#but growing up together helped

[starry-bi-sky]

I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.

Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.

And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.

Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.

They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.

When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.

Alfred owns the apartment next to them and comes over regularly. Danny clings to him.

When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.

"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.

"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.

Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.

Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.

Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.

When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.

Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.

because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far

when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)

danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.

and god help him, he's going to help people.

[dizzybizz]

arrived home

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.

[alwayshinny]

Hinny 🍂 🍃- AU where Hinny grew up together and everyone lived

Lily gazed out the window as she took a sip of her tea. It had been over an hour since Harry whispered into his godfather’s ear and dragged him outside to rummaged through the leaves. Every so often Sirius would pick up a leaf and show it to him, and Harry would dramatically slap his forehead before explaining something to him. Sirius rolled his eyes, dropped the leaf, raised his hands in defeat, and continued rummaging through the leaves again.

“What is he looking for?” Marlene asked.

“I have no idea,” she replied, shaking her head.

She opened the back door to let him know the Weasley’s would be over any second and smirked when her son’s ears perked up as he came bolting into the house with a handful of leaves in his hand. He eagerly waited in front of the fireplace and kept glancing back and forth between the clock and fireplace while he hid the leaves behind his back. She gave him a curious look, but before she could question him, a herd of redheads dashed through the floo in pairs.

Once they all greeted each other and the chaos had somewhat settled down, James nudged her and pointed to the corner of the living room where their son was blushing while talking to the youngest Weasley. She too had something hidden behind her back. They counted to three and presented each other with a handful of leaves before breaking into a fit of giggles. The only difference between their piles was that Harry’s was an assortment of reds and browns, while Ginny’s were green.

Harry gently picked up an orangey red leaf from his pile and placed it by Ginny’s hair and said, "See, it’s the same color," before picking up a brown leaf and placing it beside her eyes and saying, “And this one too!” Clearly pleased with himself.

Ginny giggled as she placed her pile of green leaves on the table, tilted Harry’s head down slightly, carefully pushed his glasses into his hair, and tapped her chin as she compared each green leaf to his eyes.

Lily tired not to laugh as Harry’s face got increasingly red and his eyes widened the closer she got to him. “This one!” She squealed and jumped up excitedly.

Ron huffed loudly in frustration, “Can we finally go play Quidditch now?”

Ginny rolled her eyes at her brother before returning Harry’s glasses to his nose and smiling sweetly at him as they placed the three leaves on the opposite side of the table. Ginny got a mischievous look in her eyes as she tugged Harry’s hand, sprinting towards the door, and yelled behind her, “Last one outside has to wear Aunt Muriel’s knickers for a whole day!”

“HEY! I'M NOT DOING THAT AGAIN!” Ron yelled as he ran behind them. His legs were longer, but those two were quick on their feet, weaving through everyone and spirting out the door.

Sirius snorted and shook his head as he placed his arm around James’ shoulder. “And I thought you had it bad, Prongs. At least your son has more game than you, and he’s far more handsome. Hmm he must get it from his godfather.”

“OI! I have plenty of game, and the ladies find me plenty handsome, okay. Just the other day, Bathilda Bagshot, Griselda Marchbanks, AND Augusta Longbottom called me a sight for sore eyes. Tell him, Lily!” James argued. Lily chose that moment to quickly slip out into the backyard with Marlene and the rest of the Weasleys, playing Quidditch sounded far more appealing than dealing with those two.

[lotus-pear]

shuake or skk?

me personally it’s shuake, they just seem so much more tragic i’m afraid

i must agree unfortunately, skk has zero angst and therefore cannot be qualified as doomed yaoi

skk is about unyielding trust despite the tragedy that surrounds their initial meeting and slowly learning to accept each other's humanity in the bleakest points of their life. it's about knowing the inner-workings of someone's heart so well that you are the same soul in a different body. it sows the seeds of hope that tells the other "you're not alone because my fate is intertwined with yours. if we fall, we fall together."

shuake on the other hand is a morbid fascination for someone who is your narrative foil, who contradicts you in every way, eventually leading to a desperate obsession for what you cannot have that manifests itself into blind abhorrence as you seek to kill this person before they can make you fall further. it's saying "i'm consumed by flames and i don't need your pity water. let me burn."

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[warehouse-in-la-cienaga]

Honestly, out of all the Rat Grinders+Bad Kids, the one interaction I wanted that we never got is Kipperlily and Gorgug.

Because it’s sort of implied in Freshman Year that Gorgug has had issues with controlling his rage in a way that II read as ‘he’s gotten in trouble before for hurting other people while in a rage, and that makes him repress his anger.’ And the Thistlesprings are great, but it’s shown that they sometimes ignore Gorgug’s rage issues, or give solutions that aren’t entirely effective. And KLCK has her unaddressed anger issues that the adults in her life ignore, so she doesn’t get the help she needs.

Also, their backgrounds are arguably the most similar. Gnomes and Halflings live close together in Elmville (i think), and both sets of parents are regular people with steady jobs and no adventurous background. The only difference is Gorgug being adopted, and even then the Thistlesprings never treated him like an outsider, or purposefully excluded him.

Just imagining KLCK seeing Gorgug, acclaimed adventurer, known rockstar, pioneering Barbaficer, and wondering if she could have channelled her anger like that. If she got the support from friends and parents that Gorgug did, would she still feel the need to be so angry?

And Gorgug, seeing KLCK want the trauma of his friends, wondering if he could have been that. Did he ever want something to happen to him that would justify his rage? Did he ever think that he wasn’t allowed to be angry unless he was hurt like his friends were? There’s no reason he would have known who KLCK was, but if he did, would he have been able to help her with her anger, like his friends did with him? Maybe it’s why Gorgug never made fun of her name the way the others did. Maybe there’s a moment of recognition there, that it could have been him.

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[olivegardenhunter]

one thing that I find really really interesting is that in practically every scene where it's just jiraiya and tsunade alone, kishimoto very deliberately draws at least a panel of the two of them being completely silent in each other's companies, even refusing to look at each other.

when jiraiya got drinks with tsunade in og

when he got drinks with her before he left. notice that neither of them are making any eye contact, refusing to look at each other.

the iconic bench scene ofc

why this is important to me is cause I think it's an excellent way on kishi's part to show the dynamic and history between the two of them (and the sannin as a whole too). ((note this isn't a jiratsu post))

the few scenes we get of the two of them talking alone, you always get the impression that there's a secondary, entirely silent conversation going on in the background that only the two of them even know about. a conversation about all the things they cannot say. and he conveys that so well in these deliberate panels. you can SEE in their expressions, in the things that they do say when they choose to break the silence. there's so much between them, so much they yearn to say. and the weight of all of that, the depth of those feelings and emotions, is ultimately what makes them not say anything at all.

because you've known each other since you were SIX years old, you fought WARS together, this is a person you'd put your life on the line for without a second of hesitation. yet. there is a 20 year gap. you haven't spoken with each other for as long as you grew up together too. they've lived an entire lifetime together, but then an entire equally as long lifetime apart. they're the same person they've always been but yet... you can't really recognise the person in front of you. they both can see that they've become shells of the people they used to be. you both have gone through so much, and you know the the other person knows this. you know it so intimately, what things you can say, what things you can't. youre being so careful yet you both know there's this pretense going on.

there's so much left, yet so little. after all of that, what is there even left to be said? what CAN be said? they're already so intimately aware of what the other is thinking, there's nothing new, yet somehow, there's this gap. there's this emptiness that both know they can't really do anything about.

in the end, the sannin are a tragic trio. and kishi does an excellent job of showing this through their stories and histories, sure. but he does an even better job at showing it through their small interactions together. the way they always end up talking about the past, the attempt to bring up happier times (like tsunade trying to reminisce about their genin days as team hiruzen), yet how they ALWAYS come back to ultimately how they fell apart, and the world kept spinning, and all they can do is try to make sure the future doesn't make the same mistakes they did.

what can you even say to someone like that? it must've been so freeing, to have someone that understands them to such an extent. that would know them more than anyone else in the world ever could imagine. and yet. so suffocating. because they're a reminder. a reminder of what you used to be, a reminder of what could've been, a reminder of how everything went wrong, every single mistake you ever made. and so despite the person in front of you being the only person in the world that likely knows exactly how you're feeling, what you're going through, all your experiences, they're also somehow the last person you can ever speak to about any of it. because it becomes like a trap almost. they're constantly reminded of their pasts when they look at each other. how can you ever begin to move on with someone like that right in front of you?

once upon a time, they were the hope of konoha. they were the young shinobi, meant to bring in a new era of peace, meant to be the change. and they wholeheartedly believed this too. and then, to make it to 50, after everything they went through, and realising they were no better off than the generation before them. that everything they ever stood for, ever fought for, were all practically in vain. and how suddenly the people meant to be the change for the future can only hope to make sure there is still even a chance for change for the next generation.

really, what else are they meant to do around each other than continue their little dance or chess game and let the unspoken remain unspoken?

[kurthummeldeservesbetter]

To me (because I like making myself suffer) there are 2 other types of universes where Jayce and Viktor make hextech. If Viktor is always the mage, able to go to all universes where Jayce gets stuck in that blizzard with his mom, maybe he doesn't exactly know how that particular universe ends and is just searching for the exact one Jayce (and also Ekko) can save.

Viktor dies before Jayce can save (also doom) him with the hexcore. Maybe it's before the explosion, maybe he dies with Sky, maybe he just goes to bed and doesn't wake up. Jayce deals with this however you interpret. Maybe he goes crazy and destroys universes trying to find a healthy Viktor who won't die before their dream can be fully lived. Maybe he intentionally creates The Machine Herald this time. Maybe he stops inventing and just. Becomes a loner.

They are able to create hextech without any death/damage at all. Maybe Jayce and Viktor (who could find out about it before Jayce's place is robbed) and discover it's potential somewhere else. Maybe they start in Zaun and end up improving the lives of everyone there that Silco and Vander reconnect, Powder and VI stay sisters, everyone stays alive. Maybe Viktor is able to find a cure for his illness (and therefore find no need to experiment, since the fear of death will no longer control him.)

[venomouslilith]

.

[jubmato]

girl f rienss................. 🩷

quick scribbles of my stardew valley farmer & haley HEHEHEHE.... im playing stardew for the first time and im OBSESSED with her. she is everything 2 me. she let me dance with her at the dance and i screamed out loud in a discord vc. im SICK

[marztapatan]

It rains over this dead garden

[alexkablob]

read the sisters of dorley (alyson greaves, 2021-ongoing), a story containing such highlights as:

a satire of the trans healthcare experience in the uk

a meta-commentary on how trans women engage with/reclaim an erotica genre that both helped and hurt us growing up

the full spectrum of the transfem experience (cute & happy vs. absolute horror) juxtaposed together at all times

a bunch of neurotic trans girls in denial about being a cult

the worst opsec you've ever seen saved only by the secret it's protecting being too ludicrous to think of

more codependent transbian relationships than you can shake a stick at

the weirdest sexy chaser lady you've ever met

and a bunch of novelty mugs with really terrible puns

it's an ongoing doorstopper with every content warning under the sun and it makes me feel every human emotion at once

[lovelyrotter]

can ppl in this fandom like... stop... implying that transmasculinity in hcs or (especially) canon is shallow or misogynistic or even transmisogynistic on princible, like literally just by being prescent in someones mind or in the text. like that doesnt fuckin feel good. thats kind of really nasty to imply. if its not okay to say about other trans experiences, maybe dont say it about this one either. why is there a weird little exception here. yall KNOW how much that sucks to hear all day every day. what the fuck

[1-8oo-wtfbro]

au or not, if i see any universes where Sokka and Katara are separated for some stupid reason or another, im slashing your tires myself, while Katara steals your cat and Sokka steals your valuables