#but also she isn't a child her choices were her own

[the-mpreg-guy]

not a mary winchester lover, not a mary winchester hater, but a secret third thing

[franeridan]

I understand why everyone who read dunmeshi instantly shipped marci and falin but tbh the fact that it's just treated as canon by the fandom cuts on a lot of interesting analysis that could be done on their relationship outside of the romantic reading, which is kind of a shame

[13eyond13]

.

[vivwritesfics]

Grandparents

Jimmy is a frisky little fuck, gets the neighbour cat pregnant. But hey, that's an excuse for the neighbour cats owner to introduce her to the pretty man with the mesmerising blue eyes who also can't wait to become a cat grand parent

1.7K

Beaver had been acting incredibly strange. When her owner acquired her (literally rescued the little cat from a bin - she had been sitting in the apartment dumpster literally chewing a bit of wood, how she got her name), she had never been one to beg for food. 

In the three years she'd owned Beaver, she'd always filled up her bowl in the morning, and then Beaver would sporadically eat from it. She'd never finish the bowl before noon and then yowl for more. 

And Beaver was definitely getting fat. 

Her owner was incredibly worried.

She scheduled an appointment with the vets and then spent maybe two hours trying to coax Beaver into her cat carrier. But the cat was a wild child. If she didn't want to do something, she wasn't going to do it. 

The cat carrier idea was abandoned. "I kinda hate you," her owner muttered with little conviction as she scooped Beaver up into a blanket and left the apartment. 

It was a little awkward, carrying a cat through Monaco like it was a baby. But Beaver was pretty happy to lay in her arms, happier than she would have been in the cat carrier. 

When, at last, they got to the vets, they were the only beings in the waiting room. Thank God, the last thing she needed was a dog freaking Beaver out, or Beaver chasing somebody's pet rodent across the room. 

She couldn't stop her knee from bouncing as they waited to be called. Her eyes couldnt stop drifting across the room, to that ugly, magnified picture of a tick. When they were called (which didn't take too long, maybe everybody else's pets were thriving that day), she carried adjusted her grip on Beaver and carried her into the waiting room. 

Pregnant. Her mangy little street cat who she loved more than anything was pregnant. "Beaver, you hoe," she mumbled as they walked out of the vets office. But then she looked at Beavers swollen belly. She had kittens in there.

Who the hell was the father? Beaver hadn't left her apartment (by choice), so who had gotten her pregnant?

She didn't mean to gasp as loudly as she did. In the hall of the apartment complex, she stopped walking to look at Beaver, her eyes wide. "It's the neighbours cat, isn't it?" She asked, but Beaver didn't confirm or deny. 

But it madde sense, didn't it? The neighbours cat had a habit of breaking into her balcony to check Beaver out. It wouldn't be a surprise if he and Beaver got busy while she was at work. 

"Well," she said to Beaver as she unlocked the apartment door, "at least you've got taste." 

Yeah, the neighbours cat was pretty beautiful. A Bengal, if she knew her cat breeds (which, she barely did). And his owner wasn't bad to look at either. 

The owner that she should probably inform of what was going on. 

She placed Beaver down on the sofa, and she climbed out of the blanket. "Okay, Bea," she said, holding out her hand (so that Beaver could push her head against it). "I'm gonna go and tell your baby daddy's dad what's going on. You stay here and... try not to let any more boy cats in." 

Beaver ignored her and made her way to the bedroom. 

Standing up straight, she brushed the loose cat hairs from her jacket. She grabbed her keys from the side and made her way out of the apartment, to the one just above her own. 

As she waited outside of her cats baby daddy's owners apartment, she could hear an incredible amount of commotion from inside. Well, I say commotion, but it was one single voice, sometimes shouting. She raised her knuckles to the door and knocked. 

The shouting stopped. Their was a pause, so long that she thought he wouldn't answer, before he pulled open the door. 

Eyes so pretty she got lost in them, and quite literally forgot what she was going to say. She'd never properly met her neighbour before, just seen him when walking through the building. Her mind blanked as she continued to stare into those pretty blue eyes.

"Can I help you?" Her neighbour prompted, and she shook herself out of whatever trance he had her under. Witchcraft, I tell you. 

"Uh, yeah. Sorry to bother you but I live in the apartment beneath you with my cat, Beaver, and I think your cat might have gotten mine pregnant."

His face dropped, and then a smile split across it. "Really?" He asked, and she nodded. "Jimmy is going to be a dad?”

"If Jimmy is the pretty little Bengal that Beaver is obsessed with, then yeah, Jimmy is gonna be a dad," she answered, shifting her weight from foot to foot.

Suddenly he was reaching into his apartment and grabbing a set of keys. "Can I come meet the momma?" He asked, his voice so excited. How could she say no to that?

On the short journey form his apartment to her own, they introduced themselves. Max was Jimmy's dad, and he was a car mechanic (okay this girl clearly didn't know who Max was, and he didn't want to come out with the whole F1 driver thing. So he took a leaf out of Daniels book and called himself a car mechanic).

(She thought it was a little weird, how did a car mechanic afford a luxury apartment in Monaco? Maybe he was a car mechanic to the stars or something).

"Why is she called Beaver?" Asked Max as she pushed her key into the lock on her apartment door.

She didn't judge him for asking, it was an incredibly strange name for a cat. "Well, when I found her she was chewing this bit of wood and she looked sort of like a mangy little beaver. Turns out she was just a mangy little cat," she said and let Max in.

They might have been in the same building, but her apartment was much smaller than his own. A lot more full, too. Where Max had little else beside his set up in his living room, she had so much stuff. A fluffy colourful rug, a sofa big enough for a whole group of people, a cabinet full of DVDs.

"The little miss is probably in my bedroom," she muttered as she kicked off her shoes. "I'll go and get her."

Max kicked off his own shoes. He took a moment to look around properly, careful not to invade her privacy.

She emerged just a few moments later from a little way down the hall, a little black and white cat in her arms. "This is Beaver," she said, holding the purring kitten towards him.

"Hi Beaver," said Max as he took her from her hands. "I'm Max, Jimmy's dad. You're gonna make me the happiest cat grandpa out there."

Beaver pushed her head against Max's, still purring. "She likes you," said her owner as she sat on the couch.

"They're gonna have the prettiest babies," Max said as he sat beside her, Beaver happily sitting in his lap. As carefully as he could, Max fished his phone out of his pocket and passed it to her. "Give me your number, just in case you guys need anything."

But it wasn't just in case they needed anything. After Max went back to his apartment, they texted almost constantly. It started off being about the cats, but then it went further (I say further, but it was just them sending each other memes, giggling from behind their phone screens as they laid in their respective beds).

Max invited her out for dinner maybe a week before the kittens were born. It wasn't anything fancy; he was just craving something unhealthy and he wanted some company.

And then the kittens were born. As Beaver hid herself away in her closet, she pressed her phone to her ear. "C'mon Max, pick the fuck up" she whispered as she sat on her bed.

She was panicking, admittedly. But who could blame her? Her cat was about to give birth!

Max finally picked up his phone. "Hey, I'm at the pet store. What sort of bed should we get for momma and babies?" He asked, sounding all too relaxed.

"Shut the fuck up and get your ass over here!" She cried. "The babies are coming!"

Max ran out of the pet store. He'd never moved so quick in his life (not with his own two legs, at least). In ten minutes flat he was outside of her apartment door, knocking insistently.

Max was just as stressed as she was. But, upon seeing the look on her face, Max let the stress drop. "She'll be okay," he said, pulling her close for just a moment. For a moment was all they had; they had to get to Beaver.

He took charge, sitting her on the bed with a glass of water. The two of them waited while Beaver gave birth. There wasn't much more they could do. Once the kittens were born, Max brought in towels and blankets. He kept a nice distance to her while he set up a lovely warm bed for her and the kittens.

"They're beautiful," he said, not daring to pick them up. "Should we bring Jimmy down here to meet them?"

She shook her head. "Not yet. Let momma and babies rest," she said, laying her head on Max's shoulder.

He squeezed her. "We're gonna be the best cat grandparents," he said. When she held up her hand, Max gave her a high five.

"Can the grandpa take the grandma out for dinner? Is that something a new cat grandparent would enjoy?" He asked, looking down at her with her head still on his shoulder.

She hadn't yet taken her eyes away from the kitten. "Real dinner? Or you just want company?"

"Real dinner, date dinner."

"Love it."

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[unconventional-lawnchair]

Like my father pt 2 {burb}

Sirius x Potter!Reader

An: Already writing part 3. This can also be read as a solo.

CW: Amos Diggory slander, not proof read, use of y/n, bad dates, just cheesy fluff,

Summary: Reader has a bad date and Sirius comes to the rescue

Wc: 2451

Part one Part three

“I genuinely can't believe you let her walk out that door with him.” James groaned from the love seat where Lily had found a perch in his lap.

It was just a few months after your graduation when you informed your family and co. that you were seeing someone. Someone four years older, Amos Diggory. James protested, Sirius protested, even your mother did. Didn't stop you from accepting his date invitation. Nor did it stop you from leaving to go out to eat with him either.

Lily rolled her eyes, gently nudging James with her elbow. “Oh, come off it, James. She’s not a child anymore. She can handle herself.”

Sirius ran a hand through his hair, every part of him was tense, despite how he played it cool. “Drop it, mate.”

James sat up straighter, glaring at Sirius with indignation. “Drop it? Are you serious? She’s going out with a guy who’s practically an adult! What if he tries something? You know how boys are at that age!”

“Yeah, he's one of them.” Remus muttered and took a sip of his tea, earning a smack from Sirius.

“Stop talking like she isn't old enough to make her own choices.” Sirius huffed, crossing his arms defensively. “She was bound to start dating eventually.”

“Sure, but that doesn’t mean I can’t worry! I mean.” James pointed at Sirius and then back at himself. “He's older than us. I don't like it.”

“Maybe he is, but she’s not going to be alone with him in a dark alley, James. They’re going to a restaurant,” Remus chimed in, giving an amused sigh. “Let her live a bit.”

“This conversation isn't happening again.” Lily groaned as she stood up, grabbing James by his hand. “We're going to bed.”

James looked up at Lily and squeezed her hand with an affectionate, hell, lovesick look. “Yes ma'am.”

“Whipped.” Sirius huffed and Remus gave him a look.

“Goodnight all.” James waved before he pointed at Sirius with a glare. “You're gonna lose her, mate. Get your shit together.”

Sirius flipped him off before he sunk back into his bed. Sighing threw his nose and sank into the couch.

“You can't ignore it forever, Sirius.” Remus muttered and Sirius gave a scoff.

“Oh, but I can. And I will. She trusts me, she likes me, she thinks I'm just the greatest. I'm okay with that.” Sirius sighed and Remus gave a huff.

“Sirius, if she likes this guy-”

“Then I'll be happy for her.” He interrupted and ran his fingers a bit more purposefully through his hair. “She'll find someone worth her time.”

“Ugh. Is this how it felt talking to me?” Remus mumbled and Sirius rolled his eyes.

“I'm nothing, Remus. I don't have a damn thing to offer her. Not even my name means more than hers.”

Remus frowned. “That’s not true, and you know it. You’re a good guy, and you care about her. That counts for something. She wouldn't care about anything else.”

“Yeah, but it’s not enough,” Sirius grumbled, his voice laced with frustration. “I’m just her brother’s best friend. Some couch surfer her parents pitied. I’m not what she needs. Not when she could have someone like Amos. He’s got it all; looks, charm, and a future ahead of him. What do I have? A knack for getting into trouble and a penchant for living on the edge?”

“Sirius,” Remus interjected firmly, leaning forward. “You know she doesn't think like that. You haven't even given her the choice.”

“But she so often picks the wrong one.” He groaned and Remus shook his head.

“Just think about it, mate. I'm going to bed, you coming?”

“No I uhm…” Sirius glanced at the window and bit his cheek. “Think ima stay up for her. You know, to lock up after her.”

Remus slowly smiled and nodded, dismissing himself.

~~~

Sirius was shocked awake by the sound of the house phone ringing. He hissed and rubbed his eyes, having fallen asleep on the couch.

He groaned, the muffled ringing echoing through the house as he squinted at the clock on the wall. It was well past nine, when you should have been home. Who in their right mind was calling this late? He internally nagged himself for not being awake to welcome you home.

Reluctantly, he pushed himself up from the couch, his body stiff from the awkward position he had been in. As he shuffled toward the kitchen, he could hear the phone ringing again, the sound almost piercing his ears. He reached the phone just as it stopped, but before he could breathe a sigh of relief, it started ringing again.

“Ugh, bloody hell.” He muttered, picking up the receiver a bit more aggressively then needed. “Potter residence, what-”

“Sirius? Is that you?”

At the sound of your voice he almost toppled over. “Bambi? The hell? What are you still doing out?”

“Uhm.. dinner ran a bit later than I thought.” You whispered and you began to ring your fingers through the cord. “Would it.. would it be too much to ask you to come pick me up?”

Sirius thought about what you were asking for a moment, you didn't exactly sound thrilled to be there.

Not that he had to think about his answer for too long.

“Of course, bambi. Just stay put, yeah?”

“Okay, I’ll be here.” You sounded relieved, and Sirius could picture you visibly relaxing on the other end of the line.

He hung up the phone and quickly grabbed his jacket from the back of the couch, his mind racing with questions.

Sirius slipped on his shoes and headed for the door, he paused and quickly grabbed a pair of your sneakers before hurrying out.

It wasn't long before he got to the restaurant. Walking at night wasn't Sirius’s idea of fun, but the idea of you sounding so nervous and scared, he didn't even realize how fast he was moving. Some fancy place he was sure you'd never be found dead in. Even with your family’s status, you'd more often than not be found in diners.

He walked in, standing awkwardly at the waiting area. He peeked over the hostess stand, looking around the restraint curiously, only able to spot Amos sitting at a table alone. He furrowed his brow, before he felt a tug at his sleeve.

Turning around to see you, smiling up at him. The same smile you shot him when you headed out earlier tonight.

“Hey, little bug, what's going on?” His entire demeanor turned soft, and your smile faltered just a moment.

“I just wanna go home.” You whispered softly and Sirius took a glance back at the table, able to see Diggory looking around curiously.

He nodded and wrapped his arm around your waist, escorting you out of the restaurant to the grand stairs that lead to the sidewalk. He pointed down to the last few steps. “Sit.”

You huffed but did as you were told. Watching as he kneeled in front of you and took off your heels, replacing them with your sneakers.

You hugged yourself, the noodle strap dress doing very little to cut the cold. “Thank you, Siri…”

He sighed a bit at the nickname, standing up and taking your hand to help you up. “Did you call me all the way out here to ditch some boy?”

“Merlin, Siri, he's such a git.” You hissed and looped your arm around his. Clinging to what little warmth he gave off, as he began to lead you home.

Sirius raised an eyebrow, a mix of concern and curiosity flooding his thoughts. “What do you mean? What happened?”

You leaned into him a bit more, seeking comfort from the chill in the air and the whirlwind of emotions from the evening. Not used to the more casual treatment from men. Usually, being James Potter’s sister was a reminder enough for men to go above and beyond for your attention.

Given your brother was the boy who would dedicate his Quidditch Cup wins to his girlfriend or declare his love with obnoxious displays. Of course, {Y/N} Potter wouldn't entertain anything less. Seems Amos figured a pretty face was enough. “It started off fine, but then he just… I don’t know, he got too flirty and it felt really off. I thought I could handle it, but he just kept pushing. I felt uncomfortable, and I didn't want to make a scene.”

“Flirty how?” Sirius asked, keeping his voice low and steady, trying to gauge how serious the situation was. Debating on if it was worth running back in.

“He kept talking about how pretty I looked and how lucky he was to be with me.” You explained, your voice barely above a whisper. “At first, it was nice. I mean, you know I like being flattered.”

“What? No. I would have never guessed.” Sirius mocked and you hit his side with a huff.

“Shut up!” You laughed lightly, but the tension in your voice betrayed your discomfort. “But then he started getting too personal, asking if I was a good kisser and if I wanted to go back to his place after dinner. It just felt… wrong.”

Sirius felt a surge of anger course through him, and he tightened his grip on your arm as you walked together. “Did you tell him to back off?”

You nodded, looking down at your feet. “I did, but he just brushed it off and laughed. I didn’t want to cause a scene, so I just made up an excuse about needing to call you. It was the only way I could get out of there.”

“Good thinking.” He praised, his voice softening. “You did the right thing. You don’t have to put up with that kind of behavior from anyone, no matter how charming they might seem.”

You looked up at him, slowly your bottom lip began to quiver and he gave a surprised and panicked look. Before his expression slowly turned soft. “Oh, bambi.”

“I didn't like it.” You whispered, quickly lifting your free hand to dry your gathering tears. “It was my first date and I hated it.”

“Hey, hey.” He whispered and stopped walking. Lifting his hand to shoo away your own, using his thumb to dry your tears. “Hey, none of that, it wasn't your fault.”

“He was so gross.” You whined out and he tutted, pulling away as you took a shaky breath. “And his cologne smells awful.”

Sirius gave a startled chuckle and you slowly smiled up at him. “Smelt like a mix of cheap aftershave and desperation.” You added, a hint of laughter breaking through your earlier distress. He gave a louder laugh as he began to lead you back down the street.

“How cruel of you.” He chuckled and you shook your head, giving a small sniff. “How cruel of me? How cruel of him! I had to smell it all night, I'm the victim here.”

Sirius couldn’t help but smile at your determination to find humor in the situation despite how upset you had been moments earlier. “You’re absolutely right.”

You giggled, the sound warming Sirius’s heart. It was nice to see you lightening up, even if just a little. “I mean, really, if you’re going to wear something that strong, at least make sure it doesn’t smell like it came from the bargain bin. My dad has better smelling cologne and he actually gets it from the bargain bin.”

He shook his head. “Do you even know cologne? Is that even on your radar?”

“Well, no but.. I like my dads. And yours.” You hummed and leaned in closer, taking a small whiff of him before you scrunched up your nose. “Not this one. The green bottle.”

Sirius raised an eyebrow, a playful smirk creeping onto his face. “The one I wore at Hogwarts?”

You laughed, your tension easing. “Definitely. It smells way better than what that git was wearing. You’d have all the ladies swooning.”

“Ah, but I’m not trying to swoon anyone tonight.” He hummed, his tone suddenly more serious as he looked down at you. “I’m just focused on getting you home safe.”

You met his gaze, a mix of gratitude and warmth filling your chest. “I appreciate that, Sirius. It means a lot to me.”

“Course. Next time you need a date, you just let me know, and I’ll screen them first,” Sirius offered, half-joking but also completely serious. “I’ll make sure they meet the ‘Sirius Standard.’”

You laughed. “The Sirius Standard? Oh please, I know how you treat your girls.”

“Not my girls. They aren't my girls.” He chuckled and you rolled your eyes.

“You don't have girls anymore? You've changed, Black.”

“Who needs girls when I got you to look after? Too much work if you ask me.” He huffed and you slowly smiled, fiddling with the threads of his warn jacket.

You guys eased into a calm silence. It wasn't long until you were home, and he was lifting up his keys and kneeling down to take off your shoe. You gave a sleepy yawn, looking down as he stood infront of you.

He did a double take, noticing how you chewed your lip.

“What's on your mind, bambi?”

“Just.. boys. Is it weird, Siri? That I haven't dated yet?”

“What? Doll, is that why you went out with him?”

“... maybe. Just.. James got to me the other day. I haven't dated anyone, that can't be normal.”

He cooed and walked over to you, “It's not, but it's special. You know what you want. That's a good thing.”

You looked up at him, your expression thoughtful. “You really think so?”

“Absolutely.” He affirmed confidently. “You’re not going to settle for just anyone. You’ll wait for someone who makes you feel safe and happy. That’s way more important than just dating for the sake of it.”

You smiled softly. “Thanks, Sirius. You always know how to make me feel better.”

“That's my job, isn't it?” He grinned back at you, before lifting up his arms. “Come ‘er.”

You giggled and hurried over to him, slipping your arms around his waist and nuzzling your face into his chest. He wrapped his arms around you and held you close, giving you a tender kiss on your forehead.

“Don't go rushing into things, bams. You've got a lot of years to find someone.” He whispered against your hair and you absolutely melted into him. Not noticing as the stairs from the second floor creaked and James peaked down to look at Sirius. Giving him a smile and hurrying back upstairs.

“Siri?”

“Yeah?”

“Can we watch a movie tonight?”

“Is it Grease?”

“... maybe.”

[dollypopup]

I truly cannot overstate just how much I adore Colin Bridgerton as a male love lead, and how important his story is, in particular in a current, modern reading. We live in a time of alpha male machismo that in many ways mirrors the sexism of the historical time period Colin is in, and we have a hero who explicitly rejects it. More than that, we have a hero who first tries on the persona, first tries to fit in, and then determines, with no outside influence and all on his own, that it's wrong. That he doesn't want to be like the men of his society, that he doesn't like the expectation of sex without love and commitment and connection, that he doesn't want to be 'one of the boys', even if it comes at their derision.

Because when Violet says he has always been her most sensitive child, when he has always considered others before himself, when he has always offered a joke or a moment of levity- for so long, he felt he had to. That there was no other choice.

Colin Bridgerton, The Great Pretender, is finally coming into the light.

Take my hand. Come walk with me.

Colin's arc is incredibly clear, and incredibly dear to me. We can track his progress throughout the seasons he has been in, but if we consider his backstory, it comes even more in clarity.

Piecing together a timeline with some influence from the books and loose historical accuracy, Colin loses his father at 12 and then is sent off to Eton. And he is a tiny thing when his father passes, shorter even than his 9 year old sister, Eloise.

(Yes, I checked!! He's half a head shorter than Eloise, and an entire head shorter than Daphne. This boy is SMALL)

So it makes a lot of sense to me that this is the start of his fake-it-to-make-it personality. He cannot grieve with his family in these circumstances, he's been sent off to school with other boys who are bigger and stronger than him, and he must realize relatively quickly that weakness in their eyes will never be tolerated. In fact, Eton was well known for corporal punishment and bullying during this time. Older boys were well known to mistreat the younger once, and considering just how small and soft-hearted Colin is, and just how vulnerable he is having lost his father-

Of course Colin would become a target of such.

And despite that, we meet him in Season 1 with an endearing earnestness and hopefulness in the world. Something inside him, something sweet and gentle and warm, thrives to live. And fights against grief to do so. How easy it would have been for him to lose his father and be bitter. How easy for him to see his father die from the steps of Aubrey Hall, to be sent to a boarding school away, and withdraw in on himself.

And yet, he doesn't.

At least, not in the way one would suspect. Instead, Colin becomes a chronic people pleaser. If the people around him are happy, then he will be safe. Will not be hurt. And they have no space for his own hurt, regardless. There's hardly even any space for his mirth, as most people didn't even reply to his letters on his travels the previous season.

In Colin's confession in Season 3, he says 'I have spent so long trying to feel less', and this numbing begins early in his life. He's a consummate gentleman in Season 1. He does everything by the book, everything as he should. He wants to be accepted in his society, wants to be taken seriously, wants to belong. So he sees a pretty woman, and he gets along with her well enough, and he courts her. Openly, honestly, in full view. It isn't a heart-stopping love, but he has numbed himself for years at this point, so affection will do, and if proper men of his society are married, well, maybe he'd finally be taken seriously.

And yet, no one notices him, even still. No one except Penelope. His own mother doesn't recognize his behavior, and worries for him after she does. How long has it been since she's actually seen him? We know from the show that he's incredibly close to his mother, and loves her dearly, but we also know that after Edmund's passing, Violet was mired in grief and post-partum depression. Colin misses much of this as a firsthand witness since he's at school, but that doesn't mean he wouldn't be able to tell, wouldn't be affected by losing his mother and father in one fell swoop. In fact, Colin loses his connection to the majority of his family in being sent to school so soon after the tragedy. So of course he comes back and he tries not to make waves. Tries to do things correctly.

His friction with Anthony proves time and time again that nothing he does is entirely ever able to fully please him, and this causes contention in their brotherly bond. Of all the siblings, Anthony is arguably the most harsh with Colin. And he is also the model for who a man should be in the family, as the head of the family.

So when Anthony sees Colin earnestly try to marry, he scoffs him off. Accuses Colin of only wanting to marry to have sex, and then claiming "It is my fault. I should have taken you to brothels." This is the first on-screen shaming of Colin looking for connection before sex, and Colin doubles down. He wants to marry for love.

But he doesn't actually love Marina. Neither of them truly know each other, and so when it all blows up, and he is humiliated to the entirety of his community, Colin gets his first taste of romantic failure. He tried to do it right, and it ended more wrong than he could have ever imagined. So, maybe Anthony was right. Maybe he is just a foolish, green boy, who has no idea how to go about things. The fallout of his failed engagement echoes in the persona he puts on in Season 3, and the choices he undergoes during them. Is it any wonder he ends up going to brothels to have unfulfilling sex if even his own BROTHER, the head of his family, tells him to do so?

It doesn't happen right away, though. Despite the fact that no one truly checks on him or sees how this breakup effects him (Eloise dismisses the hurt he must feel in light of such events with an honestly rather accurate wave-away "Men are always less affected", and that is true), it is evident that he is NOT okay.

We leave Colin in Season 1 putting on a mask, a happy face to his family, a 'you inspired me' to Penelope, and then spends his travels sad. Depressed. Taking drugs to try to ease his mind, occupying himself with writing to Penelope. In Season 2, he spends the entirety of it trying to be useful. And he does this with Penelope. He feels deeply for her, he cares so much for her, and he even says it to her aloud 'You are special to me' and 'I will always look after you' and how he could never give her up. Season 2 is a season of healing for Colin- he closes his chapter with Marina with a relationship post-mortum conversation after he does a wellness check to make sure she's alive (let's be real here, no one else was going to reach out to her. She made it clear to him that even her own father didn't want her), makes amends with Will, proves himself useful to Penelope, and departs on a high: he thinks he threaded the needle. He thinks he was successful sending Jack off, that he made Penelope happy, and that he's in with The Boys.

But whilst the person he is around Penelope is genuine, the person he is around these men are not. We know from Season 3 that they don't actually like him. They make snide, underhanded comments toward him, and laugh at him. I stand by the idea that end of season 2 is Fife and Co. laughing at Penelope AND laughing at Colin. They don't care about their friendship, they're teasing him for caring about her so openly, and Colin is protective of the relationship he has with Penelope. So he makes a comment for the boys, and puts on his mask. 'I would never court Penelope Featherington' (look, I'm just like you. I walk like you, talk like you, speak like you) 'Not in your wildest fantasies, Fife' (I am one of you one of you one of you- so why does it feel so hollow?)

He gets, now, his first taste of acceptance from them. They come to him to Mondrich's bar, he repays his slight against him, and he feels he is one of them. (Does he truly *want* to be one of them?) And so when we open Season 3, it's a smooth progression.

Colin is walking the walk and talking the talk, and yet his heart isn't in it. He's not one of these smarmy men, but he mimics them. Their behavior. In part, at least. Whilst Fife is out preying on 18 year old women in coat closets, Colin is telling gaggles of girls how pretty they are and how with such nice dresses, they're sure to find a husband. He makes it clear he's not an option, but that he doesn't mind being a fantasy. And Luke Newton does an amazing job making that clear: there are three sides of Colin. The Colin portrayed to his society in the light in good company (1) and the Colin portrayed to his society in the dark, in. . .less savory circles (aka: The Lads)(2), his 'armor' as his mum calls it. And finally, the most important but the one kept closest to the chest: the Colin of truth. The Colin who cries alone in his room after a breakup, the Colin who doesn't burden others with his feelings, the Colin who writes to Penelope, the Colin who loves deeply and feels deeply.

But his society has no use for a man like the real Colin, they do not *want* a man like real Colin, so he puts it under lock and key. And so much of this is centered around his feelings about sex, so here comes my 'Colin is Queer' soapbox. Colin does not experience sexual attraction like the rest of the men of the ton. He is expected to find it casual and be cavalier about it. To just want to fuck for the sake of fucking. But Colin needs love and romance and connection to actually enjoy sexual interactions. Nowadays, we recognize this as being on the asexual spectrum, of being demisexual, but he didn't have words for that in the time period he's in, so he has to forge ahead to figure himself out without a community identity to find solidarity with. That's what makes the brothel scenes so interesting as a narrative device: in the first, he's masking even in the midst of it, and in the second, he can't. After kissing Penelope, he finally, for the first time in his life, has a sexual interaction that means something to him.

It's the first one he truly enjoys, and the first one that feels right to him. It clicks for him that oh, that's what it's meant to be like. And the strain of that realization whilst still having to be what his society expects of him puts immense stress on his shoulders. You see how he grows more and more uncomfortable about the conversations, until finally he rejects it outright.

Even when it's very much not encouraged for him to do so. He's even told "You are much more fun this season." That's why he hides himself. From near everyone, even his family, even his brothers. It's telling how Anthony's positive interaction with Colin is when they're at the club, and Anthony praises him for his most recent attention. Have we seen much of Anthony being proud of Colin, otherwise? Not really. So he's reinforced in his persona. Doesn't boast of his travels because it didn't have anyone liking him for it, before. Doesn't even say how many cities he's gone to. Except with Penelope.

In the books, there's a line about their kiss, referencing how his world will never be the same. And it won't be. Because when Colin says that she helps him see the world in new ways, it's in a multitude of meanings.

Penelope refuses to let him wear the mask, because in truth, Penelope is the only one who doesn't like it. Not only does she see the real Colin, but she enjoys the real Colin. Whilst everyone else is simpering over Colin's new look and attitude, rejects who he is in reality, Penelope dismisses it, wants the person she knows him to be instead. It's only when he strips down the facades that Penelope allows him into her life again. And her Whistledown article was harsh, but it was also true. He *is* masking. He *is* putting on a persona and a role. But she was wrong when she asked if Colin even knows which is real: Colin knows very well which is real. And he also knows the realities of him haven't been accepted.

When Colin tells Penelope charm can be taught, he speaks from experience. When he says 'living for the expectations of others is a trap' it is because he has already fallen into it, and if he can't dig himself out, maybe he can keep her from it. Colin tells her 'you do not need lessons' and that she is fine exactly as she is, because just as she sees the real him and loves him, he sees the real her, and loves her, too. But they both live in the constraints of their society, and so they both put on the masquerade. Even sometimes to hide from each other.

The current climax of his arc is when he's out with the lads, after they all go off to the brothel again, and he disassociates from the experience. Playing cards and insisting on sharing sexual exploits, to which he does not want to take part, and makes a lighthearted dig at them. 'There is no gentleman at this table'. He includes himself in that, and then clarifies. He speaks aloud for the first time to them the truth of his heart- 'Do you not ever tire of the expectation to remain cavalier about the one thing in life that holds genuine meaning? Do you not find it lonely?' Can it really only just be him?

And it is. Or, maybe it isn't, but the rest of them aren't brave enough to admit it, so they're okay in making him feel like it is, in outcasting him for being a romantic, for caring about a woman beyond what she can provide for him sexually. Colin professes he doesn't like who he's become, doesn't like the expectations for him to behave the way he has, and they laugh at him. Again. He is made fun of, again.

He goes home and he falls in his bed and he feels like he lost it all. Lost Penelope to his own advice, and lost his newfound shine in his community. But when he's faced with which one matters more to him, he chooses Penelope. Unhesitatingly.

Colin chooses to be sensitive. He chooses to be a warm-hearted, gentle man in a society that prefers sexist machismo. Act one way in the light and another in the shadows. Colin wants to live authentically, as a man he doesn't really have a role model for. He is brave and he is tender, he sees the sexism of his society and he rejects it. He sees the importance Penelope has in his life, the way she makes him feel, and he embraces her wholeheartedly. He wants love and romance, he wants connection and meaning.

Colin, The Great Pretender, sick of pretending. Colin, walking into that ballroom and giving Fife the cut direct when he invites him out. Colin, cutting into a dance in the middle of a ball between Penelope and a man the entire city knows is about to propose. Colin staring deeply into her eyes with such unfiltered longing even *Cressida* can't help but notice what's going on. Colin running off after Penelope in full view of his society, outrunning a *carriage* to see her. Begging her to let him in. Colin on his knees, all but flaying his chest open for Penelope to see his heart. Colin made a choice when that candle flickered out, and his choice was Penelope. His choice was himself. And his choice was to flip off societal expectation and to live for love, damn the consequences.

I think our own world would be a better place if modern men took his example, too. Colin Bridgerton as male love lead in Bridgerton, a global show, is such a refreshing, wonderful example. A man who tried to be like what the world wanted, and who decided to go against the gender norms of his time. A man who prioritizes the woman he loves, who risks ridicule in doing so and comes to realize that he doesn't care. He doesn't care anymore about being one of the boys, one of the lads, one of the guys. Fuck his society if his society can't recognize the beauty of what he feels with Pen. He cares about being the best self he can be. And that best self is around Penelope, inspired by Penelope.

Because how he is with Penelope? God, I could swoon. At every turn, he prioritizes her comfort and personhood. He validates her, he sees her in beautiful, positive light and he helps her see herself that way, too. He encourages her to be brave because he already feels she is, he refuses to let her call herself stupid or a laughingstock, he apologizes without excuses, he checks in on her every step of the way. He's so passionate in that carriage, he's burning for her, he's yearning, but he doesn't do anything until she agrees for him to. He confesses his feelings and when she says they're friends, he backs off. He listens, he cares. He apologizes for overstepping her boundaries, and then when she gives him her consent, the only thing on his mind is showing how much he wants and appreciates her by providing her pleasure. Colin, the people pleaser, dedicated only to pleasing two people in that moment: Penelope, and himself. Because he wants to do that, to give her an orgasm that exists just for her. He's a witness to it, and that's pleasure for him, too. He waits for her nod of consent, he revels in seeing her enjoying herself. And the aftercare- I could cry.

Colin is a man who had every single reason not to be a kind, sensitive soul, and still he chose it. Chose to share it because the headline, even a wallflower can bloom, that's not just for Penelope.

It's for Colin, too.

[watcherintheweyr]

I can't believe I'm writing this

To open up with: IT IS ABSOLUTELY OKAY AND VALID TO BE DISAPPOINTED BY THE LACK OF WORLDSTATE CUSTOMIZATION IN DRAGON AGE THE VEILGUARD. I have my own disappointments about it!

Ok? We have that covered? We good?

Cool, moving on.

To people who are genuinely, hatefully angry, saying we will now be 'forced into Bioware's worldstate' (when this year alone they've stated there is no 'canon' worldstate more than once), or saying that none of our prior dragon age choices matter, I need you to take a step back and walk with me for a second, okay?

For starters: John Epler stated that one of the reasons they narrowed the choices is because they DO NOT want to invalidate the worldstates of their longtime players. However they also don't want to alienate newer players who don't have the history and lore of the past choices. It's a narrow line to walk.

Secondly, I want you to really look at the choices made by your Hero, Champion, and Inquisitor. Which of those choices genuinely affected NORTHERN Thedas, not Southern Thedas, to the point it would linger for years afterwards? Which of those choices weren't things that specifically affected or altered the sociopolitical Southern Thedas climate and landscape in lasting ways?

The Well? Kieran?

That only leaves that if your Inquisitor drank, they now have knowledge from ages long past... that Rook doesn't need. Rook has a direct line into Solas' history and a possible Veiljumper background, unlocking those very secrets on their own.

It's entirely likely and probable that the Well's fears and threats were a red herring. Think about it. We as a gandom have spent TEN YEARS worrying about the Well, about Solas, about Mythal.

Come June 2024, we're slapped in the face by the big bads of Ghilan'nain and Elgar'nan.

Morrigan likely isn't going to be close and friendly with Rook- so there's likely not much reason for her to tell us about her child or husband if she has them.

The rulers of Southern Thedas aren't going to affect us. We aren't tackling the current world ending crisis from the position of a leader of armies like the Warden and Inquisitor, but as leader of a small task force. The Southern Divine doesn't much affect us either- nor do Southern mage politics or templar politics.

Because Rook is an entirely new perspective.

Because Rook is in an ENTIRELY different sociopolitical climate/landscape.

I DO think there should've been ways implemented to specify your Inquisitor's bonds and personality. I'm HOPING maybe there still are that we haven't seen. But otherwise?

My Warden is free. I can say she's cured her Calling and is wandering the world with Zevran.

My Champion can retire into total obscurity with his husband or be quietly helping said husband destroy the slave trade. Either way.

Your history and choices in Thedas still matter. Your heroes still matter.

They just aren't Rook's focus.

Take a breath please. And stop sending death threats to the devs bc what the **fuck.**

EDIT:

further context from the devs on Bluesky

[prideprejudce]

I think alot more people would enjoy the show if they learned to see Rhaenyra and Alicent as Unreliable Narrators, and characters who are supposed to have glaring flaws and weaknesses.

Mandatory preface- There are Issues™️ with season 2 that are its own other ask- but the complaints ive seen about character assassination on both women kind of tells me ppl just wanted to see the two just GirlBossing around, not being tragic characters trapped in their own circumstances.

For Alicent specifically- she just isn't written to be Cersei 2.0, and while it was really interesting to see motherhood from cersei's point of view, its already been done!! I actually prefer seeing Alicent's mercurial clinging to and abandoning motherhood- its interesting!! She was made a mother at what- 15? An age where you truly arent mentally developed enough to raise 3 kids, AND be a child bride, AND be a queen, (AND be a lesbian).

Alicent is interesting to me because she's stunted at 15 years old, she's an adult woman who talks to and sometimes bullies her kids as if they are her peers, and is obsessed with her childhood crush(es). She hasn't built any new relationships* past the ones she was entangled with as a teenager, she's obsessed with both acting out to make SOMEONE see that shes suffering, (she's honestly pretty blatant for someone who prides themselves on being the Temperate Voice of Reason) but also to erase herself and reset to before she had to marry the king, before aemma died.

I think most of her 'bad out of character' decisions are just these two impulses winning out, her trying to force a reset, go back to a time where none of this had happened yet, when things were simpler and she had love and every day wasn't the worst day of her life™️.

She sleeps with cole, the man she thought was pretty at 15 (her last uncomplicated attraction just before it all went wrong and aemma died) -she doesnt seem to like it that much, but she does seem compelled to seek him out, esp when upset- shes obsessed with, and desperate to reconnect with Rhaenyra, her childhood best friend (and first love) and get back to where they were as kids, AND she still treats and asks her father for absolution as if he's still the only authority that matters to her just like she did at 15. Alot of her 'victim complex/bewildered they took it so far' behaviour in the plotting of rhaenyra's usurption reads to me like a teenager in over her head, she talked big game and now its real and shes panicking!! She's tragic BECAUSE she's still a teenager- so stunted shes unable to meaningfully grow up and learn to make healthier choices for herself, or move on and stop trying to grasp at the 'if i could just go back' urge.

As a mother, I think this creates an interesting dynamic as well, and I do like that in the casting even, she seems closer in age to her kids than rhaenyra does to hers. I think the contrast ppl are drawing with Alicent Protecting Her Kids in season1 compared to her giving them up in season two isn't bad writing to me, just massive differences in context. Sure she protected Aemond in driftmark, but we cant ignore that she probably felt humiliated by her husband choosing rhaenyra's side over hers in front of everyone, did it seem like a grown woman fighting for her son?? or a teenager furious with her ex winning one over her again? or both!! both sides twisted together is still interesting! When she protected Aegon from Rhaenys, is stepping in front of her son the king to protect him from the enemies dragon fire not the most romantic daydream of a deserving death a child bride could come up with?? Was it the impulse to protect the son she couldnt decide if she loved or hated, or was it to have the most heroic death possible to escape the reality that she sees coming. And if Rhaenyra hears about how Brave she was in the face of a dragons maw, and cries about it forever and feels sooo bad and regrets it til the day she dies, thats an added bonus. I think Alicent loves her kids, but is teenager selfish about HOW she loves and protects her kids, and is unable to be a mature, consistant, protective mother to them when she also sees them as having ruined her life. I think in season 2 when she 'gives them up' shes relieved, and once again following the compulsion of 'if i reset to when Rhaenyra was heir, i had no sons, and i wasn't married or queen, everything will be better'. I think theres complexity to it, i think she does love her sons and feels insane about it, but I think Alicent has been trying to Go Back in more and more Intense ways ever since she got married, and we might be giving her sanity more credit than it deserves when it comes to the need to wipe the board clean and go back to being 15.

hey anon are you trying to get married to me or what

[kusakiguzen]

Yandere One Piece x Neglected Reader

A/N: This is a Yandere Red Hair crew x Reader. No there is no romance with the crew since this is a platonic yandere story.The Theory of Shanks being a villain was in my head when i wrote this. Annd WATCH ONE PIECE FILM: RED, before readind this.

Enjoyyy!!!

Imagine you are Shanks' biological daughter/child and is also a Mage, but he favors Uta more and isn't afraid to show it. Uta was top priority no matter what, from getting gifts to your fathers love, you only got the leftovers. You can sing? Uta can do much better, You dance? Uta dances like a pro. You can play instruments? Ha... Uta can do it with her eyes closed. That's how your life has been, secondary to Uta. You gave up anything related to music even though you love it with your whole heart. You started studying medicine under Benn. But you forgot you were a special child......... A Mage.

You lost control once, destroying almost a whole town. What did Shanks do? Nothing... At the age of 7, you had a bounty on your head. But when Uta destroyed a town at 6, He took the blame so she can have a normal life... Why can't you have the same treatment? You confronted him and what did he do, he dismissed you like always. After she left you finally thought they no He would acknowledge you. But how wrong you were. You had enough and that was the last time you called Shanks "Dad". You saw Benn as more of a father figure than your own father, everyone still doted on Uta. Having pics and videos of he but none of you....

You grew up just fine. But one day everything changed, Portegus D Ace, or Fire fist Ace had came to the island where you and Shanks's crew were staying. Why? To thank Shanks for saving his little brother Luffy. You and Ace instantly clicked for some reason even though you both have nothing in common, but Ace was funny and made you feel safe and mattered. You made your decision to leave with him, you packed a few essentials and wrote a letter to everyone instead of saying it to their face that you were leaving. In your small bag you kept you medicinal journals, first aid kit, few pairs of cloths and underwears. Your sword on your waist with the staff that you brought and modified to your liking.

Your adventures with Ace were amazing, you both fell for each other, confessed in the stary night. About 2 months later he proposed, you obviously said yes. You met Whitebeard and his crew, they accepted you as their own. You wedding was held on the ship where Whitebeard literally held you like thumblina due to the size difference. After your wedding, Thatch was hurt badly but with your help, he was able to make a full recovory. Ace was adament on going after Teach, and you wanted to accompany him. He refused saying it was too dangerous, but you were firm so he didn't exactly have a choice.

You guys left together, and even met his little brother Luffy in Alabasta. The fight with Teach caused both of you to be captured, and in line for the execution. Ace was worried, not about him, but about you. How could he have put you in danger when he was supposed to protect you? He should have knocked you out before leaving. Now you suffer with him..

Luffy and others came to help, but...... Ace died..... You tried to heal him but due to the malnourishment and lack of mana, you couldn't. You held him close crying, begging the God above, just once, just this once allow you to defy reality. But your begging was left unanswered..... You didn't move from the spot and awaited your death by the hand of the Admiral but Koby steped in front of you, your soft voice telling him its okay and he could move but he didn't, he couldn't.

Shanks arrived to your utter surprise, saved Koby and you. He looked at you expecting a reaction but you were too busy mourning the death of your husband. Benn was the one who was finally able to calm you down, and make you stop hugging Ace since they need to Burry him. You let go.... You had to. The Red Hair pirates took you to their ship, Red Force, and in your old room. They laid you there since you had gone numb, they closed the door on their way out, telling you to call them if you need anything.

The only thing that was going through your mind was, to burn that goddamn place down, the place that took away your Husband, Love, and Your Will to Live. After Luffy's anouncement, you did exactly that, Burned that shit to the ground. The Red Hair crew were finally treating you better and soon enough you let your guard down. But all good things come to an end don't they?

Shanks had brought a girl, who looked like she was about 16-17 years old, and severely malnourished. He told everyone how this girl, who introduced herself as Rina, was sold at a brothel and he had to do some thing, so he bought her and decided to adopt her as his daughter. You thought nothing would change, but she stared showing her true colours (atleast Uta didn't try to take something which was yours, so she was tolerable). She started making comments about your stuff and how she would love to have things like that, in front of everyone, so they (the crew) would ask you to give it to her. If you refused, she would play the victim until you gave in.

She crossed a line one day by asking you to give her your ring.... Your WEDDING RING. You bluntly refused, she played the victim again, but this time you Refused to the whole crew. Saying she won't be getting this ring. When guilt tripping didn't work, they tried to coax you. You told them to cut the bullshit and this ring will stay with you forever. Shanks got mad and told you to give the ring to Rina since its just a ring and he can buy you another one. You shouted at him telling him to by Rina the new ring, instead of you. This turned into a shouting match and Shanks tried to intimidate you by using his conqueror's haki, but he forgot you also learnt it and from him.

Finally you said that if He could answer 3 of the questions you ask him, correctly, Rina can have your ring. The 3 questions were "When was your birthday?" " What your age was?" and last " What was your marital status?" He repiled, "1st October" , " 18 years old" and "Single". He was so confident that he asked for the rings. But you started laughing hysterically to the point tears were forming in your eyes, this caused everyone to be confused. Why are you laughing? You told him that all 3 questions were wrong and You weren't Uta, since it her information he gave you. He was about to argue but you told him Your birthday was on (your birthdate), you were 20 years old and now a widow. Your eyes were cold and numb, without a spark. A broken 'What' came out of thew whole crews mouth. You gave them the fakest smile and then went to your room, leaving everyone to process the information. Okay they may have gotten your birthdate and age wrong, but you were a Widow?

When they finally processed everything and wanted answers they saw you, with a bag on your shoulder and going to get a small boat. They asked you where you were going. And you replied, "where I won't see your face." Just as you wee about to get in the boat you heard gunshots. Yassop had shot the boat.....Bitch . You looked unfazed and just used a levitating spell, over the year, you had goten good at controling your mana, so it wasn't a problem for you to cast precise spells anymore. Just as you wee about to take off, Shanks grabbed your wrist and threw you on the floor ( having no choice) and asked you, who your husband was. Looking directly in his Eyes, you said a name that made their blood run cold... Portgas D. Ace. The man who died in your arms.... was your Husband. It made sense, it made so much sense about why you weren't letting go of him when they wanted to burry his body.

You Suffered So much ALONE.

Just as Rina opened her mouth again, about the ring. Benn shot her while Shanks beheaded her. The blood splattered everywhere, even on you face. The cold look in Shanks eyes when he looked at the dead body, TERRIFIED you. You screamed causing shanks to look at you. He cooed at you while wiping the blood from your face and picking you up, like a baby. Whispering and cooing about how sorry he was to have done this to you. And how he will make it better. He was looking at you like you were 5. You on the other hand were frozen in fear.

Your flight or fright reflex activated and you kicked him and in the split second of surprise, where he loosened his grip. You flew, faster then ever before. You had to get away. What if you were next who would die by his hands. When you were high enough, You scremed telling him not to look for you. And then Teleported, you forgot you could do that due to the overwhelming fear because YOU KNEW what he was capable of...

But Shanks couldn't do that. You were His Daughter, His little girl. You would be in danger out there in the New World without him. You Said you Joined Luffy, didn't you?

I guess Shanks will have to pay him a visit.

Soon....

Masterlist

Stay Safe, Healthy and Hydrated ☆*: .｡. o(≧▽≦)o .｡.:*☆

[avelera]

(Meta) The Tragedy of Working for "The Family Business" in Arcane

I recently wrote some meta about how one contributor to Jayce's suicide attempt in Arcane 1.02 was the realization that his only obvious path forward in life after his humiliating trial and expulsion from the Academy was to go into the family business of the Talis hammer factory, and how he chose death over that because such a life would represent a spiritual death of the soul for him, a fate literally worse than death.

That got me thinking about how we have several characters in Arcane who are fighting against working for "the family business" that is, living up to the expectations and desires of their parents. My immediate temptation is to say that Arcane takes the pretty firm stance that it's better to pursue your own dreams but then I stopped myself because no, it's much more nuanced than that.

I'm exploring this as someone whose family also has a family business that I didn't join, who had dreams of artistic pursuits that my family actively discouraged, so this is a very personal topic for me that I feel I can lend some insight to.

Whether or not it's the right thing to "join the family business" and live up to the expectations of the older generation is an active and complex dialogue that goes on within Arcane.

So let's go through the characters and how they reflect on this theme:

Jayce Talis: Just because he's top of mind for me. I believe it's heavily implied that Jayce's dream was to pursue magic and Hextech. Losing access to Hextech and having no choice but to join the family business was a fate worse than death for him, he actively chose suicide instead. And I believe we have hints that Ximena and his late father wanted that for him (see the childhood picture of Jayce and his father, with Jayce proudly holding up the hammer is father almost certainly helped him forge).

But we have some nuance to the discussion of "Was it the right thing?" for him to go into Hextech instead, since it's basically a curse that brought ruin and near-destruction to the world. That said, when Hextech succeeded, all the voices that wanted Jayce to join the family business were silenced and all supported Hextech enthusiastically, including his mother. So while their encouragement of him joining the family business instead of working on his dream might have averted many tragedies, it's not why anyone except Heimerdinger wanted him to do it.

Caitlyn Kiramman: This isn't subtext, this is text. Caitlyn wanted to be a detective, her mother wanted her to be a politician and is clearly uncomfortable even as far back as the shooting competition that Caitlyn wins that her daughter is so adept at shooting instead of diplomacy.

Caitlyn's dictator arc is even directly tied to the creators as a phase of her trying to live up to what her mother would have wanted (including dating nice "girl next door" Maddie instead of undercity dweller and ex-con Vi that both her parents seemed to actively dislike). Caitlyn while mourning her mother keenly feels all the disagreements they once had over her choices in life, and falls to her lowest point spiritually, morally, emotionally, etc. when trying to live up to her image of what her mother wanted for her.

Vi coming back into her life literally gives her the courage to break away from this horrible place where she's found herself, becoming this person she doesn't want to be. Because it's all well and good to say everyone should forge their own path, but it's almost impossible to do without someone who also believes in you and the version of you that you want to be.

Mel Medarda: Insofar as Mel is a tragic tale, which I believe she is, her tragedy is as a child of privilege who never breaks away to pursue her own dreams. I think the tragedies of privilege often, understandably, get overlooked in discussions of fiction but Mel plays out that tragedy writ large. And I don't just mean this from the perspective of the "poor little rich girl" I mean being from privilege can become its own cage. It can dampen ambition, lock one into self-doubt that you can make it on your own without the benefits that privilege gave, it can lead to incredible self-doubt and constant self-measuring against the previous generation because of what they left for you to inherit and to live up to.

Mel is not happy when she returns to Noxus as the new Head of House Medarda. She got everything she wanted in S1, to be recognized by her family and to ascend as a Medarda after her banishment, and nothing she needed. What could Mel have accomplished if she wasn't trying to be a Medarda, or now with or without the magic her mother literally instilled in her veins as a birthright? She may never know. Mel could have been an artist, a spy, an inventor, a diplomat, she showed incredibly aptitude at all these skills but in the end, she just works for the family business.

But Mel doesn't have anyone, not Jayce, not Elora, not her family, to believe in her vision for herself at the end. Instead, she has become the family business.

Jinx: Jinx in S1 is constantly hemmed in and restricted by Silco's desire for her to take over the family business, to help build his weapons, to help him create Zaun. Stupid joke that it is, Sevika confronts her with the fact that she could assume the family business of raising Zaun from the ashes in S2, exactly as Silco wanted. It's one of the more complex instances of "Would it be better if she did, or if she didn't?"

I think the show comes down on, no, it's better for Jinx to go off an live her own life. Sevika, for whom this isn't the family business, is the better steward of Zaun's future going forward. She did the work. She's done the thinking. She's stood by the cause through thick and thin. She believes in it. It's Sevika who should be on the Council.

It's also interesting to contrast Jinx with alternate universe Powder, who also feels trapped by family expectations. Who is constantly reminded she could be doing more. Ironically, that Powder seems to want to join the family business and live behind the bar, but it is clear that it's stifling her true potential, and her loving fathers Vander and Silco in a happier world try to point that out to her.

But it takes Ekko from the main universe believing in her for her to begin to forge her own path.

Viktor: Viktor has no family business to live up to. At most, we have a bit of word of god meta that his parents helped smuggle him into the Academy when they recognize his potential. We have a little bit of Singed/Dr. Revek as a father figure which could represent a family business and if so, it's a tragedy for Viktor when he gives in and decides to "join the family business" and go along with Singed's view of the world.

That said, Viktor's lack of connections, patronage, or family is what helps him inspire Jayce and save his life. Viktor's lack of family business to join is why he had to forge his own path. He points this out to Jayce, who is clearly inspired while at his lowest point. Jayce realizes as a result of this conversation that others have done more than him with less, that his life isn't over because he lost his privileges. That all he really needs is himself or, rather, himself and just one person who believes in him. It's no understatement to say that from that point on, Jayce has given this new life, this like Viktor gave back to him, to Viktor and their shared dream. Viktor is all the family he needs now.

And, likewise, Jayce is the vote of confidence that Viktor needs to break free of his own tragic spiral, one encouraged and egged on by Singed and his expectations. It takes Jayce believing in the better version of Viktor to pull him back to become the person he wanted to be again, in a time paradox loop that is still making me insane.

TL;DR So really, if I must say that Arcane has a thesis, it's that you're better of pursuing your own path but it's difficult, nearly impossible to do, without at least one other person who believes in you.

[azulhood]

I feel like Jazz should have her own Bio-dad Aus Now Bruce is a popular choice for most bio dad AUs, but let's add some variety. Harley Quinn is another popular choice, it kinda fits since they have ties to psychology. But let me give you another choice. Harvey Dent. Let's say Maddie and Harvey met at one of Brucie Wayne's fundraiser events, they hit it off, get a bit tipsy, then boom. Jazz's born. Jazz looks so much like her mum that Maddie doesn't even think that Jazz is not Jack's kid. (She does notice some things about Jazz that she couldn't have gotten from Jack or her, but admitting that would probably ruin her marriage, so she employs blissful ignorance.) Harvey, of course has no idea Jazz exists. Years pass, truths come out (or not), tears are shed, life goes on. Now Jazz is looking at schools, and she finds a good one in Gotham, you know, the home of her bio dad. She decides to reach out to Harvey. So, she talks it over with Jack and Maddie and they agree to let her go. Now you could have Jack and Maddie know that Jazz isn't Jacks kid and approve of her reaching out to Harvey, just them being supportive. Or, you could have them not know anything, and have Jazz do this behind their backs as an attempt to have a semi decent role model in her life. Your choice. But anyway. Here Harvey is, planning something (Next court case or next crime) and then, out of nowhere, a kid shows up on his doorstep saying "Congratulations, it's a girl, where's that child support?" And he's just so confused, like how did she find him (Tucker of course) and where were her parents? Harvey who's very concerned: ehh, you do know I'm a criminal, right? Jazz: My mum and other dad have a portal to hell in the basement, trust me, you're an improvement. Harvey who's even more concerned about this kid: ??????? Or you know, Slade Wilson is also an option.

[coffeebooksrain18]

While i do think Rhaenyra cared about Alicent when they were young, she was also a little too quick to turn against her if you ask me. She blamed Alicent for marrying Viserys as if she had any other choice. From the beginning it's painfully obvious that Rhaenyra is extremely spoiled and entitled. Viserys (despite being literally the worst at everything) was actually a good father to Rhaenyra, in my opinion. As a result, Rhaenyra grew up in a bubble thinking that other women had the same freedom as she did. The freedom to fuck whoever, to marry or not marry, not have children whenever with whoever. That is not Alicent's reality though. Alicent had no choice in anything, not even her own body. She didn't choose to marry Viserys or have his children. Alicent is a victim of Viserys but Rhaenyra is too self absorbed to see it. She turned her back on Alicent when she needed her the most, watched her birth child after child and still had the audacity to be mad at her. Tbh i'm suprised Alicent tried to maintain their friendship for as long as she did, i could never. Especially since how from that point on, Rhaenyra takes any opportunity she can to rub her freedom in Alicents face. Imagine doing that to the girl your own father groomed and raped. And TB wants us to think that she's a ''feminist icon''

*btw this is obviously about the show version of the characters

I completely agree, I've talked about how Rhaenyra and her stans completely disregard the fact that Rhaenyra has also hurt Alicent, that it's not just Alicent saying rude things.

Rhaenyra is spoiled, I think she is the definition of only child syndrome and rich kid syndrome, she doesn't understand others povs can't see from someone else's perspective.

I've talked about how Alicent had no power to say no to her father, or Viserys when she visited him and married Viserys. People forget she isn't a powerful woman in that time, at least compared to the power Rhaenyra has.

And yes it was clear it was the show version anon.

[mhsdatgo]

By the way, you can say you hate characters and STILL admit that they were abused or harassed. There's literally nothing wrong. Denying it or romanticizing it because of a strange kink of yours won't make your hate any less evident, trust me.

Rhaenyra was abused. She's continuously taken advantage of, and brushed away the moment she isn't needed anymore. And she experiences this first hand with her own father, who completely ruins motherhood for her when she grows up watching Aemma get impregnated and either miscarry or have the baby be stillborn or die in the cradle. If Viserys had been by her side as a supporter to her claim since the start, he wouldn't have gotten Aemma pregnant again and again in the pursuit of a male child. He wouldn't have married Alicent for the same reason. Even after, the only reason why he still stands by her side, and it's time the fandom accepts this, it's solely because of his grief and guilt, because Rhae is the only remnant of Aemma.

And there it starts. Firstly, groomed and left alone naked and alone by her uncle in a brothel. Secondly, slept with Criston Cole (although she did coerce him, that's still a literal TEENAGER) then she's married to a gay man and still approached super young by her new bodyguard and just one year later she's started giving birth to his children. (Side note: FUCK Rhaenyra x Harwin. FUCK with reverb. With hard K.)

And up to this point, most fan agree that she's had a shitty life, although I don't agree with some of her choices. (like her treatment of Criston Cole and the bastards, not because I'm some kind of bigot, but because passing bastards as trueborn in THAT precise world sets them up for failure, not being legally deserving of a thone DOES NOT mean me hating them. That's for another post.)

To top it all off, she meets her uncle again, and there starts the fanfic self insert. They have sex on a beach the day of Laena's funeral, the only one of the three wives he's ever been canonically loyal to (FUCK you writers) and fans think it's soulmates meeting again or sum shit. They subtly threaten Laenor to fake his death or actually die (that's what they were trying to do, cope harder) and marry mere days after the death of Laena.

Yes, all cute and romantic (for Dumbnyras twats) but literally, has it done anything good? For Rhaenyra or like, anyone else? It just brought Daemon closer to the line of succession. Literally. That's all the good it has done.

Fast forward to ep 10. How do I even start with this? Only Jace seems to be on Rhaenyra's side. It's clear he only obeys to Daemon out of fear and is scared to talk back to him. Meanwhile, he COMPLETELY disregards his wife's, and by his faction's loyalties, QUEEN's, orders, he ignores her wails of pain as she miscarries their daughter out of pure shock and grief for her father's death. He lashes out and chokes her on the same day and people still see him as the malewife to Rhaenyra's girlboss. They're always ready to do award-deserving mental gymnastic to justify this man.

"He was planning war because he wanted to distract himself!!!!" "He only choked Rhae because he was mad at Viserys, he'd never hurt her!!!!!!"

Fuck off. Coming from probably Rhaenyra's #1 hater. Fuck. Off. Don't say you care about her place in the view of men when you're ready to justify shit like this.

This is the same man who runs off and has an affair with a teenager, and then prefers going on and having a badass death instead of joining his wife and children who need him in King's Landing.

Do I like Rhaenyra? No. Do I think that, because of this, she's never been abused, or exploited in any way, in her life? ALSO no. My distaste for her character has NOTHING to do with Viserys, Criston, Daemon, Harwin or literally ANYONE ELSE in her life.

Alicent Hightower time, baby.

My mother, my aunt, my grandmother, my entire bloodline, my Roman Empire. And more. To anyone who thinks of her as nothing but a bitter/jealous girl, go read @feretrumdulcia 's post about this matter cuz there's literally no one I've seen that words it better. (And bub if you're reading, long live you and the way you think.)

https://www.tumblr.com/feretrumdulcia/720746371814195200/i-have-seen-quite-often-that-many-people-consider

Anyone who can read this and argue that Alicent is envious/jealous or bitter, honestly needs to take the heart shaped sunglasses off, get off tumblr and Ao3, learn what media literacy is and start learning how to possess a crumble of it. To us it makes sense to synpathize with both, because we've seen the big picture. To Alicent, Rhaenyra gave her virtue to the man that almost killed her brother, and chose to believe she did not out of trust and maybe nostalgia for her friendship and easier times, only to have her father be blamed and taken away from her as a result.

She has four kids in the span of, how much? Five, six years? Seven at best? Helaena and Aemond are NINE MONTHS APART. Viserys didn't even let her rest after she gave birth to her daughter. And I'm convinced 100% that he kept her as Idk some whore he didn't need to pay for because it's stated that he never wanted Aegon but the son he butchered Aemma for. Why keep on bedding her and forcing children on her when you'd never get what you want from her?

Throughout the series she's called bitter and downright a c*nt for this and that reason. She tries convincing Viserys that Rhae's children are CLEARLY bastards and she's setting herself and them up for failure by committing treason and putting them on the throne? Nah, power hungry, jealous, bitter. She marries Helaena to Aegon as a last resort because she's Valyrian and probably would've received proposals worse than the ones Rhaenyra made that would eventually convince Viserys to give her away? Hates her daughter, abuser, shitty mom. Rhae's sons slit her son's eye out instead of running when they had the chance and she rightfully lashes out? Nah, crazy ass, for the dungeons. She gives money and moon tea to her son's rape victim to ensure she gets a way out and isn't forced to have a baby she doesn't want? Bruh, rape apologist. She goes to Aegon and RIGHTFULLY disciplines him? Abuser. Forced to show her feet to a rancid filthy man to know where her son is? Upholds the patriarchy, hypocrite. She convinces Aegon to start fighting for her family because it's either them or the Blacks and he needs to start putting his life together and fight for them, so she crowns him and makes him King? Treason, deserves death, long live the brothel queens.

Somehow, it is ALWAYS HER FAULT. And those few that admit how wronged she was make fun of her.

CAN SHE FUCKING WIN?! Or y'all just hate her because she isn't Valyrian?

Btw almost all of these arguments are the same for Book!Alicent who I personally believe to be FAR MORE than just a bitter stepmom that hates her stepdaughter. She arguably has more reasons to start a coup against her in the books without that prophecy shit.

TLDR; It's OKAY to hate characters and admit they're abused and taken advantage of at the same time. You don't have a moral high-ground on no one because you hate or love a character instead of the other.

[diamondsunbursts-and-marblehalls]

At the end of everything Percy chooses to be on Luke's side, not Kronos's, not the gods' but Luke's. Luke, who was just a kid forced to grow up too soon, Luke, who has been angry his whole life, forced to protect people he cared about without any resources, forced to go on the run, forced to flee to a place that's supposed to be safe only to find out it reeks of generations of kids who were abused and mistreated by parents who didn't care, taught that love was transactional, taught that glory is everything and forced to reach for an impossible standard of glory to achieve that love.

I think ultimately Percy is the child of the prophecy because he was taught from a very young age that love should be unconditional, but he also learned from a young age that not all love is. He WAS Luke. The same anger towards the gods, the same desperate need for change, the same feelings of helplessness. Luke sees himself in Percy, and I think part of the reason Percy made the choice to give Luke the knife is because he sees himself in Luke. Everything Luke has ever said about the gods, about demigods, about the system, Percy has said those same things. Out loud.

The difference is that Luke consistently chose anger over love. From the very beginning of his story, he compromised the safety of those he was supposed to protect by picking fights, and he turned to a darker force to combat the helplessness of his existence, maybe he still cared about Annabeth and about family at the beginning but it didn't take much time for that to change. He discards Annbeth's life; the one person he promised to stand by and protect, he's careless with the lives of other half-bloods, he's cruel.

I love the effort that they are making in the show to portray Percy as a mirror to Luke from the very beginning, way before new viewers even know what's going to happen at the end. Percy is saying, "The gods have done nothing for me, they have done nothing but hurt the people I care about, we would be better off without them". Luke is undoubtedly the villain and the choices he made were his own, but at the same time, he was just a kid who felt helpless and alone. Because of that, he chose the anger he felt towards the gods over the love he had for his family, and that's where Percy is different.

Athena once said to Percy that he would let the world burn just to save a friend. His love and his loyalty are so strong that he couldn't sacrifice anyone he cared about if it meant saving the world. Unrealistic or not, there is something beautiful about the idea of someone who cares enough about you to think that a world without you in it isn't a world worth saving at all.

Kronos tries to paint loyalty, family ties and love as a weakness, when we all know that it was the only thing that had any power against him. Luke allows himself to be corrupted to the point where he sees those things as weaknesses as well until Kronos loses everything because of one little girl and what she represents. Annabeth's reminder of Luke's promise was the one thing that gave him enough strength to take control. The reminder that he loved someone and that he promised to be her family has the power to break him from the control of the most powerful evil.

It's the reminder of the love he had before he chose anger that gives him the strength to defeat that anger. And it's the love he always had for the demigods seeping back in that gives him the strength to stay alive long enough for Percy to promise to protect them.

I don't know that he would have had the strength to destroy Kronos without the knowledge that Percy would be there to finish the fight that he had lost sight of. He spent years fighting Percy, and he watched him choose the half-bloods over and over again, Luke saw how much anger he had, and saw him choose love instead. Luke knew that Percy would be able to do something that he had never been able to do, choose to protect the people he loves before hurting the people he hates. Everything Luke did, he did to punish the gods for the way they treated their kids, and everything Percy did, he did to protect those kids. Luke couldn't have destroyed Kronos if he didn't know that someone who cared about those kids as much as he did would be there to protect them the way he tried and failed to.

[genericpuff]

What is the thing you feel like Lore Olympus failed at or did the worst. The comic has a magnitude of problems but what is one problem that you have the most hatred for or just flat out makes you angry?

(Just curious)

There are so, so many things I could point to as "the worst" thing that the comic did, because it has a LOT of worsts, but I think ultimately the failing of the original myth's messaging has to take the cake because it's ultimately the root of all of LO's problems.

Rachel herself seems to have this disconnect between what's going on in her head vs. what she's actually writing. It's especially present in her Q&A's and interviews where she claims certain things about the comic / text that just aren't present in the slightest during the actual comic. One such example that ties into my answer is this response she gave to Girl Wonder Podcast:

"I feel like female characters in general, people will be a little harsher on them and sometimes way harsher on them, and I used to be like.. before I started writing the story and like making a story I was like yeah, sexism is not that bad, and [now] I was like oh it's bad. It's quite bad [laughs], so like, I don't know, I feel like the female characters in the story don't get so much of a pass. But this isn't consistent across the board, it's not all the time"

It's ironic at best and tone deaf at worst that she would claim that it's her audience being harsh on the female characters, when she's the one who wrote them into the characters they are that would get that reaction. Minthe had her BPD retconned so now she's just the abusive other girl. Hestia was turned into a cruel hypocrite when it was revealed she was a lesbian. Hera is racist to nymphs and cruel to the lower class and yet she's still rewarded in the end by getting to run off with a nymph girl who we've never seen her have any extended interaction with. And worst of all, Demeter was robbed of all of her agency all in favor of turning her into the evil Mother Gothel mom who's overbearing and cruel to poor Persephone. Some of these women deserve to be called out (Hera and Hestia), and others like Minthe and Demeter were simply used as props to do exactly what Rachel claims she doesn't like people doing and is labelling as sexism - to get harsh reactions and give the audience someone to hate on. Rachel desperately needs to learn to read her own work. Her audience is "sexist" towards these women because Rachel wrote them that way.

It fucking sucks and it's, ngl, extremely disrespectful to the messaging of the original myth that was written to comfort and empower the mothers who had lost their daughters to marriages back in the day. It wasn't some simple "aww the girl moved out and now she doesn't visit anymore!" girls who got married off were often literally never seen again and it wasn't by choice. Not only that, but in certain regions (such as in Athens) the women were isolated to their own section of the house upstairs (while the men lived downstairs) so that they wouldn't be seen by visiting guests or strangers.

It's why in some cultures the original H x P myth was considered a "golden standard" for marriages (at the time) because not only was Persephone given power over the domain alongside Hades, but she actually did get to see her mother - but it wasn't because Hades was just such a kind guy who would let her go willingly, it's because Demeter had to literally hold the world hostage and fight for her right to reunite with her child.

So for LO to not only twist Demeter's love and justifiable concern for her daughter into "helicopter parenting", but also rob her of her agency and power in fighting for her child, it fundamentally misses the entire point of the original myth and undoes itself as a retelling that's trying to be taken seriously in the discussion of Greek myth media. And for that, Rachel should be ashamed of herself.