#but bittersweet all the same

[clericofshadows]

REGIS SHEPARD and KAIDAN ALENKO MASS EFFECT 3 CITADEL EPILOGUE MOD

[onionninjasstuff]

[justaz]

battle of camlann but merlin wasn’t ancient as shit. he blasts the warriors around arthur away and arthur turns to see a glowering, golden-eyed merlin. he tightens his grip on his sword but isn’t able to raise it. the inconceivable notion that merlin has betrayed him runs through his mind but he cant quite grasp it. his father is screaming in his head to kill the wretched sorcerer but all arthur can see is his friend wearing a face that looks too much like morgana’s. merlin glances up at arthur and the expression of rage fizzles into one tinged with fear and concern - all too confusing for him to unpack in the midst of battle. merlin is slow to approach his side and even then he keeps his distance. before either of them can say anything, mordred appears, sword in hand, glaring at arthur.

merlin tries to draw the former knights attention away from arthur, tries to goad him into fighting merlin instead, but mordred is deadset on fighting arthur. he calls morgana over instead and says emrys’s fight is with her while his is with arthur. with the extra seconds of back and forth, arthur isn’t as shocked when he raises his sword against mordred’s. morgana and merlin blast each other great distances until they’re far away from modred vs arthur and land on the front line between the two armies. both armies back off and watch the light show as morgana and emrys battle until morgana’s army uses the distraction to close in on camelot’s army.

three battles occurring at once until morgana gets a lucky hit in and merlin goes flying. he lands next to a gwaine who is currently bleeding out. he smiles when he sees who’s next to him “merlin!” which sounds so much like his greeting every time they ran into each other before gwaine became a knight. he reaches out and heals gwaine’s wound and leon just looks up at him for a moment before going “you’re always full of surprises, aren’t you merlin?” merlin grins and goes “i got one more” he stands up on surprisingly steady legs and calls on kilgharrah. in for a penny, out for a pound. arthur is already fuming at him, might as well rip the bandaid off right?

kilgharrah attacks morgana’s army while merlin orders aithusa to stand down. camelot’s army is able to march through the charred army and bring down those who remain, mordred is loosing but persevering through rage and spite alone, morgana is screaming (like she always is nowadays). merlin and morgana battle once more until mordred and morgana’s armies have fallen. merlin makes a tactical retreat to arthur who is still staring at him wearily (and definitely irate). he requests permission to kill morgana which is baffling but she is his sister and he’s always cared for her even after her betrayal so he supposes it makes sense. once he gives it, their fight doesn’t last longer than a minute. emrys was always stronger than her, he was just buying time.

camelot emerges victorious though they don’t seem all that excited about it. the other warriors cheer and clap each other on the back, but arthur is just watching merlin. the knights watch them uneasily. merlin returns arthur’s gaze. “is that the fucking dragon i killed?” merlin looks up at kilgharrah who is needlessly burning the remains of morgana’s army. merlin turns back to him “yes.”

[letoscrawls]

To honor Akira Toriyama i drew future Trunks aka my first ever crush

[rennelelorren]

I wanted to draw more for my au with kkob where Obt lived after the war, so I delivered (for myself ofc).

Also I think I gonna call this au "bitter sweet return"...

[crowlore]

TriMax Volume 10 Chapter 7 and a request left behind

[misstrashchan]

So. What's the opposite of a sacrifice?

With the final episode looming it's a question we've been turning in our heads, so I wanted to give my best guess/analysis as to what it might be before Jon and Muna come to tear our hearts out in the final episode.

This is the question Hayward asks Paige, and later Carpenter, and it seems to be the underlying thematic statement of the series, in response to Carpenter's exposition in the first episode of the Silt Verses that introduces us to the fundamentals of the world and system they live in:

CARPENTER:

A god must feed.

A god must be fed.

This is a fact agreed upon across every territory in the Peninsula. And so, really, the only difference between the people born to the water and the people born to the land...

...is the precise nature of the sacrifice we need to make.

There is a God for anything in their world as long as there is someone believing in it. But all Gods need human sacrifices. A god must feed. A god must be fed.

These simple rules have been used as fascinating and horrifying metaphors of our modern society, and to explore themes of faith and sacrifice throughout the story.

And so the final question the last season proposes is if we can find a way to make something better, that can exist outside of this ultimately unsustainable exploitative system and the harm it inflicts upon ourselves and the world, when it has come to define so much of the way we live and how we think. And that means figuring out the opposite of a sacrifice, if they want to kill the idea, the lie, that is at the heart of their world.

At first I thought the opposite of a sacrifice, of offering up to the gods, was about killing your gods. Starving them out. Refusing to offer up anything. And that is part of it, I think. I mean it's literally been a repeating mantra of multiple characters this season once they've reached they're breaking points. Violence in revolution as a tool to overthrow oppresive systems is sometimes needed and necessary. But what about after? What kind of future or vision for a better world can there be? There needs to be something at the heart of that movement that isn't just about violence against their opressors, because you then define yourself in relation to them.

This is even illustrated in the Many Below god Paige created having predator and prey emeshed together, a movement defined by their resistance against the predators of the world, the beasts, cannot seperate themselves to meaningfully create a better future that exists outside of that dichotomy. I think Hayward realises that even earlier in S2:

HAYWARD:

There’s a hare in the grass, half-buried and bloodied.

A barn owl has latched onto its back, its talons driving deep into the flesh of the hare.

Both animals are dead.

Familiar black stone veins protrude from the carcass of the victim, twisting like branches, driving upwards into the predator’s skin.

Hare and owl are locked together, inseparably.

The god must have struck just as the prey died.

White crocus is flowering up from the two entwined bodies.

(Unhappily)

And suddenly I begin to feel deeply afraid.

It all makes me think of a dormouse, dead in the dirt, its ribs showing. Of rabbits, teeth chattering, hungering from their cages

I kick dust up over the corpses. Nudge them aside into the long grass so they can’t be seen from the path.

Paige doesn’t need to know about this, I tell myself.

There’s no sense in worrying her. Not yet.

Which then makes sense why he's the one proposing the question of what the opposite of a sacrifice is to Paige (and Carpenter), for this very reason.

I think the answer is pretty simple and yet, like most simple truths in this world, it's forgotten and overlooked or twisted as naïve.

Preservation. The opposite of a sacrifice is preservation. To better explain this let me use an example:

If someone who cared about you tells you you're working too hard at your thankless job, sacrificing your sleep, your time, your personal relationships, your physical and mental wellbeing, far past the point considered sane, they'd tell you to stop. To make sure you take care of yourself. Instead of endlessly feeding yourself into a machine to justify your existence.

Applied to the world of the Silt Verses, it's not just self preservation and caring for yourself. It's about caring for, protecting, and preserving the lives of those around you, that is the ultimate act of rebellion and political warfare, the first steps forward towards a better world. Caring for humanity.

Whenever our characters reach a breaking point of turning against their gods, there's a common thread of wanting to save their fellow man, and realising the inadequacy of a god's ability to do that. Whether that's somebody close to them (like Faulkner and Paige):

Or humanity as a whole (VAL and Shrue):

SHRUE:

Use them, pass them on, do not forget the suffering that keeps the engines of this world turning, forget the name of your god and cherish the name of your neighbour that was swallowed up by it-

Cherish your neighbour. Be kinder to one another.

This can even go back to Carpenter's rejection of the Trawler-Man back in S1, her fury at the fact those she loved had been eaten (her family) and would continue to be eaten (Faulkner).

CARPENTER:

(Yelling to the river)

It's over between us, you twin mouthed prick!

Do you hear me?

Does that stir you from your torpor? Pry the barnacles loose from your sodden ears?

My father and mother were Gregory and Sandra Glass. My grandmother was Adalina Glass. My brother was Em.

They died for you.

Every single one of them died for you and they thought it meant something.

My name is Carpenter. And I am still alive!

I have loved you for so long. I have tried to know you for so, so much longer.

And I'm done with you. Here and now. I'm not laying down my life for you.

I'm not dying, do you hear?

The same breaking point for Faulkner at turning against his parish and finally snapping is the idea of Carpenter being offered as a sacrifice, an offering returned, begging for her to live.

I must clarify this is my own interpretation of the question and themes the story proposes. I'm

I'm not sure we'll actually get a hard answer so much as different characters offering their own answers and us as the audience encouraged to think for ourselves what it might be. I think this is what Hayward's answer might be at least, anyway, because like me he's a corny motherfucker:

If a sacrifice is the idea that the most meaningful and transformative thing you can do is to give up your life, your sense of self, to die, then the opposite of that would be to try to keep on living, and finding meaning and transformation in that, surely?

[the-sunshine-dims]

do you think there's a certain bittersweet satisfaction for Icarixis to see Ajax and Ashril with wings? To know that, for the moment, theirs are gone, until the next quixis is called, and they get to return to their sky, but at least in another universe they still get to fly?

[dykedvonte]

I like to think in the P.E au that Anya and Curly specifically get haunted hard by Jimmy's weird reality crossing guilt manifested.

It's targeting them because Jimmy's guilt grows more around them. The idea of him acting and playing nice despite what he did. It's like a buffet that allows it to pick from their plates.

Anya sees this stagnant version of her, blood from her mouth, clutching her stomach with a bottle of pills in her other hand. She's talking about not being heard, a pixel, relief from a burden. She tries to ask a question and it's never the right one. She's not understanding but in a way, she's getting that this version of her is in pain. She tries to help, extends a hand and asks how she can help, stop it. She stares and there's utter despair and disappointment in her eyes.

What did you do?

Curly sees this burnt mangled thing. But he can't call it that. Even with no skin and chipping teeth, covered in sullied bandages and smelling of death overdue, he can see his face. He can recognized that eye, he stares at it a lot in the mirror, usually a second one is attached but he digresses. They are just watching, staring and unmoving. He asks himself what happened, how can he help and his own retched mangled voice comes out from a empty maw.

I told you.

They have no idea what it really means. They don't know who to tell. Flashes of a life they don't know or maybe a future they haven't lived yet. Perhaps they treat it as their own minds trying to tell them something. They bare that burden themselves and that alone makes it heavier. Plumper. More appetizing to the guilt causing it.

Tragically that guilt is not their own.

[nnnn99999]

The ending of peaceful property, much like the entirety of the show, was bittersweet. I really tried to hold in my tears, but ended up crying anyway.

The ridiculous part is that it wasn't the sad backstory or Home's goodbye with his grandpa that made me cry. No, it was Home's silly little song and dance wearing that bright orange outfit that broke me. To me, it was the most impactful scene in the whole series. For me, this was the climax of the story. Because to me, this scene represents everything I feel this show was about. It was the perfect culmination of contradictory emotions.

Yes, this show has its flaws. Yes, it is nowhere near perfect. But I loved it anyway. There was so much love and effort poured into this series and it shows. Everyone involved in this project tried their best to present something meaningful and wholesome, and I appreciate that genuine love and passion.

Finding comfort in your own home with the people you truly love amidst the cruelties and unfairness of life-to me, this is what this whole show was about. To be able to laugh amidst the difficulties of life, to feel deep sorrow even in the happiest of times, to survive the harshest struggles without a moment of weakness yet fall apart because of a simple sentence, to love the person you hate and hate the person you love, and so much more that makes us human-this is what this show gave us.

It started as a silly little ghost show, and ended up becoming an exploration of family and home. While watching this show, I laughed, I cried, I became angry, I felt frustrated, I felt helpless, I became excited, I felt disheartened and so much more. To me, a show that managed to make me feel so much is a good show. I had a wonderful time watching it.

Was the ending of this show happy or sad? You could say it was neither, or you could say it was both. And that is why I think it was the best ending for this show. I am glad that my ragtag family of weirdos can stay together and start a new journey together. Suradech is alive and well, and so are the other four, and that's all I wanted from the ending. Because as long as you live, the possibilities are endless.

Peaceful property will always have a place in my heart.

Side note 1: I really appreciate the fact that Suradech remained the mvp till the very end. He really saved the day. Suradech is the ultimate best boy. Making a shades wearing bodyguard without any dialogue so endearing to the point I was willing to get into a fight for him is the real achievement of this show in my opinion.

Side note 2: I have a lot of things to say about family and familial love in this series. This is something that has been brewing in my mind since the first episode so my thoughts re all jumbled. But I will write an essay once I manage to organize my thoughts.

Side note 3: I was not scared by the horror part of this show. I don't know if it was because I am genuinely that unbothered by horror or because I was too busy appreciating the ghost makeup. Whatever the reason may be, the primary emotion I associated with the ghosts was sadness, not fear. The team truly did a great job with the ghosts.

[knockknockitsnickels]

Day 16, final day before the Pristine Cut, my attempt at Ms. Chain Princess (possibly Prison3r but I've seen ppl speculate she's sp3ctre) from the trailer. See you all post pristine-cut 🫡

[3416]

@nhleurope: Tiny mic…BIG questions! | 12.26.23

[literaila]

On a scale of one to ten how emotional was readers reaction seeing megumi alive again

8.7 but she never really believed that he was gone. call her crazy but her son isn’t going to blindly submit to some manic gym bro from the heian era

megumi takes back his body and she’s basically jumping up and down with yuji and applauding. a standing ovation for her son, obviously.

and then later she goes home and cries herself to sleep because a. she’s really proud of him and b. the world is a terrible terrible place

[allonepiece]

there's something about finally seeing roger and his crew in the past that really wounds me

[coredrill]

“there’s a lot left unexplained in bravern” this may be true however have you considered. that much of it can be explained by the fact that lewis smith is just a fucking weirdo

[valnyte]

So I replayed and finished his route a final time 🥹