#but here i look at it from a human point of view and how it's not the best way to present such ideas to viewers

[dogsplayingpoker]

Ok weird it wasn't letting me reblog this properly. Anways hiiiii

I did read it (over a year ago when i reblogged this) and that isn't what I said, or my criticism of his point and, overall, the neo-liberal ancient-contemporary comparative perspective that Devereaux is routinely writing these articles in. It would be silly to be fully Pro-Rome, sure, but I'm not really accusing him of that persay. I do still think his general perspective is a silly and factually inaccurate one and disagree with it, so I therefor disagree with the arguments he makes starting from this perspective. In particular, I think that no matter how much he claims to actively be against it, Devereaux and the many historians that follow his same playbook end up: 1. romanticizing (I previously said "admiring," which may have been where we got mixed up) Rome by claiming it was a ghastly horrific slave state (true) while also being unable to help from looking to "the good parts" with a kind of breathless nostalgia, and here, overtly for guidance. This is of course a pretty common issue for classicists, unfortunately, including professors of mine that I've generally really respected. Usually the "good parts" = freedom of religion in occupied territories, civil rights afforded to slaves (+the way that pre-Race slavery functioned differently in general), and exactly what Devereaux says in the title of the article, i.e. their "Notion of authority" being likened, often, to a gentle but firm father figure who knows whats best for his children. It is absolutely hilarious to me how often historians, even ones that claim to have left-wing values, can believe in the noble pater familias rule of the romans with a smile and a tear in their eye. Does anyone else here remember 'the white man's burden'? Did anyone see that weird tucker carlson speech where he talks about daddy coming to spank the disobedient little girl that (assumably?) was supposed to be the Biden government? Anyways. Writers try to isolate only that there was religious self determination (in occupied territories of an expansionist empire), that they Ruled the horrible violent imperial war machine Fairly, and then don't even hide the fumble when they get to the slavery part, proudly saying YEAH, they were ENSLAVED, sure, and that's BAD, BUT........ This all ties into issue two, or the underlying issue:

2. Devereaux is a liberal American historian that is either unable to appreciate the full context of the country he lives in OR is actively obfuscating it AND/OR accepts it and thinks its just peachy outside of a few stubborn issues like police brutality and the like which he thinks can be handled in a vacuum by throwing enough good old fashioned liberal values at them. He fails to view issues from a systemic lens and therefor thinks anything he doesn't like is a weird flaw coming from some outside source. In that article (and I can't find this specific article again on Foreign Policy to pull examples from, I'm sorry) he was trying to 'learn from rome' for the sake of America. Even if he's saying Rome was a heavily flawed society, he is saying our empire can still learn a good thing from their empire. I disagree with that. I disagree with the empires staying empires in the first place, or that empires are things worth saving, or that they're even possible to save. My argument is also that we should actually definitely not look to Ancient Rome for advice on law enforcement, or indeed any of our policies point blank period. I personally think this kind of Rome-USA compare and contrast exercise is always fnny because the writer also never seems to reckon with how much we already, fundamentally, ARE Rome-- in all the worst ways, and in the ways he's claiming we can 'learn' from them. We already have. We've been romanticizing and following in their footsteps very intentionally the whole time, just as others were inspired to follow in ours in a horrific timeline of gore and human atrocities. Devereaux, per his website, is really into classical liberalism, liberal democracies, private property, free-market capitalism, and John Locke. (https://acoup.blog/2024/07/05/collections-the-philosophy-of-liberty-on-liberalism/). We simply have really different perspectives on politics that also inform how we view and would choose to write about things as historians.

I think this quote from that blog post on liberalism is especially funny in context: "And of course Cicero himself never fully absorbs the implications of his philosophy: a wealthy Roman slave-holder, it never occurs to Cicero that perhaps he daily violates the natural law by keeping people in bondage." Devereaux himself never fully absorbs the implications of his philosophy: a white well-to-do professor in an elite seat within American Academia, it never occurs to Devereaux that perhaps he daily violates the individual freedoms of liberalism by rationalizing and hiding away the dark parts of a fundamentally unjust empire relying on the slave labor of prisoners, the indentured servitude of sweatshop workers worldwide, the slaughter and subjugation of millions of in the global south and the underclasses within the empire itself, and the theft and hoarding of the world's resources. But okay. Cicero bad, John Locke good. Got it. My argument would of course be that they are both bad, both equally ignoring the reality of the society they lived in and their places within it. Devereaux is starting his argument from an already catastrophically flawed point of view that forces him to look past things like 'context' whenever it becomes inconvenient. He has to say in the post multiple times that like yeah, sure, Locke's view of who counted as a "person" worthy of having things like "rights" was, um...narrower than ours today, but he was still correct because I like him (and it's totally different from how other people cited, like Cicero, were incorrect hypocrites). Ignore the slavery and colonialism, same old same old, it is still correct and not at all laughable to claim that the United States was a nation formed on a defining principle of inalienable freedoms for every single person. He mentions that those things were obviously bad but doesn't see them as truly conflicting, more as growing pains. He even says the founding father's misogyny and racism (towards the enslaved specifically: indigenous people, and therefore the ACTUAL founding principles of the US colonial empire, go completely unmentioned) "[...] represented betrayals of the principles that otherwise document: the crime was common, the hypocrisy was special." American exceptionalism who? Obviously if he was saying we should instate a more 1:1 ancient roman government that would also be ridiculous. But my point is that he's asking the wrong questions about the society we have and what's wrong with it in the first place. He is often wrong about Rome and near-universally wrong about America.

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[revelboo]

sometimes i think this is how some of the bots think about humans

lowkey don't know how to feel about that myself, i actually put myself in some of the human's shoes and wow it's no easy task to deal with their situation and having to keep themselves calm

That’s probably how a lot of them unconsciously view humans because of the size difference.

A Lifeless Ordinary Pt 4

Scavengers x Reader

• By virtue of Swindle’s reputation as a crook, Misfire voted Crankcase to use the language file and everyone else agreed. Most likely the con wouldn’t intentionally off a customer he can scam again, but still. Now Crankcase leans over where the human is sitting on a crate, little legs dangling and heels thumping against the side, and he spouts gibberish at you. Your head comes up, eyes widening as you say something back and get to your feet. “Do you understand it?” Krok demands, right as your little shoulders slump, hands gesturing.

• When the one with the chunk out of his head starts talking and you recognize human language, you lunge to your feet. Asking if he knew your language, because while the sounds are familiar, it’s still nonsense to you. And he’s just staring back at you in incomprehension. It’s the wrong language and you’re not sure whether to laugh or cry. Or scream. You’re still stuck at square one playing charades with giant, alien robots.

• “Still gibberish,” Crankcase growls, leaning back as the human goes on a rant, little hands flapping about and gesturing before you flop back down in frustration. Reaching out he nudges your shoulder with a servo and you immediately swat him. Those eyes glowering when he uses that same servo to tip your chin up. Because he gets it, to be so small and trapped somewhere? Unable to communicate? You must be terrified even if you hide it well. And that’s something he understands. What happened to him left more scars than just the chunk missing from his head. Sometimes the other Scavengers come up on his bad side and he almost swears it’s Thunderwing looming up behind him, that old nightmare digging it’s claws in.

• “Of course it is,” Krok sighs, slumping back on the bench in the cargo hold. Doesn’t even realize when he starts clicking the device in his hand because it’s become a nervous habit by this point. Whenever something goes sideways, he plays with it and now you look up at the noise and meet his optics. As he watches, you hold up your fist, thumb moving to mime him until he stops. “Signal that crook.”

• “I told you,” Misfire growls, wings flaring as he watches you stop copying Krok and look up at him. Unable to understand, but trying. Those intelligent eyes alert. As he watches, Spinister finds that stuffed animal as big as you are and pushes it firmly at you, knocking you flat on your back as you wrap your arms around it in self defense just to get him to stop. “I mean, his name is Swindle,” he mutters as he stalks off.

• Arm looped around the stuffed bear, you crane your neck to watch the one with wings stalk off. They’re obviously all unhappy and it hurts to get your hopes up only to have them crushed again. If you can’t communicate, you can’t ask to go home. You’ve tried mimicking some of the sounds they make, but they always just look at you funny. Expressions giving away that they can’t even tell you’re trying so hard. That your attempts are just nonsense to them. Anxiety lifting through you, you’re aware of the biggest one, the one that had found you and ran you down, still staring at you. He’d scared you nearly to death then, but if he hadn’t spotted you that day? You’d have probably starved on that barren world, scared and alone. He saved you whether or not he realizes it.

• “Think they really were a pet taken after the war?” Fulcrum asks as you chatter at Spinister, trying to get back up only for him to keep pushing you back over with a servo. He’d stop him, but you’re laughing instead of angry. “Why abandon them out here?” Because you haven’t been that much trouble except for the handful of times they’d accidentally poisoned you trying to keep you alive. Swindle’s food at least had been legitimate, though whatever those black and white discs are, you’d tried to devour the entire package as soon as they weren’t paying attention to you. And he’s almost positive you had been swearing at him when he had to take the package away to ration them out slowly. Like now as you manage to get away from Spinister and move as close to him as you can get, big eyes imploring as you hold out a hand. Aware of the others watching as he produces the little package and holds it out, holding up a servo of the other hand in warning. And huffing at him, you take only one instead of trying to snatch them all, reaching out as soon as you pop it in your mouth to pat his servo and mumble nonsense at him.

Previous

[clownbastard]

Okay, i need to yap about the new laes episode and the current arc or else I'll explode...

I'm sorry but I hate the whole "get over your abuse" thing that's going on right now.

Like I understand that it's a big problem because of Lunar's powers but aggressively telling him to deal with it doesn't sit right with me. Also don't like the way Moon points out that he had a year and a half to get over it like that's more than enough time for an abuse survivor to be healed when there's no set time frame for that stuff. Especially because he didn't have anyone who would guide him through healing process at the start so he learned to cope by shutting down his emotions and practically dissociating while running, so now he has to unlearn that before properly healing. But oh, Lunar is so mean by pointing out Moon's inability to express emotions!

Don't get me wrong, I'm not saying that he should be completely let off the hook without any consequences for what he did but he clearly needs help. He for sure won't get it from the god-wannabe astrals because they don't understand emotions and it seems like he won't get it from his family either... But hey, at least they reassured him that he's still part of the family instead of cutting him off like they did with Nexus.

I feel like the "get better on your own because your discomfort makes us uncomfortable" approach isn't the best way to deal with it. Maybe I'm just projecting with this whole thing, I don't know.

[carus26]

Subjective opinion, but I will comment on a couple of things (and character).

Rather negative statements about a SPECIFIC character, so I will say right away that I am not in the mood to argue with anyone here, but I am simply expressing my point of view based on what I have already seen, and I don’t know how the plot will unfold further :)

Randall's banishment.

Considering how many fans (randall fans) dislike this scene because of its *illogicality* and *unfairness*. Like, Sulley and Mike didn't even tell anyone and generally did a bad thing (considering that with Randall's help they themselves were recently banished for life for nothing, I won't even mention the attempted murder).

Now, given the recent events of season 2, they surely told either the CDA or the authorities about what happened. Because that's the only logical reason for Johnny to know the exact coordinates of Randall's location, since NO ONE knows about it except Sulley and Mike. And if this is not so, then I have big questions for the scriptwriters... 

As for the illogicality and unfairness, I really don't see any other outcome for Randall. They needed to take Randall with them? How? Considering that they have a child on their hands, with whom they still need to somehow get to the place moving on FLYING doors. Considering that Randall can turn invisible at any moment, and generally come up with anything to slip away from them. And it's not like they have a rope to completely tie him up.

Or *they should have listened to him*, after everything that happened? Again, my opinion, I don't see any other logical outcomes for him, considering how strong and cruel he can be.

But i will only agree that they definitely should have told the authorities about it, so that the banishment would not be considered illegal. Because otherwise it just looks weird.

In general, the whole situation looks more like self-defense, considering what happened recently.

About Randall.

I never saw him as a *victim* at any point. Why? Because he always has a choice about who to be with and what to do, and he always makes those choices himself.

One of his main characteristics is that he has goals that he has set from the start, and he will achieve them by any means necessary. And, apparently, he doesn't give a damn about *conscience* and other human traits from a high bell tower.

It costs him nothing to set up a whole team of monsters, whom he doesn't even (mostly) know, just to win the trust of those who are an authority for him. It costs him nothing to kill someone, torture (just for fun), manipulate others, and much more, only to achieve a high position at work (I'm not even mentioning that he basically treats people around him like an asshole, absolutely EVERYONE, not just Mike and Sulley).

And who forced him to do all this? Johnny? Waternoose? No. The choice is always his. You know, he is not a prisoner or a slave to any of them. Never was.

*he wouldn't have become like that if he hadn't joined ROR* sure, but then you're talking about a completely different character. Randall initially had a goal to become popular and get fame, and he would have achieved this goal in any other way. I'll tell you more, he and Mike still wouldn't have remained friends, because their goals in life are INITIALLY different, they see life differently, they have different principles.

They were initially with each other temporarily, not as friends, but as roommates, and their separation is a natural process, not the fault of other characters, other characters simply accelerated this process.

*he was simply influenced by other characters (insert any name) it was because of them that he became like this* of course, it's always easier to dump your problems and responsibility on others.

When fans like to, besides Johnny and Waternoose (who are just who they are, Randall knows who they are, he HIMSELF decided to go and work with them, I highly doubt that the CEO of the corporation took and FORCED Randall to work for him, how did he even know that Randall understood and can build the construction of the machine that Waternoos supposedly invented? There is no logic. It was either Randall's idea or their common) blame Mike for not being Randall's friend. Was that Mike's job?

As far as I understand, you don't have to be best friends with your roommate, you can always just do your own thing, not bother each other, and just be nice to each other, which is what Mike did, being one of the few who was nice to Randall, gave him important advice, calmed him down when he was nervous, and that's still not enough, you have to be best friends and always do what the other one wants?

Or if you're talking about Mike allegedly using Randall for his own benefit when he was studying with him, was Randall forced to do it? No. 

Or when fans like to blame Mike for the ACCIDENTS that happened between them and Randall, with that pig and the cupcakes, like Mike did it on purpose, like it was all the bullying that led Randall to this result. Mike was bullied his whole life, somehow he didn't turn into a maniac. ALL the main characters went through humiliating moments in life, some were smart enough to move on.

*he didn't even apologize*, well, I don't know, they didn't show me this, just like they didn't show you, therefore we can only assume this.

*Randall was jealous of Mike towards Sulley* why can Randall interact with other monsters and Mike can't? Why does it even matter to him, it's none of his business.

Or when fans blame Sulley for that scene in the scare games, when he literally did what he had to do, and Randall literally got *karma* back for the fact that he DELIBERATELY embarrassed the other team and experienced first-hand what it was like to be humiliated in front of everyone, but for some reason his "friends" will not support him this time.

This scene only shows why Randall is mad at Sulley, not why Sulley is supposedly to blame for all of Randall's troubles by supposedly being so successful "just because" :)

in general, ALL their dynamics look like:

- you ruined my whole life

- I don't even know your name

Another detail that I doubt is that Randall actually helped Waternoose or Johnny (in Maw) to supposedly gain their favor, using them for his own purposes is MUCH more suitable for him as a character. Unless, in Johnny's case, it might actually be a debt payment for saving his life, but I doubt it's ONLY a debt payment (he left Johnny in prison and escaped himself, as we can see at the moment).

And I will add one more very important detail: it is Randall's fault that the child escaped into the monster world, it was he who left the ACTIVATED door unattended and went somewhere himself, the child could have escaped at any moment, Sulley was just lucky to be involved in the situation.

Randall's redemption.

I know that Pixar tried to give him his redemption arc, but only on the condition that he helps Mike and Sulley in their search. Now..? And besides, why would Randall change himself if in his head he does everything right? He himself is sincerely confident in his rightness. After all, he himself never had doubts and questions about his actions.

And now he suddenly wants to change because he has nowhere else to go? It's not like him, he's too proud for that. In any case, there's not a single person in the corporation who would believe him and accept him, after EVERYTHING he's done. And where is his life sentence to go? All of this is of course too big a statement for a children's cartoon, I know that everything can be solved by the magical power of friendship and so on, but these questions remain questions.

In any case, I personally think that if he is just redeemed like that, it would be stupid and unbelievable. He needs to undergo a lot of therapy before he is safe for society, you know? x)

So, yes, this is how I personally see the picture, and after everything I have written here, draw your own conclusions.

[mean-scarlet-deceiver]

I agree with you on a lot of points here. The RWS narrative does Gordon dirty in some ways, and I don't think he's being rude or mean every time he's painted as such (although sometimes he really is and I don't want to minimize that).

And Gordon definitely comes to see himself as a protector or sort of alpha leader to the rest. I don't think he fulfills that role as quite well as he thinks he does, but he does frequently make the effort and his willingness to see himself as part of the group (even if it must be as the leader) is a definite and huge improvement from his initial role as a not-really-malicious but as a hilariously egotistical engine who had not one thought rattling in his smokebox except "meee! meeeeee! MEEEEEEE!" So, growth. I respect it.

"[W]hen big things happen, especially to "his people" and they are no longer in a position where he can look out for them, he feels irritated and upset" <- I think this is very rosy, probably gives him too much credit! He doesn't like being separated from "his people" because they are his friends and he feels bereft when they're gone. He seems to have a hard time expressing that, normally finds some excuse that (as you say) allows him to claim irritation instead of vulnerability. (He doesn't miss Thomas, he's overworked. He isn't overwhelmed and homesick and just doesn't wanna, it's that the trucks are uncouth and the job is impossible. He isn't hurt that Henry now has a different shape and they can't be mistaken for each other anymore, he's irritated that Henry is so noisy.) But even Gordon himself has never tried to excuse his vulnerability as concern for his friends' safety or well-being! His reaction to loss and change is totally human and understandable, but not noble. He just needs the support of familiar faces and his usual routine as much as anyone, indeed more than most. Gordon's a bit high-maintenance.

We can only guess on Annie and Clarabel's respect for him. I have a feeling it's simply because Gordon's at the top of the railway hierarchy and that's what they respect. They don't share Thomas's gadfly delight in thumbing his nose at that hierarchy, his shining confidence that he's worth infinitely more than "his place." I don't think Annie and Clarabel, as branch line coaches, necessarily know much of Gordon's character; they're just nice conventional old ladies.

I agree with you that I don't think "Hullo, fatface!" would have got lodged quite so deep in Gordon's smokebox if it hadn't come from Henry! It is kinda fascinating. Like, Gordon doesn't normally overreact to insults or teasing. He ignores it if he thinks it's beneath his notice (like the first howevermany times Thomas called him "lazybones" and ruined his nap, lol!) and if it merits a reaction he plans a very targeted punishment to get his own back (dragging Thomas on the Express, blocking Duck from the points to the shed the way he did to the big engines, etc.) But yes, Henry says that and he starts to immediately stew and spiral. I once wrote a post that included an analysis of how Gordon seems to regard most engines (including James) as "little" - he can patronize and condescend to them. One exception is Henry (the other is Edward). Which is all just to say... yeah, it's very interesting. Henry really pushes his buttons there - but Gordon lets him. He doesn't start thinking up a plan to punish Henry and put him in his place. Best he can do is retreat to self-aggrandizement, lol.

Oh, Gordon... I think he is a great representation of how the word "condescending" has changed in connotation over the course of the 20th century 😉 He clearly is of the old-school upper-crust view that condescension is a virtue!

Forever and Ever... Even in the 1920s-1960s

Started going down a long digression in the 2+4 essay. Gonna follow this breadcrumb trail over here instead...

One of my arguments is that Gordon actually behaves well and graciously way more often than he is usually given credit for (and starts doing this way earlier than often credited, too).

Along the way, I realized that his spots of bad behavior are not random. When he starts acting all Ass, it's almost always in the period of some sort of major change in his life:

The Three Railway Engines - *waves hand vaguely* all of it -> he's just transferred from the GNR to Sodor

Troublesome Engines - *waves hand again* y'know, all of it -> Thomas moved away :(

Henry the Green Engine - harrumphing about how Henry has let the side down in like three different ways directly after Henry's major reconstructive surgery -> the horrible wreck where Henry, his best friend, could have died, and instead was in hospital the rest of the damn winter

Gordon the Big Engine - "Mind you keep on the rails today!" and then, when he gets pushback, retreating to old friend "boasting" -> is he mother-henning Henry?? he's explicitly referencing the Kipper accident! I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often whenever he sees Henry with a train

Percy the Small Engine - "Quack quack quack!" and trying to bully Duck (lol. lmao, even) -> Percy is gonna move away :(

Main Line Engines - getting on his high horse about "Branch Line Diesels" and then getting into a huge spat with Edward that results a brand-new beat-down of a dead horse named "Edward is Weak and Useless" -> We learn in "Wrong Road" that his fireman is new. Presumably his old fireman advanced to fill the role, leaving the vacancy... which means that Gordon recently lost his old driver to retirement.

You might be thinking "well yeah, stressors are stressful, most people's outbreaks of bad behavior have to do with some sort of Big Life Thing" - I certainly thought so, for a mo'. But this isn't true of the other major characters? James's worst behavior in the Wilbert books comes when he is slightly delayed sometimes during his work day and when Toby just, erm… exists. Thomas's worst behavior is because he… doesn't like his snowplough, and has a careless cleaner.

No, only Gordon's poor behavior can so consistently be linked to big changes. Indeed, not many RWS characters have been seen with quite as much of an interior life as we learn Gordon has in "Tenders for Henry." By that point, Gordon has matured enough that he doesn't express his feelings in this emotionally-stupid make-it-everyone's-problem sort of way. But we can see clearly that the end of steam seems to affect him more deeply than anyone else at Tidmouth.

So yeah, I think there's something real and insightful in the above pattern. Once again, my friends - Galloping Sausage with Feelings.

[the-busy-ghost]

Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.

Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).

Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:

Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?

[rin-tezuka]

!!THIS IS NOT A VOTE BLUE POST, TOP COP FANS GO HOME!!

I think things like this end up exposing the straight lines this view takes. Vance is like, obviously a White Birthrate Guy, and half the coverage of his run has been dedicated to how much he fucking loathes (presumably white) childless people. But like, as can be seen clearly here, Birthrate Guys don't really care about the copious amounts of kids they have. Because that's not the point of the ideology - the point is using these children to breed more (white) children, and thus "out-breed" the Other. Why give a shit about listening to your kids interests - here he is, publicly disparaging one of his sons on a podcast, because he interrupted him on a phone call. I wouldn't say that telling your kid to "shut the hell up" when he's trying to talk to you about something he enjoys is like, good parenting or whatever.

But besides that, being a Birthrate Guy dedicated to pumping out as many White Babies as possible just is a straight line from what's currently in vogue with conservatives and white nationalists in the Anglosphere - full, unending control of your kids. Look at the growing homeschool movement talking about "not co-parenting your kids with the State". Look at the demands that schools communicate every choice a child makes to their parents. Look at the push to ban transgender existence in schools! Look at the push to remove transgender and "woke" teachers from classrooms! They don't want kids! They don't want human beings! They want tools! And luckily for them, the entire concept of the Family has been centered on giving them tools instead of children - of course they're not people, they're a constructed class without any rights whatsoever, and what little time they get away from their parents is now under an insane culture war siege.

It's all connected!

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\

[sabertoothwalrus]

do you think Falin's chimerism would affect her lifespan and behaviors? or just her body? maybe she can make more animalistic noises or has vague dragon-like instincts?

that’s a really good question! I think we could probably figure this out by taking a look at what we know about Falin, what we know about red dragons, whether these things would apply to Falin, and go from there.

The obvious external changes Falin has are: her eyes, her teeth, and her feathers.

It’s hard to pin down what Falin is like! Throughout the duration of the manga, she wasn’t really a character so much as a plot device. We have almost nothing told from her point of view, and the majority of her unbiased (as in, we’re seeing her through a neutral lens and not another character’s perception of her) characterization is from the post-canon omake.

Even Falin believes that her wanderlust might come from her dragon side, but she's not sure. Personally, I think it’d make a lot of sense if it kind of does, in the sense that she has 20/20 vision now, haha! For most of her life, she could probably only see clearly within a relatively small sphere surrounding her, and now she can see everything. She can look up and around freely in a way she couldn’t before. Fuck man, if I had magic lasik I’d probably go out more too.

Some other quirks that are really unclear whether it’s typical for Falin or chimera-influenced:

she enters rooms through windows, sometimes. And given the leaves in her hair, I think it’s reasonable to assume this is not the first floor 💀 But who knows! Maybe that’s not new for Falin.

She points out that Laios’s scent could deter monsters. Maybe she has enhanced smell. But again, it isn’t unreasonable to think this is something she would have said before. (I think even Chilchuck and Izutsumi, whose senses of smell are enhanced, can’t identify scents well. Kuro, however, can.)

VIOLENCE! But again, we’ve seen her beat shit with her staff before, and she also used to wield a flail. It IS a trait for red dragons to fight any large threat, so if anything, she’s got even better monster fighting instincts than before. I don't think this would carry over to people. Falin has always been better with people, and I'm personally not a fan of seeing her depicted as territorial or possessive. Marcille is already the possessive one, and didn't need dragon blood to be like that.

Ultimately, I don't think her dragon traits extend much farther beyond this. Especially when you consider How Little the dragon is represented as in her conscience.

it's not like it's a 50/50 split. She's like a person with a dragon ratatouille. I don't think she'd be able to make dragon noises. I don't think her body is built for that. I know there's like, a set list of tropey characteristics that are given to almost every non-human character in fiction. and sure that's FINE but they tend not to be especially personalized to the character, and tend to just be an excuse to write them OOC. Like, sure, dragons may have instincts regarding sleep habits, hunting, courting, raising young, etc etc, but so do humans! And we don't compulsively act on every instinctual whim we have. I don't see why it'd be any harder for her new dragon instincts.

If anything, I think she'd feel more affected by the fact that she has part of the demon in her.

I don't think Falin's in any sort of trouble. All the demon was was a way to communicate with people. Here, it's representing Falin's tether to the infinite realm, to mana itself. The winged lion no longer has the desire to consume anymore because, yknow, Laios has that now. This is very likely why she no longer needs to chant to cast magic.

But what else does this mean for her? She already had unusually high reserves of mana + an innate connection with spirits, but is her mana essentially limitless now? How would that affect her lifespan? I'm leaning towards, it wouldn't really?? But is she immune to mana sickness now? Is it more like her magic is just sort of amplified like it would be in a dungeon?

We can infer that having more mana doesn't increase your lifespan, because-- while elves and gnomes have both naturally high levels of mana and longer lifespans-- dwarves live longer but have lowest levels of mana of all.

So to answer your question! Maybe a little bit?? But I don't think she'd change a whole lot.

[queenendless]

💀🎃👻Spooky Greetings👻🎃💀

A/n: This literally came to mind when I saw something similar in the actual game event. First time posting twst content here. This may get a sequel. Gonna try to post variety spooky content here cause HAPPY OCTOBER YALL!

SPOILERS for the new Halloween game event going on, somewhat. Also, a bit of Skully x fem!reader and implied fem!reader x the twst bois shown/tagged down below. Short Harem drama, kinda. Not much. But I think it ain't half bad.

*DON'T STEAL, COPY, EDIT, REPOST AND TRANSLATE MY FANFIC WORK. REBLOG, LIKE, FOLLOW PLS N THNX.*

“Hello, my lovely~”

The moment this new strapping figure — “Skully J. Graves at your service~” — appeared holding you in his arms as you awoke, you were awestruck at the spooky strapping young man.

After introducing all of yourselves, watching him kiss the hand of your schoolmates was amusing; seeing their appalled expressions. Guessing they don't get that brand of greeting often, huh?

Him kissing Grim's cheek had his fur stand on end to your delight.

And yet?

The moment he took your hand — only to pull you in and kiss you smack dab on the lips?

You felt the fires of envy and hate turn ablaze as the various pairs of eyes glowed outrageously.

Many hands, gloved or not, snatched him off you.

And all hell broke loose.

“Get your grubby hands off my beloved, you cretin!” Riddle turned red even his paled up Gothic aesthetic; Trey holding the struggling boy back in his arms.

“He means MY herbivore, skeletal bastard.” Leona growled in Skully’s face as he grabbed his collar.

“On the contrary, MY angel isn't up for auction when it comes to kisses from mere worms.” Azul's irked smile gave off unpleasantness.

“Oho? That doesn't seem to be the case, surely.” Jade jested to his boss's ire.

“MY jewel’s already doing so, octo pimp. That goes for you too, street rat.” Jamil hissed them both back and forth.

“Have you no manners of consent, you mongrel? Besides, my darling Y/n has better taste than you all. Me, for example.” Vil flaunted in the others irked faces; Epel looked just about done at this point.

“Don't you dare take away my Otaku goddess, you noob!” Idia gripped dramatically to the others nuisance. 

“How dare you lay a finger on my beloved human.” Malleus spoke doom.

The air around them crackled with literal lightning as emerald flames had his hands full.

“My future Queen … prepare yourself … FOR HELL.”

“WAKA-SAMA!” Sebek switched to fanboy mode at his God's might.

“For once, we're on the same page.” Leona's smirk sent his way spoke volumes as he dropped Skully before the dragon prince.

“TSUNATARO, STAND DOWN! ALL OF YOU, PLEASE!” You got in the way to defend the new anime boy from the others' united wrath, especially Malleus's. “One kiss is not that big of a deal.”

You could hear a pin drop now as everyone, even Skully, viewed you as if you had two heads.

“Good grief. Ya sure you're not magical? Cause you're bewitching them into lovestruck fools. And you're not dating any of ‘em. God, you're an idiot.” Grim griped.

Leona, Jamil, and Sebek appeared as glowing eyed phantom monsters ready for the kill. “YOU'RE ONE TO TALK, FUR BALL!!!”

Yet Skully looked unperturbed, his charming toothed smile arised, as Grim got chased by three SSR dressed pissed off mages. “Oya oya … What a lively bunch, you all are. And all because I took a kiss from your sweet lips, lovely Y/n. But if you are single, then may I ask you out?”

“NO!!!” All the former overblot cases now turned bachelors for your token affections shouted in unison.

Trey, Jade and Epel and you hung your head in exasperation.

Ah, quite the Harem dilemma.

Halloween coated, no less.

[anantaru]

⚝ DAY 2 — POWER IMBALANCE

kinktober 2024. — masterlist | ao3

— including. — blade, jing yuan, aventurine

— warnings. — fem! reader, power imbalance, oral (fem! receiving), toxic & manipulation, hard syx, dom/sub

⚝ — BLADE

blade feels to you like a storm, his grip on you endlessly overwhelming yet not because he's forcing it on you, no, but because his dependence on you was suffocating.

the stellaron hunter was dangerous, you were very much aware of it, although never pondering on the fact that you were playing with fire here.

his cock slides in between your folds before slipping to your hole, right then, you can feel the hot push of his tip, slow at first, but persistent, burning and stretching you. blade opens you up as you clutch at his shoulders each time, you're certain you can take him, you can't— it won't fit—such always crosses your mind but, you see, your skin was burning and hungry, submitting to him, to his cock sliding in fully— so smooth on your walls, thick inside, searing.

blade clings to you like you’re the only thing tethering him to sanity, and well— maybe you were, he certainly looks at you with an intensity that borders on desperation, a string he needed to hold on to if he wanted to keep at least a little bit of humanity inside himself or else, he’d fall apart.

"you ground me," he murmurs, voice low, his hand searching for your own as he grips it a little too tightly— his neediness haunting as he slumps forward, still thrusting hungry shoves of his cock into you as the rhythm changes just a little, but the pressure was increasing, becoming more meaningful.

in this rare moments, the way his hands tremble slightly when he brushes your hair behind your ear, there’s a tenderness, yes, but you cannot shake off the feeling of being scared of him— were his words the truth? did he mean what he said? would he hurt you in the end or are you really the one to put a light in his dark, twisted world?

⚝ — JING YUAN

jing yuan was always in control, his charm making each and every friend or foe bend to his will effortlessly— and well, you’re no exception. 

frankly, he's used to people following his lead without question, without turning on their own brains, his words were so fittingly persuasive that you barely even notice when you started agreeing with everything he said.

you whine out a breathy, "fuck, more—" as he laps at your clit, the vibrations of his hums and groans making you arch your back into him— you're so sensitive, jing yuan makes you feel all of it with his tongue, all the nerves down there and how muscle slurped and licked a stripe along your slit to tease you, shamelessly moaning against your pussy right after.

"i’m only looking out for you," he lazily mumbles into your cunt, "I know what's ugh—, what's best for you," his fucked out grin disarms you completely as you look down, admiring the view of his hands, big hands, clutching at your trembling thighs before he gives your stomach an anticipatory twist.

he's not forceful though, don't misunderstand, yeah? because simply, jing yuan doesn’t need to be, his self assured confidence made it feel like any resistance would be literally ridiculous. 

after all, his charisma pulls you in, his beauty and face being chocolate box pretty, ethereal and powerful, leaving you wanting to please him too, so badly yeah, to stay on his good side.

⚝ — AVENTURINE

from the outside, aventurine was unable to be read— and even once you got close to him, you found yourself having more difficulties reading him.

his standards were impossibly high, that's for sure, and he never hesitates to point out when you fall short. for some reason he critiques everything you do, from the way you handle the tasks he's given you to your smallest habits, never failing in exhaustedly rolling his eyes with an edge of frustration.

however, wasn't it just amazing how he was always there to clean up the "mess" you made in getting all the tasks wrong, or anything really.

something unmistakable random could happen in your life, even just a favorite item you suddenly lost and aventurine would always be there to help you— like a white knight.

of course, you cannot question him on anything, he was your superior and losing your job would be the last thing you wanted, next to losing the little relationship you've built over the last couple of months with him.

you feels it in your legs, your stomach, your hands, your soul when he touches you— pleasures you.

it's the desire overtaking you first, making you give yourself up entirely to the harsh rhythm of his hips displaying no mercy. aventurine hisses as you squeeze him, the faintness in his head almost making him swoon as your leg tremble and his cock throbs hard in you, the tremulous thrill inside your belly building to a merciless dance.

"i’ll be here, buried right here—" he hums and grinds his hips, his fingers drawing a line on your stomach, up and down, "feel that? you feel me there?"

"not that you, fuck— deserve it," he grunts, cupping your cheeks and brushing a thumb over your lips, "you made so many mistakes today," he breathes while staring down at his cock splitting your puffy cunt.

he adds, "you should be thankful i was there,"

an embarrassed, little sorry was all you managed to get out in return and ugh— the friction of him rubbing against your walls felt absolutely sickening, like you're about to cum and scream any second now.

©2024 anantaru do not repost, copy, translate, modify

[fairuzfan]

I mentioned this before but the one thing I cannot stand is selfishness which is where a lot of zionist talking points come from even when they *are* advocating for "peace" and "coexistence" because it centers ISRAELI safety and only thinks of Palestinian safety as secondary and indecental to Israeli (ie: the only way Israelis get safety is if their Palestinian """"neighbors"""" get safety which is such a selfish way to view the imprisonment and oppression of Palestinians) but then again they publish literal thinkpieces about the guilt Israeli soldiers feel when they eat food left behind by starving Palestinians — who, again, are starving BECAUSE OF ISRAELIS WHO ARE THE OPPRESSORS — so there's no way mainstream Israeli society will ever make changes to their language they they carefully curate to not include Palestinians (Haaretz is a beautiful example of this — take a look at their editorial staff list) because they all feed into their own sense of self pity and self righteousness rather than actually uplifting the voices of the oppressed. But then PALESTINIANS are the ones in this scenario who are accused of bias because they advocate and fight for their stories to be heard. Israelis do not have to find alternative means to put out their stories — has it occurred to you why Palestinians have had to use SOCIAL MEDIA to share their stories rather than traditional networks? It's because no one gives us the time of day. So we developed our platform through social media, even on here where @el-shab-hussein has been documenting FOR YEARS the human rights abuses perpetuated by Israelis on Palestinians because we know that's how anyone learns the truth about Palestine. So when people are trying to take down tiktok specifically, it's sinophobia and also fueled in recent months by antiPalestinian sentiments.

Sudan is like this too — the news we get about Sudan are from people who are on the ground because they've largely been abandoned by human rights orgs and by news stations. We learn the most about Sudan from people like @/bsonblast and Ze on Twitter.

Then people like come on here and make fun of people who get their news from social media (which is code for "Palestinians," they always mean it as code for Palestinians) as if "professional" media takes anyone from the Global South seriously or gives them space to talk about their stories and when they DO, people say things like "hamas run media" or whatever lol like these people have never had to doubt what they see on public media before and it shows! No one takes you seriously when you say the words "islamofascist state" about Gaza when CNN publicly admits to having their content reviewed by the IOF! Hypocritical at best!

[n0t-y0ur-piece-0f-cake]

The study of human social behaviour

Summary: you get kidnapped by Yautja, as well as some other people. You try to escape but in a twisted turn of events, you end up being an aliens mate for life.

Fem reader x male yautja

Warnings: NSFW, kidnapping, non-con/rape, violence, death, swearing, metion of forced pregnancy

MDNI / MINORS DO NOT INTERACT

For everyone else: read at own risk

Not proof read, English is not my first language

---------- <3 ----------

"I remembered how I was sitting at my dining table, eating.

Just minding my business and trying to calm down from my stressful day at work. But everything changed with a sudden white light illuminating my surroundings completely." I said, looking into everyone's faces. We sat in a circle. On the cold white ground. What seemed to be LED lights shone so bright, it hurt my eyes at the beginning. Now my eyes didn't mind anymore. The walls were empty and cold.

I turned to look behind me. Looked at the big glass where these aliens are probably observing us. "And that's how I ended up here, in this room. That's all I know." My glance shifted right back at the group. We were three women and three men. Some acknowledged my story by nodding, others by just looking at me wide eyed. I was last to tell. Their stories weren't any diffrent. All of them experienced that white illuminating light. And then they were waking up in here.

I have no idea how long we've already been here. But probably not even a day. Neither do I have any idea what these aliens want from us. Or if they would be happy to tell us, if they even know our tongue.

For now we just sat around. Trying to wrap our mind around what we should do. What THEY would do. One guy threw in a idiotic plan on how he would try to escape, which was quickly shut down and discouraged by us. Why? Because we already saw these aliens. We saw how they were built and could easily lift a out of hand human, to throw them out. The guy they threw out was here again, but he was now quiet. I don't know what they did to him. He doesn't tell either.

After a while our conversations got more quiet, less frequent. I personally was frustrated there was nothing to pass time here. Frustrated I still don't know what the fuck they want. I was laying on the ground for a while now. Others laying too, or sitting against the wall. Suddenly the lights dimmed. I jump up and look around. See if I can spot any differences. Nothing. After a few seconds a big plate from underneath the viewing window was brought into the room. On it were various kind of fruits and vegetables from earth. We all looked at each other. Confused. Should we eat it? Is it poisoned? A woman took the first step. "I'm hungry!", she exclaimed. She took a Mango and bit right in it, peeling the skin then, when she punctured the Mango.

Everyone else followed. I did so too, grabbing an apple, inspecting it. I stood close to the viewing window. Out of curiosity I pressed my forehead against it, I could see the shape of these aliens. They stared at me. Noting something in their, what seemed to be, computers. I sat down on the ground. Just like everyone else. We were now gathered around the plate containing food.

After what seemed to be another hour, the light turned even more dim. Enough to see, but significantly more darker. "I have to use the toilet. Real bad", one of the guys said. "Use the corner?" The other guy said. One girl got mad and made a gagging sound "Are you crazy?" "Well where else is he supposed to go? There's nothing here!"

I look up at the window, and point at it. "Maybe we can ask them?" "Oh sure. Please mister or misses alien, give us a toilet." The guy who had to pee said mockingly. The girl that was still quiet since the beginning sighed and said we should give it a try. She stood up. She looked at all of us, unsure if she should really do it. I nodded. The pee guy nodded too. "Toilet! We need a toilet!" She screamed at the window. Nothing happened. I look through the window again making sure someone is even on the other side. Which yes they are. I look at the girl. "Do it again", I said. She screamed again. This time I joined in and banged my fist against the window. The guy who had to pee chuckled and mocked us again.

Suddenly the big plate was taken back. The sound of a motor made us all go quiet. We looked at where the sound came from. We all starred in awe as a new small room in a corner was build. The new walls including a door came out of the big walls. The motor kept whirring until it seemed to lock in. The guy who had to pee stood up and bolted for that room. As he opened the door he screamed out in ecstasy. "It's an actual fucking bathroom!" He slammed the door, locking it and doing his thing. We could hear muffled yelling. "It has a shower and everything, holy shit!"

The girl who was screaming at the window to get a toilet sat down again. We were all still in our spot. And the rest of the room was still empty. We were all in that corner as if the rest of the room is bad. The guy came back from his bathroom break. Sat down with us as well. I didn't know anyone. Not even their names. Would it be awkward to ask now? Whatever. I'll do it. "I'm Y/N."

They looked up at me. Silence.

"I'm Dave", said the pee guy. "Rachel." The girl that screamed but was always silent.

"Maria", she smiled as she said her name. The girl that was disgusted by the 'pee in the corner suggestion'. "Alexander. But Alex is cool too" said the guy who had lost his temper at the start and was taken by these aliens to god knows where but brought back.

The guy who suggested Dave to pee in the corner sighed. "Nick."

"Is that short for anything?" Maria asked. "Nicklas." Silence again. So now we know each others names. I was tired. I layed down. Some others followed soon after. Motor whirring came up again. We jumped up to look. Out of the wall came beds. For everyone one. They were lined up next to each other on one wall, next to the bathroom. We looked at each other again. We slowly stood up and went over. A fight soon came to ensue. No one wanted to sleep right next to the window. "One of the men have to go on that bed!" Rachel stood her ground. "Nuh uh", said Nick, "I won't let them grab me first!"

"There's not even a door there! To be frank the door is over there!", Dave pointed at the other wall, the door was disguised. The wall plate was over it, covering the door. We all know. Because Alex was taken through it. "Nick, they're always gonna be watching us, everyone of us. It doesn't matter." I said. Nick turned to me. "Then go ahead and sleep on this bed. It's all yours."

I rolled my eyes. I looked at it. At all of them. None of them had blankets. Only pillows and a matress. I nodded. "Fine." Since this discussing was over we all just laid down. Alex still sat on the foot end of his bed. Starring at the opposite wall and where the door is. I was too tired to hold more conversation today. And I don't want to push him. So I just fell asleep.

The next day was more of the same. Our day was started by being woken up by motor whirring sound. Another plate with the same food being brought in. But instead of grabbing something everyone groaned and made a run for the bathroom. Some were faster some slower. I stood up slowly. I didn't have to pee that badly. I passed Alex bed. He was still laying in it. Eyes closed. Snoring. He's a deep sleeper. The line became smaller and smaller. And at last we were all gathered around the table and eating. Except for Alex.

"What did he see?" Maria asked. Everyone shrugged their shoulders. Silence. Maybe no one wanted to keep talking about it because maybe these aliens will get mad. Understandable. We left some food for Alex on the plate. As we stood up and went back to our respective beds to sit down on soft ground the motor starter whirring again. The plate with Alex's food was taken back. Since I was closest to the window and the plate I jumped up and grabbed the left overs before it was fully gone.

I placed it at the foot end of my bed. Waiting on my bed for anything to happen. Dave stood up and banged his fist at the window. "We're bored!" Maria rolled her eyes. There was no reaction even after a while. "Ask for something specific." Rachel said. I nod. "Oh! Like a PC or something." We all looked at Maria's comment. "A PC? What would you want with that? I doubt they have earth Internet access or would allow us to use theirs. If they even have that." Dave said.

"Well they do have PCs so I think they might have Internet? But... yeah. Ask for something else maybe?" I said. Dave resumed banging on the window. "Give us paper and pen! Paper! Pen!" Alex was awoken by the comotion. He grunted. "Shut the fuck up!" Motor started whirring again. A table with a chair like thing appeared. Right in the middle. On it, was nothing. Dave turned to the window again. "For gods sake, Pen! Paper!" Another whirring. This time the plate where usually the food was, came with several pencils and a stack of paper.

Dave grabbed a pen and paper. "If you're up for it, let's play some paper games." Not even a minute later we all gathered on the ground playing 'Town, Country, River'.

It's been days now. Painted and written paper was scattered underneath our beds. We requested a few more things. Like music, but it was a Walkman or whatever you called them from the 80s. We tried requesting a movie, all we got was a Disc, but no TV or anything. It doesn't even say what kind of movie or other media it contains. We requested a flashlight because Maria started to freak out when the lights dimmed for the night, which they granted. We requested actual cooked meals. But all that came was questionable looking things. They tried their best but... didn't look to edible. We did taste it. Either it was bland or not cooked through. So we kept eating fruits and vegetables. Yes. We did try to request raw foods, even going as far as to write and draw the ingredients and what tools we'd need, but they didn't do anything. None of them ever came in since Alex little incident. Not until this day.

We weren't sure if they had cameras in this room or not. Or where their blindspots are. So we came up with something. Nick, who had suggested before that we should try and escape, 'invented' the human pile. We would throw ourselves on a pile, laying on the ground with our stomach, basically. So our heads would be looking down at the same spot in the middle and our heads would be so close together we'd maybe have the chance of a camera not catching what we write on a piece of paper. We'd also be stacked upon each other, and someone would have to hold Maria's flashlight so we could see what was written on the paper. Because that's how close our heads had to be. Of course these aliens must wonder and get suspicious what we'd do. So we started out with drawing really weird things like memes. Of course we'd laugh about it. We all hoped the aliens would think we were just doing some stupid human bonding stuff drawing these pictures.

And only in-between we wrote the plans and discussions for escaping. We'd black them out or overdraw them with memes. Just to make sure. Our plan so far? The strongest must pretend that he has a heart attack or something. Everyone else needs to back up against the empty wall and pretend to be scared, where the door is. So when they open it the second strongest and strongest can distract them aliens. But why try to escape? We were here since days. Pretty sure we're on a planet. Not ours but a planet. We can hear no big motor sound that made us think that we were still in space or something. Also the fruits and vegetables changed in shape, size and color that it made us think that these ones are not from earth anymore. They looked more alien yet earthly. Like they've ran out of earth veggies and fruits and now only have their similar stuff left.

Maybe we'd have a chance of surviving out there. But we won't stay here forever. We asked them on how long they plan on keeping us here. What they want. But no answer ever came. They just starred back at us through the window. We're not gonna die here.

The day of the plan finally came. We all kept acting as always. Wake up. Eat. Do something. Nick and Dave worked out, push ups, squats, whatever, trying go get more pumped up for later. Alex was still in bed, not yet getting up, but due to the circumstances fully awake. Maria, me and Rachel on the ground playing or drawing. Rachel then got up. She took some tomatoes from under her bed that she kept there from this morning and started screaming and acting weirdly. The plan has started.

Maria and I got up. Looking at her. The men turned to look at her. We all pretend to be in shock. She started throwing the tomatoes on the window. Taking the table and throwing it against the window. Dave shoved the table to the wall, where he ordered us to go and stay safe away from Rachel. Still the plan.

I felt my heart pumping hard. I am so nervous. This could go so wrong. Suddenly the plates were moved and the door was opened. An alien came in and headed towards Rachel. Dave immediately grabbed the table and smashed it down on the alien. They got into a fight, the table broke so Dave took a piece and hit it over and over again. The alien groaned. We ran towards the door. It was closed. There were buttons tho. Alex pressed the one he remembered the most from the day he was taken. It opened. Just as wanted to slip through the door closed on me and Dave. Dave got stuck between the door. It didn't do much. But the wall plates started moving to shut close. We heard the others scream from the other side. Nick and Rachel quickly taking over and running away with the other two.

The wall plates didn't stop. Dave screamed for help. I grabbed his arm and started to pull him, but his other arm was stuck in the door. He flexed it, twisted and turned it, but it was stuck. The wall finally came to a close. I screamed and looked away as a crunching noise emitted the room. I shut my eyes and held my ears with my hands that quickly let go of Dave. I looked at the ground. My back was turned to Dave. A puddle of blood came close to my shoes. I took away my hands from my ears. Listening if I could hear Dave speak or breath. Nothing. Silence.

I felt nauseous. I felt like I was about to drop dead myself. I couldn't bear looking back at him now. I dont want to see his crushed body. The alien that has been hit layed in front of me. Seemingly unconscious as he was still breathing. Defeated I sat down next to it. I couldn't even bear to sit on the bed now. I heard commotion behind me. The wall plates and door moving to open. Daves body hit the ground, before he was dragged out. When I was sure he was gone, I turned as well. Ther was no alien standing guard. So I jumped up and ran- but the unconscious alien grabbed my arm and jerked me right back down with one motion. He wasn't unconscious. He was pretending like we were. "Please let me go." I said, still trying to pull away but the alien was just too strong.

It got up. Its large frame hovering over me. It was wider than me too. His muscles seemed so large and its grip... two things that showed me that it could crush my skull easily if it wanted to. I was as well lifted up to stand. Another alien, unlike the one holding me, wore white instead of silver armor. The one now standing in the doorframe also seemed to wear more fabric. Was more covered. The one holding me seemed to wear the more basic armor or clothes. So I thought. They communicated in a tongue I couldn't understand. When they were done, the one holding me looked down to me, looking deeply into my eyes. I looked at it back. It's eyes shone yellow, against his dark, almost black and brown shades of reptile like skin.

I couldn't read its emotions. Out of no where it yanked me with it, dragging me god knows where. Are they going to put me down, out of my misery like the experiment animals that we maybe were? I was dragged out of the room, I jumped over the puddle of Daves blood. Feeling disgusted and being reminded about these sounds his body made. I'd never forget that. Hallways and hallways without end. We seemed to get into another testing facility. As it still dragged me, we passed embryos of various types of unrecognisable creatures kept in large tubes.

I didn't fully understand, couldn't grasp on it that quickly. Until we reached a empty room. It wasn't large. Maybe 10 feet in every direction. "Are you going to kill me?" I asked. The alien looked at me. It shook its head no. It could understand me. "What will you do then?" It tilted its head to the side. A deep voice, growling animalistic, started to speak. "Experiment." "Experiment?", I looked at it shocked. It could speak. But what does it mean? "What were you planning with my group?" It took a while until it could form another sentence, like as if it was trying to make sure it was using the right words. "Ooman social Experiment. But now they dead." It said in broken English.

I looked at it wide eyed. "You just wanted to observe our behaviour?" It nodded. "When ooman is entrapped, yes." "And then?"

"Let ooman free again, but oomans tried escape, now dead." My eyes widened even more. "You would have let us go??" A tear ran down my face, knowing we would have made it out alive anyways. "They're dead? I saw them run out!" "We killed." It said almost confident. I looked at it now with confusion. "So why not kill me, huh!?"

"Other experiment. I decide." I tilted my head now too. "Other experiment?" "Yes, but ooman will not get out of this." It said stepping closer to me. I took a step back, trying to create distance, it tried to grab my arms but I quickly turned and tried to get to the door. It did reach it, but I didn't know which button to press, neither did pressing all of them help. Or all of them at the same time, before it grabbed me by the waist, to slam me onto his frontal body. "No escape, ooman", it growled above my head. Not long after it placed its hands on my pants colar. I placed my hands on its arms, trying to get these arms away from there, knowing where this will go. My pants buttons were ripped right off, didn't matter how much I tried to get it away. It then pulled down all of that I wore underneath my waist. Now my bare ass and vagina were exposed to the cold air. One hand was placed right between my legs, cupping my vagina, while it's middle finger started working on my clit. It send out signals to my brain I didn't want. I yelped like a puppy. I saw how it threw a cloth to the side of us. I remember it, it was the cloth between its legs. That was seemingly worn as a type of pants.

I grabbed its arms, that was still cupping and working on my vagina, still trying to push it away, I clenched my legs together, making the feeling and every movement even more intense unwillingly. My yelps have turned into small gasps of air. I leaned back on its chest, looking up on it. "Please stop" I begged. It leaned down, so much so that I was made to bend over in the process. Its hand stopped cupping me. And the other was on my neck, its pressure on my neck and now waist made me arch my back. "Stay." It demanded. I whimpered, but I obeyed. Pleased that I stood still, I felt it part my fold with its fingers. If I wasn't sure if this alien was male before I was sure enough now.

Before I knew he placed the tip of his cock into my vagina, before grabbing my hips and slamming his length into me. A scream left my mouth. A pained one. It was something I never felt before. A girth what felt like almost 4 fingers wide and a length that hit my cervix on the first slam. And from what I could feel, he still had more, that just couldn't fit in. He leaned down back to me, so my back and his chest weren't ever to part. "Mate." He said. He started with a slow pace, i could feel more of his cocks texture. It seemed to have some kind of small knobs on it, on its shaft. My face felt hot. Almost burning. I didn't know where to place my hands, so i placed them on top of his. Almost grabbing him. "My mate." He growled even more as his breath seemed to picked up with his pace. Him hitting my cervix now harder made me squirm in pain, but at the same time it felt good. His pace got even more faster. My right hand traveled to his right side of his hip, trying to push him away, or at least to make him slow down. It was too much for me, as I let my head drop, my eyes roll back and soft moans now escaping my mouth, his pace dropped but his thrusts became more violent, as well as his grunts. Not long after he buried his cock as deep as he could, standing up straight and letting me feel his warm cum fill me, as he still held me in place with his hands on my hips.

I saw it drip down along my thighs, it was a glowing greenish substance. "My mate." It repeatedly muttered. My heart pace calmed down after a while. As well as my body seemed to as well. So he pulled out. "Ah'kun", he said, pointing to himself, before he put back on his cloth covering his dick. He left the room without a word.

I stood there trembling, unsure what to do now. How to even process what just happened or throughout the whole day to be exact. Ah'kun did come back after a while. Bringing another cloth, almost looking like fancy panties, with sumo like cloth in the front and back. He held it infrong of my feet. He wanted me to step in so he could make me wear it? I guess so. So i did. He pulled it up. It was almost a bit too tight. But it should do for now. In the same motion as he pulled up my new panties or pants, he undid my shirt and bra. Of course I tried to go against it, but he just didn't bother. He was still stronger. He disposed all of my clothes with a trashcan that came out by pressing something on an empty wall. Right after he dragged me out. I was now wearing nothing but these weird panties. "Forgot..." He said. Taking a necklace of his neck and binding it around mine. "What is that?" I asked, looking at the necklace seemingly made out of bones. "Shows everyone your mate. My mate."

I look at him. At this point, I wasn't a experiment to him anymore, wasn't I? He took my silence for an answer, that was good enough for him. As we stepped outside into the daylight, we were right. We were on a planet. A tropical one. With what almost looked like aztec pyramids. And it seemed to be normal that these aliens wore only these panties. Even the female ones. Only few wore armor. "Why don't they all have armor?" I looked at him, as he held my hand. "No hunters or warrior" he pointed at the majority that didn't wear armor. "And you?" I said, I looked back and forth at them and him. "I, elite hunter. You have luck, my mate." He started to get confident again.

"Why luck?" "Elite hunter, high status." He said even more confident. His ego definitely stroked. He dragged me down the stairs of the pyramid we were in. The lab pyramid I'm taking. As we stepped out of the shadow, it was even a smart idea of him to remove my warm clothing. Because the sun here was brutally hot.

We were walking for a bit, the other aliens looked at us, specifically me. Some talked with Ah'kun, in their native tongue of course. Giving him proud pats on the back. Was a human mate an achievement? A trophy? Who knows. I don't. We finally reached another pyramid, one of those many. "My home, you live now too, here."

He closed the door behind me. In here, the air was cool again. The decorations and furniture style felt similar to several antique human civilisations, but yet held their advanced alien touch. I looked everywhere. There was even an armor room. Where his helmets and other armor were displayed. A trophy room with several heads of all kinds of creatures.

I kept looking. I found everything you'd expect from an house. Bathroom, bedroom, kitchen, living room. And empty or barely filled rooms. "What's all the empty rooms for?" "Storage. And little ones." I tilted my head. "Little ones?" He nodded. Did he mean kids? Was I even able to give that to him? What was I thinking. When did I start to be okay with this? This isn't my planet. In that moment it dawned on me. Was this my life now? I started crying. Not just because of the fact that I was here, but because of all of this.

Ah'kun patted me caringly on the back. "You will be good mom, no worry."

[cheeseceli]

When you struggle to eat

Pairing: Ot8!skz × Gn!reader (individually)

Genre: hurt/comfort, fluff, reactions

Request: reader thinking she eats "too much" and decides to eat way less for her body image, and how the skz boys would react to that.

Warnings: eating struggles will be discussed; reader has body image issues; mentions of food multiple times; use of petnames in Chan and Changbin's

Disclaimer: this was made with the purpose to comfort anyone who's going through a similar situation. If I made a mistake and made someone uncomfortable/aggravated the situation, please do tell me and I'll correct or delete this post immediately, whatever is preferred. Topics related to eating disorders will be discussed here, please don't read if that's something that triggers you.

Bang Chan - is ready to listen to all your worries

‌We all remember Chan's Room right?

‌He's ready to spend hours if needed just to understand what you're going through ‌and where your insecurities are coming from

‌At the same time, he will never judge you

‌So you know he's your safe place

Constantly checks up on you even if he's far away through texts and calls

And if there's someone who's aggravating the situation or making you insecure, you can bet he's gonna solve the situation himself

"Talk to me baby. What's going on in that mind of yours, hm?"

Lee Know - eats with you

Probably the first to realise something's off, considering food is almost his love language atp

Likes to have as many meals with you as possible

‌He usually makes a mountain of food in his plate, so you don't worry about the amount of food in yours

‌And he also runs errands with you

‌Especially those like buying food

‌You don't even gotta ask, he would be volunteering on the first opportunity

‌Also cooks for you, whatever you want

"Do you want to eat anything? I can cook"

Changbin - Hype man

‌Your personal hype man fr

‌Is ready to compliment you in absolutely everything

‌The best part is that you know that his compliments are always genuine

‌What do you mean you didn't like that trousers?? You looked fantastic in it! That shirt made you look even more gorgeous

‌He has known you for so long and still, he always finds something new to compliment you on

But even if after all the reassurance you want to change the way you look, he will be by your side to help you do it in a safe and healthy way

"You look perfect, baby. I promise. Actually, I still don't believe I managed to pull someone so beautiful like that"

Hyunjin - has all meals with you

‌And with that, I really mean all meals

‌Breakfast, lunch, dinner, you name it

‌Even if you can't really get out of your work place or your university, he's going there then

‌He just doesn't want you to be by yourself

‌He also always has something to say during those meals

‌News about their comeback, gossip at jyp, stories from his childhood...

He never fails to admire you a lot in those moments as well, never letting you forget how much he loves and appreciates you

‌He does that hoping it will distract you from the food, so you can be more at ease

"Have I ever told you about the time Kkami bit my ankle? I think I still have the scar."

Han - makes you feel beautiful

‌He truly doesn't understand how you don't think you're the most beautiful human being to ever set foot on this earth

‌In his eyes, you were born perfect

‌So, naturally, he makes it his mission to make you see yourself in his point of view

‌Compliments and adores you

‌Will make you feel beautiful, pretty, sexy, cute... Whatever you wanna be

‌Above all, he'll make you feel loved

"No matter what size, you'll always be my love. Don't forget that."

Felix - distracts you

‌With that, I mean that he tries to take your attention off food and body image related subjects

‌Before and after eating, he will always bring you along to activities where your mind can be turned off

‌So many fun dates!!

‌Even during the meals he'll have a similar idea to hyunjin and simply won't shut up

‌Most of his compliments don't involve around your body, so you really don't think about it

"I love this hairstyle of yours. It looks wonderful"

Seungmin - protects you

‌In a sense that no one even dares to comment on your looks/habits

Even if he isn't there with you

‌That because he made it very clear that everyone should watch their mouths around you

‌For as long as he's around you, he will do his best and more to protect you from harmful comment

Also tries to experiment a lot of different foods with you all the time, so you never feel like that's a burden or a bad thing

"Hey, have you heard about the new restaurant close to home? The food is peruvian. We could have dinner there tonight."

I.N - physically reassures you

‌He loves you and every single part of you, including your looks

I believe he was a bit lost in the beginning, not exactly sure on how to help you

‌But even if his words aren't exactly his biggest strength, he still wants to reassure you as much as he can

‌So he does that with his touch

‌Holding you on his lap, kissing all of your "imperfections" and tracing patterns in your skin

‌Anything that can ground, reassure and give you comfort at the same time

"Have I ever told you how perfect you are? I should tell you that more."

Masterlist | you'll probably like: when you're overworked (ateez comfort)

Thank you for reading<3 I hope this was able to help someone

» I won't put the taglist on this one as I don't want to tag anyone in something that can possibly trigger them «

Dividers by @/cafekitsune, images 1 2 3

Thank you so much for the beta readers: @duhgurl @beebee18 @applekiwi3202 @elqivxstxr @mrsunshine999 @msauthor

[pholla-jm]

Heir

IMAGINE: HEIR ~ SUKUNA X WIFE!READER GENRE: FLUFF cw: sukuna is a bit ooc. fem!reader. not proof read. set in the heian era. true form sukuna. ***************

If someone were to tell Sukuna that in some years that he would have a wife, he would laugh at them… and then kill them. 

But here he was, thinking about how his beautiful wife looked with a small bump on her tummy. It’s all he could think about really. Ever since he found out his wife is pregnant, his view of the world changed. 

Sure, he still thinks that humans were lowly disgusting vile, but the world seemed like a better place with you and his future child in it. 

His every day activities seemed a little less fun now, and all he thought about was getting back home to his wife. 

After a day full of people worshiping him and some killing, he made his way back to his castle. Where his wife should be patiently waiting for him. 

******** 

“What do you think you’re doing?” You hear the deep voice of your husband call out causing you to jump a little. 

He had found you in a different room. It was bare at first, but you were starting to add things to the room. 

You were working on a traditional crib for the baby, having different silks laid out in front of you to choose. 

It was a bit early to start getting ready for the baby, but you were too excited.

You turn to look at him. He towered over you, with his four arms crossed as he looked at you with a disappointed look. 

“I just want to make sure that the baby’s room is going to be perfect.” You say turning back to the silks. 

Sukuna hums, sitting down next to you while observing the objects in front of you. 

“How long have you been doing this?” You shrug, “not that long.” 

“You could always have the servants do this, you know? You shouldn’t be working so hard.” 

“Yeah, I know. I just feel like if I do this myself, it feels more special.” 

Sukuna breathes out a happy breath, leaning his chin on one of his fists. He knew that you would make a great mother. Someone that is nurturing, and he knows that his future son will be loved and taken care of. 

“Still, you should be taking care of yourself. It’s important that you and our son are completely healthy.” 

You perk up hearing the word ‘son’. “Son? It’s a bit too early to know the gender.” 

Sukuna just smirks, eyeing you up and down. “Trust me, I know it’s going to be a boy.” You laugh, “oh yeah? How so?”

He points at your belly, “It’s lower. A low stomach means it’s going to be a boy.” 

Your eyes widen and you look away from him in disbelief. “Where did you even hear that? I didn’t know you believed in old wives tales anyway.” 

“It’s not an old wives tale if it’s the current talk.” “The current talk? What, are you gossiping with the local ladies now?” You laugh at the idea of Sukuna gossiping causing him to frown. “Whatever woman. What they say is true.” “Okay, we’ll see.” 

"I don't want you working on this room by yourself anymore. I have to be here to help you, okay?" You nod your head, a bit happy that Sukuna came up with a quick compromise. "Sound good to me. You can do all the heavy lifting."

Sukuna nods, then points at one of the silks that are laid out in front of you. It was a darker colored one, something that you knew he would like. “This one. It’ll be great for our son.” 

You decide not to comment on the son thing again. With a smile, you pick it out and put it to the side.

Pushing your hands on the ground, you start to get up from the ground. “What are you doing?” “I have to use the bathroom.” You say. However, Sukuna gets up faster than you. He gently picks you up, carrying you bridal style. “I can walk by myself.” You tell him with a small smile. 

You appreciate that Sukuna doted on you like this, but you don’t know how long you would be able to babied like this. 

“When I’m around, you’re not doing a single thing. You understand?” 

With a content sigh, you relax in his arms. Head resting on his shoulder, hearing the faint sound of his heartbeat.

“Yes, my beloved, I understand.”