#but because i simply cannot remember any of my own writing ever

[aster-aspera]

✅ for the fic ask game :3

Thank you!!! Ask game

✅ list one or two favorite lines you’ve written and explain why they’re your favorite

It is intoxicating, almost, the feeling of the soft bones in his neck, how easily they would snap and splinter under his touch. He has a gift for it, for taking gentle things and breaking them, just to see how they would bend and buckle, a morbid and gruesome sort of curiosity.

From wishbone

This scene was a little controversial lmao, but I'm personally really proud of it and decided to include the scene specifically because of these lines. I feel like it just really captures the way I see and write Odysseus and his relationship with Diomedes.

[parfaitblogs]

bad idea right? ❀ s. reid x reader

in which hooking up with your ex is probably not a good idea... right?

pairing: spencer reid x fem!reader genre: angst/smut (18+ mdni) tags: porn with plot. reader's mentioned wearing a dress. fingering. kind of fade to black p in v. i think im incapable of writing no d/s dynamics so soft dom!spencer my beloved. i don't mention protection but he wrapped it just trust me guys. really awful decisions are made.  word count: 3.9k a/n: i know i KNOW i said im writing fluffy smut but i simply cannot help myself... anyways this has been in the works for far too long (months...) but i have a lot of ideas for this dynamic/pairing so if we want more pls tell me 💗💘💕💕💗 i will do it!!! maybe im already doing it!!!!!💗💘💗💘💓don't fuck ur exes and thank u again for 1k ily

"Hey."

There was a beat. Then another. By the third beat your heart had started stuttering in your chest and your adrenaline-induced activities had caught up to your brain. You were slowly sinking into yourself under his gaze, that probably wasn't scrutinising, but definitely felt that way. Regret pooling in your stomach because yes, this was an absolutely awful idea, and he had clocked it within the twenty minutes it took for you to get here after his last text. 

His last text that did technically say you shouldn't come over, but if you did he wouldn't leave you stranded out in the hall. Such a gentleman, you had thought.

"I said you shouldn't come," he chastised, and your legs wobbled beneath the weight of your regret. 

"You also said I could—"

"—As a courtesy," his voice was firmer than you remembered him ever being, and your heart stuttered uncomfortably in your chest at the sound of it. 

"Well don't add courtesy messages if you don't want me to take them seriously," you retorted, and your arms crossed over your chest. 

He was silent for a few moments, gears turning behind his eyes, deciding if he should send you home or let you in. Then, he was stepping back, and gesturing for you to come inside — and you were.

Admittedly, six months was a long time. Being here at all is risky, and there was that fear of there being a girl sitting curled up on his couch, watching an episode of something Spencer had bribed her to watch. And maybe if you were any more sane, you would not be carefully analysing every inch of his apartment. Searching for — and expecting there to be — someone residing in spaces you had once found comfort in. 

But; no one. Then you decided that thought was stupid, because Spencer Reid was not (stupid), and he wouldn't have asked you to come to his apartment if there was a girl there. 

"Why are you dressed up?" he asked you, eyeing the dress you had on, even as he brushed past you to head into his kitchen. 

"Had a party," you replied, clasping your hands behind your back, watching him walk around his apartment with so much ease. Maybe this was only awkward for you.

"Is that why you messaged me?"

"No. No. I didn't drink," you quickly said, shaking your head, immediately clocking where his own thoughts had wandered off to. 

He nodded his head, leaning against his kitchen counter, rubbing his palms together as he studied the marble countertop, seemingly needing to find his words. "Then why did you?"

Your lips parted, silence settling between you two for a few moments longer, unsure if your internal turmoil from the night you had been having should be something for his ears or not. 

You decided it was. "Everyone's in relationships. And all their partner's were there with them at the party."

"And you were alone."

"Yeah."

He slowly nodded his head, his gaze settling on you again. "You were lonely."

Your shoulders shrugged, your own eyes dropping to the floor as embarrassment crept up your spine uncomfortably. "I missed you."

"Don't."

"What? Miss you?" 

"Yes," he said, voice strained enough for your stomach to flip. "That isn't fair."

"I know."

"You're the one who ended things."

"I know."

He was silent then, his hands dragging down his face, pausing to dig the pads of his index fingers into his eye sockets. He sighed, his arms dropping by his side heavily, eyes returning to you. Again. 

"You can't do this," he grew firmer, the sudden tone of voice causing an uncomfortable dull ache to form in your chest. 

"Do what?" you asked, quietly. 

"Come see me every time you feel lonely."

"I don't come see you every time I feel lonely."

He bore holes into your face, eyes meticulously committing features to memory, before he straightened his shoulders, exhaling through his nose. "Don't make this a habit."

"It won't," you said, quickly, a promise you both knew you couldn't make truthfully.

Hesitantly, he nodded his head towards his couch, and despite the blaring alarm in your brain telling you to just go home and forget about it, your feet carried you over to it. Sinking into the plush of black leather you had sat so many times before, the fabric cold against your legs.

His face softened involuntarily, staring at you, heart achingly vulnerable and small, tucked into the corner of his couch. It almost made it easy to forget the past six months and everything leading up to the breakup. Almost. 

He stayed standing, as a power move or because he was simply awkward, you didn't know anymore. The man you were currently sharing air with did not seem the same as he had half a year prior. That hurt. 

Sitting up straighter, you clasped your hands in your lap, fixating your gaze on the coffee table in front of you. "I'm sorry."

He didn't respond for a moment, seemingly caught off guard by your sudden apology. Then, feet shuffling that indicated he was walking away from the couch, and your heart sank to your stomach. 

"For what?" he asked, his voice gruffer than he had intended. 

Your breath hitched. "Breaking up with you, I guess."

Too many memories filled your mind from what had happened, and you felt the guilt you had suppressed for months crawl its way back up your spine. 

"And you think sorry can make it all okay?" his voice had a hint of bitterness in it, and you couldn't even blame him for it. 

"No. Obviously not," you said, shifting on the couch to turn your head to look at him, fixating on him as he attempted to busy himself with rearranging the books on his desk. "Can you come here, please?"

His movements paused, and he lifted his gaze to you. There was a silent battle between your eyes, before you inevitably won, and he nodded, letting go of the hardback book he was moving and instead walking over to you on the couch. 

"I feel awful. For the way I left," you told him when he found residence on the other end of the couch, the distance technically small, but to you, seemingly massive. 

"You didn't seem upset when you left."

"I was. Please believe me."

He was no longer looking at you, but you were at him, and there was a disapproving expression on his face that told you he simply didn't, despite the quiet, "Okay," that fell from his lips. 

Unsure of what else to say, you let the silence encase you, instead flickering your eyes around the apartment, attempting to pick out minuscule changes he had made since you'd moved out. Nothing insane jumped out to you, other than the lack of your presence. There no longer being a collection of your own books on his bookshelf, brightly coloured trinkets not cluttering the kitchen countertop anymore. Which was fine. Even the items you had left here unknowingly, you hadn't expected to still be residing in his apartment. 

When your gaze settled back on him, you found him staring at you already. Your lips pulled into a small frown, while his parted, breath catching as if about to say something, then stopping. 

"You look pretty," he settled on telling you. And if you were any more stable, maybe your heart wouldn't have flipped in your chest. 

"Thank you," you mumbled, feeling your cheeks burn slightly. 

Despite the fluster such a simple compliment brought you, you couldn't look away. And it seemed neither could he. Staring at each other for ticking minutes, until you were finally breaking the brick wall of tension and standing up. 

"I shouldn't have come," you told him. "You were right."

"I should agree with you," he replied, watching your every movement. Even as you halted your beeline towards his door, confusion creeping up your spine. He had noticed it. 

You turned back to him. "But you don't."

"No. I don't," he agreed. "We ended abruptly."

"I left."

"Yeah."

It had been a huge misunderstanding, in the grand scheme of it all. A misunderstanding you had logically worked out after a week of dwelling on it all, but then had far too much pride to reach out to him again. Instead, allowing the remnants of your relationship to rot away in the back of your mind, never to be touched again. 

Until you were violently reminded just how much you had thrown away that night in a room full of happy people. 

Letting your shoulders soften, you trudged back over to him, standing rather awkwardly in front of him on the couch. Not that it felt awkward. You decided awkwardness was impossible when Spencer Reid stared at you like you were the sun materialised in his living room — the same way he had when you were still with him. And after six months of not seeing him, and an entire awkward conversation later, you finally wondered if anything had actually changed at all.

How you felt about him certainly hadn't. Eyes fixated on him like he was going to disappear if you even twitched, and you had the fleeting thought of kissing him. Which then turned into a recurring thought, until you were actively fighting the thought because this was not your boyfriend and kissing him was quite possibly the worst thing you could ever do. 

But God, did you want to. 

"I resented you for a long time."

You ignored the guilt eating away at your heart, and the hurt that settled in your stomach. You deserved his resent. 

"You don't anymore?" you asked, voice choked up from the thick ball of a sob caught in your throat. 

"No," he shook his head. "I don't know what I feel anymore."

You nodded your own head wordlessly. "That's fair."

He exhaled sharply, and his fingers pressed into the inner corners of his eyes. "You shouldn't be here."

"So you've said."

"No, I mean—" he cut himself off, lifting his gaze back to you. "I have things I want to do, that I will regret."

"With me?" You already knew the answer. 

"Yes," he confirmed anyways. "And we shouldn't."

"We definitely shouldn't," you agreed. 

He stood, dropping his hands by his sides, and you feared for a moment he was going to kick you out, just for the sake of his own sanity. Maybe it would be better for the both of you if he did that. 

He didn't. 

Instead, you learned quite quickly that he was battling the same internal conflict you were. And maybe he was attempting to ignore it; same as you. Maybe he had lost that war and that was why he was acting on those terrifying impulses. 

"I want to kiss you."

You were mostly shocked the words hadn't come from you. But by the time you had registered that fact, you had also registered you were nodding in agreement, followed by your consent, and he then was kissing you. 

And it was like no time had passed at all. 

His lips on your own were as desperate as you remember — even in the quieter mornings he would kiss you like you'd disintegrate beneath him, never to be seen again. And, with matching his desperation, you found his knees buckling as they hit the edge of the couch, and he was coaxing you down onto it with gentle hands on your hips. 

Abiding his physical request, your knees dug into the cushions, on either side of his body, and he was stuttering through breaths, lips detaching from your own. Your protests about it died on your tongue quickly as he kissed down your jaw and over the skin of your neck — delicately, for he had always been keenly aware of how sensitive the vessels and nerves in your neck were. 

"You definitely haven't drank tonight?" he mumbled against your skin once his lips had reached the top edge of your dress.

"No," you confirmed with a shake of your head, and he let out what seemed like a sigh of relief — you didn't know if feeding into that idea was good for you mentally or not. 

His fingers trailed up the length of your spine, your back arching on impulse as goosebumps arose on your skin. Tender hands found the thin straps of your dress, and his head lifted to look at you again. "Is this okay?"

"Yeah," you breathed out, content flooding over you as he did as he had intended, and you were slipping your arms out of the straps of your dress.

"This is such a bad idea," he mumbled, and all you could do was hum in agreement, for he was still pressing kisses along your skin down past your collarbone. 

Maybe it was the lingering thought that you shouldn't be doing this that egged you on. The knowledge that your friends would probably consider a violent end for you (and him) once they found out. That this was bad, and you were going to regret it the second it was over. 

His hands dropped back to your hips, and you searched for his lips again with your own, kissing him once more. Your dress bunched at your waist with help from Spencer, and hands that grappled at your ass tugged you impossibly closer. 

"Are you actually going to hookup with me on your couch?" you murmured against his lips. 

"Where would you prefer us to be?" he asked you, tilting his head back so he could see you once more. 

"Your bed."

If he disagreed with your suggestion, he hid it behind a nod, tapping your thighs so you could climb off of him. Which, you did, leading him towards his own bedroom, similarly to all the ways you had done it before. He tried not to dwell on that. 

"Have you been with anyone since we broke up?" 

Your voice was filled with an insecurity you wished to burn as you climbed onto the bed. The sheets so familiar you felt like crying. 

"Do you really want the answer to that question?" he asked, positioning himself over you, fingers placed at your waist.

"No," you decided, a response he knew you'd reply with. "But I guess that is an answer within itself."

"I guess," he agreed, head ducking back down to kiss over your shoulders and collarbones. 

"Were they good?"

"I'm not answering that."

"So they were."

He said your name, chidingly, nipping at your skin. "If you want to do this, I need your focus to be here. Not the other people I've had sex with."

"Okay. Sorry."

He only hummed as a response, the hand on your waist dropping past your hips, gently parting your legs and running his fingers up the skin of your inner thigh. 

Everything he did felt hauntingly familiar, and easy. As if the past six months had been nothing more than a bad dream, and the man who was above you, pulling your underwear down your legs and hiking your dress up to your waist, had done this twice in the past week already. 

You'd resonate in that fantasy for as long as you could. 

You squirmed as he brushed a finger through your folds, and he smiled, his mind no doubt reminding him of all the times you had done that before.

"Take your time," you muttered, bitterly, as he repeated the gentle ministration a few more times. 

"I will," he bit back, though the amusement in his eyes as he met your gaze again told you he was similarly as impatient. "I'm just figuring out what makes you feel good."

"You've forgotten?"

"No," he shook his head, the word flying off his tongue as he circled your clit with his finger, with a frustrating expertise. "I'm reminding myself."

"I like being kissed."

He laughed, quietly. Your heart warmed in your chest, while his lips brushed delicately against yours once more. "Thank you for the reminder."

"Of course," you said, and he was then swallowing a moan as he kissed you, pushing a finger into you at the same time. 

His eyebrows knitted together, something you only make out because his lips have tugged into a frown and you were pulling back to peer at him — only to be coaxed back into a kiss by his searching lips. You decided not to ask why he's confused. Or concerned. Or whatever the expression he was making was for. 

"Spencer," you breathed out when he had kept his finger still for too long (in your opinion), and he's quick to mumble an apology and start thrusting his finger. 

Whether he was more conscious of the sounds you were making, or simply just wanted to kiss you, you didn't know. But his lips stayed connected to yours as he fingered you in practiced motions, that you were focussing so closely on. Perhaps too closely, for he was nipping your lower lip when you had stopped actively kissing him back. 

"Is your distraction an indicator of something good? Or do I need to work harder?" he asked you, lifting his head to watch you squirm as he added another finger. 

"No, it's something good. It feels good," you reassured him.

The heel of his palm grazed over your clit, and you whined. So, he did it again. You moaned louder. He curled his fingers inside of you, and you moaned at how overwhelming it all was. He might have slept with more people in between, but you certainly hadn't, and it was becoming all too much, all too quick. 

You were acutely aware of the movement of his own hips on the bed beside you, your lips tugging up in amusement at the desperation he was displaying. Comforted by the fact that you were not alone. 

A particular brush of his fingers upon that spot inside of you cut off your thoughts, and you gasped, jerking your head away. At that, he did it again. And again.

"Spencer—Spencer," you whimpered, brokenly, grappling for any semblance of control over yourself. 

"Mm?"

"I'm gonna come," you told him. An honest mistake, because he was now pulling his fingers out of you, despite your quick protests. "No—what the fuck?"

"Shh," he said through a smile, kissing you to quieten your loud objections. "I want to come with you. Is that okay, honey?"

Oh.

Overwhelmed with a sudden shyness, you nodded your head, cheeks warming, and any opposing words dying on your tongue. "Yes. It is."

In an all too quick motion, he went from fully clothed above you, to fully naked and beside you, you having discarded of your own dress at the same time. Absentmindedly, because you were a little too focused on  what it was you were actually doing, brain running rampant about how awful of an idea it was. 

But then he was shifting your legs open, hand running up and down the skin of your thighs as he positioned himself at your entrance, and you were forgetting all about it. 

In a slow, languorous thrust, he pushed himself inside of you, a low hiss leaving his lips as he stilled, your own eyes fluttering shut, hands balling into fists. 

"This, I forgot," he breathed out, and you felt his hair tickle your shoulder as he rested his head against it. 

"You have an eidetic memory."

"Not for touch. Not like this," he explained, voice strained. "Sorry, sweet girl. Give me a minute."

The pet name had your heart fluttering, and you felt tears sting your vision as the violent reminder that this will never happen again flashed in your mind. You willed that thought away, trying to focus on the feeling of him inside of you, and how good it was in the moment. 

"It's been like twenty," you grumbled, pushing your hips back against his, and a choked laugh left his lips. 

"Seconds, maybe," he answered, a hand dropping to your hips. To still them or ground himself, you didn't know. "Exercise patience, please."

"Forgive me, but you did just stop me from coming."

He bit your shoulder. "Exercise manners too, while you're at it."

At that, you inhaled, before saying in an awfully sweet voice, "Can you please fuck me, Spencer?"

"Was that so hard?"

"Fuck off."

"After I make you come, I will," he answered, tone of voice unbearably innocent. 

A stark contrast to the drag of his hips out of you, and the sharp thrust back in (just to punctuate his point, of course). At its unexpectedness, you gasped, voice cracking and heart somersaulting. 

Every thrust into you was a constant reminder of what you had given up. What you had lost. A string of moans from you so achingly familiar to his ears, and heavy breaths from him making you want to never let this end. 

He was everything, and perhaps your hands were an inch too small to hold all of him. 

As quickly as it had all began, it was over, and you were left in the centre of his mattress, staring up at a ceiling you had intricately dissected with your eyes many times before. 

He had disappeared to his bathroom, assumedly to get clothes for himself, and hopefully something for you and your walk of shame you were no doubt doing in less than thirty minutes time. 

There was a growing sick feeling in your stomach you could at least identify to be anxiety, paired with the gross feeling of regret for your actions. You were never meant to see him again, despite what your heart had wanted. You forced yourself to be an adult about this, to cut him off. Your friends had pathetically changed his contact name to don't answer on a night out for their own personalised reminder of what talking to him would ensue. Why didn't you fucking listen?

He returned from the bathroom, a pile of clothes you had forgotten you'd ever even left here in his hands. You wiped the sides of your face with the backs of your hands, fluttering your eyelids to cut off anymore tears, sitting up.

"You should probably go," he said. If there was anything left of your heart to shatter, he just did.

"You're kicking me out so soon?" you asked him, failing at keeping your tone of voice light. When he hesitated in a response, you discovered why you no longer let your heart speak for you. You cracked a small smile, shook your head, and muttered, "Kidding." 

He didn't need to know you were subconsciously begging him to let you stay.

You stood, albeit on shaking legs, and took the clothes he was offering you. Pulling them on under such a watchful gaze was almost embarrassing, even as he busied himself with stripping the sheets from his bed to avert his attention. He was still keeping note of your presence in his space. 

"I—um, bye, Spencer," you stammered, throat closing up with every passing minute. 

He looked back at you. "I'll see you out."

"No," you were quick to deny him. "It's okay, I know where the door is. I'll see you around. Maybe. Probably not." Stop talking.

"Yeah. Maybe," he agreed with no real sincerity. "Goodbye."

"Bye," you said, again, hesitating to leave behind the remnants of an even more destroyed relationship. 

Though, you had to.

And as you left, you discovered that yes. Everything between you two had changed.

your reblogs and replies are always appreciated ♡

[sylus-doll]

Synopsis: Sylus has always lived a lonely life, unfamiliar with pleasant company. Being with you again is something he must get used to. He's learning how to, and so are you.

Warnings: Lowkey doesn't make sense because the author is exhausted but wanted to churn something out for you guys. Also mentions of blood. Might be a little angsty.

Author's note: I've gotten busy recently, so I won't be able to write as often. Sorry! I come bearing lowkey dependant Sylus. Comments and reblogs are appreciated! <3

Throughout his life, Sylus has spent all his time alone. No one would count enemies as company, even if they do trail him and keep an eye on his every move. They were the ones who wanted to see him fall off his throne; cause and spectate his suffering. A walking target. Sure, he had Mephisto and the twins he took under his wing... But could a mechanical bird count as a friend? Or a pair of twins who work directly under him, following his commands? No, that is obedience.

Sylus did not have anyone to call his own. No one to trade secrets with or share his warmth. And in turn it has made him cold, self-reliant, for he cannot trust in another person. He had never learned how. But he takes comfort in the teachings he does know— the ones of his only love. Melodies dance in the air, a comforting tune. He attempts to hum along, taking pride in the fact that he is able to unlike the past. A respite he is allowed to have in this harsh world.

When the both of you are reunited— albeit, unknowingly on your part— Sylus is at a loss. He had thought that you, too, would remember the past just as he did. Yet you stare into his eyes with the guarded malice of a stranger. It is a gaze he should be used to by now. And he is... Just not from you. Where has his beloved's familiar softness gone? Only your fierce claws and teeth remain. Sylus does not know how to fix this. He was never taught to build relationships or tenderly lower defenses with the patience of a saint.

Your relationship is rocky at first; like oil and water. Both of your lives are completely different from the other. With the Hunter Association actively hunting down Sylus, whatever you have with him is illegal. Forbidden. Although... Surely they would not mind if you stuck around? Gathering intel for them could be useful in the future. This is fine, you are simply using him, you are not delusional. Humans have always desired for what they cannot have.

“You're sticking around for intel on Onychinus? Well then, be my guest. Don't be shy when using me.” Sylus's sardonic smile is etched into your mind.

He tells no one that being of use to you is the only way he knows how to keep you close to him.

Be disgusted, you will yourself. Be repulsed, resent him for all he has done and will do. You will only come to regret being so entangled with his life. This is insane and you are supposed to be a good, law-abiding citizen of Linkon. A hunter. Yet you cannot help feeling like prey— engulfed by a predator who kills and comes back to you with blood soaked hands. Most times, even his own. How will you ever learn to hate someone who learned to be vulnerable with you?

Over time, you start to notice that Sylus is quite... lonely. You are the only one who checks up on him, through text or call. The only one who visits, who teases and jokes, who surprises. You, you, you. Comfortable and happy with someone so dangerous. So of course he eventually craves your presence in your absence. Sylus will make up whatever excuse, put himself in any situation, just to be able to spend some time with you. When it ends, he is distraught.

“You're abandoning me when I'm no longer useful to you? Your skill in being heartless is assuring.” His tone is teasing, as always. But his eyes hold a far-off melancholy.

It feels as though your heart has been punctured with shattered pieces of a fragile thing.

“Abandon? You're sorely mistaken. Useful or not, you're stuck with me, you have no other choice.” You reach out, grabbing his hand.

Something new for Sylus to learn; that you will not throw him away when he does not serve any purpose to you. You are his companion— his beloved who cares for and loves him. Not because you owe him or as an obligation. Simply because you do. And you are both still learning. It will be okay. Having each other means neither of you will ever have to face the cruelties of this world alone.

[carmenized-onions]

Do the Thing! | Toilet Repair

logline; Today's itinerary: Fix the toilet, catch up with Syd, try not to cry when everyone asks you where you've been.

series history; Previous Chapter

portion; 7.1k+ (this shit got away from me man, idk what to say)

possible allergies; Negative self-talk (It's the Bear, babe, everyone's sad). I did no research on plumbing and am truly making it the fuck up-- I know for a fact I'm not using any word correctly and I simply will not be fixing it. Reader eats meat!! Specifically pork!! Your 'name' is 100% just Tony now.

pairing; Carmen 'Carmy' Berzatto & Fem Reader (No pronouns, but 'handywoman' and 'Miss' are said. Plus a chest reference).

you ever start writing and you just cannot seem to find an end so you keep going forever? yeah.

“I think my name is just Tony now.”

You sip your overpriced orange juice. You really have to fucking savour it, now a days. That’s like 25 cents a sip, and Syd’s treating you to this breakfast outing, so it’s not even your own wallet on the line here.

“You lose all sense of identity, in a restaurant.” Syd straightens her back, mocking her very own mechanical movements of whenever she steps in a kitchen. “I am Chef.”

This diner isn’t more than two blocks down from The Bear. It was probably your second favourite spot in this neighbourhood. Probably still is. Sitting in the back corner booth (your favourite) with Syd is nice but distracting. She’s been updating you on everything since the catering scene and her botched credit, and you’re absorbing all of it, you swear, it’s just hard to not remember why this was your favourite booth.

Not because it’s seats are the least worn in, not because it’s got the right amount of sun through the window without blinding you, but because of the company you kept here. You’re trying to not notice your own name carved into the table. Especially since it’s not your handiwork.

You laugh at Syd’s joke on time, thank God. No awkward pause. “Yeah, you fuckin’ are. Head, right?”

She nods. “It’s cool. It’s like, vomit-worthy stressful but also…”

“You wish you were dead when you’re there, but you’d rather be dead than do anything else?”

“Yessir.” She nods again, digging further into her pancakes. “I really fucking owe you, by the way.”

“You’re paying me off through breakfast.” You wave her off. “Plus, I was available and it was like maaayybe 5 minutes of manual labour, it’s nothing.”

“Y’know what?” She hums, “I think actually, you owe me.”

“Yeah?” You grin.” Please, let me clear my debts, Syd?”

She smiles, pointing her fork at you. “You owe me the fuckin’ Beef background I’ve apparently not unlocked. Everyone was talking about you after.”

“Good things?”

“Vague things. Shit made me even more curious.”

You laugh. No shit they’d be vague. What can they say? “When my dad was running the repairmen gig, Cicero or Fak would call him in—”

“Oh fuck.” She snaps her fingers, seemingly in realization. “Your dad’s the connection!”

“The connection?”

“Fak said he had a connection for our fire safety test shit, and then said he didn’t—”

“Ah.” You nod knowingly. “Dad cut the cord on his business phone when it transferred to me, didn’t really keep people updated. Whoops.”

She nods, taking another bite of her pancakes, speaking mid-chew. “You could’ve saved our asses way faster, and I’ll-I'll never forgive you, but continue.”

Snickering, you continue, “Well, they’d call my dad in, and then my dad would call me in as his like, like his fuckin’ Sous of Repairs. And shit broke all the time at the Beef, as I’m sure you’re well aware, so I hung out around Mikey and everyone a lot.”

“Ah. N’ then…”

“He fuckin’ died.” You laugh, because there’s no way to say it smooth, so you might as well say it bad. You stretch out your arms and lean back in the booth. “I kinda took a step back, after that, so we didn’t manage to crossover ‘til now. S’ironic that you’re the one that brought me back instead of an oldie, honestly.”

She desperately wants to ask more about Mike, but she can tell now is not the time, so she just lets it lie and moves on. “You stopped being an EMT to take up the handyman shit, then?”

“Yessir.” You nod, finishing your straggling home fries. “Just kinda made sense to trade off, and I didn’t want to see the family bizz die. Do I have to occasionally pick up shifts bartending to make rent during slow months? Yes. But I also don’t watch people die anymore, so that’s a win.”

“In a way, you’re watching people die still, just slowly.”

You bite down hard to stifle any semblance of a smile or laughter, deadpanning, just to see her squirm in awkwardness for a moment. It works with flying colours, of course it does. It’s Syd. She’s still Syd. You speak at the same time.

“Cause of the alcohol?” “Cause—Cause of the alcohol.”

You both break into laughter, she throws her napkin at you. “Can’t stand you, oh my god. Let’s go clock in.”

She pays your bill before you can try to sneak your card in, which feels all too familiar, and you’re off.

Off to fix an exploded toilet.

“How the fuck do you fix an exploded toilet?”

Your hands rub over your face, lifting your safety goggles for a second. Too fucking foggy. Too fucking sweaty. Plumbing never really was your biggest strength. You’re staring at the bane of your existence, and it’s the latrine. How far we fall.

“You good, Cousin?” You hear from behind. You don’t need to turn to know it’s Richie in the doorway. It’s a fair question, you’re sitting criss-cross in front of a toilet, head in hands.

“Yeah, Cousin, I’m good.” Your words are muffled by your hands. Fully not cousins. For the record. You would argue you're not even that close, but he'd slap you upside the head. You turn to look at him over your shoulder. “Can you like, get me a pen and note pad? I need to like, strategize an attack.”

“It’s not that bad, Cousin—” “It’s that bad.” “Just tape the—” “Fuck off with the tape!”

You click your teeth, staring at the gurgling porcelain before you— At least it’s clean, it’s just fucked. “I shut the valve and it didn’t do shit. I think I have to remove it entirely so I can see what’s going on with the underground pipe.”

“Heard.” Richie and you both know that his hotfix handiwork has absolutely contributed to this penultimate mess you’re in now, but you’re both letting that go quietly for now. “You charge by hour or service?”

“Service flat rate and then after two hours it’s by hour.”

He hums, knocking his fist on the doorway a few times before walking away. “Pen and pad, Chef.”

“Not a Chef!”

“Term of Respect, Chef!”

You tap your leg incessantly, groaning like you’ve got an 80-year-old body as you stand to your feet. Richie’s grown a lot. He wears suits now. Hasn’t even poked at you for vanishing. Though you have a feeling it’s coming. If not from him, from someone.

You step out into the hall, leaned against the wall with your arms crossed as you wait for your pen and pad. And now you just have more time and a better view to take in how much has changed.

Gutted. A few walls gone. Makes sense, you told Mikey he was getting a mold problem. He never listened. Seats are new. The booths are the all-around style ones now. Ritzy. It’s too good for this neighbourhood. Is that a good thing? Yeah, right? Despite the fact that The Bear should feel out of place, you feel out of place being in it. Could you afford to eat here? Could the people who work here afford to eat here? Syd said she’s not getting paid for the next few months, so at the very least, the Head Chef can’t.

“Strange?” Tina sidles up to you on the wall, wiping her hands on her apron. Completely knocking you out of your dissociative fugue state.

“Yeah.” You nod, a little too quickly, that felt judgey, you correct, uncrossing your arms. “It’s daunting, I think; to see it all at once rather than slowly built in. Like, I know objectively this is very cool, but—”

Tina hums with understanding. “Feels gutted?”

“Was gutted.” You nod. “Doesn’t mean I don’t like it, it’s just, I dunno. Adjustment period, all that.”

“I needed a second too, but Jeff is good. Change has been good.” You nod like you know who Jeff is. “Carmen, I mean.” Your nod is now significantly more understanding. She smiles, you’re a little surprised to see Tina’s got a lot more insight than she used to. She pulled the thought of Carmen right out of your subconscious before you even detected it for yourself. “He’s good. You’ll see.”

You nod. You know the good she means is not Michelin Star Good. You already know that. He’s Mikey good. Person good. You clear your throat. “How’s Louis?”

“Good. Y’know, he’s getting to that age, getting in trouble. S’been a while since he’s had a good influence.” She nudges you. There it is. There’s the poke. The ‘where have you been?’ The ‘it’s been a year’. The— “Y’know, Chef didn’t come to the funeral neither.”

That one you didn’t expect, your head swivels to her hard. “Carmen didn’t go?”

His brother didn’t go? Oh, who the fuck are you to judge...

She nods, practically with her whole body, she looks more amused than anything. But like, mom amused. The worst amused. “You’re both the sensitive type.”

You cock your head at her, raising a brow. Smirking slightly. “Wow, Tina, I thought you changed too but you still talk your shit, eh?”

“I’m not talking shit!” She laughs, hands up in defence. “I’m just saying, you’re alike.” You hope that the laughter makes her forget the topic but it doesn’t.

“Where have you been?” She softens. She’s not asking to be mean, she’s asking out of concern. Why does that make it feel worse?

You tuck your hands in your pockets and retrain your eyes on hers, even if it feels bad. “Thought time and distance would heal all wounds.”

“Did they?”

Before you can answer, “Pen delivery, cousin!” Richie returns, triumphantly, with a pen and pad held high in the sky. He makes you jump for it. You elbow him in the gut, not hard. “Fuck off, Rich…” He keels over enough for you to grab it. “Thank you, chef.”

You turn back to Tina, who you now realize has spent half her smoke break on you. She nods to you, and then the bathroom door. “I’ll let you get back to it.” You nod in return. When she turns to walk away, you grab her shoulder.

“Tina.” She turns again. You should say something. Something vulnerable and thankful. Words of affirmation are not your thing. But maybe they could be, “If you end up with a dead plate—” Or maybe not.

She grins, and part of you is concerned by this, but she waves you off, giggling like she knows something you don’t. Already walking off. “You’re gonna be taken care of, Terry, don’t worry.”

This is a bad new nickname scheme. The fridge guy is just gonna end up being called ‘fridge guy’ if you take all his names.

It’s maybe three hours later. 11 am ish. You’ve finally put the toilet back in place, the pipes fixed underground— Which is a huge win of progress, the problem is, it’s just seemed to open the toilet’s ability to have other problems that need to be addressed. There’s a strong chance you’ll be here until you die. And even after that, this stupid toilet will still be gurgling, outliving you.

But you seriously have to eat something, so you scrub yourself clean, set your safety equipment down, and head out of the bathroom for a much-needed stretch of the legs— And to hopefully get a plate from Tina.

On your way to the kitchen, you’re stopped and walked backwards to a booth in the corner by Richie. “Hey, Miss, happy to serve you today, my name’s Richard but you can call me Richie, how’re you doin’ this fine morning?”

They’ve yet to open front of house, so you play along, taking your seat with a laugh. “I’m doing perfect, Richie, how are you?”

He nudges the air . “Ey, better now that you’re here, ah? Can I get a drink started for you?”

“Really gonna practice your set on me?”

He shrugs, still smiling. “If you don’t use it, you lose it.”

You hum, then rub your temples, the headache is setting in— Not cause of him, just been a tough morning. “Just your coldest fuckin’ glass of water, Rich.”

“Right away, Cousin.” He slips off into the kitchen.

When the door swings open again, it’s not Richie coming with your ice water, but Carmen— It’s your first time seeing him since the walk-in. When you came in this morning with Syd, it was Nat that gave you the quick briefing on the schedule and goals for today.

“Tony.” He hums, corners of his mouth just slightly upturned. The nickname has stuck. Goddamn. He sets the water down in front of you, along with a plate— Covered by a cloche—Or the silver lid thing, whatever.

“Carmy.” You only mean to mimic his tone, but then cringe. “Is Carmy fine?”

He pauses mid slide into the booth, sitting across from you. He seemed all cool and collected and is now suddenly extremely caught off guard. Already sweaty. “Y-yeah, I’m better, thank you—”

“No, I meant—” It is so difficult to hold back laughter. You deserve an Oscar.

You’re not doing great to be fair but like, still, Oscar worthy attempt.

“I meant like, like is the nickname okay?”

The horrors just keep piling on his face, and you can’t help but feel guilty. No shit he feels like he’s starting on a lower playing field here. You knew his dead brother, you know his Head Chef, your first time meeting him was at quite possibly his lowest moment and biggest mistake— Of which you had to coax him out of, and now he’s misunderstanding every innocent question you have for a inquiry into his psyche.

He clears his throat for objectively too long of a time. “Carmy is fine. Tony is fine?”

“I’m doing okay, yeah.”

Thank God, he laughs, awkward sure but objectively amused.

You nod down to the covered plate, smiling, “Fuck is this?”

He leans forward in his seat to get a hand over the lid. “I, uh. Made you a thing. As thanks or like, an— an apology.”

Ah. That’s why Tina was laughing about you getting taken care of.

He lifts the lid, and what is revealed, if you weren’t careful, would be enough to make you cry. Thankfully, the shock registers as uproarious laughter, one that Carmen cannot help but join.

“What the fuck?”

Pork brisket sandwich. Something that Mikey made for you, specifically. Because you said one time you were more of a pork fan than beef and he absolutely lost it. In a cute way, though. Said ‘Oh, I’ll make you fuckin’ pork, alright?’ You’re not sure if he won or lost the argument, because you did find it better.

“I, uh, we had some cuts left over that we weren’t gonna be able to fuckin’ use, and uh, Tina showed me this, this recipe card, last night.” He slides over the very same brisket recipe Mikey had written down. Little doodles of angry faces and Xs over pigs in the margins.

“He was so fuckin’ mad.” You snort, looking at it. “All I fuckin’ said was I had a preference!”

“In The Beef!”

“He asked!” You quickly defend, through laughter. “And it tastes fucking good. All he did was prove my fuckin’ point— And spent hours doing it. Were you here overnight for this, slowcooking?”

He shakes his head, though there’s a hesitation in it— So you’re not privy to completely believe him. He sniffs, swiping at his nose “I, uh, just came in early. Had to fix some shit anyways.”

He’s staring at the sandwich, then occasionally you, expectantly. You look at him with equal expectance.

“Well?” You start.

“Well?” He astutely adds.

You nod down at the dish. “Do the thing.”

“The thing?”

You pick up one half of the sandwich, but you’ve got no plans of eating until he satisfies this craving first.

“The thing Syd does where she explains why she’s proud of her dish and why I should care. I know it’s Mikey’s, but you clearly made changes.”

“Oh. Uh…” He was both expecting and not expecting this soap box. “So, followed the rub to a T— Well, with a salt bed, this time. Put it on brioche instead of the old shit. And I uh, added uhm—” He snaps his fingers, staring at the sandwich in your hand. “Added pickled red onion, for acid and sweet, and garlic confit. I’m—I’m happy with my spin on it.”

You whistle as a form of praise, he flushes with a glow of pride and is desperately trying to not show it. He’s proud because it’s curated, personal. Ah, he is Mikey good. You nod and take a bite, trying to control your reaction. Worst part about having Artists as friends (especially chefs): They fucking stare so hard when you’re taking in their work. And they’re over analyzing every micro expression. He’s no different.

Fuck. It’s fucking good. Is it bad that it’s better than anything Mikey ever made? Nah, that’s how he’d want it.

“Ah fuck, that sucks—” Is the first thing you say, and his face falls, “Expensive food is worth it.” Right back up. Easy to please. “It’s really good, Chef. Thank you. Did you try it yet?”

He shakes his head, so you push the plate with the other half of the sandwich— It’s brisket, anyways. You’ll be full by the end of this one. Portions generous. He looks momentarily hesitant, which is cute, but inevitably leans forward and takes the sandwich. He nods with each chew.

He hums when he finishes chewing, pointing emphatically at you, though his voice is neutral. “You don’t like something, though.”

“What?”

“What’s wrong with it?” He stares at into the cross section of his bite. “Chewy? Texture?”

“There’s nothing wrong with it.” You’re quick to deny.

He shakes his head, hand over his mouth to hide the sauce on his mouth. “M’not gonna be hurt.”

“There’s nothing wrong with the dish, Carmen.” You take another bite to prove your point. Also you’re hungry. Two things can be true.

He zones in on the emphasis immediately. “It’s the plate, isn’t it? I told Syd—”

“Your tables aren’t bolted.” You interrupt, swiftly. Mouth semi-full.

“Huh?”

You put your sandwich down and swallow, taking your time with it. “Your booth tables.”

You knock on the pristine wood with the joints of your left hand. You swivel your body to look under the table, he follows suit, meeting you there. His left leg has been violently shaking, but he’s thought you wouldn’t notice it until now.

You put a hand on his knee to stop the shaking. He bristles, slightly, but you’re not even doing it on purpose. Your focus isn’t on him. It was making the table imperceptibly shift— Which, of course, you clocked. You tap your foot to the bottom of the table leg. No screws. “They aren’t bolted down.”

You lift yourself back up, moving your hand back to yourself in tandem. He stares at it for a little longer. How you noticed that, he will never know. Repairmen are a different breed…

“I just thought it was a weird choice. Nothing wrong with it, per say. Maybe you wanna test different layouts.” You shrug, taking another bite.

“The booths aren’t bolted either.” He adds, lifting his head up above the table, finally. “I don’t— we’re not gonna fuck with the layout, I don’t think.”

“Should get Fak on that, then.”

“Fak’s big-timing us.” You cock your brow, mid chew. He explains. “He’s focusing on hosting, f'now.”

You nod, swallowing, hand in front of your mouth so you can lick the sauce off your upper lip in non-humiliated peace. “This another job for me, then?”

“If you’ll take it.”

“If your fuckin’ toilet doesn’t kill me, I will.”

“How’s that going?”

You shake your hand so-so. “Ask me in two to three hours how it’s going.”

“Heard.” He sighs, leaning back in the booth. The stress is too apparent not to ask.

“How’s the second day open going?”

“I’m not in a fuckin’ freezer, so that’s a win.” Oh-ho, he’s acknowledging it. You were very comfortable forgetting that moment for his sake. “Thanks, uh, f’ that.”

You shake your head, shrugging off the thanks. You lift your last few bites of the sandwich to him. “You’re good. You’ve gifted me brisket. You relax since?”

“Not really.” He replies bluntly, taking a deep inhale. He pulls at his face from the top down, with both hands. Oof. Bad sign. “I think I’ll be good by tomorrow. Gonna get off early, tonight.”

“You don’t seem happy about that.”

“Ask me in two t’ three days if I’m happy about it.”

Back to work and this is taking so much fucking longer than it needs to take. Why is there tape there? Fucking Richie. Fucking Fak. Fucking Mikey. Godssake. Pipes are fixed. Water pressure is fixed. What the fuck is still wrong with it? What the fuck is wrong with you? Everyone is going to hate you if you can’t fix this. You’ve been here for like 5 hours and you can’t figure out what’s fucking wrong here? You’re nothing. You’re—

The toilet does you the favour of knocking you out of your episode by spraying you in the fucking face, soaking through the top of your jumpsuit. With a groan, you unzip the upper half and tie the wet sleeves around your waist. “Son-of-a-bitch.”

Maybe you just need a change in task for a second. Also, a new t-shirt, because your tank did not survive the waterworks either. This room isn’t the thing you need right now. You slip down the hall to the kitchen. “Who needs a coffee? Or water?”

There’s a chorus of orders, all of which sound like you’ve just asked ‘who wants a gift from God?’, which, you might as well have. This is what you like about being a handyman. The relief you bring. You just need a smidge of praise to get through the rest of this job. You’ve got this.

The small, but serviceable coffee machine in very back of the kitchen calls your name, but Richie sticks his arm out, blocking you from walking past expo up front.

“Hol’ up, Cousin, you look like a fuckin’ wet dog.”

“Well, what ‘ya gonna do about it?” You retort, despite the retort not honestly making any sense, you put your hands on your hips. “Do you want a fuckin’ coffee or not?”

He rolls his eyes, falling back onto the balls of his feet before walking off. “Ey, Sug, are those shirts still in the basement—”

You’ve won for now. You scrub your hands clean before getting to work. This is good. Oooh, Marcus has fresh coffee beans (that he’s willing to share!)— This is easy. You can already fix most broken things, but a machine that actually fucking works? Baby, you can make that sing.

Plus, the bartending gigs you’ve done don’t make you a barista by any means, but they certainly don’t hurt. Oooh, Marcus has syrups! Fuck it. Steamed and frothed milk. That toilet has you on your ass, you need to go above and beyond here. Make each cup personal. You need a win in the form of admiration.

You gather a tray of coffees (and a water for Sweeps, who is too fucking sweaty for a hot drink right now, so fair), all varying in milks, sugars, syrups, intensity. “Coffee run, I hand ‘em out, don’t just take! Corner!”

Ebra, to no one’s shock, likes his coffee black— But, and he’ll tell no one this, you just know it on instinct— He likes it a little too watery. “Good.” Who are you to judge? He likes what he likes.

Tina would take hers black for simplicity, if you let her, but of course you don’t. 2 sugars, foamed milk, chocolate and cinnamon syrup. “Too good to me.” It’s too worth it, when she says it like that and slaps your cheek. Balm of the soul.

Marcus, who watched you make these, did opt to let his imagination run too wild and added one of every syrup to his own cup, wanting to experiment with you. It doesn’t taste good. You switch it for a spiced coffee when he’s not looking. He’s silently very thankful.

After handing out a few more to the new cooks, you come up to Syd. “Take this one, take this one.” Then whisper, so no one knows you are displaying supreme favouritism. “It’s the one oat milk latte I made.”

She turns to you from her station, then darts looks over her shoulder like she’s making an under the table deal before grabbing it from you. She takes a delighted sip, eyes rolling just slightly in the relief of caffeine, she nods. “Fire, Chef.” Ah. This will get you through the day alone.

It also gets you through the willpower it takes to ignore Fak running by you to steal a coffee off your tray. Out of the corner of your eye, you point to the one meant for him— As if you didn’t make it for him, c’mon…

“How’s bathroom?” Syd asks, taking another long sip.

I’m going to fucking explode, not unlike your drainage pipe. “Needed a thinking break, but I’ve made a lot of progress. How’s kitchen?”

“Made a lot of progress. Auto-piloting through this prep.” She looks down at her cutting board, cracking back to it. “Latte helps, a lot, thank you. You should join for family, if you’re still here for it. Unless you don’t want more brisket.”

Fuck. She doesn’t think you’re so slow that you’re gonna be here until family, does she? “Yeah, maybe.” You look around, three coffees still on the tray. “...Where’s Carmen?”

She grimaces. Uh oh. The tension she glossed over at breakfast is still definitely there. She nods her head to the back door. “Smoke break. Or temper tantrum. I don’t fuckin’ know. Don’t tell him I said that.” You laugh, nodding. “You think a coffee would help—” “Please.”

“Corner!” Yells Richie, returning to you. He silently flicks out a shirt for you, holding it up proudly, ‘THE BERF’ stares back at you. You give it a solid five seconds to process before you say anything.

“Collector’s item...” You nod, tone sarcastically impressed. You pivot your shoulder for him to throw it over, hands too busy.

“That’s what I fuckin’ said!” He throws it over your shoulder. “No one fuckin’ listens, these days.”

You bite back laughter and nod, handing him his coffee. Hot. Dark. Two sugars. And, to his delighted surprise, a touch of cinnamon syrup. “Oh, fuck, missed your twists, Chip.”

You wince at what was a long-forgotten nickname, and so does Richie. Funny how remembering origins can do that to you. He’d just said it so instinctively, really. “My bad—”

“Chip is good.” You interrupt, rolling your shoulders back. And it is good, really. “It’s kinda—It’s kinda comforting.” It’s nice to not forget. He nods, and you give each other the ‘we are still so fucked, eh?’ smile before lovingly bumping shoulders as he returns to expo and you head to the back alley.

Carmen’s squatting, cigarette in one hand, creating a halo of smoke around him, and his phone in the other. He snaps out of his mental fog when the door opens, slipping his phone into the pocket of his apron like he’s got a secret to hide.

You hesitate at the doorway, maybe this is not the moment. “Sorry, Chef, I just wanted to offer a coffee? If you need air alone—”

“No, no, I’m good—” He’s quick to correct, then even quicker to correct himself. “I— I’ll take a coffee, I mean. You can stay, s’fine.”

He reaches for it when you sit next to him, but you pull the tray back to hand him the correct one. “Sorry, I—I like, did a thing, for yours. I dunno how you take your coffee, so I thought I’d do it weird.”

He takes the cup, eying it curiously. “Do it weird?”

“Do it like, like a Chef. Can’t make anything fuckin’ simple. The lot of you.”

He hums, amused, staring at the cup, then looks at you expectantly. “Well?”

“Well?”

“Do the thing.”

You snort, shaking your head. “Oh, fuck off.”

“C’mon, tell me why I should care.” He teases.

“Ah, fuck.” You sniff, oh to have your own words turned on you. Looking at the coffee in his hands, “I figured you’d like strong black coffee, but like, complex. So, it’s got like, cardamom and lavender n’ maple syrup. Shout out Marcus.” He smiles. “And then, I know I did just say black coffee but I wanted the aesthetic so I spooned foamed milk on top and sprinkled on some dried lavender.” You take your own cup in hand, putting the tray down. “If you hate it, we’ll trade.”

He pays close attention to your explanation. Man, his eye contact is simultaneously so soft and so scary. He takes a sip. Let’s it sit in his mouth for a second. “Excellent, Chef.”

Oh, if Syd’s ‘Fire’ could get you through the day, Carmen’s ‘Excellent’ will get you through the week to spare. You hide the way you beam by drinking your own coffee.

“How’re you doing?” It’s far too obvious that he’s had something heavy on his head all day, but you’re not going to say the quiet part loud, yet.

He takes a long time to respond. “I, uh…” And when he does, it’s weak. “I’m alright, yeah. I’m alright.”

You nod repeatedly, digesting the huge lie. “Ask me how I’m doing.”

He squints. “…How’re you—”

“Fuckin’ terrible, Carm.” You cut him off, putting your cup down next to him, standing up. You speak emphatically, gesturing with your whole body.

“I’m at my wits, Chef. Completely out of my depth. I fix the main pipe, I fix the water pressure, I triple check the tank, I fuckin’ power cycle the valve— I’m absolutely at a loss as to why it’s still gurgling— Why it shot water straight at my tits— Close your eyes, if you care, by the way.”

With barely any warning you peel off your tank top, you’ve got a bra, it’s fine. It’s very cute that he still looks away. You slip the new shirt over your head as you speak, muffling the words.

“—I’m wearing a shirt that says Berf, and the only way I can feel any semblance of not being utterly useless is by making coffees so good everyone has to praise me for them. And now I’m telling the fucking owner, my boss for the day all this.”

He nods, slowly. There is perhaps, not a single person in his life that has ever been this forthright. Someone he hasn’t had to over-analyze or dig into to figure out what’s actually going on. It is refreshing, terrifying, and for some reason, removing your walls have completely shattered his.

“So.” You lower your head to his level where he sits. “How are you doing, Chef?”

He takes a long sip of his coffee. Stews on the question before he spills his guts, calmly. “I’m sitting outside of the restaurant I started that I own, and my brother should be here, but he’s not and— And I was locked in a fuckin’ freezer on my opening night, which was my own fuckin’ fault— And the tape is wrong and the painting is stupid and that new hire did meth so now we’re down one.” He takes a deep breath.

“And we have Heinz instead of Frenchies, and it’s fine. That’s the fucked part— It’s fine. The ship did not sink without me— It went fine. Better, maybe. My problems aren’t fuckin’ problems. I’m just making it worse for myself— everyone. And I know Syd is mad at me, and I know my— My girlfriend? Is mad at me, and I know that I’m gonna break up with her tonight because I’m not meant to be— that.” He says the last part fast, more to himself than you, really. And then he finally looks back up at you.

“And I’m telling all of this to the person who saved me from hypothermia and a fuckin’—Fuckin’ meltdown, who probably thinks— knows that I’m a psycho.”

You take a beat before nodding, sitting next to him again, arms crossed. Silent. Contemplative. “I have thoughts.”

He nods, taking a drag. “Don’t pull punches.”

“Well, to start most honestly, we must remember, I love Syd. So, I’m not gonna mince about her.”

“Heard.”

You recall everything Sydney had told you at breakfast. The recap of how she got to this point. “Syd isn’t mad at you, she’s disappointed and distrustful.”

He grimaces. “That sounds worse.”

“It is.”

“Oh.”

“But in a way you can fix.”

���How?”

“Handle shit different. Actually show up to shit and make calls. Manage your priorities by urgency— Not by favourites. If I broke my fuckin’ arm and your ‘girlfriend’ had a runny nose, who are you taking to the hospital?”

“You can’t take yourself?”

“Bitch?”

“Kidding. Heard. What else?”

“You’re not gonna tell her I said this because she would rather die than tell someone she wants something.” You lean closer to him, peeking over your shoulder to make sure no one’s secretly come from the kitchen. You knock into his knees.

He takes another drag, short, choked. “Sure.”

“You were kind of a bitch about the menu.”

“The chaos menu? She said—”

“She fucking lied. She lied when she said it was fine, Carm, it does not take a psychic to read Syd’s mind.” You interrupt, taking a sip of your coffee. “She was so excited to get to build a menu, especially with—” you, “—a partner, and then you completely ditched her. And then you just made your own! Total control freak shit! Cut her out of the fun part of being head chef completely! You get to invent masterpieces and she picks out the best cheap plate? Fuck is that?”

He nods contemplatively, poking his inner cheek. “Yeah, that, that makes sense. That’s shitty.” He turns his gaze from looking ahead to face you, hand over the bottom half of his face. “What else?”

“You’re reactive.”

“No shit.”

“How long do you think you were locked in the walk-in for?”

He swallows, thinking. “Like… an hour?”

“It had been 23 minutes.”

“Oh.”

“You catastrophize, it’s a fancy therapy word,” You cannot help but be impressed by this white man writing down the word in his phone for later. “It means, basically, when something bad happens you blow it completely out of proportion into something it isn’t. Your opening night was definitely a bummer from being in a freezer— But be honest with yourself, would you have let yourself have a good night if you weren’t in there?”

“…No.”

“No. Which is also bad. Which brings me to my key point.”

He tenses up, preparing for you to rip into him further.

“You’re doing a good job, Carmy.”

He immediately swivels back to you, almost dropping his phone. Knee knocking into yours. “Fuck off.”

“I will not.”

“You just said I was a catastrophe.”

“Fully not what I said.”

“I read between the lines.”

“Carmen.”

You take a breath, putting your arms on your knees, bent over. “The restaurant is beautiful, your cooks are talented and they’re prepared— So prepared that they can handle 23 minutes without you. That’s a good thing. You’re threaded into The Bear— The ship didn’t sink, not because you weren’t there, but because you had been. Everyone had the tools they needed to succeed, even with Heinz, a Mid painting, and torn tape. And listen—” You take one last sip of your coffee. “You need to check your ego if you think you’re the first man I’ve coaxed through a panic attack while doing a repair.”

He laughs, half-heartedly. He scratches his nose. “Heard. Yeah, thank you, Chef.”

“I don’t know shit about the meth thing though, I really couldn’t tell you.” You smile when this coaxes a better laugh out of him. You’re considering a career in stand up exclusively for him because it feels like such a reward to hear it.

“And the girl?” He asks. Amusement tinging but leaving his voice.

You click your teeth, shrugging your shoulders at him. “Based purely on your hesitation to say girlfriend, I’d say yeah, probably not ready for a relationship.” You reach your hand out to his shoulder when he flops his head down. “But, just asking, is this your first relationship?”

He thinks for too long before nodding slightly. “First one.”

“First restaurant too?”

He nods again.

“Yeah.” You pat his shoulder before letting it go, opting to hold your cooling cup. “I know you’re a Michelin star fuckin’ big deal but like, me personally, I can’t name a thing I got perfect the first time I did it.”

There’s something in his eyes, when you say that. Something wistful, nostalgic, hurt? No. Something different.

“It’s not that I didn’t do perfect—”

“You’ll do better next time.”

He wrings his hands together between his knees. “Yeah.”

“You’re gonna be fine, Carm.”

“You’re good at that.” He sniffs, head down, scratching his nose.

“At what? Self-help?”

He exhales what just barely sounds like a laugh. “Kinda. S’just, when you say it, you say it in a way where I actually believe it.”

You’re getting the fuck out of here before they open for dinner. You’re not letting anyone down tonight motherfucker. The Berf shall prevail. Maybe a win here will feel like a win for Carmen, too.

You run the sink to wash your hands, as you’ve done before here— But since fixing the pipes and the pressure… Something’s… different. You pause your scrubbing, listening closely.

…

When the sink is running, the gurgling flow of water from the toilet stops. Huh. You stop and start the faucet a few times to verify this. Yeah. You stare for a long moment before connecting the dots, then punch the sink in realization.

“Fucking Mikey!”

“What’d he do this time?”

You twist around. Ah, other sibling. Natalie. Clipboard in hand, business ready. You take a beat before remembering to smile, nodding to the sink behind you. “He connected the tank flow to the toilet and the sink with one wire.”

She tilts her head, squinting. “Why would he do that?”

“I suspect to save water?” You spin around, kneeling down to look behind the sink. “I think the idea was to have the sink not function when the toilet is flushing. But, it uh, well, did the reverse, kinda. Toilet doesn’t function when the sink isn’t running.”

“Oh.”

“So uh,” You shut the valve under the sink. “Your water bill should go down a little after this, since it won’t be running into what is an essentially a second trap pipe.”

“Oh!” Did she get what you said? No. But she doesn't need to. She heard ‘bill should go down’ and that’s really all she needed. “Thank you!”

“Not a problem. S’my job.” You stand, shutting off the valve to the toilet as well. As you kneel down to work again, you feel her gaze burning into your back. You don’t turn to face her. “You have questions.”

“Oh, ah… Am I so obvious—?”

“Yes.” You’re too quick to answer, unbolting the wires where it attaches to the toilet and the ground. You sniff with a panicked, “Ah, uh, it’s endearing.”

She’s quiet, for a moment. She doesn’t ask you what she actually wants to ask you, and you know that. “Well, I’ll need to exchange info for your invoice.”

“Ah, don’t worry ‘bout that, your brother already covered it.” You stand once more, before going to the sink to undo it’s valve, you fish through the deep pocket of your jumpsuit, pulling out a crumpled business card and handing it to her.

“But it’s good to have my info on hand, for sure. It’s ah… Kinda old.” Kinda is an understatement. Your dad’s name is still on it, scribbled out in pen and replaced with yours. The dead business line is also scribbled out in exchange for your personal cell.

“It’s uh… I usually only work for friends and family, these days, so I’ve kinda stopped trying to keep up appearances.”

She smiles at it. Thank God, she finds it charming and not sloppy. She tucks it into the clasp of her clipboard. “That’s fine, we are friends and family.”

All you can do is nod, pivoting to the sink. There's a beat of peace.

“Didn’t see you at the funeral.”

Ah. There it is. For a Bear, she sure knows how to poke one. You stutter in unscrewing the bolt.

“Would’ve been nice to meet you, then.”

You clear your throat, it's strangled. “Yeah, I think I was trying to avoid introductions, honestly. Grief comes in different ways, eh?”

“Does it?”

“Mine does.” You swallow, unbolting the wire. With it free, you can just yank it out of the wall. God, forgive your brain, but Mikey was right, she does like to fight. Too bad you don’t.

She just hums in reply, watching you pull the wire from the wall. “You’re a real lifesaver.”

Fuck. Fuck. Lifesaver? Is she fucking with you?

“That toilet sprayed me right in the face, yesterday. And you saved Carmen.” There’s an amused lilt to her voice. She’s not fucking with you. “There’s something about a handywoman that Fak cannot match.”

You can hear a faint ‘Hey!’ through the walls. You laugh through an exhale.

“Again, s’my job. I do my best. Did uh, what was it, Terry come by for the walk-in? I wasn’t looking when I was there.”

You sort through your tools, deciding caulking the holes closed is probably the best option.

“He came over basically overnight to fix it, bless him, still don’t know his name.”

You laugh, it’s a little strangled. So Carmen did stay overnight. He must’ve. You smooth out the caulk with your thumb and a palette knife. Blending it into the grout as best as you can. “Good. Good.”

You dust yourself off. Standing. “Well. That’s uh. That’s my job done. Carmen asked me about—”

“Bolting down the booths?” She nods, checking the time on her watch. There’s not enough time before lunch to do it now. Plus you don’t have the screws. “You’re free to come by in the morning tomorrow—”

“But?” You interrupt, throwing your tool bag over your shoulder.

“But?”

“You said free like you’ve got a preference, what do you prefer?”

She chuckles, slightly. There is something about you that feels familiar. “If you could come after close tonight around 12, that would be nice—”

“It’s done. I’ll be there.”

“Lifesaver. I'll give you the code.”

Fuck.

Always gotta give the reader/mc some sort of mysterious background that even you don't have all the info on. Always.

Hehehehe, again, we're slowing this burn so much. Strangers to Friends to lovers but they're both so comfortable in friends it's hard to move !!

Forewarning, btw, if you've already sunk 10k worth of words into your brain for me (thank you!! I hope you've enjoyed!!), I've never written smut before and I feel like I probably will not build up the courage to do so by the end of this series, but I could prove myself wrong, I dunno. But warning in case that's your thing!! I might blue ball you babe!!

Pretty please tell me your thoughts or I'll eat my Berf shirt. Collector's value!! Thrown away!!

Next Part

[httpsryu]

b.f.s (best friend's sister) pt. 1

pairing: mo jihye x fem!reader

summary: it was always a thing, noticing your best friend's older sister. ever since you were a young girl.

category: strangers-to-friends-to-lovers au

genre: fluff, slight angst (?)

warnings: JEALOUSY

a/n: thanks for the anon who requested this! i had so much fun writing this :)

'it's only a year in the name of love'; you tell yourself as you cannot help but to look at your best friend's older sister, jihye who walks past you two and into the kitchen to grab a quick snack.

sure, you know jihye would never return your feelings back (hell, she doesn't even know about them) but it never hurts to dream a little bit over the beyond, right?

"earth to y/n~" your best friend, mo maya hits your head with her pen to grab your attention.

HUH??

"was i zoning out again?" you ask with a grin, already knowing you were in fact daydreaming about mo jihye.

maya nods with her signature upside down smile. "if you keep zoning out, we'll never get done with this science homework."

why is sophomore year so hard? especially, with the dreadful chemistry homework the teacher is constantly assigning.

"you two alright over there?" jihye comes out from the kitchen, her hand holding a bowl full of strawberries. "do you need help?"

maya groans, shaking her head as she grips on the pen. "i want to try to do this myself."

"suit yourself." jihye shrugs, turning to you. "y/n, do you need any help?"

locking eyes with THE mo jihye has got to be one of the best dreams come true, yet alone, this moment of her talking to you is also another dream come true. you cannot help but to nod at the older, scooting over to make room for the other to sit besides you.

jihye lets out a small smile, placing her bowl on the table next to your books before sitting down on the floor.

"hmm, let's see." she leans just a bit closer to you, however, you could smell the florals and a slight sandalwood scent exhibiting from her. "ahh, i remember how to do this."

jihye opens her hand out, waiting for you to drop your pen in.

"huh?" you let out, about to put your own hand in.

the other girl can't help but to laugh at your cuteness. "silly, i meant your pen."

'fuck my life' you curse to yourself mentally, handing the pen to her while feeling heat rush upon your face.

jihye smiles at you, giggling a little bit at how adorable you looked.

'cute.' she can't help but to think to herself, looking at you with adoration. (like a little sister, of course)

maya groans again, constantly erasing the blank line which at this point, is no longer existing. "i need a small snack break, do you want anything, y/n?"

you look up at your best friend, shaking your head at her. "thank you though."

"anytime darling." maya sticks her tongue out, running off into their kitchen.

jihye scoots her bowl of strawberries to you. "your favorite strawberries! here, have some."

"oh. i'm okay, thank you unnie." you smile at the girl besides you.

the older nods, trying to ignore the slight sadness of you rejecting her strawberries by looking back down at the question. "okay, for this one, all you have to do is balance the redox reaction by..."

you blank out, zoning out as you look at the older girl's delicate yet strong features. from her dark yet stunning eyes, her precious moles, her delicate but very standing cheekbones and how her lips always had the pretty shine to them.

it's no fair for the entire universe because mo jihye simply exists.

"do you understand it now?"

HUH? OH-

you take a few seconds to process the fact that you just zoned out again. daydreaming about jihye in front of her! how embarrassing is that?

"ohh, i see!" you lie, hoping she would not question you about it further.

putting the pen down, jihye proudly grins. "great! if you need extra help on anything else, let me know. you already know where my room is so just knock and i'll be here."

"thanks unnie." you shyly say, looking down at your homework.

jihye can't pinpoint how you feel about her. do you not like her? she's always have tried becoming closer to you, ever since she met you while she was 8 and you were 7. now, you guys are 18 and 17.

surely, she would think that you two would've been closer by now, however, you seem to be a bit distance and precautious around her.

"oh. of-of course." jihye manages to say without sounding a bit too upset. "i'll see you around, y/n."

you watch as the love of your life descended up the stairs, letting out a dreamy sigh afterwards. "jihye unnie is so pretty."

however, each moment cannot go unwasted without another one of maya's groan.

"why is there never any ice cream left?" maya exclaims, shutting the freezer with a slam before coming out the kitchen with oreos and pretzels.

you wait, in the usual place where you'll see jihye past by ONCE daily throughout the whole school.

"can we just go now?" kyujin whines, begging to leave for lunch already.

you turn to her with a glare, prompting her to sigh and sit down on the stairs.

"let y/n get her daily one glimpse of jihye." eunchae defends you, scanning the halls for any sign of maya.

maya doesn't know, she never noticed at all. even when you two were children. and she never will know. liking mo jihye is a secret from maya because you know maya won't tolerate it.

but then again; love makes you crazy, right?

at least that's what eunchae argues.

"in 5,4,3,2,1..i see her!" you exclaim, watching from the end of the hallway of jihye walking out with some friends.

kyujin and eunchae looks at how smitten you are, giggling at the way your eyes fall in love with jihye.

"she looks amazing." you barely manage to let out, noticing the way her hair is tied up into a high ponytail, the uniform she wore today compliments her complexion, and the light gloss on her lips always sealed the day for you.

eunchae reaches to tap on your shoulder, exclaiming. "maya's coming over here."

you really don't want to keep this a secret from maya, but having a liking towards her older sister is something you know maya will never let go of.

"act normal, act normal." kyujin clears her throat, taking out her portable mirror to fix her bangs.

your best friend spots you from across the hall, waving at you as her eyes lit up with love.

"you guys know you don't have to wait for me every day, right?"

you shrug, grabbing her arm to hook with yours. "why wouldn't we?"

okay; maybe you were here to see jihye but waiting for maya is also a plus. killing two birds with one stone, right?

"okay, i am starving!" kyujin whines even more, stomping her feet.

jihye comes back from school, expecting to see both you and maya sprawled out in the living room as usual. however, upon opening the door, jihye is met with just her sister.

"oh? no y/n?" jihye asks, taking off her shoes.

the younger sister makes a weird incoherent noise (no surprise there). "a girl asked her out today."

stopping in her tracks of untying her laces, jihye looks up. "a girl?"

maya raises one of her brows up, brushing off the weird reaction from her sister. "yeahh..? she's new, i'm sure it's for help around the library since she works there with y/n now."

"oh. cool."

"yep! anyways, wanna hang out and go for some ice cream?" the younger turns off the t.v, hoping her sister would want to spend time with her today.

jihye contemplates, for a second, she wanted to say no and lock herself in her room to figure out who this new girl is but she ultimately nods. "just let me change out of the uniform and we can head out."

"awesome!" maya smiles excitedly, jumping off from where she was sitting earlier and rushing over to put her shoes on. "we can go to the new shop y/n keeps raving about."

y/n.

jihye does not understand why but her heart has a weird ting at the sound of your name. she wishes you were here to go out and enjoy ice cream with them. she wants you to acknowledge her, to get rid of that awkward weird air around you two.

but, she can't figure out how.

"you're paying, right sis?" the small glint in maya's eyes leads jihye to exclaim a loud laugh.

jihye pats the younger's head. "yes, my treat."

"awesome, i did NOT have any money to my name."

"why did miss. lee gave us so many boxes to sort through?" you grumble to haerin, stretching out your arms after sitting down for a long period of time. "she normally gives us two boxes MAX."

haerin makes a noise in agreement, however her eyes are focusing on you and only you. she loves when you wear that pink bow in your hair, it looks really pretty on you.

"how are you adjusting to school?" you curiously ask, getting up from the chair as you start to tidy up the back room of the library.

the raven-haired girl sighs, folding the boxes flat so it would be easy to recycle. "it's nice, it's just hard making friends."

"that's because you're a shy, quiet, pretty girl." you respond, returning to the middle table to pick up the new books to stack at the back. "i had to introduce myself to you first."

haerin feels her heartbeat racing again, very loudly too. "you think i'm pretty?"

"uh huh! you're cute too! maybe that's why people are intimated to come up to you, i get it though." you giggle, looking back at your friend. "you know, my friends have been telling me about how they've been wanting to become closer to you."

"i don't know about that..y/n.." haerin comes over to you, handing you another stack of new books. "it's just crowded, you know?"

haerin is a really introverted girl, you understand her.

"the vibes is getting depressing in here, haha." haerin giggles, looking at the time on her phone. "we finished pretty early, do you wanna go grab some ice cream? my treat."

at the sound of ice cream, you could've sworn you heard birds chirping a beautiful tune. "um yes!! there's this new shop that my brother and i go to often!"

"well, looks like we're going there." haerin smiles softly at the way you look excited, she can't help but to continue staring.

you laugh, scanning the room as fast as you could before grabbing your backpack. "everything looks good here! front desk looks good too."

"guess the ice cream is calling us." the raven-haired female slings her backpack around, waiting for you to link your arm with hers. "let's go."

jihye blinks. once. twice. and once more.

WHAT ARE YOU DOING HERE WITH A GIRL?

"oo, looks like haerin is finally making her moves." maya giggles behind her hand, looking afar from the entrance of the ice cream shop. "aww, wait, they're kinda cute."

haerin. cute? moves?

jihye doesn't like the sound of this at all.

how old is this haerin girl anyways? is she senior or some college freshie? why is she even allowed to make moves on you?

why has maya not said anything about this haerin girl to her until now? you're like a younger sister to jihye too!

"so..this haerin girl in your grade or something?" jihye asks, pulling out her wallet as she scans the ice cream options.

cookies and cream. you love cookies and cream.

"yeah, she's really quiet." maya replies, her eyes onto both haerin and you. "but, y/n tells us that haerin actually talks and laughs a lot."

you do have that effect on people. jihye just wishes you were more like that with her. is it because she's maya's OLDER sister? jihye doesn't think the one-year age difference isn't the cause of it but could it?

"can i have on scoop of cookies and cream and one scoop of dark chocolate?" jihye gets her card out of her wallet, trying to not think too much of you.

maya giggles, seeing the way haerin's eyes are melting with adoration for you. "look at her! she's basically in love!"

"woah! you guys are too young for love." jihye says with a slight weirdness in her tone, handing the card to the cashier. "besides, you should be focusing on trying to pass chemistry."

maya groans in response. "UGHH, you're only a year older than us."

"besides, i don't think y/n's the type to like someone at the moment." jihye is telling herself a lie, she doesn't even know if you are or aren't interested in all that romance stuff so why does she get to say that about you?

the younger nods, agreeing with her sister. "true. but, haerin can change that hehe."

"oh please." jihye rolls her eyes, handing the scoop of dark chocolate to maya before returning to the worker. "thank you!"

maya scans where to sit, contemplating on scoping in on the date or giving you two privacy since she knows how haerin is as a person.

"let's leave those two alone." maya is about to walk off into a different direction before jihye grabs her wrist.

"wait, let's sit kind of far from them but enough to check out what's going on over there." the brunette haired squints her eyes at how haerin is offering a spoonful of her ice cream to you.

maya raises one of her brows up, AGAIN! why is her sister acting so weird right now?

"i think we should just sit somewhere us..." maya trails off, not wanting to make her sister upset.

the older one ignores the younger, already making her way to a seat that's close enough yet far to spy on both you and haerin. (jihye is just being an overprotective older sister, right? RIGHT?)

upon sitting down, jihye watches as you accepted the spoonful of ice cream from haerin.

"NO!" jihye screams, afraid of you perhaps getting sick from the shared germs.

maya sighs, facepalming herself as she tries to hide her face from you.

you hear a specific voice; well known voice to you, perhaps, your favorite voice. "unnie?"

ehehehe; not me stopping on a cliffhanger :P

next part

march 23rd, 2024; publishing date

[sgiandubh]

Live with it

Dear Masquerading Anon,

There is no need to shout, it is very rude and translates as hate speech. And it is absolutely ridiculous to bet on something you will never be able to prove, simply because you can never prove something that never happened.

I am a senior Government official, with already a twenty-two year long career in various positions, who was sent by my ministry on a diplomatic mission to Athens from 2018 to 2024, under the umbrella of our MFA and as part of our Embassy team. This has been confirmed many times, including by people of this community who used (and still do) my mail address and my private phone numbers, both in Greece and at home. I am currently home, waiting for my next tour abroad, which has been decided upon and requires a lengthy ongoing procedure. I have consistently offered more evidence about myself and my real life than you ever offered about your own identity, whoever you might be.

Why do I have the unpleasant impression I do know who you are, having kicked you out a long time ago, from my page? If I remember well, you have always insisted to know who I was, what I did for a living, where I lived, and so on. I could be wrong, of course, but at the moment, I tend to doubt it.

Connecting that other blogger's decision to deactivate and any intervention from me is supposing I have far more leverage or interest in her person than I ever did and plain demented. Bet you'll never be able to explain how I would have managed to do it, nor the logic fracture between me being a civilian (according to you, since you stated I was a liar, therefore nobody) and the same civilian nobody being suddenly able to have someone else deactivate a blog I only superficially read, and not really cared about.

The same above person's decision to block me was never explained, but explicit enough. She and I never talked and she was never mentioned on this page. Another blogger, now deceased, came in my DMs shortly before or afterwards (not caring, I do not remember exactly when, on that timeline) to utter menace and the same accusations of content robbing. I felt beyond insulted and had no idea what she was talking about or to whom she thought she was talking to. But I also understood I was talking to an elderly, perhaps fragile woman and chose to remain silent about it. With all due respect for someone who passed away, I will make an exception from my DM non-disclosure rule and give you that very short conversation:

Note the date: June 28, 2023. I have to confess it was the first time I was under this kind of online pressure and I did not take it very well. Yet, I carried on, with no fuss and no drama. I simply hope the person that so cavalierly approached me found peace and knows, by now, the truth of this circumstance. I honestly believe she does, and cannot hold a grudge, in her case: de mortuis, nisi bene. That does not mean I forgot about it, mind you.

Following this incident and some other people putting direct or indirect pressure on me, I took the decision (and appropriate steps, with regard to my own life circumstances) to be as open as I could afford about myself. I believe I was always civilized to people who approached me in a civilized manner, always admitted my mistakes and always appropriately credited any blogger whose work I have used or who tipped me. Even those who did not want to be mentioned: politeness always finds a way. I have nothing to be ashamed of, so to speak, on account of my presence in this community.

About @gabysachs' very recent insinuations of me robbing evidence discussed by Diggsydogsquee, which might have triggered you to post this Anon, well… A browser is a thing of wonder, indeed, because it keeps trace of every single thing one does on the Internet. It's called the 'History' tab and is very useful.

For example, I have posted that thing apparently bothering many of you exactly on Monday, at 04:08 AM, local time:

I usually write as I research and adjust upon proofreading, which has often landed me in boiling water. It is what it is and again, I always confessed my sins and sought atonement (I know you are familiar with this vocabulary). To prepare that particular post, here is the activity log, recording the webpages I have consulted and then screen capped. Beware, it is a long backwards roster, from the most recent to the first consulted webpages - research is a tedious affair, after all:

Highlighted above are the webpages I believe @gabysachs thought I might have robbed from her friend's now deactivated blog. In reality, the hitch.co.uk reference is one of the top ten links listed by Google when you look for 'foreign citizens getting married in Ibiza'. I chose that particular one, because it was reasonably recent (2022) and a British source:

You were saying?

Thought so. And no, darling. I am not going anywhere. Learn to live with it.

PS: You are not even blocked. Cobbling this post was so annoyingly long that I lost the Anon draft in the process. A Tumblr glitch, I suppose, of which there are many.

[prythiansprincess]

here in your arms.

author's note: couldn't resist writing for my little foxy boy. this is the twin to this request.

eris preferred to sleep alone.

at least, he used to. when it came to his bedchambers, the autumn court heir abided by one simple rule: he could invite whomever he pleased to bed, but they were not to overstay their welcome by any means. it was a good rule and one that he had upheld for centuries. until you came along.

eris wasn’t even sure how it happened. the most likely scenario was that the two of you had stumbled into his bed after a night of drinking and debauchery, taunting and teasing one another as you were wont to do. you were the one person at court whose sarcasm rivaled his own. ever since you where children, you had kept eris on his toes with your sharp wit and fiery personality. you challenged him and though he'd never admit it, the future high lord was absolutely soft for you.

perhaps that was why he hadn’t objected when you had fallen asleep on his bed, blankets greedily wrapped around you while you cuddled with his favorite pillow. you looked so serene laying there, still dressed in your ridiculous ball gown with your hair loose and unbound, fanning around you like a waterfall and framing that beautiful face eris had come to memorize.

he had simply crawled in beside you, his eyes heavy from the alcohol and his thoughts flowing like honey. the last thing he remembered was your hand reaching for his, weaving your fingers together.

the autumn court heir convinced himself that it would only be that one exception, but then he laid in bed the next night, tossing and turning. unable to sleep without the warmth of your body next to his or the soft breaths that lulled him into sweet dreams or the way that you reached for him even when you were unconscious.

he thought he could will it away. eris had survived centuries sleeping alone, so there was no reason for him to suddenly crave a bedside companion. he didn't need anyone to cuddle with. night after night, that's what he told himself. until two days passed, then three. finally after an entire week of fitful sleep, eris admitted the plain, ugly truth to himself.

you had utterly and completely ruined the male.

so he pushed aside all of his pride and walked to the other end of the forest house where your bedchambers were located. you had opened the door to find the rumpled, weary redhead glaring at you with accusation.

"what have you done to me, woman?"

you yawned, pulling your robe on tightly. "i have various schemes and plots against you at the moment, so you'll have to be more specific than that, pumpkin."

eris sighed exasperatedly and marched right into your suite. you shut the door behind him, watching with an amused smile as your friend paced in front of the hearth. "yes, eris why don't you come on in. it's not like you were interrupting my sleep or anything. of course, midnight is a perfectly reasonable time to drop in unannounced."

the eldest vanserra rolled his eyes. "i can't sleep!" he whirled around, folding his arms in a regal, yet disdainful way. "and it's your fault. it's been an entire week and i cannot take it any longer."

"and how, pray tell, is your sudden bout of insomnia my doing?"

"because," eris stated matter-of-factly, "ever since that night that you fell asleep in my bed, i haven't been able to get your damned lily soap scent out of my sheets. my room is too quiet without your obnoxious little snores and my legs are perpetually warm without you pressing those frozen icicles you call feet against them."

"let me get this straight," you said with a snort. "you marched all the way across the forest house, just to insult my soap, my snoring, and my cold feet."

"as future high lord, i am allowed to voice my displeasure with court subjects."

"as your loyal subject, i am also allowed to tell you to kindly fuck off."

eris bit back a smile. "i'm being serious, y/n. i cannot lose any more of my beauty sleep. it is absolutely maddening."

you rolled your eyes. "then stop being an insufferable twat and sleep with me."

the redhaired male opened his mouth for another snarky retort, but you merely tugged him towards the bed. you peeled back the covers and gestured for eris to make himself comfortable. he did so, albeit looking a bit peaked as you slipped in beside him.

“oh, you look positively virginal eris.” you said with a chuckle. “fret not pumpkin, i have no plans on ravishing you. now come cuddle before i come to my senses and send your sorry arse back.”

eris scrunched his nose in feigned annoyance. “you’re such a bossy little fox. you are aware that you’re speaking to the heir of the autumn court with such insolence, aren’t you?”

you tugged him to you, pinching his cheek as he laid against your chest. “i wouldn’t have to resort to insults if the big, bad future high lord had the balls to simply ask for what he wanted.”

“and what do i want?” eris asked, shifting to face you as you ran your fingers through his luscious hair.

“to be babied,” you declared. “admit it, pumpkin. you just want someone to play with your hair and cuddle you at night and give you all the kisses.”

“you’re wrong,” eris declared, his lids fluttering shut as you snuggled against him. “i don’t want just someone. i want you, little fox.”

you smiled. “well, i’m already playing with your hair and cuddling you so all that’s left is —“

eris took your face in his hands and pulled you down to him. his lips were velvet against yours, playful and teasing just like the male you were kissing. butterflies erupted in your stomach as eris clutched you closer, his breath warm against your cheek as he deepened the kiss, filling you with the taste of freshly picked apples and rich cinnamon with a hint of mint toothpaste. eris pulled away reluctantly, pressing his forehead against yours.

amber eyes full of heat pierced through you as you smirked. “it took you damn well long enough.”

eris rolled his eyes fondly before pulling you against his chest. “you absolute menace,” he said, kissing the top of your head. “you’ve finally pierced my wretched heart. it feels as horrifying as i imagined.”

you buried your face against his neck, smiling against his skin. “good night, you insufferable drama queen.”

[fantaatix]

a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

[l0stfoster]

Paul anon here !! Its been a hot minute (like 3 days) and i fear i must return and ask things

- Does anyone ever find out Paul’s related to the person who cursed tulsa ??? Is that like a big deal or is that smth that everyone just goes “damn”.

- Idk if this has been like covered or answered but whats everyone’s lifespans ?? Is it the same as normal humans or are any of them different?

- Btw timewing your little one shot ate up so bad i need more about post-jumping plz just cuz overprotective darry makes me crazy 🫶🫶 i love yalls writing so bad

- Parry wedding hcs please 🫶

- can we also just get like some angsty parry stuff plzzz

I literally cannot rmbr anything else i wanted to ask i had stuff but my brain is fried from life okay thats all 🫶🫶

Ah yes, the talk of the town returns. Welcome back we were waiting very patiently >:)

Grasping your questions in my hands, you fuel the entirety of my writing habits at this point.

Does anyone ever find out Paul’s related to the person who cursed Tulsa??? Is that a big deal or is that smth that everyone just goes “damn”.

- The gang finds out about it over time, Darry being the first and everyone finding out progressively. They don't mind, if anything it's a little interesting to be friendly with the guy who's directly related to that. I can imagine Pony and his active imagination wondering if Paul could do similar magic to what was used to make the curse. It's a little intimidating because god damn that also helps people realize how powerful Paul COULD be. (Darry's also the only person who catches onto the fact that Paul's direct relation is why he feels so much guilt over the curse) - The socs don't find out,, for a few reasons. Think about it, this curse over Tulsa is looked down upon by the socs, they could argue that it's ruined their way of life having to deal with these things- and then they find out it was one of their own who contributed to it. They've already proven how far they're willing to go, and they'd likely hold a VERY similar thought process that Paul has. "If the bloodline ends, then maybe the curse will break." - To put it simply; if word got out to the socs, Paul would be LUCKY if he survived the next time he got jumped. Hell, he'd be lucky if someone could even find his body; humans are cruel. - Shitty doodle from last night but here's how the Paul art is going.

Idk if this has been covered or answered but what's everyone’s lifespans ?? Is it the same as normal humans or are any of them different?

- Lifespans for the Cursed follow human lifespans, with some minor differences. - Fae are functionally immortal (do remember that immortal does NOT equal invincible) and I think harpies have slightly lower life spans; most live to their 70s or 80s. Their bones are fragile as it is, and they get weaker as they grow- most elder harpies' lives are at risk if they fall even once.

Btw timewing your little one-shot ate up so bad I need more about post-jumping plz just cuz overprotective Darry makes me crazy 🫶🫶 i love your writing so bad

- Timewing was very hyped about you mentioning them, as they should be. - There will be more overprotective Darry to come, I'm very insane for him and so is Time so it's only a matter of when we get to chatting about them.

Parry wedding hcs please 🫶

- Paul and Darry elope; Paul doesn’t like big events or celebrations as is and Darry would stress the fuck out over the cost. - They just go to a courthouse, sign whatever papers (idgaf if it wouldn’t work like that because gay marriage wasn’t legal), forget to tell the gang, and then proceed to be like "Oh we got married" when someone (Two-Bit prolly) says "When's the wedding" as a joke - The gang is more upset that they didn’t get to throw a bachelor party, and Soda’s mad he didn’t get to be the flower girl /silly - They both have their own ways of going about marriage spells/rituals for both witch culture and fae culture. Paul’s witch marriage stuff is more physical (tying an anointed cord around their wrists- physically tying the knot); Darry’s is more spiritual. - Paul accidentally magic binds them. He needed Darry to use his magic for something relating to his ritual and they tied. Paul, later realizing he can feel when Darry is in danger/stressed/using his own magic: Shit Paul: Paul: Dar how would you feel abt eloping Darry: What - The second Paul suggests eloping Darry’s on board giggling. Timewing feels that the way Darry’s would work since it’s more spiritual, he’d press their foreheads together, hand over Paul’s heart, and say a sort of prayer in fae. - Paul’s chill the entire time but the second he actually registers what just happened he starts sobbing LMAO. Darry thinks he did something wrong ‘cause Paul is NOT a crier. He’s got anxiety god bless. - They can’t get gayer chat.

Can we also just get like some angsty parry stuff plzzz

- I think it goes without saying that the second blood ritual was a powerhouse for angst. Darry thinks his boyfriend was trying to fucking kill himself— and to an extent, Paul can’t even say otherwise because look at it; how do you explain that? - They both have a lot of doubts regarding their relationship with one another; Darry doesn't think it's authentic and Paul's walking on eggshells because he doesn't know if one wrong move will destroy everything he tried so hard to get back. - They still have issues regarding their roles as a greaser/soc; Paul's still adapting to life on the East side, so there are a lot of little things the greasers do that he doesn't understand. The same goes with Darry and Paul's more soc-aligned behavior. - They don't fight much but when they do it usually ends with days of silent treatments from both sides before the gang forces them to talk it out, as both of them are awfully miserable without each other. - Technically not Parry itself but Paul being kicked out and losing the financial support from his parents meant he had to drop out of college. Shit was heartbreaking, both for Paul and Darry bc he was really hoping he'd get to see Paul achieve what they both had wanted.

[girlfriendsofthegalaxy]

tuesday again 2/11/2025

the bon mot slot goes to the Witcher comics, bc after i inhaled all of the 2014-present series i realized they scratch the same sad goth detective itch batman does

oops! all books!

adding another axis to the "depressive cycles" graph, where x is "how many minutes of mother mother have i listened to in the past two weeks" and y is "how many books have i read and bounced off in the past two weeks" and brother we're at the extreme upper right hand corner

what was supposed to be last week's gay and/or lesbian romance and/or erotica

Desire by Starlight, by Radclyffe, is a 261p softcover published in 2010 by Bold Strokes Books. two unrelated facts about this physical object: VERY glossy cover, and smells faintly of mildew despite having a perfect text block with no water damage. radclyffe has written over a hundred books and this is somewhere in the middle. this is sitting at a solid 4 on goodreads with some complaints that she tends to be a little formulaic. i am going to be very honest and say that when i read this two weeks ago, i did not take very good notes bc i didn't love this one. the structure and pacing were mostly fine and there were only a few strange phrases in the sex scenes, i simply did not find it particularly memorable. we have for sure read worse during this project.

i wish the local love interest did not go by Gard, short for Gardner. is it a stupid old money new york name? sure. is it hard to take the book seriously? yes.

i also found it amusing that radclyffe does not follow her own novel-writing rule outlined in this very meta novel: rarely if ever does a scene open close to the heart of a chapter.

the secret our dear gard is hiding kind of fizzles out in the literal last ten pages. i think she should have had a better or more interesting secret instead of one that could be comfortably resolved through a singular therapy session. i also feel that this teetered on will-they-won't-they-let-each-other-through-a-hardened-outer-shell a little bit too long, and the breakthrough was perhaps not as cathartic as i would have liked. this excerpt, nearly halfway through the book, they are still not together. while it's very funny to watch them seethe in poorly concealed jealousy, i am tapping my watch. do something.

i cannot immediately find the weird wording that threw me a little during the sex scenes. the sex scenes are kind of widely scattered.

i think the thing that annoys me most about this book is that there's no real benefit for either of them in this relationship. jenna has broken down from not eating or sleeping well on a national book tour, not because she's psychically suffering from not letting see her feelings she keeps in a tightly locked box. there's no real benefit for gard either, who is lonely but not cripplingly so. it starts off as a casual-only thing and then both of them (and me) are startled they catch real feelings.

there are some gestures made toward It's Nice To Have Another Woman Around In Case of Physical Injuries Due To Mishap but i would have loved to see more of how gard was won over by being taken care of. gard princess carries jenna into her vet clinic bc of a fucked up ankle and jenna is annoyed, flustered, and doubly annoyed she's flustered.

i think this one was so forgettable bc i genuinely had trouble remembering what the conflict (if any) was. both of them are stable adults with real jobs and other friends. inheriting a farm in vermont doesn't really add any new or exciting problems for either of them. neither of them are very spontaneous and neither can manic pixie dream girl the other out of her shell, and when they finally do emotionally let their walls down it doesn't feel very organic.

the like technical putting words one after another is there, this is her zillionth book and everyone has dialogue that sounds like things real people would say out loud with their mouths and everyone's physical actions map onto my real-world understanding of how bodies in 3D space work. this one did not grab me.

-

this week's gay and/or lesbian romance and/or erotica

title drops in this book: 3.

Heart on Fire is a 167p softcover published in 1996 by our old friend Naiad Press. a slightly water-damaged paperback i felt okay dragging down to the gulf when i was dragged down to the gulf last weekend for my health. this was Diana Simmonds' first solo book and first fiction book, and a lot of older lesbians seem to have a great deal of fondness for it. while i was trying to find any press or interviews, most of the hits were from other lesbian authors citing her as an inspiration. naiad really banked a lot on it being the hit novel of their publishing season and were sure it would eclipse their previous bestseller from nearly a decade ago, Katherine Forrest's Curious Wine. i don't own a paper copy but have placed a libby hold so we will make a detour from physical books in the near future.

overall, a rare book where the third act breakup does actually make a lot of sense: being the partner of a globetrotting traveling musician would put a strain on any relationship whether you choose to stay on the road or wait at home. however! it really did stick the landing! and for that i can forgive it a great deal! the sort of not quite reality of their respective third act depression sojourns and then the incredibly sensory descriptions of the finale concert…very good. very nineties movie about a musician ending if that makes any sense.

while i think the structure is fine, i think the actual craft of the narrative is more variable. we'll go into the style in the next paragraph, but part of the dedication goes "to CCC, without whom it would be full of people thinking to themselves." i wish CCC had dialed their feedback back a little bc i would have loved some more interiority, particularly from jody. i must commend our stuck-in-one-place half of the couple, grace, who makes SUCH fascinating decisions. the traveling musician jody looks like she could be the sister of her abusive ex-husband, grace's brief rebound from jody is her goddamn college advisor… bonkers. what ARE you doing???

stylistically, it feels like sitting on the patio of a lesbian bar for three hours and listening to a friend telling you a very long story about how two absent friends you don't know got together with a lot of elaborations and asides. i occasionally found this style tiresome. there are some charming turns of phrase, like "She wrote the address of the roadhouse on the package, sealed it with a kiss, said "What the hell," to neutralize the sentimental gesture, and dropped it into the mailbox." i also cackled out loud at "I don't know, I-- I really really want you, so much, and I am not very good at being cool about it." did nearly tear up at this paragraph:

some things have aged a little strangely since 1996. grace is briefly forcibly kissed by a very drunk bandmate before jody rescues her, but there are further instances of someone not immediately stopping a kiss or an embrace or what have you when someone else says no, that i think could not be written in a modern day romance novel. there are some very frank discussions of marital abuse right after a literally soul-healing sex scene.

this is a book that could never be rewritten as a straight romance with light serial numbers filed off. no one is in physical danger just because they're gay, but there's a lot of internal homophobia and readjustment on grace's part, and overall people are fairly accepting in theory but not always in practice. jody outs herself to the aussie press, and early on/right after her bus breaks down, grace and her mother discuss this news and her mother tells her off for being prejudiced, but connives to throw them together to distract grace from her recent divorce. her mother is then is very sad about the thought of her daughter who would have a very difficult life as a publicly out lesbian, and I can’t really blame her, but it’s such a switch from the vehement Fix Your Heart Or Die!!! discussion in the second chapter. there are some fraught familial reactions to grace's bisexuality-- her mom basically bullies her dad into remembering he loves his daughter-- but they all do come around.

this was fine and a good beach read, i'm not sure that i'll ever reread it. almost forgot about the sex. i think the current fashion for queer romance novels is not quite as purple, but the whole book is like this and i must respect an author's full commitment in this manner. here are some sex examples on non-consecutive pages.

-

did not finish, or finished with severe annoyance

i have become a libby power user in my old age bc texas is remarkably free with its library cards. i don't THINK i'm meant to have five of them but there seems to be no law against it and no one's told me to fuck off? this is good bc i have (at the moment) 44 holds and 56 "notify me if any of my libraries purchase this book" books tagged.

the flipside of being willing to give anything vaguely intriguing a try is that most books aren't very good or they aren't quite what i want. i will DNF anything, anytime, for no good reason. i know that statistically most novels are debut novels but i am so fucking tired of reading debut novels.

Hammajang Luck, by Makana Yamamoto, debut novel published last month. comps include ocean's 8, blade runner, and gideon the ninth. much as i love a heist novel, a heist is extremely ambitious for a debut and i didn't quite vibe with the style. i DNF'd at around the end of chapter seven, it has a very strange issue where we get from location to location pretty snappily but overexplain setting and clothing too much within individual scenes. i think it wants to be a screenplay a little too bad. a great deal of the dialogue is hawaiian pidgin (what the author grew up speaking). very much a me problem, i didn't have any experience with this language coming into this book and it was hard to turn off the kneejerk "this is racist and making fun of black people" response i had. again, very much a me problem.

Yamamoto uses Hawaiian pidgin—“an amalgamation of Hawaiian, English, Japanese, Chinese and Portuguese”—in much of the novel’s dialogue, particularly between Edie and their crew members. It is the “primary language” spoken on Kepler and speaks to the kinship between the characters. However, the decision to include pidgin occurred by happenstance. When writing the first line of dialogue between Edie and Cy, fellow crew member and friend, “it just came out in pidgin spontaneously”. Yamamoto “tried to rewrite it in standard English”, but it “sounded wrong”. Notably, the pidgin and Hawaiian words in the novel are not italicised or translated, nor does the novel include a glossary of terms. Yamamoto felt that these practices were “othering” and so asks the reader to do the work.

i think this is a reasonable thing to ask a reader, and i think i might have to take a crack at it some other time.

The Rainfall Market, by You Yeong-Gwang, a debut novel from last year freshly translated from Korean. a young woman wins a lottery ticket to enter the Rainfall Market on the first day of the rainy season, where she can completely change her life. DNF at two chapters. this seems to be generally marketed as general fiction (which is what my library had it under) but it feels very middle-grade, both as far as sentence structure and vocabulary and the general maturity-- the protagonist is about to graduate high school but her concerns and goals feel more like she's about twelve. not sure if it's an unfortunate series of translation and marketing decisions? rough!

Water Moon, by Samantha Sotto Yambao, the author's fifth book and published last month. the premise of this book is so charming: liminal-space pawnshop where you can exchange your regrets for tea, woman taking this family business over from her father, physicist who stumbles in, oh no! the physicist is playing the scully to her mulder but does not have a physicist Vibe. i think he’s too personable and not tiresome and mansplainy enough to be a particle physicist. he's too nice. she falls in love with him near-instantly. DNF partly because i have never met a particle physicist i could stand to be around for more than fifteen minutes, mostly a DNF bc at about a quarter of the way through this very slow to start book, when the girl turned to the boy after they fell through a pond into a perfect recreation of a edo-era tokyo street and said "this is the other world, you can call it isekai" i did not throw my elderly ailing phone across the room and i did not get up and stomp around bc phil was on my lap but i did vehemently return the library ebook thirteen days early.

Lucky Red, Claudia Cravens, a debut novel published summer 2023. this thoroughly fucking annoyed me. published by the literary group that also ran...basically a budget MFA? they called it a "novel generator in 12 months", they have since closed, and i cannot find how much AI was involved. i do not think this book was marketed well:

A thrilling, raucous, and gloriously queer debut about a scrappy orphan bent on making her own luck in the American West—and finding friendship, romance, and her true calling along the way, now in paperback.

this book is about an older teen in 1877 dodge city who turns to survival sex work. terrible thing after terrible thing happens to this girl whenever she makes a connection outside living just in her own head and for what? it felt like the author was setting up to deliver some moral lesson or theme other than "never question your boss" but never quite followed through. it felt like the author was punishing the protagonist for being a whore even though that’s the book the author chose to write and the author can't quite decide if it's empowering or not. again, it's very strange to read a book where the protagonist is punished for almost every decision she makes and very few parts of sex work are idealized, but then she turns to the camera and reassures the reader with a chipper "but it wasn't all bad!". i wish the protagonist got to mature or grow as a character a little more. i think this could have used more time in the oven and an ending that doesn't feel like a very ill-earned end of every american western ever. thank fucking god this is a real ensemble cast and not found family or i would be much more impatient with this book than i already am.

good at getting me to finish a book bc it's very effective at hustling you from chapter to chapter. great technical skill on that front. bad at any sort of emotional throughline.

things i DNF'd after less than two chapters

Thornfruit by Felicia Davin, published in 2018 and her seventh or eighth book. i am a little annoyed bc this was on hold for over two months but i really do appreciate the AO3-style list of tags and warnings in the front bc now i know there is stuff in this book that is not for me!

Passing Strange, by Ellen Klages, a 2017 novella and her...twentieth? work. a prolific woman. urban fantasy gay historical fiction of 1940s magical san francisco. while i do love a magical painting, i did not have it in me this week to read about a woman struggling with her legacy in the face of a terminal diagnosis.

Nevernight, Jay Kristoff, 2016 first book of a trilogy and his third trilogy overall. he keeps fucking getting me with fun vampire premises but he's very much in the same bucket as paolo bacigalupi in my brain. far more brutal and visceral things happen than you really are prepared for. do not love an opening chapter with disassociation to a past sexual assault in the middle of an assassination, as movie-crisp as the match shot transitions from present day to disassociation were.

plus a nice half dozen varied romances im not going to individually name, bc the last time i seriously used the "tag for later" feature in libby was the summer of 2019 and my tastes have changed. for example i rarely put myself through heterosexual vampire romance books these days.

-

yeah these were all right

Red Harvest, by Dashiell Hammett, his first full novel in 1929 after literally dozens of shorts and novellas. this detective noir was like watching a car crash. brutal little book. im positive this is not the earliest example of turning both ends of a town against the middle for your own profit, but it was the one cited for yojimbo so its the one that gets brought up a lot. i think the cast is slightly too large for what hammett is trying to do. sometimes reading noir as something woman-shaped feels like an elaborate act of self-harm.

Unnatural Magic, by CM Waggoner, a debut novel from late 2019. thoroughly charmed by this one! one of the most well thought out country/species/religion/immigration systems and how any and all of those can impact any one specific wizard’s magic. it's like a beautiful clockwork orrery ticking along in the background. very prachett-esque approach to troll gender. the baddie is Not doing good things but the ultimate motivations are really understandable! I get why that happened even if it was a really bad reaction! a line i keep turning over in my head is "worry like a third person in the room." i have put their second book on hold on the strength of this one.

The Firebird’s Tale, Anya Ow, a debut novel from 2016. charming retelling of the fairytale element of a royal having to marry the one who makes him smile. the lead up to and the third act separation itself were kind of stupid, and felt like it wanted to be a duology but wrapped up very fast. has a lot of thoughts about choice and putting the end of things to bed quietly and with dignity on your own terms. also has a lot of thoughts about meanings of stories. the non-magical and non-immortal half of the couple is a possessive prince who falls so hard so fast and is mad about it. they fuck so many times while thinking "well surely this doesn’t mean anything, we're just married for the convenience". they're both so dryly exasperated.

-

there's an additional hardboiled noir that was fun but i have nothing particular to say about, and a stack of physical comics from a new library that i mostly hated, but we are almost at the image limit and it is 1030 PM. i can't see why we wouldn't be back to the usual format next week but no promises bc there are no rules

[nualaofthefaerie]

It’s very interesting that you stopped supporting and talking about Dead Boy Detectives the moment it got canceled, not one post from you trying to help the actual fans save the show, support it coming back, ect nothing. I assumed it was because you and your friends (Lissy, Ashley, Swirly, Madison) finally stopped pretending that you liked it which seems like the case.

It’s just very telling the way you guys were the hype team of the show and instantly stopped talking when you didn’t have to fake it anymore.

As a longtime follower and friend I wish you actually enjoyed the show. It’s unfortunate.

Thank you for taking the time to write. I will now in detail address every single wrong assumption about it and I would simply advise while reading through this to remember that you sent in the ask and I owe to everyone the most honest answer I could possibly muster, thank you. Now, let's break this down assumption by assumption:

We stopped talking about DBD as soon as it got cancelled - that is entirely untrue. Even though, our original fandom is the Sandman we have all made the collective effort to continue talking about the show in the capacity that we wish to. If you indeed were a "friend" you would know I have not stopped showing active support for the cast of the show post cancelation as any normal person ought to.

Not a post to support the show coming back - Yes, and I will not because the show is not coming back. I am an adult. My life does not revolve around entertainment, I have a job and bills to pay. ALSO, the way this campaign to bring back the show is being handled is extremely poor. Several baffling choices are being made that interfere with my ethics and morals, and I have no desire to align myself with such choices. The internet is a free space, so please do continue to support what you wish, but my love for this show is my own and the same goes for my friends.

It appears the remaining supporters of the campaign fail to realise that in terms of numbers, the show DID fail by any and all metrics and are willing to blame everyone about it but the numbers. It is neither my nor my friends' fault that this was the case. We did our utmost best online and irl to promote it but it is also true that we exist in the reality that we exist and harbouring delusions about changing the world is not realistic for me at the big age of 20+. And if I do, those aspirations pertain to much larger issues than a show I absolutely earnestly enjoyed.

Name-dropping my friends is sweet to appear personable but I will reiterate the following point - Lissy, Ash, Swirly (who is no longer social media active at all), Madison and I, WE owe NOTHING to anybody. WE ALL went above and beyond (and still do, iykyk) to support this show. On that point, it is very important to note that bullying me, What's on Netlfix or any other indirect contributor of content as opposed to simply capitalism and Netlfix, is not very mature behaviour and it warrants inner reflection as opposed to outer aggravation.

We WERE the hype team, exactly. I'm glad that you recognise that. We were the most active people trying our utmost best to make sure the show gets renewed. But then again, we are free to return to our special interests, in our case the Sandman.

AND NOW let's talk about why we ACTUALLY stopped talking about it in the way you wish us too - the remaining fraction of the DBD fandom cannot decide whether you want the support of the Sandman fans or not. On one hand, you hold onto us as the bigger fandom that has more 'power' and wants us to help. On the other hand, ever since DBD was cancelled it has been non-stop harassment of Sandman fans - whether it would be spamming under a completely unrelated post, ridiculing the main IP for it 'being next on the chopping board' (which is very funny because we will not have a chopping board, we have one season and our show is wrapped up. The Sandman will be a grand total of 23 episodes it seems like). Like, it's almost as if we are not allowed to simply talk about our interests without aligning it with DBD which has been CANCELLED.

It's over. It's done. It is fucking sad, it is absolutely unfortunate. The Cat King is an extremely important character to me. I, personally, spent months promoting the show at conventions and it breaks my heart that this was a character that was so important to Lukas that he will never get to see through. BUT that's also how show business is- it's unfair and it's dirty and it's not always the way we want it to be.

I also believe that feeding into the delusion of renewal is unhealthy for the very talented cast of the show. You are pulling them back instead of grieving and accepting the circumstances. Allow them to move forward. If you truly LOVE DBD and its cast, you'll support them in their future endeavours without making it about DBD. I know my consciousness is absolutely clean because I have been doing that from the moment the show was cancelled (again, if ykyk).

We loved Dead Boy Detectives but we are adults. There is a large conversation that needs to be had about the way art gets trampled under the unforgiving foot of capitalism, but that will not change the current circumstances. It is an important conversation that I TOO BELIEVE IN. We all do. But I highly doubt, our characters are slandered because we don't wish to align ourselves with a campaign that doesn't align with our values.

I hope you use this as a form of reflection as opposed to a bouncing point for more arguments, because I simply have nothing more to add. Thank you.

Kind regards,

Li

[kujakumai]

would you like to elaborate on the "catastrophic mommy issues"? I'd love to hear what your thoughts are on that lol

Thief King is a child raised by a mass of vengeful tortured souls in the ruined basement where they all died, all of whom are in effect a stand-in for family/community/parents. They are all TKB has left, and they are highly protective of him; they seem not entirely within their right minds, not capable of competent childcare, and they give him explicit instructions on how to destroy and take over the world, which he follows enthusiastically.

I think about this a lot, like a lot a lot, and while we don't see much I think its gotta be a very tangled dynamic. When writing him I tend to use "mom issues" or general references to his mom as an emotional stand in because I think she's probably the most likely person he'd remember clearly when he needs a real face, but that's not necessary. All of Kul Elna is Mom for these purposes.

There is a lot going on here, for example:

>Kul Elna does not seem to leave the temple unless accompanied, or at very least they prefer to stay there. This means TKB probably spent a significant portion of his childhood in the same ruins and possibly the same room where he watched everyone die. Cool! Great!

>Kul Elna appears to be only partially corporeal, limited in their ability to do much besides menace, and TKB says they are "in hell" (unclear what that means). I do not think they are up to the daily tasks of feeding, bathing, or taking care of a small child. I think he probably grew up as an urchin mainly in squalor.

The closest real-life analogue to this is, probably, simply a child in the care of someone who is ill or disabled such that they cannot effectively take care of even themselves without support; so you have a situation where no one has done anything wrong, and this family loves each other very much, and the only real culprit is the society that failed them. But you're still going to end up with a kid who is not getting their needs met, is in a situation that is often stressful and sometimes scary, and that will lead to a rapid Adultification where the kid takes on the role of steward without ever having a proper childhood.

>The Zork-raising instructions were given to TKB by Kul Elna. He tells us this. I am less concerned by Kul Elna's obviously Zork-influenced plan to destroy everything than I am its effect on a 16 year old boy who loves them very much because they're all he has left in the entire world. When did they bring this up? Is it recent? Has it been an ongoing plan for years--has TKB effectively been raised on the idea that he is to be Egypt's own destined apocalypse maiden? How fucked up would that be?

Fandom is hesitant, I think, to ascribe anything malicious to Kul Elna or suggest that their relationship with TKB is sinister--which, for the record, I don't think it is, I think this fucked-up little family has nothing but love for this kid in the depths of whatever humanity they have left--because Kul Elna gets such an unjust treatment in canon it makes us incandescent. Yet the same would apply to TKB--if they want the world in ruins and him at the top, how could he even think anything different? After everything the pharaoh did to them, and to you, of the life they deprived you of? Impossible to suggest something different. You can't tell him they're wrong. What's that old softer world bit; I am a pacifist, and I will be a pacifist until I die, or someone threatens my mother.

>TKB does not need survivors guilt to be an unfailingly loyal Mama's Boy to his ghost family (Ghost's Boy?) but he's got to have it. A simultaneous immense guilt for getting out when no one else did; the immense loss of being left behind, like they all went to become this without him; the weight of being the only one left, the only one who can take revenge not only for you but for them, and if you fail then no one will remember any of their names, or yours. One chance. Avenge them or die a nobody. Don't fuck this up. It's your responsibility, like it or not, because no one else can help, and no one else can help because of what your enemies did to them, which is why you need to do it. It's almost self-justifying.

If you want me to editorialize, I don't think he actually cares much about ruling the world, nor does that goal make sense. I think in the back of his little brain he thinks that if he wins he finally gets to join them somehow.

tldr; I think TKB's relationship with whatever the hell Kul Elna has going on is way, way more complicated and nuanced than even he is consciously aware of and you can love someone very much and still fuck them up immensely (arguably a major them of ygo itself). TKB's has such catastrophic mommy issues he literally tries to end the world. We are talking literal apocalyptic mom issues. Cataclysmic.

[mia-martian]

I wanna bring to the Death Note and Lawlight community a take that I have and rarely ever hear about.

A lot of people seem to look at or even just remember L as an unfeeling apathetic weirdo- and this is coming from people who haven't seen the anime in years or just see a couple scenes of him. And that's a fair enough assessment to make- dude is detached in his own way.

But it's really ironic when he's put next to Light Yagami, a character who I believe literally doesn't know how to love.

Not in the aro/ace way- dude doesn't even know how to love anyone platonically. He doesn't love his family, he doesn't love his friends or his romantic partners, he doesn't love anyone. If he shows any small signs of it, I am not inclined to believe it.

When his father died and he cried, it looked like the most half-assed performance to me. As if he used it to framework and test how he would act for L's death. (Edit: Apparently Soichiro's death was after L's i think? I remembered that incorrectly. But at the same time, I think he copy-pasted his fake reaction to L's death and reused it for his dad. Point is, I don't believe he even grieves sincerely.)

And I don't think the Death Note itself exclusively did this to him. Sure, it influenced him a LOT. When you find yourself in a place of power, your brain chemistry LITERALLY changes. Of course the ability to kill with almost no consequence would influence him.

But even in the Yostuba amnesia arc, even when he's doe-eyed and defending the innocent and fighting with L about the people who died for the Kira case, I am not convinced that it's the truth. I am not convinced that he isn't just saying what he was taught to say and believe by his father. I am not convinced he fully believes his own words, even subconsciously. At least in the context of the anime and manga, he is the most insincere character I have ever seen. It's nothing but bullshit coming out of his mouth.

I'd argue the Death Note only gave him a feeling of authority that caused the mask to slip off. I'd argue that he was always this lost and was just waiting for an excuse to cut to the chase on 'justice'. To build his guillotine and finally start collecting the heads he wants to put on his mantle. He is the unfeeling, apathetic and cold freak that I've seen people assume L is. All the Death Note did was foster it.

Because while L tries to be a character for the necessary evil and gray area (i.e. Lind L. Tailor), Light is just evil. He is blindly writing names and filling pages the moment he realizes that the notebook works. He is placing a bomb in his house without thinking of the risks he'd place on his kid sister or his well-meaning parents. He is manipulating women and using them like tools. I simply cannot imagine a reality in canon where Light Yagami can love.

And obviously my point isn't to say "Lawlight wouldn't work in canon !! You can't ship them !!" The canon of a story isn't some kind of divine set of rules, literally have all the fun you want. Canon isn't real. This story isn't real. Literally make it all up and turn Light Yagami into a pining, simping mess. If anything, that's justice.

But it's interesting to think about. I used to ship Lawlight so intensely. But then years later, when I rewatched the anime, my feelings changed drastically.

Now I can't fucking stand Light Yagami, and I wish the same fate he places on all his victims. As ironic as that is.

If he was a real human being, and I had the notebook in my hands, his name would be one of the first that I would write. Call that a sign of my bias.

Now I can't imagine a single scenario where Light loves L.

I mean, I think L definitely would have feelings for Light. L has shown that he has the capability to care, despite how the writers tact on things like in the How to Read manga where his line about Light being his first ever friend could've been a 'coldly thought-out strategy.' (Eye roll)

Even in the scenario that L doesn't truly consider Light a friend, he shows that he cares for people even a little bit. When a member of the task force decides to quit and leave, L says he appreciates him and makes sure he and his family are well paid and protected. When he witnesses a member die, he's shaking in fear. He is capable of being vulnerable and caring for others. He just doesn't do it often. It's half a choice to protect himself, and half his unmasked autism. (And bro IS autistic i don't gotta defend that point)

L is capable of loving Light if L allowed himself to. If that "you're my first friend" line is sincere, he's opened his heart up to a monster. And the unfortunate thing is that there is no possible way Light is reciprocating. Light is the unfeeling, lying monster, uncapable of even concieving what love feels like. Light doesn't care for other people. His motives might be driven by a sense of justice, but that is just the flavor. That's just the color that his true intentions are thinly painted over. The true intention of power. The only thing that brings him joy is the authority he believes he has over humanity.

[botanikos]

Good evening! 

While I hate to make such a large announcement and “kill the vibe” for the weekend, I really do need to set something straight. The world outside of roleplay is tumultuous and full of horrors, ailments, and struggles unique to each day. Writing is a hobby for many of us, I assume, and a reprieve from the chaos that hounds us. However, I cannot speak for anyone else; these are my words, and my feelings. 

I made this blog as a means to connect with others and write! Roleplay, to me, is what I have always enthusiastically described as collaborative storytelling. Not only that, but it is one of the easiest and most accessible and enjoyable means of relief for me. I get on my silly little blog to write and goof off. To step away from everything else around me. Sure, occasionally I let my own feelings for the day seep into my writing - but who doesn’t use their muse as a means to an end when things have been a little rough? In the end, I am here to have fun!

Like anyone else, however, I am unfortunately and fatally…human. I have feelings such as doubt, anger, frustration, anxiety, joy, compassion, etc.. There will be times where I may have the desire or need to let these feelings be known in an OOC post. It is my blog, and that is my right! That is every individual’s right; your blog should always be your safe space, and that is exactly what mine is: A safe space. That being said, I work hard to keep my blog safe not only for myself, but for my mutuals or anyone who might come across it. I tag anything and everything I should or can, when I remember to do so and as I see fit. What I will NOT engage in however, is drama, venting, or negative specific vague-posting. And I refuse to consistently let it be a constant presence any longer. 

WHAT DOES THIS MEAN? 

My blog will remain a safe space for anyone seeking comfort, reprieve, or looking for advice provided we are mutuals. You may always approach me with any questions or concerns, especially if it is in regards to my/our writing or content on my blog. I encourage any discussions to be held in privacy between us either through tumblr IM or Discord (available upon request or when I occasionally offer it on the dash). 

I will NOT unfollow anyone for the occasional vent post. OOC venting and feelings are FINE! I make those too! My blog will have a LOT of OOC postings throughout the week and even peppered between replies and activity. My DMs are ALWAYS open if you are having a particularly hard time, and need someone to talk to (albeit, I may be delayed). 

What I WILL UNFOLLOW FOR includes but is not limited to: harassment of any kind, bullying, constant negativity, constant trauma dumping, constant acknowledgement of anonymous hate-mail, constant complaints of lack of interaction (ONLY if I have knowledge that I have reached out multiple times or reason to assume others have done so too), negative or derogatory vague posting of other users. Also, please keep in mind that I have other responsibilities outside of tumblr. While I may not immediately receive your message, see it, or response to it, it does not mean it will go ignored! Though it is no one's business, I have my own chronic conditions and experience varying degrees of social burn-out. I love chatting but can become easily overwhelmed! Give me time!

IN REGARDS TO BLOCKING - I do not block anyone without reason. So far, I have only ever blocked spam or porn bots. However, if I grow uncomfortable or have reason to doubt the safety of my space, I will not hesitate to hard block. You will not be given a warning, because again, I do not do this often / at all thus far. And for me to take this sort of action, it simply means I am unwilling to communicate my discomfort and for what I believe to be, good reason. I do not immediately block people I unfollow because on most occasions, if I unfollow someone it is either A) an accident or B) just that I don't vibe or see us interacting anytime soon or in the future. This does not inherently mean this won't change! Maybe later on I have expanded my abilities or have newfound interest / new perspectives! Neat! But unfollowing does not warrant an immediate block from me. Blocking is a SOLID and DEFINITE sentence. I do not do it lightly.

Please understand that I still wish to be a positive presence and will continue to do my best to provide this! But even I have my limits, my own external struggles, and I am weary… So very, very tired. 

If you have any GENUINE questions or concerns, please do not hesitate to reach out to me! I value communication and compassion above all things, and will happily engage in a civilized conversation about anything you might find unclear. 

Thanks for reading! 

Jude

[achaotichuman]

I dont understand why you're anti Elain. Like there's nothing 4 u to anti considering we know nothing about her💀

Like all the bitch does Is bake and cook and yall hating over THAT?? damn

HAHAHAHAHAHAHA HOLY SHIT EVERYONE LOOK I GOT MY SECOND EVER HATE ANON OMG

YALL HAVE NO IDEA HOW EXCITED I AM ABOUT THIS, I CANNOT BE GRINNING THIS MUCH IN PUBLIC OMGGG

Anywayyyy, so to answer your question anon. You are correct! We know very little about her, we have only seen the shit she does, and we can only make judgements based on her actions with no nuance because we don't have her POV yet.

You also don't strike me as pro Elain anon? You're taking away from her actions quite a bit. She has done plenty of things throughout the series.

What I don't like about her is her has to do with how she treats Nesta. She throws Nesta protecting and helping her, even to the point of neglecting her own self, back in her face and acts as though Nesta never actually cared about Elain herself and was only interested in making her trauma about her. Which is completely incorrect from what we see in ACOWAR and how Nesta protects Elain in ACOMAF.

I actually find Elain's selfishness very intriguing- I made a post about it here is the link.

But the thing about Elain, is SJM cannot write inherently selfish characters and have them work through that. Elain could force Lucien to eat glass and everyone would still worship the ground she walks on.

She doesn't experience consequences, all she has to do is shed a few crocodile tears and people bend over backwards to accommodate her wants.

I don't like characters with no substance, and in my opinion Elain is set up to be Rhysand 2.0

I go into more detail on this in my post.

And in any case I fully believe you, anon, are simply a teenager with too much time on their hands.

If you need a job to occupy your time, I recommend applying for a pharmacy assistant position, that was my first job. They're always happy to accept juniors, at least where I live.

And if you are somehow an adult sending these messages, I sincerely insist you get out of the house. Go out with some friends, have a few drinks, remember there are still some good things in the world. And if you can't afford that, parks are always free, and a good walk clears the mind of hate.

[bomberqueen17]

realizations

this is just me having medical realizations and again wishing I had someone to help me coordinate my medical care. I hear rumors some people use primary care physicians for this but mine doesn't do that kind of thing, so I'm writing things out here instead.

physical therapy:

shit got so busy last week that i fell off the wagon for the first time. I've only ever missed a single day of the thrice-weekly physical therapy exercises since I was first prescribed them in January; on two occasions I think I've wound up doing them only twice in a week. But last Tuesday, I woke up and did a few of them and then ran out of time, and then worked three twelve-hour days in a row, and a fourth day I worked six hours and then drove four more. And then I was visiting friends and had horrible menstrual cramps. So I just didn't climb back onto the wagon.

I haven't had bad sciatic nerve pain at any point during any of that. Sure, toward the end of the long days on my feet I was taking any opportunity to sit, and I was doing some of the pt stretches, and it's not that the sciatic nerve didn't hurt at all. But it didn't keep me up. And I now am back to a normal level of physical activity, and I slept in a bad position last night and am experiencing no consequences today.

I'll go back to them-- need to figure out today if I have an appointment tomorrow or Thursday first-- and I'm sure not saying the exercises caused the sciatic nerve pain-- but it sure is a fucking data point isn't it.

ADHD meds:

I have managed to take two doses of Ritalin about four times in the last two weeks. It used to be that I would at least really notice the first dose, but I've been faithful enough with it that at this point my body doesn't seem to react to it at all. I can't tell whether I've taken it, most days, and that means I don't notice it wearing off and I don't think to take the second one. I know it shouldn't work like that but it definitely doesn't. There have been days I've forgotten both doses, though, and there's no real difference in those days. And that time I tried to sew those bike shorts was one of my most obvious two-dose days.

I don't need help focusing my attention, which seems to be what the stimulants do. My manifestation of ADHD is not distraction. I have always been able to focus on a task. What I cannot do is initiate a task, change a task, or perform a sequence of tasks that depend on one another, beyond a very simple list structure. Last night I had to entirely admit defeat because coordinating a sequence of tasks was beyond me. It was an embarrassingly simple sequence of tasks: I had to drop my car off for service, and get dinner, and the hardest part was that I had to coordinate a person accompanying me in a second vehicle so I could get a ride home. And there was a time constraint, and I could not do any of it because I could not initiate the task of looking up which takeout restaurants were nearby. "Solve one thing at a time," Dude said, and proceeded to help me, but I said "i can't solve one thing at a time, because if I solve one thing I will not then be able to initiate the solving of the second thing, and then the second problem will derail the rest of my night."

On my own I would not have been able to feed myself dinner, I think. I would have had to abandon that very simple task as unsolvable. I simply could not hold two things in my mind long enough to consider it. It was absolutely stupid.

Relatedly I was trying to figure out how to calculate the sale price of an item, and it was 60% off the listed price, and I know to get 60% of something you multiply it by .6, so I was trying to do that and then subtract the number I got from the original number, and I tried it literally nine times without being able to remember the .6 result long enough to then type it back into the calculator. Yes, I know you can just times it by .4 instead now, and I also know that at any moment I could have gotten up and gotten a piece of paper, or gotten a second calculator, or taken a screenshot, but all of those solutions were so cumbersome and involved me abandoning my initial task that I could not figure out how to use them. I finally asked someone else and they told me the answer and also how to use the times .4 method, which I had considered but wasn't confident enough in.

All of this is related, I think, to me having basically no working memory. I cannot hold a thing in my mind while I contemplate a second thing. And I don't know if any ADHD medication would ever help with that. That is the root of almost all of my problems: I know, from long experience, that I have to continually maintain the single thing I am focused on in my mind, and if I try to think of any second thing, I either can't, or if I succeed, will lose the first thing irrevocably. So i can't use most of the problem-solving skills I know fine well how to use. I can't get fucking anything done. (I give amazing advice, always have, because I've spent a ton of time figuring out how to solve problems and then discovering that I can't actually use any of those methods successfully.) And, I can pretty conclusively state after these several months of experimentation: ADHD stimulant meds have zero effect on this problem.

I don't know if any meds have any effect on this problem. It may well be that there is nothing to be done for my condition, medication-wise. I guess I'm glad I was able to try medication, since it is such a miracle for so many people. I guess I'm just sad it wasn't a miracle for me. But it hasn't addressed any of my problems so I don't see a point in continuing it.

Possibly what I need is some other kind of therapy, some kind of like behavioral therapy or life coaching or something, I don't know. It would help me enormously, I think, to have a lifestyle with a predictable routine and very little dislocation, but that's not possible for me with my current job and life situation. And I don't know how to discover what kind of therapies even exist, and I know the psych provider I've been seeing will not be able to recommend anything in the three minutes we get per meeting. So I might just be out of options, now. But I guess I'm glad at least I tried.

I really wish I had some kind of doctor overseeing all of my medical care I could consult about this, but I don't, I only have the individual specialists. So I'm on my own and I'm just trying to work around my severe memory problems by writing things out, I guess.

Currently I am just going to have to accept that there's literally no way I'm going to be able to figure out how to get to Rochester and back this week, so I'm going to give up on retrieving my critical personal electronics and just wait until I head back to the farm to get them on my way through. Which sucks and I am sad about but I just don't know how to coordinate the logistics and incorporate that into my life, so I'm going to stop worrying about it. This is how I get through things: I just let almost everything go, and live with whatever I can pick up in the aftermath. C'est la vie!

Oh huh you can't add more tags onto posts once you've stopped adding them huh. Fascinating choice, Tumblr.