#but also my character and by default me

[sunneinsplendor]

Dear D&D makers/players/homebrew etc I have a question, I’m hoping someone can answer (or help me figure out a way to make something work, not picky) So in my current game I’m a Palalock (Hexadin? Idk, I’ve got 12 levels in Paladin and 3 in Warlock so idk which fits) who was tasked to help a newly turned vampire to kill his sire so he can retain his own mind and not become a thrall.

It went very bad. Group turned into bunnies by a betrayer as we fought a thousands of years old vampire general bad. Not the point but just so there’s context about how we got here. Well we managed to escape with our lives, albeit zero of our dignity, but in the shuffle, the new vampire’s time to kill his sire ran out and he’s now a thrall. I know this is just me being a stubborn Paladin who doesn’t like to see people lose their free will, but is there anything in either traditional publishing or homebrew that anyone knows about that could break a thrall out? To be VERY clear, I do not mean “can I make this guy not a vampire?” because that’s a no. Him being a vampire was always going to be a thing and I don’t care if he’s still a damn vampire. I’m specifically looking for something that as a Paladin/Warlock thing I can do to give him his mind back. I know there’s Remove Curse, and Protection from Evil and Good, but not sure if there’s just a straight “Remove Influence” or something I could try and pull off? Any help would be greatly appreciated.

[999999999inadream]

toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections

[hinamie]

quick lmhs itafushi because god help me i have Not been able to get the concept of yuuji smiling/laughing into kisses out of my head

jjk atla!au with @philosophiums

[cappycodeart]

CONCEPT DOODLES for an AU I dabbled in with a few friends after the winter king episode but kinda forgot about after the Fionna and Cake finale... I decided to revisit it and explore a little more after coming to terms with everything LOL... So, it's another "Winter King doesn't die immediately after his crown gets nuked" AU, but THIS TIME he's just dying really slowly (like Simon in the Betty episode) and ALSO joins Fionna, Cake, and Simon on their search for magic crowns. There's no logic behind this tbh, we just wanted to put him through The Horrors. And make them all friends. But mostly The Horrors. :) (he only gets to live as a treat, because I think he's funny).

Bonus (old screenshot), because this is still funny to me:

[idontcaboose]

Haunted Car Au part 13

Previous. Masterpost

“You done figuring out the sound files yet?” Duke asked while tapping on the hood of the Batmobile.

He was excited to hear a campy “Yes, Sir!” Come out of the open windows of the car.

“Neat, first off, any files that have your name in it?” He was a little disappointed, but still snorted to hear the tragic ‘Noooooo’ from Darth Vader.

“I think Red Robin has some pronoun type files in there, what are yours?” A mix of sir’s, dude's, and bro's were played until Duke had to stop the guy.

“Ok, what about age?” He wasn't expecting to get a straight answer, but when the car played a Scooby-Doo cut of ‘those meddling kids’, he was confused.

“So a kid?” Duke questioned. He got a weird mix of 'Ehhh', 'Kinda', and 'close enough' type files.

“We can worry about that later, any ideas how you got stuck?” A short ‘Nope’ with a pop on the P played.

Talking to the car guy was strange. Getting answers could be easy or turn into 20 questions trying to clarify an answer. So far, Duke knew the person:

is male or male presenting

a meta

has no clue how he possessed the car

has a good understanding of current memes

was possibly in their teens (probably a bit younger than Duke, but older than Daimian)

was a street kid? (When asked where he lived the car played “Why should I worry” from an older Disney movie about homeless animals in New York or something. He had to look it up.)

has a good sense of humor

and is taking their situation in stride.

Duke really had to wonder what their life has been where this is not a vast problem to fix…. And whether or not he should argue his ‘notification tone’ being a choir singing.

He really does not get paid enough for this, but it is better than the other stuff Gotham throws at the Bats.

“Mind if I get you up on the lift and check the engine? Might give us some clues.” After an affirmative from the car guy, Duke got to work.

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

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[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[lestink]

is it just me or do the women who start off as villains lose their lipstick/makeup

[sonicranger1]

The brainrot so bad it makes me go "DREAMTALE?!" at a random ass tree in Sky (I know tumblr is gonna screw me over with this so Click for better quality)

Dream and Nightmare by Juko | Zoomed in version on the lil guys under the cut

[ra-vio]

this blog is 11 years old now 🎉

I drew the siblings ever to celebrate as usual

[hilacopter]

I will probably be burned at the stake for this but I hate how popular ships in fandoms (ESPECIALLY here) are always based on WhO'S tHe MOsT QuEeRCoDEd iN CanOn and not on whether the ship is actually. good. I won't deny that a lot of these popular ships are good and it would be fine if they didn't become the literal fanon norm and every time someone has other ships for the characters or god forbid, doesn't like the ship, everyone goes "we totally respect your opinion and all but they're literally so gay how can you not see how gay they are you dumbfuck-"

[reminiscentrainclouds]

They infect my art history notes once more.

[threepoint14art]

Six fanarts!! thanks to everyone who gave me a cabezon!!!

[moeblob]

Lil warm up doodle because I'd been playing some Thropes and then watched some dubbed DunMeshi and am a Damien Haas enjoyer so. Enjoy a Shez.