#but fuck his good end is just sad

[tecchan]

Damn why is Shiki's "good" end worse than the bad ones?

[musubiki]

.🖤🔄🤍.

[kitamars]

enmi gintoki…………… orz

[carnivalcarriondiscarded]

local dog unused to such fluff & tenderness, more at 8

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[smokbeast]

and you should never try to be

[murdererofthumbs]

Seeing reactions after this episode is actually slightly hysterical? It proves that this fandom can be so blind-sighted by characters relations, that they forget what show they are watching. Like, I have always been a self-proclaimed Roman-girl, because I find him compelling and extremely psychologically interesting, and like all of these characters, to a certain extent, I do empathise with him on the level of trauma that he went through. But why the fuck are people surprised that THIS is how he behaved in this episode is beyond me. Oh, suddenly Roman is dead to you because he behaved in the way that was very much consistent with who he is? That’s who all of these people are, like come on, what do we think we are watching here? You didn’t really think he will suddenly become a defender of democracy because it serves a greater good of the country? He was the one to fucking choose Mencken as a president, he cherry-picked him for Logan, because he knew that their views align, that Mencken will be a smart business decision. This whole thing is a transactional procedure - they needed to get someone who will be willing to serve their corrupt interests. Roman doesn’t see a problem in having fascist as a president, because he will never be touched by the consequences of having that kind of man in power. He is very much safe at the top of the mountain, and who the fuck cares what will happen to the peasants at the bottom of the chain? In this way, he imitates Logan the most, because in the end of the day, people are units to him, to all of them really, some of them are just more willing to admit this than others.

Also, like, “uuu, Roman was such a misogynist to Shiv this episode, he just didn’t listen to her at all”. Look, can we stop being delusional here for a second or is it some sort of selective memory situation? Roman is a misogynist. Kendall is a misogynist. Shiv, in fact, has a lot of internalised misogyny going on, and her being a woman never stopped her from pushing other women under the fucking bus, so let’s be real here for a second. And that is not to be said in defence of Roman, frankly nothing what I’m saying here is supposed to justify his behaviour in this or any other episode, but it’s more of like… reality check? I know that Roman’s self-destructive spiral and semi-decent behaviour at the beginning of this season might have clouded certain aspects of who he is, but please, go back to season 3 and count all the instances of him throwing misogynistic and, frequently incestuous jokes and innuendo, at Shiv? How many times he undermines her position on the basis of her being a woman? Or how Kendall, for that matter, uses similar arguments in 03x02? All the siblings use aspects of each other as weapons. Kendall is undermined because he is unstable, because he is a drug-addict, because he has a tendency of flying off on the cloud of mania, and crashing in the heap of depression. Shiv is crossed out because she is a woman, because she frankly has no real experience in the firm (which, although people might be super angry about that, because she is such a “girlboss” apparently, but this is a factual argument), because of her relationship to Tom and tendency to take several sides at the same time (with not much thought put into it). And Roman is frequently undermined because he is a freak and a pervert, because “there is something wrong with him”, because he is the weakest dog that is most easily manipulated, who crumples like a wet tissue if only to receive a bit of affection. They all weaponise their “weak” points against each other, because this dog-eats-dog mindset is focal to who they are as a family, to how they were brought up, to how Logan wanted them to be. So please, let’s not be surprised, when Roman suddenly uses misogyny as an argument against Shiv, because it’s not sudden at all, and it’s always been there.

I think what we have on our hands, is the same situation we had in 03x07 during Kendall’s birthday (and previous episode with Mencken), where some people are so outraged by Roman, and by his ability to shove the knife where it hurts, that they suddenly cross him out completely. Again, all these characters are bad people, there was never any doubt about that. They are compelling because of the complexities of their familial relationships, because of their childhood trauma and the consequences that this trauma has on them as adults. But they are still completely reprehensible as human beings, and I think some viewers forget about that and then get outraged when show about awful people features awful people. And I’m sure, either in next or final episode, something will happen and Roman will become sympathetic again, and he will regain his position as a “poor meow meow”, just as he did in the finale of season 3. Its always a fucking carousel with this character and people get sucked in and have their eye’s covered just to realise that nothing really changed, and nothing will change, because in this show people, at their core, remain the same.

[sunshineneedsaplacetokeephernsfw]

Attire mission: Purchase premium attire to get an extended romantic story!

Me: *on Liam's route* Romantic my ass! This is a tragedy

[lapinposts]

how it feels to read people on this site criticize death of the outsider

[viiridiangreen]

[panncakes]

the tragedy in night and day doesn't lie in the accident because day doesn't blame night for the accident (not really, not in the way night blames himself). the tragedy in night and day lies in day having wanted night to be his big brother but feeling like he had to take on that roll for night instead and night having wanted day to be his little brother who is as proud of him as he is of day but being unable to figure out how to get there before the accident. the tragedy lies in day not understanding why night couldn't step up until after day went blind ('im just so damn lucky to be blind') and their mother and the world started treating him like a tragedy; leaving him feeling like night has always been jealous of him and is only stepping up to take the place of the golden son of the family now that it's up for grabs. the tragedy lies in night not being able to communicate to day that he was always proud of him and that him showing up to his sporting events only after day went blind isn't because day is blind now but because he has always loved him and supported him ('this is my little brother. he's a junior athlete on the national team') but now it's impossible to convince day of his sincerity and night can't forgive himself. the tragedy of night and day lies in these brother not having been given the time to naturally grow out of this crooked brotherly dynamic that was put upon them and now they're stuck under all this weight both unable to leave the night of the accident when they're around each other. the tragedy in night and day is that tomorrow isn't guaranteed and they are too stuck in the past to look at today.

[flugame-mp3]

what do you fucking mean that's how charlie dies. THAT'S HOW CHARLIE DIES??? i mean i know the show has a penchant for killing off every character who's not a winchester brother or an angel of thursday but good god. what the fuck. charlie was such a good and enjoyable recurring character, and she had such a fandom impact that i've seen, and she's only around for THREE SEASONS?? (sidebar: it's amazing she has the presence she does for only being around for a couple episodes in the long run!) but: was this necessary? and she just dies offscreen after her skills are utilized to progress the plot of decoding the book of the damned?? oh my god. what in the actual fuck. i'm finding myself getting genuinely very upset at her death. she did not fucking deserve that. and i can absolutely see why the fan response to her death is what it is now. completely fucking unjustified and throwaway and useless.

[lord-squiggletits]

The thing about the fandom headcanon that calls Pharma Ratchet's crazy ex and treats him like some sort of stalker or intrusion on Ratchet's love life (usually with Drift) is that

On one level, it's already annoying when a perfectly fine/interesting character is reduced to nothing but "bitter ex getting in the way of The Actual OTP" because it simplifies the character to only exist as a satellite to someone's ship (the bitter loser who can't let go/doesn't deserve person A/etc) instead of having their own life going on.

But when it comes to Pharma it's particularly annoying because it reduces Pharma to "the crazy stalker/bitter ex", framing Pharma as if he's the villain ruining Ratchet's life with his inability to just let go,

When in actual canon it was Ratchet who was best friends with Pharma their whole life (they're even shown together in the Functionist Universe). Ratchet who ditched Pharma with barely a word of goodbye (before Delphi, and ironically the same conversation where Pharma asked Ratchet if he should accept the station at Delphi). And it was Ratchet who asked Drift if he was scared of going into DJD territory as an ex-Decepticon, but treated Pharma like scum for killing patients under threat of being murdered by the DJD. And Ratchet who stole Pharma's hands. And Ratchet who tried to manipulate Pharma by using his deepest insecurities against him on Luna-1.

It's not like Pharma is some rando who Ratchet barely knew. They were BEST FRIENDS whose friendship was severed on a really messy note. Pharma has every right to be invested in a relationship/friendship that almost literally lasted he and Ratchet's entire life. It sucks when people implicitly treat Pharma as if he's obsessed and should just move on when the reality is that it was Ratchet who first terminated their relationship with no explanation or even a goodbye (pre Delphi) and then with leaving Pharma to die and then stealing his hands (post-Delphi). So is Pharma really "obsessed" or is he just understandably upset about being betrayed by the person who should've known and cared about him the most?

So like, it's really annoying when Ratchet has so many flaws in canon and questionable ways he treated Pharma, but the fandom just calls Pharma a crazy stalker ex as if Pharma is the freak who's overreacting and mentally insane while Ratchet is just some guy who was only minding his own business. To me it's not even a matter of shipping, it's just the fact that Ratchet DID handle his relationship with Pharma super fucking poorly. And I really wish more people in the fandom acknowledged that instead of framing Pharma as the evil/crazy/overly attached one for being upset about being ditched. Pharma has reasons to be pissed off and driven to get revenge on Ratchet, and even if his romantic feelings towards Ratchet might play somewhat of a role, Pharma is way more than just some stalker ex who's evil because he's crazy and wants Ratchet to be his boyfriend.

I mean Pharma literally says on the page that the reasons he's angry at Ratchet are for ruining his plans at Delphi and for stealing his hands. Even though Pharma-as-Adaptus orders Drift shot later in LL, it's not explicitly framed as some romantic jealousy and could also just as easily be construed as Pharma getting revenge for Drift cutting his hands off. I don't think Pharma ever even talks about or mentions Drift in the entire story. It's very clear that Pharma's beef/obsession with Ratchet is entirely between him and Ratchet and Drift is only a footnote in all of the reasons Pharma is pissed off.

[discjude]

Yeah this is about right (as always my thoughts are in the tags so there's actually kei content there lmao)

[allegoryofthebeast]

I am obsessed that Jedi: Survivor explores Cal more or less slipping into the dark side/dark behaviors and patterns and how leaning into emotion as a Jedi can make you significantly more powerful though also extremely reckless and aggressive - however a balance could perhaps be reached by Jedi with the patience and support to understand their darker emotions and how it could be beneficial or harmful given the situation. But they fr don’t. Every time something within that vein happens to Cal everyone is like damn… crazy. Anyway

[lifeof-pink]

realizing while reading the epilogue that kim dokja’s constant habit of throwing himself to his death is not necessarily him having a complete plan to come back, but that regardless of if he comes back or not he simply cannot imagine himself having his own happy ending in the end is destroying me… like when did he ever survive specifically for himself?? did he ever want to live not because it would allow his companions to survive but because he himself deserved a place in the world??? idk idk im sad im so sad im wallowing in my own tears rn…. excuse my probable mischaracterization im having a moment