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#but i could never pull it off
shirtlessradfahrer · 9 months
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I wish I looked as cool as Bess does
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mostlyjustgoose · 3 months
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one thing about this season of d20 that is absolutely driving me up the wall is how easily I can imagine Bruce Willis, at the height of his powers, effortlessly channeling Paula Donvaldson trying to pilot his body. it would have been one of the great comedy performances of all time. Oscar-worthy. he had the comedic chops, he could absolutely have sold being a thirsty middle-aged divorced lady security guard suddenly dropped into the body of an action hero!
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minhosblr · 8 months
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He is my Roman Empire
Random Minho gifsets [2/∞]
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sensitiveheartless · 8 months
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New outfit for Howl AU Chuuya — plus bonus tiny Dazai Having Emotions About His Husband
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ckret2 · 4 months
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Writing a character who's a brilliant manipulator is easier than you'd think, even if you yourself aren't a brilliant manipulator.
In order to manipulate somebody IRL you have to know how they think, what motivates them, what sort of things to say to convince them to do what you want them to do, and how to frame it in a way that makes them trust you rather than get suspicious. These are all relatively difficult things to figure out about another person.
However, they're very easy things to know about a character. If you're writing a manipulator's victim, you already know how they think etc etc because you're writing it. You're in control of their backstory and personality. You are god and know exactly what kinds of things would persuade them to take action and what kinds of things would make them distrust somebody.
So all you have to do is go "because the manipulator is so so smart, they've also figured all this out" and feed your own authorial god knowledge into their head. Make it a tiny bit inaccurate & saw off the details so that it doesn't look like the manipulator is psychic. For extra credit, deliberately write in a couple little clues for your manipulator to pick up on that will let the audience go "wow! Look how observant the manipulator must be."
And if you're not showing your characters' thought processes, it's even simpler. You don't have to be able to manipulate a REAL person; you just have to write your character attempting to manipulate somebody, and succeeding at it.
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dapper-lil-arts · 7 months
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Anyone else got utterly flashbanged by the episode of Applejack's parents
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spielzeugkaiser · 2 years
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hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?
[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:
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Meanwhile Jaskier continues to struggle with his omega status.
#jaskier#the witcher#geraskier lovechild#julian alfred pankratz#omegaverse#there are various things happening here! a. Milek never really had to fear that Jaskier would leave him he knows he never ever would#b. Jaskier said again and again that he'll always care for him and loves him and that he doesn't have to pull any weight at all#c. Jaskier actually became the parent that just wants his kid to be educated and study and learn#(maybe because he knows Milek won't be able to do hard labour but also because he knows what Milek really wants to do)#(filed under: things I haven't drawn yet but they had their big fallout because of oxenfurt and university - things to come in the future)#d. Milek has watched Jaskier working his ass off in various jobs that he didn't like#(and he thinks that prostitution is the worst but only because they didn't properly talk about it before)#e. Jaskier is struggling with how he is percieved - which I think was never that much on his mind when he was travelling with Geralt#being a carefree bard and giving everyone the middlefinger who had some wrong ideas about what he could do and what not#but this is definitely an AU in which he doesn't have a good relationship with his father and he can still hear him say he'll become#'an unbonded omega with a bastard child working on the streets' and I think sometimes it gets to him#(because Jaskier is king of hating his parents ever being right about him)#that Jaskier kind of wants to spare Milek and quietly hopes we won't become an omega - even if he feels bad about it - shall become plot#(one dayyyy)#anyway that was a very long rant about Mileks complex relationship with him feeling like a burden
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babiedeer · 1 month
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goldnskyart · 4 months
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And then they kissed~
Silly little prinxiety animation that I made based on one of the ship doodles I did, I’m actually really really proud of this
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Feel free to give me suggestions on what else I should animate with these two
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I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)
I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.
I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.
I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.
For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.
I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:
the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship
Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.
In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.
While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.
This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.
I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!
Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.
Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.
In fact, let's really dig into this example because it's a good one.
You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?
Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):
Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)
Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.
Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.
This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:
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[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)
What else can I say other than, "I rest my case."
Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.
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epicfirestormer · 5 months
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jilatos · 5 months
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body thoughts
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crybaby-bkg · 2 years
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holding Bakugou’s face in your hands and singing the cheesiest songs to him and watching him try to complain about everything even though he can’t help but love how everything sounds and how pretty your mouth is and admire how your lips curve around that one word. gets so entranced at the sight and sound of you, he doesn’t even realize how heavy his head has gotten in your palm, how low his eyes are, and how red his cheeks have gotten <3
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sciderman · 6 months
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Do you think Peter learned how to breakdance when he got his powers just to add flare to his movement?
i think peter parker had been trying and failing to breakdance long before the spider-bite, and is just happy to discover he finally has the upper body strength to actually pull it off now
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caelanglang · 1 year
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Does girl Chuuya not have asymmetrical hair?
I wonder if you could tell that I am so so torn with what hairdo to give girl Chuuya... orz
I initially brainstormed some but settled on the octopus hairstyle :3 (for the comic at least, I feel like I would go crazy with more variations in the future hhhh)
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here's a real-life reference to the octopus hairstyle!
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and some random sketches of fem!Chuuya hair (promise most of these will make a comeback someday)
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shepherds-of-haven · 1 year
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Trouble should get a hat. Reason: the idea of Trouble touching the brim of his hat and saying "ma'am" is hot and seems like peak Trouble behavior
Honestly, hard agree. I also think he's the only one who could pull something like that off (other than Red) without sounding sarcastic glfdjgdgdf
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