#but also is all about how much they change and grow
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helloo!! can you please write about āarcane characters when you get in an argumentā? i absolutely love ur writing btw!! š«¶š»
arguments with arcane characters x fem reader
characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.
writer's note: i love when you guys request this kind of interesting dynamics, it's so fun to write about it! also my favorite this time was sevika's, I meannn it was kinda hot and spicy. requests are open ;)
Viktor
The sound of the keys under his hands seems to fill the air, but what resonates most is the silence between the two of you. The room is steeped in an unsettling calm, while he keeps working as if nothing else exists. Itās been days since he last rested, and you know it. His skin is paler than usual, his eyes glassy, as if all the world's exhaustion is about to devour him. The scent of machine oil and metal permeates the room, but what hurts you most is the fragility of his being, the one he insists on ignoring.
Slowly, frustration begins to simmer within you. You love him more than anything in the world, but watching him so neglected, so absorbed in his work that he doesnāt even stop to eat, burns you.
You approach him, and suddenly, you can't take it anymore. Your tone isn't raised, but the fury is felt in every word. "Viktor, stop," you murmur, almost pleading. "Youāre killing yourself. You havenāt eaten in days, not even slept. Do you know what you're doing? You're letting yourself go. Your body is crying out for help, and you're ignoring it."
He doesnāt look at you, doesnāt react. He keeps working as if your words don't reach him. Frustrated, you step closer. "You can't keep going like this, Viktor! What are you expecting? For someone to come and save you from yourself? This isn't just about your work, itās about you!"
Finally, he looks up, but his eyes donāt seem to truly see you. Only a shadow of exhaustion. "I do it for them... for the people. The work... my research, itās all that matters now."
"And you? Donāt you matter?" The anger mixes with something much deeper. Something that has to do with fear. "Your lack of self-love is so evident, Viktor, even I can see it. You're losing yourself in this obsession."
The words come out harsher than you intended. But seeing the flash of pain in his eyes, you realize what you've just said. A lump forms in your throat.
You fall silent, feeling the air grow thick. Guilt quickly invades you, and before you can think, you kneel in front of him. "Forgive me," you whisper, the anger already dissipated, replaced by sincere pain. "I didn't mean to be so harsh. Itās just... I don't want to see you like this, so lost. I donāt want you to hurt yourself because you are what I love most, Viktor."
Your hands tremble as you take his face in yours. "Please, take care of yourself. I donāt want to lose you. I donāt want to see you like this anymore, fighting alone against everything. Because, to me, you are everything."
Viktor says nothing at first. He just watches you, the conflict in his gaze. Then, as if releasing a sigh he had been holding for too long, he responds softly, "Iāll try... I promise Iāll try."
You look at him with a mix of relief and sadness. Finally, you stand up and take his hand firmly. "Now come with me. Iām going to make your favorite dinner. You need it."
The change in his expression is almost imperceptible, but itās there. Something in his face softens, and for the first time in a long while, he gives you a faint smile. "You know, that sounds wonderful," he says with a tone that mixes surprise and gratitude.
As you prepare dinner, the atmosphere changes. The tension slowly dissolves, but thereās something else in the air, a silent understanding between you two. After dinner, you look at him with a mischievous smile.
"Viktor," you say, your voice full of complicity. "How many days have you gone without bathing? Because, honestly, I think itās time you do."
He visibly shifts in discomfort, his face taking on a pink hue. "Honestly... I donāt know," he replies, as if trying to evade the question, looking down. "The truth is, I havenāt had time to think about those things."
Your laugh is soft but teasing. "I think youāve forgotten a bit about yourself. So, what do you think if after dinner, we take a bath together?"
Viktor blushes even more, but before he can say anything, he has already conceded, and with an exaggerated formality only he can pull off, he responds, "Well... that... that would be very pleasant. If you donāt mind, of course."
The tension from before has transformed into something softer, lighter. You, amused by his so formal response, take his hand and lead him to the bathroom, feeling that, in that moment, all that really matters is that heās finally willing to take care of himself.
Jinx
The sound of the spark igniting the fuse fills the room. Jinx has a playful smile on her face, but something isn't right. The bomb is making strange noises, as if it's about to fail. The sparkle in her eyes fades for a second, but it's accompanied by a nervous chuckle.
"What's wrong, Jinx?" you ask, raising an eyebrow. The moment feels out of place, and for a moment, you sense that something is very wrong, very out of control. "That... doesn't sound right."
But she just stands there, watching the bomb intently. She doesn't move. The air grows heavy, and suddenly, the bomb makes a terrifying click.
Your eyes widen as you see the timer on the bomb speeding up. A chill grips you, and in an instant, you act on instinct. You leap toward the table, your breath quickening, and deactivate the bomb just before it fully triggers. The explosion is seconds away from ringing in your ears, but you manage to stop it.
A sigh of relief escapes your lips, and you quickly turn to face Jinx. Sheās still there, motionless, her eyes fixed on the deactivated bomb, as if hypnotized. She doesn't look scared or relieved, just... empty.
"Why didn't you do anything?" you confront her, your voice trembling with a mix of anger and disbelief. "Why did you just stand there? You could have died, Jinx! We could have both died!"
Jinx stares at the floor, her demeanor shifting in a second. The mockery dissolves, the mask falls, and in its place appears the scared girl she so often hides. "I... just wanted to see what would happen." Her response is soft, trembling, as if she doesn't know how to process what just happened.
Those few seconds of silence feel eternal. The air around you grows heavy, as if the whole world is waiting for something else to explode. And it does. You can't take it anymore. Fury takes over, and you lash out at her.
"What did you want to see, Jinx?" Your voice is harsh, filled with frustration. "Did you want to see us both die because of your stupid curiosity? Is that what you wanted?"
Jinx shrinks, her expression transforming into something so fragile it burns your heart. Her face is filled with regret, but her eyes can't meet yours. Tears begin to well up in her eyes, but she keeps staring at the floor, feeling small and scolded.
"I didn't mean to... I swear..." she murmurs, almost in a whisper, her words choked by the pain of having gone too far.
Your rage starts to dissipate, replaced by something deeper. An irrational fear, the anguish of watching Jinx destroy herself. You walk toward her, kneel to her level, and gently take her chin, lifting it so she looks at you.
What you see stops you cold. Jinx's nails are deeply embedded in her palms, red marks that have hurt her, as if she wants to punish herself for something. You stare at her intently, the pain reflected in her eyes and her gesture.
Quickly, you take her hands, without saying a word, and kiss them softly, your lips touching the small wounds on her skin. The blood from her hands stains your lips, but you don't care. "You know I hate seeing you destroy yourself," you murmur, your voice broken by the fear you still feel. "Please, Sweets, don't do this to yourself. Don't do this to us."
You stay still, waiting for her reaction. Finally, the door that had closed in her heart opens, and Jinx lets out a deep sob. Tears fall down her face, like an unexpected rain, and her body trembles.
"I'm sorry... I'm so sorry..." Jinx sobs, clutching you tightly. There are no more laughs, no more jokes. Just pure pain. And you hold her with equal intensity, rocking her in your arms, trying to soothe her, to erase the suffering she always carries inside.
"Pain isn't the solution," you whisper, stroking her braided hair, trying to convey all the love you feel for her. "I'll always be here for you, Sweets. You don't have to carry all this alone."
She remains silent for a moment, her sobs calming, but her embrace is still desperate. Finally, after a few seconds, her eyes lift, and with a small smile, she says:
"So... want to make bombs, but in a fun way? With less blood this time!"
The laughter that follows fills the room, and even though you know the battle isn't won, this small step in her recovery gives you renewed hope. Taking her hand, you lead her back to the table with the tools, ready for another night filled with madness... but this time, with a little more care.
Vi
The air in the Undercity feels heavy tonight, a cold that seems to seep into your bones. The sound of metal echoing through the structures, the distant murmurs of shouts and laughter, mix with the echo of your footsteps on the iron bridge that crosses the dark, grimy avenue. You walk in silence, but the tension in the air is palpable.
Suddenly, a drunk, staggering with a vacant stare, approaches you. The stench of alcohol wafts from his breath, and his eyes settle on you in a not-so-friendly way. His rough, hollow laughter resonates in the air, as if nothing he was about to do mattered.
Before you can react, his hands touch your backside without warning, sending a wave of revulsion through you and a shiver down your spine.
A choked scream escapes you, but before you can push him away, you feel Viās furious gaze, like a storm about to break loose. The anger on her face is palpable, and not a second later, the drunk is on the ground, receiving blows that thunder like hammers. His face is soon covered in blood, and the sound of fists pounding against his body leaves a disturbing feeling in the air.
Vi doesnāt stop; each punch is more brutal than the last. People in the distance quickly disperse, leaving only the echo of the hits. Your heart races, worry consumes you as you watch Vi unleash her uncontrollable fury.
"Vi, stop!" You lunge toward her, but in the process, one of her fury-fueled punches lands directly on your lip. The immediate pain stuns you, and when you touch your face, your hand is filled with blood. The split lip burns. Vi stops abruptly, looking at her bloodstained knucklesāher own, the drunkās, and now yours.
She stands frozen, her face, once filled with rage, now shows a look of horror. āOh, Godā¦ā she murmurs, seeing what she has done.
You tremble, not just from the pain in your lip but from the brutality of her actions. Youāre not used to violence, not on this magnitude. Fear knots in your chest, and you let out a shaky sigh as you watch Vi, her face now wrecked with guilt.
"I didnāt mean to!" Her voice is broken, as if the guilt is overwhelming her.
āLetās go home,ā you respond coldly, more out of fear than anger, "and when we get there, weāll talk."
The walk home is silent, the tension hanging between you like a taut string about to snap. When you arrive, you enter the kitchen and quickly tend to your lip, while Vi watches silently, unable to articulate a word.
Once you finish, you turn to her. The air is thick with the weight of whatās unsaid. āViā¦ā you begin, your voice soft but firm. āYou need to learn to control your anger. This time, you just didnāt hurt someone else. This time, it was me too. Me, the person you love the most. Do you realize that? Do you realize how I felt when your blows landed on me?ā
Her eyes fill with tears, and her throat tightens as if she wants to say something, but the words are stuck in her chest. āIām so sorryā¦ Iām so, so sorry,ā she whispers, her voice breaking.
You continue, your words coming out with more pain than you expected. āSometimesā¦ Iām afraid of you, Vi. Not because of what you might do to others, but because of what you might do to me. I donāt want to live in fear of your rage hurting me. It hurts so much. It hurt so much.ā
Vi collapses in front of you, breaking down. Her tears fall one after another, and she throws herself into your arms, holding you in a desperate embrace. āI donāt know why Iām like thisā¦ I donāt know howā¦ how to control it. I always have this rage inside, and sometimes I donāt know how to stop it. When it explodes, everything goes to hell, I knowā¦ā Her voice cracks as she clings to you. "I donāt want to hurt you, I donāt want to hurt you."
The softness in her tone hits you harder than any punch, and in that moment, you know she understands. "Vi, Iā¦ I donāt want you to hurt anymore," you murmur, caressing her back. "I donāt want that rage to control you."
She pulls back slightly, looking into your eyes, her face soaked in tears. āIām so sorry. I swear it wasnāt my intentionā¦ but sometimesā¦ā her words trail off in a sigh.
A small, sad smile forms on your face. āHave you thought about boxing? Maybe itāll help you release all that. And Iāll go with you! But promise me you wonāt use me as a punching bag, okay?" you joke with a smile, trying to lighten the moment.
Vi finally laughs, a laugh that feels like relief. āI promise. Just, please, donāt leave me, okay?ā
You approach her, tenderly kissing her, careful to avoid the wound on your lip, and you feel the softness of her lips, the calm that finally settles between you. āI would never leave you, babe,ā you whisper as you both embrace, knowing that, even though everything is complicated and painful, there is something between you that always keeps you together.
Caitlyn
The door bursts open, and Caitlyn enters the room with a face marked by a fury that seems to burn inside her. Your eyes lift from where you're sitting, a little surprised by her abrupt entrance, but you quickly see what has been happening.
"I can't believe what I had to hear today," Caitlyn throws out, her voice cold and cutting as she drops her jacket on a chair. "All because of your... damn ideas of justice. Do you have any idea what that means in this place?"
You stand up slowly, the tone of her voice making the air grow denser, heavier. "What happened, Cait?" you ask, though part of you already knows it has something to do with her ideals.
"It's not just what happened, it's what's happening. All the damn time," she responds, walking toward you with contained rage. "You go on and on about doing what's right, without understanding that ārightā isnāt always what people in high places think. You think you can change something, but all you're doing is making it worse."
Your heart races, and a spark of frustration rises in your chest. "Make it worse?" you repeat, feeling indignation begin to spill out of you. "Is that what you think? That my actions aren't worth it? You're so blinded by your perfect view of the world that you can't see what's really going on in the streets! Evil isn't just in the āhigh society,ā Caitlyn. It's everywhere."
Caitlyn looks at you with an intensity that almost seems defiant, but also wounded. "I'm not blind, the problem is that I can't understand why you keep going against the whole system. Every time you do, you just feed more chaos. You have to think about the consequences, about the people who can't afford those ideals you're defending like you're some fairy-tale hero. Not everyone can afford that luxury."
"A luxury?" Your voice rises slightly, now stronger. "What you call 'luxury' should be a right. Do you really not understand that people are suffering? That your 'system' is letting all of this crumble just to maintain power? I can't just stand by because you think it's fine because it looks neat from your tower."
Caitlyn steps back, as if your words hit some deep place inside her. "Not everything is as simple as āgoodā and āevil.ā Sometimes things arenāt black or white. Sometimes you have to make concessions to move forward. What youāre doing is just putting yourself in the center, without understanding that thereās more at stake."
The words hang in the air between you two, and the intensity of the argument seems to rise with every exchange. Caitlyn is so convinced of her point of view that you can't help but feel frustrated by the barrier between you.
"What I understand, Caitlyn," you finally say, with a tense calm, "is that sometimes you do more harm by trying to follow the rules than by breaking them. And I know your intentions are good, but I can't stay silent watching you justify the unjustifiable."
Caitlyn closes her eyes for a moment, as if taking a breath to calm herself. When she opens them again, something has changed. Itās not that her anger has disappeared, but she seems more exhausted, as if all this is wearing her down. "Iām not asking you to agree with me. I'm just asking you to understand that sometimes, even if it hurts, decisions arenāt as easy as you see them."
There's a long silence between you, the air thick with discomfort and tension. You both know you're not going to come to an agreement this time, but you also know that won't change what lies between you.
Finally, Caitlyn sighs and sits on the edge of the table, letting the exhaustion take over her. "Sometimes I feel like I can't do anything right, no matter what I try," she murmurs, more to herself than to you. "And you... you make me see everything that's wrong with me."
You move a little closer, calmer but still hurt. "Cait, that's not what I want. What I want is for you to realize you donāt have to carry all of this on your own. You donāt have to keep walking down this path if it doesn't make you happy. Iām here for you, even when we donāt agree."
Caitlyn looks at you, her eyes reflecting some vulnerability, something she doesn't usually show. "I know. I justā¦ Iām scared that I could lose everything Iāve built because... because I don't know when to stop."
You sit next to her, placing a hand on her shoulder. "Youāre not going to lose it, Cait. No matter how much we fight, what matters is that weāre in this together. But you also have to learn to take care of yourself, not just the world."
Caitlyn nods slowly, and for the first time in a long while, a small smile appears on her face, though itās sad. "I guess sometimes I forget that."
The tension begins to dissipate, although the brush of differences is still there. Deep down, you both know that these kinds of discussions wonāt end anytime soon, but you also know that you're both moving forward for something bigger than the disagreement.
Jayce
There was something heavy in the air that night. An uncomfortable silence that hadn't been able to break for the past few days. Despite being in the same house, in the same room, you felt farther away from Jayce than ever. It wasn't just the lack of physical contact, it wasn't just the absence of the small gestures that usually made everything work between you. It was something deeper, something that had been growing inside you without him realizing it.
Finally, you couldnāt hold it any longer. You sat on the bed, staring into the emptiness in front of you, and when he walked in, that feeling of discouragement completely overwhelmed you. Without looking at him, you started.
āJayce, I donāt know what to think anymore,ā you said, your voice quiet but firm. āItās been days sinceā¦ since weāve had anything. And Iām not just talking about sex, Iām talking about everything. I donāt even feel like you desire me anymore.ā
Jayce, who had been in his own world as usual, looked up at you, confused by your words. āWhat are you saying, honey?ā Surprise was evident in his voice, but it wasnāt enough to calm the torrent that had been unleashed inside you.
āYou donāt get it, do you?ā You stood up from the bed, walking towards him, words pouring out like a torrent. āEvery day, I feel like Iām just here, fitting into your perfect life. Everything we do, everything we plan, it feels like youāre doing it because you have to. What about what I want, Jayce? What about us?ā
Jayce took a step towards you, opening his arms as if he wanted to get closer, but something in your gaze made him stop. āNoā¦ I donāt understand. What do you mean by fitting into my perfect life?ā
Your breathing quickened. āWhat I mean is that sometimes, I feel like Iām just an accessory, another piece in the puzzle youāve been putting together. Like what matters most to you is making everything look right, fitting, but not us. I donāt feel desired, Jayce. I feel empty, like I donāt matter, like Iām just here because I fit into your life, not because you actually want to be with me.ā
The pain in your voice was palpable, and although Jayce tried to step closer, you moved away from him. āIām so tired of feeling like weāre nothing more than two people sharing a space. Thereās no passion, no connectionā¦ Just the idea of whatās expected of us.ā
Jayce looked completely lost, like he never imagined you felt this way. āI canāt believe youāre saying this. You know how important you are to me. But Iā¦ Iāve been so focused on work, on everything we need to achieve, thatā¦ā
āThat what?ā you interrupted, unable to keep bearing what felt like a pile of excuses. āThat youāre too busy to see whatās right in front of you? I have my own problems too, Jayce. Not everything revolves around your projects, your perfect image. Iām a person too, and my feelings matter too.ā
The words hung in the air, between rage and pain. Jayce didnāt say anything, and that only increased the feeling of abandonment you were experiencing. Frustration and sadness took over you more and more. Finally, the silence was broken, but not in the way you expected.
āHoneyā¦ā Jayce started, his voice softer now, but still full of confusion. āI didnāt want to make you feel this way. I didnāt realize I was leaving you out. I didnāt want you to feelā¦ unwanted.ā
Your eyes filled with tears, the emotional pressure of being unheard for so long finally bursting. āI donāt want to be just another option in your life. I want to be loved, I want to feel desired, I want you to look at me like youāre afraid of losing me. And I donāt feel that from you. I feel like everything we do is a routine, just fulfilling whatās supposed to be.ā
Jayce slowly approached, now understanding the gravity of your words. āIā¦ I donāt know how I didnāt see all this. Iām sorry, honey. I really am. I donāt want to lose you. Iāve been so focused on everything else thatā¦ Iāve failed you.ā
A heavy silence fell between you. You didnāt know what to think, just felt a knot in your stomach, but when Jayce took a step towards you, taking your hands, you couldnāt help but look him in the eyes, searching for some sign that he truly understood how you felt.
āPlease donāt leave me,ā he whispered, his tone full of sincerity. āI promise Iāll change, I wonāt take you for granted. Youāre the most important thing to me, and if I made you feel like you werenāt, it hurts me deeply.ā
You looked at him intently, seeing in his eyes the truth of his regret. āI knowā¦ but I need you to act instead of just saying it.ā
Jayce nodded, a glimpse of a smile appearing on his face as his hands caressed yours. āI will. From now on, you and Iā¦ weāre a priority.ā
Your heart lightened hearing those words, and when he hugged you, you held him tightly, knowing that the road to healing that disconnection wouldnāt be easy, but at least, finally, there was a beginning. And that promise to rebuild what had been lost was all you needed to start healing.
Ekko
That afternoon, it felt like the tension between you and Ekko was thicker than ever. You had been working together on a project, and the small jokes and dismissive attitudes from Ekko, which you usually let slide, began to affect you more than you expected.
"Wow, did you really think that was a good idea?" Ekko said, his biting tone making the sarcasm leave a bitter taste in his mouth.
Your breath became heavier, and although you tried to ignore it, something inside you snapped. You looked at him, furious, and without thinking twice, dropped the tool you had in your hands. "You know what? I'm leaving."
Ekko looked at you, somewhat surprised by your reaction, but before you could walk away any further, he let out a light laugh, as if nothing was happening. "What's up, got your period or something?"
That was the breaking point.
You stopped in your tracks, feeling a lump form in your throat. You turned to him with eyes shining with frustration. "You know what, Ekko? It's because of you. Because sometimes you don't seem to think about what you say, and you don't care how I feel."
Ekko furrowed his brow, trying to understand what you were saying, but before he could speak, you continued venting.
"You make me feel like my problems don't matter, like everything I do isn't up to your standards. Always so... so carefree, like you never have to think about how your words affect me. Have you ever thought about that?" Rage and pain built up in your voice as you spoke, but the words kept pouring out like an avalanche.
And then, without warning, what you hadnāt been able to say before came flooding out. "You know what's the worst? That I feel insecure, Ekko. I feel like I'm not good enough for you, like I'm not smart enough, not attractive enough... Because you never show jealousy, you never show anything. Like you never care. And that makes me doubt myself."
Ekko went silent, looking at your face in surprise, an expression that showed he finally understood what you had just said. The mockery from his previous joke faded, and his face shifted from confusion to deep seriousness.
"I... I didn't know you felt that way," he said finally, his words soft and filled with guilt. "I never meant to make you feel that way. I'm sorry, really. I'm not good at showing what I feel, I've never been."
He slowly approached you, not trying to interrupt the flow of your emotions. "You know, I grew up in a world where showing emotions was seen as weakness. Life never gave me time to process them. Since I was a kid, I was always at war, always on the move, always worried about surviving. But I never wanted that to affect you."
Your eyes softened a little as you listened to his words, and for a moment, the weight of frustration lifted slightly. "I... I didn't want you to think I cared less. It's just that sometimes, I get so caught up in my own stuff that I forget that the people close to me also have feelings. And I don't want you to feel belittled, I don't want you to feel like you're not enough."
There was a tense silence between you both, but something in his tone softened the atmosphere. "I'm sorry, really. It was never my intention to hurt you. You're incredible just as you are, and you make me feel like I can be more, like I can improve."
For a moment, everything seemed to calm down, but Ekko, with a mischievous smile, added, "And if it helps, yeah, I do worry a little when others look at you. But I'm not so good at showing jealousy."
You couldn't help but smile a little, even though you still felt the open wounds. Ekko, seeing this, moved a bit closer and gave you a gentle hug, as if it were a small gesture of comfort you so needed.
"I really care about you. I don't want you to feel insecure. I don't care if you're smarter or not, because what really matters to me is that you're you."
And before you could respond, Ekko joked with his usual playful attitude. "Although, if I ever catch you with someone else, you'd better be ready, because Iām not going to sit still."
You laughed despite everything, feeling the tension slowly disappearing, as if everything you had kept inside had finally found a way out.
"I love you too," you replied, as you hugged him again, knowing that, although the path wouldnāt always be easy, at least you both understood each other a little more.
Silco
Silco's office was shrouded in shadows, barely illuminated by the dim glow of a lamp on his desk. The phone conversation he was having was filled with frustration. "No, that won't work. We need something more decisive, something more substantial," he growled before hanging up with a sharp click that echoed through the wood.
From your position at the door, you could hear every word, feeling the tension in the air. You couldnāt help but intervene. "Maybe you could try..." you began, suggesting a plan you had come up with after hearing his problem.
Silco looked up at you, his cold, calculating eyes locking onto yours. "Shut up. You don't know anything about this," he snapped with disdain, his words cutting through you like a knife.
The coldness in his voice felt like a blow to the chest. Without saying another word, you turned around and stormed out of the office, slamming the door with a force that resonated down the hallway. Frustration burned in your chest as you climbed the stairs to your room.
Surprised by your reaction, Silco followed. Reaching the closed door, he knocked forcefully. "Open the door immediately!" he shouted, his tone a mix of anger and confusion.
"I won't! Go away!" you replied from inside, your voice trembling with both rage and pain. A sound from inside made his heart race. Fearing the worst, he broke down the door without thinking twice.
Inside, he found you packing your things with trembling hands. "What the hell are you doing?" he demanded, his eyes fixed on you, trying to understand the magnitude of your decision.
"I'm done, Silco. Done with you not seeing me as someone capable of helping you, done with you constantly underestimating me," you declared, your voice trembling but resolute. "Iām a human being, just like you, and I can handle matters and plans. Iām not just a decoration in your world."
Silco scoffed, crossing his arms in impatience. "Yeah, yeah, whatever. Do you want me to buy you something? You look hysterical."
That was the breaking point. You turned to face him, your eyes fiery and filled with tears. "Silco, remember where you found me. I was a worker in that horrible brothel, sold by my parents at eleven. I thought that by freeing myself, I would have a voice, that finally someone would see me as an equal. But itās not like that. You donāt even listen to me."
Silco looked at you, his eyes softening as the weight of your words sank in. He approached you cautiously, his fingers touching your cheek with an unusual tenderness. "It's not personal," he murmured, his voice heavy with regret. "Iāve always been like this, I prefer to work alone. Iāve been through so much to earn respect in the Undercity that sometimes I minimize the opinions of others. But I never meant for you to feel this way, not you."
The wall of pain you had built began to crack under the weight of his words. "Iāll change. From now on, Iāll listen to what you have to say. In fact, tell me that plan you were going to propose earlier."
A pause lingered, but then, with a sigh, he added: "But before that, thereās something more important."
His words echoed in the silence before Silco took you by the waist, pulling you toward him. He kissed you with a passion that overflowed with unspoken apologies, a fire that spoke of promises of change and a renewed understanding between you both.
Mel
The luxurious bedroom was bathed in soft lights that enhanced the golden and ivory tones of the walls. You turned in front of the mirror, admiring how the dress flowed around your body, highlighting your curves and cascading elegantly in a fabric waterfall. The excitement of the night reflected in your eyes, waiting for Mel's approval.
When you stepped out of the dressing room, the smile on your lips quickly faded as you noticed the disapproving expression on her face. Mel looked you up and down, her gaze critical and stern. "Take it off," she ordered in a cold, distant tone. "Put on the one I chose for you."
You frowned, surprised. "Why? What's wrong with this one?"
"Itās not that there's anything wrong with it," she replied, crossing her arms with an air of authority. "Itās just not what I want for you tonight. Change your makeup and hairstyle as well. Something more sophisticated would be better."
The heat rushed to your cheeks, a mix of embarrassment and anger. "Nothing I do is good enough for you, right?" you exclaimed, your eyes sparking with indignation. "It feels like you always have to correct me."
Mel raised an eyebrow, her voice firm and unapologetic. "You should be grateful. I'm helping you make the most of your appearance. I need us to be perfect tonight."
"You mean you need to be perfect," you corrected, unbuckling your heels and throwing them to the floor with a sharp sound. "Because I'm not going anywhere."
Without waiting for a response, you made your way to the terrace, needing fresh air to calm the whirlwind of emotions stirring inside you. The cool breeze caressed your face as you leaned on the railing, trying to hold back tears.
It wasnāt long before Mel appeared behind you, her elegant silhouette illuminated by the moonlight. "Why are you acting like this?" she asked, her voice softer now, but still tinged with confusion.
"Seriously, Mel?" you turned to face her, your voice shaking with frustration. "Nothing I do seems right to you. You always correct meāthe way I walk, the way I talk, and now even the color of my lipstick. Itās extreme and stupid."
Mel looked at you with a mix of surprise and reflection, as if your words had struck her for the first time. "I hadnāt thought of it that way," she finally admitted, her voice quieter. "I guess... Iām really hard on myself, and I project it onto others."
You took a deep breath, your eyes still shining with contained emotion. "I donāt want you to be like that with me. Iām not an extension of your standards, Mel."
Silence stretched between you for a moment before Mel took a step forward, enveloping you in a firm, comforting hug. "Iām sorry," she whispered, her voice breaking slightly. "I didnāt mean to make you feel that way. Youāre fine just as you are, and I apologize for projecting my insecurities onto you."
You leaned into her, feeling the tension slowly fade. "I understand," you replied softly. "I know you were raised to be perfect. But please, when you feel those things, communicate them in a different way. Donāt impose them."
Mel nodded, her gaze meeting yours with a mix of regret and affection. "I will," she promised. "Please, come with me to the party. Without you, I wonāt have the strength to go."
You hesitated for a moment, looking at yourself with insecurity. Mel noticed and gently cupped your face in her hands. "That dress looks amazing on you," she said with a warm smile. "It highlights everything I love about you."
Her words and the kiss that followed dispelled any doubt, filling you with renewed confidence as you agreed to accompany her, knowing this time, you would go as yourself, not as a perfected version to satisfy Mel's standards.
Sevika
The apartment door opened slowly, revealing Sevika's figure in the dim light. She walked in with tired steps, the weight of the night reflecting on her shoulders. You, who had been waiting patiently for her return, stood up from the couch with relief, but as you approached to embrace her, something stopped you. A strange scent, sweet and foreign, emanated from her skin, a fragrance that didnāt belong to any perfume you knew her to wear.
Your heart raced as you took a slight step back, your eyes fixed on her. "Who were you with?" you asked, trying to keep your voice calm, although a mix of anxiety and distrust began to rise within you.
Sevika looked at you in surprise, not understanding the reason for your unease. "I was at the bar, drinking. My ex joined me, we talked a bit, had a good time." She said it with such casualness that every word pierced you like a poisoned dart.
Anger began to bubble up inside you. "Why are you talking about it so casually?" you spat, feeling your voice start to tremble.
She frowned, confused. "What do you mean?"
"You shouldnāt have gone out with your ex!" you exclaimed, frustration coloring your words. "You owe me respect."
Sevika crossed her arms, her gaze hardening. "I do what I want," she replied coldly. "If you donāt trust me, maybe you should leave."
Your eyes widened at her comment. The idea of walking out that door tempted you, but sadness and rage kept you rooted to the ground. "Is that what you want?" you whispered, your voice shaking. "For me to leave?"
Sevika seemed to realize the weight of her words. She took a step toward you, extending her hand as if trying to stop you. "Wait, I didnāt mean that," she murmured, her tone softer, almost pleading. "You know Iām impulsive."
"Of course, impulsive... and nostalgic too," you replied bitterly, your eyes burning with contained pain. "You miss your ex, donāt you? You want to get back together with her?"
She frowned, stepping closer until her hands rested on your shoulders. "Whatās your problem?" she asked, her voice low but firm. "Why are you saying all these things?"
The emotions you had kept under control for so long finally exploded. "Because Iāve been cheated on before!" you confessed, tears beginning to well up in your eyes. "I know the patterns when I see them. I donāt want to feel stupid and used again."
The hardness in Sevikaās expression melted away, replaced by deep understanding. Her hands, once firm, slid down your arms in a gesture of comfort. "Iām not those people, you shouldnāt compare me to anyone," she said, her voice firm but full of empathy. "If I didnāt want to be with you, I would tell you. I donāt need to lie to anyone. I love you, only you."
Her sincerity pierced your insecurities, breaking down the wall of fear you had built. Still, doubts lingered. "Then why did you go out with her?" you asked, still needing an explanation.
"Because it was a coincidence," Sevika explained, her gaze sincere. "We ran into each other by chance, and I thought there was nothing wrong with sharing a couple of drinks. But now I see it bothers you, and I donāt want to do anything that makes you feel this way."
Her words resonated within you, slowly calming the internal storm. You nodded, allowing the warmth of her promise to envelop you. "I want to believe in you," you whispered.
Sevika stepped closer, her lips finding yours in a deep kiss, full of promises and silent regrets. When she pulled away, her soft voice broke the trance. "Are you better?" she asked, gently caressing your cheek.
"I'll be better when you take a shower and get that cheap perfume off," you joked, your tone still slightly irritated but with a hint of humor.
Sevika laughed, a low, guttural sound that echoed in the space between you. She pulled you by the waist, drawing you even closer. "Then Iām going to need your help," she whispered in your ear, her voice laden with seduction. "Tonight, I feel especially incapable."
Your smile widened, a spark of mischief lighting your eyes. "I guess I can help with that," you murmured, letting the intimacy of the moment take over, knowing that despite everything, you were in the place you wanted to be: by her side.
#arcane x reader#arcane fanfic#arcane imagine#arcane x female reader#arcane#arcane fluff#arcane x you#ekko arcane#viktor x you#viktor imagine#viktor x y/n#viktor arcane#jinx arcane#jinx x reader#viktor x reader#vi arcane#vi x you#vi x reader#arcane caitlyn#caitlyn x reader#jayce arcane#jayce x reader#ekko x reader#silco x reader#arcane silco#mel x reader#mel arcane#sevika arcane#sevika x reader#sevika x you
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Thanks for the thoughtful reply. I see things a bit differently. allow me to share what I hope to be a thoughtful reply as well:
In terms of plagiarism, I think there are two different issues at play: firstly, training on data one doesn't own, and secondly, reproducing that data and presenting it as original data.
I agree that these are both issues but I don't think they're of equal concern or frequency. In particular, I see "plagiarism" as representing the second issue more than the first. Reproducing other people's works is not ok. That is plagiarism. That has occasionally happened with AI and must be sorted out. No questions there. However, that represents a fraction of a fraction of results. It is a very small and niche issue which is already being addressed.
That said, the first problem - using unowned data - is more nebulous, legally and ethically speaking. On one hand, AI is doing basically the same thing that humans do, which is learn and imitate from others. On the other hand, AI can do this with a level of detail and speed which humans can't. Then there's also issues with the data. For instance, if google uses youtube to train their AI, they probably have some legal right to that as a result of hosting the video. Whenever people use "free" websites, there are usually "costs" which we agree to. (Is that fair? idk. personally, it's ok with me. I think it's a fair trade.) That said, I also expect legal frameworks to develop which make it easier for people to opt-in or opt-out or get compensation as these systems grow. Lastly, it's not clear to me that it's bad for AI to learn from these sources in general - again, much like how humans do. I only really see a problem when it starts to produce actual plagiarism, as discussed above.
Also, in terms of data, I agree with some of your points. I do want to point out, though, that data isn't a finite resource. Just the opposite. We put more and more data on the web each year. in 2010, it got around 2 zetabytes; in 2015 it was 15 zetabytes, in 2020, 64 zetabytes, in 2024, we're expected to have put online nearly 150 zetabytes. And with the growth of things like smartphones, video apps (youtube, tiktok, etc), augmented reality glasses, autonomous robots, self-driving cars, and people engaging with their AIs - these companies are going to get ever growing amounts of rich data, about the world, environments, movement, conversation, and more.
"And that gets to the part of your closer that I wanted to talk about. With "AI" as it is, we are not going to get to a post-labor world like you want. Replacing artists and writers and other creatives will instead create a post-art world... But in such a world, humans aren't just sitting on their asses doing nothing - a lot of people will be creating, not because they have to, but because they want to. Art should be the last job replaced in the process of creating such a world, but the people in charge are trying to make it the first, because their ideal world is nowhere near in line with yours."
To be clear, I'm not interested in replacing artists more or less than any other profession bc I see all professions as valuable. I want to see *all* jobs get automated as much as is possible to get us all to a post-labor society. And yes, it is my hope and expectation that everyone will pursue their hobbies and interests once we no longer have to work. I also know that there's a lot of public focus on AI-Art since a lot of the semi-decent AI products right now are art generators. however, that's only bc art has more wiggle room in its results. But AI is coming for ALL jobs. And I think that's good.
That said, I agree that the rich see AI as a way to get even richer and not necessarily to benefit society. However, I also think that massive unemployment will steer the country (and all countries) toward post-labor systems, such as increasingly shortened work-weeks, UBI, and other changes. I am concerned about how difficult that transition period will be. But that's largely on us and how we vote. (literally one of the reasons I told people not to vote for trump. he dgaf about anyone.)
AI is not a bad technology. It is a major boon for the world. The fight is with capitalism.
'People are panicking about AI tools the same way they did when the calculator was invented, stop worrying' cannot stress enough the calculator did not forcibly pervade every aspect of our lives, has such a low error rate it's a statistical anomaly when it does happen, isn't built on mass plagiarism, and does not obliterate the fucking environment when you use it. Be so fucking serious right now
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a timeline of rafe cameron and obx actress!readerās characterās relationship (+ their real life one) pt 2
season 2: the yearning
season 2 is where rafe's obsession with iris really grows
he's constantly wondering about her, and how she feels about him. he's so convinced that she hates him and will never speak to him again, but he has this feeling that she won't report him
after john b and sarah 'died', iris spends more of her free time with the pogues. she comforts jj, and often seems to end up bailing him out of trouble
but they don't know that rafe's managed to get her phone number, and he keeps sending her messages trying to explain what happened on the tarmac - she doesn't respond
he even tries to go to her work, but she's not working that day
as rafe spirals, he genuinely feels she's the only one who would be able to understand him
he messages her before he goes to the bahamas
r: "hey, i'm gonna be gone for a few days, but i still really need to talk to you, ok?"
r: "please, i need to explain"
r: "just give me a chance to explain"
r: "please"
iris has him under his first initial in her phone, just in case any of the pogues happen to see her notifications. finally, she decides to respond, if only to understand more (and to get him to stop texting her)
i: "ok"
rafe literally shouts with joy seeing her response, no matter how dry it is. she's finally acknowledged him
while he's away, iris goes to see barry. her mom has been getting worse, and in a way, barry understands what she's going through. he's surprisingly good to talk to and the pair end up smoking together more than once, venting about their lives
in his deluded state, rafe truly thinks he will be able to win iris over with the gold. he's dreaming about paying for her mom's medical bills, winning her favour and looking after iris, living their happy little lives together forever
iris and rafe finally talk at tannyhill, rafe pleading that he was just trying to protect his dad. surprisingly, she listens intently, and lets out some small 'hmms' and 'mhms'. they get back to neutral ground, though she's still torn between what to do, but inside, she knows rafe shouldn't go to prison for a mistake
side note: ward oversees the pair talking, noting his son's wildly erratic hand gestures and decides to keep an eye on whatever is going on between the two
they're good for a few days, and then the pogues return to kildare with a very much alive sarah and john b, and everything changes once again
iris was so busy working that she hadn't had much to do with the gang, until jj texts her that john b had been arrested, and that rafe had tried to shoot them all - safe to say she's disappointed
oh but she's so mad when she hears of him trying to drown sarah, and she fully ices him out again
rafe kidnapping iris was not his finest idea, but she wonāt listen to him after she hears and heās just so mad. heās got her in his car on the side of the road, just trying to get her to listen but she keeps telling him she āknows what he didā
rafe doesn't register what he's done until the sound of her sobs cut through his internal monologue, shamefully apologising and dropping her home, not even trying to say anything more
heās just mean mean mean in this season bc he's hurt, but also he wants iris so bad and when she wonāt even look at him, he can't control his actions
iris hears from the pogues that there is a warrant for his arrest and can't help feel concerned for him, only to be both shocked and concerned at the sight of ward cameron blowing himself up, her being the one to console sarah on the pier
everything is awkward between the pogues now, but it only gets worse once they see the texts on iris's phone following rafe's release from jail, him asking to see her...
they completely shut her out, refusing to even speak to her, and it only serves to push her further into rafe's (extremely willing) arms
he wants her to stay with him for the next few days, unknowingly about to bring her into all the drama with the cross
iris and rafe end up kissing for the first time just before he manages to get the cross for himself, and from then on, it's on between them - they're all over each other. think making out against the wall, in bed, on the couch
they both understand each other, able to see through the tough facade they put on and be vulnerable around each other. at their core, theyāre just two hurt kids clinging on to each other
rafe literally thinks he will combust if she ever tries to leave him after he got a taste
unfortunately for him, he tries to get her to come along with him to guadeloupe, but she refuses
"Rafe, I can't leave my momā¦. she can't survive without me," Iris whispered.
"No, no, c'mon, we can go together and I'll make sure she's got a carer and everything, the best medical treatment, ok? I just - I just need you with me for this," Rafe pleaded, desperation seeping through his tone.
"I'm sorry Rafe, but I can't."
and just like that, the beginnings of their relationship crumble, leaving rafe feeling betrayed, hurt and angry, spiralling as he lost something he barely had, and leaving iris all alone on kildare once the pogues get lost at sea, vulnerable and hurting
season 2: behind the scenes
heheheheehhehe
season 2 is where rafe and iris get closer, and the flow on effects are felt between drew and obx actress!reader
the kisses they share on screen are so steamy it has fans freaking out, especially at the quick glimpses they get of their tongues melding together. even people from outside the fandom start resharing videos of the kiss with hashtags like #wantthis #hot #menext
like i'm talking hands in hair and 'rafe' gripping her waist like he's about to be torn away, pulling away panting, red lips, etc.
drew and obx actress!reader had both spent time looking forward to the kiss, each secretly reminiscing on the kiss at jd's party. neither objected when they had to redo the take multiple times
the lingering touches shared between their characters are also picked up on, with rafe often touching iris and keeping her close by the end of the season
drew and obx actress!reader spent more time together this season working to develop their relationship after the directors told them more of the series plans, growing their bond even more
the attention on season 2 is greater this time around, with more fans and more people interested in the actors personal lives
obx actress!reader posts a few behind the scenes pictures, but nothing that really gets tongues wagging
it's a picture posted by madison bailey that does, with drew and obx actress!reader lying next to each other on a yacht, the pair side by side as they appear deep in conversation. fans go crazy from all angles, from the tiny bikini she was wearing to drew only in his swim trunks
the pics of them getting clingy and touchy later on in the evening don't ever make it out howeverā¦.
the cast just sigh, having flashbacks to the 'friendly kisses' the pair always seem to share after a few drinks
in interviews, fans learn of obx actress!reader spending christmas at drew's and they just go wild, convinced the pair are in a secret relationship
with rafe and iris becoming more important characters in season 2, interviewers are lining up to film with the two of them alone, and for the few that manage, the views on the clip are sky high
it's literally just drew and obx actress!reader flirting and giggling the whole time with each other
obx actress!reader 100% simps for drew, complimenting his new look to the interviewer and saying he looks so handsome. drew can only blush and look down at his hands, all shy and cute
ok but lets talk about the bloopers!
it's the scene where they're in the car, rafe begging iris to listen to him after trying to drown sarah, and drew is waving his hands around wildly and accidentally hits her in the head. drew is instantly all over her, tenderly brushing her hair away from her head, checking in on her and apologising so much. it's quiet, but the microphones pick up on drew whispering "are you ok, baby? 'm so sorry"
but yet, they're not in a relationship??? and then drew starts filming hellraiser and people become convinced he's dating odessa??? and everyone is just so confused (including drew and obx actress!reader)
but then? there's pictures posted by paparazzi of drew and obx actress!reader together in new york, seeming far too close to be platonic and cuddling up against each other? queue even more confused fans
hehehe
Q: if i were to give obx actress!reader a love interest to spice things up and build some more angst, who would you want to see???
#outer banks x reader#outer banks imagine#rafe cameron x reader#rafe x reader#rafe cameron imagine#rafe cameron headcanons#outer banks fanfiction#rafe imagine#rafe x oc#rafe cameron outer banks#rafe outer banks#outer banks#drew starkey imagine#drew starkey x y/n#drew x reader#drew imagine#drew starkey#drew starkey x reader#drew starkey x you#rafe cameron x female reader#rafe cameron#obx actress!reader#obx au#drew starkey x actress!reader#actress!reader#rafe fic#rafe fanfiction#rafe cameron fanfiction
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NORMALITY FEELS UNREAL
s.w
summary samās always wanted normal, now that he has it, heās in complete awe thatās it real. Itās real that heās going to be a lawyer, and youāre going to be his wife.
content contains: brief mention of family, stanford!au, prelaw!sam, fiancĆ©!fem!reader, sam finally getting his apple pie life, brief mention of stressed!sam, fem!reader and sam live together, smut, unprotected sex, piv, AFAB!fem!reader, softdom!sam, slight sub!sam, sam being an absolute gentleman, pet names (sweetheart, baby, honey), sam just got out of the shower, morning sex, mentions of sam always waking up early, top!sam, lots and lots of kissing, affection is so key, so much love itās driving me crazy, etc.
notes oh my god, 1k, one-thousand of you, iām actually in awe. canāt even begin to describe how grateful and amazing u all are, anyway, cooked this up last minute, incredibly lovey-dovey.
wc 1.4k
Sam wanted normal, heād wanted normal all his life. Now that he had it, he didnāt know what to do but be in awe.
You met Sam on his first week of Stanford, the fond smile that lingered on your lips that day was now something he got to see all the time. He couldnāt even begin on how to start, and neither could you. Even with all the clumsy things youād both done together, all the time youād spent on a saturday night studying for an exam instead of partying with the frats ā it was all worth it. There wasnāt anything he wouldnāt do for you.
You remembered how nervous you both were, Sam himself barely able to get the question out of if youād like to have dinner with him, and you said yes. Explaining how happy you were that he called, you still held a pink glow to your cheeks every time you woke up next to him.
The day he got the interview, changed the course of his life. It changed both of your lives. He was going to become a lawyer, just like heād always wanted.
A few weeks after that, he asked you to spend your life with him. Sam Winchester, asked you to be his wife, and you said yes.
Even with all of the stories you both were told growing up about fairytales, one thing you both could agree on was never believing itād ever happen. But here you were, a diamond ring on your finger. Soon to take the boy you met in stanfordās last name.
Sam never did mention specifics of his family, but he answered every question you asked. You knew he was stressed about you meeting his family, itās been six years since heād last seen any of them. You knew he had a bumpy relationship with his brother, but you also knew how much Sam wanted to see the elder Winchester. Dean was family, and also soon to be yours.
You still laid in bed as Sam showered, he always got up this early. The clock on the bedside table read: 8:34AM. Youād guess Sam got up less than twenty minutes ago, since the shower still ran.
You heard the shower curtain open, then close. Then rang the voice of your fiancĆ©, āYou can go back to sleep, Honey. We donāt have to get up and ready until noon.ā you could hear the smile in his voice. He knew you were stubborn though, most likely already getting out of the bed.
The doorknob twisted and Sam let out a chuckle as he watched your tired frame walk in. He smiled down at you, a smile curling up on your own lips.
āYouāre extra cheery,ā You commented, his lips brushed against your temples before trailing down to your own. You could practically feel him smiling as he kissed you.
It started off gentle, you both didnāt even seem to realize how urgent it got that quickly. Itās not like you could think straight though, youād just woke up and now you were being eased back into the bed with a large hand gripping your hip.
āYou just woke up and youāre already this needy to get on me, baby?ā He teased before getting cut off by his own groan when he felt your hips press into his own. Sam could practically feel the heat radiating off your core, and it just made him even more desperate.
Samās lips broke away from yours for a split second, leaving you to start giving a protest before he started to leave open-mouthed kisses at the skin of your neck. His hands wandered everywhere he could reach, trying to pull as many sounds as he could from your lips even without that much contact.
Of course, it was working.
Samās hands slid the hem of your shirt up your body ever so slightly, revealing the skin of your stomach. He practically moaned at the lace that was hidden beneath the oversized shirt you wore, āCan I?ā You didnāt understand how the man was asking at this point. Especially on how you were already spread out for him, āYeah.ā Samās hands lifted the fabric up and off your body. Discarding the T-Shirt somewhere in the bedroom. You could feel the hardness pressing against your thigh, your leg wrapped around his waist. Pulling him further against your core, āFuck, let me get these off first, baby.ā Sam said through gritted teeth.
You felt his fingers tugging at the hem of your panties, pulling them off and away. You felt a shiver run up your spine at the cool air hitting your exposed skin. Samās lips molded against yours again, swallowing your moans as his finger ran up your slit. Collecting your arousal on his middle finger just with one swipe.
You were soaked, and as much as Sam wanted to take it slow ā it seemed you were too needy for the foreplay.
āMm, as much as I love your fingers, please fuck me, Samā¦ā Sam let out another chuckle, nodding his head. āYeah, yeah. I got you, sweetheart.ā
One hand steadied on your hip while the other guided himself to your entrance, for a moment, Sam just looked down at you mesmerized. In pure awe that he had you beneath him like this. It was unreal, it always had been.
His lips were on yours within seconds when he started to push inside of you, trying to distract you from the temporary pain. Your nails clawed at his back, Sam let out a groan into your mouth. He pulled away, nuzzling his face into your neck while his lips pressed tender kisses against your flesh.
āGod, you feel so good, baby. So good for me, just a little more, yeah?ā His voice was so syrupy sweet, you were so focused on it that you didnāt even realize he wasnāt even fully inside of you yet. This wasnāt your first time with him, but fuck, it felt like it everytime. You could feel every inch, every single inch of him filling you. You were so in bliss, you couldnāt even make a sound.
Sam on the other end was in ths same amount of bliss, maybe even more. You felt perfect every single time. He couldnāt get tired of this, heād never get tired of you. He fucking loved every second of it, every second he spent.
āM-Move, please.ā Your voice sounded almost like a whisper when the plea left your lips. His hips snapped, pulling a gasp from you. Your moans filled the room within seconds when he started to move.
The spews of curses mixing along with the obscene sound of skin on skin filled the bedroom. Your nails scratched down his skin, leaving red streaks in their wake.
āYouāre so goddamn perfect like this, so gorgeous- fuckā¦ you feel so good on my dick, baby.ā Sam praised, his teeth grazed the skin of your collarbone before he bit down. His tongue then soothing over the mark beginning to form.
Every moan, every cry, everytime Sam felt you squeeze around him had him in a trance. He felt your fingers tangle in his locks, tugging on them to steady yourself.
āSam-ā You gasped out, you could feel the knot beginning to build in your abdomen. Sam knew you were close, his hips driving into you faster, harder. He pressed a kiss to your lips again, āI know, I know you are. ām almost there, honey, okay? Fuck, please just let me fuck you- just a few more, please, baby.ā He sounded so desperate, so desperate to keep going.
You let him, and the thought of how spent he was pushing you to the brink of made him throb inside of you. Sam moaned, and you swore youād have it tattooed in your brain forever.
āCāmon, cum for me. I know you can, you always can, sweetheart. I got you,ā You cried out, your walls spasming around him as you came. His hips slowed, but kept a pace just enough to work you through your orgasm. Samās littered kisses all over your jawline, his own hips starting to stutter before he spilled himself inside of you.
You stayed like that for a moment, your breaths were both heavy. Yet it was almost like Sam was checking if you were real, if you were really there with him.
āIām right here, Sammy.ā You reminded him, pulling him out of his daze. He buried his face in your neck, mumbling a small āI knowā.
#sam winchester smut#supernatural#fem!reader#sam winchester#jared padalecki#sam winchester x female reader#sam winchester fluff#creds to owner for dividers
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Analyzing Viktor's eyes:
We've talked about how Jayce is never repulsed or afraid of the major changes to Viktor's body and accepts him instantly whenever he sees something that should not be the way it is when it comes to Viktor's body. What we have YET to talk about is just how Jayce doesn't turn away from Viktor's purple and metal body, he does not turn away from Viktor's steel and muted eyes and I think this is VERY IMPORTANT.
Because in season two Viktor's eyes are somewhat symbolic of his humanity. Viktor's eyes are naturally yellow and are one of the most distinctive elements to his design but after his transfusion with the hexcore they become this empty gray that sometimes changes color. It looks very weird and inhuman and nothing like Viktor. The only time we see Viktor's natural eyes in season two is in the astral plane, where he also maintains his season one hairstyle and features and build. However once Viktor goes full machine herald his eyes are completely gone. His face is split in half and the eyes of his mask contain no pupil or iris. It is only two glowing slits of yellow, both in the astral plane and in the actual world (although in the actual world Viktor's "eyes" actually take on a spherical shape but still it is literally just two glowing spheres of yellow). ADDITIONALLY even though is face is split we can still see it under the mask and we see his eyes are CLOSED. As if he is closed off from his humanity after fully becoming the machine herald or just refuses to look at it or the consequences of his actions.
It is JAYCE who's responsible for the return of Viktor's natural eye color once Viktor has become the machine herald. Viktor's machine herald mask in the astral plane BREAKS because Ekko throws the z drive directly at Viktor's face. We're able to see half of Viktor's real face and half of his mask when Jayce reveals that Viktor was the mage all along. The mask does not fully come off until AFTER Jayce hugs Viktor in the astral plane and Viktor pulls away from the hug. Jayce's hug is why we're now able to see both of Viktor's eyes.
This whole journey with Viktor's eyes and the relationship between him and Jayce is very fascinating to me for several reasons:
Jayce took away Viktor's humanity by fusing the hexcore to him. But Jayce is also the same person that made Viktor realize that humanity was beautiful because of its flaws. He is the one that made Viktor human again, literally. Jayce is the reason why Viktor's eyes change color in the first place AND he is also the one that is responsible for them returning to their original color.
Jayce and Viktor spend a lot of time looking at each other throughout the show but ESPECIALLY in season two. The first thing Jayce does when he's actually reunited with Viktor after their initial separation and Jayce's trip to the bad au is STARE AT VIKTOR. Viktor looks so different and is floating in the air and all Jayce could do was stare at him. The next time they meet after this, Viktor tries to hold Jayce's eye contact in the astral plane but Jayce isn't in the astral plane with him. So instead of seeing Viktor's eyes Jayce just sees the cold face of someone Viktor turned into a machine. Jayce looks Viktor in the eye almost the entirety of their finale in the astral plane. The last thing Jayce and Viktor ever do in the show is look at each other AND they spend their final moments in the show facing each other but WITH THEIR EYES CLOSED!
Eye contact is very important to humans. Eyes in general are just really important to humans. Not only for the practical reason, to see things, but also on an emotional and spiritual level. "The eyes are the window to the soul." You can tell a lot about someone by the way their eyes look and how they look when they look at things. The pupils of our eyes grow and shrink based off what we're looking at and sometimes that dilation is in accordance to how much we like something. You can see in the finale that Jayce and Viktor's pupils are practically blown out they're so big. You can communicate a lot just by using your eyes, without ever saying a single word.
Jayce is never really aghast by Viktor's body no matter how horrific it looks because Jayce cares about Viktor. When he sees him on the brink of death in the council room and sees how his leg is glowing purple, his first thought isn't "what the fuck is wrong with Viktor's leg." His first thought is "I have to save Viktor from dying." When Jayce actually got Viktor to the lab and saw the entity of Viktor's body he wasn't thinking about how inhumane and wrong it looked. He was only thinking about how the hexcore better be able to fix Viktor. When Viktor is stable but unresponsive for several days after the transfusion, Jayce isn't thinking about Viktor's notes on his self experimentation or how Viktor's body had several runes carved into it. He was thinking about whether or not Viktor was okay. Whether or not Viktor was going to ever wake up. When Viktor DOES wake up and is entirely purple and shiny and able to walk without a mobility aid and stand up straight without a brace, his first thought is "what the fuck happened to me and to my body? What have I become am I still human what am I?" And Jayce's first thought to seeing a Viktor of purple, metallic flesh is "holy shit, it worked. It worked, Viktor is alive and awake and back." Towards the end of the show when Jayce sees the machine herald for the first time, he isn't terrified by the fact that Viktor is extremely tall and other worldly looking. He isn't disgusted by Viktor's third arm or distorted voice or lack of a face or his unnaturally slim waist. He doesn't even look phased or bothered at all. Instead, one of the first things he says upon seeing the machine herald is "there must be some part of you that's still in there." After this interaction, after Viktor and him fight and it seems like Viktor is going to take his life away from Jayce, Jayce STILL is adamant on the idea that Viktor, his friend, his partner of several years, is still alive. Jayce fully believes that Viktor is still within the machine herald and he has so much faith that he risks his own life and the lives of everyone else on his belief. As Viktor actually begins to turn Jayce into a machine, Jayce spends his last words telling Viktor about how his humanity is beautiful and how he still believes in Viktor. Jayce's wholehearted care for Viktor is what ends up saving everyone! Jayce sees Viktor's body go through horrific transformations throughout the season and it doesn't impact the way he views Viktor in the slightest. He saw the way Viktor's body looked and never asked a single question about it and never asked questions about Viktor's notes on self experimentation. So of course he's not phased by Viktor's eyes being a different color. Jayce is able to see Viktor's humanity even when Viktor doesn't look or act like a human.
But arguably the reason why I find this so fascinating, why I'm so intrigued that Jayce has no concern for the fact that Viktor's eyes are no longer yellow is because Viktor's eyes are arguably Viktor's most important feature TO JAYCE. Viktor's eyes and their color and their intensity is something that Jayce canonically has taken notice of and has found importance in. In the finale montage, we see a shot of Viktor from Jayce's perspective on the night they met. The shot is the exact shot used in the beginning of the show. When you compare the two shots, the one from act 1 s1 and the one from act 3 S2, they are IDENTICAL WITH ONLY ONE MAJOR EXCEPTION. VIKTOR'S EYES. Viktor's eyes in the shot used in the finale are MORE yellow, MORE intense, and more distinct than they were in the original shot at the start of the show. This shot is from Jayce's perspective, so it's showing us how Jayce perceived and remembered Viktor to be. This detail is the reason I even wanted to write this post. Viktor's eyes are clearly an aspect that Jayce pays attention to and yet he didn't utter a single word when he saw that they were completely different.
#this started off as a cute teehee post and then it became a full blown analysis sksk#used gifs for the first time in a post like this#arcane#arcane season 2#arcane s2#arcane season two#jayce talis#viktor arcane#arcane viktor#viktor and jayce#jayce and viktor#jayvik#mic does analysis
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there is nothing that triggers me more than people who preach about yibo being āmiserableā. and by that i mean someone who has it in their head that he will never be happy unless he gets to be with his gege. that his smile will never be the same as what it was in 2019 ( whatever that means ) so thatās a sign that he is sad.
i tried to make this post more mellow but i just canāt. the utter disrespect to yibo is inexcusable. i am pleading at this point, yibo is a real person. please treat him as one. itās one thing when we cpn and we all know we are in that space of clowning. but making claims about his emotional disposition and insinuating he is depressed is out of line.
this year he was busy with mermaid. then he did ETU because he wanted to live his life more ( said it himself ) , and discovery channel, i would imagine, is a dream partnership for yibo. he is a wildaid ambassador so the pangolin documentary makes sense. his racing was also a treat cause we all know how much he enjoys it. itās years in the making and he was able to do it. and to reduce that into ādistractionsā? distraction to what? how āmiserableā he is because he canāt be with xz 24/7? itās so stupid iām sure if xz hears this he will slap the person who said it. lol. the audacity to reduce his advocacies, his dreams and what gives more meaning to his life into things he is āforcedā to do just to fit your cpf narrative is insane. please stop. yibo is already 27, not 22. please expect changes. he is growing and if you actually listen to what he says, you will treat him with more grace.
i believe being able to spend more time with xz will improve his quality of life. thatās a fact. whatās not is that yibo is not allowed to be happy if what he is doing is not connected to xz. please respect their choices. if it doesnāt fit your cpf hopes and dreams itās not their fault.
i sometimes say clown responsibly and thatās still true. but i think we can also add clown respectfully from now on.
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How to Deal with the Family Proclamation
We had a lesson in Sunday School today on all six of the proclamations the Church has ever issued. So naturally, the Proclamation on the Family came up.
I have complicated feelings about it. I think it fails our queer membership and locks us into doctrinal positions that aren't scripturally supported. I don't like how every lesson that mentions it invites an open season to take pot shots at the queer community, at our own people, about sexuality and gender. I don't like that this is the first instinct of many of our people when they talk about it.
You want to know how to redirect the conversation that shuts it down every time?
I bring up the portion that talks about the rights of children not to be abused. No one ever wants to talk about that because it involves looking at our own mess instead of someone else's. And as a survivor of familial abuse, it's something I feel passionate about because I know there is no group that is immune to it.
Rather than enforcing a familiar standard of heterosexual nuclear family that everyone should aspire to, I think the proclamation does a much better job of outlining what every child deserves. All children deserve to grow up in a family where they feel safe, respected, and loved.
Whenever I have to talk about the Proclamation to the Family, this is what I say. This is the only way I've found it to truly be prophetic.
I did it again today and that was one of the most powerful and vulnerable conversations about abuse I've ever seen at church. I know the teacher well. He has been a lawyer for many years and has worked as a prosecutor for child abuse cases in the state of Idaho, including those that involved church members. He said outright that local leadership doesn't always get things right with this, to the point that it was one of the reasons he left that line of work. It instigated a really poignant moment with him and a retired social worker from LDS Family Services. The Church is not immune to failures in handling abuse, but the Proclamation on the Family calls us to be better. That's what the discussion turned into. That was the salient point we ended on before moving on to the most recent proclamation from 2020.
Discussions in church are malleable. You can shape them into what you want them to be instead through your participation. It takes courage and skill you can gain with practice. And you'd be amazed at how well people respond if you do it sincerely and with love.
I can't change the mind of every person in the Church about queer people. But I can be filled with so much love for them, the right thing to say and do will be given to me through the Spirit.
Never doubt that you also have this power and ability. With God, all things are possibleāincluding this.
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Hey do you give advice for writing romantic relationships between characters? If so, any tips on how to write a organic transition from friendship to romance. Any help would be appreciated thank you in advance:)
Writing Notes: Friends-to-Lovers
Two characters have maintained a relationship long enough to grow it from acquaintances to friendship. They have things in common. They respect each other. Considerā¦
Why are they only getting together now? Are they settling? Is it a timing thing? These have to be the two least romantic options in the history of romance.
What could be better than having someone know you for exactly who you are and deciding youāre irresistible? There is actually an answer to this, and itās this: being able to trust your heart to someone who has already proven theyāre worthy of it.
With enemies-to-lovers, the characters start out not liking each other. In friends-to-lovers, itās a given that the reverse is true.
However, in the latter, it may not be enough for the love interest to be just likeable.
If your story is going to document someoneās exit from the friend zone, they also need to be desirable.
Consider some sex appeal here. You donāt want your readers picturing little Johnny or Jenny from next door who they always knew they should like. You want them picturing the person they thought they couldnāt like.
Example: Hugh Jackmanās playboy character in Someone Like You. While Ashley Judd was viewing him as undateable, the audience had time to properly fall in love with him. We knew we could trust him long before she did, and we were thrilled when her eyes were finally opened to his good qualities.
Why couldnāt one friend like the other before, but they can like them now?
With enemies-to-lovers, there are two things that need to happen. Thereās the event that causes them to be at odds, and then thereās something that brings them together.
With friends-to-lovers, the transition can begin with a single change.
All you need is a reason for one person to see the other through new eyes.
Is one of them suddenly single? Did one of them dive into a pond Colin-Firth-Darcy-style, emerging with their shirt see-through and clinging to their unexpectedly well-defined abs? Did one-too-many tequilas work their magic?
It may be much easier to turn friends into lovers you can believe in and root for than it is for two characters who have been treating each other poorly.
All of our friends have characteristics that initially attracted us to them. As writers, all we have to do is deepen that attraction.
The stakes must be set.
With enemies-to-lovers, this is usually built into the story. Whatever has put the characters at odds can generally be relied on to test the relationship. But what about friends?
How do we raise their stakes? It can, of course, be built into the story just like with an enemies-to-lovers storyline.
But the cool thing about friends-to-lovers is that we have their entire history to mine from as well.
We also have a shared social circle to work with.
The stakes for friends-to-lovers feel more realistic and pressing.
A sexy fling with an enemy can be laughed off the next day, but a failed romance with a close friend can change the landscape of your life.
D.A. Stinson et al. (2022) examined how romance develops, as well as how studies have covered the progression in a piece entitled āThe Friends-to-Lovers Pathway to Romance.ā
They begin by recognizing that although there are multiple pathways to romance, the science of relationship study does not reflect this variety; instead focusing primarily on romance that builds between strangers as opposed to friends. They note that this type ofĀ concentrationĀ might make sense if friends-first romances were atypical or unfavorable, but note that their research reveals the opposite.
Conducting a meta-analysis of seven samples of university students and crowdsourced adults, Stinson et al. found that two-thirds described being friends first, which was also the preferred method of initiation among university students. Taken together, their studies affirm that although overlooked by relationship science to some extent, being friends before the initiation of aĀ romantic relationshipĀ is not only prevalent, but preferred.
Pathway From Platonic to Romantic
Stinson et al. note that relationship scientists recognize at least 2 kinds of intimacy.
One isĀ friendship-based,defined as āa cognitive and emotional experience comprising psychological interdependence, warmth, and understanding, related to the companionate love that nurtures long-term intimate bonds.ā
The other isĀ passion-based intimacy, defined as āa primarily emotional experience comprising romance and positive arousal, related to the passionate love that typifies novel, and oftenĀ sexual, relationships.ā
Stinson et al. also note that the dominant dating script proposes menās passion as the sensation that sparks initial interaction between potential paramours, after which time passion-based intimacy and friendship-based intimacy develop concurrently. But does this reflect reality? Apparently, the answer is a matter of perspective and perceptionāof the individuals involved, as well as interested observers.
Romantic Rumors
Many cross-friendships spark more than romance; they spark rumors. Researchers have found that celebrity websites often promote the idea that men and women cannot be ājust friends.ā Andrea McDonnell and Clare M. Mehta (2016) explored this issue in a piece entitled āWe Could Never Be Friends: Representing Cross-Sex Friendship on Celebrity Gossip Web Sites.ā They note that although psychological scholarship is mixed on the topic of cross-sex friendship, media representations often reflect theĀ homosocial norm, which asserts a preference to spend time with members of oneās same sex, implying that cross-sex relationships are necessarily sexual in nature.
Regardless of individual views on the homosocial norm, many employees can relate to McDonnell and Mehtaās observation that cross-sex friendships can spark suspicion and scrutiny by others who assume such relationships are romantic or sexual. This is true even in a day and age where they are not only common in general, but commonplace in the workplace.
For coworkers, neighbors, or ājustā friends who find themselves wondering if there might be the potential to move a relationship to the next level, slow and steady positive development of trust and common interests often evolve not just in the presence of friends and family, colleagues and coworkers, but with their full endorsement. As demonstrated by many couples who have successfully navigated this ādatelessā path down the aisle to the altar, easy, comfortable, relationships often develop into healthy romantic, lifelong partnerships of love and respect.
Sources: 1 2 3 ā More: Notes & References ā Writing Resources PDFs
Hope this helps with your writing :)
#anonymous#romance#character development#writeblr#literature#writers on tumblr#writing reference#dark academia#spilled ink#writing notes#writing prompt#creative writing#writing advice#on writing#writing inspiration#writing ideas#light academia#lit#writing resources
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Mileven is endgame, proof (let's see if you dare to respond):
1- Mike was scared of losing Eleven, that's why he made that face at the end of s3, he is so in love he cant even handle it!
2- Mike tried to help el when she got bullied and went looking for her, until you know who decided to make that moment about him. When El hit Angela, he was in shock, but the next day he tried to apologize empatizing with her and forgave he for lying inmediatly
I do think Mike likes Will, but he is in love with Eleven and that is a fact
Be honest are you a Byler pretending to be a mileven?
Because even for a mlvn there's no coherent train of thought here in any way so I hope it's someone saying random shit lol it's actually a trainwreck of "logic" from start to finish to the point that it's funny
Baby, if Mike "likes Will" then byler is endgame 100% because writers don't write bisexual characters or make a character like another if they don't intend to do anything with it, if you think in any capacity that Mike is bisexual then mileven is done lol
1) You're right, Mike is scared of losing El from his life, that's why he's still clinging to her even if the relationship is not good for them anymore... and I don't think he has realized his feelings for Will consciously yet, he's still trying to repress them, in the season 3 finale the reason he makes that face after the kiss is because he's shocked and they wanted to replicate the kiss in the IT saga between Bill and Beverly, note that they have also made a OBVIOUS parallel between byler and benverly...which will both be endgame šā¤ļøš¤
If you were talking about this shot right here
this is because he also has feelings for Will and it's directly connected to Will because that's his house and we had another shot before of Mike looking at the cars go away so they didn't need to repeat a shot of Mike like that, it wouldn't make sense if it was for Eleven, it's pretty obvious Byler is being constructed and mileven is being destroyed and it's been a few seasons of this...
They even made him find her choice of breakfast weird for literally no reason at all except focusing on how much they aren't really that much compatible as a couple
+ not liking her milkshake, not liking skating, not liking the pizza with pineapple, dressing up in a completely different style only because he feels so insecure with her that he feels like he needs to pretend to be cooler than who he really is and being with her makes him feel like he has to be in the "boyfriend role" instead of being just Mike... like El feels like she had to lie for months about her whole life just because she felt like Mike wouldn't love her if she wasn't normal enough... They don't understand each other fundamentally anymore and it's okay, you grow and you change and relationships stop working sometimes!
2) At rink o mania MIKE is the one that starts their argument taking away the focus from finding Eleven... just because he's pissed that Will wasn't acting happy that he was there being a 3rd wheel for their date... And Will clocked that and asked him to explain himself lmfao
Mike doesn't know what true love is yet... exactly like Laurie from Little Women didn't know shit about true love and was idealizing Jo
Mike is doing the same to El because he's a 14yo kid... He'll understand as he grows up š
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*Pokes my head in through your window*
Good morning, I'm here for the 'More Than A Married Couple, But Not Lovers' event. I'll like to request š+š§ with Yukimiya Kenyu.
well good morning ! ( afternoon as this is posted )
a yukimiya kenyu peach cupcake :)
ąŖāā”ā¹ļ½”Ā° home is wherever you are
ā” a/n ā for my more than a married couple event :)
ā” content ā yukimiya kenyu x gn! reader, gn! reader, childhood friends to lovers, their moms are also best friends, reader tries to deny their feelings for yukimiya
ā” synopsis ā from the second you were born, your mother swore you were meant to marry her best friends son, yukimiya kenyu. maybe they'd accept just a fake marriage?
You and Yukimiya Kenyu had been attached at the hip for as long as you could remember.
Your mothers were best friends, bonded by years of shared secrets, inside jokes, and matching visions of the future. And somewhere along the way, that vision started to include you and Yukimiyaātogether.
āWhen they grow up, theyāll get married. Mark my words,ā your mom would say with a wink.
Yukimiyaās mom always chimed in with a dreamy sigh, āTheyāre perfect for each other. Just look at them!ā
You and Yukimiya? Perfect for each other? Youād laugh it off every time.
But no matter how much you tried to ignore their teasing, the words stuck.
The years passed, and the two of you became inseparable. From sharing homework to cheering him on at soccer matches, you were there for every high and low.
You knew everything about himāthe way he hummed when he was deep in thought, how he needed his tea just right, the way his eyes lit up when he talked about his dreams.
And he knew everything about you.
But no matter how close you were, there was always an unspoken rule between you: donāt cross the line.
When the marriage simulation program paired you together, youād both burst out laughing.
āOf course itās you,ā Yukimiya said, shaking his head with a small smile.
āItās like the universe is conspiring with our moms,ā you joked, though your stomach flipped at the thought of living with him for weeks.
You didnāt expect much to change. After all, youād been friends forever. This would be just like old timesāright?
It wasnāt.
Living together was different.
For one, you started noticing things you hadnāt before. Like how he always smelled faintly of citrus, or how his hair looked when he stepped out of the shower, damp and a little messy.
And then there was the way he looked at youāso soft, so open, like you were the only person in the world who mattered.
You told yourself it didnāt mean anything. This was just Yuki. He was thoughtful, sweetāheād always been like this.
But the more time you spent together, the harder it became to convince yourself that your feelings were strictly platonic.
It all came to a head one evening.
You were sitting on the couch, flipping through the programās assignments, when he spoke up.
āHey,ā he said, his voice unusually tentative.
āYeah?ā
āDo you ever think about what our moms used to say? About us getting married?ā
Your heart skipped a beat. āUh, sometimes. Why?ā
He hesitated, running a hand through his hair. āI used to think it was ridiculous, you know? Like, they were just joking around. Butā¦ā
You waited, holding your breath.
āBut now Iām starting to wonder if maybe they werenāt entirely wrong.ā
The silence that followed was deafening.
āYuki,ā you said softly, your chest tightening.
He looked at you, his expression both nervous and hopeful. āI know this is probably the worst time to say this, but Iāā He paused, taking a deep breath. āI like you. More than just as a friend. I think Iāve liked you for a while now, but I didnāt want to mess things up between us.ā
Your heart felt like it was about to burst. āWhy didnāt you tell me sooner?ā
āI didnāt want to lose you,ā he admitted. āBut nowā¦ I canāt pretend anymore.ā
You didnāt know who moved first, but suddenly his arms were around you, holding you close.
āI donāt want to pretend anymore either,ā you whispered, burying your face in his chest.
The simulation ended a few days later, but your relationship didnāt.
For once, your moms were right.
And this time, you didnāt mind one bit.
i love yukimiya so much it's unhealthy
i hope you liked it!
likes, comments, and reblogs are appreciated!
#ā
Ā· airybcbyy#airy posts#bllk#blue lock#airy answers asks :)#bllk x reader#yukimiya kenyu#yukimiya#kenyu#kenyu yukimiya x reader#yukimiya kenyu x reader#yukimiya x reader#kenyu yukimiya#blue lock x reader
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This was sooo lovely. You will have a message from me shortly but my reactions are below. Thank you soooo much š
The split vision of them in the store >>>
Chipping and shattering??? Baby why????
Love Terryās acceptance of what could potentially be and also keeping in mind that Patrice is THEE deciding factor
For all his mixed bag of positive and negative traits, Terry's sneaky optimism was Patrice's favorite. A short, airy laugh came through Patrice's nostrils as she tossed her head back and groaned.Ā
"You're always so sure of things and I'm sitting here about to throw up my lunch."Ā
ā LOVE THIS OPPOSITES DYNAMIC ALWAYS!! Like soooo cute!!
. "But waiting always brought me something better than what I had. How could I not trust the process when I have the result standing right in front of me?"Ā - this was a word i needed to hear today like omg!!!
AND NO BC THEY NEED TO SLOW DOWN FR!!! Like yeah the wedding was cute and everything but NIGGA SHE SAID A YEAR!!!!!š£ļøš£ļøš£ļø
UGHHH HE GETTING HIS WINS FR!!!!š© (highkey forgot this was fanfic or rather the content of the source material. Honey, you have built a WORLD here!)
The parallel of their social blunders š„ŗ like yall are twins!!
āHigh cheekbones passed down from a long line of majestic women. Soft, mahogany skin that mesmerized him in golden hour light every evening. Dark, expressive eyes that told the story of her inner thoughts, even when she tried to hide. Full lips he couldn't resist. The total package. Everything he hoped for was wrapped in one person.ā š„¹š„¹š„¹š„¹š„¹
Also ugh a fated romance š©š©š©š©š©š© he love him some Treece!!!
Damn a lot can change in year fr!!!
ābut I kept coming back to you acing that pop quiz in a pink strawberry sweater." - SECOND CHANCE ROMANCE!!!!š©š© like ugh omg
āA jawline fit for a man meant to be showcased to the world. Piercing eyes that shifted and changed with his emotions. Skin marked with blemishes telling countless stories ā some he'd share and others that would follow him to the other side. Full pink lips that talked her through good, bad, and intimate times. All the features that might grace a child not yet named and growing in her womb.ā - YOU KILLING ME WITH DESCRIPTION!!! I love their parallel moments of internal adoration of each other
NEVER STOP FALLING IN LOVE!!!! The description as they counted down!!! Oh so very excited for the new year!!!
LIKE WE ARE EATING IT UP ON HERE BUT IF YOU EVER CHOSE TO PUBLISH THIS SO WOULD OTHER PEOPLE IM TELLING YOU!!!! But im not telling you what to do cuz thats not my business. š
Me and Your Mama
Summary: Terry and Patrice learn more about their love through life changing news on New Yearās Eve.
Pairing: Terry Richmond x Black!OC
Word Count: 4,436
Warnings: Mentions of Pregnancy
Recommended Reading: Spoiled, Caught
Author's Note: We're at the end of Ficmas! Thanks for all the requests sprinkled in the middle. This has been a fun little ride and hope you feel fulfilled at the end of this one. Stay safe this New Year's Eve. See you in 2025.
Several mornings passed between Christmas, New Year's Eve, and their five-hour drive up north with no attempt to confirm Patrice's suspicion. She'd purposely avoided all conversation about it, preferring to push the thought to the back of her mind until she and Terry could no longer tiptoe around the growing elephant in the room.Ā
Moments after luggage was rolled into their downtown D.C. hotel room, the pair braced themselves for punishing winds and bitter cold in search of the nearest convenience store to pick up comfort snacks and three different pregnancy tests. Terry did the honors of selecting what he thought were the best options based on his research, while Patrice forced herself to take an interest in potato chips and snack cakes a few aisles over.Ā
She couldn't bring herself to engage. Talking about it, whatever it was, would make the dreams more real. And if what she dreamed wasn't true, she didn't know how she could pretend that all was well while her heart chipped and shattered inside her chest. So, she stayed away and let Terry put on his brave face for the both of them.
In the bright convenience store nearly empty as people prepared for a night out to celebrate the incoming new year, they felt like children caught doing something wrong instead of an adult couple on the precipice of discovering what the rest of their lives could look like.Ā
Terry mumbled through passive small talk with the smiling cashier, staying just vague enough in his answers to avoid the glaring topic of the day before ushering Patrice out of the automated sliding doors and back toward their home for the next few nights.Ā
Once they returned, neither of them spoke. Patrice slowly unpacked plastic bags filled with items, leaving the slender white boxes for last.Ā
She drug a fingernail across the box on top, then looked at Terry, who couldn't take his eyes off her. "I think I'm gonna pee by myself if that's okay."Ā
"That's cool," he answered, offering support with a weak smile. "I'll be out here if you need me."
Most of Patrice's time in the bathroom was spent staring at her reflection in the mirror. She slowly lifted the hem of her thick, cashmere sweater to examine her stomach, twisting side to side for the best angle. Nothing of note. The small bump that did exist was no different than any other day. At least, that's what she told herself as she ran her fingers along the slight curve.Ā
Unfolded instructions littered the bathroom counter, each saying a variation of the same thing: Pee, wait, have a minor panic attack, then check the results. Or something like that. Patrice's eyes were starting to cross from information overload.Ā
On the other side of the door, Terry stared out of the large bedroom window at nothing in particular as thoughts quickly ran in and out of his brain. He'd never considered being anybody's dad unless Patrice was on the other side of the fantasy. Maybe once or twice when other partners brought it up, but nothing concrete. Nothing this real, nothing that felt this right.Ā
Sure, it was quick. And sure, it was probably not a great idea to introduce a child into a relationship that was only recently recognized by the state as a legal union. Any boy, girl, or otherwise would be dropped into a marriage not much older than them and cared for by two humans still trying to understand life. But they'd be loved. They'd be showered in affection from sun up to sun down. He had no doubt about it. What greater joy than to hold a child that was half him and half the woman he loved with every fiber of his being?Ā
But he was only one part of the equation. Ultimately, Patrice was the deciding factor. Patrice and a collection of three pregnancy tests two minutes away from unveiling their fate.
The toilet flushing made Terry blink back into reality from daydreams of diaper changes and kindergarten graduations. He caught a glimpse of himself in the window's faultless glass before turning in enough time to see Patrice poke her head out of the bathroom for his attention.Ā
She fiddled with her fingers and rocked on her heels. "You can come in if you want."Ā
He nodded, careful not to appear too eager or unconcerned, and moved to join her for the wait.Ā
The soft click of the door closing sealed them into the room together. Terry silently shuffled into the room past Patrice to sit on the closed toilet lid and nervously ran his palm down the back of his head. He took a deep breath before looking over at Patrice, who'd gone back to obsessing over how her stomach looked beneath her clothes.Ā
"Hey," he spoke in a sweet, low tenor to avoid startling her. She looked over, eyes shining from suppressed tears, and found him looking at her with round doe eyes. He grabbed her hand and pulled her closer. "Come here, sweetheart."Ā
Sweetheart. To Patrice's soul, the word felt like warm chicken soup on a winter evening. She could never question how Terry felt about her. He'd been there to offer comfort through a tumultuous, frightening week. Feeling his large hands grip her waist to pull her between his legs grounded her in the right there and then. Regardless of the results, he'd still be around to kiss away the bad times and laugh with her through the good.Ā
Patrice lightly placed her cold hands on his face while he looked up at her, waiting for anything she decided to say.Ā
She closed her eyes and sighed. "What if it's negative?"Ā
"Well. We'll go out and drink champagne all night like we planned. I hate the taste on its own but know I'll love it on your lips when we kiss at midnight. Then we move on. Maybe have a conversation that we should've had a long time ago on the drive home."Ā
"And if it's positive?"Ā
Terry took a deep breath, allowing the words to come out in a mind-clearing huff. "We skip the champagne and keep the kiss. But we have to celebrate either way, baby. Time's gonna pass no matter what."Ā
For all his mixed bag of positive and negative traits, Terry's sneaky optimism was Patrice's favorite. A short, airy laugh came through Patrice's nostrils as she tossed her head back and groaned.Ā
"You're always so sure of things and I'm sitting here about to throw up my lunch."Ā
Terry rubbed his hands up and down the back of her legs with a smile. "I'm not sure of shit, really," he laughed. "I just know that we'll be alright in the end. This Gunny I was close with told me everything goes back to baseline. Don't sweat the bullshit in between. So, that's what I'm doing. Waiting it out."
"That doesn't scare you? The waiting?"Ā
"Sometimes." A quick glance down convinced him to slowly lift Patrice's sweater with one hand and hold it in place while he pressed feather-soft kisses across her abdomen. Kisses for her? Kisses for who he hoped lived inside? He didn't know. But he spoke against the area to communicate with whoever would listen. "But waiting always brought me something better than what I had. How could I not trust the process when I have the result standing right in front of me?"Ā
A rush of emotions broke the levees holding Patrice's tears back, sending a wet stream sliding down her hot cheeks. Terry wiped her face with the back of his hand in silence, the gentleness in his care working double time to soothe whatever thoughts and feelings were coming forward for her.Ā
When the short bout of crying had ceased, and she was left with nothing but her husband, a timer ticking down to mere seconds and a looming result hanging over their heads, Patrice ran her thumb along Terry's cheek and smiled down at him.Ā
"I love you more than I ever thought I could, but we gotta slow down, Terrence. I'm worn out."Ā
Terry answered her joke with a low chuckle that bounced his shoulders and spread his smile wide. "I'm with you, baby. That should be our New Year's resolution."Ā
"Either that or finally getting around to that budget we've been talking about. Might have to add a baby fund line item."Ā
"We got it. Don't worry." Terry assured before kissing the inside of her wrist. "Whatever happens, we're okay. Gimme a kiss."
Sweet affection in the face of potentially life-altering change offered some sense of normalcy as they allowed the world to turn into abstract concepts with shared, tender smooches.Ā
They'd almost forgotten what brought them into the bathroom until the harsh trill of Patrice's phone timer ripped through space and time, again placing them smack dab in the middle of the present.Ā
When Terry reached to grab one of the tests after silencing the noise, Patrice jolted forward to grab his wrist. "Okay, wait!" she panted. "I-I'll grab one, and you'll grab one. Then we'll do the third one together. Does that make sense?"
"Alright. Which one do you want?"Ā
"I don't fuckin' know! Choose for me! I can't do this, TJ!"Ā
Terry wore a crooked smile as he calmly plucked two tests from their containers and placed the digital option into Patrice's palm face down. He took the analog test and covered the result with his thumb before swallowing the lump in his throat.Ā
A deep breath rushed through parted lips. "Turn it over on three. One, twoā¦"Ā
Three never came for Patrice. Even after Terry had uttered the number and turned his test over slowly, Patrice kept her eyes closed, waiting for him to spill the beans. She couldn't bring herself to verify on her own accord. He'd have to be her eyes and ears.Ā
Silence hung in the air for a few seconds, making the wait agonizing until Terry broke the seal.Ā
"Treecey," he called out. "Please look with me. I need you to see."Ā
A deep breath helped her blink her way back into clear eyesight. She didn't look at Terry or try to peek at the pink test in his hand. Instead, she flipped her test over with trembling fingers and stared at the small digital screen displaying a single word.Ā
"Oh ā" was all she managed to choke out before looking up at Terry's beaming smile and tear-soaked face. "Does yours say ā?"Ā
"Two lines, baby. Two!"
Disbelief gave way to unadulterated shock. "Oh. My. God. Look at the other one!"Ā
"You have to do it with me!"
Another countdown as they held on to the final test together preceded an excited flip and harmonizing reactions that could only be described as happy sobs.Ā
Patrice rocked Terry in a tight embrace while he clung to her, crying into her sweater's soft fabric more than he'd cried in years. An avalanche of emotions wrapped in disbelief that he'd been immeasurably blessed after his year started with so much strife. His losses came with gains ten times above what he could ask or think.Ā
His wife brushed tears from her already stained face before kissing the crown of his head and repeating, "You're gonna be a daddy, Pooh. You're gonna be a daddy!"
Emotions distorted his deep voice. "Swear?"
"Swear, baby. You're gonna be a daddy."
He wanted to scream at the top of his lungs, not caring who he disturbed. Then, he'd run down the hallways, through the lobby's doors, out into the cold D.C. air, and holler to anyone who would listen that his wife, the girl he fell in love with before he could legally drink, was carrying a child that might look just like him someday.Ā
But he couldn't get past sharing the excitement seemingly gushing out of his pores with the only other person who could understand his joy. He chose to lift Patrice up in the air as he stood tall, spinning her in a slow circle before gingerly placing her back on her feet and pressing his forehead against hers.Ā
"What the fuck," he laughed as he tickled her sides, causing her to giggle back. "I'm having a baby. With my baby!"
"I guess I couldn't beat teen pregnancy. My parents are going to be so disappointed in me."Ā
"Stop it." The thought of his parents sitting in their living room without a clue that their firstborn was miles away receiving such big news flipped on a light bulb in Terry's head. "Our parents! Should we call? We should call them now. Do you wanna do a group FaceTime or like a conference call or what?"Ā
Patrice watched Terry fumble around his pockets for his phone until he came up empty-handed and reached for hers. She pushed the device further away and shook her head. "Nuh-uh. Can we justā¦enjoy the news by ourselves tonight. I want it to be our secret a little longer. Is that okay?"Ā
"Of course, Piggy. Whatever you want. I'm sorry, I just - shit. This is insane. You have a baby in there. Should we tell them we're a party of three tonight at dinner?"Ā
"No," Patrice laughed, finding his unbridled excitement adorable. "If they cancel this reservation because you playin', me and you might have a problem, Daddy."Ā
Terry bit his lip and lowered his head to kiss at her neck. "Damn, I love hearing you say that. Say it again."
By the time they were approaching a swanky steakhouse on Patrice's long list of places to visit, she'd called him Daddy so much in jest that she almost told the hostess that that was the name on their reservation.Ā
Pockets of quiet conversation held over candlelight and crisp white tablecloths greeted them as they were led through the dimly lit restaurant to the table for the evening. Terry moved to pull out a chair for Patrice, but she stopped him with a kind smile.Ā
"I'm gonna run to the restroom. Mommy bladder is starting early. Order something cute for me?"
Her joke made Terry smile like a little boy until she was out of his sight and safely inside the ladies' room.Ā
Romantic jazz music oozing out of speakers concealed inside the walls like smooth red wine gave Patrice time to replay the day in her head, unable to contain the elation on her face as she washed her hands at the sink.Ā
Another woman, tall like a model and beautifully sepia-toned, applied lipstick in the mirror and noticed how she tried but failed to stop grinning. She smiled at Patrice before speaking. "You're glowing," she complimented. "I need whatever you've got going on tonight."Ā
Patrice chewed the inside of her cheek after a bashful thank you. She wanted to keep the words in and pleaded with herself to walk out of the restroom and return to Terry without uttering another word.Ā
"I'm pregnant," she blurted, unable to fight the urge. "My husband and I ā he's the tall one out there waiting on me ā we just found out that I'm pregnant. We were best friends over a decade ago, and I still can't believe we're married. Now, there's a baby inside me with half his DNA. I'm having a baby with Terry Richmond. Oh my God." The realization of her social blunder hit her like an 18-wheeler. "And I just told a stranger all my business. I am so sorry!"Ā
"No, no! That's incredible, girl! Can I hug you?"
Patrice didn't know why she obliged, but she did, allowing herself to sink into this woman's arms like she was an old friend and not someone whose name she didn't know. The woman rubbed her back and squeezed tight before pulling away.Ā
"Congratulations, sis. Happy Holidays."Ā
While Patrice received well wishes on the other side of the establishment, Terry gave his full attention to the cocktail menu as a server attempted to provide recommendations.Ā
"That one is a crowd favorite," the young man pointed out. "Is she a rum lover? It comes with top shelf Appleton Estate if so."Ā
Terry chuckled to himself. "She is, but she can't have any right now. We just found out she's pregnant before we got here." Further explanation caught in his throat. He didn't mean to offer up their secret. Excited Terry had done the talking, not calm and reserved Terry.Ā
He watched with wide eyes and an internal scolding rattling around the container of his mind as the server smiled and jotted a note on his pad. "First, congratulations! I'll note that to the staff and see if we can't do something special for you and your beautiful date. Second, no worries at all. We can turn that one into a mocktail and not lose too many of the flavor notes."Ā
"Thanks," Terry breathed out. "Hey, can you make sure you don't tell her I said that? It was supposed to be a secret."Ā
"Our lips are sealed, Mr. Richmond. Consider it a little something extra to celebrate the new year."Ā
Terry made a mental note to leave a handsome tip behind as Patrice reappeared from her time away. Her smile hypnotized him until she was close enough to remind him about her chair. He scrambled to his feet to take care of his duty, nervously pushing her to the table as if this were their first date.Ā
When he was back in his seat, he watched her survey the room and menu, taking in each of her features.Ā
High cheekbones passed down from a long line of majestic women. Soft, mahogany skin that mesmerized him in golden hour light every evening. Dark, expressive eyes that told the story of her inner thoughts, even when she tried to hide. Full lips he couldn't resist. The total package. Everything he hoped for was wrapped in one person.Ā
Terry sat across from her, smitten. His grin showcased all of his teeth and then some while she scanned the appetizers for something to satiate her peckishness.Ā
Prolonged silence made Patrice glance up and then double-take when she noticed Terry's one-sided staring contest. "What? Why are you looking at me like that?"Ā
"Just trying to remember how you looked on the second most important night of our lives."Ā
Sudden bashfulness sent heat rushing to her face. "The third," Patrice corrected with a smile. "Don't leave out New Orleans."Ā
Terry chuckled at the memory. "Baby, the sun was barely in the sky when you decided to disturb the whole third floor."
"It was time to wake up anyway. That's what's wrong with the world now."Ā
Jokes and discussions about the possibility of dessert before dinner dominated the conversation until their server returned with two drinks meant to loosen their lips and hips for the evening. A subtle wink between Terry and the server communicated all he needed to know without tipping off Patrice as she excitedly watched beautifully decorated glasses hit the table.Ā
"To our first night out as Mom and Dad," Terry toasted, prompting Patrice to raise her glass.Ā
Mom and Dadāparents to beātwo bodies forming one in a few monthsāa culmination of thousands of experiences leading them to a fate written before they were born. The concept sounded so foreign yet so familiar.Ā
Patrice dabbed at misty eyes, sniffling out a breathy, "To Mommy and Daddy."Ā
Glasses softly clinked before she joined Terry in a long sip and starry-eyed gazes across the table to officially kick off a night of celebration.Ā
Or so they'd hoped. Full bellies caught up with exhausted minds and bodies once silver forks hit clean porcelain plates well before their planned 10 p.m. exit. They tried to negotiate the next move with each other: a little walk for digestion, maybe a minute to listen to street performers play go-go renditions of oldies their parents would enjoy, perhaps another dessert to keep the mood high.Ā
All of their suggestions paled in comparison to hearing the mechanical whir of the hotel's lock precede the door swinging open to a warm room. There were no crowds trying to cram their bodies onto a rooftop brimming with eager folks anticipating good fortune as the clock flipped forward on a new year. There was only each other and the comfort of familiarity.Ā
Bottles of Sprite from the downstairs market acted like expensive bottles of bubbly poured into scavenged plastic cups next to a collection of fatty snacks, and cell phones switched to silent mode to avoid distractions.Ā
Terry and Patrice two-stepped hand in hand to jams playing from the television broadcast, dressed down in comfortable clothes and sporting ever-growing smiles.Ā
Under warm lamplight, Terry held Patrice's hand over her head to help her spin like a wind-up ballerina before pulling her close. "What were you doing last year around this time?"
"Ugh, don't remind me," she groaned, a sour look making her frown momentarily. "I was in a bathroom stall breaking up with my ex. Then Phee got us so drunk that we ended up blacked out before the countdown. I still don't know how we got back to her house or why we were cuddled up in her bed like that."
"Sounds like the kind of chaos you three get into when you're unsupervised."
"Whatever." Patrice laughed before making her fingers dance across Terry's broad shoulders. "What about you? What were you doing?"
Terry let a wry smile creep across his face. "Alone and sleeping. I didn't think there was much to look forward to, and I had to work in the morning anyway. Don't even think I turned the TV on."
The thought of Terry sleeping in on the night handpicked for blind optimism drew a sympathetic look from Patrice. "We both had a rough go at it, huh?"
"I don't know, mine was pretty chill. You were the one missing chunks of time." Patrice took faux offense at his joke, slapping across his chest before they let off laughs that slowly dissipated into a comfortable silence.Ā
Terry rested his head atop Patrice's, his mind taking a winding road back to the beginning while she hummed a made-up tune to herself.Ā
"Fifth-period Forensics with Mr. Turner. Junior year. You were wearing little strawberries crocheted on a pink sweater and your hair in a high ponytail. Kind of like tonight."
Patrice looked up and tilted her head in confusion. "What?"
"That's the moment I fell in love with you. I'd always liked you, but that's the moment I realized that I loved you," he clarified. "I spent so much time denying it, tiptoeing around how I felt and trying to find you in other women long after we were done, but I kept coming back to you acing that pop quiz in a pink strawberry sweater."
Patrice chuckled and smiled, recalling the time when her feelings blossomed beyond butterflies in her tummy at the mention of his name into a full-bodied, ever-present yearning for his heart.Ā
Terry waited expectantly, longing to know if there was a moment for Patrice ā if her love had a spark that rocked her world the way she did so long ago for him.Ā
Flashes of bright light and distant cheering cut in just as Patrice seemed ready to confess, stealing her attention for a second too long.Ā
She gasped like a child on Christmas morning. "Look, baby! We can see the fireworks from here." Patrice tugged Terry along, all two hundred plus pounds of him yielding to her will slowly but surely.Ā
He had to admit, the sight was beautiful. Bright flashes of light turning into whimsical bursts kept him captivated as the clock ticked down the final minutes of the year. He slowly embraced her from behind, needing to feel her warmth combined with his for comfort. Patrice watched in content silence, smiling to herself while Terry watched the show unfold from the reflection in her glasses.Ā
Two minutes left. Two minutes to cap off a whirlwind 365 days and march triumphantly into a new slate. Two minutes to release long-forgotten truths buried in the recesses of Patrice's mind. She leaned back against Terry and craned her neck to admire him from her vantage point.Ā
A jawline fit for a man meant to be showcased to the world. Piercing eyes that shifted and changed with his emotions. Skin marked with blemishes telling countless stories ā some he'd share and others that would follow him to the other side. Full pink lips that talked her through good, bad, and intimate times. All the features that might grace a child not yet named and growing in her womb.
"Senior prom night. You told me you loved me, and I said it back because I always said it back. But, that time, it felt different. It wasn't like sayin' it to my parents or my friends or the stray cat Mama let us feed. A different part of my heart meant it. That was the first moment."
Terry looked down at her, smirking and silently encouraging her to continue. She turned in his arms and then took hold of his ears to rub gentle circles against them.Ā
One minute left. Seconds dwindling. She continued. "The second time was today. And I hope there's a third, a fourth, and one hundred more to come. I never want to stop falling in love with you, TJ."Ā
Terry squeezed her a little tighter as if she might vaporize and blow away if he didn't hold on for dear life. "Yeah, me too," He whispered, drawing closer to her lips. "Never."Ā
Faint voices shouting a countdown in unison floated through empty streets and up to the 10th floor to surround a couple preparing to embark on a new journey.Ā
āTenā¦nineā¦eightā¦sevenā¦ā
An excited buzzing, nearly perceptible by touch, sparked across the city. Heartfelt 'I love you's' shared as one breath passed between Terry and Patrice just before they connected lips and tongues.Ā
āSixā¦fiveā¦fourā¦ā
Colors painted their bodies from the window, bathing them in light one last time from January to December. A final salute from the Most High.Ā
"Threeā¦twoā¦one! Happy New Year!"Ā
Endless possibilities coated in an extra dose of magic felt real for the first time in forever. A lover's embrace carried hope and a promise. They'd start anew in lockstep the way the stars intended, with an extra set of fingers and toes to usher through life at some point in the future.Ā
But, for a moment, Terry and Patrice stood suspended in time, drunk off the taste of each other, ushering in the new year the only way they knew how.Ā
Together.
āāāāāāāāāāā
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ive been in complete brainrot mode about your arcane prompts and the way you write the dynamics between cait vi and jinx. like ive just been thinking about potential scenes in this au so if its okay im just going to list down some suggestions for prompts if thatās okay?
- vi gets brought into the hospital because she spent too long in a burning building trying to rescue as many people as she could (because thatās just the kind of person she is). cait and her argue over how sometimes vi needs to put her own safety first while she treats her wounds.
(Iād actually love to read any prompts where cait just simply cares for vi emotionally/physically cause viās backstory too makes me frothā¦) i just want to put her in my pocket and keep her safe :(
- jinx/vander/vi go to the kirammanās for that dinner party and jinx/cassandra get along super well cause they collaborate on their embarrassing childhood stories about vi and cait. a joint slay
- a cassandra pov chapter as she notices how serious cait is about vi and the little moments between them and what she thinks about vi.
- maybe a cait focused chapter about how much of an empath she is and how exhausting it is to feel so deeply and try so hard to make everything better for everyone.
Thank you so much for writing this au!
You understand these characters so well and i feel for them so much when i read your work. Your writing carries so much heart and bleeds love practically :ā)
itās been all Iāve been thinking about lately and it brightens up my day immensely when i get a notification that youāve updated! :)
[is there anything so undoing as a daughter! anyway i tried to work most of these in in some way; cassandra pov for u :) ao3 if u want. (also cait is trans bc since this is my au there's no transphobia & i love her)]
//
caitlyn informs you that she's a girl three days before her tenth birthday. she cries, but she's calm, and tobias is first to take her into his arms and tell her that it's good, that it's lovely, that you'll both do everything you can to see her, to make sure she's seen the way she wants to be, the way she is. you hug her too, so tight, because it's one thing to have a son, to instruct, always, how to be thoughtful, and kind, and use all the privilege your last name carries to do good in the world.
your child is thoughtful, and kind, and determined ā in spades ā with the set of your brow and the blue of your eyes. you do love your child, without reservation.
caitlyn's lip trembles and you brush back her hair that you'll teach her how to take care of when it starts to grow long; she sniffles and you kiss her forehead. she will grow tall and elegant; you and tobias help her choose her great-grandmother's name and then change all of her records accordingly; you take her shopping for new clothes she picks excitedly, and a few years later she beams when she tries on a pretty, simple lace bra; you ask tobias to explain the medications she needs and help her, when she's small, to keep track of them, until she can do it herself; you hold her hand in recovery after each surgery, where she cries in relief and you wipe her tears with a gentle smile. each new stage of belonging brings with it an ease in her breath that you cherish. she grows to be fierce and funny and brave, and still always gentle.
you love her, and you see her ā always, she has been yours; she had grown inside your body and you had held her first, the greatest pride and joy of your life.
but it's something you had never been able to prepare yourself for, in any circumstance: a daughter. she undoes you every day.
//
you first hear the name vi ā a nickname, of all things, used formally ā one sunny, cold afternoon during a late lunch after caitlyn had come over to shoot skeet, a rare day she'd finished work early.
she tells you about her weekend, how she'd climbed and it was sunny and brilliant and she felt strong.
'with jayce?' you ask.
she nods. 'we met some people we ended up climbing with, too,' she says, which is new. 'they were both really good, and very safe. vi,' she tells you, and her voice goes a little reverent, soft around the edges. 'and her sister,' she tacks on, almost an afterthought but not unkind, just not her focus. she clears her throat, a blush spreading across her cheeks, different from the flush that you're accustomed to when you shoot in the cold together. 'anyway,' she says, and you fight a smile behind a sip of tea, 'what did you and dad think of the opera?'
you laugh, but you're relieved too: no one will ever be good enough for her ā not only because of the name she carries, one you had carried all your life too, but because she's a force no one can harm, as long as you have any say.
you don't ask more questions after this vi; you tell her about the opera, and then you shoot some more, one more round. she doesn't miss.
//
when caitlyn was born, you held her tight. all day long, people had been in and out to meet her, and she had been so calm. it's not what you or tobias had wanted, but she was the heir to the kiramman name and so her fortune was already set, far before you had cried in joy at the positive pregnancy test on the bathroom counter, tobias laughing delightedly, and far before she came into this world, with grey eyes that will turn electric blue and strong, tiny hands, clenched perpetually. she was so small and so new, and you handed her off to the nurse in the waning hours of the evening so you could sleep through the night.
not even two hours later, though, as the pain was really started to set in and tobias was dosing off in the chair next to you, the nurse had apologetically brought her back, bundled and screaming, her face splotched with red from crying.
'she won't stop,' the nurse said. 'we've tried everything, but she's keeping the other babies up. i'm sorry.'
you shook your head and took her back into your arms while she wailed as much as her little lungs would allow. you wondered about her, everything, because she was a person and there was so much to learn. you unbuttoned your gown and held her to your bare skin; she stopped crying, just like that. she latched onto your breast, easily, and ate a little, and then fell asleep, little sighs filling the room. tobias looks on in a very exhausted awe; you brought your lips to the crown of her head, the soft tuft of dark hair there that smelled so good, beyond anything you could have ever imaged: yours. she didn't fuss when he placed her in the bassinet a few minutes later; she slept all night, wanting just to be near you.
//
you're in your car, your driver regrettably apologizing as you get stuck in a typical rush hour traffic jam on the freeway, when caitlyn calls, a few weeks later.
'are you stuck in this traffic too?' you guess after she asks what you're doing, if you're free.
she groans. 'i was hoping to get home early, have time to decompress and shower before...'
she trails off, a pause you decide to let rest. she's always needed to tell you things in her own time.
'i have a date tonight,' she confesses, and you can hear the giddiness, the nervousness, through the phone.
you hum. 'oh?'
'yeah,' she says, and you stop yourself from chiding her about the informal word. 'i ā she's amazing, mom. i just want it to go well.'
'well, you're a kiramman,' you remind her, the reminder thinly veiled under a tinge of encouragement in your tone. 'i'm sure you'll be quite impressive.'
she sighs; you know it's not the reassurance she wanted, but your family doesn't always have that luxury. she doesn't tell you anything else ā instead you talk about the upcoming council vote on your latest bill, and how her meeting at work about funding cancer treatments went ā and, of course, you don't ask.
//
tobias, always softer than you, especially with your daughter, asks after this vi on sunday. you meet caitlyn for brunch at your usual monthly spot, your mimosas already poured and cortados prepared as you sit down at your table.
'next month, just bring vi,' tobias says when he notices caitlyn's fire department sweatshirt underneath her peacoat. it's not too nice a restaurant for her jeans, boots, and a crew neck, but you are not normal patrons. he laughs when he says it, not disapproving in the slightest, a smirk on his face when you understand the implication: caitlyn had come from vi's home this morning, rather than her own apartment.
'it's serious, then?' you ask, and you try not to feel slighted that tobias seems to know far more about caitlyn's feelings, and vi's existence, than you: it's your own doing.
caitlyn fiddles with the corner of her napkin. 'yes,' she decides on, her smile small and tender, her shoulders soft. 'i'd like if you met her. i... well, i hope she'll be around for a long time.'
you suppose it was bound to happen: caitlyn is beautiful and smart and driven, talented and successful and, most importantly, good.
'we should meet her, then,' you decide.
//
caitlyn was in her first year of college the first time she brought home a girlfriend. you're sure she'd had girlfriends over before, a few of her friends throughout the years of secondary school giggling too much to just be interested in hanging out, as they say, but you hadn't prodded and she hadn't said. you'd always left that up to tobias, who still called her sprout and spent afternoons on long walks with her and the dogs, a daughter somehow easier to handle for him.
during winter holiday, even though university is just an hour away from your home, she brought home a girlfriend for winter holiday. this girl's family lived far away, and, for most, it's expensive to travel that distance, and so, ever generous, caitlyn invited her. you had agreed, if only because it was proper and you didn't want a fight before she even arrived.
the girl, for the most part, was uninteresting, if polite. caitlyn was enamored, but you trusted it would fade. she had been distinctly sad when she arrived home for summer break, informing you ā tobias already knew, although he didn't have much of a clue about caitlyn's grades or extracurricular involvement ā one day hunting that she and this girlfriend had broken things off. she'd not given you any real reason, just that it didn't work out, but you'd seen her frowning at the kiramman coat of arms engraved into a bullet. she'd loaded her gun, though, her favorite hunting rifle, when she spotted a hare, and shot perfectly without pause.
//
'and what is vi short for?' you ask, doing your best to not stare at the face tattoo caitlyn's very serious girlfriend has of her own nickname.
'oh, uh,' she responds, looks at cait and then rubs the back of her neck.
her hair is messy and asymmetrical, and the t-shirt she's wearing is quite nice, tucked into similarly nice slacks, and her belt matches the loafers you're absolutely sure are caitlyn's because you yourself had bought them for her for her last birthday ā but there are more tattoos over the backs of her arms, disappearing under her shirt and emerging again on her neck. you do your best not to judge ā and you don't judge people, especially your constituents ā but vi is not just a person in your life. caitlyn, allegedly according to tobias, is in love with her, only a few months in.
'violet,' caitlyn says, squeezing her hand not-very-discreetly under the table, a degree of reverence in her voice that has tobias looking your way with his brows raised. 'but she prefers vi.'
you might think that vi is certainly not good enough in any way for your daughter, but you also won't force a name down someone's throat: you didn't do it with your own child, and you would never do it now. 'vi, then.'
she nods, thankful, and looks to caitlyn's hands to figure out which fork to use when your salads are delivered. unfortunately, for just a moment, it's endearing, and when caitlyn smiles, proudly, later on while vi talks about her work as a firefighter, detailing one of her latest calls where she was able to carry two children out of a burning apartment as it collapsed, nonchalant and humble about the whole thing, you see a sliver of what caitlyn does: someone brave, heroic, steadfast in her selflessness ā a partner. vi eats four of the small desserts when they get placed on an elegant tray in the middle of the table; caitlyn just laughs.
//
when caitlyn turned twelve, she tried to run away. tobias, as you both frantically looked for her, hours before her party, had insisted it wasn't about her everyday life: her peers at school had been accepting and kind this year, even if she wasn't always good at making friends, and her teachers spoke highly of her performance and participation in classes; her puberty blockers had, so far, worked wonderfully, without any averse side effects.
it wasn't hard to find her, mostly because there are few places caitlyn loved more than the stables on your property; she was less interested in the horses than she was spending time with your hunting dogs. they had loved her for years, because she was always sneaking them bits of chicken from the kitchens, and also because she loved them: dogs can tell those sorts of things, you're sure.
you had found her, curled up in the hay loft, her eyes red rimmed from crying, snuggled up between the dogs, sniffling a little in her sleep. her party, an annual affair, was slated to begin in a few hours. but still, tobias had turned to you and led you out of the stables by the hand. caitlyn's presents, all kinds of gadgets she'd been interested in, and new books and toys, as well as a beautiful gown for the event, were abandoned in her room. 'just let her have a few more minutes,' he'd said, glancing back at her. you are in charge of so much, responsible for so many: caitlyn's childhood, while full of the pressures of her name and status, has been, in all the ways you deem most important, full ā there are those who, certainly, have it much worse.
but still, you'd agreed, if only because she'd cried herself asleep.
//
vi is, among other things, a gifted rock climber and boxer, a very devoted older sister, a terrible shot ā when caitlyn tries to teach her skeet, they end up laughing more than hitting any targets, which no amount of eye rolling on your part seems to dampen ā and, you will admit, a loving girlfriend who seems, genuinely, to understand some part of your daughter that you never quite have.
it's caitlyn's birthday, and she will always have your last name, which means there is a party, all chandeliers and champagne, every year in the great room at your home in celebration of her birth. vi shows up on time, with jayce and viktor and mel, looking almost comfortable in a space like this, laughing at a joke mel says and elbowing jayce in the arm, holding viktor's drink while he situates his cane. she's handsome, in a suit you're sure caitlyn had helped her pick and get tailored: her broad shoulders fill out the jacket and her shirt underneath is unbuttoned just enough to look fashionable and not sloppy.
caitlyn is, every year, beautiful, and competent, and kisses vi quickly ā still soft, still heavy with promises ā before she says hello to her friends and then greets you and tobias with kisses to the cheek and then, less formally, hugs. the gown she wears this year is the same dark as her hair, hugs her hips, and is just on this side of elegant, and you know she'd worn it for one person, and one person only: vi's eyes never seem, truly, to stray from her, no matter how many rounds of boring conversation caitlyn has to wade through.
eventually, when the party is in full swing, you head back to the kitchens to check on the dessert course. you turn the corner and see caitlyn and vi sitting on the counter, in the corner of the kitchen, your head chef ignoring them fully other than a small smile directed in caitlyn's direction when she moans around a bite of grilled cheese, her favorite since she was small. vi takes a bite of her own sandwich, and then says, 'holy shit, cait, you weren't lying,' and caitlyn laughs, relaxed from the champagne she's had, sure, but also different from every other year you've celebrated her coming into the world.
caitlyn ducks her head when vi moves closer, so they're touching all along one side, hip to hip and shoulder to shoulder. the chef delivers a cupcake with a smile, one single candle in it, and then winks.
'happy birthday, baby,' vi says, takes out a lighter from her suit jacket, and lights the candle. caitlyn blows it out, looking younger than you remember in a long time.
//
vi's father immediately reminds you of her: his muscles fill out his dress shirt, and he's brash, laughing heartily with tobias, but a little shy at the same time, when he doesn't know whether or not it's appropriate to eat with his hands.
'it's a burger and fries,' vi's little sister says, rolling her eyes and digging into her own lunch ā at a normal cafe near the water and their climbing gym, which caitlyn had insisted upon for this meeting ā with no hesitation. she's... interesting, with a messy blue buzzcut and a denim jacket with neon spray paint all over it, shaky hands and big, bright eyes ā she looks like vi but younger, softer, a different kind of weary: her own entity entirely. you've heard of her from caitlyn, sure, how she's fun and funny and requires a level of care that vi will always hold sacred, and also from jayce, from has spoken so highly of her studies, how creative and smart she is, how she has, in his words, the genuine potential to change the world. tobias asks after her arm; a few weeks ago she had needed some stitches, and she proudly pulls back the cuff of her jacket and shows him the neat scar. 'excellent work, dr. kiramman the original.'
it gets a laugh out of you, which both caitlyn and vi look a little surprised by, but jinx only grins.
'wanna hear about the time vi was trying to do a flip and her sweatpants ripped right off? she was ten.'
vi groans while vander lets out a hearty chuckle. 'do tell,' you encourage.
it's, perhaps, one of the easiest meals you've shared with caitlyn and vi, if only because they're so mutually mortified at the trading of embarrassing childhood stories between their families like the most precious currency.
'i have to say,' you decide as you're picking up the bill, and then point your last fry at jinx, 'i like her.'
she gives a triumphant ha! to both caitlyn and vi, and then shoots a finger gun in your direction, grinning.
//
caitlyn calls tobias, crying, in the middle of the night. he puts the phone on speaker, because you'd woken too, and because your heart had skipped a beat the moment he answered and you heard caitlyn's sniffle. she tells you that vi was in a building when it collapsed, that they were able to get her out but it took too long, and she's hurt, and unconscious, and just getting to the ER now. she tells you that she's picking up vi's younger sister on her way there, and she asks tobias to come in and she asks you to bring clothes and food tomorrow morning, once they know more of what's happening and how vi is doing.
you don't go back to sleep that night; you wait for any updates from tobias and schedule send emails for the morning, just to have something to do. vi might not be your favorite pick for your daughter, but she's been wholly devoted to caitlyn for two years now, and you know they're planning to put an offer in on a house soon ā not subtle in her commitment, despite her best efforts.
eventually, tobias calls to tell you that vi has made it through surgery and, although they'd had to remove her spleen and stop some difficult bleeding in her liver, and despite some broken ribs and a sprained shoulder, she should be just fine. you won't admit it to anyone, but you cry a few tears of relief when you hang up; more than anything, vi makes caitlyn safe and happy, and caitlyn takes great joy in being able to offer the same in return, and you would never want that to be taken from either of them.
//
they have a fight, not soon after, only about a month. caitlyn calls you, furious, even though you're in the middle of preparing one of the most important referendums of the year; she's your daughter, so you answer.
'she's being ridiculous,' she grits into the phone. you give her a moment to gather herself, and then she continues, less aggravated, 'i know it's because she isn't good at letting people help her, and she's worked on it in therapy, i know because we've gone together too.'
you hum gently.
'she's still hurt; her ribs haven't fully healed and she just got her stitches out two weeks ago, and she still gets headaches all the time, and yet today i got home to her building shelves. with a drill and everything! and normally, like, that would be hot ā' caitlyn pauses, seemingly carried away for a moment; you don't laugh, just to spare her, but you have to fight it. 'we don't need more shelves right now. i just need her to...'
when she doesn't say anything, seemingly stuck, you suggest, 'let you take care of her?'
she sighs, on the verge of tears. 'then we had an argument. but, yes, all i want to do is take care of her. she had ā she had so many unkind, awful things done to her; i saw her films and scans, and ā mom.'
'oh, sweetheart,' you say, accepting, understanding, for the first time, the depth of their love: the grief, the pain, the boredom and difficulty and miracle of it all. 'she's stubborn only because it can be scary, to let someone love you so completely. i know how it feels, with your father.'
she sniffles. 'i do, love her like that.'
'you'll show her. she'll let you. just talk to her.'
'do you promise?'
she sounds so young, so small; you've wrapped her up in your arms and promised things much more difficult than reconciliation between the two of them. 'yes, my dear. i promise.'
//
time moves: they have a housewarming and, although you think their brownstone is smaller than necessary, it is beautiful. jinx shows you her basement proudly, and introduces you to her boyfriend? best friend? partner? ā you're not quite sure, and her rambling and his adoring laughter at it, hadn't provided any real clarification. you help set out the small finger foods they'd ordered from their favorite lebanese restaurant, and you meet so many of their collective friends. it's a happy day, with a lot of wine, and everyone is in socked feet, and caitlyn wraps her arm around vi's waist and kisses the side of her head during a quiet moment in the hall, just the two of them in their home.
they adopt a dog, a big black and white boy who they're both immediately in love with and who falls asleep with his blocky, soft head on your lap when you sit down one evening with them over the holidays to watch a movie. caitlyn adores him, sends you and tobias pictures of him on their trail runs often; they take him on climbing trips and he enjoys sleeping in the sun.
//
when caitlyn is fourteen, you sat down with her and pressed your grandfather's wedding band into her palm. 'this was, when you were small, supposed to be yours, one day.' it was thick and gold and decidedly more masculine than she'd ever want, but it was gorgeous all the same, with your family's coat of arms inscribed on the inside.
she looked a little troubled by it, sorting out her feelings: what things belong, and what things are just off. you and tobias had never asked for her to explain, only if she wanted to; she told you, years ago, who she was, and you had always believed her.
'i can hold onto it for you,' you told her, 'just in case there's ever anything you end up wanting to do with it. there's no pressure, sweetheart. just know that it's yours.'
she had let out a big breath, relaxed her shoulders from her ears. 'okay,' she told you. 'thanks, mom.'
//
vi and jinx are out of town, on some kind of trip with jinx's partner, and caitlyn hadn't been able to take enough time off of work to go with them. she's over at the house now, moping about, clearly missing the people who have now become her family too, but it's dramatic enough that it's funny.
you're not sure, it's a gamble, but you call her up to your closet. she slumps down on the bench, in running shorts and one of vi's fire department captain ā a recent promotion that you think caitlyn had been more excited about than vi herself ā sweatshirts; she props one knee up and rests her chin on it, then looks at you expectantly, confused but interested.
'i'm not sure if you remember,' you say, and find it easily in the back of one of your jewelry cases, 'but i thought now might be a good time to give this to you.'
her eyes get big, the same blue as yours, when you put the ring in her hand. you're certain they've both been thinking of it: marriage, everything at the heart of such a union. their love, certainly, is big enough.
'i'm not sure what size violet's ring finger is, but it should be easy to resize, if we need.'
'oh.'
'but ā' you rush to say ā 'if you had a ring already picked out for her, one she might like better, we can just put this away again.'
she looks away from the ring and up at you, and then she's standing, years of grace and strength, the surest, best shot you know, and hugging you. she's taller, and the crook of her sweatshirt smells very distinctly like vi's cologne and caitlyn's perfume, all at once. 'thank you,' she whispers, teary.
you have so much you could say to deflect, about the horrors of wedding planning or whether or not vi is going to take the kiramman name, but caitlyn is your daughter, and you hold her to you like she's still small, still yours.
//
you straightened the straps of the dress caitlyn had picked out, the first she's ever tried on. she took a deep breath and then raised her eyes to look in the mirror. her hair was still short, although it was growing fast, much to her relief, and her features were delicate already on their own.
caitlyn turned to hug you tight around your waist, bursting into tears. you fought them yourself, instead rubbing gentle circles along her back while she got it all out. eventually, you dried her tears and turned her around to look in the mirror again. 'you are so beautiful, my girl,' you told her, and shushed when she started crying again. 'stand with your back straight,' you instructed, 'and your chest proud. the kiramman women have always been a force, and you will be too.'
she nodded, seriously, and straightened her thin shoulders. even though her lip trembled, a smile made its way through.
//
it's an ordinary day, another lunch, sunny and bright, when they tell you.
'a girl?' you ask, just to make sure you've heard them correctly.
'well, for now, at least,' vi says, sending a wink caitlyn's way, who rolls her eyes and then laughs.
they tell you more details of the adoption that's happening sooner than you can fully wrap your head around; you and tobias the second in the family to know, just after jinx, who had only found out this morning. she was, apparently, immediately thrilled, and tobias echoes the sentiment.
'to the kiramman women who have come before,' you say, after you've hugged both of them tight and ordered a bottle of champagne, 'and to those who will lead us forward, even further.'
caitlyn rolls her eyes and the seriousness, but they're suspiciously wet, and vi wholeheartedly clinks her glass with yours.
later, vi goes to get the car and tobias is settling the bill while you and caitlyn wait outside in the sun. 'prepare for her to be your undoing,' you tell her, serious but with a mirth you can't contain.
caitlyn raises a brow. 'i haven't been that bad.'
you shrug.
'mom.'
you laugh, pat her cheek.
she smiles, so bright. you weren't sure, when she was young, if this would ever be in the cards for her, but her life is beautiful and big, a world any child would be lucky to be loved in.
you hug her again, because you can. 'you are going to be a wonderful mother.'
she's taller than you, much stronger, but she'll always be small; you hold her still. she'll always be yours.
#arcane#arcane fic#caitvi#anyway mother daughter relationships make me more unhinged than anything on this PLANET#clearly lmao#didn't know until i was writing the end that they need to be moms but i guess?? lol#if i fucked up a verb tense during the past parts no i didn't!
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OKā so this is gonna be the last time I have to do a full line up to my guys, right? Right?
seriously tho, very proud of this piece and how far my designs have come, and this will probably be the main look I'll settle with for all my voices.
Full line up and some design notes + headcanons under the cut:
and here's the first ever sketches for comparison:
Hero: didn't change much from my original sketch, but I certainly got a lot better at drawing his body type. Sparrow; general shape is a square with rounded edges. Reliable and strong, but still soft. He wears that red shirt I sometimes draw him in under the leather armor, and the feathers on his helmet are fake, his real ones is brown like the rest of him (how does it stay perfectly hidden in the helmet? āØMagicāØ). He/Him.
Contrarian: Changed a LOT from the original sketch, and got details added to him a lot as I drew him. Hummingbird; tall and lanky silhouette, mainly broken by their hair and wings. They start off with a different color palette in the construct, that becomes faded out in Strange Beginnings, and finally, gets a lot more colorful as they develop outside. They/He.
Cheated: also changed a lot, as I struggled a bit with properly conveying his shape language. Seagull; sharp lines with lots of pointed bits in his design (mainly triangles and losangles); overall look is somewhat asymmetrical to add to the 'patched up' feel. Detachable arm, and more limbs could be too, but she's trying to be careful with her own body. She/He.
Skeptic: the general vibe of his final look was there in the initial sketch, but how I decided to convey it changed a lot. Hawk; the only things his wears is his hat, gloves, scarf (and sometimes a waist purse), with the feathers around his chest and tail giving the impression of a suit/coat. The feather on his hat is one of his own, he has a similar feather poking out of his head that gets hidden by the hat (*points* bald). He/Him
Smitten: design didn't technically change from how I initially drew him, just the way I draw it that evolved. Macaw (pink macaws don't exist?They do with the power of belief!!); all round edges and soft lines, giving him an approachable and harmless appearance despite his size. Has the most human face out of everyone here. He/Him, but won't complain if you use other pronouns too (especially she/her, it's a lovely pronoun set <3)
Stubborn: almost didn't change at all from my earlier designs. Mainly exaggerated his features and shapes a bit more. Ostritch. Big and bold lines for a large square as the general shape. Ear tufts looking more like horns, and his fluffy wings help break the pattern a lil bit. Gave him a cat face cuz I thought it'd be cute and the shape works well with his ear tufts. He/Him (but in a lesbian way).
Broken: Also didn't change all that much. Small and unobtrusive, their general shape is smth of a slouched square, and the head is shaped like a teardrop. Pigeon; takes the most from The Long Quiet in terms of general traits, tho much more worn down. The sack-as-cloak is supposed to invoke the look of an abandoned pet. Some of their feathers grow back with time, and they forgone the sack to get some actual clothes, but it's a long way till then. They/Them.
Opportunist: Gave me the most trouble designing, but once I had the initial doodle down, designing him went a lot smoother lol. Magpie; car salesman attire. The always-loose tie is supposed to look like a snake's tongue, and his head shape is kinda like that of a scorpion's tail. He does have an actual scorpion tail, but that remains hidden in case of emergency. Face looks like a porcelain mask despite being an actual face. He/Him (also occasionally use Ey/Em too).
Hunted: Changed the most out of all my designs, getting a full rework at some point. A hybrid between hare, deer, and quail; prey animals, while Beast has more predator traits. Has no depth perception like a lot of prey, and its stance makes it look smaller than it is (it's about as tall as Cold). It/Its.
Paranoid: The initial sketch is pretty incomplete, but the general idea is there. Loon; big eyes and uneven feathers to give her a 'frazzled' look. Feathers always falling out looking like she's always sweating bullets. Cloak covers overpreened wings and most of her markings. Fun fact: the exposed brain was initially visualized as just a bald spot, but since it looked like a brain, I just rolled with it. She/Her.
Cold: Pretty much had the general idea for his design nailed down since the initial sketch lol. Owl; another lanky and tall dude, tho more retangular with almost nothing to break the pattern but the little hair strand. Head also shaped after water, but while broken is a teardrop, for him I visualized raindrops. Has an X scar on the chest just under the X pendant on the cloak. Any pronouns.
#slay the princess#voice of the hero#voice of the contrarian#voice of the cheated#voice of the skeptic#voice of the smitten#voice of the stubborn#voice of the broken#voice of the opportunist#voice of the hunted#voice of the paranoid#voice of the cold#stp voices#voices design#finished drawing#sal draws#sal rambles
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you know what is missing in the bucktommy mpreg craze? how it adds such a new layer to the sexiness for the pregnant person, specifically when the main focus is not the baby. yes, we all know the doctor visits and sonograms and belly rubs and baby clothes shopping and horny sex marathons. but what about buying clothes that are supposed to accomodate the bigger belly but the real goal is to look sexy af for a fancy date night and maybe to get a few appreciative looks from strangers? what about going to the gym as usual but showing off the belly with a crop top and the booty with some short pants because hubby enjoys the view? what about going out to dance and to drink mocktails with friends while hubby stays at home, but still putting on something more revealing to tease hubby? pregnancy is not just about the horniness but also the sexiness of whoever is pregnant! love to see characters feeling 10 times more confident and sexy in their own bodies actually and enjoying flaunting that while also feeling so so so secure in their relationship with their partner and their love for the baby and their changing body ā¤ļø i love when the emotional security feeds the positive body image!!
this is like poetry to me.. yes to all of this we're in dire need of that particular flavor of mpreg bucktommy. to you anon, i gift this peripherally topical snippet languishing in my drafts. next time i'll stick to the theme more faithfully i promise
Tommy is brushing his teeth when Evan turns off the water stream, stepping out of the shower on careful legs ā balance unsteady, the extra weight heās hauling around shifting his center of gravity and arching his lower spine. Tommy stands by the sink and stares at his husband, enamored with the sight of him.
Six months in, Evanās belly used to be perfectly round: curved like a ball, orbed like the moon. Clothed, he looked like a model for a pregnancy fashion brand in anything he wore, tall and broad-shouldered and carrying his growing bump like an accessory. But now that Evan is so far along the process he experiences Braxton-Hicks most nights, his abdomen isnāt quite the perfect sphere anymore. The bump sits heavy and large on the cradle of his pelvis, dropping lower with each day that drips into the next. Naked, he looks like heās two seconds away from bursting at the seams. He's swollen all over from his pecs to his ankles, skin pulled so tight over his belly silvery-pink stretchmarks cover his sides, streaky indentations Tommy loves to trace with his fingertips.Ā
Like this, Evan is a vision: Tommy could probably wax poetics about the hyperpigmentation line running down his middle, his cute popped-out navel, and even the enlarged veins criss-crossing down his legs from the oversupply of blood pumping in his system. Evan has always been spellbindingly attractive, but there's novelty in watching the chiseled lines of his muscles soften, the familiar shapes of his body morphing into something new and achingly temporary ā the extra padding of his thighs and arms and his meatier hips acting as tangible indications that their lives is about to change. But as much as Tommy looks forward to meeting their daughter, to finally hold her in his arms and not just see her in grainy sonograms, and as objectively selfish as the thought is, he wouldnāt mind Evan staying like this forever: heavy with his child, fecund and dewy and full of literal life.Ā
"What's with the staring?" Evan asks when their eyes meet. Mirth seeps into his voice as he shakes his hips and adds, "You want some of this?"
#bucktommy#i WILL be contributing to the mpreg craze of 2025#i just need to get my (bountiful) thoughts on the subject in order#but for now i looked through my notes app and repurposed this old drabble from preggojo to preggobuck like a good recycler#(iykyk (i'm a recovered jjk jester (my tragic backstory š©)))#rima.txt#fic#mpreg
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Yess chaotic Star sprinkled with lawfulness! Hopefully he doesn't question Arcane too much XD
Oh gosh, so he didn't intend to directly kill anyone there (also who names their bot Hashtag?! Must be the same parents who named their baby that lol) but damn that's gotta mess him up somehow. I mean Arcane has killed a few Autobots and it comes back to haunt her later-
Arcane not wanting to involve the kids in war because of it having robbed her and Star of all normalcy is SO REAL. She would definitely be far more self aware than Star first about just how screwed up they got from their experiences I'd imagine. Although as time goes on he'd be like "aw slag maybe we /should/ keep them distanced from uh... Some of all that."
Yes! They could have just lived happy civilian lives as scientists but then war happened and Starscream jumped on the chance to be a warrior while Arcane became a medic. Except Arcane was very scared of Starscream dying and did everything in her power to protect him. The war changed them and she doesn't want her kids to experience that, and I think after awhile Starscream realises he doesn't want that either.
Arc takes the kids on a field trip to "send some āØfireworksāØ for the Autobots"
Pfffft yes XD
Yeah Star would be the more goofy parent XD Though sadly he's also the parent who gets irritated easily....poor Arcane having to deal with him taking his frustration and anger out on the kids. Like in this one RP when he got mad at Starshine for hanging out with Skyfire (whom he still did not trust) and when she got upset and scared and cried he told her to "quit being a soft spark and grow up". The thing is, Megatron's abuse makes him internalise that behaviour and Arcane is the one who has to step in and stop the cycle. Star doesn't want to hurt the kids of course, but like....he's acting the only way he knows how, the way he's always been, the behaviour that was modelled and dished out to him. And he still doesn't understand Arcane's unconditional love, it's still a foreign concept to him.
I just had a huge realisation yesterday and I wanted to share this after going through some pretty horrible stuff over the weekend: Something I've always asked myself ever since getting into G1 Transformers was "why do you like Starscream so much even though he's a narcissistic bully? Why are you, someone who is a victim of narcissistic abuse, taking comfort in a narcissistic character?" Well, I think I finally figured it out. Because Starscream is also a victim of that very same abuse. I mean, he's beaten, called names, bullied, unappreciated, abused, and put through the wringerā¦and he internalised all that abuse because he knew no other way. He had no one to turn to, and the few bots who did support him, he treated like dirt. Once he had that freedom and power, he abused it and became the very thing that abused him. I have no doubt he was always self-centred, selfish, had a huge ego, etc. before all that but honestly? I think Megatron's abuse caused him to turn out the way he did. I could have turned out that way and it's a little scary, some of the parallels I'm drawing with him.
@ichbinmeltdown wrote a great analysis on Starscream that I want to share here:
"Megatron was abusive as hell to Starscream. He treated him horribly, and I legitimately almost cried a few times watching it. There's an episode called Starscream's Brigade that introduces the Combaticons, and I think that perfectly demonstrates the cycle of abuse. The entire world is against Starscream at pretty much every turn throughout the series, but none more so than Megatron. Every word out of his speech synthesizer to Starscream is to berate him, and he's constantly throwing him around, beating him, even ripping out his speech synthesizer in a scene from a previous episode (Hoist Goes Hollywood, IIRC). His own teammates don't like him, and even his brothers- Skywarp and Thundercracker, going off of the idea they're brothers- just... allow Megatron to abuse him. (Not to get into headcanons here, but I personally believe that Megatron's abuse fractured the Elite Trine's family dynamic. They are still brothers and love each other, but they're all too afraid of Megatron to really... stand up for each other as they did in the past.) And Starscream seemed to just snap in this episode. He treated the Combaticons poorly, and even when teaming up with Shockwave, he subjected him to a lot of the same ridicule and torment that Megatron put him through. He failed to realize Shockwave was the one of the only bots who would give him a chance- and unfortunately lashed out at him, which ruined his chances of Shockwave ever being a true friend and ally to him. Once Starscream had finally gotten a taste of power and not being under another bot's boot, he too became the very thing that he lived in fear of. And that really is how the cycle goes- when you're finally free from abuse, it can be tempting to overcompensate and take back all the power you were robbed of, at any cost whatsoever. Starscream, like D16 in Transformers One, snapped up this opportunity."
And the sad thing is, I've seen this in real life and I've internalised some of the abuse I've dealt with too. I'm not proud of it. Like the Seeker Trine, my own family dynamic has been fractured by similar abuse. I know there's traces of narcissism in my behaviour too, and I'm NOT proud of it. Maybe this is why I can forgive Starscream for being a narc, because I can see a little bit of my own personality/attitude/behaviour in him. Maybe it's because I know where it came from, I get why he acts that way and it's not just random and out of the blue. Maybe it's because--and I know this is a bold statement--I don't think he would do some of the stuff my own family did to me (blah blah blah he's a fictional character).
I didn't mean for this to turn into a long rant, so
TLDR: I finally figured out that part of the reason I love and relate to Starscream so much despite him internalising some of the abuse I went through, is because he was the victim of that same abuse.
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follow up analysis post to this: @lauraleetaylor !!
i donāt think you can fully understand this concept without touching on 4 things: natās upbringing, lottieās upbringing, and each of their relationships with the group before and after the crash. so i tried to section them, but they also do lead into each other a lot so itās hard to do exactly :)
natās upbringing
compared to most of (if not all) the other characters, we actually hear a lot about natās childhood and her upbringing as a whole. we know she grew up in a trailer, presumably somewhere on the outskirts of town considering jackie is suggested to live more in the central, upper/middle-class area and usually these two homes donāt end up situated near each other. we know she had an abusive alcoholic father, and a mostly neglectful mother, although seemingly her motherās neglect was rooted in fear instead of abusive tendencies like her fathers.
alcoholism and child abuse are two of the core stereotypes projected onto working class people, and by fitting these stereotypes, natalie faces a lot of societal backlash. she herself gets into drinking and drugs, especially following her fatherās death, and even takes other measures such as dying her hair to try and distance herself from the pretty shit reality she has to live in.
due to the history of sex work and itās stigma amongst working class communities, nat is also often stereotyped as a āslutā. even at such a young age, and having not slept with an outlandish number of people. even those who donāt know really anything about her perceive her this way, which is yet another example of the way negative stereotyping is so prevalent amongst lower classes. this is also linked heavily to sexism, of course, but being a teenager who has seen this kind of thing play out time and time again, i find it incredibly hard to believe that this is directed at nat just because they ādonāt like herā.
we see how growing up in poverty has affected her life since the very beginning and even well into the adult timeline. she still reminisces on her teen years, visiting her mother and living in a motel instead of somewhere more permanent. we arenāt exactly sure whether this is down to choice or not (itās implied not), but either way, itās an example of the same thing.
if this isnāt by choice (which again i do believe), itās also a clear example of the fact that the cycle of poverty is near impossible to break, even after such unusual circumstances that have presumably changed everything in her life. there is no escape.
natās relationship with her personal life is, in my opinion, a strong depiction of this struggle.
lottieās upbringing
as is made abundantly clear from pretty much the beginning, lottie grew up super wealthy. as in, uber-wealthy. although some of the yellowjackets share similar childhoods in terms of financial status (nat and van, shauna and taissa, jackie and lottie in many ways), lottieās is considered almost āunbeatableā.
we see this in lots of ways, too - she has maids, a massive house, expensive clothes, private jets. when she needs psychiatric help, it is offered to her immediately and in the most extreme ways. she even spends 15 years in a facility in switzerland because keeping her somewhere āaverageā is seemingly not enough for her parents.
lottie is also neglected heavily by her father and somewhat by her mother too. she is supposedly raised mostly by nannies and when she is interacting with her parents they arenāt focussed on her wellbeing, only their safety. but there isnāt the same kind of social stigma surrounding this, and itās made relatively clear.
amongst the upper upper class, being able to neglect your child is essentially admirable. the fact her parents are able to afford full-time childcare is a stereotypical bragging point for the rich, as these services arenāt cheap and the way in which they care for lottie (the quality of the service) isnāt either. she recieves top healthcare and is on full-time schizophrenia medication, which isnāt cheap either. these things sound positive from the outside, but it means she is left lonely.
lottie also doesnāt have the same relationship with her childhood as nat does. she isnāt positive about it, but she doesnāt seem to think about it much at all, instead focussing more on their time on the wilderness. although this is obviously painful in itās own ways, it does highlight a privilege that the upper class, and lottie, are able to benefit from a lot. although her childhood was lonely, it wasnāt nearly as traumatic.
this is in part due to the fact that she was still technically being cared for, and in part due to the fact that people were celebrating her regardless. lottieās relation to classism is obviously harder to pinpoint, because sheās not so much on the receiving end, but it does very much link in. (and link to my next point!)
relationships with the group (pre-crash)
lottie isnāt the āpopular girlā that people make her out to be. sheās no jackie, not even a shauna. but sheās not a nat, either.
lottie, despite being equally shy, and an equal balance of kind, argumentative and funny, is respected amongst the girls even before the crash. but nat isnāt. where lottie is wearing fluffy jumpers, pink plaid skirts and bunches, nat is wearing leather jackets, red plaid skirts and a bleached āmulletā. the two exist in a very similar way, both keeping to themselves socially but still interacting sometimes - itās just that those interactions are totally different.
people laugh at lottieās jokes, they trust her, they thank her for what she does for them. at the same time, nat is outcasted. people make up rumours about nat - supposedly because they donāt know much about her, but they know equally little about lottie and donāt do the same to her.
if nat was the one with a psychiatric disorder like schizophrenia, she would almost definitely be being consistently harassed and hatecrimed, but lottieās family are able to bury it and even if that information did come out, the jealousy of her wealth would still override the ableism - not completely, obviously, but a considerable amount.
general speaking, people like lottie and donāt like nat, because the preconceived notions they have about each of them are so different, and weigh so heavily in lottieās favour, regardless of who they each actually are.
this isnāt pre-crash, but even in the adult timeline they are still forced into these roles. lottie has enough inheritence and social power to start camp green pine, where she serves as the āleaderā, and nat is forced to live either in a motel or on lottieās property- literally until she dies there. itās a subtle metaphor, and it can also be explained in many different ways, but if you look for it itās almost always there.
relationships with the group (post-crash)
lottie and nat both go into the wilderness with just as much ambition behind their respective beliefs. if we exclude 2:08 and 2:09 (for the sake of making a fair argument for the bulk of the show so far, iāll come back to them), nat is as strongly committed to her rationalism and survivalist instinct as lottie is to her supernatural beliefs.
the wilderness cult and lottieās role in it have very little to no backing, and the few bits they do have can be explained by trauma, chance or other circumstances. natās beliefs are rooted in their life at home and her determination to allow them to survive. she has brought them the bulk of their food, water and safety. she has survived without the cult, which is something the others do not believe possible.
the others donāt listen to nat because they have never listened to nat. because itās easier for them to ignore her ideas and not have to face a. their inner prejudice and b. reality. nat commits to reality because thatās what sheās always had to do to survive. growing up in an abusive household and in an impoverished area, she knows how to use firearms. how to ration and take matters into her own hands when there isnāt food on the table. how to defend herself and others from danger and arguments when there simply isnāt the time or capacity for it.
nat has infinitely more survival knowledge than lottie, but they donāt listen to her, because they donāt want to accept that thatās true. there are so many examples of this kind of discrimination happening against minorities and struggling communities for literally forever, and itās such an integral part of the yellowjackets narrative and billions of real-life stories, too.
silencing the working class subconsciously because of the beliefs you hold internally is ātextbookā classism !!!
regardless of whether or not the girls are aware of lottieās psychological condition (which i have to imagine at least some of them are aware of, at least by the time they are rescued and sheās immediately sent to hospital), there is little reason for them to believe in her aside from desperation.
now, obviously thereās other ways to explain every single one of these points. thatās the entire purpose of the show. if i wanted, i could write something like this for some kind of prejudice between most of the characters. thatās the whole point, is that itās up to interpretation! but i personally think that in a world so heavily affected by classism, amongst a group of teenagers from across the classes, and focussing on the way this system of life ages with you despite other circumstances, it feels so important to me at least that itās highlighted, and especially because itās done so well whether itās intentional or not.
i also think it adds so many interesting layers to each of them! i could also talk about each of the charactersā childhoods and societal upbringing individually for literally days so let me know if youāre curious! sorry this is so long! but yes basically, i believe the reason the group believes in lottie and resents nat for her opposing beliefs is classism. xx
#yellowjackets#yellowjackets analysis#natalie scatorccio#lottie matthews#classism#themes in yellowjackets#sophie thatcher#courtney eaton#classism in tv#yj#lottienat#this is so long jfc#im sorryš im passionate if you cant tell x
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