#but i already have love in LA

[ellies-enrichment]

hey matt... hey- HEY MATT <3333

[channelrat]

omg sabrina carpenter just released two sister albums titled Singular Act I and Singular Act II

everyone should go listen to those right now

[tathrin]

Hey, so do you ever stop to think about how the premise of Lord of the Rings being an in-universe book written by some of the characters who lived through that story means that they decided what parts and perspectives to use to tell that story...?

And when our authors weren't there to experience the events themselves, they have to rely on what they're told about them by the characters who were there, right...?

Okay so stop and think about the Glittering Caves.

We never actually go to the caves in the narrative. Tolkien LOVES describing nature and natural beauty, but we don't actually see the caves described "by him" the way we do other places. Obviously Gimli's words are Tolkien's, yes; but we only see the caves filtered through his words about them, after the fact.

When Gimli and Éomer and the other Rohirrim take refuge there, the narrative doesn't follow them. Obviously from a narrative standpoint this is to keep the focus narrow, and not to interrupt the battle-sequence with a long ode to the beauty of the caves, and to create tension in the reader who doesn't know if these characters are okay or not. Which all makes sense!

But think about it in terms of the book that was written in Middle-earth by the folk living there. Why DON'T we get to have a direct experience of those caves? Gimli obviously related several other parts of the story that none of the Hobbits were there to witness to them, and which were written into the books as Direct Events Happening In The Narrative (think of the Paths of the Dead scene, for one of the more visceral moments!). So why not the Glittering Caves?

Was it because they wanted to keep that narrative focus and tension, and so they didn't include his perspective on that part of the battle? Perhaps, that's certainly a possibility to consider.

But also consider: when we do hear about the Glittering Caves, what we hear is Gimli telling Legolas about the Glittering Caves. THAT is the part of that event that is considered of importance to include in the book: not Gimli's actual experience when he was in them, but rather the part where he relates that experience TO Legolas.

And I kind of just THOUGHT about that today.

And went HUH.

[mintjeru]

it probably wasn't the smartest decision to start an ongoing 1000+ chapter webnovel when i know it'll consume my every waking thought but here we are

open for better quality | no reposts

[tennessoui]

what about some sort of buddy cop, same age, enemies to lovers au where obi-wan is a jedi and anakin is a coruscanti detective and they literally hate each other and have no respect for the other (obi-wan thinks anakin is a waste of the coruscant budget and a jedi wannabe; anakin thinks obi-wan is a pretentious space monk asshole)

(anakin has personally arrested obi-wan for speeding three times, drinking in public spaces 4 times -- the public space was a bar btw -- and indecent public exposure once. that last one was, tbh, fair cause obi-wan had his dick out in an alley way lol)

(obi-wan has literally stalked this asshole coruscanti cop off planet before and arrested him in his capacity as Jedi Knight for not using his turn signal when changing hyperspace lanes (once), for podracing betting (3 times), and for possession of a galacticly banned substance (twice))

it's not that they're obsessed with each other, it's just that something keeps forcing them together in the wildest, most unpredictable situations, and it's annoying as hell because they're completely fed up with each other

then the senate moves to have a new task force stood up to solve a series of Force-related crimes in the Coruscanti underworld. the task force would include a representative from the Jedi Temple and one from the Coruscanti guards, obviously. and really, obi-wan and anakin are the perfect choices! they're both highly intelligent, dedicated, trustworthy, and incorruptible.

if only they'd stop trying to push each other off the 51st story of coruscant and actually put their heads together to solve the crime

[jasminepaolini]

lethal combination of face cards. please win something, anything in these kits.

[fortune-maiden]

Thinking about Shao Yuanyuan and her wildcard potential and it hit me today... just how much does she know? Does she live in a time loop similar to Lu Guang or does she hop in and out of the past like Cheng Xiaoshi? Does she know that Cheng Xiaoshi also has a death node?

It suddenly occurred to me to that the Shao Yuanyuan we likely saw during the fire in Ep 4, was either a time leaping SYY from the future or at least one who had information from her future self to know to be in Bridon at this point in time and also a Shao Yuanyuan who might have just realized Cheng Xiaoshi had awakened his own powers.

Given her meeting with Cheng Xiaoshi in Ep 6 where she acts like Cheng Xiaoshi should be aware of how this all works, I suspect that it's because the version of Shao Yuanyuan from Ep 4 arranged this meeting because she encountered Cheng Xiaoshi during the fire and thus knew he would show up in Bridon and go searching for them through Wang Qing. She needed to set up that meeting so she could tell Cheng Xiaoshi face to face not to pursue her anymore (and make things more complicated).

I also think that was her second attempt at doing so - the first being to go back years earlier to tell the Qiao family not to let him go to Bridon. But the future refused to change so she found another opportunity to try again.

And based on Lu Guang's comments it sounds like she would have also failed again in the original timeline. It's not clear how her conversation with CXS went last time (if there was one) but at the very least she might not have had time to make CXS promise not to chase after her anymore, and that would have likely sealed his fate. If anything, a sudden interrupted meeting like that might have even encouraged him further.

And this is all coming from a Shao Yuanyuan from an unknown point in the future...

Anyway this is a lot of words to say where in time is Shao Yuanyuan?

And what the heck does the timeline look like from her perspective?

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings

[still-july]

i think that was a very fun finale with a very unsatisfying ending

[akai-anna]

shinichi: *takes a deep breath* shinichi: i lo- anyone who has spent five seconds around shinichi ever: yes, you love ran, we know, you love mōri ran so much, she's the light of your life, you love her so much, you just love ran, we KNOW , you love ran you fucking love ran ok we know, we get it, YOU LOVE MŌRI RAN. WE GET IT.

[daffi-990]

WIP Wednesday 🏥

Tagged by @tizniz & @alliaskisthepossibilityoflove (and so many others over the past week and a bit)

My brain is still taking a vacation after the mammoth that is Rival Firefighters 🚒 (she’s 85K people), but here’s a little something I’ve been very slowly chipping away at from LA Lonely 🏙 (it’s rough and from the notes app on my phone sooo please be kind 😅)

They’ve just handed off a teenager with a TB fracture after a failed attempt at parkour, when Eddie sweeps through the ER doors making a beeline for the nurses station.

He looks harried, his posture rigid and tense, tripping the alarm bells in Buck’s head, their siren sounding out Chris Chris Chris.

“Hey Bobby, can you give me a minute?” he hooks his thumb over his shoulder towards Eddie and some of his worry must be bleeding through because Bobby’s brow furrows in concern before he gives Buck a nod. “Thanks Cap.”

Buck jogs over to Eddie who is tapping his fingers restlessly against the counter of the nurses station.

“Eddie!”

Eddie startles and turns to face him. “Buck?”

“Are you okay? Is Chris —“

“Chris and I are fine.” Eddie reassures him and Buck feels his next breath come easier with the weight of fear no longer crushing his chest. Eddie runs a hand through his hair, his shoulders dropping with a shaky exhale. “My Abuela fell while watching Chris. I’ve been trying to get some kind of support for him, but there’s so much red tape and Abuela insisted she was fine watching him. I should’ve put my foot down and told her no, figured something else out.”

“Hey,” Buck places a hand on Eddie’s shoulder, ducking his head to catch Eddie’s eyes, “this isn’t your fault.”

“Then why does it feel like it is?”

There’s so much guilt swimming in Eddie’s eyes and Buck wishes he had the right words to say to alleviate some of it.

No pressure tagging: @diazsdimples @hippolotamus @spotsandsocks @wikiangela @wildlife4life @watchyourbuck @missmagooglie @mellaithwen @monsterrae1 @neverevan @bekkachaos @nmcggg @captain-hen @lover-of-mine @loserdiaz @ladydorian05 @exhuastedpigeon @elvensorceress @eddiebabygirldiaz @evanbegins @rainbow-nerdss @rewritetheending @the-likesofus @thewolvesof1998 @theotherbuckley @try-set-me-on-fire @athenagranted @steadfastsaturnsrings @sunshinediaz @spagheddiediaz @shitouttabuck @devirnis @bidisasterevankinard @fortheloveofbuddie @fiona-fififi @giddyupbuck @honestlydarkprincess @homerforsure @hoodie-buck @jeeyuns @jesuisici33 and as always, anyone else who wants to share something -> consider this your official tag 🏷

[jils-things]

something ive been itching to share lately was the fact that i actually did end up watching la tulipe noire (the black tulip) aka the movie that was referenced for norton's black tulip skin (you know the ONE) and the thing that got me the most was the fact that the main character/supporting character and his "love interest" were WAY TOO SIMILAR to constabell and it makes me wanna explode and cry abt it.... let me explain why

the love interest -- caro found julien injured after he fell on his horse. she was actually in the middle of her WEDDING (wow who else had a wedding in her lore????????) so she briefly called off her wedding to help him up while everyone watched and laughed at him (WOW WHO ELSE LAUGHED AT THE POOR MAN WHILE HE STRUGGLED?) and she even bothered to take him back to her home to properly treat his wound (WOW DOESNT THAT SOUND FAMILIAR????????????)

not only that, but the way caro was characterized- her father wanted a son (JUST LIKE IRENES DAD) but since he only had caro, he raised her like a son so she knew how to wield a sword and she was actually the one who taught julien how to use a sword properly. i think thats so cute wkwiwkwiw it reminded me of how i wanted irene to be a little more "rebellious" or "out of her feminine zone" and i even once considered giving irene the skill to fence but never really went with it. caro's actually really tough and independent and i just kept telling myself "omg shes so irene fr" LOLSKSKSKSK

that aside, there was this one scene that came up that made me wanna redraw this someday -- she was treating his wound and then this happened

THE STARE? THE TENSION? THE ROMANTIC UNDERTONES? IMPECCABLE. ADDED TO MY TO-DRAW LIST. I LOVE THEM

[liriostigre]

‎ 💭 🛌🏻

[ladysophiebeckett]

La Oferta de Michel \ Los Planes del Futuro de Betty y Armando

[cloud-based-and-rainpilled]

May I propose: David Tennant and Michael Sheen in Rosencranz and Guildenstern are Dead

Their patter would be amazing and also Michael Sheen would find some way to make it gay

[astranauticus]

Ad astra per aspera