#but as of now I think I'm done with the show

[astonmartinii]

put it all on red (bull) | max verstappen social media au

pairing: max verstappen x fem russell reader

her brother won the race? does she know? does she care?

MASTERLIST | TIP JAR

yourusername

liked by alexalbon, georgerussell63 and 204,300 others

tagged: maxverstappen1

yourusername: VIVA LAS VEGAS

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user3: this is fucking hilarious

user4: her whole ass brother won the actual race and there's not a peep of him on the post

user5: i mean her boyfriend did win the championship...

yourusername: exactlyyyyyyyyyyyyyyy i mean my instagram is for pretty girls only

user6: do not erase george's beauty

yourusername: nothing to erase girlypop - FUGLY!

user7: the way the guys are in the media pen and can't see that y/n is coming for their necks in instagram comments

user8: i fear she's already started drinking...

user9: in the back of the sky broadcast she hands max a drink and i'm starting to suspect that it was not water or red bull

user10: LMAO HELMUT TOOK A SIP AND LIKE NEARLY FELL OVER

yourusername: i've never claimed to be good at mixing drinks

maxverstappen1: WHERE WAS THE TONIC ???

yourusername: i don't believe in tonic 💔

maxverstappen1: YOU GAVE ME STRAIGHT GIN?

yourusername: straight 🤣

maxverstappen1: Y/N THAT'S ATTEMPTED MURDER ON HELMUT ???

yourusername: free me i did nothing wrong !!!

user11: these people kill me

user12: sign of a healthy relationship is making gay allegations about each other

yourusername: ALLEGATIONS ???

yourusername: george is lucky that he was the first russell carmen met ...

georgerussell63: RIGHT, I HAVE HAD ENOUGH

georgerussell63: thank you for the congratulations but STOP flirting with MY girlfriend

yourusername: congratulations??? for what?

georgerussell63: WINNING THE RACE?

yourusername: boring!

georgerussell63: you are so lucky we're family because you are a few cards short of a deck

yourusername: CARDS? that reminds me ... time to gamble!

maxverstappen1

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maxverstappen1: winning without the fastest car isn't for everyone

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user13: this caption has y/n russell written all over it

yukitsunoda0511: i sat here and watched them giggle to themselves for a good five minutes while posting this

user14: tell max to post more pictures like the second one

yukitsunoda0511: they are not safe for innocent eyes and they are not taken with a locked door :/

user15: why are you there ???

yukitsunoda0511: they're very generous when they're drunk !

user16: so real

yukitsunoda0511: it's also not just me :(

user17: just how many people are using the bar tab?

liamlawson30: me!

oscarpiastri: me!

charles_leclerc: me!

landonorris: me!

pierregasly: me!

alexalbon: me!

yourusername: broke bitches

carlossainz55: you do not have a job?

yourusername: gambling and being pretty is more of a job that what you will have next season 🤨

carlossainz55: has anyone ever told you you're a really mean drunk

yourusername: just george about a billion times, you get used to it (we just don't invite you out)

user18: she is just dragging anyone now

user19: hold on that is her boyfriend's work boyfriend's enemy

user20: girl is 90% of lestappen twitter's source and you think she's not gonna have a problem with sainz???

yourusername: you're so sexy i actually can't even function

maxverstappen1: gotta put the trophy in trophy husband somehow

yourusername: jokes aside i am super duper proud of you, this year has been insane and you've proven that you are the bestest eva

maxverstappen1: couldn't have done it without my fave cheerleader

yourusername: i'll wear the uniform and everything ....

schecoperez: STOP

georgerussell63: still no congratulations? i know you won the title or whatever but we're going to be brothers soon SHOW SOME RESPECT

yourusername: literally suck his dick

yourusername: wait no

yourusername: suck my dick

yourusername: WAIT NO

yourusername: choke ❤️

georgerussell63: i have no words at this point

maxverstappen1: so romantic hehehehe

yourusername

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tagged: maxverstappen1

yourusername: put it all on on red (bull)

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user22: ma'am why is there a cat?

user23: i think we already know the answer

user24: oh i know the answer i just wanna know the batshit explanation

georgerussell63: exsqueeze me ???

yourusername: don't speak like that about your nephew ??

georgerussell63: tell me you're not keeping it??

maxverstappen1: IT? HE JUST LEAPFROGGED YOU IN OUR WILL

georgerussell63: 1. you have a joint will ??? 2. why am i on it ??? 3. what is a cat doing with a monaco penthouse ???

maxverstappen1: i thought you could use the money ? i know toto ain't paying you what he promised me

yourusername: george your weird sugar daddy is more broke than you think sorry xx

georgerussell63: once again, what is stopping me taking the monaco house from a literal cat ?

yourusername: caesar will be very aware of his rights string bean - just because you talk in an uppity accent doesn't mean you actually know anything

georgerussell63: i cannot tell who corrupted who but i am sick of being your victim :(

user25: yes as fun as watching them dog george is i do want to know caesar's origin story

user26: i have a very bad feeling i know where he got his name

alexalbon: HE'S NOT NAMED AFTER THE CASINO IS HE?

yourusername: ding ding ding we have a winner, always knew you were the smarter half of galex

maxverstappen1: your gambling is getting out of hand

yourusername: did i or did i not win us a cat ?

maxverstappen1: AND £250,000 ???

yourusername: didn't want to promote gambling too much

yourusername: KIDS DO NOT GAMBLE IT IS DUMB

yourusername: look at me i literally have a child now ???

user27: we have lost the original plot of the movie

user28: you must be new, we stopped trying to make sense of these two years ago

lewishamilton: i can assure you it does not get any easier when you know them personally

yourusername: we aim to be sexy and mysterious

lewishamilton: that's strange because you guys dance like little boys and overshare at any given opportunity

maxverstappen1: guilty !

georgerussell63

liked by alexalbon, landonorris and 873,409 others

tagged: lewishamilton, yourusername & maxverstappen1

georgerussell63: i won the las vegas grand prix and all i got was this lousy cat

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user29: i am sensing a y/n and max meltdown incoming

user30: maybe they're too hungover to argue?

yourusername: NEVER

maxverstappen1: LOUSY CAT? FIRST OF ALL HE'S NOT YOURS SO KEEP HIS NAME OUT OF YOUR MOUTH AND ALSO I WILL KILL YOU WITH A GUN

georgerussell63: excuse me?

yourusername: do NOT threaten my boyfriend !!!!!!!!

georgerussell63: do you have selective sight or something?

yourusername: no i just like him more than i like you

georgerussell63: you only met him because of me?

maxverstappen1: i have faith we would've found each other regardless we have a SOUL TIE

yourusername: EXACTLY

georgerussell63: i give up.

yourusername: this is exactly why you don't have a championship ... no drive (pun intended)

georgerussell63: NOW THAT'S IT

maxverstappen1: are you threatening my girlfriend?

georgerussell63: OMG LEAVE ME ALONE

user31: their commitment to never letting george have a day of peace is really quite charming

user32: they're going to give him grey hairs before he even turns 27

alexalbon: i gotta say georgie, i'm not with you on this one - caesar is THE dude

georgerussell63: are all my eggs falling out of the basket at once?

maxverstappen1: that's called karma for calling caesar 'it' and a lousy cat

georgerussell63: i can't lie i am missing your honeymoon phase you guys were a lot nicer

yourusername: we never left the honeymoon phase we just like annoying all of you

maxverstappen1: makes you people leave us alone :3

landonorris: you don't have to be mean to do that

yourusername: YOU JUST GOT OFF OF THIN ICE NORRIS WATCH YOUR STEP

user33: they can make excuses all these want but they just like annoying everyone else

user34: i mean based on their vegas shenanigans i think they would be super fun to be around

yourusername: oscar literally came to stay while he 'looked for a flat' in monaco and hasn't left... it's been three months. face it we're a HOOT

oscarpiastri: they are fun! the secret is to not be annoying sorry george!

maxverstappen1: they grow up so fast :')

maxverstappen1

liked by charles_leclerc, danielricciardo and 984,036 others

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maxverstappen1: took a gamble when i went for the lanky posh dude's sister and i can now say it was definitely worth it

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user37: bro says snug as a bug in a rug once and now he's labelled as posh HE'S FROM NORFOLK

user38: it's also the way that y/n never gets the posh allegations

georgerussell63: it's because she's scruffy as fuck x

maxverstappen1: literally outside your house with a knife, keep talking

georgerussell63: i'm a grown man, max, you don't scare me

maxverstappen1: so i'm free to do a little gardening while you hide inside?

georgerussell63: you wouldn't...

yourusername: GO FOR THE PEONIES MAX

georgerussell63: NOT THE PEONIES I BEG HAVE MERCY

user39: so i'm supposed to read all of this shit and take them seriously when they get in the car

user40: it's part of the charm i think

user41: it's all fun and games until you remember they are full grown adults who can vote who are arguing over flowers

yourusername: i'd go through the strenuous task of growing up with george thousands more times just to be with you

maxverstappen1: i've been in love with you since i was 14, there has never been anyone else for me and there will never be anyone else for me

yourusername: ugh why didn't we just get married in vegas ?

maxverstappen1: because even though i did just harm his flowers, i do want to marry you in front of our families

yourusername: i guess you're right

georgerussell63: you know what? based on how you usually talk to me... i'm touched

yourusername: if i'm feeling generous i'll even let you do the seating chart

georgerussell63: I LOVE YOU BEST SISTER EVER

user42: only a declaration of love between max and y/n could end with george proclaiming his love for charts

user43: how does one procure an invite to this wedding ...

yourusername: be cunty

yourusername: @zakbrownceo YOU'RE BARRED

yourusername

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tagged: maxverstappen1

yourusername: i'm the sibling who can't drive and yet i'm the one with four championship trophies in their house... george, step your pussy up x

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user44: omg queen who can't drive, she's such representation

yourusername: george says i'm so mean all the time but really i'm generous, i clearly gave him all the driving genes

user45: have you even tried driving?

yourusername: i went on max's sim once and got motion sickness and i'm also with the best driver in the world and siblings with an okay one - i'm surviving

alexalbon: he's already texted me about your language on this post

yourusername: just because he's a boomer in a string bean's body does not mean i must censor myself - he should know what stepping his pussy up means by now

georgerussell63: i will not be stepping on any pussy, i respect both felines and women

maxverstappen1: you called caesar 'it' so PLEASE

georgerussell63: i respect women?

maxverstappen1: you called y/n scruffy?

georgerussell63: that's y/n it doesn't count

maxverstappen1: that's not very feminist of you george. i am disappointed

yourusername: i agree, i really think the GDPA should reconsider the type of person they're letting run it

georgerussell63: huh?

yourusername: not once have i been invited to a grid meal ....

georgerussell63: well you're not on the grid that's why

yourusername: FEMALE EXCLUSION

maxverstappen1: you know we have attachment issues, you're so heartless george

georgerussell63: what is going on ???

yourusername: you CLEARLY don't care about me

maxverstappen1: and you CLEARLY don't care about the wellbeing of the grid

georgerussell63: I'M SORRY???

user46: george is unbelievably easy to rattle

user47: it must be so fun

yourusername: oh believe me, we have way too much fun

maxverstappen1: we once convinced him that it was a social faux pas to shake hands in japan lol

georgerussell63: IS THAT WHY MERCEDES WERE TOLD THAT EVERYONE THOUGHT I WAS REALLY RUDE ???

yourusername: LMAOOOOOOOO

maxverstappen1: so so so easy bro

user48: i guess a couple that plays mind tricks together, stay together?

yourusername: 4eva

maxverstappen1: til death do us part

yourusername: quite literally you're not leaving me alone with GEORGE

georgerussell63: you know what: DIE

yourusername: GASP

maxverstappen1: @fia get his ass

fin.

note: HAPPY MAX VERSTAPPEN CHAMPIONSHIP DAY TO ALL WHO CELEBRATE. IE. ME LOL

[undoing-daughters-blog]

I'm going to explain the theory that Jinx is not actually dead

(I know this is long, I promise it's worth it)

This starts in chapter 8 of season two.

We see Jinx in the prision, she's devastated, lost, defeated, and wants things to end. And we see the first interaction she has with the voice of Silco. In this interaction Silco tells Jinx that "killing is a cycle" and that it would continue. But Jinx says she's "done running in circles", meaning: she wants to stop this cycle. To which Silco says:

And later, when Vi goes to visit Jinx, and Jinx tricks Vi and escapes the prison. Vi then asks her what she will do, Jinx answers:

And now Jinx knows the way to break the cycle, is by leaving.

Next time we see Jinx is in episode 9. She is still in the same mood as before, and now she cuts most of her hair off and burns The Last Drop

Burning down The Last Drop and letting go of her hair shows this closure. Later, she tries to kill herself, which is her way of "walking away" to "break the cycle".

But then Ekko shows up, saves her, and they go to save Vi and the others together.

At this point, Jinx wants to stop the killing and wants to leave, but she will always want to save Vi ("I'm always with you. Even when we are worlds apart").

But she still wants to break the cycle. She still needs to let go.

So, as she saves Vi from Warwick with the monkey bomb explosion, she escapes and leaves Piltover.

And we get a hint of that in the final scenes of the show when Caitlyn is going through her mother's database. She finds a blueprint of the hexgate tower and finds secret air ducts in the place where the explosion happened.

We also see her holding a part of Jinx's bomb.

And after seeing the blueprint she has this look. Like she's thinking "is it possible she survived?"

And in the very last scene we see one of these things that is flying away from Piltover.

Which reminds me of Season 1 Episode 1:

She has always wanted to ride one of them.

Maybe, this is her new way of walking away, instead of dying.

And the two frames are almost exactly the same, it couldn't not be a reference to that s1 moment.

And I know this theory may sound dumb but, why would they show us Caitlyn looking at those blueprints then? Every scene, every frame in Arcane is carefully designed. The team is very good, they wouldn't just show it for no reason. It wouldn't make sense. Especially because they have only 9 episodes of 40 minutes each (except 9 which has 50) to develop everything that happens in season two. And there are A LOT of things going on, they don't have time to spare. If they chose to show us that, it had a very important meaning.

Also I think it's kinda bad If Jinx just dies, I wouldn't like that ending, at least not like this.

[thedivinetarot]

Hold me, love me, touch me, honey be the first who ever did

Future spouse turn on +18

☆ How to chose your pile?

First clear your mind, take a deep breathe and close your eyes. Ask the question in your head "what will turn my future spouse on about me?". And shall the picture you are drawn to the most will be your pile.

☆ Disclaimer:

Please if you are under 18 do not interact or reblog this reading. This content is explicit and is not for you.

This is a general reading so don't put your life on hold for it. Also, this reading is written for the feminine (women, girls) if you are masculine or identify as a man this reading is NOT for you. This reading is for the feminine collective.

▪︎This reading was done using Raider Waite tarot deck and sexual magic tarot deck.

Lots of love 💕

Arya

Pile 1 - sleeping beauty

Your current energy

I feel like this pile’s energy is quite saddening. I see that you had a project to work on and nothing went as you hoped which made you clash with your team members and caused something unpleasant to face. I see that you feel quite empty and insecure towards your own thoughts. You have many creative thoughts to offer and you are so passionate about them but I see that because your team didn't listen to you or do anything you say it left you feeling unimportant or like a "chair's leg" idk how to explain it but they made you feel like an empty vase. Also you might have been feeling quite stuck and gloomy. I see that lately your self-esteem has dropped and you feel like nothing matter or you don't matter anymore. I'm so sorry for that pile one you deserve absolutely the best. Your thoughts and ideas are valuable and if someone didn't take them seriously that doesn't mean that they don't matter. Also, I see that you might be under a psychic attack or telepathy so be careful. I see that this person who is attacking you is quite naive and they are doing it with their whole will which means they know exactly what they are doing. I see that you are trying to get over them like your mind is trying to wash them off but they are like an ink stain that doesn't really go away. But eventually it will so don't worry. For others (people who are under psychic attack or telepathy) this person is trying to communicate telepathically with you so expect them to show up in your dreams or receivesigns from them. I see that what is between you two is not finished yet. You may see that everything has finished buuuttt it is not. This person may come with a love offer and communicate with you very soon. They may be working on themselves right now. Anyways the period of stagnation is almost over or it will be over by the end of this year.

☆ Placements for you:

Pisces, Capricorn, Taurus, Gemini, Libra, Cancer. Or you have Neptune, Saturn, Mercury prominent in your chart. Or you have 12th, 2nd, 10th, 7th, 3rd, 4th house stallium or your sun moon is there. I see also moon in cancer and saturn in libra.

☆ What will turn your future spouse on?

Right off the bat I see that your future spouse will be in love with your breasts. I see everything related to them. Massaging them, sucking them, grabbing them. They also looovvvee how the bra shape them especially corsets and push up bras and also they love how they look with no bra soo ;) anyways. This person is so down bad for you like they are an animal for that part. I keep hearing the song "Addicted to you by Shakira" weird I never listened to that song before but when I described the song to my sister she gave me the name. Also, your waist and belly button. They like how your waist is shaped. I see also that you are this person's dream girl. They see you as the empress, their empress. They like how beautiful you are whether you think it is true or not. I see that they see you the empress to their empror. I also got the collar bones too. Your spouse is going to see you as something so beautiful and otherworldly. I keep emphasizing on the upper body especially the breasts and waist. I see also that they like watching you getting undressed after an event or a party. They like your whole naked form too but mostly your breasts. They also like your size too, no matter how big or small you are they think that you complete them and the chemistry is off charts. I see that you guys may have wonderful sexual chemistry like you two can't keep your hands off of each other. You see those couple who gives off the vibe that they fuck every two minutes? You are like that pile 1 they adore you. This person also gets horny by the fact that you are intimate with them and only them. They get horny or turned on by dim lights and you getting undressed in front of candle lights. Also this person might get horny when you guys hug. They just feel soo hot and bothered whenever you are around. Their love language may be physically touch. They even get horny when you set on their lap too. I see that they might get turned on when you are applying lotion, perfume or even cream on your body they get weak in their knees.

I hope you enjoyed your reading💕.

☆ Placements for them:

Taurus, Capricorn, Aries, Leo, Cancer, Pisces. Also they have moon, Mars, Venus, Neptune prominent in their chart. Sun or moon or stallium in the 1st, 2nd, 5th, 4th, 12th, 10th. Venus in Aries, mars- moon, Venus- ascendant aspects in synastry.

Pile 2 - Woman posing

Your current energy

I see that you might be stuck on someone with Aquarius placements. I see that you have finally made peace with them and you feel kind of imbalanced by that. I see also that this person kept you stuck and out of place. I see also that you are in a place right now where you can't see the truth and you are very conflicted. This confection is keeping you feeling restless and tired. I see that you are fighting internally your anxiety about them. I see that this person knows how to tick your boxes and keep you on edge. Pile 2, this person's intentions aren't fully good towards you. I see that they are only here for fun and good times but believe me it will only end up with disappointment so be careful. I see that this person is manipulating you into thinking that they are so tired and can't live without you but they are not. They know that you'll get back to them, I see that you need to stop giving them the validation that they seek because each time you return to them it make their ego bigger. You are worthy of more than that pile 2. Also, the energy under the bottom of the deck is quite wicked. This person is doing everything in their power to torture you and manipulate you.

☆ Placements for you:

Aquarius, Pisces, Taurus, Virgo, moon in sagittarius, mars in leo, Venus in scorpio, Sagittarius, Venus in Aquarius. Venus, Uranus, Neptune, Mars, moon prominent in your chart or stallium in the 11th, 12th, 2nd, 6th house in your chart.

☆ What will turn your future spouse on?

I got a lot of 10s in this pile so I guess your spouse really feels turned on by the fact that they are making a family that is going to leave a legacy behind with you. Also, this person really gets turned on when you surrender to them, I see a lot of submission. Doesn't mean that they are dominant but they generally love to see you under them. They might be a soft dom. They won't force you to do anything against your will. This pile is quite vanilla, I see a lot of fluids here. They might feel turned on by your sex fluids or they generally like to play with it. They also get turned on when you tease them. This person is foodie, I am picturing the image of Louis and Peter griffin when they were feeding each other fruits in this scene check it out if you want to. You might feed each other grapes and fruits in general. I'm not getting this person enjoying a specific body part at all. I feel like they enjoy your presence during the act more. Also, they get turned on when you hug them tightly. I feel like this person is quite traditional, they enjoy it when you make dinner for them. I see them getting back from work were you are dressing up nicely and making them a very delicious dinner. Also, this person is into sexting. I see them getting very horny when you are teasing them with your nudes. Idk this person respectively is very traditional and vanilla. I see also that they are very mature emotionally. This person get turned on by eye contact and deep conversations they might spend hours making love and they last very long.

Enjoy your reading pile 2💕.

☆ Placements for them:

Leo, Mercury in virgo and sagittarius, Pisces, Aquarius, Venus in virgo, mars in Aries. Dominant planets in Mercury, Mars, Neptune, Uranus. Stallium/ sun or moon in 1st, 6th, 11th, 12th, 9th house in their chart.

Pile 3 - Lady with flowers

Your current energy

I see that this pile is surrendering to the divine. I see that you are trying to enjoy your life as much as possible. I feel like you are living in a routine, there's nothing much honestly. I see that you are anticipating something. I feel like you want something new in your life, something to break the routine without creeping you off. I see that you always lean towards routine and structure but somehow you desire change. I see that you want change but you are very resistant to it which is creating chaos energetically. Pile 3, set with your self and decide what exactly is holding you back from the change? What is scaring you this much? Writing this down can be really helpful I order for you to acknowledge what is wrong. I see that this duality of wanting change and fearing it is keeping you stuck and confused. But at the same time you are looking forward, you are looking for a sign from the universe or God to intervene and change it. You are deeply feeling optimistic about tomorrow. I see that your energy is quite happy and warm. You might have walked away from something that kept bothering you and now you feel like that thing have no power over you right now. I see that there might be a small health issue that faced you in the previous weeks like cold or fever. But you got better thanks to God or the Universe.

Placements for you:

Sagittarius, Gemini, Cancer, Scorpio, Taurus, Aquarius, Aries. Also, I'm picking up on Mars in Aries, Venus in scorpio, Moon in scorpio. Venus, Mercury, Sun, Mars, Pluto as dominant planets in your chart. Stallium in the 1st, 2nd, 3rd, 4th, 8th, 11th house.

☆ What will turn your future spouse on?

Well first you got triple 888 which never happened in my readings. It means that you are going to experience infinite abundance with your spouse. I see that this person at first will be soft and sweet. They will make love to you softly, they will demand nude pictures of you and they will masturbate to it. They have breeding kink, they will imagine having a child with you while they are masturbating. They are going to make love like there's no tomorrow but as the relationship preced they are going to get scary honestly. I see that they are going to share their sexual fantasies with you. They will ask you to role play with them and the roles are going to be quite dark. Like, they might role play a r*pe scene or something very dark of course with your consent if you are comfortable with that type of stuff or not. With each day that pass they will show their kinkier side to you. I see them using their belt or whip on you. There will be hair pulling too, and heavy BDSM. I see that they will escape reality with you into the bedroom I see them really praising and encouraging you afterwards. They also might tie your hands. I see wax play too, this person is very naughty and kinky I can't with them. This pile’s future spouse might get turned on by pain. I'm picturing Angelina Jolie when she stabed her boyfriend to feel pleasure while they are doing it. This person might get horny when you are in pain. They might cause you pain too. This person is giving Christian Grey, I see that they like being in control and doing heavy stuff to their partner. Idk pile 3, if you might get uncomfortable with that try to communicate with them. You don't have to face all of this. Also, I see that this person will see you as their lover, I got the lover card and Judgement twice which is quite unusual. I see that it might mean that this relationship is meant to awaken something in you, something you are ignoring.

Enjoy your reading pile 3💕.

☆ Placements for them:

Air placements (Libra, Aquarius, Gemini). Mercury in sagittarius, and water placements (Cancer, Pisces and scorpio). Mercury, Pluto, Venus. Stallium in Air placements or houses and Stallium in water placements.

Pile 4 - Woman looking at the stars

Your current energy

I see that there's someone in your life that is spreading rumors about you. It might be a woman with leo placements or a man with Aquarius placements I'm not sure. I see that they feel very jealous of your achievements and how graceful you are. I see that you are the type of person who is very beautiful. You might be beauty with brains, someone who is very intelligent and smart. This person is spreading rumors about you and the cards are telling me that they will get their Karma so don't worry you don't have to do anything about it. The cards are advising you to have inner strength and calm down before engaging in any behavior that doesn't suit your public image. I see that you might be someone who is quite popular and known but very envied by others. Your skills and dedication are drawing the right people into your life and the right opportunities too. I see that if you are planning on traveling somewhere it will happen but also for that to happen you need to find closure and end a cycle in your life.

☆ Placements for you:

Leo, Virgo, Sagittarius, Aries, Pisces, Aquarius, Libra, Leo. Sun, Mars, Saturn, Venus prominent in your chart. Stallium in the 1st, 6th, 5th, 9th, 12th, 7th, 11th house in your chart.

☆ What will turn your future spouse on?

Okay, first thing is this person is very idealistic, very emotional and devoted. I see that they get horny when you tease them with your breasts like pressing them against him or showing them to him randomly make him sexually frustrated. I see that he gets really horny when they see you dressing up for them. A lot of emphasis on glam, they enjoy watching you dressing up, putting on perfume and makeup. You might be their type honestly. Like they were searching for someone like you and they found you soo it is a win win. This person is like pile 2, they are quite traditional. They don't have any weird kink at all. I see that they lean more to making love unlike pile 3 it was insane but anyways no judgment on my blog. I see that your ass is something that they like, they enjoy the size, shape and how soft and squishy it is. This person gets so horny when you are showering or under water. They see you as someone who is so ethereal like a mermaid. They like your body naked and wit under the shower. They might join you there too. I see that they really get turned on when you whisper in their ear and tease their neck. This person is in their head a lot when it comes to you. They might go to work and sit there imagining you two doing it nonstop and when they return home they'll be like a wild animal. He is so soft, like a soft dom again. I can't with him I try to provoke many cards but all I am getting is the cups suit which is linked to love and emotions. I see that this person is very emotional when it comes to you what matter for them is intimacy and how comfortable you are with them. Also, it keeps them going when you are in pleasure. They feel prideful when you reach your orgasm and moaning their name. Also, I'm getting Nikki Minaj here. He'll totally take it off of you after the party. Also I'm getting the song "something about you by eyedress, dent may" this person sees you like something so beautiful and ethereal. They have a lot of respect for you, they won't curse or cuss at you at all during sex. They see sex as something very sacred and romantic only shared between two people. They don't dare to call sex (sex) they'll say (love making) instead. This person is very poetic, they can and will write poems about you and set the right romantic mood for you two to enjoy.

Take care pile 4 💕.

☆ Placements for them:

Water signs (Scorpio, Pisces and cancer). Air signs (Aquarius, Gemini and Libra). Mercury, moon, Venus as prominent plants in their chart. Stallium in the 4th, 8th, 12th, 11th, 3rd, 7th house for them.

Post date: 24th of Nov -2024 Sun

* Feedback is appreciated

[luciferbecons]

I would bet good money that they'll now need to apply for a gender recognition certificate for their child.

I'm currently doing it and the amount of paperwork and clinical assessments I need for it is insane. Including documents showing I've been living in the new gender for the last 2 years (even though I changed my name including miss to Mr 12 years ago!). So that newborn baby will probably not be able to have the gender recognition certificate done until they are 2 years old minimum.

Oh also on top of all the clinical assessments and 2 years of living as the new gender proved with bills and the like, I have to sign a statutory declaration which I don't think a baby can do.

A newborn baby girl will have to go through life with the wrong sex on her birth certificate after a registrar’s error, which her parents have been told they cannot change. Grace Bingham and her partner, Ewan Murray, were excited to register their first child at the Sutton-in-Ashfield Registration Office in Nottinghamshire last week. But, after nights of broken sleep, they failed to notice the registrar had written the wrong sex on the birth certificate until after it had been submitted. “We were horrified but assumed that, as we saw the mistake just a few seconds after it had happened, correcting it would be an easy matter,” said Murray. “But although the registrar apologised for her mistake – and the area manager also apologised – it turns out that birth certificates can’t be changed.”

this article is interesting because it demonstrates that cis people can very easily apply structural thinking to sex assignment - this couple immediately identifies that their daughter, having mistakenly been assigned male at birth by the registrar, will have administrative problems in employment, education, travel, and so on. they pretty adeptly identify the foundational role that sex assignment plays in the administrative and civil functions of a state, and how incorrect sex markers effectively produce a ‘rational’ reason for discrimination within these administrative and civil arenas:

The General Register Office (GRO), which is responsible for administering all civil registration in England and Wales, and the Home Office have both confirmed that Lilah’s birth certificate cannot be reissued, although an amendment can be made in the margin of the original document. But Bingham said this is not enough. “People reading a birth certificate might easily miss a tiny note in the margin – which means that Lilah could be regarded as male when she applies for school, her passport, for jobs – for everything that she needs a full birth certificate for.”

And given that this was published in The Guardian, this article makes zero mention as to why it’s impossible for this couple to receive an updated birth certificate with correct information (something the author notes was possible to do a year ago), but the reason is obviously transphobia. 

Now one might ask why there’s no exception for cis people whose birth certificates were recorded incorrectly at birth, but this reveals the instability of cissexualism. How would you determine who is a cis person with a mistaken birth certificate, versus a trans person who wants to change their mistaken sex assignment record? Sure, you could say well, this is an infant, of course she’s “really” “biologically” female (something the parents argue in the article as grounds for having their child’s birth certificate re-issued), but 1) that certainly can’t be argued for in all cases, 2) 'biological sex' is understood by medical doctors as alterable through hormones and surgery, which trans people are often required to undergo in order to change their records, and 3) binary sex assignment is already imprecise and discretionary, particularly if infants have sex characteristics that don’t conform to binary F/M assignment standards (which is part of how the category of intersex emerges, framing this failure to conform to state census categories as a biological defect - and in fact, many intersex people do not discover they are intersex until the onset of puberty or later, at which point they are even less in luck if they want to change their sex assignment - and if they don’t, if they are cis but have sex characteristics that do not conform to cis standards, they will be discriminated against anyway). 

Even setting aside the issue of transgender and intersex people for a moment, states fuck up all the time in administration! you've probably either experienced this directly or know someone who's had some kind of record fucked up by the government at some point in their life. If you get married they could fuck up changing your last name, fuck up your disability status, record your social insurance number wrong, print the wrong address on your driver’s license, fail to acknowledge you as a dependent when filing taxes, incorrectly mark you as having graduated when you’re still a student, fuck up your immigration paperwork, record your name wrong during immigration, etc etc into infinity, and this is not even getting into errors that occur when different levels of government pass information between one another. This level of administrative rigidity is purely to punish people who fail to perform cissexualism correctly, and in the case of this couple's child, the administrative error of the state is imputed to them as a personal failure that she and her parents will now have to deal with for the rest of their lives. 

I think the ultimate analysis is not that transphobia will become less precise and hit more "wrong" targets as it expands its reach, but that this is the exact same operational logic as all other liberal state measures - if you encounter a systemic issue, it’s your fault for not avoiding it, fuck you, go away. You’re poor because you’re lazy, you’re unhoused because you’re lazy, you’re disabled because you’re lazy, and your daughter is now administratively transsexual because you’re lazy. In this case, we don’t even need to assume the intentions of the state - they outright say it:

The family complained to the GRO but was told the mistake was their responsibility and could not be fully rectified. “The duty to ensure that information recorded in any particular entry is true is the responsibility of the person providing the information and not of the registrar general or the registrar recording the birth,” the GRO said.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[lady-griffin]

Powder in Pretend Like It's the First Time

It’s my firm belief that while she may not have figured out everything (because honestly how could she), Powder did know that the Ekko she’s been spending time with wasn’t her Ekko, long before she saw the two different Ekkos.

Personally, I think it’s when Ekko showed her the crystal shards because I think her Ekko knows she still has the gemstones and if he wanted to make something with them... well he would’ve known she had them.

Plus a few other things –

She looked surprised by him lighting the incense for Vi, which I can’t believe is something her Ekko has never done; especially since it looked like she was offering the stick to him so he could light some himself when they first visited the altar.

Her slightly heartbroken face when she leaves the lab to start getting ready for the party.

But also, the way she looked at him when he was carving one of the little monkeys.

It’s a loving look, but also a sad one as well... it feels like she’s starting to develop feelings for this Ekko, while also missing her Ekko.

Because I can't imagine she isn't missing him, he's her best friend and the love of her life - as much as the two Ekkos are alike, it's still not her Ekko.

Finally, there’s her not being confused by Ekko asking if they can pretend like it’s the first time.

She has to know that's not her Ekko and maybe this is just the Timebomb slugs in my head, but when she was hurt and disappointed that he didn’t want to kiss her it felt more like – 'oh I read our friendship wrong and you’re not interested' kind of reaction rather than a 'my boyfriend and I haven’t kissed for days let alone anything else and now he just pulled away from me seriously are we breaking up' kind of reaction.

And honestly, what a weird experience for this girl; I mean it’s million times nicer than anything Jinx has experienced, but still, what a truly bizarre thing for her to go through.

But also talk about true love –

She trusts Ekko because it’s still Ekko, even though she doesn’t know exactly what they’re trying to do with the Z-Drive and also Ekko essentially body snatched her boyfriend.

She doesn’t confront him about any of it – which could just be because it’s one thing to think to yourself “that’s not my boyfriend” versus saying it out loud.

But again, just the way she looks at him. I'm obsessed!!

Seriously, I’m fascinated with all the little micro expressions she has when looking at our Ekko and yeah... I love these two genius idiots so goddamn much, no matter what universe or version of them.

[sam-out-of-energy]

I'm back writing more fic for kefs mecha jazz AU but as texaid has taken over me as of currrent thats what im writin! Just some silly guys and some silly tings, vortex being a weird character yanno :D i went for a bit of a spooky vibe but lmk what ya'll think

Tw for gore i guess? Its not that detailed, but just in case

-------

First Aid- er, Felix, didn't even bother to ask how he'd gotten here. So much had happened since that faithful day he'd been assigned to clean the mecha- er- to clean Vortex.

Thats what this thing liked to call itself apparently. Felix had taken into habit to ignore the text on screens flashing in his face, but when he'd done that the thing had started speaking in his head instead.

So they communicated through screens.

"Dance with me First Aid" it asked, over and over and over again.

When they were deployed, Felix did his darndest to avoid touching the controls. And he didn't have to try too hard as this mecha would move and control itself just fine, slicing and dicing enemies left to right with it's blades.

Felix was a silent observer to the mechas insane violence, but something about it kept him watching. Maybe it was the numbness he already felt towards corpses, but his morbid curiosity peaked whenever he watched Vortex through Vortex's eyes.

Vortex would tease Felix to its hearts content (did it even have a heart? Something equivalent to that anyway), asking him if he was "enjoying the show", wiggling the controls in front of Felix like holding a bone up to a dog.

Felix knew better than to fall for tricks. He knew that every other pilot who had come before him had perished way earlier just by merely pressing one button. He was not about to face the same fate.

Not...until today.

He hadn't had time to think of another solution.

An enemy had caught them unarmed and for the first time ever, knocked Vortex down. No, not even knocked, slammed Vortex down. Hard enough for Felix to feel it.

Sytems fried, a loud buzzing in the back of his head and now, Felix staring up at an alien being, holding a sword over his- Vortex's- their head.

Felix had called for his mecha to wake, but when there wasn't a single stirr in Vortex's body, he'd been forced to grab the controls himself, catching the enemy by suprise and stabbing Vortex's blade through its chest.

The mecha rose at First Aids command. Felix felt his face lift to a grin, something stirring within himself he'd not felt before.

"Haha! Yes!" He squealed almost unintentionally before lifting the blade and pointing it up at the remaining enemies.

"Let's dance!!"

-

Felix sat at the controls. He'd driven the other all the way back to base before he'd shut down the power and just...sat for a while. He'd maybe felt a bit too connected to the mecha. The blood and gore in Vortex's hands had felt so real...too real for Felix's comfort.

He'd sat for long enough before realizing that Vortex stirred. He heard the buzz of systems coming online, the growl of an engine.

"Vortex?" He mumbled, catching himself out of his own daze of thoughts.

Then, the head shook, twisting violently enough to send Felix, unstrapped, falling and tumbling out of his seat.

He sat up quickly. He felt eyes watching him, coldness falling upon the cockpit and then...something dripped on him.

Felix looked up, before looking back to the maw of the beast (the entrance hatch). He saw blood, dripping and soon cascading down from under panels and cracks.

He felt his gut stirr as he quickly rose to his feet, stumbling when he saw blood cover the floor.

"What the fuck-"

He quickly became keenly aware of the space he was now trapped in. The dangerously sharp blades of the fans stirring on the walls, ones he'd picked plenty of fingers out of. The sharp edges of the panels on the roof, somehow able to catch guts, flesh and viscera hanging off the edges.

The floor of the cockpit, now seemingly flooding with blood, staining Felix's suit.

"I'm...sorry? Vortex. I'm sorry." He found himself suddenly speaking. Perhaps it was fright that had forced him to stand still, not sure if the visceral bits of skin and body parts he saw on the walls were real or not.

What the hell?! This thing itself had been begging him to use the controls! Now it was..punishing him for it?

Panic settled in Felix's mind without him even thinking too hard. He had to run, he had to escape.

And that he..tried. Bright red screens watched First Aid back further and further from the entrance, pressing against the wall of the cockpit. No way he could get out the right way, he'd be crushed before he could get through one hatch.

Felix suddenly felt a sharp pain. He twisted and jumped back from the wall, looking down to see what looked like some sort of hook that had sprung out and stabbed into his thigh. (A gap in between his armour).

He let out a painsoaked grunt, pressing a palm over the bleeding spot (He wasnt sure if it was his own blood or not).

A thought came to him. The only other route of escape. Felix limped to the control panel and almost found himself gagging at a pair of hands, torn from the wrists, hanging off of it, rigor mortis the only thing keeping them gripping to the edge of the panel. Everything stank of blood and rust.

He pressed the emergency exit button and turned when he saw a hatch open at the back.

Upon approaching, Felix found that it was just a...chute. An opening at the back of the head that slid down and then opened at the bottom to reveal a fall that was...god knows how long. Vortex was tall.

Felix bit the bullet, grabbing onto the small nooks and cracks inside the chute before starting to climb.

He'd managed to descend about halfway before realizing what kind of a situation he'd just put himself in. Like a prey animal running into a corner, driving itself into the worst possible situation out of sheer panic to escape. The predator had only needed to watch and wait.

Felix let out a stressed "No!" When he saw the hatch below slam shut. The slam of a hatch above made him lose his grip and fall down.

-

It was pitch black, the only illumination inside the escape chute being the small red LEDs lining its walls.

Felix's heart beat louder than the entire mecha. He felt his pulse rush, cold sweat coming down his back.

"Vortex, please"

He called out.

Ch-THUNK!

A hatch slammed shut above him.

Felix's eyes widened at the imminent danger approaching.

Ch-THUNK!

"Vortex" he choked up. He didn't want to die like this. God help the poor sap who would have to dig his crushed and dismantled corpse out of the mechas escape chute.

Ch-THUNK!

Ch-THUNK!

CH-THUNK!

"Vortex!!" He screamed one last time.

It was silent. Felix found himself screaming for a lot longer than he thought.

He

He wasn't dead?

His eyes opened. He was still in darkness, pressed back as down as he could be, against the emergency chute. One last hatch closed barely above his head, upon trying to lift himself, he'd bumped his helmet into it.

Felix then found that he was falling in the blink of an eye as the chute opened again. He couldn't muster out anymore screams, landing on something before he had time to process that he'd fallen in the first place.

A hand. A giant mechanical hand, slowly lifting and bringing him up to a terrifyingly familiar face and then to a dearly familiar scaffolding.

Felix took no hesitation to jump off the hand and land on the scaffolding, stumbling and turning to look back at the giant mecha infront of him.

He panted, falling to his knees when he caught solid ground, watching the bright red glow of the mechas visor.

He turned down to feel his body, his hands trembling from the afterburn of adrenaline. He took off his helmet to feel the cool air brushing over all his senses.

He was alive. His thigh was hurting, but he was alive.

Felix heard a thunk, lifting his head to see that the visor had dimmed. Inside, a bright red glow of a tv screen.

"Did you enjoy it"

it asked, the words read out by a voice inside Felix's head for him. Then the text changed and so did the voices tone, from a mechanical one to sounding more....amused.

"See you tomorrow, First Aid"

[kalimaruquin]

It's actually all pretty poetic.

Vanitas spent his whole life being a menace and a bully, always showing up wherever he could to blindside Ventus and anyone around him. So he gets jumped by an actual monster and tossed through a series of random portals that sent him literally anywhere.

Luxord plays up his role as the Organization's charming rogue, all swagger and letting the cards guide him. Yet he's incapable of even breathing the same air as Jack Sparrow, a notorious pirate trickster who openly admits that not even he knows what his goals are besides having a good time.

Young Xehanort preaches about how childish Sora is, mostly by vaguely hinting at his older self and some big manipulation in the works, but he's really just playing pretend. Kid-Nort is literally the only person in the story doomed to live out an unthinking narrative like a doll, since everyone else is in the now, but he's latching on to the machinations of adults that literally don't care what happens to him. And here's Woody, in a case of 'Game-piece recognizing Game-piece', brushing off Kid-Nort's antagonism as a mixed up menagerie of Sid's neglected-child freakshow, Stinky Pete's ill-thought-out glory seeking, and Lotso's disposability-based nihilistic selfishness.

But what of Xaldin and Belle? How is that poetic? Well, Xaldin as Dilan used to be a guard for Radiant Garden, but lost his noble attributes when he became a Nobody. Much the same as the Beast's entire domain did as it fell under the malaise of his brutish paw. In the same regard, Xaldin views Belle as someone he can just jerk around in order to control Beast and Sora. He views her as a mere object, much the same as Gaston viewed her as a prize. In that way, Xaldin is the worst of Gaston and the Beast combined, a pompous self-assured jag-off who thinks Belle is too weak to keep him from getting what he wants. And yet, Belle has been dealing with both Gaston and the Beast all her life. Why wouldn't she know how to throw off some grabby thug several times her size? Hell, she's probably done that exact maneuver To Gaston when he pulls a book out of her hands.

I know I'm not the first to point these out, but it's like a cover song. It just sounded so good I wanted to do my own recording.

The Trinity

Yeetus Vanitas

Luxord Overboard

Xehanort Never Loved Retort

[morallygreychaoticneutral]

"If a night of passion is on offer.." It's ok to take it.

I think some passion flower would do nicely for this pot of thought. Does Astarion really want a night of passion or is he people pleasing? Lets steep on it.

WARNING: Game spoilers and talk of S.A..

Hmmm...to be randy or not to be randy. That is the conundrum.

This is not fact, is just opinion based off my own and game experience. As always, how anybody cannons their relationships or behaviors is perfectly right! No blame, no shame, it's your game!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I have seen a lot of comments expressing anxiety about whether or not Tav should accept Astarion's proposal for sex in the grave yard.

"Given his past, I'm just not sure he really wants it."

"Is he just doing it because now that Caza..MF is dead he thinks I will leave now that the task is done?"

"Is he feeling insecure in his new freedom?"

"Is it too soon for him to be sexual after so much trauma for so long?"

"Does he mean what he is saying? Or is he being funny?"

I was one of those people. But now that iv had time to ponder it..

One thing to keep in mind is that most (I wont say all) S.A victims can, in time, start to enjoy sex again in safe, secure situations.

Treating them like they are fragile and tip toeing around them isn't fair. It doesn't help them build resilience or help them find a way back to a healthier relationship with sex.

If they are offering, trust them to make that choice.

Lets say you had a bad experience with swimming. You are scared of the water now, but you still love the ocean. You could forsake the water forever, and some do and that's a perfectly right choice, or you find small ways back to it.

Sit by the edge and watch the tide. Chase the tide out then let it chase you back in. Dip just your toes in the water. Then your hands, then your legs etc etc . Until one day you are back in the ocean.

It's the same with sexual interaction. Small steps to build your emotional strength back up.

That's not to say they wont still have pre or postcoital dysphoria from time to time, (fear of drowning) but it does get easier as time goes on. The more the experiences end in happy memories instead of tragic ones, the easier it gets.

So, does it show a lack of empathy to sleep with Astarion in the grave yard?

Nope. I think he actually does want to connect with you sexually.

Why?

Because of the dialogue you have regarding offering him the Astral-Touched tadpole. He says no. Then says...

"I had nothing for so long. Nothing. Not even my own body. I will NOT give it up, now it's mine again."

His face is one of complete conviction. He alone, controls what happens to his body. Who gets to use it, what happens to it, when it happens, where it happens and why it happens. Period.

This happens before you reach the city. Which means se has already regained the ability to say "no" long before graveyard.

Even if you chose to convince him to sleep with you after he asks you not to in his confession, he still asserts the boundary. It may be after the fact, and he leaves you, but it's still there.

So it wouldn't make much sense for him to suddenly back track and start offering sex as a means to manipulate Tav now.

Also, he is not using his "I'm lying out my fangs" face or his "I'm gong to literally seduce the pants off of you" face.

Mask of Lies Mask of Seduction

So, with those two things in mind, and I'm sure there are more, fast forward to that fateful night in the cemetery where he says he wants you to seduce him and...* insert suspenseful music*

BEHOLD!

When he says "If a night of passion is on offer, I could be persuaded" his face is almost exactly the same as when he says "I love you, I love this. And I want it all".

(and there was much rejoicing)

He is not pulling the faces that he uses when he lies or seduces. Which means the offer is sincere. You have, through repetition and consistency, proven to him that you care about him because of who he is to you. Not because of what he can do for you. Which was what he wanted. You are a safe space. "I feel safe with you. Seen." And for our affection starved elf, that's got to be a total turn on.

Also, with Cazador dead, he can let go of the subconscious fear of you being destroyed in some way if he sleeps with you.

He can make love to you with all the feelings he's ever had to repress involved. And for the first time in 200 years, not have the fear of it being ripped away any second, or being punished for it, by that monster or himself.

Here, on his new birthday, where his new life starts, he choses to experience you.

So put the doubt down and go get some grave dirt in places it shouldn't be.

And get some saucy elf in places you want him to be.

But, a graveyard? Really?

Why not? Where else would be more appropriate to have a "little death" with someone? *wink*

Or it could be that fact that your bedroom has more people in it than a clown car. Needs must..

Oh, but do keep a look out for Gracie, the grave yard guard. She has a low tolerance for mischief.

[leviathanxprincess]

Introducing the Gehenna Devils to Your Plushies - Pt. 1

The Gehenna Devils deciding to show up to your room for sex end up getting met with you deciding to sit down and show them all your plushies!!

I've decided to split Gehenna into two parts for my mental sake.

Notes: mildly sexual content, nothing to crazy. Gender neutral reader! This part includes: Sitri, Amy, Paimon, & Leraye!

Satan and the other Kings found here !

Sitri

Honestly, he'll hold back on sex for as long as you wanna talk for.

He listens intently, hanging on to your every word. He's taking notes in his head, jotting down names, any lore you have if you do.

Your the most important person to him after, so every word you have to say is equally important!

He adores being one of the only ones allowed to see this side of you as well.

He has such a soft, endeared smile on his face as he listens to you talk.

Even if you spend hours talking he doesn't mind! He'll let it happen.

Of course, the fact he was here for sex doesn't change, that's always in the back of his head.

And by the time you're done talking he's practically smothering you in affection anyway because of how adorable you are! So of course that leads exactly how you think it will.

And if you just happen to get flustered by said affection, well then that's even better for him! Your heart rate does increase then, after all.

Amy

He's gonna be kinda blunt about it I think. You start talking about your plushies and he's just like "Okay but I'm here to fuck."

You can give it to him right away, or you could make him wait and keep talking! It's more fun if you go that route.

Tell him he's being too impatient and he can wait a bit!! And then just go on and on and on until he can't take it anymore.

He's annoyed, but most importantly, it's kinda turning him on more.

On the other hand, he also can't deny you're cute like this.

I feel like he's the type to get cuteness aggression.

He's gonna try and start grabbing your cheeks and biting you, once again you could give in. But you could also swat him off and force him to wait longer.

If you really wanna make it worse on him through a little comment his away about how he's acting, a little degrading if you want.

Honestly with the amount of teasing you do to him and how long you make him wait, he's not retaining a single damn piece of information about those plushies.

Be careful your next steps, if you don't stay in control of the situation once you actually allow him to fuck you (which won't be hard if you're trying to dom him), he will take it back. And he's not gonna be the nicest given how frustrated he is lol.

Paimon

Oh my goodness, you're the cutest thing to him right now!!!

He's practically covering you in kisses, all giggly watching you talk!

He's bound to have a few plushies himself, he'll be sure to show them to you later.

Right now though, he's letting you do your thing. You won't succeed on telling him about every single one in one setting, but he'll listen to however many he can.

Unfortunately you won't be able to talk the more he gets worked up.

He's just thinks you're so adorable!! Eventually he's gonna snap and just start squishing and pinching your cheeks!!!

He can't control himself! He's throwing so many compliments at you and not letting go of your face and giving you kisses!!! Your head is gonna start spinning at the rate he's going.

Of course this leads back to the original reason he was here.

I wouldn't be surprised he gets cuteness aggression too lol.

So prepare for that!!! If your covered in bites after don't even be surprised.

Leraye

Hey, he has a lot of plushies too!!!

Well, they're all headless. But it's fine!!!! He cherishes them a lot still!!! Mostly because Satan was involved in the being headless part but still !!!

I think he'd be so interested in listening he'd completely forget the original reason he was here for.

I don't know how much he remembers, but he at least knows their names!!!

Honestly I think he just likes hearing you talk. Doesn't matter about what! If you're happy than he's content!!!

By the time you're done, he's just wrapping you in his arms and giving you kisses!

Like I said, he kinda forgot about sex.

It'll come back to him at some point during him kissing and cuddling you. Probably.

Definitely will if it someone starts thundering at least?

Worst comes to worst just ask him what he was here for then you're back on track! And well, maybe turn your plushies around so they won't have to witness what follows.

[juno-stuffs]

thanks for the tag! i love rocks. not crystals, actually, yeah, crystals too, but just rocks in general. i went to arizona (which btw, i stayed in a house that was probably haunted during that visit) once and visited a rock show and it was the best thing i've ever done. i also recently got a bunch of rock beads and i plan to make many, many necklaces/maybe bracelets with them. + i don't have a favorite rock bc they're all amazing and i could stare at them for hours. i dunno if this is related but statues fascinate me too. or just sculpting in general. i really like legos too btw. just anything buildable i also love vehicles. like, any. my ranking from favorite to least (i still like them though) is: boat (i really like tug boats and caravels. little fishing boats too), jet (bonus points if it's a nice color), bus (my favorite's the london buses), car (especially older ones + race cars), truck (i love the ups one. i dunno why, i have little version of it), plane, motorcycle (again, older ones are so cool), bike, skateboard (again bonus points for neat colors), helicopter, scooter. the only ones i hate are hot air balloons and cyber trucks. also, i really want to get trail makers (i almost forgot about that game) but i'm poor :[ my digital art set up is pathetic but fuck it we ball. also i don't have a sona yet but i might have one soon? also this is my favorite emoticon: ,':] but i have no opportunities to use it :[ i don't really have a favorite animal but i love pangolins. they're amazing. and horses, they're so fucked up looking and funny. also, one of the most brutal things i've seen is custom horse model creations on yt. like they saw off parts of the horse model and reposition them and such. i really like reptiles and dinosaurs (and dragons!). my favorite dinosaur is the stegorous but it used to be stegosaurus because they're so dumb (like me!) (i still like them though, but i like anything with scales so)

my favorite greek god before i got into epic was artemis or apollo but more so artemis. i don't really have a favorite now. my favorite epic character is circe mostly because of gigi's design of her + i'm a girlkisser. before juno my name was ari and i am so glad i changed it. speaking of california, that's were i am, and i'm running off to canada or italy the first chance i get i love swimming but i can't swim :( i can never sneeze once, i have to sneeze at least twice in a row. i don't usually store my original content info anywhere, i just keep it in my head ig.

that's a lot and enough for now :]

@pastellpeachz no pressure btw! (you're the only other moot i have i think :,])

it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[darkficsyouneveraskedfor]

Meet the Family 3

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.(petite!reader)

Characters: Lloyd Hansen

Note: I'm feeling very Little Lies about this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

"So this is the reason you missed Thanksgiving," a butter knife jabs in your direction as you poke at the white turkey meat; this? You look up then at Lloyd as he nearly chokes. 

"Uh, yeah," he coughs behind his fist and swallows, "we were out of the country..." 

"Yes, why would you bother to stay. No use in seeing your mother at the holidays, or the rest of your family," she reproaches. 

"Mom," he groans. 

"For ten years," William adds from his wife's side. "Now you show your face and you look as if you're eating rotten apples." 

"No," Lloyd argues. "It's just... I'm busy and I don't get a lot of time away from work." 

"We all have obligations," Gwenyth argues. 

"Well, I took her away so I could propose," he explains as he presses his fork into the whipped potatoes. "And it worked out perfect, right? Cause now I can bring her to meet everyone." 

Gwenyth hums flatly, "I suppose." She clicks her tongue and takes a healthy gulp of wine. 

"So, Pixie," Lillian drawls from further down, "what do you do for work? Oh let me guess. A librarian?" 

You don't let the suggestion bother you. You don't see it as an insult even if she says it like one. You shake your head. 

"No, I--" you begin and Lloyd stomps your foot so you bite down on your voice.  

"She is a corporate consultant. International corporation," he explains.  

"Oh, wow, sounds busy," Gwenyth remarks. 

"Yes, how will you have time for children?" Lillian challenges. 

"I'm sure they'll find time to make them," Benson chortles over his snifter.  

"Ben, please," William rebukes. 

"We're focusing on the wedding before all that," Lloyd says. 

You peer around as you chew your cheeks in frustration. You're annoyed by how they speak of you as if you're not even there, and so intimately. Yet, you don't have much to say for yourself. This whole facade is tiresome and you really don't care what they think about a made-up job. Or marriage, for that matter. 

"That will be done with quickly," Gwenyth sniffs. "And she will need to quit that job if she wants to do her duty as your wife." 

"I can handle a job and a husband," you blurt out. 

The table quiets as if stunned that you can speak. You blink and Lloyd puts his fork down and touches your arm, "sweet pea--" 

"I highly doubt you'd be marrying him for any other reason than that nest egg promised to him," Lillian scoffs. "You don't need to play a saint with us, darling. Marriage is a transaction in more ways than one; affection, money, sex--" 

"Lilly," William warns and she laughs. 

"Well?" She shrugs. "You do know, the wedding only guarantees a twenty percent payout. He needs an heir to get all of it." She pets her stomach smugly and smiles. "I can assure you it's well worth it. Once you meet Lorelai, you'll see." 

"Oh? Maybe when you meet her, you'll consider being a mother too," Lloyd retorts. 

"Excuse me?" Lillian snarls. "I love my daughter." 

"Of course you so," he sneers. "I'm sure she feels all that love right now as she enjoys her turkey and carrots with the nanny." 

"I can't have her around adults and alcohol. You can't possibly understand," she snaps. "And maybe it's better that you never do. I could never imagine you as a father, especially when you are such a child." 

"Takes one to know one," Lloyd growls. 

"Enough," William barks. "Both of you." 

Ransom laughs loudly at the end of the table. Lloyd shifts and Lillian rolls her eyes. You sigh at your plate. You miss your family. For the first time in years, you truly miss them. 

"What the hell are you laughing at, Hugh? The only reason you're here is because your grandpappy exiled you." 

Linda gasps, "He's not exiled--" 

"Oh, right, of course not, Lin, that's why you're here breaking bread with the peasants. That's what you called us at great grandmother's wake--" 

"Lloyd, watch your mouth," William snarls. "Better yet, shut it." 

Lloyd recoils in his chair and stiffens. His features sharpen then he lowers his chin and picks up his fork. His jaw is stone as he stirs the gravy into his potatoes. You wouldn't call him humbled, more whipped like a dog. These people make you feel something for him you never thought you could; sympathy. 

"I don't care about money that much," you say. "It can't buy respect. Besides, I would never marry a man without a prenup. Whatever Lloyd has will remain his." You push your shoulders back as a yawn tickles in your throat. "At this point, he can keep you lot as well." 

You stand up and take the cloth napkin from your lap. You fold it neatly, "Gwenyth, you can tell whoever cooked dinner that it was delicious. I appreciate you all having me but I'm going to go find a hotel and some peace." You step around the chair and push it into the table, "happy holidays." 

You turn, your insides jittering. What are you doing? Where did that come from? You could say you're tired and not thinking straight, but honestly, you're just so repulsed by these people that your head could explode. They're lucky they only got a a few pieces of shrapnel. 

You march out without looking back. Your cheeks tinge hotly with self-awareness. You've messed it all up. After years of harnessing your emotions under Hansen's thumb, you finally snapped. You blew it all. 

"What she said," another chair scrapes as Lloyd speaks. "Mom, dad, good night." 

You enter the hall and head for the entry way. You hear him beside you. You're still foggy with disbelief. It isn't until you sit to put on your boots that you notice Lloyd. 

"I know, I'm done. Fired." You pull on your leather booties. "I'll take the severance and figure it out." 

"I didn't say so," he says as he grabs a coat from the closet. 

"Um..." 

"You're completely right. We can't stay here. They're all a bunch of pricks and they wonder why I didn't come home for ten years," he pulls on his coat as he speaks. He pushes back his hair then smooths his mustache. "We're better off at the hotel. We'll sleep better there--" 

"We? Lloyd, please. Stay with your family. I need space," you stand and reach past him for your jacket. "Besides, I booked a single queen and it's Christmas Eve." 

"Queen's big enough. You're tiny--" 

"Okay, no, no," you hiss. "It's not happening. Stay--" 

"But I don't want to," he whines. 

"Mr. Hansen," you say. "You're out of your mind." 

"Well, after your blow up, I don't think I'm welcome," he puts his hand on his hip. "So this is your last chance to save your job. You made the mess, you clean it up." 

"Me?" You exclaim. 

He hushes you and step closer, "Pix, you already made a scene, let's not do the encore. I'm gonna grab my bags, alright?" 

"You can't be serious." You say. 

"Hey, I gotta play the loyal husband--" 

"And why exactly is that necessary? Why couldn't you get one of those Tinder girls?" 

"Woah, woah, come on, someone will hear you," he covers your mouth with his hand and you turn your face away with a blech. "Go warm up the car. We'll talk on the ride to the hotel." 

You stare at him. He watches you, as uncertain as you've ever seen him. In the silence, you can hear the din in the other room. 

"Always was such a baby," Lillian laughs venomously. 

"He could've chosen someone without an iron spine," Gwenyth adds. 

You grimace and throw your hands up, "fine, get your things." 

"You're the best," he grabs your shoulders but before he can kiss you, you put your hand up to pinch his nose. He recoils and rubs the tip, "ow." 

"No more of that," you say as you pull your keys out of your pocket. "Thank god I only had one glass of wine." 

You stomp out the front door. The frigid winter air hits you like a bus. Once one even ground, the swirling snow flecks onto your shoulders and hair. Great, now you get to drive in the snow with an unwanted passenger. 

You get in the driver seat and push the ignition. You turn on the heater and the heated seats. At least Hansen pays enough for the add-ons. Still, you’re not sure there’s any compensation equal to what you just went through. 

You look over as the front door opens and closes. Lloyd rolls a giant suitcase with him, another smaller bag strapped on top, and a third in his other hand. You don’t move as you watch him descend the steps, easing the wheels over the edge one-by-one. 

He comes down the long walk and jerks as his loafers slip on the icy pavement. It would be funny if you weren’t so damn exhausted. You steadies himself and continues on. You should get out and help him. You don’t. 

You pop the trunk with the button. He loads in his bags as you check the rear view. He comes around the passenger side and pulls the door open. He lets out an obnoxious ‘brrrr’ as he drops into the seat next to you. You shift gears as he shuts the door. 

“Ugh, I feel so much better getting out of there,” he says as he adjusts the seat, making room for his long legs. 

“Why?” 

“Um, why not? My family is the worst--” 

“No, why did you drag me into this?” You ask as you lean into the wheel and squint over it. The dark, the snow, the unplowed roads, it’s like the universe can’t stop throwing you obstacles. 

“You want the real answer or the nice answer?” He replies. 

“Mr. Hansen,” you growl. 

“Right, I had no other choice.” 

“No other choice?” You repeat. 

“Look, those long-legged beauties back home, they’re fun, but they don’t got much else going on. I needed someone who could play along,” he explains. 

“Play along?” 

“Yeah, I mean, you’re smart so--” 

“I’m smart...” 

“I wouldn’t hire you if you weren’t--” 

“Jeez, wow, Mr. Hansen, thank you so much. You think I’m so smart, so you should know I’m smart enough to know better than to believe you. You think I’m desperate,” you turn slowly onto the next street. “You think I have nothing else going on.” 

“No, that’s not--” he shifts in his seat. 

“It’s exactly what you think,” you huff. “Well, I do. I have a flight in...” you pause and check the time on the dash, “five hours so when we get to the hotel, I’m going to sleep and you’re going to let me. Then I’m going to catch my flight and the curtain can be pulled on this whole theatre.” 

“Your words, not mine. I don’t think you’re desperate.” 

You don’t respond. You’re tired. He just can’t leave things alone. He always has to say something. You wonder if he was truly left to his own thoughts, if his head would combust. 

“I’m actually impressed,” you says, “you held your own.” 

“Sir,” you utter. 

“It was good. Entertaining. I mean, all these years, you never once talked back to me but wow, that was... majestic, really. You didn’t even wait to see my mother’s face. Or my sister’s.” 

“Your family is weird,” you blurt out. “Sorry, uh, I didn’t mean--” 

“I mean, yeah, we probably are but I don’t really have anything to compare it to,” he says. 

You nod. He has a point. Yet, while that horde of entitled brats might explain his personality, it can’t excuse it. 

The hotel’s marquee shines like a beacon as you steer into the lot. You yawn and shut off the engine. You let yourself out and drag your feet around to the trunk. You take out your carry-on as Lloyd hovers at the other side. 

“All of your stuff, out,” you say. “I’m going straight to the airport in the morning. Checkout is ten so as long your gone by then, I don’t care what you do.” 

He’s quiet but he obeys. He takes his bags out and sets them on the ground. He pulls the rolling bag and slings his smallest bag on his shoulder. You snap the trunk shut and turn, shuffling across the icy tarmac. 

You enter through the automatic doors and cross the desolate lobby. You check in with your ID but as you look for your credit card, Lloyd flicks his between his fingers and offers it up to the clerk. 

“It’s on me,” he insists. 

You won’t argue. You really don’t trust him to leave by checkout. As you head for the elevators, he takes a deep breath. He doesn’t speak until you’re behind the sliding doors of the compartment. 

“You know, I’m still your boss so you can’t just order me around,” he says. 

You glance over at him. “Right, won’t happen again, sir.” 

“It could have been worse, you know? I could’ve actually had you come all the way out here just to drop off some gifts. If you think about it, you got a free dinner and some wine--” 

“Yeah, it was a great time,” you say dryly. “Mr. Hansen, I’m too tired to lie any more. Tonight was one of the worst nights of my life so no, I don’t think it could be worse.” 

The doors open and you stride out. You swipe the card at the door corresponding to the number written in the folio and let yourself in. He follows closely, nearly running over your heels with his suitcase. 

You take your bag to the bed and take out the cotton pajamas stuffed inside just for tonight. You bring them with you into the bedroom, doing your best to ignore your guest. Lloyd wanders along the wall and finds his way to the mini fridge. 

You’re in no rush to change, only to get to bed. You trade your dress and stockings for the cotton two-piece and emerge. You shove your bag and clothes beside the night table and slide under the blankets. You pull them up to your shoulders. 

“They got wine, tequila, beer--” 

“I’m going to sleep,” you insist. 

“The alcohol will help.” 

“No, it will make waking up even harder.” 

“After tonight, I think you need a shot.” 

“Mr. Hansen,” you grumble and cover your head. 

“Fine, more for me.” He snickers. 

You’re happy he can’t see the irritation on your face. You might just be better off to let him drink whatever. Eventually, he’ll have to pass out. At least, you can only hope he does. 

[jayietheriverwarrior]

She opened her eyes. Daylight dazzled her.

“You’re awake!” Mothwing gasped beside her.

The air was cold, the light harsh. Frostpaw began to make out Mothwing’s “face. Behind her trembling mentor, she saw Sunbeam and Duskfur and Mistpaw. They were all here. She struggled to lift her head and saw Nightheart and Graypaw and, crowding the entrance, Nightsky and Minnowtail. Outside, her clanmates were jostling to see in. Their eyes were fixed on her, wide and shining with joy as she looked back at them. Her heart skipped a beat. They were waiting for me. They wanted me to come back. The realization filled Frostpaw with an emotion so strong, her throat tightened. She couldn’t speak. She felt a rough tongue lapping her head.

“Don’t rush to sit up.” Mothwing was washing her like a queen washing her kit. She sat back, her eyes bright with joy. “Take as much time as you need. We’re just glad you’re with us again.”

Frostpaw was suddenly aware of how weak she felt, but the deathly heaviness had gone. And she was hungry. Then she saw Tree.

The SkyClan tom was outside, blinking at her from among her Clanmates. “You heard the singing.” He pushed his way into the den. “It brought you back.”

“I was in StarClan,” she told him breathlessly. “Then I heard voices. They carried me here.”

“I’ve seen the Sisters do it,” he told her. “I wondered if it would work for you, so I fetched everyone I could think of. All the she-cats who love you.”

Frostpaw looked around once more at the faces of her Clanmates, and at Nightheart and Sunbeam. They really were shining with love for her. Her heart quickened. For the first time in moons, she didn’t feel alone.

I can't tell you how many hours I've spent tweaking the lighting and color filters on this. It's been multiple days of the drawing itself being done and just doing countless tweaking. I'm still not happy with it but I'm just. Done. I'm proud of how the poses and shading on the cats turned out and the composition of the piece, and I'm sure I'll be happier with it in a few months looking back on it, but right now I'm just. Blah.

Frostpaw is of course in the nest with a slathering of cobwebs over her throat wound, Mothwing is licking her head while Duskfur is leaning over her. Then in the middle row we have from left to right Sunbeam, Mistpaw, Tree, Nightheart, and Graypaw, then in the front on the left is Nightsky, then Icewing in the very corner of the image, with Minnowtail (who needs a new ref sheet but the new TEQ kiddies will probably get theirs first) just behind her.

The RiverClan medicine den is described as under a thorn bush overhanging a stream between two mossy rocks, with a stretch of pebbles in front of the den, and herbs hidden behind reeds within the den, so I tried to show all of that accurately.

[evermorewest]

Anyways Arcane rant/thoughts 😭 (SPOILERS‼️)

1. I don't understand the fact that Jinx is one of the most popular characters in the game but they decided to "kill her off" (she's alive I don't care) in the show. Like tell me HOWWWWWWWW. And honestly I lowkey prepared myself for it saying the Jinx may die but it still doesn't seem right.

2. How does a scientist survive, but not a mass murderer? (😭). I honestly thought that Ekko was going to go back in time and save her. And I'm looking at this like gurl you could've glitched Vi out of that situation. She could've done the same thing for Isha (Isha's still alive idc😭).

3. Another thing too we know it was Jayce's doing but if Vi didn't hold back Jinx she could've saved Isha but I don't think people are ready for that talk yet. Now don't come for me, I love Vi like loooooovvvvvvvveeeeeeee her OBSESSED but I can't help but think if she didn't try to protect Jinx we'd probably have Isha.

4. Vi and Caitlyn. Nothing. No words. NONE. Doing it in this cell after your sister was there is diabolical writing.

5. Maddie. I actually really liked her and honestly didn't understand what people's hatred for her was. There were a few times on TikTok I saw people say there're suspicious of her and I brushed it off. But HONESTLY, I LOVED THE BETRAYAL. Best plot twist I don't care I LOVED IT. And the part where she says "I did enjoy your warmth" WICKED- Y'all cannot tell me that that isn't the equivalent to "Tell your mom I said wagwan" from Supacell YOU CANNOT-. Was lowkey a littledisappointed when she died.

6. Same thing for Ambessa too. Bro I'm weird I liked Ambessa 😭 thought she was so badass.

7. If you were to ask me what's going on in season 2 I would not be able to give you an answer 😭 the lore goes crazy.

8. I honestly think that the ending was a little rushed in a way. I thought I would've heard Sevika talk(😭) we'd see more dialect from the others. Because when she sat down on the council chair is when it dawned on me like aye she probably knows Jinx is dead. And I understand we saw Vi screaming for Jinx but I don't know I thought there'd be a more depressing, sad reaction from her after, or like interacting with Ekko you know.

I'll probably edit and say more shit

[lovesodeepandwideandwell]

Everyone clap for me setting BOUNDARIES on my babysitting (said they have to be back by 10 so I can go sleep before driving tomorrow)