#but also it makes sense because what the fuck else do you do with a royal palace when you murder the royals
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vaguely-concerned · 1 day ago
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on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.
all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)
in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#rook x lucanis#rookanis#dragon age meta#rook is his first brush with actual safe attachment. and to me and because of who I am as a person#nothing could be more romantically devastating or impactful fhdsjkfhs that's literally the unreachable wistful dream the pie in the sky#the garrus romance echoes too. some of the same stuff going on under the hood here#you know who else he's sneakily like too actually? iron bull. the 'no matter where I turn I'll hurt someone I love' and dissociation stuff#there's that whole line about 'walking close to the edge or whatever'#which is masterful as a diversion b/c what this romance is really about is feeling truly safe with someone#in a sort of weirdly realistic way that makes it struggle with the conventions of video game romance but sure is Doing something!#and I unwittingly made a rook who also is on that specific arc so it's working out just devastating for me thanks for asking#the part in andrea gibson's 'prism' that's like. there is no shelter in the womb it's where you learn the cord that feeds you#could at any moment wrap around your neck. I think that's the initial understanding of love here. which is not good. if you think about it.#I don't think I really write these kinds of posts btw I just black out for a while and when I wake up from the trance I too#get to read what the fuck I've been thinking about finally. corralling that raging electric storm#that keeps overtaking my neurons at regular intervals and translating it into if not sense then certainly words. lots of words#no one is ever more surprised than me to find out what i'm thinking and feeling
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deathbxnny · 1 day ago
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Can you do how the arcane characters would react to you having a Panic attack/panick attacks
Arcane characters reacting to you having a panic attack! | Caitlyn, Sevika, Jinx, Vi x Gn!Reader
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Thank you for your request, Anon! I absolutely loved writing this, so I hope you'll enjoy it!<33
Content: Panic attacks, fluff, swearing, established relationships, sfw
Reader has no set pronouns.
((Not proofread))
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》CAITLYN
Her first instinct is to immideatly take you somewhere safe and private when she notices the panic attack approaching. She has very good intuition and has observed you for long enough to know your cues and signs, but sometimes even her own senses about you fail her during acute attacks that come out of nowhere. This doesn't mean that you can't rely on her to take care of you anyway.
"Hey, hey... let's breathe together, okay? Alright. Deep breathe in... hold it... and now release slowly... good job, let's do it again."
She's very quick to react to your needs and usually tries to regulate your breathing first before anything else, as that's how she learned to deal with them in her medical training. Caitlyn will also try and keep some distance in between you two in case you need space and only come closer once you're ready for that. She's very gentle and patient, as she soothes away your fears and worries.
Later on, she'll gently hold you and spoil you with nice food whilst you finally calm down and rest. Cait won't ever push you to tell her what triggered you, but will encourage you to tell her how she can help you better next time. Something she'll probably write down somewhere for future reference for better efficiency.
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》SEVIKA
The first time it happens to you around her, she'll admittedly be a little surprised. It's not like she hadn't seen panic attacks before, but she simply just never had to deal with them before. With that said, her first instinct is to wonder if someone had bothered you and, if so, how quick she can beat them up for hurting you like this. The last thing she wants is for someone to ruin that beautiful smile of yours, and the sight of you suffering like that makes her feel uneasy.
"Alright, tell me what you need, and I'll do it for you right now. I just... fuck, tell me how to help you, sweetheart."
Sevika will lean down to your level after also taking you somewhere private so that she can let her guard down in peace and focus on you. She's not good at comforting people no matter who you are, and she's certainly also not the most affectionate person out there. But she knows to keep her distance and focus on what you need from her in that moment. Your hyperventilating and short breaths worry her, but that's nothing she can't handle with some direction from you.
After the panic attack blows over, she'll demand a detailed list of what exactly she should do better next time. She doesn't like being unprepared, especially when it comes to your care and well-being.
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》JINX
She has memorized absolutely everything about you and is the first person to notice when a panic attack is coming up, which makes her the best helper out there at that moment. Jinx immideatly springs into action and brings you to her hideout, where she knows things are safe and sound. No one can hurt you here, especially not with her around. She'll sit on the ground with you and take your hands in her own carefully. The girl doesn't make any sudden moves and just observes every reaction you make very closely, practically analyzing them to know what to do next. And her voice would be so calm and soothing whilst she speaks.
"It's alright, cuddlebug. No one's laying a hand on ya whilst I'm here... so let's just breathe together."
Jinx doesn't want you to feel alone whilst you're going through this and will be right there with you until the last of your tears have been shed. Afterward, she'll either cuddle you to sleep or get you something nice to eat. Either way, you're being treated like royalty by her, just because she doesn't want you to feel like she did when she still had to suffer through everything all on her own. Having you here is a blessing, and taking care of you was a way to pay you back for it.
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》VI
Despite what people may think, Vi's intuition about other people has never failed her. She always feels so deeply for others. It isn't all too surprising when she is quick to notice your mood shifting drastically out of nowhere. Once the panic attacks start, she'll have enough past experiences to take care of you as well as she can. It may not always be perfect due to her inability to express her love and affection all too well in moments of panic, but she'll still pull through for you. Getting you out of danger and into a more secluded area, she'll wrap her jacket around your shoulders and try soothing your quick breathing.
"Hey, hey, hey, let's calm down, okay? I'm right here. Nothing can hurt you."
She may honestly slightly panic herself, especially as seeing you so distraught messes with her own emotions, too. Vi hates to see you suffer, and the last thing she wants is for you to potentially get hurt if you don't calm down.
Vi will most likely ask you what she can do better next time as well, since she secretly feels a bit disappointed in herself for not being able to do more for you. But she's open to learning how to be perfect for you next time, that's for sure.
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necarion · 1 day ago
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Ah, yes. A raging imperialist who *checks notes* voted for full statehood for Puerto Rico and had a major campaign platform for bringing economic development and recovery funds to it. Who wants to ensure that Ukraine is not conquered by Russia, according to the wishes of the Ukrainians, and who supports a strong NATO that keeps Eastern Europe from being attacked by an imperialist Russia. Who, along with Joe Biden, has been pushing (ineffectively, I agree, but much of that is because Israel and Hamas and Hezbollah do not appear to want ceasefires) for a ceasefire in Palestine and a two-state solution.
Yes, she supported a strong US military. But it drives me fucking nuts when people call America "imperialist" when it is not, in fact, conquering anyone, or planning to! Who supports the current status quo of "nobody gets to conquer anybody!"
There are currently two imperialist countries right now, in the sense that they rule over people different from their core ethnic identity who do not want them there, and do not get any sort of representation in the national government. Russia is the last remaining European imperial power, having conquered a huge land empire, and which wants to regain its territories in Ukraine and Eastern Europe. And China has instituted repressive concentration camp-style actions in Tibet and Xinjiang, and seriously wants to conquer Taiwan so it can have it back on the map. The US is no longer in Afghanistan, and is in Iraq at the request of the democratic Iraqi government (which we've been letting call basically all its own shots since about 2015) and have fewer military bases around the world than basically any point since World War II.
Is the US a sort of world hegemon? Sure, I guess. We're biggest and richest and most powerful. People take seriously what we say because we have muscle to back up the claims. But also, there are a lot of problems in the world that would be better if the US actually did have the ability to force other countries in our sphere of influence to do what it wants. A bunch more democracies in Southeast Asia. Turkey and Hungary that aren't autocratic and a Turkey that isn't attacking the Kurds. Germany that isn't fucking useless right now. A goddamned two-state solution in Israel/Palestine (which the US has been pushing for for decades). Any fucking democracy at all in Saudi Arabia.
Could you call Kamala Harris a "jingoist", then sure, I guess. Primarily in the "make our military strong enough that Russia and China don't try to invade anyone else" sense. An "America, Fuck Yeah!" politician, then yeah.
But I'm really sick of the "imperialist" line.
I just saw someone say “Im glad Kamala didn’t win because I don’t want our first female president to be a raging imperialist.” What do you think the president of the United States of America is?
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aquaticmercy · 21 hours ago
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Full Throttle
Summary : Bucky thinks he hooked up with a really pretty mechanic. 
Pairing : Bucky Barnes x motorcycle racer!reader (she/her) 
Warnings/tags : cursing. Sex is implied. Bucky on a motorcycle. Purely self-indulgent fic.
Word count : 3.9k
Note : reader is a MotoGP rider! I’m still reeling from the championship battle last week that I just needed to write this. Also I apologise for everyone who wasn’t tagged in waste a moment! I lost half my notes and I’ve been trying to recover it. Hopefully it’ll be resolved by tomorrow. Enjoy!
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Bucky Barnes wasn’t just drawn to motorcycles because they were fast or dangerous— at least not entirely. 
He loved them because of the freedom they gave him, the sense of control when everything else in his life felt it had spiralled into oblivion. Riding demanded focus and precision—all the things he’d spent the last couple of years training. 
When he was on his bike, the world faded away. There was only the hum of the engine, the wind in his hair, and the open road.
And sure, being on the road was fun, but sometimes, all he wanted was a challenge.
That’s when he found the dirt track in the edge of town— a place where he could train for missions that called for high-speed chases— a place he could lose himself for a while. 
It was something fun to do once in a while, you know? Sam would call this a hobby.
The roar of engines and the earthy tang of kicked-up dirt felt like home. In a way, it was strangely meditative. It reminded him of what it felt like to be human— to push himself to the limit, to make mistakes and learn.
Every Tuesday, after training, he came to the track. 
And every Tuesday, so did you.
The first time he saw you, Bucky had to do a double take. You were standing by your bike, helmet tucked under one arm, dirt streaked across your padded leather jacket.
Bucky was no stranger to beautiful people, but there was something about you that struck him differently— maybe it was the confidence in the way you carried yourself or the fire in your eyes when you looked his way. Either way, he was floored.
At first, he figured you were just another skilled rider trying to forget the world. That it was just a hobby, like it was to him. But as the weeks went on, you realised this was your life. 
It must be.
The way you rode was… incredible. Every turn was sharp, calculated. Precise. 
And despite your obvious talent, you never made a big deal about it. Just like you never made a big deal out of the fact that he was the fucking Winter Soldier. 
Of course, you knew who he was—he’d caught the occasional glint of recognition in your eyes. But you never brought it up, never asked for autographs or photos. Instead, you treated him like just another guy at the track.
That didn’t mean you didn’t flirt, though.
Every now and then, you’d throw him a cheeky grin. You’d playfully tell him things like, “Nice lap, soldier,” and Bucky would just blush (which you found adorable, of course).
He would always try to laugh it off, but the truth was, your teasing left his heart racing faster than his bike ever could.
Bucky had been working up the nerve for weeks, and today, he thought he would finally bite the bullet. 
Today he was going to ask you out. 
You were wiping the sweat from your brow when he leaned casually against his bike, trying to look more confident than he felt.
“You’re always here on a Tuesday,” he said, before mentally groaning at himself
What the fuck was that? He thought. Is Always here on a Tuesday really the best flirty opening line he had? It was not even an open-ended question. It was just an observation. Nice one, Barnes.
But instead of brushing him off, you paused, setting your gloves down with an amused spark lighting up in your eyes. “Could say the same for you, Barnes.” You tilted your head and gave a casual shrug, acting as if having a stunning super soldier gawking over you wasn’t flattering. “You stalking me?”
The corner of his lips curved upward, the nervous tension melting away ever so slightly. “Maybe I just like the view.”
That earned him a smirk. You let your eyes descend over him—his dark hair falling in perfect disarray, his shirt clinging to his chest under his jacket. “Sure,” you teased. 
He chuckled, scratching the back of his neck. “Maybe I’ve got a good reason to show up.”
“Oh?” you asked, stepping closer, tossing your helmet onto your bike seat with a little dramatic flair. “Don’t tell me the Winter Soldier needs more practice catching bad guys on a bike. Thought you had that down.”
“Yeah, well,” he drawled, letting his gaze linger on you. “Never hurts to train. Especially when there’s someone like you around to keep me humble.”
“Humble?” You quirked an eyebrow, folding your arms as you leaned a hip against the leather seat of the bike. “Looked pretty cocky last week, pulling that stunt to take down the bad guy.”
He blinked, genuinely surprised. “You saw that?”
It had been a theft— some guy thought he could steal experimental weapons from an old Stark warehouse and get away with it. Not his cleanest chase, but he did the job.
“Please, it was all over the news. Did you not see the four helicopters following the chase?” you said, a mischievous glint in your eye. “I gotta say, you’re not bad, Barnes.”
“Not bad?” he echoed, feigning offence.
You leaned in just a little, dropping your voice. “I’ve seen smoother turns. If you want pointers, I could teach you a thing or two.”
His lips parted, but no words came out for a moment as he processed how close you were. “You offering lessons now?”
You laughed before gesturing at his bike. 
This was his dirt bike, a recreational bike— not the one he used for the chase last week. Still, it could use a bit of… fine tuning. 
“Tell you what, soldier,” you said, “Fix that lag in your throttle response first. Then I’ll teach you a thing or two about taking corners.”
Bucky tilted his head, narrowing his eyes “There’s nothing wrong with my throttle response.”
“Oh, honey,” you purred, stepping just close enough for your shoulder to brush his. “I could hear it lagging from halfway across the track.”
He raised an eyebrow, clearly intrigued. 
“You saying I need a tune-up?”
“I’m saying,” you said, your voice like velvet, “that if you wanna keep up, you’re gonna need a better setup.”
He couldn’t help the grin tugging at his lips. He still didn’t have the guts to ask you out that day, but he walked away with hope, that maybe, this could grow into something more.
“So, you gonna tell me why you’ve been walking around with that goofy smile lately?” Sam asked, leaning back in his chair with a knowing look.
“What smile?” Bucky muttered, immediately defensive.
“The one you think nobody notices,” he shrugged. “Spill it, Buck. What’s her name?”
Bucky hesitated, running a hand through his hair. He hadn’t planned to tell anyone about his little crush. least of all Sam, but the look on his friend’s face said he wasn’t getting out of this conversation.
“Fine,” he said, exhaling. “There’s this girl.”
Sam grinned. 
“She goes to the dirt track I go to every Tuesday,” Bucky said, staring at the bottle in his hands like it held the secret to not sounding like a lovesick idiot as he told him all about you. 
From then on, Tuesdays became his favourite day of the week.
Bucky found himself counting down the hours until he could see you again, his mind replaying every smile, every laugh, every teasing touch.
You became bolder, not afraid of calling him handsome, of touching his arm even if it wasn’t necessary. 
And damn it if didn’t make his heart race.
One evening, after a particularly thrilling session on the track, Bucky decided he’d had enough of dancing around what he wanted. 
Leaning casually against his handlebars, he called out, “Race me.”
You looked up, one eyebrow raising in surprise. “What’s in it for me?” you asked, folding your arms and tilting your head in that way that always made his stomach flip.
“If you win,” he started, “you get bragging rights for a week.”
“A week, huh?” You repeated dramatically, “and if you win?”
Bucky’s lips curled into a slow grin, trying to appear confident even though his heart was pounding in his chest. “I get your number.”
Your giggle rang out, bright and sweet, and for a second, Bucky forgot how to breathe. “You got yourself a deal, soldier,” you said, shaking your head. 
The two of you lined up at the start of the track, engines growling. 
Bucky’s focus sharpened—he wasn’t just racing for pride; he was racing for the chance to finally take a step toward something he had wanted for months now. 
When the signal came, you both shot off like bullets, dirt kicking up in clouds behind your tires. Bucky pushed his bike to the limit, leaning into every corner, his muscles strained with effort, grappling the dirt bike for control. But no matter how fast he went, he couldn’t shake the feeling that you were holding back. 
You were supposed to be faster, more precise than this sloppy performance you were giving. He’d seen you before. What happened?
As you neared the final stretch, you slowed, just enough for him to surge ahead and cross the finish line first. 
He skidded to a stop, panting and exhilarated, but the smug grin on your face told him everything he needed to know.
When you walked over later and handed him a scrap of paper with your number scrawled on it, you leaned in close enough for him to catch the faint scent of sweat and motor oil. “You won it fair and square,” you said.
Bucky narrowed his eyes, his lips twitching with a grin he couldn’t suppress. “You let me win.”
“How dare you accuse me of such a thing,” you feigned innocence, but couldn’t help the grin widening on your face.
He tucked the paper into his pocket, shaking his head.
As you put on your helmet back on, you casually remarked, “Throttle’s still lagging, by the way.”
“Yeah, yeah, I know.” Bucky groaned, pretending to be annoyed. Secretly, he was thrilled to keep the conversation going. “I think it’s the fuel filter, but I haven’t had time to swap it out.”
“I’ve got one at my place,” you told him, turning on your engine, “Why don’t you come by?”
His head snapped up, surprised at the offer. “Now?”
“Why not?” 
When arrived at your place, he had braced himself for something simple—a cosy apartment, maybe a small cluttered corner dedicated to your bike tools. 
What he hadn’t expected was this.
Standing in the doorway, he blinked at the modern yet homey design laid out before him. The floor-to-ceiling windows bathed the space in golden evening light, reflecting off polished floors and expensive-looking furniture. The view of the city stretched out like a postcard behind you as you stood, arms crossed, watching him with a hint of amusement.
“This… is your apartment?” he asked, taking a step inside. His greasy leather jacket suddenly felt so out of place. His gaze darted over to a marble countertop in the kitchen, a plush couch, and then the walls— lined with the kind of art he’s only seen in high society auctions.
You tilted your head, a teasing smile tugging at your lips. “Not what you expected, Barnes?”
He huffed a soft laugh. “Not really…”
“Ah,” you replied, moving toward a door off the main living area. “So just because I work with bikes, I can’t have nice things?”
“I didn’t say that,” he countered quickly, following you.
You threw a sly glance over your shoulder. “Didn’t have to.”
He tried to think of a witty response, but he was distracted by the thought of you—the way you moved, confident and unbothered, like you belonged in every room you entered.
You led him to a heavy door and pushed it open, revealing a contrast to the rest of the apartment— your workshop.
The workshop smelled like oil, grease, and faintly of rubber, the air swirling with the comforting scent of metal and machinery. The walls were lined with shelves holding neatly organised tools, spare parts, and bottles of lubricants. A stripped-down high-performance bike stood at the centre of the room, its engine exposed, wires and cables hanging loose. 
Now this room, he thought, was undoubtedly you.
“This is more like it,” he murmured, his lips curving into a faint smile.
“See?” You smirked, moving to grab the replacement part he needed. “I’m not as fancy as you think.”
After pulling his bike through the back, he leaned against the wall, watching as you crouch next to his bike and get to work. 
For a moment, he was quiet.
He watched in silence— the way your hands moved with precision, the way you were entirely in your element. 
“So,” you began, glancing up at him. “What’s the Winter Soldier doing on a dirt track every Tuesday, anyway? Don’t you have, I don’t know, a world to save?”
He chuckled, folding his arms across his chest. “The world can wait.”
You laughed softly, returning your focus to the filter. 
“I get it, kind of,” you replied, loosening a bolt. “Wanting to get away from everything.”
From then on, the conversation came effortlessly. 
At first, he kept it light, sticking to anecdotes about the track or the occasional joke about his less-than-smooth bike handling in the beginning. But there was something about the way you listened—your easy, genuine curiosity—that made him feel safe, like he didn’t have to keep everything locked away anymore.
At one point, he couldn’t help but ask how someone who worked with bikes could afford a place like this. You only shrugged with a smile, giving the same answer you always did: “I got lucky.” He didn’t press, though he was curious—the ease in which you sidestepped the question intrigued him.
Before long, the conversation drifted again. He found himself sharing more than he ever thought he would. He told you about his missions, the chaos of his Winter Soldier days, the things he’d done and the memories he was still piecing together. 
And you listened—not with pity, but with an understanding that felt rare, even among the people he called friends.
“You’re good at this,” he finally said. 
“Bikes?”
“People,” he admitted, his eyes flicking to yours.
“Well, bikes are like people,” You tilted your head, studying him with a small, curious smile. “Both require care, attention, and understanding to perform at their best.”
When you finally finished, you stood, wiping your hands on a cloth. “All set,” you said, gesturing toward his bike. 
“Thank you.” he said, though he made no move to leave. Instead, he lingered, his eyes on you as you leaned back against the counter.
“So,” you said, breaking the thick silence, your voice dipping into something almost playful. “You gonna stick around, or do you have somewhere to be?”
“Nowhere important,” he admitted quietly.
He took a step closer, then another.
The space separating you seemed to dissolve, his eyes locked on yours, pulling you in like gravity.
“Careful,” you murmured, teasing. “I might think you’re stalling just to spend more time with me.”
His lips curved into a faint, almost shy smile. “And if I am?”
The words hit you like a shot of adrenaline, your heart beating out of your chest. There was no humour in his tone, no hint of the usual back-and-forth banter that had defined so many of your conversations. Just desire staring back at you.
You swallowed hard, your voice barely audible. “I wouldn’t mind.”
He was close now, so close you could feel the heat rolling off him, his metal hand brushing against the counter as he leaned in.
“Tell me to stop,” he murmured, his voice rough, a low growl in his throat. He cupped your jawline, mustering all the courage she could possibly gather. 
You didn’t.
Instead, your lips parted in anticipation as he leaned in. Unable to bear it any longer, you tilted your head up, meeting him halfway.
The first press of his lips against yours was gentle, and the second was anything but. The restraint shattered immediately, giving way to something feral. His hand slid to the back of your neck, fingers threading into your hair as he pulled you closer, his lips moving with a hunger that’s been brewing since he first saw you on the track.
Your hands found his chest, sliding up to his shoulders, your fingers gripping the fabric of his shirt. You tugged him closer, your chest pressing against his. He let out a low moan that sent a shiver down your spine.
When you finally broke apart for air, your foreheads rested together, your breaths mixing in the narrow space between you. His voice was husky, as if he was still recovering. “I should really take you out on a date first.”
You let out a shaky laugh, your hands still fisted in his shirt. “You can still do that.”
His lips brushed yours again. “Aren’t you trouble?”
“You love it,” you whispered, grinning wickedly as you pulled him back in.
The next kiss was hotter, hungrier—  it consumed you both. His hands slid to your waist, gripping you firmly as he backed you out of the workshop and into the apartment. 
Your movements were uncoordinated, messy, your lips never leaving his as you stumbled against walls, furniture, and whatever else got in the way.
By the time you reached the bedroom, nothing else mattered.
Bucky woke to the soft light peeking through your curtains.
The scent of coffee reached him first. When he stumbled out of your bedroom, he spotted you at the marble kitchen counter, leaning on your elbows with a steaming mug in hand. You were dressed in one of your oversized shirts— and looked far too innocent for all the filthy things you did to him last night.
“Mornin’ doll,” he greeted  as he sat across from you.
“Morning,” you chuckled at his adorable tousled hair. 
“So…” he started, his voice thick with sleep, “about that date…”
You smirked, setting your mug down and sauntered around the island kitchen. “Thought you’d never ask.”
“Sunday?” he offered, watching you with a lazy smile as you perched on the stool next to his.
You shook your head, “I work weekends.”
That caught him off guard, but he didn’t let it show. “Remind me what exactly it is you do?”
“Bikes,” you said simply, the corner of your mouth twitching like you were holding back sensitive information.
He chuckled, assuming you were talking about your mechanic work. “Fair.”
You hummed, but the mischievous glint in your eyes didn’t escape him.
He tilted his head, curiosity tugging at the edge of his thoughts, but he decided not to push. You’d tell him when you wanted to. Instead, he flashed a small grin. “I’ll text you to arrange something, then.”
“You better,” you teased, leaning down to press a chaste kiss to his lips. “You won my number, Barnes. Don’t make me regret giving it to you. 
The challenge in your tone made his smirk widen, his hand slipping around your waist to pull you closer. “Oh, I won’t.”
That Sunday, Bucky was slouched on Sam’s couch, one leg kicked over the side of the coffee table, a book resting on his chest. Sam, on the other hand, was waging war with the TV remote, flipping through channels at record speeds.
“Just pick something already,” Bucky grumbled without looking up.
Sam rolled his eyes, ignoring him. 
“Oh, MotoGP’s on,” he said suddenly, tossing the remote aside.
Bucky didn’t even glance at the screen at first, the low growl of engines and the commentator’s frantic observation was little more than background noise. But something about the sheer speed on display tugged at his attention. He finally looked up— and when he did, he could not take his eyes off the screen.
The camera focused on a Ducati weaving through the pack with a relentlessness that looked… familiar. The rider’s movements were fluid, each turn carved with precision, every overtake risky but calculated.
“Holy shit,” Sam muttered, leaning forward. Sam wasn’t the biggest fan— but he did watch these races from time to time. It always intrigued him, the danger they willingly took to win a race. “Look at—did you see that overtake?”
Bucky didn’t respond, his eyes locked on the rider. There was something about them—the way they leaned into each corner, never hesitating, always pushing for the absolute edge of human limitation.
The commentator’s voice broke through his thoughts.
“And there it is! The factory Ducati taking the lead with that beautiful overtake from the inside line! Unbelievable control!”
The Ducati was now in front, pulling away from the others as the final lap approached. 
Bucky watched, as they flew through a sweeping right turn, knees and shoulders skimming the asphalt like it was second nature.
As the Ducati roared down toward the finish line, the chequered flag waved. 
First place.
The crowd erupted, but Bucky barely heard it. The rider slowed, their gloved fist pumping the air, before coming to a stop after the cooldown lap. 
The other riders were congratulating them, patting their helmet with friendly taps.
Soon, the camera zoomed in, capturing the moment they pulled off their helmet.
And Bucky’s stomach dropped.
It was you.
No helmet, no visor—just you, smiling that confident smile that he knew so well.
Oh. He was stupid. Bucky Barnes was so incredibly stupid.
Of course you were a motorcycle racer. The sleek apartment, the effortless style, the way you moved on the dirt track. The way you told him you worked on weekends— it all made perfect sense.
And yet, somehow, he'd convinced himself you were a mechanic. Of course he did.
“You’ve got to be kidding me,” he muttered, bolting upright.
Sam shot him a confused look. “What?”
“That’s her,” Bucky said, his voice low in disbelief.
“Who’s ‘her’?”
“The mechanic,” he said, gesturing at the TV, as you celebrated with your team of race engineers. “The girl I told you about. That’s her.”
Sam blinked, staring at the screen, then back at Bucky. “Wait—you’re telling me she fixed up your fuel filter?”
Bucky didn’t answer, still staring at the screen. You were heading toward the press now, handing your helmet to a crew member as reporters swarmed you.
The camera cut for a post-race interview. You looked exhilarated, but still composed as you answered questions about your strategy— about the win. 
Then the interviewer threw in a curveball:
“You’ve been on a hot streak lately. Is there anyone you want to dedicate this victory to?”
You hesitated just long enough for a sly grin to tug at your lips. Then, you looked directly into the camera.
“This win’s for a super soldier,” you said, your tone as playful as ever. You made a phone gesture with your fingers and winked. “Call me, Barnes.”
Bucky’s jaw dropped.
Sam burst out laughing, but in no less shock. “I cannot believe you hooked up with her! Bucky, You lucky son of a—“
But Bucky wasn’t listening anymore.
He couldn’t believe it. Of course he could keep up— you were literally leagues ahead of him.
And somehow, you were still into him. 
“Well, what are you waiting for?” Sam said, nudging him hard enough to make him wince. “You gonna call her or not?”
Bucky didn’t answer, already scrambling for his phone. His hands trembled a little as he unlocked it, a smile already tugging at his lips.
He wasn’t sure what he was gonna say when you picked up, but he knew one thing for certain: Tuesdays just got a whole lot more interesting.
-end.
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drdemonprince · 2 days ago
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Genuine question regarding the way turning your creativity into a career has broken your brain: do you think getting a job not reliant on creative output would solve the problem, or do you think this has long term damaged your relationship with creativity?
I see so many friends who tried to "make it" as artists never pick back up with their art in the same way they did before after they reach your point, even after they get jobs outside that field.
Do you think there are things that can be done to mitigate this and repair that relationship? I wish I could help them.
oh, I uh. Also have a full time job that is not reliant upon creative output. and so that has not worked great. because i've had like double the things to do, in my mind. (tho admittedly my job is really easy and i get away with fucking off a lot). For years it was the perfect scenario because i was not relying upon my creative output for income, and so i could just do time theft from my main job and write on the clock for fun!!! but then. the shit i did for fun became a whole like Business and so now i've basically had to maintain both adequate productivity at the main job WHILE succeeding in the creative job. and i die
It's so kind of you to ask how to help your friends revive their inner creative spark and enjoy making things again. i'm not sure what the answer is. i know that i still feel moved to create. i would never stop doing it. i think what i need, personally, is to stop being a Business -- to not have an agent and editor and PR person and Marketing team and a whole host of other people needing me to do what i do and sending me new obligations all the time. my plan is to not conventionally publish anything else after this upcoming book, at least not for a long time. or to only go the small press route moving forward. i think something like that is what it takes for a lot of people in this position -- to get back into making because it is enjoyable again, and to do silly frivilous creative projects that are social, without any sense of obligation. im trying good lord im trying but ive got to retrain my nervous system to not see creative work as this scary thing i could fail at doing at any time.
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howlsofbloodhounds · 2 days ago
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I need to see more content of Color matching Killer's freak, and not just in terms of suggestive themes.
Obviously he's not direct or loud about it, obviously it's not easy reading that off of a person like him, but I imagine Killer would pick up early that Color's a bit of a freak cause why the hell else would he be trying to help him so much? Freak recognizes freak. Freakception. It's just kind freak on fire vs knife freak, that's what this has become.
Color is the subtle kind of freak. There is always a 50/50 chance that if Killer's got an urge, Color's gonna indulge it and act like he always does in the process. He is a "go with the flow" kind of guy on the surface until he decides to rip off that facade. His friends already know how freakish he is to a certain extent but it's people like Killer, Epic, and Delta that truly do vibe with it in their own ways.
Killer would want more of it and look for ways to encourage Color's "dark side", Delta would compete with it, and Epic would think of any punchline to add to how hilarious he finds it.
This is a group of equally as unhinged men.
The signs of Color's freak would be evident to Killer long before he decides to take up Color's offer in leaving Nightmare behind. He would pick up those signs and use them against him, specifically during arguments or fights where Killer accuses him of having crude ulterior motives.
And Color giving him little to no reactions on that basis would not only infuriate Killer but also fascinate him even more than he already was. Cause he can't always tell whether or not a comment set something off in Color's mind, or if there really was nnothing.
And then as time continues to pass, that is when Killer's observations start to make sense. He and Color are a lot more alike than he previously thought, well beyond the "we both used to be Sans and got fucked over by the same stupid kid" commonality.
They both have deeply-rooted trauma from two of the same fucking child. While Color was eventually provided with the resources to start healing, Killer was routinely denied those resources.
Perhaps Color has one of those warped bouts of hyena-like laughter too, except while Killer has it casually, it's a red flag coming from Color as it's indicative of a panic attack, complete breakdown, or weak attempt at stress relief following either of those things.
They both struggle at showing vulnerability because of their trauma. Killer hides that in multiple shitty ways while Color has had several years of therapy and a solid support system and because of that developed a stable "fake it till you make it" mask for only the worst case scenarios where he can't catch a break soon enough. (He's had to use that mask A LOT in dealing with Killer before he left Nightmare)
Think Stage 3 doesn't have enough reasons to regard Color as a source of safety? They've both got distinct animalistic traits and behaviors, and Color dedicated the patience and time to let Stage 3 learn that at its own pace. Stage 3 finds a mutual understanding with Color that it can't with anyone else BECAUSE of the effort and comfort Color provided.
And what about the fact that they've both lost their sense of identity and since gaining freedom had to gradually make a new one with the shards they managed to salvage? They both aim to keep some aspects of "Sans", but can never truly be "Sans" again. They've both grown past the point of ever being the exact same as they were decades, perhaps hundreds of years before.
In various ways both before and after escaping their traumas, they are both in constant physical, mental, and emotional pain. Some conditions simply have no cure, no medication to soothe their symptoms.
They are so similar yet so different. So of course Color would match Killer's freak. Under calm and casual circumstances he'd agree with (Stage 2) Killer's accusation of him being a masochist and Killer would be caught off guard because he was aiming to make Color angry. But instead Color gives him that simple admission with no strings attached.
Like golly gee fuck, Killer, it's almost like he has to be one in order to cope with the amount of agony he deals with every day. Speak for yourself, motherfucker.
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Unhinged freaky old men is where it’s at.
People look at the chromatic crew and think Color’s the odd one out, that he’s the hinged one, but definitely not.
Bro probably finds it comforting and reassuring when killer licks away his tears 💀. Mans would be so willing to indulge nearly anything killer wants to try or do, and he’d likely enjoy most of it.
Need more of Color matching Killer’s freak and rolling with it. Wonder if Color ever surprises Killer sometimes.
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tuulikki · 2 days ago
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The funny thing about Jesus shipping is it literally drops us into about 2000 years of Biblical interpretation. Which disciple we pick is an exegesis/headcanon. And, in the most literal sense, it even depends on what texts we decide to count as canon.
Like, if we want to focus on John, we have to note that John is the only gospel that uses "beloved disciple" in the first place. So our source for John is... John.
And obviously "'The Gospel of X' says that X is the most important disciple" is the best fun you can have.
That's why I use "The Gospel of Judas" (c. 2nd-century CE) as my canon, even though it's Gnostic fuckery. tbh I think the "kiss" is the least compelling bit of J/J, because the anachronism of reading anything into that kiss makes it the weakest bullet point in the Jesus/Judas Shipper Manifesto. And the idea of Judas as a zealot is pretty indefensible unless we're just having fun (and we are).
Peter sources are all from the Synoptic Gospels (the oldest Gospels, in chronological order: Mark, Matthew, Luke). We can cherry pick gospels for shipping, but let's be real... Synoptics have Word of God energy lol. We kinda have to concede first place to Peter and then squabble (in good fun) about every other spot on the podium. Peter sure did deny Jesus three times but hey, he didn't betray him to his death.
(Long post, I decided to ramble. Just for my own amusement. Because this was my undergrad degree.)
Judas:
"The Gospel of Judas" is probably the ur-source for Jesus/Judas girlies and I just gotta infodump. Is it canonical to any Christian tradition? No, it’s docetist tomfoolery. But it's a really fun text to pull in because, as you'd expect from "The Gospel of Judas," Judas is Jesus' specialist little disciple:
(Jesus said to the disciples) “[Let] any one of you who is [strong enough] among human beings bring out the perfect human and stand before my face.” They all said, “We have the strength.” But their spirits did not dare to stand before [him], except for Judas Iscariot. He was able to stand before him, but he could not look him in the eyes, and he turned his face away.
You get Jesus selecting Judas as the only one who was worthy while also being enigmatic and fucking off when Judas asks questions:
Knowing that Judas was reflecting upon something that was exalted, Jesus said to him, “Step away from the others and I shall tell you the mysteries of the kingdom. It is possible for you to reach it, but you will grieve a great deal. For someone else will replace you, in order that the twelve [disciples] may again come to completion with their god.” Judas said to him, “When will you tell me these things, and [when] will the great day of light dawn for the generation?” But when he said this, Jesus left him.
You also get an enigmatic nickname and weird lovingly condescending divinity:
Judas said, “Master, as you have listened to all of them, now also listen to me. For I have seen a great vision.” When Jesus heard this, he laughed and said to him, “You thirteenth spirit, why do you try so hard? But speak up, and I shall bear with you.”
And we can’t emphasise enough that while Judas is special and the only one Jesus confides the truth in, Jesus tells him he’ll be reviled pretty much until the End Times. Poor little meow meow Judas:
When he heard this, Judas said to him, “What good is it that I have received it? For you have set me apart for that generation.” Jesus answered and said, “You will become the thirteenth, and you will be cursed by the other generations—and you will come to rule over them. In the last days they will curse your ascent to the holy [generation].”
And although The Last Temptation of Christ was written well before we found the Gospel of Judas, we get the same dynamic where Jesus and Judas both know beforehand that Judas will enable Jesus’ sacrifice, which has a tragic weird intimacy about it:
“But you will exceed all of them. For you will sacrifice the man that clothes me.”
This bit really almost reads like fanfic already:
“Look, you have been told everything. Lift up your eyes and look at the cloud and the light within it and the stars surrounding it. The star that leads the way is your star.”
Speaking of The Last Temptation of Christ, I personally find it to be a better, weirder J/J source than "Jesus Christ Superstar." Not least because it tries to reconcile the gospels the most of I've seen in any other piece of media. Side note: When I say "reconcile," I mean narratively dealing with contradictions. E.g., how Nativity plays put both magi (Matthew) and shepherds (Luke) in the same story.
And "The Last Temptation of Christ" film adaptation really brings in the unsettling chaotic energy that I think a story about an incarnate deity destined to die requires. Apart from "Goncharov," it's my favourite Scorsese:
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John:
If we ditch the Synoptic gospels and focus on John, of course John will give us John as the "disciple whom Jesus loved," since John is the only gospel that uses that term. And John is the best-written gospel, hands-down, so it's just a winner of a text.
Though, just to clarify for anyone who might have misread what OP said: the word "philtatos" is not in the Bible. The closest concept is the "ho mathētēs hon ēgapā ho Iēsous"/"disciple whom Jesus loved" term that the John author invented to describe John. And since John is the last of the canonical Gospels, it would be absolutely bugfuck crazy Dan-Brownery to make historical claims. But I hope Jesus/John shippers are out there pulling in the Apocryphon of John just because the opening is pretty poignant. And obviously John 13:23 with John leaning on Jesus' chest is tremendously good.
Peter:
For Peter, I feel like having the Synoptics backing up your ship will always give the superior claim to, uh, your ship being canon. But the full bit of Matt 26:33-35 kinda ruins my fun:
Peter replied, “Even if all fall away on account of you, I never will.” Truly I tell you, Jesus answered, “this very night, before the rooster crows, you will disown me three times.” But Peter declared, “Even if I have to die with you, I will never disown you.” And all the other disciples said the same.
All the other disciples chiming in makes it less special. And the fact that he does disown Jesus is a bit... :(
I think my problem is that Peter gives me Kronk energy by running about hopping out of boats and swinging his sword about. It's giving "Peter, dumb as a rock". But I'd be lying if that didn't make for good material.
Tangentially: I'm also in the camp that The Secret Gospel of Mark was a forgery (it's too damn convenient to find an intensely controversial "gay gospel" and then whoops! we lose the gospel à la Joseph Smith's golden tablets) but I respect Morton Smith for giving us this:
“The youth, looking upon [Jesus], loved him and began to beseech him that he might be with him,” it read. “And after six days Jesus told him what to do and in the evening the youth comes to him, wearing a linen cloth over his naked body. And he remained with him that night, for Jesus taught him the mystery of the kingdom of God.”
If only he'd had access to AO3...
jesus/judas isn't even the best jesus yaoi. the betrayal kiss is a powerful symbol for sure and judas killing himself after jesus' crucifixion is of course hugely significant (see: jesus christ superstar). but in biblical canon there is literally a disciple described as jesus' most beloved. his favourite disciple. his philtatos, for the song of achilles girlies. he was the last disciple to die, he leans his head on jesus' shoulder at the last supper (and some scholars believe he was the only one jesus told of the nature of judas' betrayal). and lest we forget peter, who also betrayed/rejected jesus after swearing his eternal love for him, threatened to kill and die for him, was all like "i'll follow you anywhere" and "i'll be with you forever". straight up tried to walk on water for jesus. He was crazy. it was yaoi central in there
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fawnduu · 3 days ago
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Any advice for people who want to make comics but have trouble with the scripting stage? I always try to write out scripts but get bored and abandon them 😭
My advice would be get a loose script and then just start thumbnailing!!! You don't need to have everything nailed down to its final version before starting because comics take a really long time to do and you will get new ideas and change characters as you create the story! You also dont need to make a 'Professional script' since the only person who realistically needs to make sense of it is you! (*unless you are doing a project for an anthology/online pub/ trad pub)
Some of my scripts are literally just in the notes app on my phone that I wrote when I had a brain blast at 3am. The grammer is bad and the writing isnt beautiful but it doesnt have to be because its just information to help you draw the scene.
I follow what I call a path of least resistance rule when I make comics. Basically, if I get bored of one part of the comic making process, I start working on the next step of whatever I have done so far.
A lot of the time this is during thumbnailing for me since it requires the most focus. I'm often dialing in dialogue lines when im thumbnailing and setting everything up so it takes a lot of brain power.
I tend to thumbnail 10-15 pages and then I get those pages done before I move on. Unless you are actively in a book deal in trad pub there is no reason you need to work like you are doing a trad pub book and thumbnail EVERYTHING before starting the next step. The team is you, so the pipeline doesnt need to be coordinated with an editor/letterer etc. I find for making comics the most important thing is keeping up your desire to make them in the first place. Reward yourself with your favorite part of the process after doing something that is hard! And above all else cater your stories to you!!!
Pick things you enjoy drawing and themes/tropes you like and make a story that is all your favorite things, be indulgent as fuck because it will make you LOVE your story/characters and you need to be your story's #1 fan!!!!!
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cheshiresense · 11 hours ago
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Hi, I love your time travel with Stark!!! He's one of my favorite characters, so I love reading your ideas about him and Ichigo. I was just wondering, how do Hallows react to Stark? As a former Hallow who healed himself, would they treat him like a normal soul, or would they know he used to be one of them? I'm just curious if you had ideas about that. Anyway, thanks for sharing your story idea, I love reading them!!!
Thank you, I'm glad you're enjoying it!
I think generally speaking, they wouldn't know. I think that people can sense that it's a Hollow in the vicinity (as opposed to a Shinigami) because their reiatsu is hollow, it's not whole, it's missing pieces, fragmented in a way that a Shinigami's reiatsu wouldn't be. Like yes Starrk is technically still part Hollow, that's what he became, that's what he built himself back up from, and he can't just discard that part of himself, it's what makes up part of his soul, like scars you gain throughout your life. And his reiatsu is just naturally corrosive, it's an aspect of his power, so he can't get rid of that. But he's also a whole soul now, and at this point, there's actually not much of a difference in his reiatsu between his Shinigami and Hollow sides, he's perfectly merged. So there's that, and also ever since he learned how, his control's been second to none, so outside of a battle that necessitates major use of his reiatsu, he mostly keeps it under wraps since it can still hurt people and he's got a Thing:tm: about that. He probably keeps it at the level of an unseated officer, so enough for people to sense him coming but not really pick up anything else about it.
(Which reminds me, I actually also kind of headcanon that you can sort of tell how old someone is if you get a good enough feel for their reiatsu. Like obv not exact date of birth and age lmao, I just mean the older and more powerful someone is, the denser and heavier their reiatsu becomes, so if you're halfway decent at sensing reiatsu, you can sort of distinguish between someone who has just a handful of decades or a century or two under their belt, and someone who's comfortably into their hundreds, and someone whose reiatsu is just solid in a way that speaks of them having Seen Some Things, because you can't always tell via physical appearance but the soul remembers the years gone by. Ichigo is ofc an exception because he's part human, so like he prob reads around 60-100 years old to Kaien and co., esp when you put him next to Rangiku and Asuka, they sort of all read like the same age.
And all of that is just to say I absolutely want to write a thing for when Starrk finally lets his reiatsu out properly while Shunsui and Ukitake are right there and people will just be like why the fuck does this guy feel the same as the two thousand-year-old captains 😂😂😂)
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bleue-flora · 1 day ago
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Ya know… I just realized, what if this book titled Dream that says “dear technoblade” is actually that letter Quackity forces Dream to write in prison. Like hear me out, that torture scene ends after Quackity says “Dear Technoblade.” [clip]. Maybe that’s as far as he got? (lore wise or maybe just recording wise, like how Dream’s diary that just says “Techno admitted have a house” and “Steve is your polar bear” and nothing else) Techno never does receive this supposed letter as @elmhat pointed out [post] and I always did think it was weird that Dream would give him a book with his own name on it… so maybe Dream didn’t finish that letter after all. Maybe he refused and we didn’t see it because things got too gory like how the first visit torture scene cuts to Quackity covered in blood [clip]. Maybe in prison Dream gives Techno this unfinished letter as a show of - see I didn’t betray you or something. I don’t know, all kinda wild speculation but fun to think about anyways… the missing letter has always bothered me to be honest.
On another note (ha ha literally XD), I should also mention that after getting access to Techno’s inventory and ender chest, I did discovery what is in the other books (again no idea if anyone else has posted about this) and it is equally as profound lol.
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In the one titled Secret it says “do not read this book”, the one titled Quackity says “quackity” and the one title Sam says “sam”. I know riveting stuff. ;D
Though to be fair, the lower case names are kinda funny to me. Like from a lore perspective, can you imagine if some guy you spent months in prison with was just like - Here, protect these books. This is all the info I have. Don’t share them with anyone - and it just says “sam” and you try not to offend him but like man’s clearly lost it.
Or maybe, we could reason that Dream’s hands are so fucked up he can’t write much anymore so he couldn’t write a legible version of the letter so thats why Techno never received one and that’s why all these books are mostly empty. Maybe all he manages to write is just “dear technoblade” and “quackity”. And Techno after watching him painstaking write it is like - Hey man, why don’t you just tell me orally and I’ll remember - because it physically pains him to watch him struggle. Perhaps as some have suggested, it’s why the signs on his wall don’t make much sense [post], because his handwriting is really just that bad. Perhaps if he takes his time he can write a little so Quackity and Purpled are spelled right and readable (or maybe Punz wrote it for him :0)…
Oh and on a rivals duo note, (not sure if anyone has talked about this yet either but) I found a couple of those books Dream gave to Techno in prison in a hidden chest in his house. One has the title information and that one just has the coords for their meeting place where the blueprints were buried, but the one labeled Dream just says this
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and that’s it… I know, very exciting lol… though to be fair they told us the books were blank because they were going to fill them in later, but technically they lied lol. ;)
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verdantwyrm · 11 hours ago
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Actually drives me a little insane over how some people read too deeply into stuff in this game but ignore obvious signs for other things and then also entirely misinterpret stuff for what seems like on purpose at this point.
No, I do not think the Tulpar follows traditional aviation rules. it makes no fucking sense for Curly's seat to be on the left, the seat that we only ever see Jimmy sit in. And it makes no sense for Jimmy's seat to the right, the one that Anya hides behind, the one that Curly sits in and the only seat that is completely consumed by the sealant foam after the crash.
But oh yeah what's your opinion on Curly, by the way? Is he evil? Is he misogynic, is he awful and deserves to be disabled because that was his punishment? I'd also love to hear your opinion about Anya, I'm sure you understand her character so well. What with how she acts around Jimmy, you would almost think she likes him, well why else would she be complimenting him? Interesting...
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velvetjune · 8 months ago
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the chapter songs in Alan Wake 2,, flawless
#they deserve more love and discussion#saying this while also not knowing what to say other than they’re so fucking good#alan wake 2#i think it’s partially because poets of the fall’s tracks are iconic so of course they’re in the spotlight (as deserved)#but also the CHAPTER SONGS. them being made for a given chatacter(s) with the help of Sam lakes poetry#the changes with ‘this road’ by Poe with every Alan chapter. becoming more distorted and revealing lyrics and the spiral#the scratch song being 1) hilarious and 2) similar to Zane’s poetry in the aw1 arg#the emotion in superhero when saga feels lost at the story making it so Logan was gone#the lines of her feeling like a ghost in this story forming around her.. how she feels guilty and absent for both what the story’s doing#and being away from Logan because of her job. ashdhhhhjhh my heart#AND. follow you into the dark HAS to be alice. which kills me because at for at I thought of Alan#but no. Alice jumped in the dark place after him. it’s so !!!!!!!!!!!#the rabbit hole line. Alice spiraling deeper and deeper into a dream—into wonderland#the Lost at Sea one is also good. intrigues me. the Bowie and Lynch references are blatantly aw2 Zane#but it’s so similar to diver Zane and the ‘originals’ death. being lost in the dark place with illusions of escape#and losing any sense of identity. whether he’s real at all or the monster of this sea or just a lost soul.#the soft and calm vocals / instrumental really makes the whole thing#NEED to stop typing more tags because this is a Lot. however.#‘no one left to love’ is also a phenomenal song and one of my favorites from the album. GORGEOUS vocals and how it all flows together.#such a powerful and beautiful way to end a chapter#anyway that’s all I had to say :)#god. I’ve started to watch a few playthroughs of the game and 90% of people have skipped the chapter songs and every time im#that’s fair but my brain and soul might implode if I don’t see anyone else talking about how good these songs are
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july-19th-club · 6 months ago
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favorite type of villanous characters are the ones whose motivations boil down to
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like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction
#sometimes this can be done in a very funee cartoon villain kind of way a la spike from buffy#and sometimes it can be done in a positively chilling way where this character knows for a fact that some of the effects of their chaos#will also make their life worse. but they just enjoy fucking with other people more than any privation they could personally experience#you can't sway this person with common sense because their own personal logic dictates that it doesn't apply to them#you can't sway them with emotion; your sadness/fear/anger/ineffectuality is part of the entertainment factor#can't sway 'em with threats because dodging threats is ALSO part of the whole point#this second version is the least pathetic type of character mostly because they simply do not give a shit about anything ever#any personal fears are buried or stomped out and figuring out why they do what they do won't stop them from doing it#and yet: in order to keep the relentless making-it-worse guy from being uninterestingly evil there does have to be SOME desire or need#bodily harm or lack of available victims could get you a moment of genuine terror or loneliness that sparks the audience sympathy#which you do need! just long enough for the sympathy to then be misplaced. which you also need bc this is an antagonist#the first version does very well at redemption arcs and is sort of built for them . they're almost too easy for the first cartoon version#the second version should be kept separate from redemption arcs at all costs#or you no longer have that character anymore now he's someone else#writing tag#q#god. one thing is that i know how to spot character types in writing and detail what's good about them and talk about it#but when it comes to then executing the concept? my perception of what's cool and works and my execution are MILES apart#frustrating as hell that i can identify this guy but not create him
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oozeandgoo-art · 11 months ago
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had an odd dream that i was reading a comic book. sketched a couple of the pages i could remember.
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#i might adapt this into an actual story because i am SO SO SO mad that it isn't a thing i can go back to reading#oc#im definitely keeping the concept of save-bot i fucking love save-bot he's just doing his best. i love a robot who wants to help people#im not equipped to be writing about underground rebellions with any sense of real tact though#besides its in a superhero universe/story so you know it would just be so sucks lol#sketch#god the colors were so interesting. the teal parts were all very precisely crosshatched and the fire was this gorgeous brush pen looking#colored inks that just seemed like they were MOVING#and i mean some of that was because i was dreaming but god even in my halfhearted copy you can see some of the movement#it was a bad scene but a really really REALLY fun dream. i love when a book can *get* to me so i was really enjoying it#put it aside so i could take a break and woke up. instant fury at the universe for not having it be a real book instead#ill reblog with details if anyone's curious. i can explain this scene but i dont feel like it#the green people are in a secret basement though. hiding from the government. blue jacket guy is a speedster robot named save-bot who does#rescue stuff with every fire department so fire suppression technology is not very good because save-bot "can just save you''#however they're badly over their legal occupancy and the secret basement has One (1) exit so everyone is like really fucked here.#includinig save-bot who is going to do his job until he dies because he is an ai without any sense of self preservation and he cares#which i didn't even CATCH until i woke up and started tryin to frantically note everything down#and then i was like wait. the glitter on that last page before i realized i needed a glass of water to keep reading... what WAS that...#(it was tears suspended in midair because save-bot goes so fast and also knows he's so fucked LOL)#seriously i'm so mad someone else didn't make this.
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elisedonut · 5 months ago
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One thing I like about Marcus is that he's kind of
Schrodinger's Death Eater
Like yeah he's a Slytherin
He's an asshole
But
He is never mentioned again after the third book.
Not once.
Not even a different Flint is ever mentioned
you don't even hear about like his parent being a death eater which means
You can make him one if you want
if you need him to be for the story you want to tell
Or you can choose not to if that fits better
and immediately neither of these actually go against canon
Which is really fun to me
Because you can make him and his family just literally leave the country if you want
Or maybe he is just a death eater
Or if you like me like him being close to the others that we know around his age and are also allergic to making OCs you can make him a spy with Percy
maybe they both work in the ministry and he uses the fact most people won't watch him as closely as they do Percy to get things done that need to be done. Very Percy is the brains of the operation and Marcus is the actual body of it because they both know Percy really can't step out of line too much.
But similar to how Hogwarts was during that last year of the war people just assume that as a pureblooded Slytherin Marcus is just on their side by default so don't even look twice at him
Or you know just a Quidditch boy
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br1ghtestlight · 6 months ago
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this is so funny to me actually bcuz this is 100% how i talk abt my characters ages. i know what YEAR they were born and i know what rheir ages are supposed to be at the start of the story but i dont actually know when it takes place?? im really bad at math. There was a moment where rainbow was supposed to be 23 and i somehow accidentally made her 17 lmfao
#theoretically it would take place in 2021 bcuz thats when i created my object ocs but the more time passes#the weirder it feels to have it take place years in the past#i considered moving up their birthdays by a few years but like. idk i like their birthdays theyre cute :3#bubblegum is SUPPOSED TO BE 15 and she was born july 2007#watermelon is supposed to be 7 and he was born june 2014#etc etc#starr is 27 and she was born september uhhh 1995 or 1997 i actually dont remember. whichever one makes sense#also that would mean building block was born in 2020 and since she's always gonna be a baby the furhter away we get#it means that she wouldnt have even been born when the story is actually supposed to take place. Like#i know their birthdays and their ages and what year they were born everybody else has to do the math#to figure out wtf is going on because I DONT KNOW#also that means that building block would be a pandemic baby lmao 😭#what was rhe vibe in nigeria in august 2020 during the pandemic. well i say that like it even happened in their universe#which there really isnt any reason for that to be true#it isnt historically important to mention like..... world war two or slavery or whatever. fucking obviously. in the context of objects#it gets messy so its better to just Not#also the months the characters were born really fuck me up bcuz jayden was born in late december#so for most of the first year that they met he would be.... younger than he actually is being born in 2003#but since building's block birthday and exact age is the most important timeline-wise#and she was born august 14th 2020 and she's seven months old when they first meet#then it canonically would take place in march 2021 which was my original intention#bcuz that is the actual date that i first created my object ocs#ANYWAY. boring character age ramblings#but its hard to keep track of so i dont even blame the author!!!! birthdays are weird and hard to keep up w/#when you dont know exactly when your story is supposed to take place#assuming its in a normal-ish world im sure fantasy ocs dont have this problem#txt#object ocs
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