#but do I KNOW this is tim? yeah

[takethelx3]

Tim I'm sorry I keep drawing you like an anime boy (and also accidentally)

[poorly-drawn-mdzs]

Hey now, Let her cook!

[crowkip]

yeehaw, baby!

[sreppub]

jason ignored the clearly labeled tupperware and ate tim’s leftover garlic chicken pasta

[littlefankingdom]

Simple observation I made from reading these comics. DC, stop making their dad an asshole and make him hug them more.

Also, the hugs in these comics:

Tim's hug is not in Red Robin but it's during the run and when Bruce comes back in time.

Cass' hug is weird because they're suicidal freaks who think fighting is therapy. They fought while being drugged, and blew up a brigde. It makes sense for them only.

Jason's first hug (Outlaws) is after he tries to apologize for his crimes and Bruce refuses to let him to do it, because his boy is innocent for him 🥺 (and then, they fucked it up with Ethiopia because they cannot let them have nice things 🙄). The second one (Red Hood & Arsenal) is started by Jason, who is just very happy to see that Bruce is alive, even if he has lost his memory.

[ghost-bxrd]

Prompt:

It’s turning out to be a bad day when Jason finds himself stabbed during a drug bust.

It’s turning out to be a very bad day when he starts to feel woozy (seriously, what the hell? It was just a little stabbing) and promptly collapses.

It’s turning out to be a monumentally bad day when the batfamily drop in on his drug bust.

And then the night takes a hard nose dive into catastrophically bad, because whatever toxin that blade was laced with? It’s making his heartbeat slow down into near flatline, paralyzing Jason in the process.

And now he’s stuck listening to his family lose it completely upon finding his “dead” body.

… shit.

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[mamawasatesttube]

wish more ppl in the timkon tag understood the concept of "best friends to lovers" 😩 where's my "years' worth of stupid inside jokes referenced at the worst moments just to make each other giggle" nonsense. where's the bone-deep understanding and knowing of each other. the ease and relaxation in each other's presence. the "i know how your head works without you having to tell me" of it all. where's the "no one knows me better than you. how could it be anyone but you" of it all!!!

[physical-manifestation-of-spite]

No because I have such a visceral reaction to fanfictions that have the characters do something that they would never do. “He would not fucking say that,” actually causes a genuine physical ailment in my body. The world is caving in on me. I feel sick

[c-tepx]

okay I was sad with the luck of chilaios content so I made this ✨

spent way too much time on this

transparent laios and chil and the cut!

[dukeofthomas]

why does every reconciliation fic go like this

[meraki-yao]

This is something I thought of suddenly: So when the Actors-on-Actors roster came out, I didn’t have that much of a problem with Taylor being paired up with Joey King. It was kinda odd to have two close friends who are now doing very different projects put together, but they were happy and watching Joey King fangirl over RWRB was fun.

But now that I think of it, it was such a missed opportunity not to put Taylor with Jonathan Bailey. 

(Gonna preface this by saying I know far less about Mr Bailey than Tay, I skimmed through Fellow Travelers, Bridgerton S2 is on my to-watch list, and as a fan of Wicked the Musical I have complicated feelings about the movie adaptation)

The thing that is so often brought up with RWRB is that it’s a queer rom-com, it’s a queer love story with a happy ending. The relationship itself does not need to be sacrificed. In fact the whole Kensington confrontation is proving exactly that: they are in a position and point in time where they don’t have to give up on their love and relationship for the sake of other aspects of their lives, they can “find a way to love each other on our own terms, no one else’s”. Many people, including the core four of the movie (Matthew, Casey, Taylor, Nick) have said that this is something that made this movie stand out from other queer productions, something that the world needs. 

Fellow Travellers is almost the exact opposite: it is exactly about the periodic queer struggles. It is about the lavender scare when any queer members of the US government were deemed national security risks, and were subsequently dismissed from their stations. It is about the AIDS epidemic that led to the devastation and discrimination of queer communities. It is about a closeted man who chooses to submit himself to a lavender marriage, but who also can’t let go of his one true love. If RWRB is the idealistic future that we’re trying to build, then fellow travellers depict the dirty, gritting, tragic reality of the past. 

And here’s the thing, as Matthew said, both types of queer stories are important, both kinds of queer stories need to be told. We need to acknowledge the bad parts of the past, as a reflection of society, as a reminder of history and the progress made, but we also need to imagine the wonders of a better future, as a target for society, as a vision for the progress to make. 

And it would have been so interesting to hear the conversation on this contrast between the main leads of two very different queer projects. 

Additionally, another thing they can compare is queer intimacy on screen, because again, the intimacy of the two projects are vastly different: RWRB made a deliberate point in creating a more gentle, vulnerable, and quiet intimacy in the Paris scene, with the focus being on the characters’ face; Fellow Travellers’ intimacy is far more explicit and wild, much sexier if you will. Again, both have their place in media and the queer community: sex can be wild and fun, but sex can also be sacred and soft. It would be really interesting to hear the similarities and differences between the two experiences, especially since Taylor has done more explicit stuff in Minx (in a heterosexual on-screen couple) and Jonathan has done more vulnerable intimacy in Bridgerton (also in a heterosexual on-screen couple)

There are just so many parallels and points that the two could have talked about! So although I’m still fairly okay satisfied with the Taylor Actors on Actors we got, this is such a missed opportunity to talk about the importance of different types of stories in the queer community.

[genericpuff]

vent post

[lena-in-her-mind-palace]

Okay, so anyone who says Tim is a Ravenclaw is WRONG. If you think Tim is a Ravenclaw then you don't understand Hogwarts houses outside of "the cool kids, the smart kids, the nice kids, and the mean kids".

Like you mean to tell me Tim "I blackmailed Batman to make me Robin" Drake isn't a Slytherin?

Tim who has more contingencies than Batman and is the only Robin that can LIE to batman?

Tim decides something needs to happen and then makes it happen. Like that isn't the most Slytherin trait ever.

Slytherin's are cunning, resourceful, and ambitious. If you don't think that describes Tim Drake then you clearly haven't read the Red Robin comics.

I mean let's take a look shall we?

He realizes that batman didn't really die, and not a single person in the entire hero community believes him, so what does he do? He decides to find and save batman himself. AND HE SUCCEEDS.

There's the ambition.

Tim fought seven powerful metahuman assassins, whose abilities he did not know of before, while protecting a civilian, AND WON.

Resourcefulness.

And do we really need to talk about how many times Tim faced Ra's in a battle of wits and won?

Cunning.

So yeah, Tim Drake is a Slytherin and if you still don't think so, fight me.

[watmalik]

Lucy’s bag is too little on Tim 😭

[sandersontheside]

contrary to what you may think “I Won’t Say I’m In Love” from Hercules is not the Disney love song for prinxiety. the titular track from Beauty and the Beast is. not only because the lyrics hit:

“barely even friends/then somebody bends/unexpectedly/just a little change/small to say the least/both a little scared/neither one prepared”

“bittersweet and strange/finding you can change/learning you were wrong”

but also because Virgil is initially perceived by the other sides as a villain, as monstrous, and his arc is all about acceptance both from them and from himself, learning both to love and to be loved. Just like Adam/Beast. and because Roman is Belle coded—head in the clouds and obsessed with stories, craving adventure and desperately looking for something more than this provincial life. you get it.