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bookwyrminspiration · 9 months ago

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hello so i sent you something very similar to this a few months ago but it looks like tumblr ate my og ask because i haven't seen it so i'm resending it except i don't remember my exact words so i have to rewrite it from scratch lmfao

about elves and culture: at one point i remember you mentioning offhandedly in some post that elves are all white culturally (i tried for about fifteen minutes to find it, but you know. tumblr.) which is another way the series lacks diversity (besides the obvious barely-any-non-white-people and no non-allocishet people) and i was thinking about how shannon could have even have fixed this problem because the elves are a monolith when it comes to culture. yeah, they have different races, but all the races have the same culture. so i was like. ok. how would shannon even incorporate multiple cultures into the story? how would it even be possible to show cultural diversity in a story where the elves all live in the same society? and i came up with a few ideas:

could do a mashpot, where everyone in the lost cities has bits of every single culture ever mixed into one (somehow). i have two ideas for this

mashpot option one: have the different aspects of a culture each come from different cultures (for example, clothes of one culture and the food of a different culture and traditions of the another culture and so on). putting it all together, this would create a collage-culture of sorts, which would be quite jarring, but it could be effective if done well, i think.

mashpot option two: they could have the different aspects of a culture pull from every culture ever. for example, the elves could eat foods that taste like foods from all around the world, instead of foods that just taste like american foods (as someone who hates the taste of stereotypically american food, i can say i would hate eating anything from the lost cities). or have them celebrate a variety of holidays or something across the whole year, each of which is representative of a different culture.

could have different groups of elves each have different cultures. i also have two ideas for this

different groups option one: each family line has a different culture or something like that. so you have cultural diversity through each family having a different culture and everyone being accepting of that. this could include different clothes, food, traditions, architecture, celebrations, and all that stuff (maybe not language though lmfao). this would at least be able to somewhat showcase different cultures, although it would have to have been done really half-assedly. this would also have a huge skew toward white cultures because most of the characters are white.

different groups option two: create different clans of elves, all of whom have mutual respect for each other. each clan of elves can have a different culture. this would literally be separate societies of elves. however, they could all respond to the same council, which is made of people from all the clans in the name of equality. this way, the monolithicity of the elves would be intact and while still showing some diversity of culture.

shannon makes up her own culture that is completely unlike any culture we've ever heard of, ever. equal neglect of all cultures is equality. sophie eats an umber leaf and is like "this tastes like nothing i've ever eaten before and tastes like it shouldn't even be a real food but i like it". sophie is shown their clothes and it's just a dress made out of solid, opaque crystal. their traditions involve scratching random shapes in the ground and dancing around them in a specific way. this is the chaos option.

this wouldn't really showcase cultural diversity, but instead of an all-white culture, it could be a non-white culture monolith. but then there's the same problem of "why do all the elves have the same exact culture, where's the diversity?" except a different flavor. it would also be really weird because most of the characters in the series are canonically white.

elves don't have any culture. not gonna lie, i have no idea how this would work. this is the other chaos option. up to interpretation, i guess.

thoughts? what would you do if you were shannon. i don't really see any other options for fixing this problem, but there might be something i missed.

(also, yes, i am sending this three times. sorry for annoying you. i want to make sure at least one makes it to your inbox this time lol.)

Hey! So sorry about that--I don't know exactly how long you were waiting, but if it ever seems a while you can send an ask sooner to double check!

Before I get into this, I will say: there is no one right way to approach this topic and I am one person. These are just my thoughts--and I am always open to hearing from others

That said, just to clarify my first point (from this ask, thanks for the link), what I meant by "the elves are all white culturally" is that the kotlc elven culture is fabricated, but seems largely white american inspired. Which makes sense, as that's what Shannon is. There's always going to be a level of bias from one's own experiences and life, it's legitimately impossible to avoid and not always a bad thing. In some cases though, we want to temper it a little, which I don't think it really was in kotlc.

Like you said, there's multiple ways to approach this.

I think the crux is how race, in the elven world, means nothing--but this story exists in a world where it means a lot. While race is a social construction (the meanings/distinctions we assign to skin color are arbitrary) and therefore can be given a null significance, doing so is difficult because socially constructed doesn't mean meaningless/insignificant

We also run into complications given how scattered elves are--I've brought this up regarding clothing, but the physical geography of one's community shapes not only what you wear, but what you grow, how you build, etc. And we don't have that landmark for the elves

I think either an elven monoculture or multiple would work, it's just a matter of what you'd want to do.

If we go for a monoculture as Shannon has, I'd personally go for its own unique culture rather than a mash-up. A mash-up seems too likely to remove significant context/meaning from the source, and the elves are supposed to be isolated from humans. I think Shannon choosing this was fine, it was the execution I dislike.

The food comparisons you mention, for example. Or the family structures. Beauty standards. The education system. They don't actually feel like a distinct monoculture, it feels American with a fantasy filter. If, for example, we expanded on how being immortal affects your family (everyone's still alive, what kinds of relationships does that create, etc.), or how they're taught (instead of lectures and homework, maybe more hands on involvement, travel for hands-on since they can do so instantly, different kinds of tests, etc.), then I'd be more satisfied. I know there's some level of familiarity so readers aren't lost, but it's a little too much, in my opinion

If we were going instead for multiple elven cultures, I think I'd personally base it on ability. It's the most defining thing in their world and could easily be taken further. There'd be kinks to work out given kids don't automatically inherent their parents' abilities, have to manifest, and that people with the same ability don't generally group together, but! that's not insurmountable

kids could be raised within their parents' ability cultures/customs and then, if they manifest a different ability, its culture could be passed via their instructors--which wouldn't necessarily be at Foxfire. Those who differ from their parents, perhaps, would be expected to seek out additional mentor figures and become more multi-culture kids in the process. just because they don't group in canon now doesn't mean they can't here (and could be seen as more necessary given how much ability cross-marriages there are). There could also be more celebratory days around abilities--e.g. a kind of ceremony conducted when a kid manifests. Lots of different ways to take it, the point is just that abilities, I think, make a great base for different elven cultures given how massively important it is in their world.

We're critiquing/discussing diveristy, so something to consider, I think, is what is diversity in the context of kotlc? We want a variety of people to be reflected in the story--but we're dealing with isolated non-humans, so including a variety of human cultures won't necessarily achieve that goal.

The main thing that comes up (or at least that I've seen discussed) is the lack of non-white characters and the fairly american constructed culture--so the course of action to take could be a better balance of physical descriptor (more non-white characters) that creates the varied reflections/connections we want, and a more distinctly elven culture that leans into it harder, making it less American.

I'll stop here for now until this gets too long, but at the moment that's the general direction of my thoughts. I think it's a fine thought experiment to ask "what if culture wasn't tied to race?" you just don't want to then forget that even though your fantasy book doesn't consider race, it exists in a society that does. which could lead us into further discussion on sterotypes as well, which also factors into all this

and again: these are just my personal initial thoughts. it's a broad, complex topic, so there will of course be things I miss or don't get to. but regardless, i hope that at least partially answers your question of what I would do :)

#kotlc #kotlc worldbuilding #long post #quil's queries #nonsie #i am. so sorry about the wait #rest assured I have definitely received this ask now #also. that og post is from 2021. and while I'm not saying I completely disagree with myself #i may have some clarifications/alterations to my previous statements. like the comparisons I make with my own life #alas. the human nature to change and grow #anyway. does this answer your question? always willing to talk more #but just making sure I'm getting what you're getting at and on track

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eponatheestallion · 5 months ago

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adding on this bc trauma twins my beloved 🤸🏾‍♀️also this is a LONG one this rant kinda got away from me teehee

the thing about wild and lost is that yes they are the same person but in terms of life experiences they are completely different bc of the whole memory situation.

both of them share that feeling of "im a failure and everyone i love is gone" but while wild remembers the champions, king rhoam, etc, lost remembers everyone. the soldiers, the villagers in pre-calamity hateno, etc. while he may not be able to put a name to every face, he still remembers the faces.

so while both them are dealing with the fact they lost a Lot of their lives pre-calamity only lost is able Full-Scale of everything that's well. lost. that wild just can't due to his amnesia (not to say he doesnt understand at all. its just Different.)

theres also the fact lost is able to remember trauma that has nothing/very little to do with the calamity and the events of that. miphas diary literally tells us its botw canon that wild/lost was an exceptional swordsman at the age of four. then creating a champion tells us he was either twevle or thirteen when he picked up the master sword. and those two facts have been something kholby and i have been discussing a Lot with this au bc of the trauma that would result in having that responsibility and training pushed on a person so young.

so addition to calamity-induced trauma, lost is also dealing with the trauma from basically being a child soldier. kholby talked about this in a previous ask i believe, but lost's lack of identity is a HUGE part of his character and is what makes him most separate from wild besides the lack of amnesia.

wild was able to wake up after a 100 years and slowly remember his past while also figuring out his identity in this new era and lost just. didn't. he's still the hero from 100 years ago, he didn't change. all that changed about him was that he has a new set of trauma sitting on top of his already existing trauma.

like lost's lack of identity is a topic that needs like. multiple posts from me and kholby. its SUCH a big part of who he is and i cant sum it up in a few paragraphs bc theres just. So Much to cover (but i can sum it up pretty alright in a fanfic hahahaha shameless plug link here)

and thats not even getting into the totk swap aspect of this au bc uh. thats ANOTHER part where lost and wild diverge and it has Consequences for lost is the best way i can put it. like. 90% of lost's Positive character development happens post-totk for a reason. its just that pre-totk lost also has a lot of shit to work through that can also be explored.

anyways theres. so much more to talk abt with lost and wild and the differences and similarities between them but tldr: wild and lost are a "the grass is greener from the other side" situation but from lost's pov the grass is Indeed greener but from wild's pov the grass is on fire. trauma twins my beloved.

What head-canons do you have for wild that apply to lost?

im gonna be so fr the trauma twins (lost and wild) are complete opposites even though they stem from the same thing so the number of things that apply to both is surprisingly low!! 1. neither are particularly gender conforming (just wild is a lot more aware of it than lost. lost'll figure it out eventually though) 2. mommas boys through and through. malon, sonia, their actual mother, all of the above 3. they are like a soup of various magic (though the intensity n shit varies between them) even though theyre technically the same person they couldnt be more different

#lu lost #lost hero au #u might notice i kinda went on a tangent at the end but thats just bc trauma twins drive me insane i love them #also ignore any typos its 10pm

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septembriseur · 4 years ago

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I want to come back to this article, which I reblogged a post from (after seeing it reblogged by loads of people on my dash). I recommend reading the article if you haven’t done so. Its central argument revolves around the idea that “modern liberal democracy presents itself as non-ideological beyond ideology,” and that ideology itself is always presented in literature/media as unacceptably violent— villainous. (I would argue that, in fact, any sort of cultural “accretion,” in the sense that culture is perceived as "on top of” and obscuring universalized western ideology, is tolerated only insofar as it is not really taken specifically or seriously. That’s why even characters who are presented as deeply religious (think of Matt Murdock or Rogue One’s Baze and Chirrut) are portrayed as religious in a way that is broad, universal, flexible, and vague.

One issue that the article doesn’t really delve into is that supposedly “ideologue” villains are actually profoundly anideological, except insofar as their ideology is, like, anti- modern liberal democracy’s lack of ideology. A really interesting example of this is in Iron Man: Tony Stark gets held hostage by a group of extremists whose extreme belief is... well... even the MCU wiki seems unable to provide any detail on this beyond “destroying world peace.” The film employs a weird move where it obviously relies on the Afghan setting of the villainous Ten Rings to suggest associations with radical Islamism, yet also provides evidence that the Ten Rings are not Islamists. On the one hand, it provides a sort of generic Western specter of radical Islamists— brown men speaking foreign languages and living in Afghan caves— and on the other hand it coyly removes all potential religious, political, or cultural motivation for their actions. These guys aren’t impoverished tribesmen who’ve been subject to tumultuous centuries of imperial warfare, and they’re not religious extremists living out masculine power fantasies. They’re just a group of dudes who kind of look vaguely Middle Eastern and kind of sound vaguely Middle Eastern (since Arabic and Persian are the languages we hear the most).

Of course, there’s a real-world explanation for this: Marvel wants to be able to tap into that specter of radical Islamism without offending Muslim consumers. But the textual effect is to create a picture of the world in which terrorism in Afghanistan is evacuated of all meaning. Don’t get me wrong: terrorism in Afghanistan is unbelievably destructive and to a large extent nihilistic, in that it benefits no one and spreads only despair and suffering. But at the same time, it arises out of a historical, political, economic, and religious-cultural context, and if you refuse to understand this context, then you will fail to understand why people make the choice to become terrorists (or how to stop them).

That’s the real problem here: the creation of a world in which the only rational choice is modern liberal democracy, and all other choices are nonsensical.

Marvel is a great site at which to explore this, simply because there’s so much of it. (You could also easily look at Star Wars, as MacQuarrie does in that article— why does the First Order want power? New extended universe writers have fleshed this out more in their web of liminally canonical texts, but on screen the answer seems to be, in the words of the also-manifestly-guilty-of-this-and-guilty-in-other-ways Joss Whedon’s Dr. Horrible: “the world is a mess, and I just need to rule it.”)

The Falcon and the Winter Soldier is a wildly characteristic example of this. It has the thankless task of trying to engage with the effects of the canonically almost effect-free (cf Spider-man: Far From Home) blip, and pieces together a weirdly nonsensical storyline in which the blip enable border-free mass migration, which was revoked when the other half of the world’s population reappeared. The plot revolves around a group of super soldier refugees/displaced persons who want to stop borders from being reimposed on the world. Sam Wilson refers to the refugees as “people who have been welcomed into countries that previously kept them out with barb wire,” and indeed it's hard to imagine any version of this narrative in which the “migration” we’re talking about is the migration of Global South nationals to the Global North. There’s a really plausible specter here: the Global North does source its manual and domestic labor from the Global South while, whenever possible, keeping Global South nationals out with barbed wire. It does make sense that the Global North would import laborers and then attempt to deport them when their presence was no longer convenient. That is, in fact, literally what has happened/is happening in the UK to foreign healthcare workers during the pandemic.

However, as in Iron Man, Marvel wants to mobilize a specter while also evacuating it of all meaning. None of the displaced people we see in TFATWS bear any resemblance to real-world displaced persons. In spite of their United Colors of Benetton racial diversity, they display no marks of culture, religion, nationality, or indeed poverty. They even have British and American accents. They are completely neutral in every way.

This matters for several reasons. First of all, it allows the viewer to differentiate between the migrants on-screen— Western-looking, English-speaking, non-religious— with migrants off-screen: [perceived to be] too religious, non-English-speaking, culturally and racially “other.” Secondly (again as with Iron Man), it removes all context from the act of migration. Why did these people become migrants? Uh... because of the blip, I guess? Beyond some vague references to suffering, it’s never addressed. This allows the viewer to completely detach the question of migrants/displacement from any of its structural context. Why do people migrate in the real world? Because their countries have been completely devastated by warfare, often proxy warfare carried out by imperial states. Because climate change has completely devastated the regions where they live, with or without triggering devastating warfare. Because they belong to ethnic, political, and/or religious groups that are being systematically destroyed by state governments. Because colonialism and neoliberal capitalism have completely devastated the economies of the regions where they live. This is why the stakes of migration are high.

If, as the show suggests, people just migrate for various personal reasons that really aren’t that important, then the stakes are not high, and we don’t have to feel bad about the behavior of our governments. This is a huge problem at a time when Denmark is shipping Syrian asylum-seekers back to Syria because it’s apparently fine now, Joe Biden is failing to make good on campaign promises about increasing refugee quotas, the UK is housing asylum seekers in situations that violate human rights law, migrant drownings in the Mediterranean Sea have become a regular feature, and the United States has systematically resisted fulfilling its promises to Iraqis and Afghans who risked their lives working for US forces in exchange for visas.

But, like, above and beyond the specific political issue of migration: what is the Flag Smasher ideology? “One world, one people.” I accept that there might be some viewers (mostly those with no knowledge or experience of immigration) who oppose this on principle, but it seems pretty obviously... good. So the bad part is... that they’re fighting for it? (According to people in my notes, this is Bad.) It’s possible to read this as another example of what the MacQuarrie article discusses: personal violence good, ideological violence bad. However, once again we have an example of an ideology that is not ideological, an ideology that is a specter cleaned out of any possible substance. The nonsensical choice here (the one beside which modern liberal democratic norms are obvious) is the choice to commit violence when there is no urgency that justifies this— none of the urgency that, in fact, exists in the real world, and explains why people regularly sacrifice their lives in desperate attempts to escape their homes.

This is a really good example of how capitalism— a force with no real agency or subject, no evil committee planning its deeds— ends up enacting a project that systematically enforces its ideology. Attempts to render narratives apolitical are themselves profoundly political, even when justified in terms of appeal to the consumer. This is one of the most dangerous aspects of media, IMHO.

#just me sayin stuff honestly #tv: tfatws

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the-insomniac-emporium · 4 years ago

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Serenade (Daniela Dimitrescu/Reader) Pt. 5

Fandom: Resident Evil: Village Pairing: Daniela Dimitrescu/Reader (Gender neutral) Rating: T for language and mentions/references to an (emotionally) abusive relationship. Mild, brief violence. Warnings: TW for referenced emotional abuse, mild TW for possible physical abuse (sorry, angry Dani is not 100% gentle with people she doesn't love-love) Notes: Music for this chapter here. If you're following this story and really want to continue reading, but worry about the TWs for this chapter, just send me an anonymous message and I'll write up an alternative version of this post. It's not something I would do without it being requested, but it's also not a big deal so don't feel like you're bothering me if you want that. Previous Chapters: Pt. 1: Nocturne, Pt. 2: Overture, Pt. 3: Accelerando, Pt. 4: Tocatta

Chapter 5: Poco a Poco (Italian: Little by little)

Finding a schedule for lessons to follow proved to be an insurmountable task. Consistency was something that Daniela struggled with greatly, even when it came to things that she genuinely cared about. Things like ensuring you lived long enough to entertain her. Instead of working with you to find a balance that worked for both of you, the youngest Dimitrescu daughter seemed intent on doing things in her own time. Little by little. Which would have been fine, if the two of you weren’t restricted by time.

Fate wasn’t entirely unkind, however. There were still a few things that Daniella recalled from her “youth”, bits and pieces of musical theory, the bare basics of reading sheet music. Not having to teach her proper posture or the structure of a piano would save you a little bit of time. On top of that, you had been informed that, somewhere in the castle, there were a few books of sheet music you could borrow. Assuming you were eventually able to find them, that is. So far they had eluded you, but you hadn’t even had much time to search, as you were still expected to perform your usual Maiden-related tasks.

In the end, it was Daniela herself that proved to be the biggest obstacle in your way.

“Look,” Daniela said one day, barely ten minutes into a lesson, “I think we should take a break… maybe have some fun?” One of her hands is resting on top of yours, the other tucking your hair behind your ear. There’s a smirk on her lips, unsurprisingly, and she’s mere inches away from kissing you. If not for the heavy threat hanging over your head, you would have already thrown yourself into her arms. Instead, all you can do is sigh, turning away from her as you do. “Don’t be like that, sweet thing. C’mon, no one can hear us right now. Might as well enjoy ourselves.”

“Babe. Darling. Buttercup, honey, cute little button on a bear, you are not the brightest bulb in the lighting department,” you replied, holding the bridge of your nose between two fingers. Instantly Daniela is upset, giving you a (thankfully) playful smack on the arm. Before she can protest more you continue speaking. “Your family would not hear us making out, true, but they would definitely hear us not playing the piano. I’m pretty sure your mother already thinks I’m doomed to fail as a teacher, and the last thing I need is to give her a reason to drop the curtains this early into our performance.”

“First of all, I am not an idiot,” Daniela said, a bit of a growl to her voice. “Secondly, what harm can a few minutes really do? Don’t you think I’ve been working hard enough to earn a little reward?” Now she’s holding a finger under your chin, lifting it up, making sure you’re looking right at her. There’s no dissuading her, it seems, as she leans in for a soft kiss. This was one of the more frustrating aspects of dealing with (courting?) her; communication felt like a one-man play, except the audience was as likely to throw knives as rotten tomatoes. Whenever Daniela acted like this, pushing away your concerns in favor of her pleasure, it felt helpless to try and resist her.

So you kissed back, wrapped your arms around her, and hoped that she’d be more open to compromise afterwards. At least kissing her was nice. Even though it had only been a week since you first kissed her, she was already getting better, evidently learning through experience. The passion behind her movements had grown as well, leaving you a tad breathless. Regardless of her odd perception of romance, and her insistence that she knew best, you found yourself charmed by her. It was scary. Terrifying, really, how you felt yourself falling under her spell. Wait. Hadn’t you been in this sort of situation before?... Staying with someone who wasn’t good for you? Why were you kissing her? Why were you starting to tremble, tears in your eyes, mind falling down a slippery slope of memories?

By the time you snap out of it, you’re sitting on the floor, Daniela awkwardly kneeling by your side. What the fuck? You think, sniffling a little. Head spinning, mind reeling, you struggle to form coherent thoughts. Next to you Daniela is unsure of how to help. But she’s trying, sort of, one hand holding your own, the other gently rubbing your back. She’s saying something, the words going right over your head. Understanding her takes times, focus, like tuning an instrument until the pitch is just right.

“I don’t understand, we were only kissing, what happened? Can you even hear me? Is this your way of tricking me into not making out with you? Because that’s a total dick move and-” she rambles, only stopping when you give her hand a soft squeeze. Then she’s meeting your gaze, looking uncomfortable, shoulders tense. “You’ve been weird for a while. Distant. Like you don’t want to touch me anymore. Don’t you still love me?”

There’s real, honest pain in her eyes when she speaks. If the timing had been different… you’d have thrown your arms around her and covered her face in kisses, promising to hold her onto she felt better, promising that yes you cared. You cared so fucking much. But she’s making you exhausted; every second has to be focused on her, not you. Every moment of concern is flipped around until she’s the victim, or at least the one that needs comforting. You didn’t think that she even realized what she was doing. Well, you hoped that she didn’t, wanted to believe that if she understood she’d change.

“Remember the first day we kissed?... how you pulled me close, and I kissed you harder, and we started…. Remember how I made a move and you pushed me away? I’ll never forget the look on your face. I felt like shit afterwards. I should have asked before I tried anything,” you explain, letting go of Daniela’s hand so you could pull your knees to your chest. Somehow you can’t bring yourself to maintain eye contact with her- not right now, not when you could still remember what it felt like to be on her side of this story. “I don’t want to push your boundaries, or make you feel pressured to do something you don’t want to do. The last thing I’d ever want to do is hurt you like that.”

“Oh bullshit,” Daniela snarled, shocking you, before getting to her feet. Confusion doesn’t begin to describe how you feel in the moment as you watch her pace back and forth. Both her hands are clenched into fists, and she’s refusing to look at you. There’s a buzzing sound in the room, faint but growing louder, like she’s a split second away from entering swarm mode. “We’re a couple, aren’t we? Shouldn’t you be able to tell what I want? Shouldn’t it be obvious what I desire, when I’m pinning you to the wall and shoving my tongue down your throat? What more do you require?”

“Holy shit, Dani, I know communication isn’t your forte, but have you really not even considered talking to me? That’s simple, easy, literally the first thing that should come to mind!” You snapped, too in disbelief to keep your voice down. For a moment Daniela stops her pacing, turning to stare at you with narrowed eyes. If you weren’t so mad, you’d be convinced she was ready to kill you. But she doesn’t move to grab her sickle, or otherwise advance on you, instead groaning and tugging on her own hair in frustration.

“Because that’s not romantic, genius!” She replied. Some dots start to connect in your mind, but you lack the full context, as if looking at sheet music with no clefs or time signature. It’s not until Daniela continues that you really understand; and, by extension, realize just how ridiculous this whole mess is. “None of the books I’ve read involve conversations like this. People just… they just love each other! And figure it out as they go along, reading each other’s body language and facial expressions, inferring what they need to know through touches and reactions. Why can’t we do that?”

��This isn’t a fucking book, dumbass! I don’t have powers like you, I can’t just read your mind and figure out what you want. That’s not how relationships work! Communication is key. And you can’t just talk, you have to listen, hard, and understand,” you continued, still on the floor, heart pounding so furiously you thought it might leap from your chest at any moment. As angry as you are, you wonder if you’re being too loud, too angry, wonder if there was a better way to get through to Daniela. Before you can think of a solution the air is ripped from your lungs. Your “partner”/student is grabbing you by the front of your shirt, yanking you to your feet. Instinct makes you struggle against her, as useless as it is.

“I. Told. You. I’m not an idiot!” Her free hand comes up to your face, cupping your cheek for a moment, then pulling away just as fast. When it moves back up she’s gripping onto her sickle. The sharp edge ends up resting against your neck, the slightest movement threatening to cut you open. This is the most Daniela has ever openly threatened you, and in that moment all your anger melts back into fear, tears spilling down your cheeks. A flicker of something shows in her eyes, making you think that even she doesn’t like where this is going. “Give me one reason not to end this right now.”

“... I don’t… I can’t think. I… Why would you?” The words leave you in a rush, even with the pauses, and each syllable makes the sickle press into your skin a little more. There’s sure to be a cut there, though you can’t even begin to estimate how bad it is. The blade is sharp, clearly, and it hardly even hurts as it slices you. Thankfully the sensation doesn’t last long. Once you’re done speaking, Daniela’s grip loosens considerably, hand slowly letting your shirt go. Her other hand takes a few seconds to move, but eventually pulls away without any fuss. For a few seconds she just watches you, eyes filled to the brim with a rich sorrow, mouth open but unmoving.

“No lesson tomorrow. I need a break,” Daniela whispers, barely audible. Then she’s dusting herself off, no longer looking at you, and heading towards the exit. Just like the first time you met, she pauses in the doorway. “How’s that for communication, hmm?” When she laughs, it’s empty, forced. Part of you wants to stop her and ask if she’s okay.

Instead, you watch her leave, unspoken words tangling with your tongue until you almost can’t swallow.

Then your feet move, automatically, leading you to the piano. You sit down without thinking. You touch the keys without thinking. When you play, you play without thinking. It’s just a song, the world tells you, and you have no choice but to play. It’s not just a song, you know this, but you can’t think. Can’t argue against the personification of your isolation, or the embodiment of your trauma. All you can do is let yourself get lost in the music, softly, recalling lyrics from a forgotten time.

I’ve been running all my life, trying to find a place to hide ‘Thought that I had settled down, but I guess things are changing now Don’t make me go, don’t make me go Just don’t make me go, this feels like home

As soon as the last note fades out you stand, wordlessly, and leave. Your feet carry you down corridor after corridor, past maidens working, some of whom gasp when they see you. But you don’t stop, not even when you cross paths with Lady Bela, who eyes you with surprising concern. She doesn’t try to stop you, though, and you doubt you would have cared if she had tried. It’s not until you are within your shared room that you finally stop moving. It is there that you sit, shaking, finally pressing a cloth to your neck. Blood stains the fabric, first in just a few dots, then spreading out. There’s not enough to make you fear for your life, but there is enough to make you cry harder. Washing the wound will sting… so you don’t do that. Soon you will have to return to your work, and the thought puts pressure on your skull, summoning an all-too-familiar migraine.

When you close your eyes, you don’t mean to fall asleep, but that is exactly what you do. And when you dream, you do not wish for nightmares. You never do- and fate never denies you their company.

#daniela dimitrescu #daniela dimitrescu x reader #resident evil: village #re8 village #big oof in the chat for this one boys #introducing the secondary conflict #don't worry the next one will be happier :)#tw emotional abuse #we learn little hints of the reader's backstory here

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bookofmirth · 3 years ago

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ok so this might come off as a bit rambly so please bear with me lol

i've noticed that the acotar fandom has this incessant need to be right when it comes to canon and it really sucks out the funness of fandom. shipping is supposed to be fun but when it comes to this fandom, it's almost like a competition to see who will be more right when the books come out. engaging with theories/predictions about characters and the plot is supposed to be exciting but when it comes to this fandom, some of the theories/predictions are problematic at worst and nonsensical at best. like how can you say with your full chest that you're so confident about where the series is heading in the future because of this or that theory when you're stuck in the past and refuse to see what all of the text is telling you in the present. it doesn't make sense. the selective reading is so strong that it has me looking sideways sometimes lol

i guess my question is why do you think the fandom is so divided when it comes to ships right now? i've seen people say this wasn't the case for feysand and nessian, so what's the difference here?

Oh boy Brielle, I have some thoughts on this. It's complex.

To be clear, I am not saying that this applies to literally every single person who ships a certain way. This is a commentary on the fandom as a whole, and there are always exceptions.

This got really, really long, so I'm putting it under the cut.

I think that one of the main draws of this series, and of sjm's writing in general, is her ships. I think that people get very, very attached to their ships.

I also think that sjm does NOT fully think through some of the choices that she makes when writing. See: the way that she takes from all these different cultures and mashes them together, which could be seen as disrespectful of their origin. She has retconned things, like Mor being queer and Lucien being Helion's son. I think that she thoroughly thinks about some of the aspects of her books, like Rhys's reaction to sleeping with Feyre for the first time, but then really half-asses other aspects of her books, like Mor coming out.

Then, we have your good old misogyny and homophobia - people in the fandom don't like Mor because she hurt the poor bat boy's feelings when she didn't sleep with him, and they don't have a mating bond, but she's never really told Azriel "no", and so every single moment of pain that Azriel has felt in 500 years is Morrigan's fault. And Mor's experience as a closeted queer woman who feels unsafe around the people she should trust the most is completely disregarded by the fandom.

Finally, I think that a combination of these factors has created the monster we know as e*riel, and that the fandom is perpetuating its own mythology.

What all of this comes down to, and the real reason I think that the fandom is behaving this way right now, is that e*riel is dead. It's never happened, it's not going to happen, but because we don't have the clear closure we got with moriel (where people would be accused of homophobia for continuing to ship it), people are still trying to figure out any possible way for e*riel to become canon, though every single sign points to it being a non-issue.

This weird thing where people have to be "right" all the time, and the way that "right" = "canon" is a relatively new development. It's as if everyone in this fandom forgot that they are in fact in a fandom, which inherently diverges from canon.

However, I think that the need to cling to canon is because the alternative would be to admit defeat and say "well, even if it doesn't happen I will still ship e*riel, it's fine, I will live with that." But they don't want to do that. In response, they look at canon so hard that they are reading the white space between the letters to create their theories, which as you noted as largely nonsensical and often fail to take into account who the characters are as individuals, how they are connected to other characters, and why it would or wouldn't be appropriate for them to be involved in various plots.

People could say, as eluciens having been saying since day one, "I really ship this thing but I can see that it might not become canon". But they don't say that. They literally refuse to see any other possibility than e*riel becoming canon.

You pointed out that people are stuck in the past - absolutely. The number of reimaginings I have seen of scenes where either Azriel or Elain has literally zero to do with the scene, but people try to shove one or both of them in there. And this from books ago. People are stuck on the Truthteller scene, and refuse to acknowledge that neither of them have acted on their feelings, whatever those might be, for years. And they ignore the fact that once Elain and Az do act, it goes horribly wrong.

Here are the facts as of right now:

ACOSF is the most recent book. In that book, sans extra chapter, those two had no interaction other than looking at one another.

If we include his POV, then he said it was wrong, we got confirmation that nothing has ever happened between them, she returned his necklace. Elain was aroused, but that does not mean she was ready to even have sex. "Yes" to a kiss is not "yes" to every single sexual act Az can think of. They parted on awkward, bad terms after a scene in which it seemed like they were about to start something. Yikes. Unlike Wings and Embers, they did not end that chapter still thinking of one another. After they part ways, the omniscient narrator does not mention Elain, or Az thinking about Elain, again.

His POV occurs months before the end of the book. They do not interact after that.

Elain has a mate she has not rejected, nor accepted.

So anyway, your question was why are people like this. lol. I think the fandom created a monster, and that monster is clinging to life. It can't accept the idea of morphing into a non-canon ship, though it never was canon in the first place. It had just convinced itself that it was.

There are other aspects to this, that have to do with gwynriel and elucien.

Gwynriel is a new ship, it's almost guaranteed to happen, people are super excited to ship it and give Gwyn all their love. I'm sure they would rather create content for that ship than argue about whether or not it's going to be canon, but they are in constant defense mode. Some people honestly didn't like e*riel before because they don't like Elain, or because they don't like Azriel, and those are valid reasons for not liking it. Why people ship gwynriel doesn't matter. The tone of the discussion is, unfortunately, being shaped elsewhere, which I will mention below.

Elucien is an old ship, older than e*riel. I can speak from this perspective - personally, I have been holding my tongue for 4.5 years. I have been letting people live, and just talking about the things I like. Then when acosf came out, it was like I could finally say all the things I had been thinking about Azriel, because I now had proof that the things I thought about his character (and because of that, about e*riel) now had solid canon foundation. This is 4.5 years of me holding in a lot of shit and finally being able to say it. Sometimes yes, I might take joy in having been right.

I think that a few people are clinging to canon, and that sets the tone for the discourse in the fandom. Someone says "according to page whatever, blah blah blah" and people feel the need to respond, and then it turns into and "I'm right" contest instead of... a fandom... A lot of us like debating. To me, it's fun. But when Person A starts a conversation that's about canon and it actually ignores canon, it's hard to let that conversation go by and just keep creating whatever we want to create. Instead, we respond, and so the tone of the conversation is shaped by what Person A decided to say.

I also think that there is a lack of distinction between theories (what will happen in the future) and meta (analysis of what we have now).

There is also a lack of "I" statements. Opinions are being stated as fact.

idk if there is a way to make it better, other than to just go back to ignoring one another. This whole situation makes me want to throw out every single canon ship I like and create exclusively non-canon content, just for spite. Except I really like doing meta, and so I don't want to. I guess for my point, I'll just keep doing meta, keep creating different content, and keep reminding people that they aren't here to continue perpetuating canon, but to play with it.

#ask #gimme-mor #acotar #antielriel #gwynriel #elucien #acotar fandom #fandom things #fandom history

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doberbutts · 2 years ago

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Since I've been playing literally since I was 4 I feel likeI go through this every release where the target audience (actual children) are really happy for a new pokemon game and everyone else (the adults addicted to nostalgia- I'm in this group don't get it twisted) throws a massive fit because it wasn't as good as the last gen. Except the last gen had problems, and the gen before that had problems, and the gen before that had problems-

Gen 1 is a glitchy buggy mess and it's a miracle that it ran in the shape it was in when it shipped. So it tracks that gen 2 thru 9 are also glitchy buggy messes and it's a miracle they run at all.

I'm seeing people saying that PLA was better on graphics and on how it ran the open world aspect, while I remember when PLA was released people were saying the graphics weren't as good as Sword/Shield and they wished the open world was more like BOTW where there were no hard separations between zones (which is what we have now with Scarlet/Violet). I remember when Sword/Shield was released people complained about, you guessed it, the quality of graphics and how small the open world aspect of the "wild zone" was. When Sun/Moon released people complained that that it was too easy and, you guessed it, the quality of the graphics was bad. When X/Y came out it was also too easy with bad graphics. When Black/White came out it was too easy to get lost and all the new mons were ugly. When Diamond/Pearl came out it was too easy to get lost and all the new mons were ugly. When Ruby/Saphire came out the contests were a stupid useless gimmick and no one liked the hard switch in the art style and there were a hideous amount of required HMs to get around and it broke too many established Pokemon conventions. When Gold/Silver came out it was too similar to Kanto and too stuck in the past. When Red/Blue came out it was too hard and filled with too many severely game-breaking bugs, moves and typing that straight up didn't work, and lacked a lot of what we consider the "true spirit" of Pokemon today.

You know who didn't have any of these complaints? The kids who the games were designed for in the first place 🤷‍♂️

Big sigh. Anyway. There's some serious optimization problems and I don't know if it's hardware or crunch that caused it. I'm honestly guessing both. Every once in a while I feel my switch really chug-a-lugging along trying to load something in. I'll be mid-cutscene and stuff in the background is moving at approximately 3 frames per second even though what's close up is fine. Is that intentional as a near/far focus trick? Is the game just really struggling to load everything at once? It feels almost like what they wanted to do was have the entire world going 24/7 but load interactables in proximity to the player character, but the map is REALLY BIG to be doing that and the switch genuinely cannot handle it, as compared to BOTW which also has a huge open world map with very few hard distinctions between "world" and "city" but does NOT try to have the entire world living and breathing around you, instead it exists solely in proximity to the player character and stops existing once you walk far enough away. This theory is furthered by the claim I've been seeing that these problems are significantly worse in multiplayer, because two players can be all the way across the map from each other and yet share a collective pool of catchable pokemon in the overworld- meaning if I play with a friend and they're right next to me, we cannot both catch the same pokemon nor can we fight the same NPC battle, which ALSO means my switch has to be strong enough to run two-to-four identical copies of the same world with two-to-four people interacting with proximity-based interactables at the same time. This is a weird way to code this and I think a little too ambitious for aging hardware and I think this is where a lot of the really bad lag and framerates and memory leaks are coming from.

The graphical bugs are mostly just really funny as, at least through my experience anyway, they are solely graphical. Sometimes my player character straight up isn't there when I throw a pokeball mid-battle. Sometimes the camera clips through the world on a successful catch. Sometimes the lighting pops in and out of existance as I walk a straight line. Sometimes NPCs in the background walk through each other or vanish from existence. But this doesn't seem to make a difference in how the game plays- I still throw a pokeball, I don't drop through the floor, the NPCs pop back in after a second or two. So I'm a little more forgiving on that because silly graphics errors are kind of a staple of videogames at this point. Last night I apparently was roughly 50ft tall for a split second while harassing @kangals during her attempts to breed more charmanders. It doesn't negatively impact gameplay and it's a funny thing to witness so w/e that's fine to me. A lot better than the fuzzy jpeg look of a thrown pokeball in PLA's cave and water zones.

That being said... I like it? It's fun, it's pokemon, it's open world. I think the better things to complain about are that it doesn't scale at all to your level, which I personally think it should because at the moment if you've played literally any other pokemon game then you know the correct thing to do is explore everywhere and catch everything and I just beat the third gym and by doing that with ZERO grinding I was about 15 levels ahead of the third gym and I'm *still* about 5 levels ahead of the "pokemon obey you up to this level" cutoff. This makes the game hilariously easy because I'm so dramatically overleveled for everything. Note: I had this problem with Sword/Shield as well.

However I'm also more intersted in the background story than I was for Sword/Shield which I found very boring. I was a little meh initially on the new terra gimmick and I do think it's a little broken but I also think it's a fun way to really challenge yourself for battles if you've been at it as long as I have. I LOVE the open world and I LOVE that I can just dick around ingame with friends and we can hang out and do stupid shit together. The music slaps and while I think some of these evolution requirements are annoying (fuck you 1000 steps fuck you 999 coins) I also like that some of the requirements are, well, really quite inventive. I wish there were more outfits and I wish there was a definitive answer for how old I'm supposed to be here- I'm attending what looks like a college and there's both 5yos and 50yos as students??? I'm younger than my rival who looks to be about 25 but clearly significantly older than any of the rest of the kids in our shared homeroom class who look like they're barely out of diapers??? I like the autobattle system but I'm kinda mad it locks you out of level-based evolution and simultaneously doesn't tell you that.

So, there you go. My long-winded review lol. Like a lot of games this year I think it's a 7/10- it's fun, it's playable, I enjoyed it, but I do think crunch really hurt it and I think if it had more development time a lot of the flaws could have been improved. Sadly crunch is so common in the industry at this point that it'll take a lot more than boycotting a singular game or series to make any real change... and crunch exists for capitalistic reasons, so anything that costs these companies more WILL make the price of these games go up. It sucks, but that's an industry problem, not just a Pokemon or Gamefreak or Nintendo problem.

Who did you pick for your starter? I'm starting my copy today (since there's co op I'm playing with my friend, pending he feels well enough) and I may have to break my streak of fire starters to go with the grass cat....

Fuecoco! I always go fire and I like the fire/ghost typing on the final evo. Close second is the very gay duck.

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shorkbrian · 4 years ago

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Ooh i’m so excited rn omg...what i need rn is more of aizawa and villian!soulmate reader. They just keep acting like a brat until aizawa takes them home and punishes them X3

Prelude - shoutout to y’all for being so patient with me! appreciate it so so much. Also, there was like one other ask that I wanted to include here but I couldn’t find it, so rip. Also, @bbygirlpastel ty for the “Villain? I’ll show you a villain.”

Pairing - Yandere Aizawa X Reader

Warnings - dub con, non con, NSFW, overstimulation, no actual penetration. Creepy Aizawa, vibrators, uhhh literally nothing good here. Dead dove man, if you look at a dead bird and KNOW it’ll taste disgusting and make you sick to your stomach.... DON’T FUCKIN EAT THE BIRD. listen to the warnings my dudes!!

Music - https://open.spotify.com/track/6p8eEdiZLKJH8tcjGZuNTK?si=9r_2kgkoR56h9UkBCybxLw

-------------------------------------------------------------------------------------------

Maybe he wouldn’t be this infatuated, this utterly obsessed, this angry with you if you had just given in from the start.

You weren’t even a high-priority villain, just some desperate nighttime thug that preyed on innocent bystanders. Snatching wallets, causing a ruckus, stealing from thrift stores or gas stations a couple of times a week. You were a nuisance, but not big enough to catch Aizawa’s attention - not until you stole a women’s watch right in front of him on the street while he was buying a snack from a food-cart before his shift started.

And yeah, Aizawa tried to keep a low profile, not flaunt his hero status in order to effectively capture and subdue villains, but surely you would’ve noticed the man clad in black, obviously sporting hero gear standing nearby. But you didn’t, and then he was grabbing your shoulder so he could drag you to the police station. Aizawa had been surprised when you wiggled out of his grip and took off, and damn, you were fast.

The game of cat-and-mouse had begun, and while the underground hero failed to catch you that night (and every subsequent night he saw you out on the streets) he was determined to do so. Well, maybe not /as/ determined. When it came to you, the man was easily distracted.

The clothes you wore were baggy, hid your form effectively. But if someone looked close enough, they could notice the curves of your body, especially as you ran, evading capture. Aizawa was loathe to admit at first, but it was tantalizing watching you flee from him.

He beat himself up over it. He’d always had a solid grasp of self-control, and usually he felt no attraction to his targets, even if they were wearing the skimpiest of outfits. One time he had turned in a villain wearing nothing but pasties over her breasts and panties (her quirk was seduction-based), and he hadn’t felt anything but utter boredom as he filled out paperwork at the police station while they found her some actual clothes. It probably had something to do with the “soulmate” quirk he had been hit with once, but Aizawa had never really put much faith in it, nor thought about it extensively. He had always had a bit more self control than other men.

So for him to almost have feelings for some low-life idiot? It made his skin burn with irritation (and maybe something else, but he wasn’t ever going to address that). It didn’t make any sense.

The fact that it didn’t make any sense did not stop his brain from plastering not-suitable-for-work thoughts about you whenever he ran upon you committing some minor crime. It was infuriating.

The satisfaction the man felt from finally pinning you down, taking advantage of a small stumble, tackling you down and pressing you into the cold concrete of the rooftop was probably unholy. It just felt so damn good, catching you, forcing you to submit, getting you underneath him. When he had flipped you onto your back, you wouldn’t look at him, just staring off to the side, almost as if you were ashamed.

You should be - stealing from anyone and everyone, being a brat, making Aizawa’s life difficult as you infiltrated every waking moment.

He had started to lecture you, starting out with his usual cool-headed,

unbothered demeanor, but slowly getting more and more annoyed as you still refused to look at him. Pretending he wasn’t there, refusing to listen - Aizawa felt the urge to slap you, just to make you react.

He settled for harshly gripping your chin, forcibly turning your head so he could look at your eyes. Eye contact was an important thing to Aizawa - it was the basis of his quirk, but he wasn’t prepared for the punch to the gut he felt when he looked into yours.

Words escaped him, mouth dropping open, his body frozen. There was - there was something going on. You took advantage of his pause, shoved the man off of you, took off running. Aizawa could do nothing but sit there, staring after your form with his own eyes wide and wondering. What had just happened?

He reflected on the moment for the entire rest of the night, musing over the strange feeling coiled in his stomach, the weird tug in his chest, his brain wanting and desiring and lusting and it was so distracting, he wanted it to stop, but at the same time, he wanted to indulge.

The realization finally hit him - the soulmate quirk he had been hit with, all those long years ago.

Some lady had come up to him while he was shopping, smiling at him toothily before asking him wether he believed in soulmates. He had stared at her for a second, before blankly responding with a curt “no”, turning back to continue browsing the selection of applesauce packets. A hand on his wrist, a burning sensation from his arm to his heart, and then he was rounding on the woman, ready to drag her to the police station for using her quirk in public without a license.

She had just cackled, citing something about soulmates and how he was going to believe now, he’d learn what it would feel like to find your true love when he looked into their eyes. Some sappy, romantic, crazy bullshit that he had ignored and promptly forgotten, before calling the police.

The lady had been deemed mentally ill, driven mad by the loss of her husband in a hero-based accident. Aizawa quickly forgot about the incident.

Aizawa didn’t believe in soulmates, and even if they existed, there was no way in hell that his soulmate would be a villain.

But apparently, the universe did not care about Aizawa’s opinions.

He tried to ignore it, turn a blind eye whenever he saw you sneaking around late at night, would turn and head the other way. But there was no denying the burning flame in his heart, the yearning to see you again, to talk to you, learn about you, what you liked, what you didn’t, where you had grown up, what your aspirations were.

Aizawa hated it.

But he couldn’t ignore it.

The feelings grew and grew, festering in his body like an open wound, infecting his mind, crawling through his veins and slowly seeping into every aspect of his life, until all he could think about was you. The man needed it to stop.

The cat-and-mouse game was picked up again, except this time, Aizawa wasn’t going to give you any opportunities to get away.

You were able to sense the change, could see the rabid look in his eyes when he sought you out for the first time since the night you had slipped out of his grasp. There was something different, and it wasn’t good, it was dangerous.

You managed to dodge him for a time, and some part of Aizawa swelled with pride that his supposed “soulmate” was so clever. The other part of him wanted to break something.

He was almost frightened by the change in him, this volatile anger, the impatience and the lust. That wasn’t who he was, but ever since meeting you, looking into your eyes, it’s what he had become. Maybe if he tracked you down, got close to you, spent some time with you, this needy feeling would go away. You couldn’t run forever.

Aizawa caught you during the daytime, when both of you were off-guard and not paying attention. It was luck, really, or maybe destiny or fate, that he had looked up to watch as passengers filtered onto the subway. You were wearing the same baggy clothes you always wore, hoodie over your head, earbuds in.

There was a backpack slung over your shoulder, and Aizawa watched you sling it off to place it in your lap as you sat down before the doors closed.

It was easy to follow you home, to the dingy little deathtrap you called your own, on the first floor of an abandoned, moldy motel building. It was even easier to follow you inside, through the broken window , his footsteps undetected through the blare of music in your earbuds.

It was less easy to subdue you, with the desperate fight you put up, trying to kick and punch and scream as soon as Aizawa’s thick arm circled around your throat. Still, the man had been subduing unruly villains for a while now, and it wasn’t hard for him to keep his hold on your smaller from, no matter how you thrashed in his arms.

When you finally passed out from the lack of air in your lungs, Aizawa gently followed you down to the floor, staring at you for a moment (god you were pretty, how had he not noticed how pretty you were?) before looking around the room.

It looked like a regular motel room, except there was no TV, there was signs of rot dotting the walls, and the air smelled decidedly unhealthy. He wrinkled his nose as he took it in - you would be much better living somewhere less unsavory.

Which, Aizawa’s home was perfectly capable of hosting an unwilling guest. Aizawa wasn’t naive enough to think you’d be happy waking up in an unfamiliar room, but he figures it would be better than jail. Like hell was he going to hand you off to the police, not when the ache in his chest was subsiding in your presence, the burning need for something lowering to a slow simmer. Justice be damned, Aizawa was going to be the judge, jury, and executioner in this particular case, and he had yet to decide your fate.

----

“You are insufferable - if you would just give in, everything would feel so much better. Holding out like this is illogical.”

He was tired. Tired of your stubbornness, tired of your refusals, tired of your insults, tired of the way his skin itched and blood boiled every time you spat at him or knocked over the plate of food he brought to you.

When he was met with silence, Aizawa sighed. This was getting old. It had been a month since he’d brought you under his roof, a month of holding back, a month of playing nice, a month of letting you “adjust”. But you hadn’t adjusted, hadn’t even tried, and he was tired.

“You’re only hurting yourself by acting like this.“

“Maybe I wouldn’t have to act like this if you hadn’t kidnapped me.” You spat, glaring daggers at the man.

Aizawa paused, almost humored by your spiteful response. “You would rather I have turned you over to the police? The prison system isn’t kind to pretty little things like you. No matter how tough you pretend to be, you’d be broken in less than a week.”

You scoffed, pulling at the chain that held your ankle to the wall. “As if this is somehow better. You’re a sick man, I hope you choke on your next meal and /die/.”

Aizawa gestured to the room, his patience wearing thin. “I could make it worse.”

And he could. He could take away the thin mattress you were sitting on, shorten your chain so you couldn’t reach the bare-bones bathroom, he could stop feeding you, or make you eat scraps like a dog. Of course, he could make it much better too, but only if you’d stop fighting him at every turn.

“I don’t even know what you want. You’re just an old pervert, you’re no hero. You claim to be good and just, but you’re no better than the villains you put behind bars.”

Within a second, Aizawa was crouched in front of you, gripping your chin, yanking you forward until you could feel his heated breath across your face, could see the tension in his eyes.

“I want you to behave.” He ground out. “I’ve treated you with nothing but civility so far, but if you’re so determined to see me as nothing but a villain, then fine, I’ll show you a villain.”

Aizawa was at the end of his rope. It was uncharacteristic for him to exhibit such anger, such impulses and wild feelings, but when it came to you, Aizawa felt like he was an entirely different person, ruled solely by his instincts.

With a push, you were sprawled onto your back on the mattress, quickly trying to scramble upright, ready for an attack. But Aizawa just watched, letting you panic before you realized he was going to stay put. Well, stay put for a time.

There were some things he needed to go get, to show you how good he had been to you, to prove that he had been nice and accommodating. But if you wanted to play dirty, then Aizawa could play dirty.

He stood, shoving his hands in his pockets, keeping his eyes locked onto your face. You were such a shy thing, barely able to hold eye-contact, always blushing and stammering and fighting when he made you look at him. It wasn’t his fault that your eyes were enchanting, drawing him in like a spell. If he could, Aizawa wouldn’t mind spending a few hours just watching you, watching your eyes take in the world. Of course, that was an illogical desire, but the man found he was having a lot of those these days.

You huffed as you felt him watching you. “You’re a creep.” The man didn’t answer, and you deflated, voice coming out small “Please…. let me go. I won’t like, steal stuff anymore, alright? Just let me go.”

Aizawa could bet that you were scared - after all, you were nothing more than a common crook. It’s probably the first time you’ve ever been held hostage, the first time you’ve been immobilized. You were probably used to intimidation, maybe even abuse - someone living in a rotted, abandoned motel and living off of what they could steal each day probably didn’t have a good story to tell about what had happened to them.

Either way, Aizawa didn’t really care. If it wasn’t for the tearing sensation in his chest when he was away from you for too long, he’d definitely have handed you over to the police by now. It was driving him insane, how he couldn’t focus, couldn’t sleep, couldn’t think, couldn’t live now that his mind was constantly occupied with thoughts of you.

When he went out at night, he worried that you would hurt yourself, or escape - get away from him somehow. When he was at home, trying to do the “right” thing and give you space, not touch you, not invade your space, he was bombarded with the single-minded desire of holding you, feeling the warmth of your body against his chest.

It had to stop. He didn’t know how to make it stop.

Aizawa had tried everything, from leaving you alone, to spending time watching you from the other side of the room - the man had even tried to erase the supposed “soulmate” quirk he was infected with by using his own quirk in the bathroom, staring into the mirror. Nothing seemed to help.

He had tried to be nice, he had tried to be good. But there was still the tugging in his chest, the itch he couldn’t scratch when it came to you. He wanted to do so much, but he wasn’t a villain, he wouldn’t force you.

But there lay the problem.

Aizawa wanted to.

He closed the door behind him as he left your room, the “torture chamber” he had said once, deadpanned tiredly in an attempt at a joke. You hadn’t laughed.

The man supposed that this last month had really just been him warring against the dark, whispering corner of his mind that urged him to just take. To do what he wanted, to lay waste, to ravage you in every carnal way he so desired. To force you to lay by his side at night, force you to give him long, loving kisses, force you into domesticity.

Aizawa knew it was wrong. He had tried to ignore that part of him, push it down, focus on the logical solutions he could think of, the ones that kept his actions pure and heroic. But at this point, with you resisting so strongly? How you called him a villain, a pervert, a creep? Why not let the villain inside take a moment in the spotlight.

That’s what he was thinking as he gathered items into his arms from his room, spending hardly any time picking out what he wanted and needed. He’d had so many dreams, so many thoughts of what he would do to you once you finally submit to him. The man had plenty of ideas, especially now that he was deciding to throw his inhibitions out the window.

The fact that you most likely weren’t going to be willing merely meant that Aizawa added a spreader bar and an extra set of cuffs to the growing pile in his arms.

Stepping back into your room was almost thrilling, seeing your eyes snap up, to the bundle of items he held, then at his face. They were so wide, scared, panicked. It was a good look on you honestly, one that Aizawa didn’t mind seeing more often. He was done being the nice guy.

“This is entirely your fault, you know that (Y/N)?” He mused as he strode forward, crouching to set down a towel on the ground, slowly laying each item down onto it. Might as well build up your fear and anticipation.

“If you hadn’t provoked me so, I would’ve been able to be continue holding myself back.” He could hear your breathing pick up as each item was set down, had to fight down a mocking smirk. “You had to be a brat though, egg me on like that. Well, if it’s not apparent by now, you’re probably going to regret that.”

“Please, please, oh god, this-you don’t need to-you-there’s-“

“Didn’t you just accuse me of being a villain? I’m just trying to live up to your expectations here, isn’t that what you want?”

Aizawa finished emptying his arms, then headed towards you, holding the extra pair of cuffs in his hand. He caught your eyes, watching you beg, try to push yourself back into the wall, away from him. There was no doubt that you were terrified, practically having a panic attack as you hyperventilated, eyes darting between Aizawa, the cuffs in his hands, the items on the towel behind him.

It was easy for Aizawa to grab ahold of your already-bound wrists, pulling them down to the ground, right above the top of the mattress. Quickly, one cuff was attached to your wrist, the other cuff slipped through a small, recessed metal ring in the ground.

After you had…. “moved in”, Aizawa had done some renovations. The angle he had you trapped at now kept your arms stretched above your head, immobile and unable to move more than an inch in any direction. It’d be uncomfortable if you were left like that for too long, but Aizawa was still planning on being somewhat merciful today.

You were still babbling quietly, pleading with the man. “You don’t need to do this, please, please please please please-!” You sobbed out the last “please”, trying to wrench your arms free. Of course it was useless, and you were doing nothing but tiring yourself out, but Aizawa didn’t mind.

It was easy to attach the spreader bar to each ankle, despite the way you cried and kicked, ankles slipping out of his grasp a couple times before he could finally pin them down. Aizawa felt eerily calm, patient, but at the same time seething, excited, almost foaming at the mouth for what he knew was to come.

“Struggling won’t achieve anything, but feel free to do so.” He encouraged, shuffling backwards on his knees to look at you, stretched out body on display.

You were still wearing clothes, a thin t-shirt, a pair of loose basketball shorts - all Aizawa’s. He had immediately told you to leave your old clothes outside the bathroom door when you showered the second day after he had captured you.

You had resisted at first, but quickly relented when the man raised an eyebrow, shrugging his shoulders before advancing towards you menacingly. You had gotten the message loud and clear, immediately backing down, agreeing to wear the clothes you were given.

Aizawa retreated to the towel, swiping a pair of scissors off of it. Brandishing them, he snipped them twice in warning. “You might want to be still for this part. I don’t actually want to cut you, so if it happens, it’ll be your fault.”

And then he bent over, carefully snipping the clothes off of your rigid body.

As soon as the last shred of fabric fell away, you breathed in air, immediately letting out a loud, tearful wail. Aizawa felt a twinge of regret, but the quickly-growing bulge in his pants currently outweighed any other feelings he might be having.

Putting the scissors safely out of reach, the man let himself rest back on his heels, surveying your body the way one surveys their food before taking a bite. And oh, was he going to eat you up.

You were writhing, tears falling from yours eyes, still babbling out nonsense as you begged for him to stop, to reconsider, to think about what he was doing.

“I’ve thought about this plenty. It’s called fantasizing.” He murmured, before gently resting his hand against your naked hip.

You spooked like a wild horse, thrashing the second his hand made contact, crying and wailing, shying away from his touch.

Aizawa was glad he had the foresight to bring a gag.

You were so worked up, you didn’t even notice him grabbing it, didn’t register his hand clamping around your jaw, wrenching it open and shoving the ball gag past your teeth. You quickly fought against that too, outright screaming, trying to shake your head, pull away from the hands fastening the strap around your head. But Aizawa was quick, and good with his hands, and your screams became muffled, nothing more than desperate background noise to the defiling of your body.

Resuming his exploration, Aizawa cradled your head in both hands, pressing a chaste kiss to your forehead. “If you relax, it won’t be as stressful for either of us.”

With another muffled scream, you turned your head, tear-filled eyes glaring at the wall.

“Or you can be a brat.” Aizawa laughed, a sound he wasn’t used to making. “Either way, it’s not gonna change what’s happening.”

Returning to the towel, Aizawa picked up the next couple of items, turning back to see you watching him through teary eyes. He presented the items in his hands, showing them to you. If you were curious, might as well let you see how he was planning to take you apart.

The second your eyes fell onto the lube, the bullet vibrator, the skin-safe tape, you wailed again, closing your eyes in horror, shaking your head. Aizawa breathed out his nose, humored at your terrified reaction. Not so tough when you were tied up, at the mercy of a man, were you?

Your legs were already held apart by the spreader bar, and no matter how you squirmed when Aizawa kneeled next to your hip, you couldn’t close your legs. When Aizawa’s warm hand ghosted over your stomach, you cried behind the gag, and when his hand made contact with your soft pink folds, you absolutely bawled, the sound loud and pitiful even as muffled as they were.

Aizawa wanted to tease, to feel all around, rub against your labia, tickle your clit, skirt around your opening. He let himself indulge a little, before pulling back, squirting out a dollop of lube onto his fingers. When the cold wetness touched you, there was barely any reaction, the way you were already panicking essentially making you loose all feeling.

That was alright, Aizawa knew that would change soon.

He let his hand wander around your entrance, massaging the lube into your skin, taking special care of your clit, your inner labia, the puffy folds. The man got lost in the sensation of your warmth underneath his fingertips, eyes slowly falling shut, a low hum coming from his throat in a natural attempt to soothe you.

The man didn’t know how long he stayed like that, gently massaging wetness onto your skin, humming, but by the time he opened his eyes, your weeping had essentially subsided. You were making cute little sniffling sounds, trying to calm yourself, your own eyes closed, limbs almost relaxed, as if you’d accepted your fate.

When Aizawa took his hand away to reach for the bullet vibe, you barely moved. When he pulled back the lips of your labia, nestling the small, ovular vibrator against your clit, you only flinched. He pinched your labia lips almost painfully, hiding the vibrator underneath them as he pushed it hard onto your clit, before taping thick strips over your skin. When he was done, the vibrator was firmly in place, immovable, covered almost completely by your labia, which in turn was held over the vibe with the skin safe tape.

The vibe was turned on, and Aizawa swore that your back arched so fast and hard he heard it pop. You writhed on the thin mattress, pulling at the chains binding your hands to the floor, trying to turn onto your side, bucking your hips, jerking and twisting this way and that at the overwhelming sensation. Aizawa had never used the bullet vibe on himself, but he’d felt the strength of the vibrations against his hand as he decided on a setting for you, feeling the tingly sensations through your skin through the tape, before kicking it up a few notches.

You were screaming behind the gag - Aizawa guessed you weren’t used to toys, but he felt no remorse. He put a strong hand on your hip, holding you flush to the mattress as your hips moved about wildly.

“This is what a villain would do. They’d tie you up, assault you…. Tear you down and exhaust you until you turn into a broken little cockslut. Aren’t I so much nicer? At least I plan on taking care of you after. Plus, I’ll still lo-“

He cut himself off, grimacing at the words that had almost slipped out. Aizawa wasn’t ready to admit that to himself just yet. He wanted to hold onto the allusion that he could resist you, that he didn’t need you, that you weren’t unequivocally important to him

Not like you were listening.

With a sigh, Aizawa sat back, content to watch you writhe as you wiggled your hips, the movement making your breasts jiggle slightly. Aizawa groaned internally, his erection straining, throbbing inside his pants.

“You’re so beautiful, your body is…. Indescribable really.” The man mumbled, eyes trained on your form. A sheen of sweat was covering your skin, making you shimmer, making you slick. Aizawa’s hands itched as he looked at you, wanting desperately to wrap around your waist, to hold you close as he rut against you. But he wanted to prove a point. He wanted to show you that he could be nice, that he had been treating you good, that you shouldn’t be a childish brat and shout insults at him every day.

But god, was it hard to just sit back and watch you.

He unzipped his pants, reaching past the waistband of both pants and boxers, hissing as he took his erection in hand. He was wet, leaking precum, but did he expect anything else? You were laid out in front of him like a feast, delicious.

You were so overwhelmed by the vibrator strapped to your pussy, you didn’t even notice Aizawa beginning to jerk himself off. It’s probably better that way, he figures - if you realized what he was doing, you’d probably have a fit. Your cries faded into tearful whimpers, long whines, which then morphed into guilty moans, enjoyment that you couldn’t hide. When you came the first time, Aizawa was watching your body, stroking his cock in time to the way your hips jumped against the vibe.

When you came the second time, hair a mess, Aizawa moaned your name a little, his own cheeks flushed with embarrassment and desire as he squished his thumb against the tip of his cock.

The third time you came, screaming out muffled nonsense, Aizawa couldn’t take it anymore.

He leaned forward, quickly undoing your gag, having to let go of his cock to work on the straps. When the plastic ball was free from your mouth, drool slicked over your chin, gulping breaths being taken, Aizawa surged forward, pressing you back into the mattress as he kissed you hungrily.

You whined into his mouth, naked chest pressed against his shirt, crying in overstimulation as the vibrations between your legs didn’t give up.

“Mhm, you taste-“ The man had broken away from your mouth, only to dive back in again for a quick taste before speaking again. “-so damn good.”

“Aizawa-Aiz-aah! Aah!” You keened, a fourth orgasm washing over you, leaving your nerves tingling, buzzy.

“That’s right, that’s who’s making you feel so good. You feel good, don’t you?” He pressed, crowding closer to you. He was in the process of pushing down his pants, his boxers, kicking them off.

“No, no no no, can’t-can’t-it hurts! Mmmfh-!” You moaned, back arching again.

“Don’t lie. Listen to yourself, you sound like a whore.” Aizawa chuckled breathlessly, turning you slightly onto your side. He was feeling hot, flushed, feverish. He wanted to do so many things - fuck you stupid, cuddle you close, give you warm hugs and kiss your pussy until you ground against his face.

“No I…. I don’t!” You yelped, the way he was positioning you pushing the vibrator into a different position. “Aiz-mmmm, Aizawa! Please-oh god, oh god-oh, please, st-OP!”

A kiss shut you up, Aizawa licking inside your mouth, feeling your saliva smear against his stubbled chin, felt you fighting against your bindings again. Where did you get all the energy?

He didn’t break the kiss to look down, to take himself in hand and guide his cock into the tight plushness of your thighs, right up against your dripping, messy cunt.

When he pushed forward, his mouth fell open. There was so much /pleasure/, he felt dumb, thick-headed and cotton-mouthed. You were so warm, so wet, and the vibrator was still buzzing away happily, pulsating through his cock as it rested against your pussy.

He wanted to cum, right then and there.

Feeling his thick cock pressing between your thighs, you wrenched yourself away from the kiss, whimpering as he pressed his cock up to chase the buzzing sensation, increasing the pressure of the vibe against your skin.

“Wait, ah, wait! Please, no more-mhmm! I’ll-I’ll be gO-od!” You whined, hips bucking again as the feeling built up again.

Aizawa thumbed at the wetness covering your face, trying to wipe away the tears, but simultaneously forcing you to look into his eyes.

“Shh, it’s okay. Let it out, I won’t look, there’s no need-fuck-no need to be embarrassed sweetheart.”

He reassured, knowing you were close to humming again. This time, he didn’t want you to have to finish alone.

With another gentle caress to your cheek, Aizawa grabbed your hips, before smoothly sliding his cock through your thighs, fucking right against your pussy. It felt incredible, better than anything else he’d ever experienced in his sex life - hell, in his entire existence.

Aizawa tried to hold himself back from humping against you, pumping his hips wildly, but he couldn’t stop himself. Not when he was so worked up, not when you were moaning and gasping in his arms, shaking towards another orgasm.

“That’s it, almost there, just a little longer.” He reassured, voice strained and almost cracking in pitch as he neared his end.

“I can’t, I can’t, don’t make me! Don’t-aaah! No, no, plea-SE!”

Your muscles tensed, Aizawa could feel it, your body pressed so tightly against his own. Then you were gone, eyes rolling back, mouth open in a silent gasp, brows furrowed as you were forced into cumming again.

It made Aizawa burst, feeling your thighs tense around his cock, your cunt convulsing, body trembling. He came easily, covering the inside of your thighs with his sticky seed, before quickly pulling himself free.

He had just had an earth-shattering orgasm, but he needed to get you cleaned up. After all, you had just had /several/ earth shattering orgasms.

The vibe was turned off, the tape gently pulled away You flinched at every tug, skin burning with sensitivity, all of your nerves fried and overstimulated.

Tape off, Aizawa reached up and unbound your hands, quickly throwing the vibe and extra set of cuffs back towards the towel (he hoped - his brain wasn’t working well enough to know if he was accurate or not).

Aizawa felt... good, warm inside. He didn’t want to acknowledge the feelings swirling around in his chest, the contentedness that came from just holding you, but he couldn’t exactly deny all of it either.

The two of you sat there, you lost in your own headspace (subspace? Aizawa didn’t know the terms.. but for you, he’d be willing to learn).

“You did so well, look at you.” The man breathed, looking down at your body. Fuck him, even covered in sweat and cum and fluids, you were still the most enticing thing he had ever seen.

You didn’t respond, just occasionally blinking at the ceiling, still as a mouse.

You were submissive and compliant for the time being, not struggling when Aizawa gathered you into his arms, cradled your head to his chest. His heart soared at the physical contact - you hadn’t let him do so much as look at you without yelling or snarking some mean insult. This was progress.

Aizawa kissed the top of your head, noting that the two of you would need a long shower in a bit.

You were so fucked out, Aizawa almost felt a little bad at your disheveled state.

At least he had been merciful this time.

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offbeatcappuccino · 4 years ago

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Love Alarm Season 2: In Defense of Hye Yeong (written by a Sun Oh stan)

Warning: This analysis contains spoilers. Read at your own risk!

I binge-watched two seasons of Love Alarm in two days and I have some thoughts on the Kim Jojo- Hye Yeong ship. I genuinely hate watching k-dramas that involve the audience having to do deal with not only the relationship between the female and male lead, but also the relationship between her and an equally if not more swoon-worthy second male lead. I had a brief encounter with Love Alarm Season 1 two years ago before I decided against finishing the season because I discovered that it ends on a cliffhanger. Like many fans of the show, from the first three episodes, I strongly believed that Sun-Oh and Jojo would end up together. They both had difficult childhoods and parents and with Jojo enabling the shield, their breakup seemed temporary and that they would get back together once Jojo figures out how to disable the shield and realizes the she was never happy without Sun Oh. Therefore, I found it surprising to find the creators of the show positing a Jojo-Hye Yeong pairing. By doing so, they not only broke Sun Oh's heart but also millions of fans worldwide. However, upon deeper reflection, I think I can understand why a Hye-Yeong-Jojo pairing was the most probable all along and is necessary for the premise of the show to succeed.

Love Alarm is more than a rom-com about a bunch of teenagers overcoming adversity through love. Love Alarm offers its audience a nuanced critique of our dependency on technology and how such dependency makes us less intuitive about our feelings and needs. The best way to explain this in our current society is by quite literally focusing on the invention of the alarm. Before the alarm was invented, humans slept and rose based on our circadian rhythms and we instinctively woke up every day to carry out our various responsibilities. However, with the invention of the alarm clock, many of us are not able to wake up on time for anything without it. Try to sleep one day without setting your alarm and you'll find yourself waking up four hours later ( been there done that!). Similarly, in the world of Love Alarm, we see individuals overly reliant on the app to the point that it has dominated every single discourse being had in 2023. For instance, in the first scene of Season 2 Episode 1, we see a marriage ceremony that only concludes after the bride and groom ring each other's alarms and with the release of Love Alarm 2.0, people aren't even giving a chance to individuals, who don't show up on the list. The notion of blind trust in our relationships is completely thrown with Love Alarm when there is an app that is constantly verifying whether a person has feelings for you. This is detrimental because the success of true passionate love rests on the fact that we come to care for someone so deeply that we ultimately trust them to feel the same way about us, so we let them into the most intimate aspects of our lives.

This statement mentioned above is precisely why Sun Oh and Jojo were never endgame. Sun Oh and Jojo's relationship was only initiated because they rang each other's alarms and while they shared moments of happiness, their relationship was not founded on trust because both Sun Oh and Jojo lacked the intuition to see their relationship as something that transcends an app. Throughout Season 2, we see Sun Oh consistently warped in the technicalities of the app with his obsessive questioning of Jojo over the shield. While we see him question Jojo about why she can't ring his alarm, he can't seem to comprehend this idea that you don't need the alarm to be in a successful relationship even though he seems to be doing that quite wonderfully with Yok Joo. Yok Joo because someone that truly makes Sun Oh happy and remains a constant source of support that he can rely on. Likewise, we see Sun Oh prioritizing and caring for Yok Joo, signs that he is growing to love someone, but cannot accept it because he excepts the Alarm to tell him that he is in love.

Love rarely is an instantaneous experience, but rather something that develops over time, and Love Alarm completely strips this experience. In his decision to woo Jojo without the alarm, Hye Yeong embraces this idea successfully. He remains undeterred about the fact that Jojo can't ring his alarm and continues to spend meaningful time with her because being around her simply makes him feel happy and a part of him trusts the fact that Jojo feels the same way. Hye Yeong trusts his intuition more than he trusts an app. In doing so, he makes Jojo realize that she has to listen to herself rather than an app. Throughout her storyline, a common thread is the supposed lack of control that Jojo feels from her parents' death to her being left with no choice but to rely on her unkind aunt and cousin for support. In Jojo being able to finally make a choice in her life in choosing to love Hye Yong, she is arguably able to express autonomy over her life for the first time and she is not bound by her status as an economically struggling orphan in doing so.

Additionally, another reason why Jojo and Sun-Oh's relationship failed is that while the two may truly be in love, they were not in love with each other at the right time. When Jojo and Sun Oh were both dating each other, they were arguably at the lowest points in their life. Sun Oh was dealing with extremely abusive and negligent parents, while Jojo was still traumatized by the death of her parents and the bullying that she faced at the hands of her cousin and classmates. Throughout their relationship, Jojo was terrified at the prospect of Sun-Oh finding out about her background and was embarrassed by her socioeconomic status, which was what prompted her to download the shield in the first place. Jojo's period of However, by the time Hye Yeong pursues a relationship with Jojo, she is in a much better place. Not only does she feel more comfortable with Hye-Yeong because they had already seen each other at their all-time lows, but she's become more assertive, confident, and found some fame in her work as the artist of The Ringing World. She also has a best friend that understands and respects her boundaries. Loving someone but having to let them go because it simply wasn't the right time and place is all too common of an occurrence and the creators of the show challenge us to question the idea that we are only destined for one person our entire life. We can love many people throughout our life, but the ones who we grow to love when we love ourselves is where the key to long term commitment lies.

I know that many fans of the show are upset and I also have many issues with the writing and development of Sun Oh's character. Regardless, I also feel that Love Alarm challenges many of the expectations that arise from cliché k-drama tropes. There are so many things that I would change about the show, but I have grown to accept the fact that Sun Oh deserves better. But, I'm not sure if Jojo would have been the source of his happiness and I only wish that his ending didn't feel so incomplete and heartbreaking.

#love alarm 2 #love alarm s2 #love alarm #love alarm spoilers #song kang #kim so hyun #netflix #kdrama #jung ga ram #kim jojo #lee hye yeong #hwang sun oh #kim soo hyun

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akajulester · 3 years ago

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further thoughts on Higurashi Gou/Sotsu (spoilers for Higurashi and Umineko ep3)

warning: long rant incoming haha

I think my two biggest problems with these seasons is how they focused way more on the supernatural/magic elements of the When They Cry franchise and less on the original Higurashi’s emphasis on natural explanations, and how the characters were completely devoid of the life they had in the original.

I’ve only just started getting into Umineko and I understand it also leaves a lot of room for a non-magical explanation, but you can’t deny it focuses way more on magic than Higurashi ever did.

The thing I found most interesting when I first watched Higurashi was how the mystery had a very human and realistic explanation. While a mystical divine curse is cool, the whole plot being the result of a human character taking advantage of a fictional parasite and medicine to essentially create the mystical divine curse is far more compelling - the audience is allowed to piece together the mystery along with the characters and isn’t shut down by “a wizard did it.”

And that isn’t to say Higurashi is completely devoid of magic or the divine. Hanyuu is some kind of mystical deity who gave Rika a supernatural power (looping) and is able to manifest in the real world and directly affect the course of events (such as making Takano miss her shot). Higurashi is just a perfect blend of supernatural and more realistic storytelling.

Gou and Sotsu, on the other hand, went much harder on the supernatural/magic aspect seen in Umineko. Not only is it a worse magic vs human mystery than Umineko, it’s just completely different from what Higurashi is at its core. The complex, interweaving mystery that at first seems unsolvable but later makes sense was replaced with a much simpler “whodunnit” where the answers were obvious, especially after Satoko was revealed to be the second looper. The introduction of straight-up magic and powerful witch entities dumbs down the story, in a sense.

To be fair, Gou and Sotsu do have a human explanation as well, specifically in the vein of the human explanations seen in Umineko. Just as Eva-Beatrice in Episode 3 can be interpreted as a personification of Eva going crazy and murdering her family, Rika and Satoko’s big magical-girl fight could be interpreted as a metaphor for their fight. However, this rings a little hollow when the last episode essentially says “nah, they definitely turned into Bernkastel and Lambdadelta.” It feels like there’s almost no room for a true human explanation.

The other thing I found most compelling about Higurashi is the characters, more specifically how they interacted with each other and felt like very real people. I want to read the sound novels at some point mainly because I’ve heard the anime didn’t fully do the characters justice by cutting out small but important moments. Mion and Shion especially were amazing, their dynamic as twins was probably one of the best I’ve ever seen in storytelling. Also, the main message of Higurashi is literally about the power of friendship, and it portrays it in such an amazing way you forget the sentiment is a bit cheesy.

And yet, Gou/Sotsu ignored every single character who wasn’t Rika or Satoko (except maybe Hanyuu and Eua). While I can understand the decision to focus on them since the only point of the show was apparently to set up Bernkastel and Lambdadelta, it actually makes them feel more hollow and lifeless, to me at least.

Keiichi’s lack of presence was especially baffling in this regard. He was arguably the main reason Rika was able to break out of the loops at all, as he helped inspire her with the idea a miracle could happen if their entire group of friends worked together. And with Satoko, he became her big brother figure! The fact that Gou/Sotsu not only push their relationship off to the wayside but also have Satoko get Keiichi murdered in horrifically brutal ways AND purposely inject him with Hinamizawa Syndrome without any shred of remorse or guilt is disgusting. Are you seriously telling me Satoko had a massive internal struggle over taking advantage of Teppei (y’know, the guy who abused her and her brother and severely traumatized them), but felt absolutely nothing over torturing Keiichi, the boy who she knows has fought to save her from said abusive uncle in multiple worlds and would literally kill for her??? Wtf???

The same thing goes for the almost non-existence of Shion in Gou/Sotsu. Shion also has a very strong relationship with Satoko (except for the worlds where she goes crazy and brutally murders her lmao) and has ALSO threatened to kill that abusive uncle for hurting Satoko, something Satoko would know full well after watching all of Rika’s loops. It’s reasonable Satoko would have more ambiguous feelings about Shion (since, again, Shion has killed her in Watanagashi arcs), but I find it bizarre she would be this willing to brutally murder, torture, and directly cause events leading others to murder/torture her surrogate big sister and surrogate big brother.

The whole story in general is baffling when you consider Satoko’s character. Are we seriously supposed to believe her drifting apart from a close friend is somehow more traumatic to her than the isolation and exclusion she experienced from her entire town and the literal abuse she went through from her aunt and uncle? You can’t even really use the “oh the town didn’t actually want to persecute her family tho” argument because that doesn’t negate Satoko’s experience of living through it. It’s especially dumb when you consider Gou/Sotsu somehow make Satoko’s argument “I don’t wanna study waaahhhhh” as if it makes any sense when you know these characters.

Don’t even get me started on how nobody even reacts to Satoko’s bullshit. The original Higurashi had characters sometimes remember past arcs/worlds, and Gou explicitly stated Satoko’s loops meant characters would remember even more. And yet, all that happens is Takano and Teppei reforming. What??? I expected the ending to involve Keiichi, Rena, Mion, and Shion realizing what Satoko had done to them and getting rightfully angry with Rika over what Satoko did to all of them. The show should’ve ended with the group cutting her off for being so fucking awful to them. Jfc...

In the end, I think Gou was fine and Tatariakashi-hen in Sotsu was cool, but this show just felt so empty compared to the original Higurashi and Umineko. Both stories are focused on the CHARACTERS, and while there are main characters in both who get more focus than the rest of the cast, every single character’s interactions with each other are vital to what makes their stories compelling. Dropping all of that to hone in on 2 specific characters actually robs even those characters of their depth and vividness.

#higurashi #higurashi sotsu #sotsu #higurashi no naku koro ni #umineko #umineko no naku koro ni #anime #Julie being a weeb #rant #higurashi spoilers #umineko spoilers #spoilers #warning: long post #ugh

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cinnamonest · 4 years ago

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Makoto Naegi (DR) - Yandere Profile

Me? Producing non-genshin profiles? Releasing two profiles in one day? It’s more likely than you think!

I’ll probably do my boi Hajime eventually too. I got several dangan requests so I’m gonna start with this one and do those gradually too.

Makoto is the perfect classic, traditional yandere. He fits every trope and aspect of the archetype so well, so I just had to make him a delusional, split persona type. It's a bit ooc of course but I just see him being that type to really snap and have a whole new persona underneath. Bless him. I love soft sweet boys and turning them into nasty lil obsessive gremlins. Also I couldn't decide on a setting/version of him, so I talk mostly about a normal Makoto in normal school life, but also what he'd be like during the killing game as well as a side of Mastermind Makoto bc I'm a sucker for mastermind AUs. Note, he's 18 or older in all of these, of course.

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Tws: stalking, obsessive behaviors, manipulation, nsfw mentions, mentions of permanent mutilation, voyeurism Tws: (below cut) - voyeurism mention, noncon, Makoto being awful Additional warnings: very minor spoilers for Danganronpa 1

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What are they generally like? Lucid, aware? Obsessive? How do they behave?

Bounces between lucidity and delusion. DR1 Makoto is probably largely influenced by the stress of, you know, threat of imminent death, but even outside of such a situation, he'd be a very well hidden yandere. He's just so sweet! So gentle! You can't really seem him as threatening at all, so a lot of subtle things might go unnoticed, like how touchy he can be, how his stares linger, how people seem to avoid you when he's around. However, while the yandere side isn't obvious, the crush certainly is. He's a blushing boy, will get flustered the moment you speak to him, is constantly stumbling over his words, nervously scratching the back of his head, looking all over everywhere except at you, eyes darting away.

Obsessive. It defines his yandere side. Everything is about the obsession, the worship, it's overwhelming. The desire to kidnap you is partially protective, sure, but really? He also just wants you close, he wants you all to himself, he could just be happy looking at you forever. Stalker for sure. He's a classic style stalker, one to take lots and lots of pictures. His phone is handy for the ones that need more of a... secretive approach, but for the ones that he can take safely, from a distance, or the ones of you sleeping, they look best in polaroids.

He would definitely be one to steal things, particularly clothes. Wait until you go to do your laundry, and when you're there he'll do something like pull the fire alarm, cause something to fall over, and wait for everyone else to leave or investigate before slipping in - surely you won't notice just a few pieces of clothes missing, right? Just some gym clothes you worked out in, they smell so much like you, and some underwear you won't miss. They're just cute is all. Not for any perverted purposes, nope. He'd have a shrine, too. He'd steal creepy shit like soda cans you threw away, pens you held. He'd use his phone or one of those cameras from the mono machine to get as many photos as possible, running over them late at night, going through each one and rubbing one out to every photo he can get of your soft, innocent expression.

Deceptively intelligent. It's his number one trick. He comes off as a very... average person in pretty much every way, it's literally his character trope at first, but as we know, he's actually particularly intelligent and perceptive. Most people don't realize this, though, and it gives him an advantage. He is aware that he's perceived as a bit of an innocent, naive airhead, and will utilize that perception, which allows him to get away with quite a bit by feigning ignorance or innocence.

A split personality bouncer. Classic yandere style. Sweet, innocent, happy, but if you just keep fucking pushing the limits he'll - no, forget that, it's ok, he understands :) ....THAT kind of yandere. He spends the majority of the time on the sweet side, but, especially as time goes on, can easily snap to a much meaner, darker persona, but it's not how he is the majority of the time. It's only brought out by excess stress from all of the... complication of things involving you.

Speaking of how he has all the makings of a classic yandere, delusional regarding love as well. Highly convinced that you'll love him eventually, convinced that everyone is out to take you away from him, and convinced that he knows what's best for you. Perhaps a bit surprisingly, he falls into this delusion pretty easily and quickly. He's likely got a bit of an inferiority complex given, you know, being the "normal" person among some of the best people in their fields. He likes the idea of anything that can give him a sense of importance, of value, of being needed, and he chooses to project that into your protection.

How likely are they to kidnap their darling? How quickly will they do so?

Normal schoolboy Makoto, well, he'd have to find a way. He wants to, really, the moment he meets you, but how can he do that? He lives in a dorm. If you went missing, surely they'd investigate the dorms right? He'd ultimately probably end up running away with you, finding some way to get by while he keeps you safely locked up in some tiny apartment somewhere.

As for the how, he would take a very traditional method. Ask you to meet him at a certain place and time behind the school, and you'll never see it coming, be it chloroform or a blunt object or whatever he chooses. You wouldn't suspect someone as sweet as him to ever be planning anything of the sort. He feels bad for hurting you, but it's for a greater purpose. Within minutes he'll have you stuffed in a sports bag or instrument case or something of the like, carrying you off, and no one will no where you could have gone.

Will definitely be that one that gets interviewed by the news on TV, the best friend of the poor girl that went missing, and he's all sniffly and teary while talking about how much he misses you, how he's so worried about you. He's actually a very good actor when he really, really needs to be. It's also his way of atonement, in a sense. If he can show how much he cares about you, even if it's in a situation where he's lying, it makes him feel better.

DR1 Makoto, well, he'll be virtually immediate. Don't you understand the gravity of the situation? You could DIE! He can't let that happen. You may be insistent that it's ok, that you want to all try and work together, but in his mind, you just don't understand how serious this all is. You're just too naive. The only solution is immediate action. He'll be gentle about it, probably lacing your tea or coffee with something he found laying around in the nurse's office to make you just a little bit sleepy, so dazed you won't even realize he's guiding you back to a room that isn't yours, won't even hear yourself being tied up.

If the others ask what happened to you, well, he'll say he has no idea. They'll likely assume you're simply dead. After all, if a body isn't discovered, how would there be a trial? They search and search but no one ever finds a body. How strange.

He might simply tell them you're paranoid and holed up in your room. It's ok, though, you trust him to bring you food, so they don't need to worry about you. As for the trials, well, you can't participate in those if you're unconscious, now can you?

As for MM! Makoto, well... Who's to say this isn't his way of kidnapping you? You're separated from that awful awful outside world. That's The whole point of it all, all of this was for you. To isolate you, and the game is simply to strike some fear in you, make you understand how evil and traitorous humans are. You'll never want to leave. And of course, he intends to play until there are two students left. Unfortunately for the others, the winners have already been... predetermined.

How difficult is it to escape from them? How do they keep you restrained? How do they deal with attempted escape?

Unfortunately for you, Makoto is one of those yans that is perfectly ok with your life consisting of being tied, 24/7, in one place. He'd keep you restrained at all times, with something soft of course! He doesn't want to hurt you, but it's for your own safety.

DR1 Makoto would constantly be coming back to the room to check on you, make sure you haven't left, make sure you're ok. He'd neglect all of his free time opportunities to talk to others and opt to come be with you instead.

Normal Makoto would invest in some special security measures, namely, a very special shock collar that he bought off of some sketchy site. It's made for humans! It has a lock with a code and everything. You honestly wonder why there's even a market for such a thing. It's not just light shocks, no, it has settings. It syncs to his phone, with a built in remote app, one he can push and it'll give you a nice shock of whatever level he sets it at.

However, the collar is also synched to a field of range that it will detect your location in. It's set perfectly to the boundaries of your little home. If you were to step outside the door or the window... Well, it's not going to kill you, but you'll be out cold, and he'll get a notification telling him you tried to leave. The first time, maybe, you can calm him down and convince him it was an accident, you tripped and crashed against the door and it just ever so lightly pushed you over the boundary. He'll believe it... Once.

Unfortunately, he's also one of the ones who sees no issue in permanent bodily modifications to deter you from leaving. He's not like some of the previous yans I've discussed, though, because it's not out of sadism or a lack of care for your feelings, it's a delusion thing. He'll be so sweet about it, reassure you that it's ok, it's for your own good, you're too precious and innocent and the outside world will hurt you, but this way you're safe from yourself and your own naivete. He'll be so, so careful and take such good care of you, he'll give you something strong so that you don't feel any pain at all.

He's also perfectly fine with you living in a constant drugged state, out of your mind, drowsy and completely unaware of anything in the world except him. And things are better that way - really, you can't say you're not happy, you seem so content like this. You don't complain, you don't get angry, you just giggle and smile and loll your head back and forth. You don't fight him. You just smile.

In other words, regarding escape, you might as well give up. Your only real chance is being rescued by someone else, someone who might just notice his increasingly odd behaviors, but if they believe you're dead, which he will go to great lengths to ensure you do, it's unlikely to happen. Any attempts will just be met with a sweet smile, a little laugh at how dumb you are to think that would really work, and quickly taking you back, where his demeanor might get significantly angrier once he can really let loose.

MM! Makoto is an equally unrealistic chance, the worst of all, really. It's just not happening. He'll also likely convince you, much like as the DR1 and V3 did, that the world outside is nearly destroyed, or somehow unlivable, that you're lucky to be here, and that this is the only place where you're safe.

If you try, he'll crack down on however the hell you managed to escape because... how would you even go about that? I mean, the whole environment was designed to be inescapable, and if a whole class of students couldn't find a way out, it's unlikely you will either. Any attempts will likely be dumb and unsuccessful enough that he can't even get mad, it's just amusing.

How easy are they to trick, deceive, or manipulate?

Oh, easy. We see in Chapter one of DR1 just how easily he will bend to the will of a girl he likes and nearly end up getting himself falsely accused of murder and all, so safe to say he's pretty easily manipulatable and if you're looking to survive, you can use that to your advantage. However, really, you're better off manipulating him into being a meatshield - he'll guard you 24/7 and be more than willing to die. Poor baby.

However, if he catches onto manipulation once, and it doesn't involve your safety, he'll learn pretty quick. Deep down he's a highly intelligent young man, and you may find the tables turning pretty quickly - he can easily manipulate your paranoia and mortal fear, convincing you that if you just stay with him, you'll be safe, convincing you that everyone else is out to get you, convincing you that this or that person is plotting to kill you. He's so sweet and innocent looking, you'll believe every word.

Bonus: If he were the mastermind, he'd be so deceitful and do it so well, you'd never know. An excellent actor through and through. In a way, it's not acting at all - he loves you and wants you to be safe. This is all so that you'll just understand that you need to be kept away from the outside world - you're actually perfectly safe, he's taken measures to ensure that, but you'd have no way of knowing. Even if you feel like those cameras in the rooms at night almost seem like they're staring right at you.

How lenient are they? What privileges can you have, and what will you be denied?

Very few. He'll baby you and prevent you from doing most things for yourself. He'll be one to try and keep you entertained, though, most likely get you some kind of tablet or laptop you can use to write, let you play all of his games, let you watch anything, and get you any kind of materials for any hobbies you have, provided he's deemed it non-dangerous. So, given all of that, you don't need to do anything else, right? He'll see anything more as just you pushing your limits, because you're trying to be difficult again. Complaints go in one ear and out the other.

DR1 would be the worst Makoto to have, because he can't provide you with much, and can't lock you in from the outside... so, his primary go-to is gonna be keeping you completely restrained all the time. Don't worry, though, he assures you that once you guys get out of here, he'll take you away to a much nicer place with much more to do! But for now, you'll be getting very acquainted with his ceiling, left with nothing to do but stare up at it. He'll try to be around as much as he can though, and won't leave you for too long, only leaving when necessary. And for the trials you'll just... have a little nap, so it'll feel like no time really passed at all.

Ironically, MM! Makoto gives you the most leniency. He'll make sure anything dangerous is taken away, but then, he'll let you roam the abandoned, hollow shell of the school, whenever he has to work on something, which isn't too often. Of course, this is partially because he's got an eye on you via cameras every waking moment, so really, you feel his presence even when he isn't there.

What kind of rules do they have? What kind of punishment would they use?

For a normal Makoto, he'd be one to give you a "schedule" to help you adjust. He doesn't want you getting depressed and laying in bed all day, it's bad for your health! He wants you happy and lively and that way you can have more fun together! He'll give you a list of very simple tasks to complete throughout the day. If you don't do them, that's ok, you can do them together when he comes back, but they will get done. Other than that, of course, no running away, no attacking him, and you know, just try to be a bit grateful and nice.

If you make him mad enough, he needs time to cool down, and he presumes you do, too. He's one to pull psychological things -- locking you in a dark, dark room with no light or sound for a long enough time, all alone, ignoring your cries and whimpers until he knows you've learned. But once you have, and if he sees the results have turned out as expected, he'll be sweet and affectionate when he takes you out, and tell you he's glad you see things his way now.

How do they deal with rivals, or perceived rivals? Will they get rid of them? Will they kill them themselves, or find another way?

Normal Makoto, once again, we have a very classic yandere trope. He's delusional and in love and anyone who gets in the way will suffer. He's, again, very deceptively intelligent, and he can easily commit a murder, even a string of murders, that no one would ever be able to put together, and certainly that no one would ever suspect someone like him of committing. You could say it's like a talent of his. He has no guilt or remorse, either, and no value for the lives of people who are his enemies.

DR1 Makoto, He's limited to two people, unfortunately. If he had it his way, he would kill them all. But still, that's enough to win. He'll bide his time, setting things up so that hopefully, the more intelligent students get eliminated early. He has masterful ways of pulling strings here and there, planting ideas in people's heads, off handed comments that might just inspire a killing. Once there's only idiots left, well, once two of them go missing, in the most elaborate, confusing murders in the game thus far, they'll never figure it out.

Of course, he'll certainly find a way around the rules. He'll force the mastermind to have no choice but to let you both live. Injured students can't participate in trials if they're out cold, no? So if you have some minor bone breakage, get drugged conveniently before a trial begins, you can't participate. And if you didn't participate, it would really be upsetting to everyone watching if Monokuma killed off a student who couldn't even partake in the trial. After all, they might have been able to turn it around! So really, the mastermind has to let you both live.

Or maybe, he'll convince you to do it with him. Force the weapon into your hand, force it down on the poor poor victim, holding your hand in his. Monokuma can't prove you weren't putting some exertion into it, that it was all his force. Therefore, really, you both killed them. Therefore, the trial is against you both. Therefore... He can get rid of everyone in the way, all at once, with only one left to go - the person behind that bear. And he will find a way - you'd be foolish to underestimate his capabilities. After all, you always thought he was just a lil empty headed guy, shy and flustered, and look how wrong that was.

How easy is it to make them mad? What does their anger look like?

In the "developing stages" of obsession, not so much. He's generally a sweet, easy-going guy, even a little bit of a doormat if we're being honest.

Normally, he gets pouty-mad, not violent-mad. Almost what some might call a girl-sort-of-mad, the kind where he huffs and pouts and pretends to ignore you. It's either kinda cute or infuriating, depending on your mood or how you view it. In that state, all you have to do is give him what he wants, of summon a quick apology, and he'll bounce back to normal and loving and affectionate nearly immediately. It's part of an immature streak he has.

He has his snap moments, and will snarl and growl at you with the most furious expression for just a mere moment -- but he snaps back to sweet and soft as quickly as he changed the first time. It's a little bit of mental whiplash for you, really. You almost feel like you imagined it. In those moments, though, he may just for those few instants get a little violent.

If he's truly furious, he gets quiet. It's a little terrifying, really, you know something is coming, and it's not pleasant. He'll likely just grab you and slowly, tortuously drag you to whatever he has planned. He'll give you a very grim, cold expression, and coldly tell you this is what you deserve, and if that's locking you up, he'll tell you you can come back out when you're ready to behave.

So they see you as above them, beneath them, or equal to them?

Above. He's a worshipper. He can't even believe he gets to be in your presence, even look at you, he's unworthy and it's all so overwhelming.

It... Gets annoying pretty quickly, actually. He's not gonna sit around and degrade himself all that much unlike SOME certain lucky students cough cough, but he'll constantly grovel and remind you how perfect you are. He's not good enough for you, he doesn't deserve you... a bit ironic to hear, since that certainly didn't seem to stop him from taking you away against your will, but there's a lot of hypocrisies that don't really line up with Makoto.

How determined are they for you to love them? How hard will they try to make it happen? Or are they content just having you?

Highly so, but also deluded into thinking you do pretty easily. Even if you're screaming and yelling, he just thinks you're having a bad day, throwing a tantrum. He thinks you do love him, if you're in the later stages of things. Anything that conflicts with this delusion is explainable otherwise, usually the default being that, as usual, you're just being difficult, but that's ok -- he really loves you anyway.

Bonus: Is there anything that makes them unique, in comparison to other yanderes?

Ironically, what makes him unique compared to my other yanderes is that he's more fitting for the traditional yandere type - a very cute-faced, psycho sweetheart type. He's highly prone to the classic yandere tropes and attitudes, as well as the mental and emotional instability traditionally associated with yanderes - smiling no matter what, even as he does awful things, but also snapping to a dark, angry state over the smallest things.

Guilt tripping. It's his specialty. He's so cute, so sweet, you wouldn't want to make him cry and make him sad... Would you? You're not that cruel, are you? You wouldn't throw away everything he's done for you and leave him all alone with no one... Right? He'll easily manipulate you this way, it's his specialty.

General perverseness: how sexual of a person are they? What’s their drive like? How touchy do they get? Do they have any reservations about sexuality?

The thing about those soft sweet boys that are just so innocent? Half the time they're the nastiest, horniest little pervs there are. He's sweet, he'll help you with everything you need! You're struggling to reach that shelf so he'll just put his hands on your hips and squeeze you and lift you up! But he'll stumble a bit, and when you come down you'll kinda land on him just a bit, chest pressed up against his face, and you'll be the one embarrassed - but it's ok. He says he knows you didn't mean to. And he's so sheepish and embarrassed about it himself, clearly it must have been unintentional.

And he's so innocent and kind, you know he doesn't mean to be so touchy, doesn't mean to cling to you so much, so you can brush it off. After all, he's just so nice, you wouldn't want to offend him.

Will jerk off on every single thing he has of you. Every little polaroid, every article of clothing he's stolen, every little thing. It's gross. He's gross. By the time you're kidnapped you might even find some of your clothes that went missing, and they're hard as a rock. Ew.

Like a lot of yans, will get significantly bolder once he has you all to himself. Much more touchy, much more suggestive, boldly, openly horny and just, constantly begging you to just fuck already, whining and even rutting into you if you're still in denial.

MM! Makoto will also 100% watch you get undressed through the cameras every night. Save the video feed and just watch it over and over again, taking in every little detail. Cum all over each little video, watching it drip down the screen. He can almost pretend it's actually dripping down your face, and not just the image of it.

How forceful are they? Do they care about your willingness?

I... within the first hour of your confinement you're gonna know what this boy's dick feels like. He has no restraint. He just loves you so much! Hell, you might even wake up to him just, grinding into you, jerking off to you. You're just so pretty. You can't expect him to be too restrained, you know? He's so overcome by love for you that he can't help it.

High-level delusional. Will make up every reason in the world as to why you might be rejecting. You're nervous, it's ok, he'll help you get over it. You're insecure, and he'll help you get around that too. Ultimately, in the end, you're not getting out of it, nor putting it off at all really. It'll be the first thing you do to start off your new little lifestyle.

What sort of kinks or fetishes do they have, or would they fill?

D/S dynamic

Except... in a really weird way. It's the sub without the dom. Or not really submissive at all. It's a very bizarre dynamic you'll have going on - the way he talks to you is so submissive, so sweet, constantly asking you if you feel good, constantly whimpering and making the cutest little noises, constantly worshipping you, you'd almost forget he has you tied up and is forcing you through it. He acts submissive in his own way, and yet he's completely controlling you. In fact, you're pretty certain he wouldn't actually let you top him in any way, and any attempts to do so will be met with him denying you, telling you to just let him do what he wants take care of you. His attitude and words are submissive, yet he insists on controlling you completely. It's, again, bizarre in its own way, but what isn’t bizarre with this man.

Oral fixation

A guilty one for him, with his whole service attitude and all, because he really likes to be on the receiving end of it. Cumming down your throat is fine and all, but really he's one to pull out and cum all over your face. Bonus points if you wear lip gloss to smear all over his dick, wear glasses he can get cum on, or anything that makes it feel special.

In his rare angry, more dominant moments, he can get kind of rough with it. If he's really mad at you, hearing you choke is a rather satisfying feeling.

Paizuri/Thigh fucking/outercourse

The boy's seen too much porn. Just, pleeeeeeease let him cum on your tits. Please. He begs for it over and over, doesn't matter if you tell him yours are too big or too small, he just really wants to cum on them. He just wants to feel your smooth skin on his dick you know? Maybe he can get the tip in your mouth while you do it too!

And while you're at it... Let him fuck your thighs. Please? Just hold your legs together, not hard right? There's just something about actually seeing his dick against you that makes it so nice, and so temptingly close to your holes. But if you've agreed to it as a way of preventing actual sex, it might just... accidentally go in anyway. It was just too slippery... but now, he's already fucking you so... might as well keep doing that instead.

Cockwarming/activity-sex

Our boy likes his vidya. And you know all those jokes and references to, you know, getting sucked off under the table while he plays games....? He just... really, really would like that. It's a big fantasy for him. He's probably the type of guy to be way too into league of legends dammit and he just, would love to have to try to be quiet, try to get off down your throat while trying not to alert anyone that can hear through his mic. Or just sit on his dick, it's heavenly, he'll gradually just lost control and start losing his game, before eventually cutting it off and exiting altogether in favor of rutting up into you. He likes it, but he doesn't have a whole lot of self-control to actually do it for long before giving up and just fucking you.

How do they feel about pregnancy or babies? Do they want them?

He's one of the ones that really wants it, he thinks it would be so cute, so precious, and of course the benefit of it tying you to him. He might be one to get a bit jealous, though. He likes your attention, and can be a little bit immature about it. Unfortunately, though, he's not actually aware of his own immaturity, so this can present a problem.

What kind of (nsfw) punishments would they use?

(Insert "iiiiits punishment time!" joke here)

If he's in this mode, an angry mood, his demeanor for sex changes significantly. The weird pseudo sub attitude isn't really there, it's more of a quiet neutrality, a frustrated, but calculated anger that brings out the worst in him. It's honestly frightening for you in and of itself because it's such a dark expression and rough voice and so unfamiliar that it would freak you out just to see him like that.

The go-to is impact pain. In this rare-ish mood, he can actually change pretty significantly -- normally, he'd never dream of hurting you, would feel awful if he did, and would not enjoy it in any way, but now? He kinda... feels like you deserve it, and he'll undeniably get off to it a bit. Something about watching you cry and squirm really helps alleviate the anger. He'll be soft about it later, wipe away your tears and softly murmur nice things... but he won't apologize. You deserved it. If it's that bad, then you'll just have to not do it again.

What body parts of their darling do they like the most?

A thigh boy. Let him use your lap as a pillow, and he'll be a very happy boy indeed. He likes feeling them wrapped around his hips, or his head, likes squeezing the flesh in his hands, likes running his hands up and down.

#yandere x reader #yandere danganronpa #yandere makoto #yandere naegi #tw: noncon #tw: dark content

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samdotdocx · 4 years ago

Text

A very long-winded essay about why I love Night in the Woods and The Ramayana makes me Big Mad ft. Lets Talk About Mental Illness™

So I was in this class called 'The Ecology of Language". Excellent class, 10/10 would recommend - and especially relevant in the Indian context in particular, but that's a topic for another day.

One of the things we talked about was the concept of 'relatibality' in media, which, I'm sure we can all agree is a large component of contemporary character or story-line development. Considering the context of modern readers, what that sometimes ends up looking like (in our society that is built on constantly being told we are lacking, and the subsequent need to satisfy manufactured desires), is some wonderfully nuanced characters in stories stories that are three-dimensional, well rounded, and well developed and written. It's pretty great. And sometimes, what that means is that we have excellent characters that don't conform to the standard 'protagonist' stereotype. They might not even be 'good' (this is NOT a villain-apologist post). In fact, they might be complete idiots. They might be the people in stories who make all the wrong choices.

One such relatable character is Mae, and it's because she's an unmitigated train-wreck.

Anyone who knows the game probably knows what I'm talking about when I say the illustration style and character designs are gorgeous. Anyone who's ever dissociated probably knows what I'm talking about when I say that illustration style and character design were excellently used to create the sort of subliminal, surreal state of Mae's mind. And as you play the game, you see how that state of mind plays with the other characters, and - spoiler - it isn't great.

This is the first of the relatable aspects of Mae’s character; there are people around her who love her and are worried about her, but at the same time, are angry and irritated about her behaviour. At what point does it become too much to ask of those around you to forgive all your continuous and repetitive mistakes? Even if you have a good reason for it, mental illness is not an excuse for being exploitative, even if it is unintentional. Mae is not trying to hurt the people around her, but she constantly needs emotional labour from them – it’s exhausting, and people’s patience is going to run out eventually, as is their right.

Another aspect of this behaviour is the lack of reciprocity, an example of this being when Bea’s mother died of cancer – and Mae didn’t even notice.

There are several instances of Mae’s thoughtless behaviour throughout the game; she gets completely wasted and makes a scene at the party, gets jealous of of Greg and Angus because they’re leaving the town without her, and ends up destroying the radiator Bea was supposed to fix, getting her in trouble.

The thing is though, that Mae is given the opportunity to fix her mistakes.

A large part of relatability is the want so see yourself in a character. Mae is relatable to me because there are several circumstances and events in our lives that match up, but more than that; the game is an interactive visualization of her healing process. Her nine steps, if you will. She is given a second chance – and that chance is hard won, particularly in the context of the game.

Mae talks about feeling like she’s falling behind, of knowing that she is, in a way, wasting an opportunity that was a privilege in the first place, especially considering her family’s financial situation – but at the same time, being literally unable to help herself. And the aspects of the gameplay that hint at the supernatural elements of the story possibly being a figment of Mae’s imagination – well. All us depressed losers know what it's like to not be able to trust your own judgement and point of view. She talks about why she dropped out of college, and her description of the dissociation, and the mental and emotional deadening that it causes is spot on and so well represented.

It underscores the point that the logical brain knows that mental illness is an illness like any other – but the emotional brain doesn’t care.

The game does a brilliant job of laying bare the realities of middle class life, and makes painfully clear the fact that, at that level, it doesn’t matter how difficult things are for you. The world isn’t going to wait for you to get back on your feet.

Mae’s mental state and the limitations it imposes on her cultivates a state of extreme frustration. Again, relatable. It’s an understated aspect of illness of any kind; the anger at yourself, and how that anger carries over into a lot of things in your day to day life. After a point, it becomes a habit. Mae does this too; she's belligerent, and instigative, and unrepentant of consequences, because anger blinds you.

It's not how things will always be. I have the privilege of hindsight, so I can say that with authority. But, this isn’t the kind of thing that ever fully leaves you, either. If you break a kneecap, it’s going to bother you for the rest of your life, and similarly, mental illness has a ‘no return, no refund’ policy. So you grow up, and you try to adapt those habits and impulses into a more positive context. Recycling, right? Maybe you set your sights on things that actually deserve your anger, and you go from there. You find people who, for their own reasons, perhaps or perhaps not related to your own, are angry.

And you don’t understand the people who are not.

A large part of the anger and frustration surrounding mental illness is due to the stigma surrounding it. It’s frustrating to be so powerless and dependent, but this is exacerbated by the attitude of ‘it can’t be that bad’, which makes it so difficult to reach out, to be able to say, ‘I need a break’ – and actually get one. This is an attitude that carries over to a lot of other issues as well, and the worst part is – we are surrounded by people who are okay with it, who believe in and support that mentality.

The myth of Sita, for example. She is a strong female figure in Indian mythology, who overcomes her circumstances to live a ‘good’ life, and for all intents and purposes, is a hell of a role model.

But that’s the thing; her life wasn’t good, was it? She was supposed be a goddess reincarnated, she should have been powerful, and respected, but instead she is reduced to ‘wife’ – and everyone today is fine with it.

I respect her immensely for the choices she made; marrying for love was her choice, going into exile with her husband was her choice. She was the paragon of virtue, of 'wifeliness', of kindness – she chose her husband over everyone and everything else, including herself, as was expected of her. But yet – she couldn't win his trust or respect. It should not even have needed to be won.

It’s commendable the way she takes it all in stride, but why did she? She was kidnapped and held captive for years, entirely against her will, and her husband's response to that is to force her to walk through fire to prove her ‘purity’ – and she does it. And she stays with him after, and I cannot understand the depths of her patience and forgiveness, because I would have been livid, and I want her to be so too. I’m furious for her, because Ram was not just her husband, he was also the king, and his later verdict to exile her, alone, while heavily pregnant, his readiness to condemn her based on speculation and public sentiment, was not just a verdict against her, it was against every woman in his kingdom who had ever been victimised.

Sita became a martyr to the modern feminist movement – if she could not be angry on her own behalf, we will do it for her. But at the same time, she is still relatable, because we are held to a slightly lesser degree of the same expectations. There are always going to be aspects of things that you relate to. ‘Big Mood’ culture is a strong indicator of the human ability to empathise, especially with characters that you like, or respect.

Sita’s world, I imagine, was run by the expectations her society and community had of her, and maybe she didn’t even have the liberty to be angry. Who is responsible for portraying her in passive acceptance of her fate? Is that representation reliable? Would the story have been different had it been written by a woman?

I can't remember a time when I was not angry, especially about things like this. I am always ready to fight, and I think the same goes for so many other people today, sometimes to our detriment. I cannot imagine a world where that was not at the very least an option. Not necessarily the best option, - but Sita’s world was very different to ours. Even with centuries between us, we’ve just gotten over angry and depressed women being labelled as ‘hysterical’ and subsequently being locked away. What is it like, to have to be calm and careful in response to being treated like this? This care in response may not be an overt requirement anymore – though the fact remains that society will not take you seriously if you become hysterical - but shouldn't you, at the very least, be able to rely on the support of other people in the same boat?

That is the main difference in these stories, and another main point of relatability to me; Mae, like myself, had a support system. Sita did not. Mae was selfish and demanding in so many ways, and required a lot of time and patience and healing before she was able to give back, but she got there eventually because she was able to put herself first. She fought for herself, and when she couldn’t, she had other people to fight for her. Night in the Woods represents the intersection of oppressed minorities and community with their portrayal of Mae, Greg, and Angus in particular, and the importance of community support – and, the difference between geographical community, and communities formed through camaraderie and actual unity. And so does the Ramayana - except, where was Sita’s community? Where were her sisters, or her parents, when she was abandoned in the woods, and later when she committed suicide? We are well aware, in the modern day, of the state of mind that causes people to kill themselves, and yet that is a part of the story that we never talk about. Where were her people then?

What would have happened if she had been more like Mae, and put herself first instead of bleeding herself dry for people who never respected her, and would never do the same for her?

People relate to personalities. They relate to choices, and circumstances, and habits, and it is neither a good nor a bad thing, to be relatable or not. Sita will be highly relatable to people who, like her, were governed by their circumstances, and were screwed over despite their best efforts. People who felt they couldn’t, or shouldn’t exercise their power and agency. Sita’s death was at odds with her strong personality, and so was her deference to her fate on many occasions, but there are a lot of people out there who will relate to the feeling of simply wanting things to be over. Mae on the other hand; she’s a steamroller, and she doesn’t stop. There’s a reason her character is a cat, and jokingly referred to as feral in the game. She is persistent, she is growing.

[1] In Defence of Kaikeyi and Draupadi: a Note – by Fritz Blackwellhttps://www.jstor.org/stable/23334398?read-now=1&seq=1#page_scan_tab_contents [2] https://www.theatlantic.com/health/archive/2015/10/emergency-room-wait-times-sexism/410515/

#ramayana discourse #night in the woods #sita #tw suicice #tw mental illness #mae borowski #spam-by-sam

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serenheist · 4 years ago

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What Jennie is like in a relationship/ Relationship with G-Dragon Tarot reading

I know the anon asked for just a love life reading on Jennie but I’m extra and did everything lmao

What is the true nature of Jennie’s relationship with gdragon? Gloominous doom reversed 56, ace of swords, the hanged man reversed, lady of masks, triumph of lies, the glanconer 62 reversed

Oh god lmao. I don’t know why but I get the feeling this “relationship” is just for GD to be back on good terms with the korean general public. He got flack for smoking weed before, seungri shit, abandoning his dog, dating kiko etc etc. I really feel like him dating Jennie is just so the public has a better opinion of him when he decides to have a comeback lmao. Anyway the true nature of this relationship is literally someone full of extreme self pity had an idea to do this because it will make them look better and vice versa. But now there’s a feeling of being trapped. I really think this is an orchestrated relationship that was rushed and not based on actual love but for a specific purpose. But I do think it’s legit in the sense that it’s not that they’re not dating at all. But since Yg didn’t deny anything we can tell it’s “real”. Yg always denies if it’s definitely not a real relationship and always stays vague when it’s real. It’s made to look real for the public to get them talking but the core itself isn’t real. Basically pr shit. idc even if they got married none of this is real lmao.

I pulled 2 more cards from 2 different decks for extra clarification and I got the lady of masks and triumph of lies. You can’t make this up lol. “She reshapes the physical appearance of the souls who seek her out but this change is pure vanity, changing nothing of who they are at the core” it basically reflects who you want to be. This relationship is to make both parties look better lol. I feel that this is also a double meaning geared towards Jennie only because later cards in this reading continuously mention her wearing a mask. Triumph of lies is about keeping up appearances. This relationship is about living up to the expectations that society wants from you. I feel like it’s not just what people in the company want but also could be friends and family who put pressure on making this relationship happen for both. I can really see that since GD has a past of dating mostly models and the public has always been negative about everyone he’s dated except Jennie since she has a better reputation and for her this relationship can boost her status even more dating the king of kpop and being a power couple. I pulled a last card just to ask why you would need to fake a whole relationship even though we already know at this point and it’s redundant but I wanted to see how many times I can get cards saying the same shit. The glanconer 62 reversed: basically AGAIN someone is pretending to be other than they really are. I think both of them even believe in their own lie at this point and idk there’s a level of thinking you’re better than others so it’s okay to fool them anyway. Whatever makes you look good.

Who is Jennie in this/ her shadow aspect: obsession 3, gd: today for tomorrow 32

Since the beginning cards were pretty negative I wanted to dive deeper into Jennie and GD’s shadow aspects. And just use these cards to differentiate between them. GD is today for tomorrow and for Jennie I got obsession. The biggest shadow aspect to Jennie is that she feels as if she needs something whether that be a person, an idea, an object etc to give meaning to her life. She can also become really fixated on things to the point where that is the entire focal point of her life. It numbs her attention to other things.

How does Jennie feel about gd and how does he feel about her? Solus 13, the high priestess, the hierophant, gd: the guardian at the gate 3, queen of wands reversed, the fool

Jennie: Jennie feels that GD is someone who when you don’t know who to turn to or what to do, he is the person who can help you out. He encourages you stand on your own feet and utilize your own wisdom. But he also recognizes that you can’t do everything on your own so he helps you make the right connections with the right people and basically like a mentor position. I feel like they both almost see this connection as something “divine” at least in the beginning they could’ve convinced themselves this was this big divine intervention. But the reality started to set in and Jennie saw a different side of someone who has lost touch and went from being someone to look up to to becoming more “corrupted”. He no longer practices what he preaches, there’s lies mixed in with truth and the lines between right and wrong became more blurred. He does what he can to stay in power.

GD: He feels that Jennie is a new opportunity for a huge change. She’ll help provide an opportunity for him to make a big shift in his life. But at the same time he feels like she’s guarding herself and not being authentic with him. “Wearing masks that do not fit you”. I think he’s seen her change moods often from not figuring out how to release her passion and creativity in a healthy way and become more jealous and wanting to tear down others when she’s feeling down. Cause the queen of wands would be stepping in your power not hiding behind anything and appearing exactly how you are. Reversed it can bring out bring dramatic and feeling out of control of your own life and lack of enthusiasm. I think he’s seen her lose her passion for even being in the industry itself. I think that’s he’s wanting to take a leap of faith into something new I don’t know if he would want to stay in this “relationship” but I’m seeing it more of him going off on his own and stop worrying about the fear of the unknown. Honestly both seem like a hot mess for each other there’s a lot of work they gotta do on themselves separately because this whole connection is weird and toxic.

How long does it take her to get into a relationship? Does she prefer long or short term relationships? Princess of pentacles, 3 of swords, queen of swords 5 of wands reversed, 2 of wands, temperance reversed

She’s always been observant and was careful before in the beginning of relationships but no amount of carefulness can’t prevent heartbreak. It kind of hardened her and she learned how to play the game so to speak. The fact that the queen of swords is holding a severed head tells you all you need to know what happens if you break her heart. She seems burnout with relationships but at the same time can’t stop herself from not being in one because then you’ll be alone with your demons. I think she does prefer long term relationships but Jennie seems to go from one extreme to another. She plans for the long term but she also can’t control her emotions because they’re so intense. She’ll sabotage it and rush into a relationship with someone because she’s already planning this whole future and the other person is like “uhhh we just met..?” I think she builds up a fantasy in her head and gets carried away at times. And that’s where a lot of conflict and arguments arise and the cycle continues.

Past and present relationships. past: firgun 10 magick of you oracle, 2 of pentacles, Present: Euphoria 9, 5 of cups

I hate this word but I feel like in her past relationships she felt like the person she was with was her “twin flame”. This person was her mirror basically, every little thing she was and did was mirrored back to her. It was about learning how to heal the anger and hurt and learn to be happy for others success. But the relationship itself was a constant act of balancing career and love and all the ups and downs. It seems like even in her present love life she is still lingering over past relationships and now hides her actual feelings. There’s a lot of mask imagery in this whole reading. And not seeing everything you already have but being consumed with the thoughts of what went wrong or why it isn’t this way. And no longer sharing your true self fully. Instead there’s an element of not her not taking care of herself physically. Sharing herself intimately with people who treat her like garbage, poor eating, dragging yourself through workouts, excess of toxic substances; these are examples.

What is she like in a relationship? Eternal servitor, 10 of pentacles reversed, the lady of the harvest 18 reversed, the singer of intuition 7

This imagery of a person with no face and a whole in its chest really stands out to me again. It seems that when Jennie is in a relationship she still hides her true self and is constantly on a never ending search to fill something in herself that she feels is lacking. I think she uses money, clothing, love itself as a way to distract herself from this emptiness she feels inside and each time she wants more and more. Like she has to upgrade to the next biggest thing and it traps her in an infinite loop of never being satisfied. Idk but I guess it’s her wanting the world to see her importance; if she has these things then she is now worthy and it gives her a feeling of purpose. It’s not just the pressure of herself needing the best “thing” but a loooot of pressure from family and others to find a “suitable” partner. They need to come from the right background, make this amount of money, etc so her family can show off how wonderful this partner is and how amazing Jennie is doing. Even the next card “the lady of the harvest” reversed speaks of this again. It’s crazy how almost all of the cards are just saying the same thing. It’s about staying in denial and refusing to accept a loss and cling onto pain instead. Jennie is the type of person who thinks “if I can’t have it, no one will”. When she sees something she wants and can’t get it she will go into destruction mode because she feels that it’s the only solution. She’s not a forgive and forget person. A line in this guidebook really stands out to me “if you love something, let it go. If it doesn’t come back, hunt it down and kill it.” Pretty much sums up her mentality. Even if she enters a new relationship her mind is consumed by the past and the present relationship is only to save face and show off the image she tries to create to please literally everyone except herself. I think she’s very perceptive and can know someone who she’s with inside and out. She’s also very aware of the image she needs to uphold. There’s pretty much nothing you can hide from her because her intuition is so strong.

What is her "type"? the piper 24, 8 of wands reversed, Ta’Om the poet 29, Arthur

Let’s get the obvious out of the way: she likes musicians. Also the fact that this is legit the only faerie in this 66 card deck playing an instrument so what are the odds. She appreciates someone who pays attention to the subtle expressions of feelings and ideas and can see into her soul basically. It’s communication without words and that makes music that can heal your sorrows and pains. Someone that listens to not just surface level words but to the deeper meaning that can only be heard with your heart. Seductive, someone who looks serious but is actually mischievous and fun.

He encourages you to unfold your wings and fly, do the things you’re afraid to do, stop being silent and speak up, have a youthful spirit and do the thing you’ve been putting off for so long. He has a lust for life, adventure, an excellent storyteller and writing skills and a huge imagination. He has the power to inspire action with just his words. He sees things as they really are and sees beauty in all things even in the darkness and difficulty of life. He doesn’t take life so seriously though he knows how to laugh at himself and knows how silly it is to be sad over hardships in life. He doesn’t care for society’s expectations he’s a free spirit. But at the same time he slows down and knows how to enjoy the journey and not rush by the seat of his pants. He’s someone that’ll stand the test of time and be by her side through thick and thin.

What is her love language? Myk the myomancer 42, the oak men 47, 10 of wands

Idk if this really fits into any of the “official”love languages but her love language is someone seeing the small details, seeing meaning in the little things. So maybe little gifts even that don’t have to be huge but just shows that you’ve paid attention to what she likes as long as it has meaning and is well thought out. When you can’t see the finish line and it looks like it’s impossible to keep going that person is there to have your back. Also someone that sees her for who she truly is in her heart and can look past the superficial hard exterior cause I’m pretty sure it’s just a defense mechanism mixed with the environment she grew up and past relationships and she’s not actually the Antichrist contrary to how negative this reading may seem.

Probably typos but whateves

#kpop tarot #blackpink tarot #blackpink jennie #kpop readings #kpop predictions #kpop #jennie kim #g dragon #free tarot #free tarot readings #kpop tarot reading #blackpink #tarot reading #tarot love #blackpink astrology #tarot cards #oracle cards #kpop astrology #blackpink tarot reading

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supercantaloupe · 4 years ago

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okay yeah actually, i’ll bite. i’ve got some of my own thoughts about the unsleeping city and cultural representation and i’m gonna make a post about them now, i guess. i’ll put it under a cut though because this post is gonna be long.

i wanna start by saying i love dimension 20 and i really really enjoy the unsleeping city. i look forward to watching new episodes every week, and getting hooked on d20 as a whole last summer really helped pull me out of a pandemic depression, and i’m grateful to have this cool show to be excited about and interested in and to have met so many cool people to talk about it with.

that being said, however, i think there is a risk run in representing any group of people/their culture when you have the kind of setting that tuc has. by which i mean, tuc is set in a real world with real people and real human cultures in it. unlike fantasy high or a crown of candy where everything is made up (even if rooted in real-world cultures), tuc is explicitly rooted in reality, and all of its diversity -- both the ups and downs that go with it. and especially set in new york of all places, one of the most densely, diversely populated cities on earth. the cast is 7 people; it’s great that those 7 people come from a variety of backgrounds and identities and all bring their own unique perspectives to the table, and it’s great that those people and the entire crew are generally conscious of themselves and desire to tell stories/represent perspectives ethically. but you simply cannot authentically represent every culture or every perspective in the world (or even just in a city) when your cast is 7 people. it’s an impossible task. this is inherent to the setting, and acknowledged by the cast, and by brennan especially, who has been on record saying how one of the exciting aspects of doing a campaign set in nyc is its diversity, the fact that no two new yorkers have the same perspective of new york. i think that’s a good thing -- but it does have its challenges too, clearly.

i’m not going to go into detail on the question of whether or not tuc’s presentation of asian and asian american culture is appropriative/offensive or not. first of all, i don’t feel like it’s 100% fair to judge the show completely yet, since it’s a prerecorded season and currently airing midseason, so i don’t yet know how things wrap up. secondly, i’m not asian or asian american. i can have my own opinions on that content in the show, but i think it’s worth more to hear actual asian and asian american voices on this specific aspect of the show. having an asian american cast member doesn’t automatically absolve the show of any criticisms with regard to asian american cultural representation/appropriation, whether those criticisms are made by dozens of viewers or only a handful of them. regardless, i don’t think it’s my place as someone who is not asian to speak with any authority on that issue, and i know for a fact that there are asian american viewers sharing their own opinions. their thoughts in this instance hold more water than mine, i think.

what i will comment on in more depth, though, is a personal frustration with tuc. i’m jewish; i’ve never really been shy about that fact on my page here. i’m not from new york, but i visit a few times a year (or i did before covid anyway, lol), and i have some family from nyc. nyc, to me, is a jewish city. and for good reason, since it’s home to one of the largest jewish populations of the country, and even the world, and aspects of jewish culture (including culinary, like bagels and pastrami, and linguistic, like the common use of yiddish words and phrases in english colloquial speech) are prevalent and celebrated among jews and goyim alike. when i think of nyc, i think of a jewish city; that’s not everybody’s new york, but that’s my new york, and thats plenty of other people’s new york too. so i do find myself slightly disappointed or frustrated in tuc for its, in my opinion, rather stark lack of jewish representation.

now, i’m not saying that one of the PCs should have been jewish, full stop. i love to headcanon iga as jewish even though canon does not support that interpretation, and i’m fine with that. she’s not my character. it’s possible that simply no one thought of playing a jewish character, i dunno. but also, and i can’t be sure about this, i’m willing to bet that none of the players really wanted to play a jewish character because they didn’t want to play a character of a marginalized culture they dont belong to in the interest of avoiding stereotyping or offensive representation/cultural appropriation. (i don’t know if any of the cast members are jewish, but i’m assuming not.) and the concern there is certainly appreciated; there’s not a ton of mainstream jewish rep out there, and often what we get is either “unlikeable overly conservative hassidic jew” or “jokes about their bar mitzvah/one-off joke about hanukkah and then their jewishness is never mentioned ever again,” which sucks. it would be really cool to see some more good casual jewish rep in a well-rounded, three-dimensional character in the main cast of a show! even if there are a couple of stumbles along the way -- nobody is perfect and no two jews have the same level of knowledge, dedication, and adherence to their culture.

but at the same time, i look at characters like iga and i really do long for a jewish character to be there. siobhan isn’t polish, yet she’s playing a characters whose identity as a polish immigrant to new york is very central to her story and arc. and part of me wonders why we can’t have the same for a jewish character. if not a PC, then why not an NPC? again, i’m jewish, and i am not native, but in my opinion i think the inclusion of jj is wonderful -- i think there are even fewer native main characters in mainstream media than there are jewish ones, and it’s great to see a native character who is both in touch with their culture as well as not being defined solely by their native-ness. to what extent does it count as ‘appropriative’ because brennan is a white dude? i dunno, but i’m like 99% sure they talked to sensitivity consultants to make sure the representation was as ethical as they could get it, and anyway, i can’t personally see and glaring missteps so far. but again, i’m not native, and if there are native viewers with their own opinions on jj, i’d be really interested in hearing them.

but getting back to the relative lack of jewish representation. it just...disappoints me that jewishness in new york is hardly ever even really mentioned? again, i know we’re only just over halfway through season 2, but also, we had a whole first season too. and it’s definitely not all bad. for example: willy! gd, i love willy so much. him being a golem of williamsburg makes me really really happy -- a jewish mythological creature animated from clay/mud (in this case bricks) to protect a jewish community (like that of williamsburg, a center for many of nyc’s jews) from threat. golem have so often been taken out of their original context and turned into evil monsters in fantasy settings, especially including dnd. (even within other seasons of d20! crush in fh being referred to as a “pavement golem” always rubbed me the wrong way, and i had hoped they’d learned better after tuc but in acoc they refer to another monster as a “corn golem” which just disappointed me all over again.) so the fact that tuc gets golems right makes my jewish heart very happy.

and yet...he doesn’t show up that much? sure, in s1, he’s very helpful when he does, but in s2 so far he shows up once and really does not say or do much of anything. he speaks with a lot more yiddish-influenced language than other characters, but if you didn’t know those words were specifically yiddish/jewish, you might not be able to otherwise clock the fact that willy is jewish. and while willy is a jewish mythological creature who is jewish in canon, he isn’t human. there are no other direct references to judaism, jewish characters, or jewish culture in the unsleeping city beyond him.

there are, in fact, two other canon jewish characters in tuc. but...here’s where i feel the most frustration, i think. the two canon jewish humans in tuc are stephen sondheim and robert moses. both of whom are real actual people, so it’s not like we can just pick and choose what their cultural backgrounds are. as much as i love stephen sondheim, i think there are inherent issues with including real world people as characters in a fictional setting, especially if they are from living/recent memory (sondheim is literally still alive), but anyway, sondheim and moses are both actual jewish people. from watching tuc alone you probably would not be able to guess that sondheim is jewish -- nothing from his character except name suggests it, and i wouldn’t even fault you for not thinking ‘sondheim’ is a jewish-sounding surname (and i dislike the idea/attitude/belief that you can tell who is or isn’t jewish by the sound of their name). and yeah, i’m not going to sit here and be like “brennan should have made sondheim more visibly jewish in canon!” because, like, he’s a real human being and it’s fucking weird to portray him in a way that isn’t as close to how he publicly presents himself, which is not in fact very identifiably jewish? i don’t know, this is what i mean by it’s inherently weird and arguably problematic to portray real living people as characters in a fictional setting, but i digress. sondheim’s jewish, even if you wouldn’t know it; not exactly a representation win.

and then there’s bob moses. you might be able to guess that he’s jewish from canon, actually. there’s the name, of course. but more insidious to me are the specifics of his villainy. greedy and powerhungry, a moneyman, a lich whose power is stored in a phylactery...it does kind of all add up to a Yikes from me. (in the stock market fight there’s a one-off line asking if he has green skin; it’s never really directly acknowledged or answered, but it made me really uncomfortable to hear at first and it’s stuck with me since viewing for the first time.) the issue for me here is that the most obviously jewish human character is the season’s bbeg, and his villainy is rooted in very antisemitic tropes and stereotypes.

i know this isn’t all brennan’s fault -- robert moses was a real ass person and he was in fact jewish, a powerhungry and greedy moneyman, a big giant racist asshole, etc. i’m not saying that jewish characters can’t be evil, and i’m not saying brennan should have tried to be like “this is my NPC robert christian he’s just like bob moses but instead he’s a goy so it’s okay” because...that would be fuckin weird bro. and bob moses was a real person who was jewish and really did do some heinous shit with his municipal power. i’m not necessarily saying brennan should have picked/created a different character to be the villain. i’m not even saying that he shouldn’t have made bob moses a lich (although, again, it doesn’t 100% sit right with me). but my point here is that bob moses is one of a grand total of three canon jewish characters in tuc, of which only two humans, of whom he is the one you’d most easily guess would be jewish and is the most influenced by antisemitic stereotypes/tropes. had there been more jewish representation in the show at all, even just some neutral jewish NPCs, this would not be as much of a problem as it is to me. but halfway through season 2, so far, this is literally all we get. and that bums me out.

listen, i really like tuc. i love d20. but the fact that it is set in a real world place with real world people does inherently raise challenges when it comes to ethical cultural representation. especially when the medium of the show is a game whose creatures, lore, and mechanics have been historically rooted in some questionable racial/cultural views. and dnd is making progress to correct some of those misguided views of older sourcebooks by updating them to more equitably reflect real world racial/cultural sensitivities; that’s a good thing! but these seasons, of course, were recorded before that. the game itself has some questionable cultural stuff baked into it, and that is (almost necessarily) going to be brought to the table in a campaign set in a real-world place filled with real-world people of diverse real-world cultures. the cast can have sensitivity consultants and empathy and the best intentions in the world, and they’ll still fuck up from time to time, that’s okay. your mileage may vary on whether or not it’s still worth sticking around with the show (or the fandom) through that. for me, it does not yet outweigh all the things i like about the show, and i’m gonna continue watching it. but it’s still very worth acknowledging that the cast is 7 people who cannot possibly hope to authentically or gracefully represent every culture in nyc. it’s an unfortunate limitation of the medium. yet it’s also still worthwhile to acknowledge and discuss the cultural representation as it is in the show -- both the goods and the bads, the ethically solid and the questionably appropriative -- and even to hold the creators accountable. (decently, though. i’m definitely not advocating anybody cyberbully brennan on twitter or whatever.) the show and its representation is far from perfect, but i also don’t think it ever could be. still, though, it could always be better, and there’s a worthwhile discussion to be had in the wheres, hows, and whys of that.

#sasha reviews #sasha speaks #the unsleeping city #unsleeping city #long post #dimension 20 #gd i stayed up way too late to write this #tuc #the unsleeping city chapter 2 #the unsleeping city 2 #tuc2 #antisemitism

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