#but can apply to lots of other media too i'm sure

[sebdoesthings]

I love you bisexual characters in queercoded media whose attraction to the opposite gender serves as a way to throw the censors off the media's tracks!!!

[batboyblog]

Copy Right and Public Domain in 2024

Happy 2024 all! its also Public Domain Day! a magical holiday here in America where things enter the public domain. Works published in the year 1928 (or 95 years ago!) have entered the public domain, which means they belong to us, all of us, the public!

Mickey's Back!

Yes! I'm sure you've heard, but Mickey Mouse (and Minnie Mouse too) is entering the Public Domain today. This has been news for a few years and indeed Disney's lobbying in the late 1990s is why our copy right term is SO long. So what exactly is now public domain?

Most people know about Mickey's first appearance Steamboat Willie, but a second short film, Plane Crazy was also released in 1928 so will also be public domain. So what's public? well these two films first of all, you're allowed to play them, upload them to YouTube or whatever without paying Disney. In theory you'll be allowed to cut and sample them, have them playing in the background of your movie etc. Likewise in theory the image of Mickey and Minnie as they appear (thats important) in these films will be free to use as well as Mickey's character as he appears in these works will be free to use. Now Mickey's later and more famous appearance

will still be protected. Famously the Conan Doyle Estate claimed that Sherlock Holmes couldn't be nice, smile, or not hate women in works because they still held the copyright on the short stories where he first did those things even though 90% of Sherlock Holmes stories were public domain. It's very likely Disney will assert similar claims over Mickey, claiming much of his personality first appeared in works still copyrighted.

Finally there's copyright vs trademark. Copyright is total ownership of a piece of media and all the ideas that appear in it, copyright has a limited set term and expires. Trademark is more limited and only applies to things used to market and sell a product. You can have a Coke branded vending machine in your movie if you want, but it couldn't appear anywhere in the trailer for your movie as thats you marketing your movie.

Where trademark ends and copyright begins and how trademarked something in the public domain is allowed to be are all unsettled areas of law and clearly Disney in the last few years as been aggressively pushing its trademark not just to Mickey in general but Steamboat Willie Mickey in particular

Ultimately the legal rights and wrongs of this might not matter so much since few people have the money and legal resources of the Walt Disney corporation so they might manage to maintain a de facto copyright on Mickey through legal intimidation, but maybe not?

And Tigger Too!

All the talk about Mickey Mouse and Steamboat Willie has sadly overshadowed other MAJOR things entering the public domain today. Most people are aware Winnie the Pooh entered the public domain in 2022, but they might not realize his beloved friend Tigger didn't. Thats because Tigger didn't appear till A. A. Milne's second (and last) book of Pooh short stories, The House at Pooh Corner in 1928.

Much like Mickey Mouse only what appears in The House at Pooh Corner is public domain so the orange bouncy boy from the 1960s Disney cartoon is still on lock down. But the A. A. Milne original as illustrated by E. H. Shepard is free for you to use in fiction or art. His friend Winnie the Pooh has made a number of appearances since being freed, most notably in a horror movie, but also a Mint Mobile commercial so maybe Tigger too will have a lot of luck in the public domain.

Other works:

Peter Pan; or the Boy Who Wouldn't Grow Up

Peter Pan is a strange case, even though the play was first mounted in 1904, and the novelization (Peter and Wendy) was published in 1911, The script for the play was not published till 1928 (confusing!) meaning while the novel as been public domain for years the play (which came first) hasn't been, but now it is and people are welcome to mount productions of it.

Millions of Cats

The oldest picture book still in print, did you own a copy growing up? (I did)

Lady Chatterley's Lover

The iconic porn novel that was at the center of a number of groundbreaking obscenity cases in the 1960s and helped establish your right to free speech.

All Quiet on the Western Front and The Threepenny Opera in their original German (but you can translate them if you want), The Mystery of the Blue Train by Agatha Christie, and Orlando by Virginia Woolf will also be joining us in the public domain along with any and all plays, novels, and books published in 1928

for Films we have The Man Who Laughs who's iconic image inspired the Joker

Charlie Chaplin's The Circus, Buster Keaton's The Cameraman, Should Married Men Go Home? the first Laurel and Hardy movie, Lights of New York the first "all talking" movie, The Passion of Joan of Arc, The Wind, as well as The Last Command and Street Angel the first films to win Oscars for Best Actor and Best Actress respectively will all be entering public domain

For Musical Compositions (more on that in a moment) we've got

Mack the Knife by Bertolt Brecht, Let’s Do It (Let’s Fall in Love) by Cole Porter, Sonny Boy by George Gard DeSylva, Lew Brown & Ray Henderson, Empty Bed Blues by J. C. Johnson, and Makin’ Whoopee! by Gus Khan are some of the notables but any piece of music published in 1928 is covered

Any art work published in 1928, which might include works by Frida Kahlo, Georgia O'Keeffe, Alexej von Jawlensky, Edward Hopper, and André Kertész will enter the public domain, we are sure those that M. C. Escher's Tower of Babel will be in the public domain

Swan Song, Public Domain and recorded music

While most things are covered by the Copyright Act of 1976 as amended by the Digital Millennium Copyright Act, none of the copyright acts covered recordings you see when American copyright law was first written recordings did not exist and so through its many amendings no one fixed this problem, movies were treated like plays and artwork, but recorded sound wasn't covered by any federal law. So all sound recordings from before 1972 were governed by a confusing mess of state level laws making it basically impossible to say what was public and what was under copyright. In 2017 Congress managed to do something right and passed the Music Modernization Act. Under the act all recordings from 1922 and before would enter the public domain in 2022. After taking a break for 2023, all sound recordings made in 1923 have entered the public domain today on January 1st 2024, these include.

Charleston by James P. Johnson

Yes! We Have No Bananas (recorded by a lot artists that year)

Who’s Sorry Now by Lewis James

Down Hearted Blues by Bessie Smith

Lawdy, Lawdy Blues by Ida Cox

Southern Blues and Moonshine Blues by Ma Rainey

That American Boy of Mine and Parade of the Wooden Soldiers by Paul Whiteman and his Orchestra

Dipper Mouth Blues and Froggie More by King Oliver’s Creole Jazz Band, featuring Louis Armstrong

Bambalina by Ray Miller Orchestra

Swingin’ Down the Lane by Isham Jones Orchestra

Enjoy your public domain works!

[yan-lorkai]

Hi!! I loved your hcs of the Octotrio with a yuu that seems to only have a talent in art. I related to it a lot because sometimes I feel like I’m not good at anything else other than drawing.

I was wondering if you could do the same prompt with Riddle, Ace, Deuce, Cater, Leona, Malleus & the Scarabia boys please? If that’s too many you can just do Leona, Malleus, & Scarabia. Thank you 😊

.⁠｡⁠*⁠♡ A/N: I guess everyone has one of those episodes, huh? I've been writing for more than 8 years now and sometimes I get hit by the "aa but I'm only good at writing, I should totally try something" and then I try something new and hate it bcs I really love to write and nothing can compare lmao. Anyway, I hope you like this darling, I did all the characters requested too btw ~

.⁠｡⁠*⁠♡ Ace would be playful and encouraging, but his competitive nature would lead him to manipulate situations to keep you close. He’d play little tricks to make sure you stay dependent on him, offering "helpful" critiques that subtly undermine your confidence in anything but your art. His lighthearted facade would hide a deeper need to be the center of your attention, he is your muse, the one you use to practice, the who inspires you, making sure that you see him as the only one who truly understands and supports you, all while ensuring you don't realize how he’s subtly sabotaging any other talents you might want to try to explore, for he fears you will not want to spend more time with him anymore if that was the case.

.⁠｡⁠*⁠♡ Cater would use his social media prowess to make you art the talk of the school, ensuring your work — and by extension, his support — is always in the spotlight. However, his validation would come with a price, as he subtly isolates you from others, creating an environment where you feel your art is only appreciated by him and his curated audience. Cater’s charming persona would hide his darker intentions, as he manipulates your into believing that your worth is tied to the art you create under his influence, all while keeping you emotionally dependent on his constant praise. You're already good at other things, so surely you don't need to have another hobby, right?

.⁠｡⁠*⁠♡ Deuce, unlike Ace, would be fiercely protective of your artistic talent. He’d encourage your art with an almost desperate intensity, pushing you to try different brushes and pens, different scenarios and things, but he'd also pressure you to stay focused on what your good at, ensuring you don’t waste time on things you never tried before. His possessiveness would manifest in his need to be your protector, to the point where he'd become intimidating towards anyone who tries to steer you away from your art, that does not apply to yourself, while he think your drawings / paintings are very beautiful, he would not force you to make it more if you're having an episode where you doubt your skills and think you are good only on the art field. If you want to explore new things, Deuce will be by your side the entire time.

.⁠｡⁠*⁠♡ Riddle would be intensely supportive yet controlling, pushing you to perfect your craft while ensuring you don't stray too far from his strict rules, even more if you are already his lover. His obsession with your success would become borderline suffocating, as he constantly monitors your progress and enforces discipline to keep you on the right path, nurturing your already beautiful talent. To Riddle, your art is flawless, it's personal and have a touch of you in every drawing, be it digital or traditional. When you come to tell him about your doubts, about how you're only good at art, Riddle promptly sooth you with gentle words, albeit he is a little awkward while talking. He offer to teach you about whatever you want to learn but be prepared because he is somewhat a strict teacher.

.⁠｡⁠*⁠♡ Leona would admire your dedication to your art, and he would ask questions about it too, learning as much as your interest as possible. However, his possessiveness would be almost primal, keeping you close under the guise of protection, ensuring you don’t waste time on anything — or anyone — else. Leona would be dismissive of your attempts to explore other talents, reinforcing that your art is the only thing that matters. His control would be subtle yet overpowering, as he ensures your world revolves around him and your art, leaving you with little room for anything else.

.⁠｡⁠*⁠♡ Malleus would shower you with endless admiration, captivated by your artistic talent, even more if you were influenced by an artistic movement. He'll notice all the little details, the subtle way the traces converge, how the color scheme is perfect, the way the shadows and the light reflect. He is your number 1 fan, so supportive of you. However, his intense fascination would drag you into his lonely world, where your art becomes your only outlet and he is your audience - though he has your drawings framed and hung on the walls of the castles, so everyone can look at it and admire. Malleus may not understand your struggles and why would you want to pursue another hobby, but he can arrange anything you may want to try at least once, from singing and dancing to sewing and knitting, even the art of potion making, archery or fencing. He just know you're going to find something you like as much as your art, and if you are happy so is he.

.⁠｡⁠*⁠♡ Jamil would secretly nurture your talent, subtly guiding your creativity while undermining any attempts you make to excel elsewhere, he sees your art as something free and with many meanings - it makes him relaxed in some sort of way and Jamil wants to be a little greedy here, he wants you to continue creating more pieces, always keeping you under his watchful eye as you started drawing / painting. There's just something so intimate, so calming about it he can't wrap his head around. He loves watching you creating your art, feeling is guard lowering just a little. If you ever approach him with your doubts, Jamil take you to the kitchen so he can teach you a few things about cooking. It's a different kind of art but when all is said and done, it's just as good as when you're creating and make you feeling accomplished.

.⁠｡⁠*⁠♡ Kalim would be so overwhelmingly supportive and enthusiastic about it, showering you with gifts and opportunities to nurture your artistic talent, buying everything you may need to create your art, a new software? Sure, no problem, he brought the most expensive one too. A few new pencils and pens? Right away. You need more frames and paints? It will be here in a couple of hours. However, his naivety mixed with possessiveness would lead to unintentional control over your life, as he tries to keep you happy and close by his side. Kalim’s well-meaning gestures would create a gilded cage, where your art flourishes but your freedom is slowly stripped away. He would be oblivious to the suffocating effect of his love, believing that as long as you're happy creating art with him, nothing else matters, leaving you feeling trapped and not knowing how to communicate with him. He have done so much for you already!

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[jinkieswouldyoulookatthis]

Anti-destiel Wank (sorry but I have to)

If you hardcore ship Destiel, please just scroll on by. Please.

Ok, I'm gonna get myself in trouble, I'm sure, but I gotta get this off my chest...

Destiel may be a perfectly fine ship,

but,

IT'S JUST A SHIP.

In the actual context of the show there IS NO ROMANTIC OR SEXUAL TENSION/RELATIONSHIP BETWEEN DEAN AND CAS.*

Full fucking stop.

Subtext can be interpreted in ANY WAY YOU WANT. It is subjective. You will find whatever you look for in it. Please stop waving subtext interpretations around as if they were objective facts, they aren't. Subtext, by its very definition, relies on implied meaning and understanding, this means it is a subjective interpretation of the media that varies from viewer to viewer. The inherent variations are what make it fanon/headcanon instead of canon.

If you see tension of that sort there and it makes you happy to postulate the what if, then go ahead, that is what fanon and head canon and fan fiction is all about. But if the fact that the tension you think you see isn't being addressed in actual canon makes you grumpy, maybe you need to take some of the fanatic out of your fanning. If you are beginning to think the show creators are actively trying to repress Dean's "true sexuality and feelings" because they are evil, you might need to consider that you've dug in too deep.

Because, like I ship wincest. Yeah, I said it. But I am aware that canon doesn't actually include any level of sexual or romantic (in the modern sense) relationship between Sam and Dean. Wincest is not canon.

Now, are Sam and Dean the real "love" story of the show? Yes, yes they are. That has always been 100% the entire point of Supernatural, the great love story of two brothers struggling to save the world together. It's about family and everything that means, but at its heart, it is about Sam and Dean WInchester. Not all kisses and cuddles and sex kind of love, but love nonetheless. Full stop.

Now, the fact that Destiel is such a popular ship is not surprising to me in the least. Jensen and Misha are two gorgeous guys who share a lot of chemistry on screen and off. And, it is canon that Cas loves Dean. That has been evident since Lazarus Rising (4x01) when Cas was introduced. Castiel's love of Dean Winchester has been his character's main motivation all along and culminated with Cas sacrificing himself to save Dean, after telling him that he loved him in Despair (15x18)

But Dean's main motivation has always been to watch out for his brother. And though Castiel became Dean's best friend, he still comes second to Sam. Nothing against Cas, he just isn't Sam.

So why are so many people so absolutely convinced that Destiel is so real within the context of the story?

Well, I'm pretty sure that it is the same reason that they are so opposed to the idea of wincest.

As we all know, incest is bad, mmmkay? Incest is probably one of the biggest, strongest, cultural taboos we have. So it makes perfect sense that the idea of two blood-related brothers having sexual or romantic feelings for each other is considered icky. It's so off putting that it is a complete no go for even fantasizing about for most people. And that's probably a good thing, tbh, incest should be taboo. But where does that taboo spring from? Why is it so deeply off limits? There are several reasons, but the two main ones are:

That incest can lead to inbreeding.

That incest too often involves molestation or rape of children.

Both of these are seriously bad enough that we all pretty much collectively agree to avoid incestuous relationships. But, do either of these two reasons really apply in the case of Sam and Dean?

The short answer is no. Primarily this is because they are fictional characters that are being played by unrelated actors. But to humor the objectors we'll look at it closer.

We can take the first one right off the table. As two cis men, neither of them is capable of becoming pregnant, so outside of the mpreg (male pregnancy) or gender bending subsets of fanfic tropes, this is not applicable.

The second reason only becomes an issue when talking about the characters earlier in their lives, pre-show or flashbacks. Weecest or teencest, or whatever, are things, but these typically have separate ship names for a reason, because even when dealing with fictional characters this squicks a lot of folks who are otherwise down with the wincest ship. So most content is tagged or labeled as its specific flavor, so anyone can find it or avoid it. But wincest that involves adult Sam and Dean (the specific pairing I'm referring to in this post) doesn't apply to the second reason listed above.

So there really is nothing morally wrong with Sam and Dean having sex with each other. I know that statement is going to bother a whole lot of people, but it is true. Just because something is taboo does not automatically make it morally wrong. Being gay used to be taboo in our culture, and is still taboo for way too many people, even though there is nothing morally wrong with homosexuality.

Now, I wasn't in the fandom back at the beginning of the show, but I've heard tell that the very first Sam/Dean fic was posted just a few hours after the pilot episode aired. A few hours, that's all it took for some highly motivated fan to type out a story where they were more than just brothers. The story is called Reunion. If you watch the pilot, even with your anti-incest goggles on, the chemistry between Jared and Jensen is palpable throughout. There is a reason the show lasted for 15 years, and that reason is that Sam and Dean just work on screen so well together. So if it only took one episode for that ship to be born, what did all the future destiel shippers do? Well I imagine they felt somewhat uncomfortable for the first 60 episodes.

Flash forward to season four and the introduction of Castiel. Finally there was another male character for fans squicked by the notion of sweet, sweet brother loving to focus on! Cas was clearly fixated on Dean more than Sam, which followed the plot since Cas had been instructed to rescue Dean from Hell. As it would turn out, the brothers were destined to be the meatsuits that Michael and Lucifer wore to the big prize fight to determine the fate of the world. Prepping Sam for Lucifer involved him consuming demon blood, which made most of the angelic host view him as an abomination, a factor that Cas had to learn to get past in his relationship with the younger brother. But Dean was ready to go right out of the box, no assembly required for Michael. Castiel, and many of his angelic brethren, as well as a lot of Demons, seem to be drawn to Dean in a way that they just aren't drawn to Sam. Is this fair? Hell no. But I mean, look at him! Jensen has sexual tension with literally everything he comes in contact with, people, food, his car, the man oozes sexual attraction. Don't get me wrong, Jared is a sexy fucking ball of sunshine, and our Sammy is a damned attractive man, but he tends to be more repressed and less openly sexual than his brother, so it is what it is.

Where was I going with this? That's a good question. I got a bit distracted, sorry. Oh right...

At its root, destiel is a reactive projection. There is undeniable tension between characters in the show. Since all of the main cast are male, that tension is highly homoerotic. The two main characters, who are undeniably emotionally enmeshed and co-dependent with each other (a very well established canon fact btw), happen to be blood-related brothers. Oh no! Where is all that tension coming from since we cannot admit or accept that it's coming from them? Ah ha! Here is a new male character that we like, yes, it is obviously coming from his interactions with one of the brothers, even though he wasn't in the first 60 episodes. Yes, it all makes perfect sense now, all that tension was merely foreshadowing.

I've read through all the destiel subtext posts. I've gone back and watched all the scenes they reference multiple times with the express purpose of finding destiel. I'm telling you it is just a fanon ship. Which is 100% fine and good, ship that ship, just stop declaring it more canon than canon, because it's not.

And if you don't like fictional incest, cool, cool, you don't have to. But the underlying sexual tension existed in the first 60 episodes prior to Misha being cast on the show, so it was coming from somewhere. And it'd be cooler if you learned how to scroll past people shipping wincest, like I'm sure you do for all the other weirdass, squicky shit that people post all over the internet. But if it makes your heart beat a little faster to imagine that Dean and Cas have eyesex but that Dean and Sam don't, that's fine. I think it's delusional because neither ship is actually canon and both are 100% A-Ok in fanon, and honestly Jensen doesn't seem to be able to control his eyes, which is not something anyone should feel bad about (it's fucking marvelous) but you do you.

*Castiel does love Dean. He confessed as much, but Dean did not reciprocate. What I am referencing is a mutual romance or attraction, which does not exist.

[heybiji]

hi i found your page cause of your Masks art!!

imma be running a game of masks and was wondering if you have any tips

Oh hello! Very cool you're gonna run a MASKS game, it can be a lot of fun!

I'm not sure how helpful my advice will be since I'm still learning and am not sure how well I actually run the game haha, but for starters there's a whole lot of great advice on Reddit that will help with the mechanics and the structure of the game. In my opinion, the Principles section in the GM part of the core book is critical and succinct and is great advice for running ttrpgs in general.

my top advice is:

"We play to get the next issue picked up!"

Play the game like we want people to buy the next issue and not put the series down! Take chances! Make big choices! Make it interesting! Be bold!!

other things:

Theme. Establish the themes of your story early on. This will help you understand how the world and story should respond to the PCs. And make the themes interesting to you! For example, beyond the general coming-of-age story themes already built into the character arcs, I lean heavily into the concepts of fame, celebrity, and the 24-hour news cycle. And all the things that were going on in the early 2000s.

Be a Fan of the PCs. This is my favorite rule from The Principles. Make sure all your players soak this rule in. The MASKS mechanics mean characters will often make less-than-optimal decisions, so players must feel supported in their character choices. You should be a fan of the characters, and so should your players! They should want to help bring out every character's arc, not just their own.

Treating Human Life as Meaningful is what Makes Threats Real. This is another principle, but yeah, make the world's NPCs feel like they matter, and that will make the world worth protecting. Treat them as people. Give everyone Drives, not just your Villains. Mentally treating even non-villain NPCs as having Conditions can do a lot to help with characterization.

Condense. Condense your world, your NPCs, make the world feel smaller. In our game, for example, having the Protege's mentor also be the same superhero who saved the Delinquent years ago was a great decision.

Playlists. I have a bunch of different playlists for the campaign, from a big one of music of the time (our game is set in 2004) to playlists for important NPCs, to playlists I asked my players to curate for their characters. Music inspires me a bunch, a song can help create a villain for me, and I also like choosing a different "ending" song for every episode based on whatever happened.

Stories. Okay, here's the thing. I don't really care much for superhero stories. Why did I choose to run MASKS, you ask? Because of the emotion-based mechanics. That's my shit. But anyway, I don't take in much superhero media... But I do LOVE movies and television and stories in general, and I think taking in a lot of "short stories" is helpful to develop an instinct on how to pace a story, make a character or moment memorable, etc. And because MASKS has an episodic nature, this is extremely important! The sheer amount of movies I've watched has helped me a whole bunch, since they have to get the Beginning, Middle, and End done within such a short time frame.

Don't Wait. This is an instinct I've picked up from some of my favorite media. Don't wait for The big important moment. Make a lot of big important moments, and make the characters have to make a lot of important choices, and keep the momentum going. Paint yourself into a corner and then force yourself to think of ways out! It makes the story more interesting. (this may not apply to everyone, I get this kind of mindset from shows like Breaking Bad and Succession, which for your story could be too much haha)

Everyone Works. Okay, I am not a benevolent, sweet GM, I will not smile with tears in my eyes and quietly work away and accept that without complaint. no way. I make my players help me a lot. I'm gonna whine. Guys I'm doing so much work! Guys this is hard! Weeehhh! MAKE THEM HELP YOU. RUNNING A GAME IS SOOOOO MUCH WORK OH MY GOD IT'S SOOOOOO MUCH WORK!!! Ask them to take notes! Ask them to treat the world with sincerity! Ask them to make NPCs! Ask them to play NPCs! Ask them to help fill out the world! Ask them to tell you what their character wants to do next so you have extra time to consider it! Ask them to make playlists for their characters to help you figure out how to engage with them! Don't let them just show up on playday!! I'm a "you get what you give" kind of GM. You're a player too and you deserve to enjoy the game as well, and having the other players help you helps a BUNCH. PUT THEM TO WORK.

what else. uh. visuals help a lot with engagement so i subscribed to a bunch of modern battlemap patreons. i run using Foundry which lists the rules upon every roll which is great for me, someone with horrid memory. if you're lucky and favored by god, you'll have a benevolent player that will be the scribe for your sessions and log everything down so they can be referred back to (again, great for someone like me with a horrid memory). remember to give focus to the PC's out-of-costume lives as well. make NPCs in response to your PCs (superheroes, villains, touch on something of a PC in the creation process). be silly. be serious. be sincere.

i'm still figuring out how to run the game, maybe i'll have better advice on a later day, but i hope this can help some! sorry this is longwinded and more a stream of consciousness than it is succinct.

[valyrfia]

You know what i have kind of being afraid lately that charles and max becomes a bit more distant and cold, because of how much lestappen started to get talked. Because before it was just fans, but now even f1 media uses the lestappen thing a lot

Like that video where they asked max "it seems like you explain things to max a lot"

The RPF curse unfortunately, the more popular the thing becomes, the more it spreads to people who aren't as strict with boundaries about it as they should be (because it gets them engagement!) and the more likely it becomes that someone who should NOT know about the RPF finds out about it.

The comments underneath Max's latest instagram post left me feeling uneasy, to be honest. Far too much "omg Lestappen!" or something along those lines making jokes that I would almost believe were lifted straight from the tag on tumblr. It's disconcerting. All I can do is warn about how I've seen other popular RPF go south in my time which is that people either a. end up trying to play into that content so much that it gets noticed by the people involved or b. conspiracy theorist begin to be incredibly invasive in an attempt to 'prove' that they are into each other/the ship is real etc. etc.

The issue isn't tumblr, it's fandom culture which historically was concentrated on tumblr going mainstream and people who I'm sure ten years ago would've bullied our ilk on whatever playground suddenly using fandom terminology or speaking openly about ao3 and shipping or using ship names in spaces where it's not appropriate. I've seen the complaint with Lestappen that it's full of 'ex-larries trying to do the same shit' when in my experience, it couldn't really be further from the truth. All the people who watched Larry happen either from within the fandom or as an onlooker (as I was) know full well how south RPF can go if you don't put in place strong internal and external boundaries. As a result, we may have some ex-larries or similar among us on tumblr, but in my experience the 'trauma' (for lack of a better word) and hindsight enables us to set down boundaries quite well and keep the RPF on tumblr and ao3. The people who are pushing romantic Lestappen past boundaries are those who have NOT witnessed something like Larry in real time, and indeed may not have had any real fandom experience in their more formative years and as a result have no idea how to interact with fandom etiquette or fandom culture. This applies to fans, but also to social media and media teams as well, who come across fandom terminology, see that it gets interaction, and choose to use it. It is a massive problem, and I'm so afraid to say that at the rate we're going at it's a matter of when Max and Charles discover what we mean by Lestappen, not it.

[the-leegend-99]

There's a reason this site sucks and is so profoundly hateable sometimes.

The reason is that since it's the nerd site (beaten out only by Reddit bc its r/topic function allows people to geek out to the max in one specific subject and build forums), where people dedicate essay-length blog posts to contrast (or compound) each other's interpretation of your favorite fictional characters through the most minute lore analysis possible, going "um actually" with all the casualness allowed by such a free reblog feature. And where is it used most of all? Why, to explain away absurdly mediocre or outright bad stuff like the Star Wars Prequels into being "Secretly Good™️" because let's face it, the alienation of living and working into capitalist society has stunted most of us (mostly us Westerners who get to enjoy the full breadth of consumerism) into needing to preserve their childhood security blankets. Of course, sometimes it's not that. Sometimes it's media analysis that wants to have a point and is actually done with more of a grain of salts. But most times, it is that. And sometimes it's cute, most times it doesn't involve the usual BS of manchild fannish behavior as Reddit does (probably bc there's a lot less cishet men).

But then some people here will apply that same mentality and behavior of politics.

And no, you just can't "um actually" your way of rightly being called a genocide and fascism enabler for supporting Kamala Harris and Tim Walz. Applying character arcs and lore to reality is brainrot. Yes, friend, I know that their hands are tied by the system. They made the choice to try and become top dog in it, nobody was expecting them not to comply in its basest crimes against humanity. But then you twist yourselves into hoops trying to rationalize the crumbs they throw at us to keep us content and not threaten their power, or better yet the system of exploitation they profit from, into actual progress. You try to rationalize them into being "Secretly Good™️" when they are the fullest representation of the banality of evil.

Sure, in doing so, you show more argumentative capabilities than Taylor Swift fans, but let's face it, it's not much of a compliment. All those Swifties, Beehives, Lil Nas X or Charli xcx fans who haven't taken their favorite celeb/artist to task for supporting the genocide, they cheer for these genocidal criminals because they've got far less awareness, and superficial diversity appeals to them. I'm not gonna go into who's more starved for crumbs from the master's table between them and you because it's not useful to this dissection. The actual difference is that they've formed a parasocial relationship with the *person*, with the celebrity, while you've formed a parasocial relationship with the *story*.

And you have to hammer the story into making sense, into being good, don't you? Because deep down, you're more aware. Deep down, you know it's wrong, you know that what's happening is wrong, bur you don't want to bring yourself to believe they've been stringing you along, asking you to be an accomplice. You want to explain your way out of letting this realization settle in, because if it does, then you are an accomplice.

Well you are, until you start doing something about it in the real world. Until you join protests, until you join working-class, anti-capitalist, anti-Zionist organizations fighting to overturn this system and build a better one instead.

And sure, that's a big jump, out of the realm of "permissibility", of "respectability", and it's scary. But maturity is having the courage to do the things that scare you the most, because you've analyzed them and realized that they're the ones that bring about the most material good for you and everybody. And everybody can reach that maturity. You, too, can be brave.

[courtmartialme]

Hey! Sorry in advance if this is word vomit-y and a mess im literally crying rn lol

Ok so i found u for ur trans riza art and at first i was like yo cool explicitly trans art! Then i went thru ur blog and found there was so much here and it made me so fucking happy. Like we (trans mascs) domt get as much representation so its really meaningful when u find it in the wild but then when its genuinely good A+ quality content too and theres just so much of it? Words cant describe how fucking happy and seen i felt.

Ive been following u for a while now and just like. Youre so inspiring to me? Like your art is goals its so fucking good, when i see your art it makes me want to draw and improve my own art. Your brainrot and like willingness to do your own thing in regards to trans riza and ur AU art is also just so inspiring to me. And like as a trans masc creator i guess its so inspiring to see you succeed if that makes sense.

As to why im crying rn, i just found ur trans riza comic and its Unlocking things in me its making me cry so hard rn dhddhddnbdjdbdfbnffb like it just makes me feel sm hope for my own future? And idk its just really nice to see such good content and representation that really understands and gets the "trans experience" if that makes sense. So like yeah dhdjdjf just thank you so much for being so inspiring to me and (others bc im sure its not just me that feels like this) and for sharing your art!

that's a very sweet message thank you !!! i'm glad my trans riza art resonates with you ^_^

though anon, i don't think we are "under represented" at all. maybe in big media? sure, idk, i don't pay attention tbh. but anon there are a lot of transmasc artists making transmasc art out there you just have to pay attention :] and i think this kind of art is better appreciated when you stop using words such as "content" and "representation" to describe art made by artists in the wild and save it for big tv shows lol. ofc i get the trans experience, i'm trans. but maybe my trans experience isn't the same as yours. who gets to decide if something so personal is bad or good content? or representation? i think by applying those standards you're only limiting yourself and others

of course, i know you only meant well with your message! but i took the opportunity to ramble about something i think about a lot <3 i'm honored you find my art inspiring bc i honestly mostly draw whatever i feel like drawing lol even though trans riza au isn't very deep or personal or anything, it's important to me so i draw it. i hope all of us can forever create more art about our experiences without worrying if it's good representation or whatnot because that's a silly word to describe the feelings of real people :]

[stardust-solstice]

I'm not sure I can go to school today and listen to everyone talking about the election. I might skip. (I can't, sadly)

I... I'm scared, honestly.

I had all these plans for my future when I graduated in 2025, but... I dont think I can do a lot of those if he is president. Or at least, I'd be scared to.

I finally had a reason to look forward. It's gone now.

I can hide myself well. Its what I've been doing for years. But not everyone can. I'm even more scared for them than I am for myself.

What do I do? What can I do?

My family's been joking about moving to Canada if trump won. Is that even possible? We have a mortgage to pay and a house we own now. Would we be able to afford moving? We just got new cats. They wouldn't react well to moving. I graduate high school next June. How do I navigate college when my future living in this country is uncertain? How the fuck does trying to apply to college in a country you don't live in even work? Is that even possible?

If we were to stay in the US, how likely even is it that the FSA stays the same under him? Would I even be able to get a federal student loan? How do I afford college? Would I be stuck with my local community college (perfectly fine school btw, just doesn't have what I'm looking for really) just because I can't afford anything else?

I wanted to look into hrt and maybe top surgery, as far-out as those goals already were. I can't pay for them anyways, but I had hope. That hope is gone. How could I even get them? Would I be safe, being visibly trans? Probably not.

I wanted to try and figure out what's wrong with me. My possible physical disabilities, mental ones too. But... I dont know how safe I would be doing so. Would it be safe?

I wanted to express myself--show individuality, be openly weird, openly queer, openly plural, even. Where it was safe, of course. But now... It feels like nowhere would be safe.

What is the future going to look like? For this country, for me, for others in similar and worse situations. What are we going to do?

-----

I am sending love to everyone that reads this. Take a break from the social media and news if you're feeling overwhelmed, get yourself a drink of something nice, and try to get your mind off of it.

And to those who are in the same boat as me--or one that's already sinking--I wish us both well. We'll get through this. Somehow.

[bellascool]

Hi ! I love your imagine ! 💓 Can you make a Gavi x reader. Where the reader being criticised by gavi’s fangirls about her physic and that Gavi can find many better girls than her so she stars crying and overthinking about her relationship with him and she thinks to leave but Gavi will arrive and ask her why she cries. Thank you if you’ll do it

Hii, thanks for requesting bae (and thanks for the love <33) 💕

INSECURE

masterlist

request on my profile

posted : 18/02/23 (European date)

Being compared and critics are killing you slowly

You grabbed your phone and put it on the dressing table to start a live.

You pressed the live button and made sure there was no filter since you didn't like it.

"Hi everyone, today I'm showing you my makeup routine!" you happily said while putting on your makeup headband

"You look gross without makeup."

"Thanks God she's not going to stay like this. Hopefully makeup will hide your ugliness."

You acted like you didn't read these comments, keeping your smile while you felt a small knot forming in your throat.

"A lot of you guys asked for my routine so here I am!" You started applying cream on your face

"The secret for a smooth skin is hydratation! Make sure to use some cream before doing your makeup and after taking it off."

"Absolutely no one asked but ok sure"

"Your own advice doesn't work on yourself. Your skin is horrible just like your big belly lmao"

You kept on laughing to the other nice comments but you couldn't ignore what they said.

"Are you and Gavi still together?" you read out lout while blending your concealer

"Of course we are! I never loved someone like him and- oh my, I'm so embarrassing" you cut yourself laughing at how easily you could talk about your love for your boyfriend

"Someone tell her to shut the fuck up"

"He could do better tbh. There are a lot of girls way prettier than her who could kill for him"

Your smile faded a little as you started overthinking about that one comment.

It wasn't even a lie. There's so many girls with perfect body, perfect smile, who doesn't need makeup to look like the future miss universe and yet, he still chose you.

You weren't that special, yes you were pretty but compared to all these girls.

Aww man, why can't I be perfect like them too?

"Are you okay? Why did you suddenly stop smiling and talking ?"

"Oh I'm sorry, my ADHD isn't helping me stay focused" you tried to hide your pain with some humor while you just wanted to disappear right now

"And then I add some mascara, I personally use the maybelline lash sensational sky high mascara, best mascara ever!" you said in a fake happy tone

"You look so fake. Gavi is probably dating you to use you for the medias or something."

"I don't understand, Adriana Falco is so much prettier than you. I hope Gavi dumps you for her."

That was it, you had enough, you felt tears forming and didn't wanted to cry in front of everyone like that.

"I'm sorry I gotta go, see ya" you quickly mumbled before ending the live as the tears and pain you held finally left your body

You started to cry harder and harder, remembering all the comments.

It wasn't the first time that people compared you and told you that you didn't deserved a guy like Pablo but you always let it slide and now all the accumulation was bursting out with your tears.

You took your head between your hands as your breath quickened at how hard you were crying, making your shoulders bounce while your whole body was shaking.

Well you knew that you wasn't attractive enough for a handsome boy like Pablo so you tried to hide it with humor.

Maybe you really don't deserve him, I mean, he's pretty, nice, famous, rich, funny, caring while you were quite the opposite.

You didn't even hear the door open and the boy throwing his bag as he rushed to hug you.

"Oh my God, y/n what's wrong?" he was standing next to you who was sitting which means you had your head against his abs, his arms around your shoulders hugging you tightly "I was gone for a hour and you were fine before I left, what happened?" he asked confused

You tried to speak but all you could get out of your mouth were sobs.

Pablo kissed your head as he softly stroked your back to comfort you, understanding that you couldn't speak.

"It doesn't even matter, come here" he gently picked you up bride style and made you lay on your mellow bed, putting the blanker on top of your body

"Wait a second"

He then disappear from the room, leaving you and your thoughts alone, you felt a little better thanks to him but not enough to stop crying.

He came back 2 mins later with a tray full of snacks and his grey sweater that you loved which he did too and never let you steal it from him.

He put the tray on the nightstand next to the bed and came next to you, giving you a small kiss on your wet cheek before handing you the piece of cloth you always wanted.

"Put it on, linda" you did as he asked, you immediately stopped crying as if you were a kid who would stop if you gave him a lollipop

Pablo noticed it too which made him chuckle before going under the blanket, pulling you against his warm body with his arm around your back so you're laying on top of him now.

You wrapped your arms around his torso while he put on your favorite movie.

He looked down at you, putting his hand on your right cheek, softly caressing it before he gave you a little kiss on your lips.

"Better?" he whispered as if he talked too loudly he would hurt you, you hummed in response and watched the start of the movie

"I love you, thanks for taking care of me" you

mumbled against his chest

"I will always take care of my favorite person" he softly smiled, followed by you, loving the nickname he gave you

"Pablo can I ask you something?" you broke the cute moment as you lifted your head to look at him in the eyes

"What is it hermosa?"

"Would you.. I mean do you really think that I'm pretty? Please be honest." you looked away, embarrassed as he was confused

"You're the prettiest girl on earth, of course you are" he said as if it was obvious

"But my body-"

"Your body is perfect the way it is" he cut you off

"There are girls that are prettier with a better body than mine though" you mumbled

He cupped your cheeks with his hands, forcing you to look at him. He had a serious face.

"Y/n I don't care about other girls, I only care about you and I know that you're the prettiest, nicest, most caring person and I have so many words to describe how perfect you are so stop comparing yourself to other girls. And if people try to convince you otherwise then they're jealous because they can't have what you got." he said in a calm yet serious voice

You felt a tear running down your cheek but this time, it was a happy tear.

He wiped it off with his thumb and connected your lips together in a soft and passionate kiss.

The kiss was delicate and you couldn't help but smile against his lips, happy to have him.

When you pulled out, you rested your head against his shoulder as his hands wrapped against your waist, pulling you even closer then you already were, a smile on his face, glad to have you as his girlfriend.

Funny how his words could impact you so much in a positive way.

[pinksmonkey]

Bylers Are Quite Literate

A Reddit post I made discussing Bylers and media literacy.

Unfortunately my post was removed for being reported too much, even though it wasn't against the rules in any way. I messaged the mods, but I don't know if it'll be put back up, so here's what it said:

I just want to make clear that I mean no hate to Milevens or people who don't ship Byler, I completely respect that people can ship whatever they want and I hope I would receive that same respect in return. There are lots of very smart people who don't ship Byler, and there are lots of smart Milevens. I just want to bring attention to the fact that believing in Byler is not delusional, ridiculous, stupid, or the many other things we're called. Many Bylers are very literate, probably not all of them, but lots.

A lot of Bylers actually have great media literacy, many are film students, writers themselves, or do media analyses often.

This post will specifically be about Mike's monologue to El in S4.

One of my all time favourite analyses (and the best) of the monologue is "'Prove it' I Beg You Read This." by oceanfruit444 on Tumblr.

Unfortunately the post is no longer available because the account which made it was deactivated, but I took screenshots before and will copy and paste the text here:

So, the Duffer Brothers write very complex and, usually, well done characters. They give us a trait or statement and then they prove it. As a writer, you can never just have a character say "I'm lying right now' to the screen, that would be...ridiculous Imao.

"I wrote a post not to long ago about my writing process, or the writing process in general. One of the things I spoke on was the concept of 'proving it'. I want to talk a little more about that and how that applies to one Michael Wheeler.

Of course, we see the scene in season 4 where Will Is giving Mike his painting and using it to help mend Mike and El's relationship. We see it continuously, even though we know he's in love with Mike, Will coaches him through his problems, gives him advice, etc. We see it in season 2 as well just with Joyce mentioning Will giving away his toy to another little girl who looked sad. That was kind of the time they stated this trait Will had, and then continued to prove it for the next two seasons. So when we say Will is selfless, we have evidence to back up that claim.

With proving it, that is your job as a writer. It works with situations, but mostly comes into play with characters. For example: you give your audience a trait, Will is selfless. How does he prove that and how do other characters give us clues of this trait?

Now discussing scenes with 'proving it', season 4 is very interesting because it's not as subtle as we may think it is. In the van, we see Mike recalling the first time he saw El and explaining that moment.

"It was dumb luck, not fate."

Then we go to his confession, "I knew since the moment I saw you that I loved you."

That moment felt cringy, but also, there has been no proof for this. There's actually proof combating his claim. That whole monologue was Mike looking into the camera and saying "I'm lying right now." The writers of this show are aware of that, because they continuously make sure to prove things, because that's how you create deep moments and detailed characters. If you have a character just spew things out without depth behind their words, it's not going to create a furthering and complex relationship. I mean, it's not even in writing, if your partner said, "I love you" and then proceeded to, metaphorically, spit in your face, you wouldn't believe that because you know it's not true.

Throughout season 4, Mike can't say I love you to El, he gaslights her, he calls her superman and that meeting her was an accident. He doesn't prove anything that is said in the monologue, and the writers know that, they want people to pick up on it.

'I'm not scared of you'

Mike proves the opposite of that in rink-o-mania. He was scared of her, and El proves that to us by saying you think I'm a monster too.

'My life started the day I met you.'

That just doesn't make sense because he literally tries to jump off a cliff. Apparently his life didn't need to last more than a day.

The love confession, from a writer's stance, cannot be evidence for a solidified relationship. Mike and El had not been together since their big fight. So, as we know. the feelings Mike was responding to weren't El's, they were Will's.

So then you get into another conversation of, was the love confession for El in the first place? Because in both Will's and Mike's confessions, El is the center of it, the middle piece. The writers could be trying to tell us many different things with that. They both give confessions, so are they attempting to allude to the fact that Mike and Will are both doing the same thing?

People are desperate for answers, it's a worldwide trait, so we ask many questions and we are supposed to when it comes to consuming media or any kind of storytelling. Why does he love her? Wait that doesn't make sense, why didn't he just say it in the first place? Why didn't he say it when El was begging him to? Why does he feel like it's a fight they can't come back from if all he has to say is 'I love you'? If he loved her, it should have been easy right? Why did I just waste hours of my life for a plot point that doesn't make sense? Mike said he loved El already, we've already been through this same exact plot, so why is it happening again?

So, what I'm saying is Mike is disproving his points by previous actions. The monologue feels off because as watchers we are subconsciously or, some of us, consciously aware that we were not given evidence for what the character is saying. And we don't like that.

And then, when we get verbal answers, they don't line up or make any sense.

Why? Why? Why?

So, what bylers have right is that Mike is a fake thing (character), he doesn't just get to vibe in his own head and hang out. He has to prove things to us, if he wants to say I love you? Prove it with details we can back up. You want to tell us you love El on her bad days? You're lying to us now because we saw that point disproven.

These characters have very specific jobs and arcs, they're doing things for a bigger reason, not just...cause. I don't think that's easy for many people to grasp onto. So questions writers ask themselves when there's a scene is, what does this scene mean to each character involved, and how can we make that sub textually known?" "Who is this scene for? and how will it farther their arcs'

So, what does the love monologue mean for El? And how will it farther her arc or finish part of her arc? As we know, she wanted Mike to say I love you, Mike needed to say it for that plot point to finally close. But what is the after math.

Now, what *can* Mike's monologue hold truth to? A lot of what he's saying can be backed up if he's speaking to a different person.

Will.

I loved you since the moment I saw you. We can back that up from evidence, Mike made the choice to walk up to Will on the swing sets and ask to be his friend. Little Mike knew that he wanted Will in his life and that he was something special. So we have a check mark there. It was a choice, loving someone will always, somewhat, be a choice.

I'm not scared of you, I never have been. We can back that up as well. Will was possessed by the Mind Flayer and Mike stayed right by Will's side, walking into that shed with a boy that had sent many people to their death. He stayed next to Will's side, alone, when he knew he could be dangerous or even had no idea what he was capable of.

I love you on your good and bad days. Once again, we see that proven. In season 3 Will yells at Mike, is upset and they fight. What Mike does is very important, he goes after Will because no matter what Will said that might have hurt or how distressed Will seemed to be, he still went after him, because he cared about him. In season 2 when they leave Halloween we see it again, Will was having a bad day and Mike sat right there with him, making him feel better.

I love you. I mean, Mike has proven that over and over again. Now, that could be used for both of them, but the interesting point in season 4 is the big discussion on his issue with saying 'I love you' to El. So, something isn't lining up. Again, from a writers POV, Mike doesn't get to say that to El because you are not allowed to expect your watchers to come up with proven points to that on their own. We have to look at the context of that line and find it IN THE SAME SEASON AND PLOT LINE.

I love you. How does Mike prove that to us in season 4? And if you do not have textual evidence as well as actions to back it up, then you're not supposed to have those things. Your job as a reader or watcher is not to do the work for yourself, the writers will tell you all you need to know, if you can't find it, then they're telling you everything you need to know.

Who does that apply to? Will.

I thought that saying it might make it hurt more. This is disproven by Mike's actions with El, he begins to lose her because he isn't saying I love you. So why would him telling her 'I love you' make her leaving hurt more if she didn't plan on leaving until you didn't day it? Lie lie lie. That is thrown in our faces time and time again. He wasn't losing El until he was unable to tell her or write he loves her.

I don't know, I feel like I lost you or something. Mike says the word 'lost twice in season 4 to two different people, or was it two different people?

Mike isn't afraid of losing El, he's afraid of losing Will, and we have evidence of that because he said those exact words. As I said moments ago, the writers will directly tell you things to allow you to prove spoken points made. If you CANNOT back up a claim, they don't want you to.

If something is mentioned or talked about, it's not on accident or to fill up time, it's because it's important. Mike telling Will he felt like he lost him and giving us evidence as to why he may feel that way and then turning around to say it to El doesn't make sense. It's not supposed to make sense because the writers are trying to get us to use our little brains to piece things together.

For a moment I'll talk about the fanfic I'm working on. We see Jane and Mike kiss for a dare in chapter sixteen (I think) and I discuss the placement of his hands, how they both, and what they do. Then in chapter eighteen I discuss Mike's hands again and their placement with detail when he's holding onto Will. Why do I do that? Because I am trying to tell readers there is a contrast to those actions Mike is making. I'm telling people the person he wants and is picking without giving his POV through tiny actions. So what I'm saying is that I can promise the writers of this show are doing just as tiny things.

So my point here is, characters don't get to just say things, they have to be proven and have logical standing or they should be taken as lies. Writing is a system and characters words and lines are thought out. Nothing humans or characters say is meant to be surface level. Not really.

The way dialogue works, is there has to be underlining meaning or message to each thing a character says. So, if you give two different characters the same exact line, they're going to be performed differently because the intention behind the words will be different. Does that make sense?

I love you. Okay prove it to me or you're lying.

I'm not scared of you. Okay prove it to me or you're lying.

As I said before, a writer's job is to give an audience something and then make the character prove it. If they don't do that, then watchers are able, or should be able, to piece together that something is wrong or a character is not being truthful.

Once again, no character will EVER look at the camera and say 'I'm about to lie' we have to piece that together. You know why? Because these stories are perfectly crafted and very much fake. We're not watching reality TV, we're watching a multi million dollar show.

So, I urge everyone to watch this show and think about this 'prove it' mentality and how well the duffers usually do it. If writers want us to believe their characters, then they must prove the points we are seeing or hearing. We never have to give them the benefit of the doubt because they don't want us to.

Mike, Will, El, every character is a puppet on a string being danced around the stage by the writers."

queerest-friend added, "This also relates to the fact that we got virtually no flashbacks during Mike's confession except for one image of El in the Benny's Burgers shirt. Even the camera couldn't help "prove" anything Mike was saying."

This is just one example of the many in-depth analyses Bylers have made about the show. We take into consideration every detail, the set design, costumes, lighting, blocking, dialogue, facial expressions, body language, and more which the creators of the show have pointed out are important and have meaning. Mike is an undeniably queercoded character, because of all of his actions in the show and the clues surrounding him. He's more queercoded than Will was in a lot of ways, and he's more queercoded than Robin. If we were right about all the evidence for Will being gay, and the same types of evidence are being used for Mike, why would one be true and not the other?

That's all, let me know your thoughts in the comments. :)

[laurenfoxmakesthings]

I'm seeing too many fellow aces not believing there's a problem when they say 'I'm not into rap because it's too sexual'. So I'm going to say, as an ace, yes there is.

The problem wasn't 'people overreacting to your sex repulsion'. The problem was you all honed in on rap having this allonormativity as your reason to not listen, especially when a lot of black culture gets accused of being too sexual. And there's a whole can of baggage of worms there I'm not qualified to get into as someone who's pasty white myself.

1. Rap is NOT all about sex. I prefer jazz more than rap, but even I know there's bops for us out there. Check out the ones about politics for instance or maybe check out some Childish Gambino, hell kid rappers exist, you think they rap about sex?

2. Literally every music genre has allonormativity (except I guess instrumental jazz, so there's a start, but jazz overall has this too...I love you, Ella Fitzgerald, but why all the love=sex songs?) and I'm pretty damn sure the rest of you don't exclude every other music genre in your lives. I don't see anyone saying this stuff about, say, rock from white guys in the '80s? No controversy about that, I guess.

It's one thing to avoid specific songs, it's just plain disengenous to avoid whole genres based on assumptions that don't apply to literally every song.

The thing is the ace community does have a racism problem, even though I know a lot of you don't mean it maliciously. You're not immune to biases, especially when the community becomes smaller white cliques on social media. I've seen more black aces on TWITTER, for crying out loud.

To fix this, you need to acknowledge the problem and not deny it as some 'touch grass' issue. It's really not and it's a bad look. It'll make the problem worse.

And expand your musical horizons, not avoid a genre based on an assumption from osmosis or mainstream radio. Hell, I've stopped listening to mainstream radio long ago since none of it plays jazz. Check out community and college radio stations, way more expansive and international tastes, with every song as a surprise.

I'm not trying to go 'rah rah you'll all bad people'. That's what gets people to not examine their biases, thinking racism only happens out of the mouths of the worst people. The systems we live in try to normalise racism. It's background radiation and you need to use your Geiger counter.

I'm getting this off my chest because I know you all can do better. If you get your denial out of the way and realise maybe there's something more unconscious going on than just consciously tending to your orientation's needs.

Now, I'm going to leave this here and trust you all to read it. I'm not going to respond, especially if anyone turns this into an argument.

[spanishskulduggery]

Sometimes I forget how like Latin the Spanish language can be

It kind of messes me up going from English to Spanish with certain words

As an example el dato is "a piece of data" in English; it's like "a fact", but if you say "data" it's usually los datos because it's actually plural

The one that really trips me up is "media"... in Spanish medio is "a medium" usually in art now to describe someone's type of art (like oil paint vs watercolors or some other "medium" they use to create)... but "the media" [English treats "media" as if it were singular] is actually plural from Latin so it's los medios "the media"

That can be really confusing if you're working from English like "the data suggests" is los datos sugieren plural... or "the media reported" is again plural los medios informaron/reportaron

You come across this -um to -a periodically; also occasionally the -a to -ae plural for feminine - la minucia "small thing" to las minucias "minutiae / small things", or la larva "larva" to las larvas "larvae"... in feminine plural it's actually a bit easier in Spanish in my opinion

....

These next ones are technically from Greek rather than Latin but they also confuse me a lot so I figured I'd put them here just in case

English will say "crisis" una crisis but then "crises" plural; it's las crisis the word remains unchanged in Spanish

I think this applies to all nouns ending in -sis like that... el/los análisis, la/las hipótesis

The one to really know especially in mind is la/las dosis for "dosis" singular and plural

I think this is just a quirk of words from classical (Latin/Greek) origin... sometimes you just have to get used to it and adapt. I'm not sure if this is specifically Spanish or if other Romance Languages do this too but just something to keep in mind!

[daftpatience]

Do you have any tips or advice for running an artists booth at a convention? I'm thinking about doing it eventually and been wanting to hear from people who have done it before :^)

yeah!!! lemme rattle off a few things off the top a my head also, pardon me 4 using amazon dot ca links for products that i mention. its just easy to find references that way (and often u can look up the brand and find their non-amazon store etc etc)

this got super long so im putting it under a cut!!

• join an artist alley group!! i'm in this artist alley discord and it is a fantastic place to get info about cons, table display ideas, manufacturer recommendations, etc. there are more than just this group out there and i think there are bigger ones but i personally really like this one ^u^ i make a ton of use of the display resources and manu recommendation channels!

• if you can afford it, be choosy about the events you apply to. there are a lot of cons out there that are fantastic, and a lot that aren't worth the trouble, and i don't necessarily mean small vs big cons. some of my fav events are smaller artist alleys local to me, and most of the artists i know avoid informa (fanexpo) like the plague. check out what other artists have to say about past events and keep an eye out for red flags: personally i find cons with really out of date/poorly advertised social medias and websites that have mismatched info are a warning sign of a mismanaged and not well attended event. • you don't need a lot of fancy display stuff to start, those sorts of things you can build up over time. im a fan of getting a ton of my display stuff from the dollar store >:)

when you're ready and need the space to display a good amount of art the main thing you wanna pick up is definitely something that gives your table some verticality, whether that's a pvc pipe style setup, pegboards, or modular cube shelving (we all used to use these big heavy grid ones until the plastic sheet covered ones came out and now we all use those. theyre cuter and lighter and fit better on a table and come in more colours yayay. im sure some people still like the grid ones since they fit gridwall accessories tho) there are lots of other ways to display stuff but these r what i am most familiar with. definitely helps to look at youtube and pinterest and discord groups for display ideas!!

another thing you will want to start is a tablecloth. not every con has their tables already covered! there are those plastic picnic ones at dollar stores, and you can thrift bedsheets/fabric too.

• depending on the type of display and art you do you'll need some way to attach signs/prints/charms/etc to your display. i just moved from blu-tack to magnets but i used to use sewing clips (back when i used the grid cubes) and before then masking tape. all of them are okay and cool! except blu-tack. don't make the same mistakes as me it adds like 40 whole minutes to teardown and it leaves gross oil on the prints after some time. evil

• if you don't have business cards you can make a sign with a qr code that links to you/your shop! there are lots of qr code makers online that u can even customize with images and colours and stuff. there will be people that wanna know how to find you again after a con!

• these days a lot of people don't bring cash to conventions and it's pretty vital to bring some sort of card reader or other digital payment method. most of us use square - they recently made it so that the phone app can accept tap! so you don't need to jump for the expensive physical readers. i've also got a paypal dot me qr code and my etransfer email (i think this is a canadian thing) on a lil sign on the table so people have lots of payment options. usually over 50% of my con income comes from non-cash sales!

• make sure to bring change!! we've forgotten in the past and done okay but it's always handy to be able to make change for people. you'll want a secure place to put cash as well, whether it's a locked moneybox that you keep out of sight or a place on your person (friend of mine uses a fanny pack!) you never wanna leave your table completely unattended but especially when it comes to the moneybox. if it's a multi day con this is an item you mustn't leave at your table overnight.

• keep count of your sales and expenses properly so that you can see how much you made at the end of the con. i really like spreadsheets but you can even just note it down in a book. here's a little example of one con for me:

• you'll want to make a checklist of stock and display stuff to bring, but don't forget to make a list of minor stuff like phone chargers and scissors and tape and glue and pens and paper. multiple types of tape and paper if possible. they don't feel super important until you're stuck because you forgot to make a price sign and have to get by with a sharpie and a napkin. don't let that be you!! dollar store sticky note pads are super useful for this type of thing.

• plan out your prices and do as much prep (counting, sign making, display planning, packing/sorting) as you can beforehand so that the event doesn't feel too stressful. make sure your merchandise is stored in an easily accessible way for you behind the table so you aren't scrambling or rummaging too much when people are asking for stuff!

• similarly, whatever you can leave out for people to just pick/grab themselves, the more of it you're likely to sell. things like stickers and charms are good for this - people like to touch stuff! and it makes it so you don't need to go fishing for items for people as frequently. generally i don't do this with more expensive items just to be safe.

• if you sell prints, people are gonna ask for sleeves to keep them safe, especially at outdoor events. sometimes people ask for sleeves/bags even if they dont buy anything. they're a good idea to have on hand and you can find em for pretty cheap online and for a bit more expensive at dollar stores (i use OPP bags. if you dont wanna use plastic you can always get paper bags/envelopes/glassine bags instead)

• a cushion for the chair is a good idea. lots of conventions have really uncomfy chairs. some folks even bring camping chairs instead!

• pack snacks/lunch/water/drinks/have lunch plans. if you have a table buddy that is able to run out for food that's always nice. you might be sitting but it uses a lot of energy to interface all day!! you'll be exhausted and hungry and it's gonna be important to get enough fuel for your brain to function properly. i genuinely would recommend juice/soda/coffee/energy dink alongside water and food if you wanna live, especially if its a multi day con. get good sleep on days between!

• if you're excited to do trades with other artists during the con, the general etiquette is to wait until later in the day/near the end when the crowds are winding down! it's always okay to ask if someone's doing trades, and don't be upset or press them if they aren't interested or have certain stuff they don't want to trade.

• speaking of con etiquette, depending on the type of vert you are (intro/extro) and or how much customer service experience you have, interfacing can be nervewracking. my general rule is that if they stop to look, i say Hello and let them browse. if they seem interested in my table i try and do some small talk. stuff like How are you/How's the event been for ya/compliments on their outfit/cosplay/merch they have on like pins etc are good! kids and old folks love this. as tiring as it is to do some of my favourite parts of cons is talking to nice people that like my art!! all the folks that say nice things about my work are what keep me drawing ;w; i keep my sketchbook with me to jot down/doodle nice and funny encounters just cus it makes me happy to look back on XD

• when it's teardown time try to put stuff away as neatly as you can. you might be tired and just wanna toss all your stuff into whatever it is you brought it in but i promise future you (especially next-con you) will be so thankful that you put all your price signs into one baggie etc etc.

• speaking of bringing and putting away merch - you'll need a way to get it all from your home/car to your table and back. lots of people use dollies and other types of utility cart (i can guarantee there are a bunch of those grandma grocery ones at your local thrift store!!) - i personally use a big luggage bag and a collapsible wagon, but back in the day we used to CARRY bin after bin of stuff from the car and back in multiple trips which i would NOT reccomend lol. not every convention hall is easily accessible or close to parking so not having to lift stuff if you can avoid it is gonna be vital.

[unrestrained-balderdash-art-blog]

Going on a Riddler fanart break

I'm having a break from posting Riddler fanart to Tumblr. The backlog will still be posted on Cara and Instagram (both @ tbalderdash), and if the break is long enough for it to catch up I will post things made during the break on there before Tumblr. I will still be posting bird art here. I will still post fanart for other fandoms here if I make any (I am currently undecided about non-Riddler DC). The break will be for at least a month. I will probably come back when the OCD medication has kicked in for a bit. Thank you for all of the support on the last post. I don't want to take a break, but I have to for my mental health.

"Organised" ramble about reasoning (this is heavily influenced by neurodivergence/mental illness and I am not trying to sound like an entitled/ungrateful twat. I don't want to guilt trip anyone, please don't feel guilty):

The Timezone Curse: Tumblr has a reverse-chronological dashboard. I am British. I live earlier than the majority of the userbase. I have no idea what time to post things so they don't get buried. Recently I've tried to stop waiting for the exact right minute to post things, as it doesn't stop them from flopping.

Likes vs Reblogs, (and OCD?): I will preface this and say: a lot of this is my brain's fault. Since Likes don't do anything to spread things, my brain gets upset when things keep getting Liked without Reblogged. Unless it is from a bird fan on the fanart, better artist, or irl friend, Likes mean nothing to me. I know this is silly and irrational, but I can't help it and this is the main reason why my brain is suffering posting fanart. I hope medication will fix my feelings. Additionally, OCD brain keeps trying to find a reason: Am I dislikable? Is my art bad? Does it have no appeal? Is it aphobia? Did I do something cancellable without knowing and now everyone hates me? I (think I) know the answer is people just don't use this website that way, but my brain is never sure. This is why I don't have the problem on the other websites, every like helps the algorithm and actually means something in my brain

The combination of the Timezone Curse and lack of reblogs means my art often gets barely any reach (or reach my brain deems meaningful). I desperately want to feel like part of the Riddler fandom community. Unfortunately, due to Tumblr making me suffer (overwhelmed by compulsive need to scroll entire dash, repulsed aroace, and simple posts being able to make me ruminate unpleasantly for a long time) I find it very hard to follow new blogs or connect with people on this site. I love birds, but I need Riddler interaction. I can't look at much fandom on other sites, as they have barely any/no tag filtering, which means I will suffer if I look for him.

Why it's just fanart and not birds affected by this: I started off as a fanartist with no expectation to get big with birds, so I had a que sera sera attitude and I post them whenever they're ready, I didn't expect to get big. I am more fulfilled when it comes to the bird interest (more community interaction + every day can have different birds out there + people in my real life are interested in birds). Additionally, the bird art spreads a lot more (due to bird blogs reblogging). Bird art is my "job" art (it is where I plan to make money from) whereas Riddler is where my passion lies the most (I still love the birds but I have many other ways of interacting with them without needing art). This means I get more emotionally invested in the Riddler art than the bird art

Is art becoming a compulsion? This applies to the birds as well, but since they're "job art" it doesn't matter too much. I keep being worried about not posting enough Riddler art, and feelings of social media sometimes overshadow the joy of creating - I keep thinking about posting, rather than doing. I get too anxious to make art that is "unpostable" (eg: self-insert and him hugging), especially due to the fact I'm trying to get more professional. I feel like there's more I want to expand on this but it's been too long and I'm tired. This break might help me do more high-quality art instead of having to churn it out out of fear of everyone forgetting me.

Sorry for all the text. I don't know if I've explained everything very well but it's been an hour and usually if I post something after 8 it fails, which I don't usually want to worry about but it's a bit important for an announcement like this