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starcurtain · 10 months ago

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Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

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leashybebes · 3 months ago

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Congrats on the increased follower count, you deserve it after exes detriments (sorry, I can’t remember the official name) but here’s a prompt for you:

Buck and Tommy struggle to find time in their schedules to see each other

aww, thank you so much! 💛💛 and thanks for the prompt!

Buck knows he should be getting some rest. But if he has to lie sleepless in his bunk and listen to Chim snore much longer, he's going to do something drastic. He creeps out of the bunk room, shoots off a text, and makes his way up to the roof. He's barely sat down by the time his phone rings.

"Hi," he says, and he feels breathless and eager all over again. Still.

"Did you seriously just 'u up?' me, Evan? Aren't you at work?"

"Hey, it was a sincere question. You can tell by the lack of the eggplant emoji."

"You're ridiculous."

"Yeah," Buck agrees easily. "I miss you. And your eggplant."

"Evan!" Tommy's so good at sounding scandalized and delighted all at once and Buck grins.

"What are you doing after your shift on Tuesday?"

"Errands, then therapy, then sleep."

"Gotcha. I'm working Wednesday."

"Me too. Thursday?" Tommy suggests.

"Looking after Jee," Buck says, and while he's never going to regret time spent with his niece, this is starting to get ridiculous. "They should be picking her up by eight?"

"Drinks with the team at nine," Tommy says, and he does sound regretful, but part of Tommy working on himself is trying to let himself have more meaningful connections, both in quantity and depth, so Buck's not about to try talking him out of that. "And you're working Friday."

"Yeah. And you have that private flying lesson Saturday, right?"

"Yeah. Should be done mid afternoon if that's any good?"

Buck rubs his hand over his face. "Video call with Eddie and Chris at four, and then I'm supposed to be going for dinner at Maddie's."

"Ah."

"I could come over after?"

"I'd need to leave before seven for my Sunday shift."

"Honestly, at this point, I'll take it."

"Evan."

Buck sighs. "I know, I know."

They're dating now, is the thing. Not going on a couple of dates and then weaving their lives together without discussing it until it blows up in their faces. Actually dating.

"I could - I could tell them. You could come with me."

There's a long, heavy silence.

"I don't think I'm ready for that."

Because they're also keeping it to themselves for now. They both want to see where it goes without any outside influence, to see what it is they settle into when it's just them. It's honestly - it's kind of fun, having this little secret to themselves, going further afield than they usually would for dates, trying new places and new things. But it can't go on forever, and although he's only referred to it jokingly, Buck knows Tommy's worried what people will think - that he screwed up too bad, that they'll hate him, that they'll tell Buck he's an idiot to give him a second chance. Buck's pretty sure that's not on the cards - Maddie might go a little overprotective big sister with a side of pregnancy hormones, but he thinks that'll be it. And that's nothing they can't handle.

"Hey," he says. "Can we talk about this sometime? Check in, see where we're at?"

"Yeah," Tommy promises. "Of course."

"Okay. Monday, then?"

"Monday," Tommy agrees. "My neighbour's been raving about this seafood restaurant in Santa Barbara if you're up for a bit of a drive?"

"Sounds good. Monday's so far away, though," Buck laments.

"I can hear the pout from here, Evan," Tommy teases.

"Well," Buck says, letting his voice drop deliberately into a tone that never fails to make Tommy a bit wild. "You'll just have to buy me a nice meal and kiss it better, huh?"

"God, Evan - "

"I'm off Tuesday too. Maybe we find a nice little bed and breakfast and make a night of it? I can show you just how you how much I've missed - "

He hears the door open behind him and his mouth snaps shut. "Gotta go. Call you later."

Tommy lets out a huff of laughter. "Bye, Evan. Be safe."

"You too," Buck says, as Bobby drops into the chair next to his.

"Hey, Cap."

"Couldn't sleep?"

"With Chim sawing logs one bunk over? I'm amazed anybody can."

"You don't normally struggle."

Buck shrugs, tries not to meet Bobby's eye. Everyone used to tease him about his Tommy-face, his Tommy-voice, his Tommy-pout, and for all they're taking it slow - and they are - Buck knows he's right back there. If Eddie wasn't in Texas, he's pretty sure their secret would have lasted a week, and Bobby's the next best thing when it comes to reading Buck with a glance.

"You doing okay?" Bobby asks.

"Yep! Real good."

"Hm. Apropos of nothing at all, Kaur from B shift is looking for cover. You interested in Friday off in exchange for a six to six Saturday?"

"Yes! I mean. Yeah, I can do that."

Bobby shoots him an amused look. "Okay, then. Happy for you, kid."

Buck grins up at the dark sky. He can push his call with Chris and Eddie a little later, and still make it on time for dinner with Maddie and Chim.

"You coming back inside?"

"In a minute," Buck says. "Just gotta make a call."

"Uh-huh. Tell him hi from me if you like," Bobby offers, patting Buck's shoulder as he goes.

#bucktommy #my writing #prompt fill

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lurkingshan · 3 months ago

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Japanese QL Corner

We've got a jam packed post this week, folks. The live airing shows continue to impress, a sequel film and a recent GL dropped, and one of my favorites of the year cam to an end. These are all streaming on Gaga or provided via fansub (feel free to ask if you don’t know where to find them).

Our Youth

This week the show gave me everything I wanted from a POV switch, as we finally went back a little to get a peek into Hirukawa's head and learn how his feelings for Minase developed. From there, we continued with the high school era story, with Hirukawa and Minase going together to see his dad's new film, which turned out to be a BL. The show really nailed how meaningful that moment was to both of them, to see characters like themselves depicted on screen and realize what it meant (@twig-tea). This episode also gave us more of a sense of what's broken in each of their relationships with their parents, and they are now heading off to spend the weekend with Hirukawa's mother. I'm nervous to see how this past iteration of their relationship ended, but also excited to get back to the present.

Love is Like a Poison

An excellent ending to all around solid as a rock show. This drama managed to blend several genres and develop a great romance and tell so many good jokes and somehow never take a single misstep in its storytelling. So refreshing! Shiba and Haruto are a battle couple for the ages and I wish them well on their future domestic and legal partnership. Can't recommend this one highly enough!

Love in the Air Koi

Color me charmed. I really like Fuma and Kai as a pair, more than I expected to. Fuma comes across more good-humored and unserious than he does sleazy, and it's clear that he is actually very serious about Kai. “Why do your eyes always look like you’re asking for help?” was a great line to demonstrate that Fuma sees through Kai's bluster, but at the same time he knows when to back off and give Kai space to process. Kai got me with his constant smiling whenever he thought Fuma couldn't see (the shot in the side mirror of the car being my favorite). I also loved the quick scene we got with Arashi and Rei discussing their friends and the casual affection between them now that they're a couple. This show is great, and so far I think they've done a good job with the darker aspects of Kai's story. I really appreciated @bengiyo's reflections this week on what it's doing well and how the show is subverting expectations with the casting.

The Fragrance You Inherit

This week we got more context for Sakura's college days, including meeting her bestie Ryosuke (an ace king!). I definitely suspect that Sakura's affections were not entirely one-sided back then, but Mone remains a mystery for now. This story is definitely about closure rather than any new romance, and maybe in the end allowing Sakura to be who she is more freely. Speaking of which, Toki might just be my favorite teenage son character ever. He's such a good boy, and he seems driven primarily by a desire to know his mother and support her in pursuing her own happiness instead of just his. I look forward to meeting Mone's husband next episode and continuing to watch all these lovely people treat each other with compassion and kindness. You can find the show here, with big thanks to @isaksbestpillow for providing English subs.

Let's Eat Together Aki and Haru: More Please

This week Gaga dropped a sequel to this charming if inessential little food BL film. The first one let us down by not making the relationship explicitly romantic, and the sequel did rectify that as the characters prepared to leave school and contemplated life no longer living together. Though still no kiss for us. It didn't blow me away, but it's a nice little bit of fluff if you have free time and want something light.

Salty Blue

This short GL film (only 15 minutes) tells a solid and sweet little friends to lovers story, with some surprises thrown in for fun. I recommend giving it a watch! You can find it here with big thanks to @nicks-den for subbing and sharing it.

#our youth #miseinen #love is like a poison #doku koi: doku mo sugireba koi to naru #love in the air koi #love in the air japan #kimi no tsugu kaori wa #the fragrance you inherit #let's eat together aki and haru #kakenuketara umi #japanese bl #japanese gl #japanese ql corner #shan shouts into the void #long post

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hopelesslyprosaic · 28 days ago

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I feel like The Six Napoleons is one of the best Granada episodes, and part of why is, of course, That Scene.

By which of course I mean this one:

youtube

All genius, but of course, even more specifically, the bit starting at about 5:52. You know the scene I mean, and if you don't by all means watch it!

Honestly, it's an in-a-nutshell demonstration of the greatness of both canon and the Granada adaptation.

Here's the scene from the book:

“Well,” said Lestrade, “I’ve seen you handle a good many cases, Mr. Holmes, but I don’t know that I ever knew a more workmanlike one than that. We’re not jealous of you at Scotland Yard. No, sir, we are very proud of you, and if you come down to-morrow there’s not a man, from the oldest inspector to the youngest constable, who wouldn’t be glad to shake you by the hand.” “Thank you!” said Holmes. “Thank you!” and as he turned away it seemed to me that he was more nearly moved by the softer human emotions than I had ever seen him. A moment later he was the cold and practical thinker once more. “Put the pearl in the safe, Watson,” said he, “and get out the papers of the Conk-Singleton forgery case. Goodbye, Lestrade. If any little problem comes your way I shall be happy, if I can, to give you a hint or two as to its solution.”

And here's the dialogue from the show:

Lestrade: I’ve seen you handle a good many cases in my time, but I don’t know that I ever knew a more workmanlike one than this. We’re not jealous of you, you know, at Scotland Yard. No, sir, we are proud of you, and if you come down to-morrow there’s not a man, from the oldest inspector to the youngest constable, who wouldn’t be glad to shake you by the hand. Holmes: Thank you! Thank you! Would you get down the Conk-Singleton forgery case please, Watson? Goodbye, Lestrade. If any little problem comes your way I shall be happy, if I can, to give you a hint or two as to its solution.

Not many differences! ACD knew what he was doing- he knew how to write a good yarn, he knew how to write good characters, and he knew how to write a good interaction. Granada wasn't filmed in canon order, so we don't get to see the progression of Holmes's relationship with Lestrade per se, but after a number of excellent, more "foiled again!" type Holmes-Lestrade interactions since A Study in Scarlet, ACD decided to do something cool and different here and pulled it off beautifully.

And when the director and writer of this Granada episode put this one together, they decided that the relationship between Holmes and Lestrade should be a focal point in this episode, and not only did they barely need to change a dang thing in the ending to do it, what small things they did change were all beautifully in the service of the tone of the original ending, taking advantage of the brilliant material they had to work with. I was just relistening to the excellent episode of the Jeremy Brett Sherlock Holmes Podcast discussing The Six Napoleons, and one of them points out that one of the few text changes is removing the word "very"- going from "we are very proud of you" to "we are proud of you." And it works so well- it accentuates the contrast with the previous suggested notion that they would otherwise be jealous, between what Holmes might have expected to hear (and, indeed, perhaps expected to WANT to hear) and the actuality, and how much more meaningful it turns out that is to Holmes.

The creators here- and I of course include the actors, as both Colin Jeavons and Jeremy Brett act the fuck out of this- are so smart with how they pull this off. They know that what they have on the page is gold, but they also know how they can buff it up for a stronger shine. They know that Brett will absolutely eat up all of ACD's stage directions about his response, he knows the character inside and out at this stage, so let's keep the scene the way it is and, instead, build the rest of the episode around setting up this scene in such a way that it will have maximum impact as written.

There is one thing that is added- and that's the handshake at the end, that Holmes offers to Lestrade. We don't know what happens after Holmes's final words in the story, but in the episode, the physical acting continues telling the story only implied in the text of the short story- Lestrade is a bit thrown by Holmes's reversion back to his old, casually cutting self, but rolls with it, only for Holmes to extend his hand to him. Lestrade seems, even, slightly surprised- this is, perhaps, Holmes's rare gesture of pride in him.

#sherlock holmes #acd holmes #holmes #sherlock holmes canon #canon holmes #the six napoleons #granada holmes #sherlock holmes granada #jeremy brett #colin jeavons #lestrade #Youtube

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trippinsorrows · 6 months ago

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give me a reason + three

authors note: still blown away by people's interest in this one. i included visuals in this chapter, so look out for links. tweets and messages are intended to be read from left to right.

as always, confusion is to be expected. :)

one + two

words: 8k

song inspo: just give me a reason by p!nk and nate ruess

warnings: language and fluff

To say this is the first time in his life that Joe has felt lonely would be a lie. He felt it a bit the first time he left home for school, but it was greatly eased by the fact that he had BJ, his best friend. They were both in the same boat, so it wasn’t as bad.

He felt it again on and off over the years as he fought to make an NFL career that was never going to work, well, work. And once that brutal realization finally hit, after taking way too much time feeling sorry for himself, he experienced t it again as he started the hustle and grind to make a wrestling career work instead.

And he’s especially felt it over the past two years as his marriage with Ri has deteriorated to a level he thought unreachable.

But this….this is different.

It’s different because he’s not going home to an empty house. He’s on the road, back to work, surrounded by his cousins, a fantastic team, and a plethora of fans. It’s truly the opposite of loneliness.

But that’s exactly what Joe feels.

Because he doesn’t have her. Doesn’t have Ri.

Even if he hasn’t had her for at least two years. Not really, anyway. Not in any meaningful way that actually matters to him.

A knock on the door pulls him from his depressing inner dialogue.

Sitting up, Joe calls out, “come in.”

In walk Jon and Josh, and right away, Joe knows what’s up. He can tell by their facial expressions.

“I’m fine.” Maybe if he jumps ahead of whatever semi intervention they have planned, he can avoid a conversation he really doesn’t feel like having. Physically or mentally.

“Bullshit,” Josh scoffs, closing the door behind them. The twins sit down on different seats opposite the sofa Joe’s big body is sprawled on. “You ain’t been fine for a minute, Uce.”

It’s not entirely wrong, but that doesn’t mean Joe has to necessarily agree. “A lot of shit has happened.”

“Yeah, and I’m not quite sure you fully allowing yourself to feel that shit.”

“Kind of hard not to.”

“You know what we mean, Joe.” Jon cuts in, asking over a sigh. “Why you here right now? You should be with Ella. Helping her heal and remember shit.”

Joe feels the exact same way, but that’s not what her family wanted. Not what she wanted to some extent, because Joe was present when her parents brought up the idea of her returning home to Florida with them. She didn’t seem opposed. Didn’t express any desire to instead stay and go back to her real home with him.

Not that he can blame her. He’s a complete stranger to her. Granted, technically, so is her family. So that not being chosen thing has definitely left a sting.

So, Joe settles on a simple answer, “it’s not what she wanted.”

Josh is quick with the rebuttal. “Man, she don’t even know who she is, let alone what she wants.” Again, not wrong. But also, again, no need to verbalize as such. “Look, Uce, I know….I know things been rocky with you and her the past couple years—”

“Don’t.” This time, Joe doesn’t hesitate to dead the conversation before it can truly transpire. “I’m not doing this shit right now.”

“That’s the problem though, Joe.” Jon jumps back in, pointing out, “I feel like you, and her too, been avoiding talking about whatever it is that happened. And that avoidance has damn near cost you your marriage.”

“I said I’m not doing this, Jon. Drop it.” Joe can think of a million other things that he’d prefer to talk about than that. All kinds of cruel, mideval types of torture would be preferred over venturing down that path. The only person he should be discussing that with is his wife. But, that’s hard to do when she doesn’t even remember it.

Doesn’t remember the thing he’ll never truly be able to process.

He doesn’t even know someone can process and make peace with that.

The twins share a look. They must know they’re defeated. In this round, at least. Cause if it’s one thing he knows about the cousins he considers more as brothers, they can be resilient and tenacious. Especially when it comes to heavy shit like this.

“Alright, man.” Josh shakes his head and slaps his thighs. “We’ll leave you alone.” It’s appreciated and both unwanted. Joe doesn’t want to be alone, per se. But, he doesn’t want his cousins, either.

He wants his wife.

And when they walk out, the door closing behind them figuratively and literally, Joe is back to ruminating thoughts about his wife.

His wife who he’s seen mostly online in the two weeks that have passed since she was discharged from the hospital and left to be with her family.

Joe isn’t ashamed or embarrassed to admit he’s found himself looking at footage of her via her music videos, interviews, performances and home videos. He’s reviewed old news articles that came out about them back in the day, got a good chuckle at a situation a few years back where some irrelevant rapper called himself trying to start shit with Mari that Joe and BJ handled and deaded right away.

He laughed over old text exchanges with his wife who will always be the smartest yet dumbest person he’s ever met when it comes to common sense sometimes.

But, he’s especially enjoyed the home videos. Joe had almost forgotten just how much footage he has of her. Personal videos taken when it was just the two of them.

Some taken by her. Some taken by him.

Memories, they’d always call them.

And they still are.

Just haunted ones.

Joe grabs his phone and navigates to his videos folder. There’s hundreds of them, because every time he upgrades to a new phone, he always makes sure to back up and transfer his texts, photos, and videos. For no reason other than not wanting to lose anything. Not miss out on any of the many hilarious, heartwarming moments with Ri.

Joe picks a random video, a smile easily falling on his face as he immediately remembers and recalls what this one is.

She’s wearing one of his Bloodline shirts, a random ball cap and a pair of his sunglasses over her eyes. There’s also a spatula in her hand as she sits on the floor in their living room in front of their flat screen TV while one of his more popular promos with Brock Lesnar plays in the background.

“You must be confused, farm boy. That title? That’s my title, and you don’t even realize cause I’m gon smash you at WrestleMania. And it’s not even your fault, Brock. You ain’t got a chance.” She’s mouthing along perfectly, facial expressions and body language in almost perfect sync with her makeshift microphone. Joe can hear his laughter in the background as she stands up, getting more into character. “This is my show! This is my ring!” She gestures off to the side. “This cameraman right here? This is my cameraman!” She gestures around the room. “These people, these are all my people, because they acknowledge me!” She then points to him. “These two right here? They work for me! This commentary team is mine because they brag and talk about me the whole time.” She then lifts her arm, pointing to the ceiling. “That sign right there? Is mine! Because I am WrestleMania! I am this show, I run this show, and everybody works for me!” She smirks, head titled. “Including the security in the ring with me.” Joe’s laughter increases as she drops the spatula and throws the hat off along with the sunglasses, also falling out laughing with him.

Ri walks over and climbs onto his lap, asking, “That was good, wasn’t it?” Joe doesn’t hear a response on his end, but he’s certain it was nonverbal acknowledgement.

As the video ends, he finds himself back frowning again.

Close….

They were so close.

Joe switches to a different album, photos this time, his smile returning as he opens a photo she snapped of them laying in bed. He’s clearly asleep, his arm over her body as she smiles happily.

His finger traces over the outline of her smile, a memory popping into his head.

“It’s just so beautiful.”

Joe sighs. Loud.

It’s not often he gets time off, so these next couple days are precious and cherished. And he’d love to kick it off the right way: by getting some much needed sleep.

If only his lovely wife understood this.

Because even though it’s almost 2am, she sits beside him in their bed, emotional for no damn reason at her chosen movie: The Brave Little Toaster.

He blows out a breath. “It’s literally about kitchen supplies.” Joe then asks, confused as hell. “Why the hell you watching this anyway?”

Her answer is rushed and nervous. “Because I watched that creepy ass movie earlier today, and now I need to ease my anxiety.”

Joe closes his eyes, turning on his back, looking at her with all the judgment. “Didn't I tell you not to watch that shit? You know your ass is scary as hell.” As soon as she started giving him a description of the movie, a psychological thriller, he knew she needed to stay far away. Ri has a tendency to overthink films like that, somehow convincing herself that whatever happened in the movie could happen to her.

And that’s exactly what’s happened.

“Well, I didn’t listen to you, okay!” Joe rolls his eyes. Obviously. “So, now I need to watch this soft, cute movie about these brave little utensils.” She starts sniffling. “And it’s just so sad.”

“What they do? Rust?”

“Joe!” She slaps his arm, huffing, “oh my gosh, you have no creative bone in your body.”

“Not at no damn 2 o'clock in the morning, you’re right, I don’t.” He turns back on his side, bringing the blankets up to his neck, snatching back more of the covers from his hogging ass wife. “Now I’m going back to sleep. You enjoy your KitchenAid movie.”

But that’s damn near impossible when she starts crying again minutes later, somehow louder than before.

“He’s just so brave.”

“Oh my god.” Joe closes his eyes, rolling once again onto his back. He pinches the bridge of his nose and reminds himself that this is his best friend and his wife. He can’t grenade this. Can’t and won’t hurt her feelings by telling her to shut the fuck up, even though that’s what he would say if it was literally anyone else. “Your period must be coming because you done gone through all six stages of grief watching this damn kids movie about a fucking toaster.”

Ri gasps beside him, and he can almost feel her dramatic ass, judgmental glare. “I resent you saying that! Just because I’m a woman with feelings does not mean—“ She pauses. “What day is it?”

And before he can answer, she’s kicking the blankets off, climbing over him, and scampering to the bathroom, closing the door behind her.

Joe is barely even able to turn back on his side when she calls out from the bathroom. “Goddamnit , you man, you! You spoke it over me!”

He sighs. It all makes sense now.

Ri is just an overall emotional, theatrical ass person, but it’s always exacerbated whenever she’s on her cycle. She becomes….difficult.

Super sensitive.

“Shit.”

He hears her curse from the bathroom, but it’s not as loud, not as dramatic. And that’s what catches his attention.

“What?” Nothing. Nothing but the sound of the drawers being opened and almost slammed shut, like she’s in a rush of some sort. Joe kicks the blankets off and walks over to the bathroom. He knocks once, asking, “can I come in?”

She answers by opening up the door only to turn back around, clearly looking for something. “What’s wrong?”

“Damnit!” She snaps, slamming the cabinet shut. “I’m out of tampons.” Ri walks over and gestures to the few she has on the counter. “These are all light.”

Shit.

Right away, he sees her dilemma. There’s no way she can use light tampons for the first night of her period. And the reason he knows this and isn’t weirded out like how some men would be is simple. He grew up the only boy among four sisters, the baby of them all. He’s heard and learned a lot over the years. Some, or maybe a lot of which, he could have gone the rest of his life without knowing. But, some information, like in cases like this, have proved to be a bit helpful.

So, it’s only natural, he offers, “I’ll run to the drugstore right quick.”

Ri turns to him, instantly protesting, “no. It’s late, Joe.” She crosses her arms and shrugs. “I can just, like, stuff a bunch of toilet paper up my vagina for tonight and pray nothing gets stuck.”

He leans against the doorway, easily shooting that down. “Yeah, with your luck, that’s exactly what’ll happen too.” He loves his Ri more than what’s probably healthy, but the girl is accident prone and the queen of freak accidents. “I’d rather get you the damn tampons than spend all night in the ER with you.”

Her not disagreeing with his prediction is telling. She knows he’s right. “Let me at least go with you. I don’t want you out by yourself this late.”

Joe would also not like to be out on the road, hitting up Walgreens for a random ass tampon run, but this is also Ri. And there’s very little he wouldn’t do for her.

If anything.

“I think I’ll be fine, Ri.” He chuckles, walking over to her. She pouts as he kisses her temple. “You’re the one who would get kidnapped or some shit.” He laughs at his comment, a reference to the movie she watched earlier that’s got her up so wide and awake.

She gasps, mouth dropped as she looks up with wide eyes. “See! I told you it could happen!”

Joe walks into their bedroom and throws on some sweats, a hoodie, and slides on some sneakers. He grabs his wallet, keys, and phone as Ri walks out, shuffling over to him and moving up against his chest, hugging him. “You want the chocolate?” She nods. “Milky Ways?”

Again, another nod as she looks up. “And the—”

“Hot fries and Arizona tea. The one mixed with lemonade. I know.”

She pouts. “Thank you.”

He kisses her forehead, murmuring, “I’ll be back.”

He walks toward the door, as she calls out, “I love you.”

Joe chuckles. “I love you too, baby.” He’s halfway down the steps when she screams out from the bedroom.

“Damnit! Now we can’t do the nasty!”

By the end of the memory, a time so much simpler and happier, Joe has his head back, eyes closed, emotions all over the fucking place.

She was his best friend. The person he trusted the most. More than anyone.

And all of a sudden, it was just….gone.

His entire view of her….gone.

Or maybe not.

Because while this nightmare of an accident has taught and shown him a lot, one of the biggest things it’s made him realize is that while his hurt and confusion and betrayal may be strong, his love for her is stronger.

It always has been.

He was just blinded by all of those other miserable, heavy emotions and too stubborn to do anything about it.

And now he’s in this extremely uncomfortable, confusing as fuck dilemma where he has to find someway to manage and deal with these emotions when they should be managed and dealt with with her.

But how can someone forgive someone for something they don’t even remember doing?

———-

Sleeping in a bed that isn’t yours anymore but once was is….weird.

Sleeping in a bed in a bedroom that was once yours is even weirder.

But, staying in a house full of people who feel like and are, for all intents and purposes, complete strangers is the weirdest of them all.

It’s borderline uncomfortable.

Mariella understands the intentions of her parents. Sees how they think and believe her sleeping in her old bedroom could potentially stir some memories. It makes sense. But, it doesn’t work that way.

At least, it’s not working that way for her.

And to her credit, she tries. Tries to observe and almost study the damn near wall full of photos from her childhood, photos of her with people who are both family and friends. She’s not sure if this was just how she last decorated her old room, but something tells her it’s the result of her family's continued effort to jog her memory. It seems….excessive. But from what she’s gathered, that’s also a good word to describe her personality. Extra. Dramatic even.

If only she could….connect with that somehow.

Stepping out of the shower, she takes her time getting ready. Doesn’t rush to get downstairs where she knows she’ll be greeted with a row of smiling, unfamiliar faces. Mariella really does feel bad that she’s having such a difficult time understanding and connecting, because for all intents and purposes, her ‘family’ has been nothing but kind and supportive.

And she knows this has to be difficult for them, but….she can’t force it.

Even if she wanted to.

Because she damn sure does.

It would all be so much easier that way.

Sure enough, the smell of bacon sizzling on the fire and the aroma of freshly brewed coffee isn’t the only thing that’s waiting for her in the kitchen.

Her father is the first one to lay eyes on her, his smile small but oh so genuine. “Morning, Ella.”

Mariella does her best to return the smile. From what she’s seen and heard, she’s always been exceptionally close with her dad. With her whole family, really.

“Morning.”

Her mom turns around at the sound of her voice and entrance, also smiling. It’s bigger and deeper than her dad’s. And she doesn't hesitate to turn the fire on low, clap her hands against her apron and walk over to pull Mariella into a hug.

It’s not missed upon either woman how Mariella initially tenses. And she feels bad for that too. This is her mother for crying out loud.

April pulls back, the sadness and slight level of rejection evident in her pretty brown eyes that Mariella realizes she inherited from her mother. “I’m sorry, I—”

“No, it’s…it’s okay.” Mariella swallows, forcing an even bigger smile. “You are my mother, after all.”

April’s smile is tight, the coverup for a disappointment Mariella can’t truly understand. “How did you sleep?”

Not very good. “Fine.” She walks over to the machine, lifting the mug that she assumes belongs to her dad given the same word is written in big red letters on said mug. She reaches it to him.

“Thank you.”

A small nod of acknowledgment as she grabs a new mug and starts to brew her coffee when April speaks from where she stands again by the fire. “I was thinking of going to the promenade today. Olivia is going too. Would you like to join us, Ella?”

Mariella doesn’t have to be looking at her mother to know that while it’s meant to be a question, it’s more of a statement. And while she isn’t opposed, much preferring to be out of the house vs in the house, home videos and photos stuffed down her throat, a true question would be nice vs being told.

“Sure,” she answers with a shrug, turning around and pulling out her phone, opening to the contact she’s found herself thinking about the past couple days.

Joe.

Their last correspondence was almost a week ago. All limited to texts that seem rather on the dry end considering they’re supposed to be married. She doesn’t really fault him though. In his defense, he seems to be wanting to give her space vs coming on too strong.

Unlike her family.

She sighs loudly, fingers hovering over the keyboard as she debates editing, once again, the text she’s had drafted for a couple of days but hasn’t built the courage to send.

Mariella: Can we facetime or something?

It’s such a simple thing that she’s not sure why she’s overthinking. In the little interaction she had with him at the hospital, she could see that despite his size, he’s a man on the quiet side. That calmness was appreciated, and in the midst of being bombarded with information, she’s found herself missing that to some extent.

Missing….missing him to some extent.

Even if it makes no sense to her.

“Morning, family.” Olivia’s voice rings into the air, pulling Mariella back into the present. She’s dressed to the nines, and from that alone, without even needing to be told, Mariella knows her sister is a successful woman. She just looks the part. Liv sets a smile that seems a bit off on her, red lipstick contrasting against her almost unnatural, straight, pearly whites. “Hey, sis. How you feeling?”

Such a big question that seems impossible to truthfully answer to the people who are only trying to help. “Good.” So, she lies. “I guess I’m going out with you all shopping today?”

Olivia rolls her eyes and adjusts the expensive looking designer bag on her shoulder. “Of course, you are. We’ve gotta get you back out there.”

“Olivia…”

Olivia turns to their dad, asking, “what? She has to get back to her life eventually.”

“Leave her be, Liv.”

Olivia rolls her eyes, ignoring April and reiterates, “she needs more than just photos and videos, guys.”

Mariella doesn’t know what she specifically needs but being thrusted into social situations when she still hasn’t memorized her SSN seems to not be it either.

But still, she remains quiet.

“Ella.” Mariella turns to her dad, brows raised. “When’s the last time you spoke to Jo—”

“Oh, Ella, I forgot there was something I wanted to show you.” Olivia interrupts the question Mariella was already thinking about without her dad even needing to ask her.

The thing she’s still thinking about even as Olivia pulls out her phone, inundating some random ass photos from back when she was in high school.

The man she can’t seem to stop thinking about.

———-

As expected, shopping has ended up providing just another form of frustration and level of feeling of being overwhelmed.

It wouldn’t be as bad for Mariella if her mom and sister didn’t feel the need to stop and introduce her to almost everyone who’s familiar, to them, that they come across. She feels a bit like a politician, plastering on smiles that don’t meet her eyes and accepting hugs from strangers. Members from church. Old neighbors. Even an old elementary school teacher.

It’s just weird.

So much so that she eventually has to excuse herself, making up some excuse about a headache as she sits outside on a bench in front of the store where Olivia and April continue to shop.

Mariella is grateful for the solitude and uses that to once again play around with just texting her freaking husband of all people.

She could use some of his quiet right now.

“Mariella?”

One thing that’s improved is her ability to respond to her name, but it’s who says her name that has Mariella more stumped than anything.

He’s standing above her, creating a massive shadow and distraction from her sending out the text she’s not exactly sure she wants to actually send.

He’s wearing a smile that’s objectively friendly, but there’s something about it that feels….off. He’s also objectively attractive, pretty light eyes, tall, sinewy build. Facial features that seem more appropriate for a page out of Vogue vs being on this strip of stores.

“Wow. It really is you.” He scoffs and tucks his sunglasses near the collar of his shirt. “It’s been too long.”

Mariella may not know just who exactly she is, but she does know the difference between being friendly and rude. And she really doesn’t know a nicer way to say her first response other than what comes out. “I’m sorry, I don’t….do we know each other?”

The man frowns a bit. “That’s right. I forgot….” Something tells her he feels uncomfortable outright saying what’s otherwise obvious. Like the fact that she was in a severe accident that knocked the shit out of her.

And her memories.

“My name is Brendan. We….we dated back in college.”

Oh.

Mariella still doesn’t know a lot about herself. Much of anything at all, really. But what she is seeing is that her taste in men is pretty damn good, because this Brendan person is far from ugly. Though it’s hard to not compare. Hard to not think about the contrast between him and Joe, her husband’s voice deep and baritone compared to Brendan’s soprano-like tone. Joe’s massive build to Brendan’s much slender one. Even the height difference. She recalls having to crane her head up to look at Joe. Brendan is a few inches taller than her but nothing significant.

And those comparisons also have her reconsidering, yet again, keeping the text as it is right now, just drafted in her phone. Has her wondering what benefits could be gained from just sending it, seeing what he says.

“Oh.” The word escapes her head but nothing else comes out, Brendan clearing his throat.

“This may be poor wording, but you look absolutely amazing considering….well….”

“That I almost died?” He looks uncomfortable but also amused. “It’s…it’s okay. I guess it’s a compliment.”

“I didn’t realize you were in town.” He stuffs his hands in the pockets of his jeans, asking. “How long are you here for?”

Hopefully not much longer.

And it’s a thought that she instantly feels bad about. This is her family, and it’s not their fault she can’t remember. Because they’re trying their damn hardest to change that. But, that’s also a part of the problem.

It’s…..it’s too much.

She feels almost suffocated at times.

Like now with this Brendan person.

“I don’t know.” An honest, truthful answer followed up with more honesty. “But, I’ll be going back to California eventually.” Back to be with her husband. One person vs several who seems really great at giving her information but not too much. Largely only when she asks vs being told in heaps of overwhelming data. “With my husband.”

She doesn’t know why she adds on that last part or why she fiddles with the beautiful diamond on her left hand. The ring that she placed on her finger without much thought when given her items upon being discharged.

Brendan’s lip twitches, his eyes flashing with something that almost looks like irritation. “Of course.” There’s definitely no denying the irritation in his tone. “Listen, I’d love for us to catch up before you leave. A cup of coffee.” Her eyes widen a bit when he adds on, “maybe even dinner—”

“Hello.”

Another voice. This one a bit more familiar. April stands in the doorway of the store with Olivia. They both wear polar opposite expressions. Olivia is smiling in Brendan’s direction while April’s mouth is in a straight line as she moves to stand beside Mariella.

“Mrs. Holmes. Long time, no see.” The irritation is washed away, swapped out with something amiable but also….inauthentic. Mariella doesn’t know if she’s exactly in a place to be judging people or calling them fake when she doesn’t even know who she is, but there’s something….off about this Brendan character.

She doesn’t know a shit ton about Joe either, other than the basics, but right off the bat, between the two of them, she chose the right one to walk down the aisle with.

Her mom’s smile remains tight. “Maybe not long enough.” This takes Mariella by surprise. She hasn’t seen this side of her mother before. Unfriendly, almost.

Olivia, however, rolls her eyes. “Mother, please. You know Brendan also works for the same firm I’m at.” Ahh. That would explain the smile. “Excuse my mom. It’s been….a lot for all of us.”

Now, Mariella is the one fighting back confusion. She gets that this has to be difficult for her family. For her to not remember who they are, but it’s not just them she can’t remember. She can’t remember quite literally anything. She’s the one who’s been impacted the most out of this.

She just kinda wishes they would get that more. Would respect the level of intrapersonal difficulty on her end.

“Of course.” Brendan frowns, but again, it feels inauthentic. “Well, I won’t keep you, ladies—”

“Good.”

Mariella bites down on her lip, turning away to hide her smile as Olivia looks straight up annoyed at April’s coldness.

“I’ll see you at the office, Brendan.” Olivia says almost apologetically, dragging her eyes back to her mom who seems completely unapologetic for her tone.

Brendan nods, landing his gaze back on Mariella. “Remember my offer, Ella.”

She can’t even find it in her to nod or acknowledge his departing message because there’s not a single part of Mariella that wants to entertain his offer let alone take him up on it. Does he not know she’s married?

It’s once he’s gone that April turns toward Mariella, a genuine smile replacing the fake one. “Sweetie, can you go wait in the car? I need to speak to your sister.”

There’s a part of her that would like to overhear this probably interesting conversation, but the desire to just be away and by herself is more overpowering.

“Sure.” She accepts the key fob and shopping bag from her mom, not hesitating to turn on her heel and head back toward the parking lot.

And as soon as she’s gone, Olivia is on April, voice harsh and sharp. “Mother, what the hell was that?”

“Watch your language with me, child.” April’s correction is swift as she crosses her arms. “When did you plan to mention Brendan now works with you?”

“Didn’t realize I had to keep you up to date on the latest hires at my job.” She rolls her eyes, also crossing her arms. “Plus, really, mama? How was that a priority with everything we’ve had happening?”

“Watch it, Olivia.” Aprils loves all her children equally, but Olivia has always been the one to push her close to her limits. “I don’t like that boy. He’s a snake.”

“Oh my gosh…” Olivia turns away for a second, coming back as she points out, “you don’t even know him.”

“I don’t have to know him. You know why? Cause I distinctly remember Joe nearly putting him in the hospital for whatever went down between him and your sister.”

Olivia is taken back for a second. Her mom’s memory is as sharp as the best of them. “You mean when he committed aggravated assault and ruined any chances Brendan had for a basketball career?”

April, however, is not backing down, showing just where Olivia inherited her stubborn personality. “You ever wonder why Joe reacted the way he did? How bad it must have been for him to get that upset?”

“Oh, please. Mama, let’s not act like Joe hasn’t always been a hothead. He’s just better at masking it than BJ.” And before April can protest, Olivia provides facts. “How many times did you and daddy get a call or called down to the office cause BJ got into it with someone, huh? And more often than not, who’d he get in trouble with? Joe.” Olivia shakes her head. “The only reason they always got slaps on the wrist was because they were athletes. Joe has been problematic, and I’m tired of ya’ll not seeing it.” She blows out a big breath. “Brendan is not a bad guy—”

“You saw how he was looking at your sister.” April stresses, lowering her voice. “Don’t no man have no business looking at a married woman like that unless he’s got bad intentions.”

“Ella isn’t even with Joe right now, so what’s the big deal?”

April is quiet for a moment, eyes narrowing in suspicion. “What are you up to, Olivia?”

Olivia easily slides into deflection. “Mama, you’re always so hyper-vigilant—”

April, however, is wise and knowing. She advises with all the seriousness, “don’t think that because your sister can’t remember nothing that you can just rewrite history.”

“Mama—”

“I’m speaking.” And Olivia quiets down because no matter how old she gets, her mother using that tone will never not be able to set her straight. “Hear me, and hear me good, lil’ girl. Ella is home with us now, yes, but she will be going back to California to be with Joe because he is her husband, and her place is with him.”

———-

Spring, 2023

“You want to what?”

Iris was already having a not so great day. Some inept, thinks he's a hot shot lawyer actually thinking that he can lowball and bully her into convincing a client to accept a deal that’s absolute horse shit.

She had to, of course, show him just why she’s the most sought after manager in entertainment. Ruthlessly.

The thought of his bubble eyes nearly bulging out of his head at her cutthroat response is almost enough for her to actually smile. A rare anomaly that happens every couple of years but is especially not going to happen after what she just heard.

Mariella rolls her eyes, again repeating herself. “I said I’ll do the tour.”

Iris knew she heard her right. It’s just the shock of it all that made her need some level of clarification. “I’m sorry, you do remember that this is a world tour, Ella, right?” And in case she forgot, Iris reminds, “you’d be on tour for nine months.”

“And?” Ella shrugs, continuing to write in her notebook, lyrics of some sort. “It’ll be a great opportunity to connect with my fans.”

“Fuck your fans, Ella.” Iris is quick and borderline nasty with it. “Who gives a fuck about them?” She sits down on the opposite end of the sofa. “I’m thinking about you.”

Iris sees the way that Ella tenses at that last part. “I’m fine, Iris.”

“Bullshit.” She then asks, almost tentatively. “Ella….have you sp—”

“No.” It’s a firm, harsh, borderline cruel shut down. A complete sentence compacted into a single word.

Iris closes her eyes. “I just think—”

“Get me the contract to sign, Iris. That’s all I need you to do.”

If only Iris was a ‘yes’ man. “You think this shit is healthy, Ella? You’re running away.”

“I don’t need your judgment.”

“I would never judge you.” And it’s the truth. Iris may judge quite literally everyone else who walks this earth. But not Ella nor Promise Rose, her best friends since she was a child. And especially….especially not Ella. Not after…..after what happened. “But, I just—you’re not happy, Ella.”

There’s a brief second of hesitation. “I wasn’t happy before it happened, Iris.”

Voice softening, Iris calmly contradicts her, “yes, you were.” Ella closes the notebook, pushing it to the side and pulling her legs up to her chest, looking away. Even without a clear look at her face, Iris knows the emotions are brewing. “I just—I think if you tell him—”

“No!” That’s what makes Ella snap her watery gaze back on her best friend turned manager. “I—I can’t. I won’t. He doesn’t deserve to know.”

Iris closes her eyes. “Ella—”

“Have you told anyone?”

Iris is almost offended that Ella could even fix her mouth to ask such a question. Ella knows how massive loyalty and trust are to her. “Of course, not. I would never. I just….I hate to see you like this.”

For as long as Iris has known Ella, she’s always been an annoying ass ray of sunshine. Always seeing the bright side of things. Glass always half full. But in recent months, especially after that….something in her has snapped, has gone away into deep hiding. And usually, this is when Iris would gladly push Ella in the arms of her husband. He’s always been Ella’s safe person.

Now, Iris can’t even get the two in the same room without an argument breaking out.

They’re both just so….angry with each other.

Or maybe it’s not anger.

Maybe it’s just hurt.

“That’s why I need to get away, Iris.” Ella all but whispers. “I need….I need a new environment. I feel like I’m surrounded by reminders.” She sniffles, quickly wiping at her eyes. “I just….it hurts too much to stick around and have to constantly relive it. I—” Her voice cracks. “Please….please just get me the contract.”

“I will.” Iris doesn’t agree with this, doesn’t like it at all, but she also knows her best friend can be determined as hell. If she doesn’t handle the tour negotiations, Mariella will do it on her own and sign just anything just to get away. To escape. “But, I still think you should talk to J—”

“I hate him!”

No one says anything.

Iris is truly stunned into silence. In the two decades that have transpired since the beginning of her friendship, She has never known Mariella to express such strong sentiments against another human being. It’s almost against her nature.

But to say such a thing towards Joe? Her person?

Iris now realizes just how deeply this hurt and trauma lies.

That maybe….that maybe their relationship truly is irreparable at this point. That lies, deception, betrayal, and everything else under the sun has destroyed something she once thought indestructible.

———-

Present

The last name Joe expected to see pop up on his phone is the exact name that’s flashing along with his contact photo for her which happens to be them a couple years back when they finally went on a long awaited honeymoon to Bora Bora. She’s in front of him, his arms around her, her smile big and wide, eyes closed as he kisses her cheek.

It’s one of his favorite pictures of them, and even after all this time, after everything that’s happened….he hasn’t been able to bring himself to change it.

Even….even when for a brief while, he thought he hated her.

There’s a second of delay as Joe hits the green button, officially accepting her FaceTime call.

His connection is the strongest it’s been all day because she’s almost instantly filling his phone screen.

“Hey….”

She smiles, and Joe takes a minute to take her in. The cuts and bruises on her face have almost entirely healed. She doesn’t look as pale as she was laid up in the hospital bed. Her curly hair is pulled into two space buns. “Hi. Is—is this a bad time?” She’s outside, clearly. In her parents backyard on the swing that holds a million and one memories.

Joe shakes his head. “No.” Even if it was, it wouldn’t make a difference. This is the first time she’s called him since being with her family. He’d make whatever work if need be. “How are you feeling?”

She chuckles, but it’s bitter. Almost resentful. “Overwhelmed.”

Joe sits up more, naturally asking, “you wanna talk about it?”

“Thank you for actually asking.” Her voice is soft as she leans back into the swing, answering truthfully, “I know they mean well, and they’re just trying to help, but—”

He finds it almost too easy to finish her statement. Knowing her, her tics and whatnot has always been so easy. “It’s too much.”

“I just….” She blows out a breath. “You seem a lot more chill, and….and you ask me what questions I have instead of just telling me shit that I don’t remember and feel any sort of way about, even though I know I should.”

“It’s….it’s gonna take time.” And that’s truly a guesstimate on Joe’s end, because the official medical recommendation on her amnesia is that it’s unknown when or if she’ll ever fully restore her memories.

And he’s still so damn torn on just how he feels about that.

“I was wondering…” She looks down, pausing. This is such an unfamiliar thing for Joe. He’s not used to her being so quiet. His wife is many things, and quiet is none of them. “I know you’re on the road and stuff, but…is there anyway I can like….join you for a bit?” She quickly adds, “I don’t know if that’s even a thing—”

“It is,” he finds himself answering. Quickly. Probably too quickly. “I travel on a bus for the most part, stay in hotels for the rest, so if you wanted—”

“I do,” she also answers quickly. “I just…I think I need something different. This.” She motions between herself and the camera. “This is a lot easier than having over 30 years of history shoved down my throat.”

Joe feels for her, hates hearing the conflict in her voice, and he doesn’t blame or fault her family. They’re probably doing the best they can. It’s just….not what she needs right now.

“When…..when can I come?”

The almost desperation in her voice catches his attention, creating a sense of excitement in his stomach that’s quickly quenched by the wise reminder that she’s not coming for him. She’s coming to get away. Not that the specific reason makes much of a difference. He just wants to see her.

“When do you want to come?”

She chews down on her bottom lip. “Would tomorrow be too soon?”

His eyes widen a bit as he clarifies. “Tomorrow?”

She nods. “I’m—I’m sure I can get a flight out.”

She could, but he has a better option. “You should use the jet.”

Ri is understandably confused. “Jet?”

Joe has to remind himself yet again to approach this a bit from a tabula rasa standpoint. “You have a private jet. Through your record label.” He does too, but that’s not what’s important right now. He’s also partially confused why they didn’t take it when flying home to Florida, but it’s not a major thing. Nothing worth thinking too much about.

She makes an ‘O’ with her mouth. “That’s right, we are, like, rich, aren’t we?”

He chuckles. “Now, yes.”

She gives a little smile, asking, “I guess there’s a story there?”

“There’s a lot of stories with us, Ri….” His voice is quiet as he clears his throat, not necessarily wanting to go down that road. “If you’re serious about coming—”

“I am.” She speaks up, shoulders dropping. “I just—I think it’d be nice to spend some time with you. Hear about that part of my life at my own pace.” He nods, understanding where she’s coming from, trying not to put too much into her comment about wanting to directly spend time with him. “Is it just you on the bus?”

“Basically. My cousins sometimes hang out, but they have their own bus, so I gladly kick them out when it starts getting late.”

She smiles, and Joe is close to screenshotting, wanting to add it to his collection when her smile dips into something else, eyes squinting. “J—Jon, right?” Joe sits up more. “And…..Jo—Josh?” He scoffs, in a partial state of disbelief and shock. “They’re….they’re twins, aren’t they?”

He nods, unable to speak. Did….did she really just remember something? On her own?

A frown falls on her face. “I don’t….can’t remember anything other than that and something….I don’t know, something about Uno?”

Joe laughs. The best laugh he’s had in some time, since this whole nightmare began. “Before your schedule got super crazy, you’d come on the road with me, and you and my cousins always played Uno, and it always ended up being a thing because you all suck and can never agree on the rules.”

She giggles, eyes twinkling with mischief. “And what about you? Are you any good?”

He scoffs. “Better than ya’ll.”

Her mouth drops open as she declares. “Okay, then we definitely need to play when I get there. Cause I feel like I might surprise ya’ll. Maybe I could beat you.”

Joe makes a sound. “You can try. You've never been able to beat me. None of ya’ll.”

She crosses her arms and exclaims with all the confidence. “Oh, I’ve gotta knock you down a peg. Are you always this arrogant?” She asks, head tilted.

His correction is calm and assured. “Not arrogant, baby. Confident.”

Her smile deepens, and Joe finds himself enjoying her company more than he has in some time. Even if it’s through a damn phone. “Yeah, well, you’ve got the looks to back it up. Let’s see if you have the talent.”

She has no idea. “Just remember you asked for this.”

“Whatever.” She rolls her eyes, and they exchange a prolonged locking of gazes. “I—-that’s the first thing I’ve remembered on my own, and you….you didn’t even have to try to force it.”

She swallows, voice softening. “I’d really like to come see you.”

He wants her to come too. More than she could know. “Text your sister. Everly. Not Olivia. See if she’ll fly out with you. If not, I’ll come. You don’t need to be traveling by yourself.”

Ri frowns. “I don’t—I was medically cleared to travel.”

“Yes, and you did so without incident because your team hadn’t announced you’d been released yet, but now the public knows you’re out. They spot you, and the fucking paparazzi will be all over you. You don’t need that.” Mariella has never enjoyed the constant flashing of lights and cameras in her face anyway.

He doesn’t want her dealing with that on her own. “Okay.” She then asks, “Why not ask Olivia?”

Joe debates how to approach this. “Your sister and I….we’ve never gotten along. If she knows you’re coming to see me, she’ll probably decline to travel with you. Everly is more or less a flower child. She’ll be fine with it.”

It’s the best answer he can come up with in the moment. He happens to think Olivia is a certified bitch who sticks her nose where it doesn’t belong, but he would never do anything to create a biased view of how she sees her sister.

Anyone in her family.

Ri chuckles, and he half expects her to ask why her sister doesn’t like her husband, but she instead hits him with something unexpected. “Do you know who Brendan is?”

And just like that, any relaxed state he had is ripped away with a single name. “Brendan?” She nods. “Where did you see him? How?”

She seems taken back by his questions, and he hates bombarding her, but that fucker is one person that always will be able to get Joe to act out of character.

She honestly offers more information than he was expecting. “I—today at the promenade out with my mom and sister. I get the sense my mom doesn’t like him, but Olivia seemed friendly. I guess they work together.”

Fucking Olivia….yeah, Joe’s definitely gonna have to bite the bullet and text her. Because in no way, shape, or form does he want that son of a bitch anywhere around his Ri. And the fact that he may even be a fucking attorney or lawyer blows Joe’s mind.

That creep should be the one in jail.

“He’s not a good person, and he needs to stay the fuck away from you.” Before she can ask anything else, he tells her, “let me know what Everly says. If not, I’ll have a flight out tomorrow morning.” He’s definitely got to get her out of there now. He wants to put and keep as much distance between Mariella and Brendan as possible, and if she remembered just why they broke up, she’d want the same.

Mariella nods. “I—I can call her now.”

“Do that.”

She swallows. “Okay.” Mariella opens her mouth and seems to hesitate for a minute. “Thank you, Joe.”

Her thanking him feels weird, because he’s never looked for that from her. Never really wanted it really. Just wanted her. Her love. Her trust.

Getting into that not so great place, he shakes his head, reminding, “just text me whenever you find out, I’ll keep my notifications on.

This seems to please her. “Okay.” She gives him another smile. Of a parting and appreciative nature. “Bye.”

“Bye.” She ends the call, and despite him deep down knowing he should wait until he’s calmed down a bit to message Olivia, Joe’s fingers seem to move faster than his brain.

#roman reigns x black!oc #roman reigns #roman reigns fanfic #roman reigns fic #arisnotebook

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copperbadge · 7 months ago

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how did u psych urself up to go to therapy? my executive function has been awol for like 2 years and it's gotten to the point where it's wrecking my ability to do anything. i'm scared to waste a bunch of time and money going and getting told i'm just lazy or that the problem is just me

Happy to talk about that! But this is really two issues, so I gotta do a fly-by real first on "scared of getting told I'm just lazy". :D

It sounds to me like you're aware intellectually that laziness isn't the issue. You know this is an executive function issue and not a personal flaw, but I definitely get that it's hard to internalize that. So I'm going to drop links here to some discussion of "laziness":

How do you know you're not just lazy? (ask sent to me -- it's long, but you can skim for the laziness bits if you want.)

Lack of motivation means you are avoiding pain (second ask in response to the first)

Laziness Does Not Exist by Devon Price

These are essentially my proofs when I want to remind you that laziness is a label that stigmatizes an innate behavior -- inability to act is real, laziness is not. If a therapist tells you that you are lazy, and ESPECIALLY that you are the problem, you should fire that therapist. Don't even stay the rest of the session if you don't want to, just say "I see we are not compatible," and bounce. I don't think the odds are high that you'll encounter that, but on the off-chance that you do, that's a bright neon sign that they're a bad therapist.

In fact I would open with that pitch: "I'm struggling with executive function and the self-perception that I'm really just lazy. I need help with the actual executive function issues but also with how I view myself because of them." The therapist's response will tell you a lot about whether they'd be a good fit.

So with that out of the way...

I eased myself into therapy with the speed of a small child entering an extremely cold lake. It helped a lot that all of my therapy has been virtual via Zoom, so a lot of stuff that would have been a barrier, like going to the physical appointments, discomfort in a strange space, etc. were swept away.

I didn't even want to see a psychiatrist for my Adderall prescription, but I knew I needed help and medication seemed to be my best option, so with the assurances of several people that it wasn't therapy so much as mental health maintenance, I saw a psychiatrist. And he was lovely! (I just met with him yesterday to go over my next few months of scrip.) For a while that was all I did: talked every month to a kind person who asked specific and measurable questions about my mental health -- mood, sleep patterns, ability to work, hobbies -- without getting especially personal. I thought, okay, I can handle this, I can probably handle more, so I asked him for a recommendation for a therapist.

He looked at the network of independent practitioners he belonged to (Clarity Clinic Chicago, if you want an example of a good network) and found me a couple of options. I got extremely lucky to find someone I felt was appropriate for me right out of the gate, though some of that was also knowing what criteria I had: I wanted someone who explicitly stated they specialized in adult ADHD and disability, and who seemed like they were interested in addressing a whole person and not a single issue. When we met she seemed nice, wasn't pushy or judgey, was familiar with spoon theory and disability activism because she also has ADHD, and didn't blink (or ask overly invasive questions) when I said I was very uneasy about therapy because of past experience. She was comfortable with the ambiguity I brought -- I basically said "Look, I think this is something I need but I'm not entirely sure what my goals are yet, it's just I only recently found out I have ADHD and I am rethinking a lot of stuff," and she was like fine, let's rethink it together.

It still took me a long time to start talking about anything meaningful, but she handled the non-meaningful stuff as if it was serious and important, which helped. Admittedly I have really good insurance so I pay $20 a session for therapy, which also helps; it's pretty negligible in terms of health costs for me. I can afford to dawdle.

So, all that said...my path may not be an option for you, but I think it indicates the kinds of options you have. You don't have to jump into serious and heavily emotional processing first thing if you don't want to. You can shop around for therapists and you can drop any bad ones you encounter speedily, or if you find one you immediately like you can still spend time getting comfortable before dropping into the heavier stuff.

I would suggest that if you have a prescribing psych or doctor for any kind of mental health meds, ask them if they have a recommendation. If you don't have that, ask around people you know or believe have access to therapy and see what they think. If those aren't available to you or you're uncomfortable with that, I'd do a search for licensed therapist and your health insurance, or see if your workplace has an employee assistance program that can recommend you someone.

Good luck! I hope you get what you need. Lord knows I've been there.

#not yet fired from therapy

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thepigeonhasapen · 5 months ago

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⚔️SFW A-Z: Ares⚔️

Did Dio already, so here's one for our favorite little sadist! Also I accidentally posted this one before it was finished so if you saw it then, no you didn't <3

A = Affection (How affectionate are they? How do they show affection?)

Ares is somewhat reserved with his touch. He is quite touchy, but in that standoffish, no-homo kind of way if you know what I mean. Clasping arms. Putting his hand on your shoulder. Ares's touches are brief but meaningful. He actually likes physical affection a lot more than he lets on, but he has trouble initiating it. Considering how many people on Olympus find him weird and off-putting, I feel like Ares is EXTREMELY touch-starved and really just wants to be held, but doesn't quite know who or how to ask for it. Would probably melt if somebody hugged him from behind.

B = Best friend (What would they be like as a best friend? How would the friendship start?)

In order to befriend Ares, you'll have to share at least one of his niche interests. Be that violence, weaponry, or warfare, Ares just wants someone to talk to about the things he's into. Full warning, he will be extremely overbearing because well... not a lot of people like him. Even less people like discussing the things included in his domain. As a friend, Ares tends to have trouble being um, what's the word? Normal. Someone messes with you? Ares has already cut off their head and is finding a nice spike to put it on. Something you have to do? No, wrong. It's hang out with Ares time. Tends to be almost yandere-like in his affections, born in part from his small pool of friends. You can see how frequently he expresses the desire to meet new characters if they come up in conversation. It may take an explosion of violence to draw Ares's attention, but all it takes is any degree of interest to draw his obsession. He just wants companionship, okay? He doesn't have enough friends that he can afford to lose any. Don't leave him. :(

C = Cuddles (Do they like to cuddle? How would they cuddle?)

I don't care what anyone else says, Ares is a little spoon. HOLD HIM. Also fond of having you lie on his chest so he can stroke your hair. Secretly loves to cuddle but won't ask for it. If he wants a cuddle, he'll get extremely touchy, his hands somehow finding their way to your waist or shoulders. If he's not touching you, he's hovering over you. Just hug the man already!

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

Yes and no. I feel like Ares would want to be a father and engage in cute little domestic activities, but he's also not dropping his day job as the literal embodiment of war. I hope he at least remembers to wash the blood off himself before he hugs his kids. Ares is good at cooking but he doesn't do it all that often because he has little interest in eating. However, he will usually make the food himself for dates and such. Lifehack: weaponize his need for love. Praise his food and he'll make you dinner every day. You won't even have to worry about the mess either because Ares is very fussy about cleaning up after himself. This usually pertains mostly to his weaponry, but anything else he happens to be doing is also included.

E = Ending (If they had to break up with their partner, how would they do it?)

Ares won't. His passions don't burn out. Ever. Once you've got his attention, you've got it forever, so I hope you've properly considered the ramifications of that before you started talking to him. On a semi-related note, I feel like he's especially prone to toxic and codependent relationships because his family situation was shit so he doesn't know what healthy love looks like his biggest draw in relationships is extreme passions.

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)

It takes Ares a long time to trust fully, but once he's fallen in love, he's commited. He wants you. He wants you forever. Unlike most of the other Olympians, he actually prefers a monogamous commitment. Wouldn't advise cheating on him. You'll break his heart. Also he'll kill you. (The exception is Aphrodite. According to Ares, you are both allowed to sleep with Aphrodite. Because Aphrodite. Obviously.)

G = Gentle (How gentle are they, both physically and emotionally?)

He tries, he tries, oh how he tries. Ares does his best to be a polite gentleman and be careful with the ones he loves. But he is still the god of war and a love for aggression and violence comes with the territory. Often he gets strong urges to be rough and sometimes he can't stop himself. He'll bite when you kiss him. Dig his nails into your skin in the heat of passion. He doesn't mean to hurt you. Well, he does, but he's sorry about it. He kisses your wounds in apology, licking up whatever blood he's spilled. Ares wants to be gentle with you but by his very nature he craves roughness. He doesn't even care if it's him in control. He'd love it if you'd bite him back, shove him, hit him. But he'll try to keep his lust for violence away from you and on the battlefield unless you give him explicit permission otherwise.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

I firmly believe that Ares has never been hugged in his life. Zeus can't be bothered and Hera is emotionally distant. Dionysus hangs off of him sometimes but to be honest it's just intended to get on Ares's nerves. Aphrodite cuddles, but it's either a post-coital thing or very sexually charged. Nobody hugs Ares just to hug him. And I feel like he'd short-circuit if anyone ever did. In theory, he understands the concept of a hug and what to do with his limbs during one. In practice, he is internally freaking out. Despite the fact that Ares doesn't have a lot of experience hugging, he actually gives great hugs. After the initial shock is over, he just kinda melts into you, holding you so tightly as if he'd rather die than let you go. Always has one hand at the back of your head, gently guiding your face into the crook of his shoulder.

I = I love you (How fast do they say the L-word?)

Because many people are put off by him, Ares is cautious when he gets to know people. Sure, you'll know about his love for bloodshed upon your first interaction with him, but the deeper stuff, like how he feels about his family? It takes a very long time for Ares to open up enough to trust others with his innermost thoughts. When he starts lamenting about how he wishes his kin liked him more, you'll know he adores you. Ares is quite lavish and open with his praise so he'll tell you he loves you quite frequently once he gets to that point. Never absently or off-hand though. Anytime Ares says it, he says it passionately, looking into your eyes or clasping your hands so that you know he truly means it.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

Ares is extremely possessive but the degree to which he is depends on your mortality. If you're mortal, well, suffice to say that flirting with you is now a death sentence. If you're a god, Ares tends to treat you as more of equal and less of a possession. More understanding about the distribution of your time. Unlikely to kill your followers. Still gets possessive, but can be convinced to back off easier. Maybe soothe his ego by telling him how strong and handsome and dedicated he is. You know, before he loses his temper and starts a war on purpose because his pookiebear didn't pay enough attention to him.

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

Like everything else Ares does, passionate. A hand is at the curve of your jaw, another at the small of your back keeping you pressed to him. Not sloppy or messy, but definitely intense. Ares kisses like he means it. Occasionally gets too caught up in the moment and nips you hard enough to draw blood, but he'll apologize by licking it up. Goes most often for the neck and the lips, but also HUGELY into body worship and will spend hours planting kisses on every inch of your body if you'll let him.

L = Little ones (How are they around children?)

I feel like Ares would fucking love to be a father. He can teach them manners, he can play with them, he can show them the best places to display the severed heads of their enemies, all that good shit. Ares would be a devoted, doting father, if a little prone to sending his children down a violent life path. Has very little experience with children though because literally no one wants the crazy guy with a love of warfare and a spark of madness in his eyes babysitting their youth. I wonder why.

M = Morning (How are mornings spent with them?)

Ares doesn't usually sleep. He doesn't need to and he'd honestly rather spend his time doing something else. Rest is few and far between for Ares, but if you insist, he'll spend his nights in bed with you. Still, no matter what time you wake up, Ares is up before you and has already made/procured breakfast. Even if he has something to do that day, he's left you food and a sweet note. However, he tries not to have responsibilities in the morning because he loves spending those soft moments with you. Because he has very little interest in food, he mostly just spends the morning watching you eat. Your choice on whether you find that creepy or cute.

N = Night (How are nights spent with them?)

Ares spends his evenings tending to the tools of his trade. He cleans his weapons and armor. Makes sure everything is in its proper place. Probably does a bit of general tidying before he joins you in bed. Often prefers to be in his own head then to sleep, so he'll pretty much always fall asleep after you, if he sleeps at all. He's a very light sleeper so any movement at all will disturb him, which is wonderful if you have nightmares. Less wonderful if you're an insomniac or a restless sleeper. To be perfectly honest, Ares doesn't mind being woken up though. He's not that big on sleeping anyway.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

Like I said, Ares is cautious with his emotions. It'll take a long time to get him to open up about the really deep stuff. Can however be hurried along slightly if you open up to him first.

P = Patience (How easily angered are they?)

He's a Greek god. Asking if he's touchy is like asking if otters enjoy swimming. Ares is a massively petty bitch. Not quite as petty as Zeus or Aphrodite, but, man, he's up there. He doesn't usually hold grudges, but he will respond to perceived slights WAY out of proportion. Forget about date night? Oh, don't worry. Ares has slaughtered your entire family so you can get a better grasp on your priorities. Ares, babe. What the fuck is wrong with you.

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

Everything. All of it. Ares knows your favorite food. Your favorite breed of dog. Your favorite god damn shade of green. Ares hangs off your every word and remembers every one of your little quirks.

R = Remember (What is their favorite moment in your relationship?)

Ares can't pick just one. He loves every second you spend together and cherishes them all deeply. Although, he does find himself often thinking of the first time you showed an interest in his weapons. He's quite possessive over his personal tools and generally dislikes if you touch them, but he adores when you sit with him while he tends to them. He'll tell you stories about fights he won (or lost) with them. He'd love it even more if you sparred with him or if you let him teach you how to use one of them. There's nothing he'd like more than to fight at your side. This is meant to be SFW so I won't go too into detail about how Ares feels when he sees you battle-drunk and dripping with the blood of your foes, but suffice to say he's having issues taking his eyes off you.

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

EXTREMELY. Anybody hurts you? Bitch, give him a NAME. You know what, a country even. Ares will quite simply destroy anyone who even shows you the slightest disrespect. Fuck, he'll probably massacre the whole township just for good measure. If one of the other gods are threatening you or doing something you're not comfortable with (*cough cough* Zeus, Poseidon), Ares will be a little more subtle but he is definitely having A Word with them. The kind of word where, behind his polite smile, you can tell that Ares is flat-out threatening the person he's speaking too. While some of the older gods probably could beat him, it wouldn't be without great personal loss, so pretty much everyone would rather drop it than actively piss off Ares. Alternately, he'd find it sweet if you tried to protect him. Whether that be parrying a blow aimed at him on the battlefield or standing up for him to his family, Ares finds it deeply charming, even if he really doesn't need the help. However, will be absolutely LIVID if you put yourself in danger for his sake. It's the one and only time he may actually raise his voice and shout at you.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

Lots and lots. All of it. All of the effort. Ares is a very gentlemanly type when it comes to dates. He always brings you flowers and has a fancy meal waiting, probably under the stars because he just is that Extra. He tends to remember everything about you and so each of his gifts are sweet and thoughtful. He generally always remembers your anniversaries, unless there's an especially huge war going on and he's busy being hyperfixated on that. Will absolutely go above and beyond to make it up to you though if he forgets. Overall, just very thoughtful and high-effort.

U = Ugly (What would be some bad habits of theirs?)

Tends to get ADHD style hyperfixations about war and violence and gore. A new conflict has started? Ares literally will not shut up about it. Someone invented a new torture implement? Ares is lowkey begging for you to play with it with him. Come do torture with him! As a date! Or maybe you can torture each other?? Ares is down for that too! Unfortunately Ares has a tendency not to notice (or maybe care) that he's making people uncomfortable unless they flat out say something so he may accidentally bulldoze across your boundaries over how much you actually want to hear about violence. Also, he values blood family above all else and will have a tendency to meddle in yours if you have a difficult/unpleasant familial situation. I don't think you can ever cure him of it either (not without a fuckton of therapy anyway) so you're just going to have to deal with his "family is important" speeches until the end of time. He won't force you to talk to them but you can tell he definitely disapproves. (He gets that trait from Zeus btw)

V = Vanity (How concerned are they with their looks?)

He is a vain little peacock of a man, he just doesn't want anyone to think he is. Like, look at his stance. All the other gods look like they're having a casual conversation with Zagreus or were in the middle of doing something when they started talking to him. Ares has his helmet under one arm, meaning he was either literally just wearing it and took it off to talk or he picked it up to have this conversation. I'm inclined to believe the latter because he's also pretty boldly brandishing his sword in a way that literally nobody would hold it unless they were posing for a photo. The only other two holding themselves this way is Zeus who despite literally being a god manages to have a god complex on top of that, and Aphrodite who is definitely trying to flirt with Zagreus given some of her voice lines. Also have you seen his eyes? There is no way that bitch is not wearing mascara. Not to say Ares isn't up for getting dirty or bloody, but my guy is a fuck of a lot more vain than he wants anyone to find out about.

W = Whole (Would they feel incomplete without you?)

Despite his deep passions, I feel like Ares would in fact be able to get over you. He'll vent out his emotions by starting a few wars, but he'll be fine. I mean, he's never going to not be in your life, but he's alright with just being friends and admiring you from afar if that is as you so desire. (Assuming it was a clean break-up and he didn't like kill you because you cheated on him or lied to him.) If you're mortal and something killed you, you can bet your ass he's paying a visit to Hades and politely requesting if he wouldn't mind making an exception. Look, if Dionysus of all people can march down there and get his mom back, Ares can certainly get you back. (As an aside I do like to imagine that all the stories throughout greek mythology of people visiting the Underworld actually did happen in canon, Hades has just absolutely forbidden anyone upon pain of eternal torture in Tartarus from speaking of them.)

X = Xtra (A random headcanon for them.)

Ares is secretly really into animals, especially birds. The Wiki says the bird on his breastplate is a raven, but I'm actually pretty sure it's meant to be a vulture given his historical connection with them. He definitely has a few pet vultures kicking about back on Olympus. And, when he and Athena were kids, they used to bond over their shared love of owls and had a little aviary where they trained them. They actually had a falling out over it because Ares's owl liked Athena better. He's over it now. Mostly. He's still a little bitter to be honest.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

A holier-than-thou attitude is something that really gets under Ares's skin. It just makes him want to put them in a situation with no good options and see how they deal with it. Ares, my sweet, has anyone ever told you that you're a mite sadistic? He also has absolutely no patience for abusers and rapists, which would usually go without saying but considering the other Olympians' track record... yeah. (Looking at you again Zeus and Poseidon.) The funny thing is that he likely will not notice or even care if he himself is in an abusive relationship even if it's explicitly pointed out to him. Get him to love you and you've got him wrapped around your finger. Poor Ares is just so starved for affection.

Z = Zzz (What is a sleep habit of theirs?)

Ares doesn't like sleeping. He gets bored. He's got better stuff to be doing. Also I imagine that Zeus was not exactly a great parent, especially to Ares who is pretty clearly not his favorite child. Typical misguided "hitting my children will make them be better" kind of father, especially with Ares and his quote unquote weird interests. Ares definitely has some sort of trauma from this and gets really bad nightmares if he falls too deeply asleep, which is why he will often just doze or straight up not sleep at all. Somebody please call Hypnos and give this man a decent night's rest, I am begging you.

#hades game #ares #headcanons #sfw alphabet #x reader #ares x reader #hades game x reader

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thewistlingbadger · 7 days ago

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Mel thoughts

Do I acknowledge and accept the fact that Mel Medarda did bad things, did hurt people, did use people, did manipulate people, yes I do. But. Also. Mel canonically was a teenager when her mother had her shipped off to Piltover. She was a teenager, probably around Vi's age, in a foreign land with strangers, completely cut off from her family. It can be really hard to analyze and discuss characters probably when we aren't given much explicit information...but the fact is Mel had no idea that HER OWN BROTHER had died until Ambessa came to Piltover... Let that sink in.

The fact of the matter is that Mel actually has a lot of childhood trauma and it comes from not only the horrors her mother forced her to witness and the harshness of Noxus, but it also comes from having been abandoned and forced to live somewhere that was completely unfamiliar to Mel. It goes undiscussed because the show barely acknowledges it because narratively Mel is only a side character, she isn't given the time or dedication as a character like Jinx or Vi despite the fact that she's a member of the main cast.

Mel does tons of things that are shitty and wrong and her actions are the results of the tools her mother gave her. The tools Ambessa gave Mel were incredibly damaging, not only to others but also to Mel. Sure, Mel is a very successful adult socially, financially, and career wise but on a personal level? On a personal level we see that Mel is fake to practically everyone she interacts with. She clearly liked Jayce for a long time and yet it took her forever to be real with him and even when she started to be honest and open with him she was still not being completely transparent. Outside of Jayce Mel really doesn't interact with anyone in a meaningful or positive way other than Elora. Elora is always at Mel's right hand and we know Mel cares about her greatly since she was devastated when she died. However, it should be noted that Elora is Mel's assistant, she works for Mel, so even though they have a close relationship the foundation of their relationship isn't one of friendship or mutual enjoyment of the other. This is similar to the foundation of Mel's relationship with Jayce. Their relationship isn't founded on mutual attraction or appreciation for each other. Mel's relationship with Jayce starts back in the beginning of arcane, because Mel thinks Jayce can be profitable and a useful asset to her. Based on Mel's reactions to Jayce it seems that Jayce is probably her first ever real connection with someone in a long time, perhaps even ever.

Ambessa raised Mel to be harsh and brutal and so in some ways, Mel still abides by the lessons she was taught as a child. She has no problem using the poor to advance her own wealth. She has no problem with turning her colleagues against one another just for the sake of her own personal gain. She's not completely off the rails and unhinged, she has standards and lines she won't cross but don't let the lines she refuses to cross distract you from the lines she already has crossed. I have empathy for Mel for the hardships she has faced and for her complicated family. It is sad that she was never taught how to navigate the world and others in a healthy, appropriate way. However, Mel is not a child anymore. She's an adult, and while she may have not had the skill set to form healthy bonds with people, she had the opportunity to learn how to be a better person. Mel didn't need to use the tactics she was raised on, but she chose to.

Something that I find interesting about Mel is her lack of... accountability? Awareness? The correct word escapes me right now. Mel witnesses a lot of events and in some cases she is actually responsible for the way things have transpired but she never seems to acknowledge that. For example, Mel is partially responsible for the decay of the underground and the suffering of Zaunites as a councilor, but she never acknowledges this, even when it comes to bite her in the ass. When her and Jayce see all the dead enforcers on the bridge, she is mostly concerned about the threat of future violence and retaliation, she isn't all that concerned with what's actually in front of her (this is kinda valid considering she grew up seeing a lot of death and she was probably just in shock at the bridge). Mel is shocked when Jayce accuses her of using him and Viktor in season two, even when she literally did. She even admits to it, but in the way she admits to it she doesn't take accountability. It's not a "yes you're right and that was fucked up" it's a "well of course you guys were investments hello??"

Honestly I think a lot of Mel's issues as a person stem from her childhood and how she was raised, but as an adult Mel hasn't made much of an effort to combat what she was taught and become a better person. And again please note that Mel doesn't need to be a good person. She's allowed to be flawed and complete and human. I'm not saying anything of this as an accusation, I'm saying it as observations I have noted about her character.

#arcane #arcane season 2 #arcane s2 #arcane season two #mel medarda #mel merdada #mic does analysis

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sanzaibian · 9 months ago

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Okay, I’ll admit it. I’m still in love. And it made me do some crazy stuff.

Let me talk to you about my first love. Unrequited, of course, but still, first love.

His name was Liam. Skinny, tall, handsome, you know how late middle-school crushes look like. He was sociable, unlike me, but we still did have the kind of deep discussions that I like having, about niche interests, walking back and forth the schoolyard. I was obsessed with him, letting my imagination run wild with scenarios involving him, ranging from seeing him out of school (shock horror ! … it was actually a big deal for me...) to being somehow abducted inside his body and living life as him, with him at the helm and me helping him in daily activities. I also imagined fantastic stories about him being a herald of a magical organization of which I was also part or to which he initiated me. I even wrote them, and hold dear to my heart those worlds I made involving me and Liam.

I even planned on marrying his sister just to be close to him, because I could of course not be in a relationship with him.

Oh, sorry, did I not mention that I was denying I was anything but straight at the time ? Sorry for the misunderstanding. But yes, the whole time I interacted with my first love, I thought he was just a very important friend. How shocking it was to find out just a few years later that I was indeed in love with him.

Sigh.

The problem is that it didn’t stop there, when life drew us to continue school in separate places. After that time, and even now, I see him in anyone looking anything like him. For example, take this guy :

It’s not him.

He’s older, and if I look more closely, I find more and more differences.

However, I look at him, and can only see Liam.

It drove me crazy. Those look-alikes didn’t all look alike, some being buff, some having some stubble, some even being quite short, but all sharing the same short hairstyle, and that unmistakable face.

I just… couldn’t move on, move on from a crush on a straight guy on which I never made any move. I tried finding other people to have crushes on, to fall in love with, perhaps even date, yet I failed at every step. Failed in seeing attractive men as anything more than just that, attractive, failed in meeting men with which to create meaningful relationship, failed in finding any place in the LGBT community.

And punctuating all of that, a slow but steady stream of Liam look-alikes were met in the street.

So don’t blame me if I finished by believing in my own fantasies, that we were in a magical world, with him seeking me to be a part of it, whence all of his appearances in the street. Plus, growing more and more isolated, who was there to bring me back to reality ? Certainly not the internet, as I sought out more and more obscure websites in the quest to understand what was happening to me.

It lead me first of all to psychological knowledge, most of which I have forgotten since then, then to occult, to erotica in a strange turn of events, and then, finally, to that one website that seemed to be the key to all my questions. It was on a weird Weibo post, that kind that leaves links to websites with passwords to open pirated content, that I first encountered. Thankfully, all of my yearning gave me enough frustration to study Chinese enough to read it with a dictionary on the side, so I was able to understand what that post was about.

At first I was skeptical. It was sketchy, plus what it promised was ludicrous… a simple app that would be able to answer any question with 100% accuracy, plus it claimed to use no AI. It also promised to get some “real experience of the answer”, whatever that may mean – assuming my translation of “实际的答案经历” is even correct.

However, at that point, I was desperate to get anything conclusive from this endeavor.

So I entered my question inside the machine, in the best of my poor Chinese, and asked “為什麼我遇到很多像Liam的人？” (Why do I meet a lot of people like Liam ?). Looking back, I should have written my question using simplified characters instead of traditional characters, it might have confused the app…

When I entered the question, it simply answered “谢谢您的问题！请等一下答案经验准备好了！” (Thank you for your question ! Please wait a bit for the experience of the answer to be prepared !). I felt like I was cheated on, even though I didn’t really expect much. At least give me a paywall to be angry at, but no, it was an empty sentence, giving me no catharsis for the long search for any answer to all the Liams I saw. Of why he was still sticking in my mind, of why I couldn’t move on properly.

At that point, it was already late, so, with no catharsis, I decided that this was just not worth it. I uninstalled the app, looking back likely also a mistake, and decided to clock out for the night.

I didn’t sleep well that night, moving a lot, and never able to completely enter the realm of dreams. Instead of plunging in a seemingly instant coma, I was slowly and painfully experiencing all the hallucinations of slumber, tense and sweating.

The next day, when I woke up, nothing felt right.

The bed didn’t feel right, the room didn’t feel right, the weight didn’t feel right, the hair didn’t feel right… even the morning wood didn’t feel right. Yet… there was something undeniably familiar to everything. As if it’s inside the uncanny valley between being what is known to me and what isn’t. I stood up, the height also didn’t feel right… I walked a bit dizzily, and though I could blame my recent waking for that, the way my weight was distributed was too strange to dismiss it on this basis.

So, as any good protagonist in the erotica stories I read in my futile quest, I headed for the bathroom. The house layout wasn’t what I remembered, yet it still felt familiar and easy to navigate, so I found my way to it.

And although I already expected it, all the clues pointing to this very fact, I was still shocked when I saw my reflection.

Let me tell you, nothing, nothing can prepare you for the experience of looking at a stranger in the mirror. Not even dysphoria, I tell you.

Because it was so unsettling, seeing the one thing that is supposed to always be familiar, that is supposed to only change little by little, so slowly enough that the human brain cannot process it changing, be so radically different. To not look like oneself, to not have even the same shape, as I was suddenly buff.

And to look like Liam.

I was unable to do anything but stand, bewildered, in front of the mirror, for quite a long while, trying to make sense of what I was seeing. However, finally, I snapped out of my inaction. I automatically reached for the gel and spiked my hair up, even though I never even touched hair gel in my entire life, before going back to my bedroom to find my computer.

All I found was a laptop, but it sufficed. I go little by little to find back the trace of that Weibo post – installing a Chinese keyboard at the same time – but find little luck. Although I did find some familiar-looking webpages and links, I had a hard time finding anything…

Then, suddenly, it was 10AM, and I remembered that I was supposed to go to the gym. And that I didn’t even take the time to prepare my protein shake… God, I was so taken by my sudden transformation that I didn’t even think about the essential !

It took me until I was greeted by the gym receptionist as “Liam” to notice that I wasn’t actually supposed to work out, only the body I was in was.

It shook me, but not enough to forget to answer the receptionist as I always do. I put away my things in the locker room, and made my way to the machines, performing a well-oiled routine, going from one machine to the other automatically. It was good that everything came to me this naturally, as otherwise I would have found myself silly, standing in front of the machines wondering how they worked.

As I was working out, I was thinking on this whole… experience. Quite clearly, I am not who I used to be, nor where I used to be, yet I was acting perfectly reasonably inside the role of the one who is called Liam – that is not, to my disappointment, the Liam I knew. I only look like him. It seems that, somehow, the Liam I inhabit and I merged, letting me insert myself in the life of that Liam seamlessly, yet still keeping my shock, my interests and my wishes intact. As if I was living the life of the one I had taken the body of, only really acting like myself when the Liam I now am has no obligations.

Coming back “home”, I continued my search, and found the original app that triggered this whole thing. Yet, I couldn’t find a way to reverse what it had done, not within the app, nor inside the documentation, plus the app wouldn’t grand any other answer but “谢谢您使用我们应用，请跟朋友转转！” (Thanks for using our app, please share a bit with friends !).

So I guess I now have to live inside this alien body that is in all manners similar to my first love, even in name. I mean, there are worse fates, especially as this Liam thankfully also seems to be into men, yet I cannot help but feel unhappy about this arrangement. Although I now partly am the Liam I inhabit, I can’t help but feel like I have robbed him of his life, forcing him to sit at the back of my mind, experiencing his life in the third person. Plus, I can’t possibly get used to not being me, and especially not to looking just like the Liam of my memories.

Which lead me to my realization that motivated me to write about this.

The reason why I still find Liam everywhere in the streets (even now, inside the body of one of his look-alikes) isn’t that he has facial features rare enough to be noticeable, yet common enough to be shared by a big number of people. No, it’s the fact that I’m still thinking of him, which makes my brain look for people who look like him, whence seeing the resemblances with the Liam I knew rather than all the differences. And why do I still think of him ? The answer seems to be that I still haven’t moved on, that I’m still in love with my first love.

However, now that his face is the one that is reflected in the mirror...

Am I ever going to be able to move on and find love ?

#male tf #male transformation #gay tf #nerd to jock #jock tf #body swap #mental change #transformation #tf story

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