#but heroically this time

[sunflowercider]

Lloyd has had enough of your stupid self-sacrificing heroic bullshit.

Based off that one incredible post:

which is SO true

Also, didnt put my whole heart into this one bc i sketched out the idea months ago, and nothing I could draw could ever match up to the perfect expressions from there lol

[aloneinthedark-eagle]

Bread fight in the ocean 💦 🚢💦

[mourn-and-watch]

one thing that is fascinating to me about merrill's arc is the way narrative manages to convince a big part of the fandom that she's immature and irresponsible and overall stupid. what we know about merrill and what we actually see on screen is that she successfully avoids possession for 6 years while working closely with a demon, almost every time she participates in some magic/spirit-related discourse she acts calm and confident and has some interesting input, she actively uses her knowledge of dalish lore and tradition to reason with her keeper, and that she actually did make progress with fixing and studying an ancient long forgotten artifact no one knows particularly anything about. but then an old woman who's never been shown to be an undeniably wise and reasonable figure, a guy who got willingly possessed with no awareness of possible consequences and whose whole mindset is still deeply andrastian and a bunch of people who know nothing about magic start judging and doubting her and everyone's like. yeah. she's so fucking dumb.

[fun-esta]

[lgbtlunaverse]

While I think the moment in cql where Meng Yao– still bleeding from a stab wound in his chest btw– realizes Lan Xichen is in danger and decides to save the man who was so kind to him in cloud recesses is cute and all, nothing will ever beat the book for me. Little bookkeeper civilian Meng Yao, who has not had a serious chance to make his dreams of being a cultivator come true in fucking years, out of nowhere gets the fucking sect leader of Gusu Lan dropped right in his lap?

It's such a great example of Meng Yao's multilayered motivations to me. Because is civilian Meng Yao thinking of all the ways he can use this? Of the fact that having a great sect leader in his debt is the best thing that could happen to him? Duh. Obviously.

Is he very purposeful about appearing to Lan Xichen as a kind young man full of untapped potential, brave and willing to put his life on the line even though he really doesn't know so much about about cultivators, no sir, except a little he picked up here and there, because you see his father– 👉👈 Of course he is!

But the way through which he does that is... by actually saving Lan Xichen's life, at no doubt significant personal risk. The way he makes Lan Xichen believe he's kind and selfless is by... being kind and selfless. Just because he's doing it on purpose doesn't mean he's not doing it.

Is it lying if you want people to think you're nice and so you're nice to them? Isn't that just called being nice? Yes, he is very purposeful about how he appears to people, and very carefully crafts an image based on what he wants them to think of him, but most of the time he does that simply by... actually being the kind of person he wants to appear as. He still did the kind things he did, regardless of his motivations for doing them.

[mikakuna]

tortured by the thoughts of what if bruce was just a slightly better person towards jason. he took in a homeless child and wasn't the adult for him he should've been. what if jason sometimes thinks about who he could've been if a different adult took him in? would he have been safer, happier? do you think, after he becomes red hood, he wonders why robin was too dangerous for 19 year old dick but fine for 12 year old jason?

[muttsterion]

Happy 25yrs to Kenny's iconic face reveal and very first unmuffled line! A very special scene that still gets to me ngl. XD

[artblock-tm]

The Shirou Emiya phenomenon

(Edited because I made a typo and I couldn’t live with it out in the world. Reblogs appreciated to let me know you still love me)

[chipedteacupchat]

The mental gymnastics the writers must be doing to convince themselves that injuring yourself in war for your son is an act of cowardice is wild!

Like, they will do literally anything to try and convince the audience it was a bad decision, even going as far as to contradict themselves in season 5 and say Rumple did it because he was scared he was going to die, not because of his son. But, like, he's still in the right even if Meliah wasn't pregnant because we literally see no survivors at the end of the battle.

And at the end of the day, if he had died, Bae would probably have been abandoned by his mother anyway or killed by a snake bite and have no parent figure to love him.

(Oops, this kinda became a part 3 of the writers hating Rumple 😅)

[doriansbutt]

🫣🥺

[memendoemori]

Fyrakk Worldofwarcraft is the best character that Blizzard has come up with in the last 20 years because his sole motivation is to be a fucked up little freak in such a way that it damns the world and all who reside in it. He's so unapologetically a creep. Arrives, consumes the Shadowflame, spouts off a 'your mother' line at Merithra, leaves. Has a bunch of guys make him an axe despite being a gigantic fuck-off dragon. I think he is soooo neat. His immense psychological problems have bewitched and beguiled me

[angy-grrr]

SJ's internal changes (I recall it was the editor in chief, someone really influential) happening JUST at the same time it was announced the epilogue would be 5 chapters (same week) + the ending not bringing up huge plot points (where the other villains are, why theres no actual Himiko corpse and instead we got Ochako's grief over that assumption, what happened to Dabi, what was the All Might vestige, why the bkdk handhold was off screen when its a big deal for them, who is Deku's dad, etc), letting them linger in the air while trying to make an okay ending + that strange two week break because of "schedule conflicts" + choosing to end BNHA under even more pressure even tho its one of the most important manga in SJ + Horikoshi talking about the ending days after the official release and bringing up how grateful he is for being able to work in SJ, as in past tense (like he is grateful he worked here, but isnt happening again; I say this bc I expected him to say something around the lines of "I hope im able to create something good here again soon!", considering we already know he has another manga project, if I remember correctly)

Thinking about it.

Thinking about how he could let it as it is, or try to pick it up and confirm the things that do matter to his story.

Btw, im not talking about the handhold as a shipper -it was genuinely important for them, as it symbolizes both their new mutual understanding and an acceptance as the new All Might duo thanks to their respective heroisms. It wouldn't be weird to add it in the epilogue, especially considering so many characters hold hands in non romanitc ways, so to choose not to when its arguably the most important one... Idk, it felt really weird as it was the only thing I was sure would get sooner or later.

[shortnotsweet]

1. ANATOMY OF A KITCHEN (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [2] [3] [4]

If you want to know a person, watch how they treat their servers, how they treat their food. Living with them is the second best option. Living with Ray is not Henry’s only option, but it is the best. They don’t even need to watch the other eat; they know each other already.

[ “There is a man in my house. There will always be a man in my house. I will find him even when he is not there. And one day, when I find out there is no man in my house anymore, well—I will go find one and invite him in.” Paraphrased and reappropriated from Catherine Lacey’s “Cut”. The borrowed text refers to the uncanny feeling Henry experiences as an adult reflecting on his childhood relationships. ]

Catherine Lacey writes in her short story “Cut”: “If you're raised with an angry man in your house, there will always be an angry man in your house. You'll find him even when he is not there. And if one day you find that there is no angry man in your house—well, you will go find one and invite him in!” Peggy—a professor—reads this poem, which a female student has placed on her desk, and grapples with a response, to which she is advised, “It’s not your job to save anyone from their life or explain anything to them or even really teach them anything”.

PANEL NOTES

This follows the format of the catalyst stranger approaching the downtrodden protagonist in a dingy bar from behind, backlit by the hazy yellow lights and smoked out shadows. This is not a bar, but a kitchen—the center of any living space.

The borrowed text is tweaked, and excludes the descriptor “angry”, as the theme of the storyboards is not anger.

The use of red is limited and strategic, and scattered throughout like evidence; dusting for fingerprints. It’s tempting to drape Henry’s back in red against the blue background, as if bathed by an overhead lamp, but Ray is the anomaly. Henry is colored by an anxious, slightly melancholic blue (as well as shaky panel borders), while the flints of red signify danger (knock on wood) or non-literal symbolism.

The white wolf is curled around the blue in a protective gesture that also doubles as a stranglehold, snakelike.

Something, something, about wolves and lambs, consumption, and the simultaneous loss and retention of innocence through transformative processes. Note there are three lambs; these could stand either for Henry, Jasper, and Charlotte, or Henry (singular).

[sethdomain]

he is like... Scar but nicer and not actually evil

[localaceken]

Wait I just realized they finally gave Jay his own theme/theme motif and it slaps

Jay lovers keep winning!!!

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Can't wait them to use it in a really emotional moment or something-

[sweet-dottie-dan-dan]

All Cards collected in Cartoon Network: Party Mix