#but also military ones

[hogans-heroes]

https://www.tumblr.com/hogans-heroes/743601634680193024/thinking-about-how-buck-wouldnt-share-a-bed-with

this was my ask and of course avonne took my one little thought and wrote something so beautiful and angsty but also give urself some credit cause ur one little tag (about buck getting sick) GOT ME. imagine bucky hearing from the other guys that they thought buck was like seriously unhealthy cause he always had a cough or a sniffly nose but now he’s like totally fine and looks alive again. and when bucky asks him about it buck is like well it was cold i don’t know what to tell u! bucky might be upset that his anti touching tendencies led to him being sick all the time and honestly i do think bucky would share a bed with someone else if he really needed to. he would obv miss buck like CRAZY but he’d do it, whereas the thought of being up close and personal like that with anyone he doesn’t trust as much as he trusts john makes buck’s skin crawl. anyways bucky might be upset to hear that, but he couldn’t help the part of him that finds it endearing 😅

You are SO right on the money here. Bucky would deal with it but for Buck it’s a hard no go.

“I couldn’t. I just couldn’t, they weren’t you.”

And Bucky melts a little because he knows Buck’s history and his aversion to touch and he’s had a perpetual cold because Bucky wasn’t there and it overwhelms him with love but also sadness. You’d better believe he’s never leaving Buck’s side again and is going to cuddle him within an inch of his life every night. That first night back in each others’ arms is the best sleep they’ve both had in ages and they sleep very late the next morning. No one has the heart to wake them up.

OH MAN a big angst thought just hit.

So when Bucky arrives at the camp he’s obviously in bad shape and goes downhill with his wounds and fever, we’ve been over this a lot. So what if, since Buck has been treading the edge of sick from the cold and no sleep and stress, he crashes too? Now they guys have to deal with BOTH Buck and Bucky feverish and very sick. Buck with a horrible cough and Bucky with his infected wounds etc. The guys try to take care of them but it’s too much and they finally beg the guards for a doctor. They bring in a German one who examines the boys and promptly demands they are brought to a proper local hospital (which did happen with prisoners who were bad off enough). Of course the guys have a hard time letting their majors get taken away by Germans but they don’t have a choice. And the poor boys would be scared in that state too.

[ash-and-starlight]

The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀

Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.

anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck

(oh and also must not forget the crush on sokka)

[befuddled-calico-whump]

thinking about a whumpee on a forced march through rough terrain

hands tied in front of them, on foot while their captors are mounted, sleeping out in the open, forced to beg for adequate food and water

maybe they're barefoot, a captured royal in silken robes

maybe they're in a torn suit or soldier's uniform

maybe they were stripped at the start, increasing the exposure to the elements, the humiliation

are they a terrified mess from the beginning, or do they try to endure with dignity? how long before they're stumbling, barely putting one foot in front of the other? how long before they fall?

[almondcroissantsandink]

i feel the need--the need for speed!

[miiilowo]

slightly over-engineered red leader tord design because i really really reaaaaallly like military uniforms & i thin k he deserves better than a hoodie under a blue trenchcoat. he doesnt tbh but i maybe deserve to see it. anyway

[linddzz]

I'm not gonna lie "jayce is protective/possessive in a way that a guard dog is" and "but a guard dog has a collar and a leash" have changed my brain chemistry on a molecular, nay, atomic level oh my god I'm a changed person nothing is gonna be the same *feral screaming*

Thank yooouu!!!! I am pretty pleased with that framing for them ever since it occured to me when I was writing out that protective/possessive Jayce post! It really clicked using that description as the summation of the VIBE I got from them even in Season1. That vibe where it's undeniable that Jayce is more physically forward and LOOKS like he's taking charge in those moments where he puts a hand out to hold Viktor back and it LOOKS at first like Viktor just goes along with things.

But there is just. That vibe. That sense. Something about noticing how much Jayce can act assertive but very much wants someone else directing him as Season1 goes. Something about how he's always moving around Viktor. And part of it clicks when you see him putting his head in Mel's lap repeatedly like every single giant dog that does not realize they are not lap size. Then somethinnggg about "man every time he's doing that or even talking to Mel he ends up talking about Viktor huh"

And THEN the something...something about Viktor. About his mix of quiet introversion but the very self assured confidence he carries himself with. The way if something frustrates him he looks over at Jayce like "do something about that." The way that as soon as they partner up it's like he becomes this quiet pivot point holding lots of eye contact while pushing Jayce to do crimes and then being the force of calm confidence as the pressure mounted trying to stabilize the hexgem for the first time. Something about how he always takes Jayce's constant touches and physical looming like it's perfectly natural and you don't know why, but it doesn't feel like Jayce is imposing on him???

And then (for me at least lmao) that exchange on the bridge makes it all CLICK. Jayce got so wound up he ended up snapping at Viktor (bc he is a high energy dog and his response to stress/fear is baring teeth lmao) and Viktor does not even look up as he smacks Jayce's hand away. Does not GLANCE at Jayce as he very pointedly moves away from him and out of Jayce's personal space bubble. And Jayce's hand flinches where it's held out and he immediately says "I'm sorry" in the smallest voice. And THEN, only THEN does Viktor allow the hand on his back to lead him away and you realize. holy shit. Jayce has earned touching privileges back. Holy shit.

and MAN I am usually NOT AT ALL into the idea of D/s dynamics as a lifestyle thing but with those maniacs it's like. Oh you two never even discussed that this is the dynamic. Y'all are just LIKE THAT. If Viktor ever called Jayce "good boy" even as a joke you just KNOW Jayce would DROP to his knees like it's an instinct (making for a hilariously awkward day at the lab)

come with me anon come with me everyone, we gonna explore Dom/sub dynamics that have bonkers types and layers of power exchange nuances in em

[strangertheories]

sick of people justifying the lack of diversity in stranger things with the fact that it's an 80s small town when they have fucking great poc characters who are either underutilised (lucas, erica) or who they just deleted off the show (kali, argyle). not to mention all of vecna's victims being fleshed out...except the Black one! and all the opportunities they could've used for rep, like vickie. this is a consistent pattern.

[sketchyfandomgirl]

Simon Riley has a Medusa tattoo. It’s never seen since he keeps it hidden beneath his clothes at all times. But it’s small, and almost easily missed at first glance. Only a few select people know about the tattoo.

Like you.

Simon trusts you the most out of everyone he knows. Probably more than his best friend Soap. Probably even the Captain. You knew Simon the longest by almost more than a decade, as you grew up together after your family moved to Manchester.

You were there when he decided to enlist in the military. Being there to see him off, attending his graduation from boot camp and tapping him out alongside his mother.

He trusts you a lot. Enough to be an emergency contact if anything were to go wrong.

You got a call, all the way from America, in Texas if you can believe it, that one Simon Riley has been found near the Texas-Mexico border half dead and was in recovery. So you booked a flight to Texas that very night. Wasn’t Simon supposed to be on some covert mission? What the hell happened?

Simon was reluctant to talk about what happened, but he eventually opened up about the horrors he endured while he was captured by Roba.

The violence, especially the sexual abuse that Simon wouldn’t even tell his assigned therapist. You were Simon’s safety, his most entrusted person who he could be more open with.

It would take years to help him heal.

But eventually, he did start to heal from the process, and asked you to come along with him to a tattoo appointment.

It was there, Simon’s sign of addressing his pain was finally closing to an end, did he get a Medusa tattoo.

[hawkeyeslaughter]

love that henry blake is genuinely just a normal guy . weirdest thing about him is that he’s obsessed with fishing and that isn’t even remotely as bizarre as anything hawkeye and trapper got going on at any given moment . he’s just some guy from illinois in a camp of people who are bonkers and he’s so fucking funny for it

[lumpsbumpsandwhumps]

Maybe this is too hyper-specific but I just fucking love??? the stance??? of whumpee lying on the ground and whumper standing over top of them???

"But Danny that's so generic--" yes, okay, but listen. Listen...I am talking about whumpee on the ground, injured, unable to get up, had probably just been crawling away before the last of their strength gave out. And then there comes whumper's legs into view. Whumpee doesn't even have the strength to look up, doesn't know if they'd even want to. And here's where the good shit comes in:

Whumper nudging Whumpee's side with their shoe like they're playfully checking if they actually died, or maybe really checking, or maybe just testing to see if there's any fight left

Whumper kicking a weapon that had been mere centimeters from Whumpee's reach, bonus points if they purposely catch Whumpee's hand under their foot and bear their weight down

Whumper using their heel to kick Whumpee's shoulder and force them to roll over on their back, now forcing them to look up and see Whumper (plus the beautiful imagery of Whumper leering down at them while Whumpee is symbolically beneath them...*chef's kiss*)

Whumper straddling their feet on either side of Whumpee's hips, or chest, or head; anything to have them confined between Whumper's legs from where they stand

Whumper suddenly dropping down into a crouch when Whumpee had only been able to look at their shins before, startling them, now hyperaware how close Whumper has made themself to accommodate this new position

Whumper instead continuing to go about their business, completely ignoring Whumpee on the ground, who can now only helplessly watch their retreating form as Whumper carries out whatever they originally had planned before Whumpee got in the way

Whumper stepping on fresh wounds, stepping on Whumpee's neck to choke them, stepping on Whumpee's head and holding their foot in place until they're done speaking whatever it is they want to say

Whumper that asks "are you done?" "that's it?" "so, was it worth it?" because if Whumpee is already at their feet, they might as well grovel a little

[vorbarrsultana]

i finished rereading the first four vorkosigan books (+ "the flowers of vashnoi" because ekaterin!!!), and you really have to feel for piotr vorkosigan because what a nightmare life, truly.

imagine you are born just in time for your world to be unified by dorca vorbarra and rediscovered by people from wider galaxy. things are finally looking good, for the first time in 600 years of isolation there is no more feudal infighting, and the promise of galactic medicine and technologies being available lightens everyone's perspectives. sure, your grandpa is called count pierre "le sanguinaire", but who doesn't have terrible relatives?

then you are 15, and suddenly your planet is attacked by the aggressive eugenecist space empire hell-bent on subjugating your people and turning them into disposable material for unethical genetic experiments. you flee into the mountains, away from your family, and create guerrilla forces from locals sworn to your dad, and it's really terrible for a very long time. you have no high-tech weapons and no food, you sleep in a cave in the dead of winter, and the cetagandans try everything (from carpet bombing to chemical weapons) to murder you.

but hey, at least you now have your bff ezar vorbarra, and (from the bff's words on his deathbed) it sounds like you two had so much fun between unimaginable horrors and despair, and it's not surprising, since no one really believes in death after life at 20. then the emperor makes you a general at the tender age of 22. fortunately for him, you & bff make a frighteningly competent dream-team, and the joke's on cetagandans.

then, several years later, you ask the emperor for weapons, because you still sleep on the bare cave floor, there are little resources, and every ghem on the planet is trying to murder you. he offers you the hand of his granddaughter instead, like it's some sort of twisted fairytale, but you grow to love your olivia more than anything, and the tide of war is finally turning, and you allow yourself to entertain the idea of peaceful life, and then...

the space eugenecist empire nukes your hometown, killing your mom, dad, surviving brothers, and two hundred thousand of your people. plus your bff (ezar) gets a radiation doze large enough for it to cause severe cancer thirty years later. great.

but you win! your district is in shambles, your capital is an irradiated crater, your castle is in ruins, but you win! the old dorca dies, and yuri ascends the throne, but politicking is secondary to the fact that you are alive.

yes, you are probably not entirely sane, and you've long forgotten what the peaceful times look like, but you are alive, just under 35, and your entire life is ahead of you. olivia is alive too, and ezar, and you now have three wonderful children, and the extended vorpatril-vorbarra family that hosts regular get-togethers. sure, your mom-in-law is a betan with all sorts of crazy ideas in her head, but she is not pierre vorrutyer. small mercies.

but then the new emperor goes mad, and decides to murder your entire family overnight. your brothers-in-law are gone, one of your sisters-in-law too, and all your nephews and nieces except little padma. but all of this pales in comparison to the facts that olivia is murdered, and that your heir and daughter lay dead beside her.

all you have left of her, of your house, of the family you've lost in vashnoi not a ten years ago, is aral, whom you keep by your side throughout the bloody civil war to put your bff on the throne.

but you win again. you are 43, and ezar vorbarra is now the emperor. you are responsible for the imperium's entire ground forces. you are also responsible for a severely traumatized boy of 13, and the only children you've interacted with without olivia's genle guidance were little messengers of guerilla companies.

what a mess.

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[snekdood]

so uh

for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it

2. the us isnt running out of money for war any time soon, so...

3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............

[puppetmaster13u]

Once more thinkin about this Prompt/AU

And I decided to sketch the level 1 forms the team (& Ellie) have along with sketches of their lvl 200+ Forms. I do believe Klarion is having a blast with his new friends and the Young Justice Team is going to have some Trauma from not knowing this is a Game.

Tucker: Lvl 1 Cat | Sam: Lvl 1 Sprout | Valerie: Lvl 1 Golem | Danny: Lvl 2 Dragon Egg | Ellie: Lvl 1 Celestial Snakelett

(Click for higher quality) Also they are all now Mountain Sized or Larger. Also pondering them all having 3 stages to their bossfights. Second stages is when they start using more magic & less "minions" and final stage is when shit hits the fan & the surroundings get Wrecked. Like Tucker summoning a literal storm & getting lightning charged, or Sam fully emerging from the caves, or Valerie unearthing herself and the team realizing the entire dungeon-city was On Her Back.

@victoria-has-no-secret @qitsin Both y'all reblogged with fun ideas so here @bleuyellow93-storytime you had very VERY fun tags so also here lol [If u don't want to be tagged I apologize] Aaand finally, @radiance1 I think you'd like these

[kiivg]

.“I bet your dance card was full tonight, ey, Reid, or did the young Charlotte keep prospective sweethearts at bay?”.

[crossthread]

No jokes here. The Navy’s best pilot and the Navy’s best admiral. Between them, eight air-to-air combat kills and five stars. These were men who commanded respect with or without your approval. This was the picture of ruthless competence.

Debriefing (& Other Stories) • part 2 of Easier Done Than Said by @compacflt