#but i also want to be close to the stage so i can see like i’m a short btch bro lol

[writingquestionsanswered]

How do I jumpscare my readers? Like, I want to write something that happens suddenly and unexpectedly. Which makes the reader pause and take a minute to process about what they just read. But I am afraid these "jumpscares" Might ruin the flow of my writing..or mess up the pacing

Recreating a Jump Scare in Narrative Fiction

Jump scares capitalize on the physiological reaction that is part of our body's defense mechanism against potential threats. When a sudden threat is detected, the fight-or-flight response is triggered, beginning with the startle reflex. This involuntary contraction of muscles and heightening of senses prepares us to take action in the face of a threat. As our nervous system kicks in, our blood pressure rises, the heartbeat quickens, breaths increase, and stress hormones (like adrenaline) are released. This gives us the "juice" we'll need to either fight the threat or run like hell.

In general, jump scares work because the stage has been set ahead of time to let the audience know a potential threat exists. Emotion, anticipation, and tension are built-up so that the reader expects the threat to show up, but not knowing exactly when or how creates a sense of impending danger. It's this sense of impending danger that makes the audience ripe for the triggering event whenever it does take place.

On screen, auditory and visual composition are used to increase tension, manipulate emotion, and create a sense of suspension in the moments before a jump scare. We are experiencing the event alongside the character, hearing what they hear, seeing what they see. Print, however, is a very different medium with different tools that work in a different way. Describing a dark room and scary sounds doesn't have the same effect as processing these cues with your own eyes and ears, so the reader is automatically distanced in a way a viewer isn't. Because of that, it's just not possible to recreate a jump scare in print the way you would on screen, but there are lots of things you can do to create a similar effect.

1 - Laying the Groundwork - In both print and on screen, the reader can't anticipate a threat if they don't know one exists. On screen, visual and auditory cues can be used to hint at a threat without any other context, but in print, the context has to be laid out using exposition, dialogue, and action. Techniques such as foreshadowing, pacing, and timing are also important.

2 - Setting the Scene - Even though the reader can't process visual cues with their eyes or auditory cues with their ears, you can still use sensory description to set the scene for the scary thing that's about to happen. Dimly lit rooms full of dust and shadows, peeling wallpaper and decaying furniture, musty and foul odors, cold air, creaking doors, distant thunder... Emotional details can help make the reader fell what the character's feeling... what is the character thinking? What internal emotional cues do they feel? What external emotional cues do they display or see other characters displaying? If a character walks into a house that's known to be haunted, these sensory and emotional cues help raise the tension and increase the reader's anticipation of what's about to happen.

3 - Creating Immediate Contextual Clarity - Laying the groundwork and setting the scene both help create general contextual clarity for the startling event that's about to occur, but it's also important to make sure there is immediate contextual clarity. In other words, if the reader doesn't know there's a rocking chair in the corner of the room, it's not going to be as scary when the rocking chair suddenly starts rocking even though no one is sitting in it. Likewise, a door that suddenly slams closed won't be as scary if the reader doesn't know the door is there.

4 - Interrupt the Flow and Be Jarring - Normally, we don't want to interrupt the narrative flow or do anything that will be jarring to the reader, but this is the one exception where we absolutely do want to do those things. We want to stop mid-paragraph, maybe even mid-sentence or mid-word and just drop the event right in there. We want to use strong verbs, active voice, and rapid fire sentences to create a sense of immediacy. We also want to avoid filter words. We want to say: The door slammed shut with a thunderous bang. Not: She heard the door slam shut suddenly.

5 - And BREATHE! - Finally, we want to give the reader a moment to catch their breath, let them sit for a moment with the lingering sense of dread and unease. Odds are good the character is doing the same thing, which gives you the opportunity to let the character process whatever they just experienced.

Some other posts that might help:

Horror by Darkness Horror by Daylight Adding Emotional Details to a Horror/Tragedy Scene Portraying Strong Emotions

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[crescencestudio]

๋࣭⭑ Devlog #42 | 6.25.24 ๋࣭⭑

tis the season of Kayn

HAPPY SUMMER!!

Hope you're all doing well and keeping cool <3 I know for me it's started getting to.... the Hot Season. To celebrate the start of Hot Girl Summer (and the beta route going live), I of course had to draw the hottest girl, Kayn.

we must stay cool brothers

Now that we've paid respect to The Hot Girl, let's get into the devlog!

Writing has been fun this month. A lot of it has been dedicated to Etza edits and writing Kuna'a's route. We're getting to about the halfway mark with Etza edits, so we are definitely chugging along!

Sneaky peeky of a recent edit

For Kuna'a's route, I said I wanted to have his first draft complete or almost complete by the next devlog, and I'm VERY PLEASED AND PROUD to say their first draft is In Fact almost complete! This is, of course, the very, very first draft so I'll be going back in to flesh some scenes out here and there and rizz him up even more. But I'm happy with the fact that at least the very base draft is done ^^

This month, I did quite a bit of drawing actually! I finished rendering two of Kayn's CGs, meaning 8 out of their total 9 CGs are finished YYYEEEAAAHHHH!!!!!

it feels so good to see the ending cg titles ouuggHHHH

Because Fenir's beta will be going out soon, I wanted to make some headway on his CGs. This month, I ended up finishing 3 of his CGs and sketching two. I'd really like to get 5-6 of his CGs finished so that it's a similar amount to Kayn's beta, so here's to praying!

baby girl

I also finished Senja's (they/he) sprite and base expressions. His outfit was designed by very talented bestie @saffein-e so please thank them for doing god's work o7

Finally, this past month we worked mostly on Kayn's beta route and getting Fenir's beta route ready for Patreon access!

If you'd like to try out Kayn's beta, you can get access to it if you subscribe to my Patreon (tier Hydra). Beta access to Kayn's route will close as soon as Fenir's beta goes up which will be early July, so if you want to experience Kayn's beta, definitely make sure you subscribe before it ends!

Player feedback for Kayn's route so far has been really positive, which has been a relief, especially since Kayn's route is the first one I wrote so is arguably the roughest (I have a big soft spot for it and like it, but I'm obviously Biased). So I hope you're all looking forward to it!! <4

beta feedback: so real

I also have started the voice acting sessions for the characters, which is EXTREMELY EXCITING!! That's the last asset I need basically, so the fact we have finally entered a stage where we can start recording is crazy. Our current session is for Kayn's route, but in the coming months we'll be moving to the next routes similar to how beta-testing is going :')

Aside from Kayn's route, I've also been working on coding Fenir's beta route. Rereading his script and he's... a cutie, I'll admit. So I hope the Fenir fans are excited for his route to enter the beta phase!

LET'S.......... GOOOOOOOOOOOOOOOOOOOO

Last thing, but I also ran a poll on Alaris's release, basically asking whether you all would prefer a full or segmented release. The results were basically 50/50 LMFAO and that's the vibe I've been getting in general. So while I don't want to solidify anything yet, just let it be known that Alaris may end up having a segmented release, where the first four Central routes are released first, and the Fae routes a bit later. I'll see how I start feeling as the year goes on and where Alaris stands, but thank you all for the support and understanding for the poll <3

I was pretty busy this month, so I didn't have too much time to do market research :cries:

But............

I did see the new Haikyuu movie..................... And I am the biggest Haikyuu fan. Quite literally if you want to know everything about who I am as a person and creator, watch Haikyuu and you will understand who I am to my deepest depths.

obviously I had to draw baby

But aside from that, I want to give one last shoutout to our Hot Girl Summer cross-promo! If there are any games you haven't tried out in this little set, I highly recommend giving at least 1 or 2 of them a peek! All of the games are so charming and have some similarity to Alaris, whether it's a personality mechanic, hot Fae, or a fantasy/ adventure story :')

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

I'm pretty happy with the progress we made this month. While there's still a lot to do, it's satisfying to see Alaris come more and more to life with each month. See you all next month with hopefully more exciting progress!

[dukku-of-catempty]

Linking my translation of Red Candle's interview yesterday here, also typed out below. I didn't translate everything, but hopefully it's enough for fans to get a glimpse of their game dev process. Interview vod here.

Ninesols was delayed twice. As their first try at a metroidvania, they found out there's a lot more to be done. Their first game play video was actually an accident. Someone clicked the wrong button on the obs and it became a live stream.

For the interview today, we have 2 of the 6 co-founders of redcandlegames, Henry and Vincent/4wei, plus the game play designer Lighty and Art designer Pege/XiaoHe.

Game Dev Process

Back then Yi was a head shorter, pretty close to Hollow Knight. Devs call it the "Hollow Cat era". It took them 1-2 years to progress from Hollow Cat to 2D Sekiro.

Q: You've already set such a high bar for game play (hollow knight, sekiro), why did you have the same high standard for art and story as well?

Henry:(points at Vincent) this is all him. I said, just focus on the game play! Then he decided to throw in the story

Vincent: I didn't set it out to be so dialogue heavy. But simple gameplay doesn't keep gamers playing, they have to be invested in the world to want to play more.

Vincent: I wanted to save budget so I thought, comics, they're simple enough. Turned out they were costly too. Pege got the other end of that. She drew all the in-game comics.

Pege: Comic works in that you can get up close to the characters and see the details, their expressions.

Their initial inspo for the artstyle was Akira... really reaching for the heights of everything

On the designing process:

Vincent: pacing comes first, whether it's story, combat, or the gaming experience

About 35mins in: Lighty explains the initial concept of TaoPunk

Vincent come up with keywords and Pege designs the character. For example, Goumang was "princess, tsundere", Lady Ethereal was based on "Zhuangzi and the butterfly dream".

40min, Pege explains the character designing process

Pege had the hardest time designing JieQuan. Girls are easier.

Vincent: he's the typical straight macho dude

MCs: what do you mean straight? All I see is 🌈

Vincent wanted there to be a low point for the gamer, since the first 3 bosses were relatively easy. He drew inspiration from Bloodborne and MGS, and JieQuan was born as Yi's tormentor.

Pege's favorite character is Ji, based on his character design and gender.

Vincent: I said Ji can be a they, but Pege insisted on him being male.

MC: So we can actually see stuff under his skirt

Henry: Yi had to struggle to not get flashed during the fight

Lighty also likes Ji best, because of his character. He likes his views as an immortal.

Henry also likes Ji best, because of his combat pattern. Out of all the bosses, his combat pattern is the only one thats entirely original. He wanted to make a 3rd stage.

Since all the characters came from Vincent, he doesn't have a favorite, but is impressed by how popular some of them are. Lady Ethereal's fight was actually the least costly. The platforming was a budget choice. Including the jumpscare, Ethereal was the easiest stage to make.

Vincent: Even the bgm. For Lady Ethereal, I didn't need to tell the composer what I want, they finished it perfectly.

Henry: This is a collaboration where everyone provides their expertise, and Lady Ethereal is an example of us working extremely in sync.

They ran out of time and funds at the research center, and were not entirely satisfied with it even when the game launched.

Solarian was based on Middle Chinese. Old Chinese sounds close to Vietnamese and is too hard for the VAs to pronounce. Vincent thinks since the game is sci-fi in ancient times, a new language is needed for immersion.

Everyone's stressed at the end of the project: it's been five years, and the game hadn't been tested by the mass public, so they weren't sure how it'd be received

Solarian language and Voiceover

Vincent: in Taiwanese we have checked tones, libiodentals, we digged deeper into these traits and referenced Taiwanese/Hokkien, Hakka, Cantonese and Middle Chinese for the Solarian language. Our Solarian expert, Sheng-Han Lin worked on it for 3 months. He even wrote a program where it converts a word into Solarian automatically, complete with KK phonetic symbols.

Basic Solarian words/phrases:

(Making these up, tone numbers are mandarin)

Bi³ Suen² = big brother

Shuai² In³ = Hello Friend

Why⁴ Song⁴ = Stop right there

Uen Zai² Chok = got it (I think?)

Ket Do³ = thank you

Vincent: first thing I said to the VAs was "sorry". Even after the recording process they still weren't sure what they were saying 😂

Many thanks to our voice director Neven Chang. It's the VAs performance that convinced me that Solarian is an actual language.

The Solarian characters came out of the need for there to be inscriptions on the background architectures, but modern Chinese characters breaks the immersion, so the art team came up with the idea to use the CangJie input method.

Vincent: initially we wanted to use the oracle bone script, but it's too time consuming, we needed something systemized. We do have our own Solarian font tho.

Solarian font has been dicephered here

Fan made font

Q&A section!

First question: are there plans for future nine sols DLCs?

Vincent: we still have a lot of work, like console ports and adding more languages, plus the crowndfund reawards... so currently we're looking to finish these first.

Vincent: as you know, we are a bunch of overachievers, so if there is a DLC, there's no telling how long we'll work on it... but atleast for me, I do hope to tell more stories in this world. That's all I'll say for now.

Q: will there be merch?

A: Yes, all the crowdfund rewards will also be sold as merch, like the art book and physical game pack, but at a higher price. Not the figure though, they're already finished, to make more we'll go bankrupt.

Unless, there's a really high demand for it 👀

Q: were there any additional plot you had to cut due to lack of resources?

.

*SPOILERS

.

.

.

.

A: Chien's boss fight, Ji's 3rd phase, Yi fighting himself in Eigong's soul sanctum, a TianHuo last boss, Abacus was supposed to be Yi from the past, Kanghui, the dragon... we cut a lot

Vincent: There are two plotlines I stood my ground on: the revenge plot, and the relationship between Yi and Heng.

We actually changed Shuanshuan's story a lot. Initially he was supposed to be super energetic and run around all of New Kunlun.

Q: there are a lot of ways the player can fight in #ninesols, were you worried about it being too hard?

A: Yes. It's very parry focused, so if you can't parry, you're dead. The Story Mode was made out of this fear. But from the response we've got so far, it seems to be ok.

Vincent: the real problem is gamers having false expectations. Souls fans get frustrated with the parrying and combat fans get frustrated with the dialouges. So we have to let the gamers know, this isn't hollow knight, isn't Sekiro, this is Nine Sols.

Q: what do the lyrics in the bgm mean?

A: they are all really simple. Like "heroes are forged in agony". For Fuxi and Nuwa, their keyword was "Peony Pavilion", opera related, so the composer incorporated 牧虎關 into their battle bgm.

All #ninesols boss music was composed by @/FFXX_sound. 4-5 of the songs were recomposed after betaing. The boss fight in plumblossom village wasn't supposed to be this hard, but the bgm was too fire, so the team adjusted it.

Vincent: the composer could choose whether to use Solarian or Mandarin lyrics. I was there during recording. We got a talented Taiwanese men's choir to sing for us. Four professional singers singing "Huh! Hah! Heroes are forged in agony!" It looked ridiculous.

For the ending song, redcandle wanted to connect to the international audience, and Collage fit that perfectly. Plus our fans kept recommending them to us. Communication was smooth, apparently Natsuko is a gamer and really liked us.

Taopunk was a mix of Eastern and Western cultures, so it was decided early on that there would be English lyrics in the ED.

There was an ARG on discord where fans can uncover the ED bit by bit.

There are also plans for future interactive games like that

Q: what are some challenges for the EN locoalizatuon?

A: It was pretty smooth, we had a lot of help from our discrod server, including JP proofreading. Both EN and JP TL was actually done in a month before release. We just posted our beta dialougues and everyone came to help us.

Lady Ethereal used to be FuDie, but it sounds terrible in English, so she was renamed.

KangHui used to be GongGong, but it's too confusing to non mandarin speakers.

Eigong too, she used to be Yigong, Yi as in change, but players may mistake her to be related to Yi.

Solarian society trivia:

-they are a matriarchal society

-the average age of death is 140

-cats are evolved from Solarians

They are working on more languages, all of them EU ones. MC asked if there are plans for SEA languages. They say that'll require ppl fluent in these languages, since the other TL are mostly done by community members/fans.

2-3days after release, their text file was hacked. It's a Google doc, Lighty went on there and found someone typing Italian text there, all correct dialougues. They kicked them out then emailed the Italian.

The Italian : I'm just a player, I just want to help.

They translated pages of text, the team was terrified. Security breach!

the Italian said thank you to the team for being patient with them, cause they did the same thing with other games and got severe responses.

RedCandle: thanks but please don't ever do it again.

Q: are you satisfied with the response from non CN speaking players?

A: Yes. Most of the reviews we got were English. It's our goal anyway, to break the culture barrier.

There are of course some surprises.

MC: you mean the furries?

A: the amount of fanart was unexpected

Vincent: I was also surprised by the response we got on reddit. We actually realized our goal, so I was pretty happy with that.

Q: any plans for a new game?

they've worked on nine sols for 5 years already, pretty drained right now, so (as a team) theres no new content planned yet

And here comes the funniest part lol (clip)

Q: any plans for a new game?

Vincent: Having ideas for a new game is one thing, but we still--

(Thunder claps)

Vincent: 😱 Did I say the wrong thing? I'm sorry! OK? We'll start working on it!

Discussing the ending...

Devs consider the true ending a good ending. Its ok if life has no meaning, having lived is enough and all that.

And ED is Collage's take on the ending.

I'll end the thread here, though there are 30mins more to go. Many thank to Wenlobong for hosting the interview, and Red Candle for making the game! Really hope #ninesols will get more recognition

[zarvasace]

I've been going through your ao3 bc I've n been having a hankering for Four/ colors content

Hyrule's fic where he has the loftwing tattoo is ouch in the good ways. Boy had it ROUGH and if I found out that happened to my bestie I would also puke so I get you, Sky.

And the one where Red and Vio grow up in a cult and Red is the perfect little cult angel so they'll be allowed to LEAVE and they haven't seen the sun for 16 years like my heart. Those poor boys. They just want to see their brothers and Red was too young to even remember them ;-;

I picture that Red and Vio found a nice house with a big garden and they spend all day relaxing in the sun and hanging out and nothing else happens to them and they're happy and also Red helps Zelda and the knights find and put a stop to the cult cause Red has alllll the information about them now.

Well I certainly have my fair share of Four and FS boys content. XD I've actually been meaning to add on a bit to the cult one, so here's a fun little epilogue! ~1k words, some CWs for implied religious trauma, some cursing, and moderate angst.

(said cult-themed fic is here! It's a whump fill and imo one of the more intense ones so.)

---

Green wipes his hands off on a towel and heads to the doorway to poke his head into the living room. “Hey, Vio.”

“Sorry!” Vio says, startling. The book in his hands jumps as he shuts it too fast. He looks up at Green, then blinks and settles. “Sorry,” he says again, this time apologizing for apologizing. 

Green takes a second to bite his tongue—he harbors an eternal, ice-cold hatred for the people who'd somehow managed to get it into Vio’s head that reading was something to apologize for—then shrugs in what he hopes is a nonchalant way. “I just wanted to ask if you had a preference between tomato sauce or cheese sauce for dinner. Blue and Red should be back soon.”

Vio slowly reopens his book to the page he'd been reading. “Um, I think Red likes cheese better.”

“Okay, well, what about you?” 

“I don't really have a preference.”

“Cheese, then,” Green says, just as the door to their little house swings open. 

Green’s little question had startled Vio, but Red's loud, enthusiastic greeting very much does not. 

“Viooooo! Guess what I have!” Red bounces in, wearing something a lot like what he'd worn that first day. It's red and yellow and reminds Green of festival robes. The thin fabric accentuates the way he dances in and presents a set of ominous-looking black iron keys to Vio in both hands. 

Those keys mean absolutely nothing to Green, but Vio raises his eyebrows. “You really did it, then.”

“Did you doubt me?” Red smiles. 

“Can we melt those down?” 

“Oh, I definitely plan on it.” 

Blue follows Red into the house, closing the door behind them both. He wears Vio’s old grayed cloak with the heavy leather mantle, though now there’s a splatter of blood across the side. Where Red is clearly very pleased with what they've done, Green can see Blue’s anger simmering beneath the surface. 

In a flailing of angry movement, Blue rips off the hood and tears the mantle off his shoulders. He bundles it all up and dropkicks the thing into the wall with a shout. 

“Woah, Blue,” Green says, stepping in but not touching him yet. “You okay?” 

“I'm fine!” Blue snaps. He throws his hands into the air. “I’m just dandy! I'm totally not traumatized at all! And I bet you aren't either!” He gestures to Red and Vio, who watch him warily. “We're all really well-adjusted members of society! Nobody treated me like shit while they thought I was you! Nobody at all!”

Green drops his towel and grabs Blue’s arms to stop him from throwing a punch at the wall. He's done it before. “Calm down!”

“Why should I?” Blue keeps shouting, but Green can see the shine in his eyes. “They kept saying, oh, they're good people, just misled, just take care of some of the leaders and everyone will be fine, but you know who gave a damn about me? About Vio? When we staged that—that—”

“Blue!” Green shakes him, hoping to snap him out of it, but all he does is shake the tears out. 

Blue is more prone to punching out his feelings than crying about them. The tears that fall down his face are out of the ordinary for him. He looks at Green like he did every time he became despondent: like he hopes desperately that Green can fix the world. His rage is quickly giving way to full-out sobbing, and it's a bit startling. This hasn't happened in years. 

Green has gotten good at dealing with Blue’s moods, but Vio and Red very much have not. Red has moved to stand half in front of Vio, as if to protect him, and Vio’s eyes have gone calculating. Then Red leans back to whisper something, never taking his eyes off of Blue and Green, and Vio responds, too quietly to hear. 

Blue starts to push away from Green, red in the face, but Vio is right there, hands raised as if he doesn't know what to do with them. 

“Um,” Vio says, “I'm sorry.”

“No, I'm sorry!” Blue interrupts, his voice breaking. “I didn't mean to—to get mad—and we didn't find you—and I had no idea—” 

Red taps Vio on the shoulder and whispers loudly. “Ask if he wants a hug.”

A short, wet laugh interrupts Blue’s tears, and he shakes his head as if to say it isn't necessary. 

Vio’s face goes tight in a wince, and Green starts to move to interrupt, but then Vio raises his arms and wraps them around Blue, and Blue’s sobs go quiet almost instantly. After a few seconds, they readjust so Blue can hold Vio back. Vio definitely isn't crying, but he does hide his face behind his bangs and Blue’s neck. 

Red looks like he's about to cry, too, so Green nudges him. 

“Want to help me make some sauce for pasta?” 

“Really?” Red says, looking up. “Yeah. I do.”

“Come on.” 

Red drops the keys he holds on top of Vio’s discarded cloak, then follows Green into the kitchen. He's a little subdued, but still enthusiastic. By the time Red burns his half of the sauce (surprising no one), Blue and Vio have shifted to speaking quietly on the old couch. 

It's going to be a long road of healing, even considering how far the four of them have come so far. But now they know that the cult isn't going to come after Red and Vio, or kidnap anyone else, for that matter, since they got the princess and knights involved. But Vio has begun to keep his books in plain sight, and Red curses a little more every day. Red goes outside into the sun most days, and drags Vio with him every so often. They moved to a nice little house, and visit their father at least once a week. Blue has been happy, and so has Green. 

It's a long road, yes, and doubtlessly it's an uphill one. But they're on it together. 

[hallowpen]

Hi Kodakins! I miss you🙁 Insomnia has plagued me once again, and you're on my list of people I bother when I cannot sleep. Don't worry, I won't put you through another round of either/or😅

Since there are "Top 5" polls going around, I was wondering: 1) Now that ThaiGL has taken over, which top 5 series are you most looking forward to?

2) What top 5 genres/tropes would you like to see from future GL projects?

Thank you for indulging me❤️

P.S. Now that I finally have some free time, I'm catching up on fics that I had saved to read for later and um

EXCUSE ME????? WTF IS THIS????? YOU NEGLECTED TO MENTION SOMEONE DYING!

❤️❤️❤️

Don't worry, I won't put you through another round of either/or😅

Thank you!!!

My Top 5 Upcoming Thai GL Series (I think you can probably predict most of these hehe)

1 - The Loyal Pin It's one of my favorite yuri novels (I own both the Thai and English versions). It's FreenBeck. It's promoting Thai culture on an international scale. It's the first Thai GL series to be backed by the MOC. It will break barriers... and my soul. I AM SOOO READY!!!

2 - The Last Case It's an original script. It stars openly queer actresses. It's being directed by N'App who is also openly queer. ESTER ORUCHE!!! The only reason it's not number one on my list is simply because it is Identity's first series and I have nothing to gauge their production by.

3 - Reverse 4 You I am a huge fan of Be My Favorite and while the premise is not exactly the same, it has its similarities. If this series comes anywhere close to being just as good, I'll be a very happy camper.

4 - Pluto Putting any issues I have with its source aside... I love Namtan Tipnaree. I tend to favor actors who have really great emotional range and Namtan can certainly deliver. Her being paired with an equally compelling actress like Film Rachanun certainly caught my attention. All I can hope for? That GMM will do right by them and the other female actresses involved 🤞🏾🤞🏾🤞🏾

5 - I'm Your Moon "กัษธิษฐาน" (the novel this series is based on) is a story of fated lovers and reincarnation...and that is one of my favorite tropes!!! The series is still in the very early stages of production, so anything can happen...

I'm generally not too concerned about genre or tropes in a series so instead, I'll answer you this...

My Top 5 Hopes for Future Thai GL Series

1 - Alright... there is one genre I want. VAMPIRES!!! Bet ya didn't see that one coming! 🤣🤣🤣 No...but in all seriousness, I'll take anything supernatural. Vampires, Sirens, Wiccans... it's all fair game. Bonus points if there's an incorporation of Thai mythology... there's such a rich history there.

2 - More Inclusivity. I'd love to see more sapphic stories beyond the standard variety. Give me trans leads, give me ace rep, give me neurodiversity, give me more disability rep, more Thai-black rep... there are so many identities that could benefit from more on-screen representation. I don't know if Thailand is fully there yet, but I hope someday we will be.

3 - Original Content. I'd love to see production companies develop their own original stories (much like The Last Case). I'm not saying to eliminate the Novel-to-Series model altogether, but original scripts tend to help diversify a genre.

4 - Step away from adapting Planoy novels. I probably sound like a broken record at this point, but my issue with them goes beyond their writing. I'll continue to say that they have contributed to the harm of the Thai queer community in both word and action. I will never support them and production companies should really stop giving them a platform. There are other, less problematic, GL authors who are more deserving of an opportunity.

5 - MilkLove in another, more mature GL. I'd (selfishly) love to see them in a series more suited to an older/adult audience.

...as for the fic, I don't know what to tell you hehe It's Shadowhunters. These are life/death situations... but just trust me. Not all is what it seems!!! (Thank you for reminding me to finish writing the fighting scenes for that. Those are always the most difficult to do and I've been putting it off for far too long)

[found--family]

am i the only one who sensed some jilted lover vibes from jensen? 

[genderqueer-karma]

what the fuck i didn’t expect to cry just now. it’s so amazing how you can connect to people you’ll never meet.

[axellis-archv-2]

a moment abt overhalliday if you dont mind but its in the tags bc im embarrassed sowwy..

[thedeadthree]

☆ persona for all ur lovely mcs!! 🎸💫

ISABELA !!!!!!!! hi hi dearie ! ty ty so much u are a sweetheart AHH.

🎸★ INFAMOUS MC ASKS.

🎸 ★ PERSONA: how does their day-to-day personality compare to their on-stage persona?

ANSWERED HERE ! ♡

she i would say loves to subvert the reserved off stage and lively on stage ! she is the life of any party off stage and plays into the melancholia of her music on stage! as her band takes heavy influence from darkwave/cyberpunk-ish/new wave/noise esque genres her more moody-esque energy when performing is what she plays into on stage! she is the best at parties <3 very known to have the best taste in music and be the dj at parties and road trips, for entertainment will stop the party tunes and will play the most depressing tunes you have ever heard at said parties as well.. for the funsies <3

i think for mona its important to her very much she is as she is both on and off the stage ! shes as thoughtful as she is to her fans on stage and with the people in her life, shes as motivated to create art and make life as beautiful for herself, her fans and her loved ones ! she is as pure of an artist as you can be and she wants that to be seen both for her stage life and in her private life. she loves art in all its forms and as her music is a love letter to art (MoMa is named after and is the acronym for the metropolitan museum of art !!!!!!) and she lives to embody that in her music and her life <3 (things dearest to her are reserved for her loved ones of course and she expects that to be respected!)

he is quite similar to mona in that he is as much of a curator of portraying the love to create and the love of being an artist both in his stage persona and his off stage persona but i will say he likens to his personal life as being precious to him and prefers that be reserved for his loved ones ! he is very much an ambivert in that on stage and out and about he loves to be present with his fans, his friends and his loved ones; but at home or in the studio prefers a small group (maybe one other person or two like rowan or jazz or vic when theyre in a relationship!) of his loved ones or to be with his thoughts ! we love a beloved with range !

they are veeeeeery much so an introvert off stage in comparison to her muuuuch significantly so on-stage persona. on stage aura is the portrayal the wish to be perceived as an artist, they put on a show a masterclass of performace and musical art for their fans ! off stage aura the performer takes a backseat, shes introspective and prefers her thoughts and her art. parties are nooot their thing <3

and teehee bonus track version !

oh indeed ! he gets an au!!!!!! (hes in the g and vic poly! and hes a close friend and a side chara in all of the ocs verses !) and you would never guess what the name of his band is (it is not ken-doll) ! he is just as who he portrays himself both on the stage and off! (and by that he is as much of a beloved buffoon on stage as he is off the stage sjanakjn) loves to share his life with his loved ones and his fans (much to the chagrin of his managers his acting one bernadette/bernie and his music one in the au the dearest orion jaskna. who would prefer if he kept at least one or two things to himself kjaska you dont need to share everything my love!) and if his fans or his loved ones asked him to fight a bear in an arm wrestling match because they had a bad day he would do it because thats the sort of soul he is ! he made a name for himself and his loved ones and his fans were there for him, so his way of returning that love is to offer that in full in return to them !

[kittlyns]

Coming to the realization that I'm never going to be a fun aunt to my friends' babies because I always feel like I'm losing more than I'm gaining

[akkivee]

i forgot to say!!!!!! tho i wouldn’t be able to tell you exactly where lol i got my assigned seat for day one!!! i’m somewhere in front reserved seats so i think my death is imminent lmao

[six-of-ravens]

sure you might have had a stupid moment, but at least you're not my 3rd(?) cousin who joined a cult, quit his job, refused to pay taxes for 3 years, and just lost the farm that's been in his family for generations.

[siobhanromee]

.

[blacktabbygames]

Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

[dyaz-stories]

JUJUTSU BOYS + PDA

how the jjk boys are when you're in public with them

including: gojo, nanami, choso, yuuji, megumi, maki

word count: 3.6k (500-600 words for one character)

cw: intended as canon compliant, established relationships, fluff, tooth-rotting fluff, kissing, public demonstrations of affection, can't think of anything else tbh

a/n: been reading some fics in this format so wanted to try my hand at it again. it's been years since I wrote short pieces like that, so I hope you'll enjoy them!

GOJO

Gojo has no concept of personal space, and that is something you had to get used to since you started dating — if anything, since before you started dating. Even when the two of you were at a more flirtatious stage, he’d always be leaning towards you to talk to you, face inches away from yours, hands on your hips if he needed to move past you, arm casually around you if you were sitting next to each other. It was all the better if it flustered you.

None of this has changed, except that he’s much more extra about it now. Holding your hand while walking? Nah, that’s boring. He’ll have his arm around your shoulders, even if it’s not convenient given the height difference. He’ll also try to put his hand in the back pocket of your jeans, pout if you tell him not to do it. If you’re waiting in line with him, he has both of his arms around you, is resting his chin on top of your head, and wants nothing more than for you to lean back into his chest, relaxing into his embrace. You can both be doing totally unrelated things — you’re reading and he’s checking his phone — but you’re slotted against each other, and that’s how it is ideally for you.

You’re waiting for him to show up to your date when you feel yourself surrounded by familiar arms, and then his cheek is pressing against yours as he surveys the book you’re holding in your hands.

“Whatch’ya reading?” he asks, breath warm against your cheek.

“Just doing some research on emerging curses,” you say with a shrug as you close it and put it in your bag. “So, did you want to check out that new bakery?”

He hums in reply, and you wait for him to move so you can start walking.

He doesn’t.

“…do you plan on letting go of me?” you ask after a while, turning your head to look at him.

He pouts at you, inches away from your face.

“I haven’t even gotten a kiss yet…”

“We’re in public, Satoru,” you say, feeling your face heating up.

“So? Let ‘em stare. They might as well, if you ask me.”

You want to roll your eyes — one day, you’ll have to talk about that exhibitionist streak of his — but in the meantime, you just have to crane your neck a little to peck his lips. They’re soft, as always, and he follows greedily when you pull away, his hand coming up to tilt your chin up gently as he presses more kisses on the corner of your lips, then on your cheek.

“You’re impossible,” you say, badly hiding your laughter. “Let’s go, or we won’t make it to closing time. You’re late, by the way.”

He lets out a heartbroken sigh, but finally frees you, keeping his arm around your shoulders as the two of you start walking towards the bakery. He keeps his strides short, so you don’t have to run to keep up with him, instead allowing you to keep a comfortable pace.

“Yeah, well, what can I say? I’m just too good at my job, they can never get enough of me.”

“Aw, poor darling,” you say. You grab his hand, intertwining your fingers with his, and bring it to your lips to press a kiss on the back.

He lets out a cough that doesn’t do much to disguise the fact that he’s getting flustered, and you grin, satisfied. Two can play that game.

Fortunately, neither Satoru nor you have any intention of forfeiting any time soon.

NANAMI

Nanami is a private man. There is no reason for the whole world to know his business, and he doesn’t feel the need to put his relationship on display for everyone to see. His softness for you is still plain to see in how gentle his voice gets when he speaks to you, in how carefully he chooses his words, in how fond his eyes are when he listens to you tell him about your day. He knows you like him holding your hand, though, so he’ll indulge you, especially when you’re walking by his side through crowded streets.

That is for practical reasons, of course. First, it just wouldn’t do to lose sight of you. Second, people tend to steer clear of him, his serious expression and his broad frame, and that means they realize quickly to steer clear of you. It has nothing to do with how soft your hand is in his, or how the way you use your thumb to stroke his skin sends shivers down his back.

“That’s a lovely restaurant,” you comment, eyes drinking in the elegant decor while Nanami is examining the menu.

“It had excellent reviews,” he answers, not going into details as to the great lengths he’d gone to in order to ensure that this date was as perfect as humanly possible.

“I’ve been in the neighborhood so many times, and I had no idea this was here,” you say. The place is very small, only a handful of tables, all of them now filled. You’re sharing an alcove with Nanami, creating some distance with other customers.

“There aren’t many tables available, so they don’t advertise much,” he explains as he sets the menu down. “But they’re known for their excellent cuisine.”

You give him a smile, then lean closer to him to kiss him on the cheek. Your lips linger just a little too long, and then you move them close to his ear, which is already turning quite red.

“Thank you for planning all that,” you say sweetly. “It looks wonderful.”

He clears his throat when you pull away, avoiding your eyes.

“Of course,” he answers, voice wavering imperceptibly. “Anything for you.”

And you know he means it, too.

Under the table, his hand finds your leg, large palm easily covering your knee while calloused fingers carefully rub your calf. You bite your lip, welcome the warmth that spreads in your body. You know Kento well enough to be sure that that’s as far as he’ll go, that he wouldn’t dare to do anything more in such a public setting, and that makes you enjoy the intimacy of the gesture all the more.

Later that night, while the two of you are walking out, his jacket is around your shoulder at his insistence — “It’s cold outside” — and he’s getting ready to call a taxi.

“Kento?”

He lowers the phone to look at you, and you push yourself on your tiptoe, hand closing around his tie to pull him down towards you.

It’s late at night, he tells himself. There’s no one around, he tells himself. That’s why he closes his eyes and allows himself to melt into the kiss, regretting it when you pull away too soon and catching himself before he grabs you by the hips to get you closer to him.

“I had a great evening,” you say. “Should we take this to somewhere more private?”

How much more merciless can you get?

“Certainly,” he says. “Just give me a second.”

There is nothing he can deny you.

CHOSO

Choso cannot wrap his head around what he can and cannot do around you. The rules for what is proper, what is acceptable, have shifted so much since he was last around, and he would die before he embarrassed you — or worse, before he did something that would make you push him away. He knows that you wouldn’t, and yet the fear is like a weight that tugs on his heart every time he thinks about it. He walks by your side, glancing at your hand that’s freely hanging between the two of you, and though he brushes his knuckles against yours, he just cannot bring himself to do it. It’s to the point where it’s the only thing he’s thinking about — and he just can’t do it.

Then you see something that catches your eye and you grab his hand and pull him with you in that direction, and he thinks his heart could just fall out of his chest. You make it look so easy, so natural, being with him coming as easy to you as breathing, and he couldn’t possibly ask for more. It takes him many other tries, many other dates, before he can take your hand in his. When he does, you glance down in surprise, then grin at him, and kiss his knuckles softly — and he’s so happy he could die.

“So,” you say, sitting on the park bench, knee pressed against his while you’re leaning into him to show him your phone, your hair tickling his neck, “that’s the movies they have on tonight. Think we should call Yuuji to ask him what to watch?”

“Hm,” Choso says, not really focusing on anything you’re talking about, not when you’re this close to him, “isn’t— isn’t that the one franchise he’s always talking about?”

You burst out laughing, then rest your head on his shoulder.

“No offense, babe, but there is no one in the world I’d go see a Human Earthworm movie for. Even if this one is supposed to have romance in it,” you shudder at the thought, “I’d like to go see something actually. You know. Watchable.”

Choso’s mind is going in overdrive. You’re so close, and he knows he should have gotten used to this by now. He isn’t usually like this, but some passers-by are looking — not necessarily being judgmental, though there was an old lady earlier who scoffed and shook her head, but… looking.

“Then I don’t know if Yuuji is going to be much help,” he manages to say as you keep scrolling on the cinema’s website.

“That’s fair,” you sigh, standing up from the bench, and even if he can now think again, he misses your warmth and your smell right away. “Well, maybe we drop the movie and just go get something to eat, what do you say?

“Sounds good,” he answers, standing up after you.

Hesitantly, almost clumsily, he reaches for your hand, fingertips brushing against your thigh as he does, then tightens his grip around your palm, ensuring that it wouldn’t slip away from you. You give him a fond smile, then take a step to get closer to him, and kiss him gently. His breath hitches, and his eyes dart around the mostly empty park.

“T-there’s people around,” he says quietly, and he hates that you step back to look around.

“Oh, sorry,” you say, “I didn’t mean to make you uncomfortable—”

He takes your hand to pull you with him, and you follow him through the grass as he finds a more secluded spot, behind a tree.

“There,” he says, and you chuckle at how satisfied with himself he sounds.

“Oh Choso,” you coo, leaning against the tree while you grab his shirt to pull him down towards you. His mouth is warm, eager, and his cheeks remain a fierce shade of red as he kisses you back insistently.

You would have missed the beginning of the movie anyway.

YUUJI

The thing about Yuuji is that any type of public demonstration of affection feels so natural coming from him. It’s almost never meant to be suggestive, it’s not something he thinks through, it’s just something he does. You’ll be sitting with Nobara when he appears, and he just puts his arm around you while talking to her, like it’s the most normal thing in the world. You’re walking with him when he lifts his head up like he’s forgotten something, and what he forgot was to hold your hand, silly him.

If you walk by him while he’s sitting, he’ll grab your hips to pull you in his laps, fingers rubbing circles on the skin of your arms, absent-mindedly playing with your fingers as he holds your hand. After all, why wouldn’t he? He doesn’t even realize that it flusters you, and it just feels so natural for him to show his affection like that. He’ll look at you with stars in his eyes while you speak, not seeming to realize that his face is so close to him while you’re sitting in his lap.

No one pays attention to it anymore. You arrive just as Nobara is starting the movie — she’s putting on an action movie, thank you very much, even if Gojo just bought the collector edition of Human Earthworm 4 for Yuuji, with the director’s cut — and with all the students crammed in the room, including Panda, who’s taking most of the space on the couch, there’s nowhere left for you to sit.

“Come here,” Yuuji says cheerfully, waving you towards the armchair where he’s found his spot, “it’s about to start.”

You glance around the room for a reaction, but no one is paying you any mind. You walk over to him, perching yourself on one of the arms, legs over his. He doesn’t seem puzzled by it, just puts an arm around your waist casually.

Of course, you end up still sitting in his lap eventually, just slipping in it at some point in the movie. Can you be blamed? He’s warm and comfortable, and he wraps both arms around you so he can tuck his chin in the crook of your shoulder, nose brushing against your cheek when he turns his head. Not that he seems to notice how it makes your pulse quickens, eyes focused on the movie.

“What are the themes even supposed to be,” he mutters under his breath, eyebrows knitting together in annoyance.

“’Military good’?” you suggest quietly as a guy gets blown up on screen.

“The first half of the movie was about military bad,” he protests. “They can’t just act like that never existed.”

“Would you two shut up,” Nobara shouts from her spot, “or Maki will come beat you up!”

The two of you pipe down, knowing the threat is very serious and not one to take lightly.

When the movie ends, everyone gets up, stretching, but you’ve gotten comfortable against Yuuji’s chest, and you don’t feel like doing that just yet.

“That was terrible,” Yuuji comments, and you let out a brief laugh. Gojo has somehow made a cinephile out of him, and you love how worked up he gets over that stuff.

“Yeah, we should have been watching Human Earthworm 4 instead,” you say.

“Exact— oh, you’re making fun of him.”

You giggle, then tilt your head to kiss him. For a second, he freezes, eyes going wide. Kissing is the one thing he rarely initiates — but when you do, you get to see his gaze soften, before his whole body goes soft. His hold on your waist tightens — and then a pillow thrown with impressive precision hits him, and only him, on the ear.

“Not in public,” Maki shouts from all the way into the kitchen.

“Hey,” your boyfriend protests, “I’m not the one who—”

“You’re such a traitor,” you gasp, struggling to pull yourself free from his arms — but it’s no use against his strength, and he refuses to let go.

“You’re not going anywhere,” he says. “Now, where were we?”

You might have been at fault for the first pillow, but that second one is all on him, as far as you’re concerned.

MEGUMI

Megumi is a private guy. He can be affectionate in public, but there is a side of him that he only wants you to see. He especially doesn’t want any of your nosy friends, or worse, his adoptive dad to see how he can be around you. They would never stop teasing him after, and he doesn’t think he could live with that.

Or that they could live with that. Because he’d kill them.

It does annoy him that he’s supposed to deny himself because of them. If it was up to him, he’d spend most of his time alone with you, preferably in a small house in the middle of a forest with no one around, no curses, no sorcerers, no nothing. That, sadly, isn’t an option though, so he has to find his own way to do things.

“Don’t move,” he says sternly. “You have something on your face.”

You roll your eyes, but tilt your head up towards him, as he carefully runs his thumb under your eye, then over your cheek, blowing on it once it’s done.

“What was it?” you ask.

“Just an eyelash,” he says with a shrug. “You’re good now.”

You study him, waiting for him to give something away, but he doesn’t, just staring at you with the same expression he always wears.

“Should we get going?” he asks. “I thought we were supposed to catch a movie.”

“Sure,” you relent. “We should get moving.”

The streets are quite full at this time of the day, and you have to step aside frequently to let people pass, sometimes losing sight of Megumi. Eventually, with a sigh, he grabs your hand, pulling you with him as he walks, sending murderous glares to anyone who stays in his path.

“You’re going to get lost at this rate,” he mutters as he pulls you with him.

“I mean, worst case scenario we meet back at the theater,” you say, and you grin at the offended look he gives you. He notices it, but doesn’t answer, a light pink dusting his cheek as he glances away.

He hates the idea of being away from you on a day that’s supposed to be about the two of you — but since he refuses to say the quiet part out loud, you get to tease him all you want.

To be fair to him, having Megumi as your scary guard dog does make it much easier and much faster to reach the theater. He gives you a pointed look when you get there, and, to your regret, lets go of your hand quickly, though his touch lingers there a second longer than necessary.

“Should we get a couple seat?” you ask innocently as you approach the register.

Megumi glares at you once more while you give him a sweet smile.

“It’s better that way, right?” he says, clearing his throat. “Otherwise strangers might have to share one.”

“Sure,” you nod, not even bothering to hide your grin. “It’s just more practical, right?”

“Right,” he says stiffly.

Even once you are in the couple seat, he keeps a thoroughly appropriate distance from you, one that you might find a little hurtful if, at the end of the commercials, he didn’t fake a yawn to put his arm around you, in the least smooth way known to man.

“You know you can just do it,” you say quietly as the lights turn off, resting your head on his shoulder. “You don’t have to go through all that.”

“I don’t know what you’re talking about,” he mumbles.

Reaching for his face, you tilt his head towards you, and push yourself to meet his lips for a sweet, soft kiss. For the first time since you’ve stepped foot outside, his whole body relaxes into yours, and he stops trying to pretend.

“You had something on your lips,” you whisper when you pull away.

He snorts, then quickly goes back in to steal one more kiss from you before the movie starts.

“Liar,” he says.

As if he’s one to talk.

MAKI

Maki isn’t a demonstrative person as a general rule. She does compliment you without hesitation, words falling from her mouth so genuinely that it never fails to fluster you, but physical demonstrations of affection don’t come easy to her, maybe because she received so little of it as a kid. She does it sporadically, and she does very much enjoy teasing you, loves knowing that she can get those reactions out of you.

It’s the more spontaneous gestures that get to you though. She’ll kiss your forehead after a battle that left you bruised, a way of comforting you. She’ll pat your head after you managed to pull an impressive move during training. On one occasion, when you got injured, she carried you in your arms to Shoko, demanding that you be taken care of right this instant. She’d been the one to get flustered after that, hiding her face in her hand in embarrassment when it was brought up later on.

It might not come easy to her, but she does love it when you do it — when you show her your love in that way.

“You’re late,” she scolds you when you reach her for one of your dates, needing to take a second to catch your breath because you’ve been running since getting out of the subway.

“Sorry,” you say between deep breaths, “there was an emergency.”

Worry flashes on her face immediately.

“A curse? Were you hurt?”

She reaches for you, tilting your face towards her as she examines it, then study your body to make sure you weren’t injured. You let her, surprised at first, then endeared.

“Don’t look at me like that,” she frowns once she realizes how soft your gaze has become.

You grin, then push yourself closer to kiss her. You don’t care that you’re in public, and though it wouldn’t have occurred to her to do it, neither does she. The kiss is sweet, gentle. I’m alive, you’re alive, it says. No need for more.

“See?” you ask cheerfully. “All good. Now, I’m pretty sure you were going to buy me dinner…”

She clicks her tongue, but she’s grinning. It’s nice to see her so at ease, so relaxed. It’s a side of her you’d never see within the walls of Jujutsu High, nor on a mission. You’re the only one that can bring it out of her, and man do you love it.

“I’m buying? Again?”

“I did almost just die.”

“Nice try, but you told me you were fine.”

“I’m fine now,” you insist, “but…”

“Well, I was disowned by my family, so I don’t have money. You’re buying.”

The two of you keep bickering, but, as you walk, you reach for her hand. She pulls away at first, years and years of reflexes kicking in instinctively, and once she realizes what you were doing, she’s the one who takes your hand in hers. She holds it delicately, careful not to break it — to be fair, her strength would probably allow her that.

It’s so sweet and light, being out there with you like that. So normal. She hopes it never ends.

You squeeze her hand, and she lets you guide her across the street, content with just following, knowing that she can trust you to fill in her shortcomings in the relationship, like she does it for yours.

The sky is grey, the forecast said it might run later tonight — Maki’s planned an umbrella, she’s sure you didn’t think of it — but as far as she’s concerned, the day is as beautiful as it could possibly be.

this is my first time writing for... pretty much everyone here except gojo lol. i hope you enjoyed it and that the characterization wasn't too off, but any feedback is welcome! if you want to support me and my writing, please reblog/leave a comment or send me an ask, i'd love to chat! i'll see you later for some more jjk writing ^-^

you can find my gojo x reader work here

[norrisleclercf1]

I’m sorry but a pity blowjob is actually hilarious like I can imagine Lando asking for one after every race he doesn’t make pole or the podium. Boy could win fastest lap and make p4 and in his driver room be like ‘plz baby I need a blowie to feel less like a failure’

A/N: Should be studying but it's the final stages of my period and I get a little.....yeah

"Will you blow me?" Your head snaps up looking at your best friend whose was splashed out on the couch and for a second you did picture yourself between his legs.

"Lando? Why are you suddenly asking?" You weren't saying no, honestly you wouldn't say no to him. Lando was hot in the way that he was a total nerd but still hot. You couldn't quiet explain, just something about him had you picturing that damn cartier necklace dangling over you, curls between your legs, and his thick cock in your mouth.

Lando hums and rubs the back of his head, race suit dangling from his waist and you felt your mouth water. "I don't know, maybe a pity blowjob. When I don't do good you could blow me." He shrugs and you think it over. Lando from what you have heard, was good in bed, so why wouldn't you take him up on the offer.

"Okay," You toss your phone to the side and you see the surprise but then the dark look that crosses over his face. "Now?" He asks, and you giggle seeing the way his suit got a tiny bit tighter. "Well yeah, unless you don't want to?" But Lando shakes his head no and reaches out for you, pulling you in by the back of your thighs you admire the way his fireproof hugs his chest and arms.

Neither of you say anything as you slowly sink to your knees, both of you never breaking eye contact. Lando's breathing gets faster as you reach your hands down, hooking in the waistband. He lifts his hips up and watches as you pull them down. Revealing the slopes of his thighs you lean in, placing small kisses and running your nails up and down making him shiver.

You move your fingers up and rub your thumbs into his waist which has him groan. You know after a long race his hips are the sorest, you've seen Jon rub out his hips more than once to know what to do. Lando closes his eyes, enjoying the feeling but you move one hand and grab the half hard on and squeeze which has his knee bouncing from the sudden sensation.

Smiling and finally stop and pull down the special fireproof briefs they were and lick your lips when Lando's cock stands up. "Damn," You mummer, running your eyes over him appreciatively. "Like what you see?" You slap his thigh which has him giggling. Lando wasn't crazy big, maybe 5 to 6 inches, but the girth on him was impressive, you could practically feel the weight of him on your tongue.

He had veins sticking out, slowly you take your tongue and trace them which has Lando letting out a low groan. "Fuck, babe." Lando's finger trace your face before digging into your hair. You smile and move up to his tip and sucking it in. Lando arches his back pushing a little bit more of him into your mouth.

You breath through your nose you take him deeper into your mouth and start to bop your head. Lando let's out little grunts and moans letting you go at your own pace. You were taking it slow, but you also knew that building him up was hot. Looking up you go deeper which has Lando's eyes flying open his breathing picking up.

"M...fuck, y/n. Going to," You move and suck harder which has his thighs shaking as your mouth is filled with Lando, you didn't even care, it was a little salty but you take it and swallow as Lando shakes and comes down from his high. You pull off and give soft feather kisses to his now deflating cock and see Lando blessed out.

"Yeah, we're defiantly doing that again." You giggle and lean up giving him a soft peck. "Next time, I repay the favor." He gasps head still spinning. And fuck you could've come right then and there picturing him between your legs.