’t realize it either and think she’s dating Mikey for a brief moment in chapter 66 (although Takemichi ends up saying “They do have some sorta resemblance actually” after being told, but Mikey asks him “Really ?”), Sanzu and Senju both look extremely alike while Takeomi doesn’t (different hair color, eye shape, eyelashes, eyebrows - perhaps same eye color).

If we go along with this theory, which also makes their mother the parent they share and not their father like the Sano do (like they stay at their grandmother’s but the Sano stay at their grandfather’s), then the answer as to when Takeomi stopped living with his biological dad and moved in with his step-father would be important. Which one is responsible for how he raises his siblings, or perhaps they are both at fault ? When did their mom leave/die? Did someone ever tell Sanzu and Senju Takeomi was their half-brother ? If Takeomi’s step-father’s family name is Akashi, then Takeomi doesn’t use his birth family name either. And since Takeomi’s mom left him, does he feel the same way Emma feels about it ? (not saying his mother left for the same reason/the same way)

Or they could share the same father and have a different mother like the Sano. Either way, I’m craving for more information about them. They better not stay the “mysterious siblings” forever. Wakui pls

The Sano siblings are 4, we all know that. Izana is a Sano. So what if he throws the parallels off-balance ? He doesn’t. If you’re as delusional as I am, Muto is the Akashi’s Izana.

While Izana knew Shinichiro and Emma, and never got to know Mikey before dying in Tenjiku, Muto knew Sanzu and never got to know Takeomi and Senju. When they met, Mikey had lost Shinichiro and Emma, Sanzu left his home (and most likely stopped interacting with his siblings - although the “Haruchiyo doesn't like the fact im the head of Brahman. He doesn't like that I'm the strongest and that Takeomi endorses me” of Senju in chapter 216 means that he made his disapproval known). Izana knew of Mikey (Shinichiro kept talking about him), Muto didn’t know of Sanzu’s siblings. Muto also has the same age gap with Sanzu (and Senju) that Izana has with Mikey (and Emma). Izana was meant to parallel Mikey, Muto was meant to… parallel Takeomi. He parallels Sanzu too, in some points (staying loyal to their first ‘king’, being very harsh on betrayers/spies, having nowhere to go, Muto to Sanzu, chapter 206, “You don't have anywhere you belong ? You and I are pretty alike.”) but Sanzu said “I would've loved to have a big brother like you”(chapter 206) and so… either Wakui came up with Mucho or Takeomi first. Maybe he didn't even intend to narratively tie them in the first place. But they're still shaped in a way to be opposite. Sanzu took Mucho as his big brother figure first because he’s the opposite of the big brother Sanzu got and who failed him. Mucho’s betrayal against Mikey leaves him to die by Sanzu’s hands anyway, however, by betraying Mikey, he also betrayed Sanzu’s trust. His big brother failed him, again. A brother who told him “it's fine to be devoted to the king, but take care of yourself, too.”(chapter 206), not only validating his actions but saying he’s important as well, a brother who gave him his jacket, a brother who is the reason behind his favorite food (Sanzu’s favorite food is cheesecake for Cozy Corner and Mucho’s failure/heroic story explains why : “to make Haruchiyo Sanzu open up, Mucho bought him cheesecake from his favorite shop, Cozy Corner. The atmosphere was awkward and Mucho asked if something was wrong, to which Sanzu replied that he hated cheese, but would give it a try. There was no conversation after that.”), a brother who tried to make him open up, who tried to understand him, a brother who thought handing him a mask was a good idea because he was “missing out because of those scars” (chapter 206). Another perhaps useful information is that Sanzu dislikes “smothering people”, which was probably what Takeomi was to him (we already know Takeomi likes, has to be in control).

We only have one example of a moment the Akashi siblings spent together, only the three of them. And that’s Senju’s “it's super sparkly ! I haven't been [in an amusement park] since second grade of elementary school !” (chapter 219) and her hidden volume cover (which happened the same year Sanzu got his scars so between April 1st and July 30th 1999).

(Takeomi is the only character, on a (hidden or not) volume cover, we can’t see the face of. Most of them look directly at the reader, and if they don’t we can still see a bit of their face (just like Sanzu and Senju here).)

Final Timeline

It’s not a rant about the entire ending, that’s not the purpose of this post so I’ll only stick with Takeomi.

He’s the only one I have a problem with in this ending. Not him in particular, but his role, his job. Mikey and Takemichi fixed everything (the best they could), including the Akashi siblings’ relationship. All three of them work together.

I won’t say it’s bad for Takeomi’s development, it depends how it’s done and since it’s a happy ending for everyone, it shouldn’t impact anyone badly, But. Was him being the ‘self-proclaimed producer’ necessary ? I’m not against it, especially not if he has another (official) job on the side (and we know he’s smart enough to have one, and one who pays lots, which would also explain how he succeeds to ‘produce’ Senju & Haruchiyo). The only small problem I have with this is – he still lives by being someone important, needed, for somebody else, living on somebody else’s success. And it can be healthy ! But why is it ‘self-proclaimed’. Yuzuha isn’t Hakkai’s ‘self proclaimed’ manager. She is. Takeomi could very much be Haruchiyo and Senju’s producer. Sure they’re youtubers and I don't know if they can have official producers, but why? Takeomi, especially final timeline Takeomi, doesn’t need to brag about others’ achievements as if it was his own, he needs to brag about what he can and what he does by himself, without the need of anybody else.

And I don't say it’s what happens in the final timeline. But it still leaves a bitter taste in my mouth. I hope he has another job where he constantly realizes he is the only reason why it succeeds. Because I don't need him to say ‘I raised them’ or ‘I produce them’ when someone praises Senju and Haruchiyo, as if he was the reason they became famous. I don’t need him to get Haruchiyo and Senju under the spotlight to steal it from them. I need him to be their producer because he can, because he wants to help and bond with them, without taking what they did for himself. I need him to have an individual job, to have built his career without anyone’s help, to see that he can succeed alone. And unfortunately, that’s not what this last chapter made me feel was happening.

Still, it is (and that’s why we’re here for, not me rumbling about how Takeomi’s job is the only one to piss me off because he’s the only character who ends up with a job that can screw up his development). First, I'm so glad the Akashi actually get to be siblings. There are still some issues they had had to fix (with Mikey and Takemichi’s help-), Takeomi and Haruchiyo’s relationship was already pretty bad (Takeomi has his scar on his face) but it got fixed ! Second, Takeomi deserves to feel needed (and to be), which he is by being their producer and i wish, if both sides do take advantages of the other, that it’s in the most healthy way (if that makes sense) – that “the money [...] spent out of Takeomi’s pocket” was his idea and Haruchiyo and Senju accepted (with perhaps the intention of paying Takeomi back later, maybe not with money, since Takeomi doesn’t seem to need it, but still, to do something to show Takeomi it was appreciated) and that Haruchiyo and Senju thanks him publicly, without his ego feasting on it.

I hope he got his self-esteem restored. Which of course that’s what happened, we’re in the final timeline and everything’s good. But. I really hope he did.

And I choose to believe that the “same old Takeomi.” from Shinichiro means Takeomi the same as he was when they were kids. Maybe not exactly, because Black Dragon 1st generation and Takeomi’s superiority complex happened, but that Shinichiro recognizes his childhood friend is doing well, that he’s still here somewhere and got healed.

+ What’s in a name ?

(I'm gonna do something I didn't do for the Shiba (there wasn't much to say about it for them))

Writers are careful with how they name their characters (I'm making generalities here) – and it's especially true with Japanese and Chinese Writers whose characters' name change meaning depending on how they decide to write it

So it's been odd to me, when I realized the ‘Take’ in both Takeomi and Takemichi were the same. Why would Wakui do that? It can't be a coincidence, right ? And indeed. The Akashi siblings' names hold meaning.

Let's start with 明司 (Akashi). 明 (aka) means light, bright and is made of the Kanji used for sun (日) and the one used for moon (月). Then, 司 (shi) means official, director, administrator and was once used to design governors the Emperor had appointed to carry out the imperial policies in provinces. So 司 is for people in power, but not at the top. As said before, 司 seems to come from 后 which is the same kanji upside down and which means ‘emperor, king, monarch..’.

武 from both Takeomi and Takemichi means ‘military, war’. Takemichi's name is actually made of the exact Kanji as Budō (武道, way of war/way of the martial arts). 臣 (Omi) means ‘retainer, subject’ and could be used as a ‘I’ when addressing one's master. Ah, and it can be pronounced ‘Shin’ by itself. Because of course it does.

Takeomi is either: the warrior retainer or the war/military retainer. But he can also be in some way, the director of the light (and so can be Sanzu and Senju.)

I've got more to say about Sanzu than Senju so I'll start with her. Search "Senju Japanese name" into a search bar, you won't end up finding it written like Wakui decided to write it. Not that it means it doesn’t exist, but it's not popular. And for cause, Wakui chose to write Senju: 千咒 – A thousand curses.

Now, who would name their child "curse", I don't know. Perhaps it's one of those names where they're supposed to be degrading so as to push bad spirits/ghosts away? I have two theories for this but they’re without any real basis. One of them is ; the person who named her was really angry at her birth and since we don’t know where is/what happened to their mother.. Yeah (either she died giving birth or for some reasons she named Senju that way before leaving/disappearing). Or it could be one of those ‘Kira Kira names’ (names outside of the norm parents decided were cool). Anyway, Senju thinks she is the reason why both Mikey and Sanzu (+Baji) turned up that way, which isn't true as we're being told after, but Senju thought she was the reason behind Mikey's curse – without knowing it was a curse.

I didn't find any real concrete stuff about Kawaragi. Which is sad. 瓦 means roof tile and 城 means castle. When put together with the Kanji 礫, 瓦礫 means rubbish, wreckage, debris. With the Kanji 解, it becomes 瓦解; collapse, downfall. Normally I won't dare to talk about things who seem to be a bit too coincidental. But 土崩瓦解 doesn't feel coincidental. It can either mean 'complete collapse' or, '(something) going to pieces', meaning 'broke beyond repair'. Which she did. Or rather, thinks she did (not only the toy plane, but “Ever since that day, they all changed… mikey, baji and Haruchiyo. They all changed, and it's because of me” (chapter 241, Senju)). Also, 瓦 is 万 but backward and 万 is the first Kanji of ‘Manjiro’ (万次郎). Which makes a lot more sense. I guess ? For 城; there's 成, meaning 'promoted' it's notably used in Shogi where some pieces can be, well, promoted.

I like to think Sanzu started calling himself such because Mikey and Baji decided to find themselves different names (even if Baji is never even once referred as Ed or Edward). But whatever the reason, Sanzu is one hell of a name. Quite literally, hell. If you look up "Sanzu'' and ignore the Tokyo Revengers-related things, you'd scramble upon: 三途の川 – Sanzu no Kawa. River of the three crossings. A place the deads have to cross after their deaths, and which leads them either to heaven, to hell, or to resurrection. Souls get punished there. Every sin gets met with a trial.

(Plus, it's interesting to know that those you get drag to Jigoku, "hell", fall in the water/river where a bunch of snakes await them. Whereas people who get a pass to Tengoku, heaven walk over a bridge. Sanzu is never called ‘sanzu’ in the original timeline. But you know how Shinichiro died the first time ? Yeah, you do. He isn’t called Sanzu once in the original timeline, and even if he is in the final timeline, I decide to believe it’s because Mikey and Takemichi are too used to calling him that way to realize it and he just picked it up.)

春千夜 (Haruchiyo), is the only name among the Akashi who don't have any kind of negativity in it. Senju has curses, Takeomi has retainer (which isn't a negative thing in itself, but we've already established that Takeomi wants to be so much more than to be at someone's else service), Haruchiyo means "Spring of a thousand nights". Just like Senju, he has 千, ‘a thousand’ in his name.

Remember the 武 from Takeomi and Takemichi ? Yeah ? Well I'm a bit of a liar. Rather than a liar, I didn't say everything. There's a third character with 武 in his name. But it isn't pronounced 'Take' for one, and for two, it's in his family name, not his first

武藤  泰宏

Muto Yasuhiro

(I can't imagine the pain he has to go through every time he writes his name down. 藤 is one hell of a kanji.)

Ah... Mucho. Sanzu's big brother figure. Better than the other. But who did the only thing Sanzu would kill anyone for: betray Mikey. But that's not the point here, we're here to talk about his name. Beside the obvious 武 meant to add to the fact he's Sanzu's big brother, like Takeomi but reversed, 藤 means wisteria. 泰宏(Yasuhiro) means "peaceful' and 'broad' which describes Mucho's personality accurately but, but, but. In 泰 there's 𡗗 just like in 春 ;) (it actually doesnt mean much because taiju also has it in one of his kanji but shh). Or, just like Sanzu shares a kanji with his sister, he shares half one with his not related by blood brother. And ⺢ is a variant of 水, water, just like Sanzu is a river.

朕 is also in there. It's the royal ‘I’, ‘we’ – completely opposite of the servant 臣, ‘I’. More globally, wisterias represent the imperial family in Japan; thanks to the Fujiwara who impacted Japan by a lot when they were the ones ruling the country. And I’ll stop there with Mucho because I may be going too deep here and at some point digging further is meaningless.

Shinichiro and Mikey’s names are… It made me chuckle, not gonna lie. Not because of what the kanji means, but because those are extremely common kanji found in names. 一郎 in 真一郎(Shinichiro) means ‘first’ and ‘boy/son’. 次郎 in 万次郎(Manjiro) means ‘next’ and ‘boy/son’. These (reading ‘Ichiro’ and ‘Jiro’ by themselves) were rather common names for children from not-upper class families. It’s much less common nowadays. Then there’s 真 who means ‘real, sincere, genuine, truth’ and 万  who means ‘ten thousand’. And I didn't quite understand why their parents would choose that kanji, but if you add 全 to it then it gives 万全 or, ‘perfection, flawlessness’, and suddenly it makes my heart melt and also more sense. (it also seems to come from his grandfather’s name Mansaku (万作))

Sano 佐野 too, is a rather common name. Or at least half a common name. since 佐 may make you think of 佐藤 (Sato) which is the most common Japanese family name. However, the 藤 comes from the Fujiwara clan, since the Sano don’t have this kanji (unlike Muto) we can say they don’t have samurai ancestors (or if they do, it got lost along the way). It seems like family name with two out of three of the following kanji : 田, 中 or 村 are reasonably common. And 野 (Sano) has both 田 and 村. (although unlike Tanaka(田中), Nakamura(中村) and others they are stuck inside one kanji).

Unlike Akashi which describes someone of the upper-class, the Sano are everyday average people (Sano means ‘to help’ and ‘field, plain’ but also a prefix meaning ‘wild, lacking a political post’). Except they aren’t. But Wakui must find himself funny for this.

EDIT: 'Sano' is a city in the Tochigi Prefecture in Kanto, which economy revolves around agriculture and light manifacturing. It was also once the name of a clan.

(By the way, the -no of Terano (寺野) is the same kanji. As in, Terano South. And there are some parallels between Mikey and him.. (ill mother, no father, a parent who's a foreigner – but Mikey was born and raised in Japan while South had Brazil), person who raised him showed him the world of delinquency (but they had clearly different view of it), go live with their grandparent(s), person who raised them died when they were 12 (Shin died before Mikey had turned 13) because of ‘dark impulses’ (South himself; Kazutora), they both have ‘dark impulses’ (although we might never know why/how/if they are really the same dark impulses for South), they are both known by a English name rather than their official Japanese one (but Mikey chose his while Dino named South)… We don’t have enough about South and I don't like it.)

(Even worse, because if you’re as delusional as I am, you would notice that if you take out two strokes of 南(South) you end up with the kanji 幸. And since Mikey loved his mother very much, and she loved him very much, and South loved his mother very much… Then his mother must have loved him very much as well (even if she was incapable of fully taking care of him). And 幸 means ‘happiness, luck, blessing fortune’. But then it’s a girl name. But perhaps that’s what his mother wanted her child to be named if it was a daughter ? It’s still hidden in the ‘’Minami’’(南) Anyway, as I said, I’m being delusional and 南 is not an unusual name in Japan. Leave me and my headcanons alone. There's also the possibility it was his father who was Japanese, of course. After all South’s name is Japanese, but then, we don't know a thing about his father so we can't say if him and South’s mom were married. But no matter which one was his Japanese parent, he either had no vocabulary in Japanese or only the basis and had had to learn everything when he was sent to live with his grandparents in Japan – who probably don't speak a word of Portuguese so it didn’t help South having very violent habits. They couldn't communicate.)

I didn’t find something that caught my attention with Baji’s kanji. Sad. But Edward means ‘guardian, protector’ so at least he chose a name that does describe him well. Micheal means ‘who is like god ?’ and of course reminds you of Michael the Archangel and knowing his mother called him ‘my angel’, well my heart is currently aching. I mean… Baji is made of a kanji meaning ‘place’ and another meaning ‘ground’ (the kanji for Keisuke means ‘jewels/corner’ and ‘meditation’ and i really have no idea for those) – Michael is one of the most famous angel name and Sanzu is linked to the afterlife so.. perhaps Baji is the ‘human’ of them three ?

(Baji Keisuke is written 圭介場地. Out of all these kanji there's only 圭 I perhaps found something interesting about. In Shogi, there's a piece called 成桂; 'promoted Katsura' and its abrevation is 圭. Btw, in Shogi, the 'king' is 玉将 or 王将 (if you're a lower rank player or a challenger VS if you're a higher rank player or a reigning champion) notice the dot ? It's 瓦 from 'Kawaragi' vs 万 from 'Manjiro' again)

Emma and Izana's can't be analyzed this much. I didn't find anything for Izana (If i go on Behind the name, in japanese the name Izana (rare and only used in pop culture) comes from the verb izanau ; to invite, to ask someone to do, to call for, to tempt, to lure, to entice ; but honestly, searching for the etymology of this name doesn’t give you a lot of answer (not enough sites say the same thing for me to believe it)) and Emma is "universal, whole" when it comes of German etymology and "all containing" when it comes of Hebrew etymology.

Also it’s interesting how Sanzu and Senju decided to change their family name and not their first like Mikey and Baji. Plus, Baji gets called by his family name every time so it didn’t serve much – like Senju who changed her family name but is never addressed by it in the story (even Brahman members yell ‘’Senju’’). But then Mikey changed his first name and gets called by it and Sanzu changed his family name and gets called by it. One option for each possibility, so it could be in/Wakui’s purpose! The one who didn’t use their other name as much as their real one are the ones to die, whereas the one who, to overstate the point, changed their identity by identifying with something that wasn’t initially them, actually got those selves erased. It’s more clear for Sanzu. Sanzu came up with ‘Sanzu’ and ‘Akashi Haruchiyo’ wasn’t anymore. Mikey came up with this name for another reason but it was still to get rid of ‘Manjiro’. And he didn’t get rid of ‘Manjiro’ until his brother, the only person left to call him that, died. Mikey’s flashback (chapter 264-265: “I.. really like ‘strong’ people [...] Until that day [Shinichiro’s death] [...] I was looking for ‘something’ other than strength [...] All the guys in Toman are good. They're so good but there's something I can't figure out. I wonder how long… there has been ‘something’ dark inside my heart [...] ‘strong’ alone is not enough [...] After all, all I need is ‘darkness’.”) tells us he was already starting to follow his Dark Impulses ; after his brother’s death. He confesses it to Kisaki (“I wonder how long… there has been ‘something’ dark inside my heart. Sometimes that ‘something’ expands and drives me to destroy absolutely everything”). Manjiro Sano died with his brother. Other people may still call him that way, like his grandfather, but Mikey is Mikey. And this innocent name he once chose to make his sister feel less lonely became a metaphor for his incoming loss of sense of self.

We can also add that Shinichiro may have not changed the way he called Mikey because since his brother, 'Manjiro', was the only thing left from his life before it went downhill, calling him 'Mikey' instead of 'Manjiro' would have created even more of a distance between Shinichiro and his past 'normal' life from his childhood.

Baji and Mikey chose their name (Micheal & Edward) to try to make Emma open up. To get closer to her (especially Mikey). And Emma gets her birth name (Kurokawa) changed as Sano, which makes her even closer to her two brothers (and less from Izana). Sanzu and Senju chose their name to separate themself from Takeomi (and each other).

Of course, they aren't the only characters being best-known as a name they chose themselves of have been given by others. Draken for example, doesn't show any kind of resentment or even neutrality against his name; Ken is still present in Draken. We also know he chose it as a child (like the others), but (unlike the others) a reason is never given - he most likely thought it was cool; just like Mitsuya's dragon and his new tattoo were. Same with Benkei. It is written in katakana in the manga, but with kanji Benkei and Keizo have the same 'Kei'. Benkei is one of the most famous historical figure in Japan, by the way. (He is the servant of Minamoto no Yoshitsune, born Ushiwakamaru. Birth name which shares a lot of kanji with 'Imaushi Wakasa'. Both were great fighters). South, is another example of a name given to change one's identity – but South didn't name himself 'South'; Dino did, after making him kill someone, or giving him a bloody baptism if you prefer. And 'Minami' means 'South' but Minami never grew up enough for us or himself to know who he was.

(+ 

mikey baji sanzu and senju are four and so are bd 1st gen doesn’t feel like a coincidence. But i cant think of something that makes it very interesting. Wakasa and sanzu both know about the og timeline, baji and takeomi are used as parallels at least once, senju has some commons traits with Shinichiro, but mikey does too (and more), senju and benkei.. both like MMA ? And their favorite catchers are rivals ? Thats not much for me to talk about ngl)

[mel-loly]

us!

Hey silly!! Hru? How's your day going?? :]

That's really canon!! Also- I kind of made a little comic about this but with c!melple, so.. Yeah, hope you like it! :D💖

[databent]

why the fuck is it that some people cant seem to acknowledge that people can just... be disabled. not through any fault of their own, not because something "happened" to them, just because, you know, sometimes people have disabilities. like, come on

[opens-up-4-nobody]

...

[fingertipsmp3]

Friendship ended with google sheets, now filofax is my best friend