#but also be the person to do something completely new to me with

[highly-flammable]

I still have so many thoughts about this scene.

It’s very interesting how regardless of what you think of Sauron’s motivations here, his emotions are completely genuine. Galadriel is someone who has believed in him, who has pushed him and revitalized him, and that feeling, that high he could chase forever. We see how lonely Sauron as a character is in S2, how he has felt betrayed at the hand of Adar, and how normal people (like Diarmid) don’t do anything for him. It takes someone like Galadriel with her level of power and wisdom, and that hint of darkness, to finally feel like he is not alone. That he has somehow been made better.

At the same time, you have to wonder why this is the moment that he chose to open up to Galadriel like this. In the scene right before, he seemed almost calculating as he called her name and stopped her from killing Adar. I, for one, am averse to having too much of a charitable opinion of this guy. To me, part of the beauty of this character in TROP is that he says and does many things that come from an emotionally honest place, but they end up serving his goals in little ways.

As I see it, both things are true: he could genuinely feel a connection to her and felt like communicating it (you can almost feel the words spilling out of him), and he also saw how this moment was absolutely ripe for Galadriel to know they were firm friends and therefore get bound to him. Their fight was seemingly over and he knew she was going to have to leave soon. He had to give her a reason to still have him around, and here he tries to do that. Galadriel is someone who has spent centuries looking for him so that she could destroy him, and this is when he sees that opening where he could get through to her and somehow make her feel that they did not have to be enemies. Sauron’s good at choosing the moments for planting seeds which will bear fruit later, and we will indeed see him referring to this interaction multiple times in the future.

Sidenote: Charlie Vickers has very soulful, expressive eyes.

Moving on to what I personally find even more interesting: Galadriel’s feelings. Morfydd once mentioned in an interview that when Galadriel meets Halbrand, she is desperate to feel anything other than grief. She has been drowning in it for centuries, and when Sauron pulls her out of the ocean in the middle of the tempest, their resurfacing is symbolic of a rebirth. As brash and headstrong and disrespectful as she finds Halbrand, she enjoys his audacity and his wit. She admires that he feels alive and seems to grasp at opportunities. He wakes her up, as much as she does it for him.

But between the two of them, Galadriel is the one still dealing with overwhelming loss. She is mourning so many of her kinsmen, particularly Finrod, who was clearly her guiding light, and also Celeborn. Different shipper camps will have their interpretations of Galadriel and Celeborn’s relationship, but I don’t think it’s up for debate that she had been quietly grieving him. It wasn’t enough to divert her from hunting down Sauron, but the grief itself is clear in 1x07 when she mentions him. Galadriel’s story has been a tapestry of different kinds of loss - the ones that are unexpected and come as a heavy blow like Finrod’s, and the ones where the realization slowly seeps in like poison and eats away at you.

It’s downright painful for her to admit here that she felt something poignant with regard to Halbrand, perhaps simply because she is so afraid of loss again. It must have been ages since she last let someone new in, and this person has rescued her and stood by her (aside from all the playing hard to get) when she was utterly alone. This is the moment where it truly hits her how much he has begun to mean to her, and having gone through what she has, you have to assume she is downright terrified of it, particularly because as per her knowledge, this is a mortal man, with no enhanced lifespan even, his time on middle-earth a mere blink against the ages she has endured and will continue to.

Their relationship has been coded as romantic from the very beginning (I would say right from the moment Sauron first tries to separate from the rest of the castaways in 1x02 and clearly plans to join her). But I don’t believe Galadriel in this scene would ever admit to herself if she felt anything romantic. It would be too much for her, and I don’t believe she is even in the headspace to think about these things . I have to say Morfydd and Charlie are right about one thing: romance alone doesn’t cover whatever they were trying to sell here. For both characters, this is a moment of a tremendous wall breaking down emotionally, and both of them realizing they have met their kindreds. This is the moment that understandably keeps haunting both of them, and I suppose will continue to for multiple reasons.

Sidenote 2: Galadriel’s little shaky breaths and subtly pained expressions are so masterfully done here by Morfydd. You almost feel like you are watching someone’s wounds being slowly, excruciatingly cut open again.

[cityofmeliora]

the Terzo autism post ♾️

this is kind of an analysis post and kind of a headcanon post.

Terzo reads as autistic to me, especially during his first two concerts when he was speaking without a script and trying to figure things out.

Terzo has that "trying new things is scary and i need to feel like i'm getting a good grade at social interactions and everything has to be done correctly or i'm going to explode" flavor of autism.

[AFTER PERFORMING PRIME MOVER] PAPA EMERITUS III: How am I doing so far? I've been studying these moves so you would feel comfortable. Are you comfortable? Linköping, Sweden (June 3, 2015)

Terzo says he studied the choreography for 'Prime Mover' so the audience would feel comfortable. he's trying to do what people expect, and he keeps checking if he's doing alright and asking the audience if they like what he's doing.

[BEFORE PERFORMING ABSOLUTION] PAPA EMERITUS III: So, we're gonna finish this off with something as weird as a new song. What that delighting, or did you not like that? Yes. Good, good. Linköping, Sweden (June 3, 2015)

PAPA EMERITUS III: So, I know it might seem a little confusing –it's even a little confusing to me, sometimes– y'know, playing new songs for people who've never heard these songs. But I tell you what– we have a really good ending song that you will understand why it is an ending song when you hear it. But now it might seem a bit strange, huh? Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

Terzo feels weird about performing new music because it's new and the audience doesn't know what to expect and neither does he. he keeps trying to assure the audience that it'll be okay. but i'm pretty sure he was the only person worried about it. he was about to release a new album, so it completely made sense that he would be performing new songs. he just hates not knowing what to expect, and it doesn't occur to him that not everyone thinks like him.

and then this clip... i think it speaks for itself, but let's talk about it anyway. (i included the audio because i really want people to hear him speaking here.)

PAPA EMERITUS III: Okay! We are now officially wrapping– with a song. It's not a rap song, though. [STUTTERS FOR SEVERAL SECONDS] I've heard from my brother that you are somewhat of a singing crowd. So you like singing, eh? That is fantastic because that is exactly what we're gonna do right now, and if you had said no, that would have been… weird. So thank you for not being weird and weirding me out. I'm weird enough as it is. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

like where do i even start with this. him thinking he needs to clarify he's not going to be rapping. the stuttering. the fact that he listens to what Secondo tells him so he knows what to expect. him saying "[...] if you had said no, that would have been... weird. So thank you for not being weird and weirding me out. I'm weird enough as it is."

he feels like a weirdo and he just wants things to be normal so bad. 😭

he also gets really irritated when people are incorrect / do things incorrectly. he has the literal / rigid thinking patterns characteristic of autistic people

PAPA EMERITUS III: Well, it's getting late. AUDIENCE: NOOO! PAPA EMERITUS III: Yes! It's not a matter of opinion. It is getting late. Sweden Rock Festival - Solvesborg, Sweden (June 4, 2015)

he tells the audience it is objectively true that it is getting late.

then there's the whole bit where he wants people to clap along to the music but he hates it if people clap wrong or don't clap with the correct rhythm.

and the bit where he asks the audience to say "Meliora" and emphasizes the correct pronunciation versus the incorrect pronunciation.

Terzo strikes me as someone who is constantly trying to perform a very intentionally constructed social personality, not only as an entertainer but as a person. and while he's naturally charismatic and charming, it's actually quite difficult for him to perform this public personality because he's constantly concerned with getting a good grade in social interactions and things being done correctly.

and there are all the quotes about Terzo being a recluse who only interacts with others as much as is strictly necessary. this is definitely clinical depression, but i think his autism is also a factor.

he got comfortable once he settled into a routine and created a script that he could repeat, though. after that, he was really on autopilot during his concerts. which is also so so autistic of him <3

[rawbin-hsr]

Hi! Could i request Feixiao, Boothill, and Argenti with a s/o who has panic disorder (or panic attacks in general). Just generally how they react and such :)

@dragon-anon

A/N: Surprisingly I found this a little difficult IUESJhief I have a lot of experience with. having anxiety when I was younger. I think I was even diagnosed with it at some point ? Which is weird because I’m not diagnosed any longer and I no longer really get anxiety attacks so idk what the fuck that was erm. Anyways that’s beside the point. I really struggled to make Feixiao and Argenti different because I think they would handle it similarly (hence why Argenti’s part ended up so much shorter than the other two, cause I didn’t want to just. Repeat Feixiao’s whole part.) and I’m a little worried Boothill is ooc because I haven’t done the new quest and it seems like it showed a lot of his backstory so forgive me if I’m not up to date on that. Sorry about rambling I’ll get on with it now help

Reader has an anxiety disorder

Characters: Feixiao, Boothill, Argenti

Cw: anxiety/panic attacks (descriptions kept brief, not very detailed), slight mention of self-harm inflicting behaviours in Argenti's part (only reader unintentionally scratching themself, not necessarily done out of a desire to harm oneself).

Lmk if there's anything else I should add !

────── ⋆⋅☆⋅⋆ ──────

╭──────────.★..─╮ Feixiao ╰─..★.──────────╯

Oh she’s great 

Amazing at picking up your signals, amazing at assessing what course of action would help you most, amazing at following through with it

She can tell what sets you off, even without you telling her, and she has a lot of firsthand experience with handling other people’s anxiety (both from more intimate relationships and from soldiers she doesn’t exactly know on any personal level). It’s not hard for her to figure out what calms you down most quickly. 

Your episodes have never been shorter than they are with her around 🙏🙏

I’m not sure exactly how I imagine her handling it, because I think it switches a lot depending on what she knows about you. If she knows you find physical touch comforting, she’ll hold you and gently talk you down. If you’re the type who doesn’t need much reassurance, she’ll firmly remind you of where you are, that she’s with you, that you’re safe, etc, etc. She’ll find whatever solution works best for you. 

Apart from being great with damage control if you do have a panic attack, she’s also pretty good at preventing them from happening in the first place. 

If she recognises you’re stepping into an environment you’re likely to have an attack in, she’ll either steer you out of it if she can or she’ll make sure you’re in there for as little time as possible. Like, for example, if you’re bad with large crowds, she’ll usually just find a less packed road to take around the mass of people.

Obviously it’s unavoidable sometimes, and she won’t always be able to adhere to you completely because she does have a very important job that she can’t really put on hold for your sake, but like I said, she’s great at handling it then too. 

If something needs to be done but you can’t do it, she’ll do it for you (after gently trying to encourage you to face your fears and do it yourself — but she does quickly relent if she notices you really, really don’t want to)

10/10 would recommend she’s amazing

╭──────────.★..─╮ Boothill ╰─..★.──────────╯

I feel like Boothill would be absolutely dogwater at preventing any anxiety attacks from happening, but he’d be great at stopping them once they do happen

Like obviously he won’t trigger you on purpose but he won’t tiptoe around the things that put you off either. Both because he doesn’t usually have much choice in the matter considering his line of work, and because he believes in exposure therapy. And because he maybe sort of kind of forgets. 😭

But he’d be great while you’re in the middle of an anxiety attack ! So that counts for something !!!!

He always manages to snap you out of it pretty quickly. Takes you out of the situation once he recognises the signs that the attack is coming, then gets you present in the current moment again. How ? That’s very simple. He confuses the fuck out of you

You know that tip about making someone having an anxiety attack bite into a lemon ? Yeah

(If you haven’t heard about it: a way to snap someone out of a panic/anxiety attack can be to make them lick a really sour lemon without any warning. The sensory input is really overwhelming and the person having the episode might be so shocked by it they kind of just snap out of it because who the fuck makes you taste a lemon when you’re at your lowest like that ???)

You’re curled up in a ball, hyperventilating because there are too many people, too many sounds, too many what-have-you ? Not anymore, now you’re too busy being confused and lowkey angry at him for shoving an ice cube down your throat. Like wtf are you doing my guy

Usually his little stunts do the trick to get you out of that headspace, and then he can just verbally talk you down so you’re nice and calm again. Will let you cool off while he solves whatever issue it was that led to your anxiety attack. Don’t worry about it anymore, he’s got this. 

If he can’t confuse you out of it, though, he’ll just do whatever you’ve instructed him to do while lucid. If it’s hugging you and talking gently until you’re calm, he can do that. If it’s to just take you into a quiet space and let you ride it out, no problem. If it’s to just continue on and let you just stand next to him, sure. 

Only thing he won’t do is to avoid your triggers altogether. He can give you a heads-up when possible, he can let you sit it out if you really need to, but he won’t (in his words) “baby you”. In his opinion, you’ll never get over it if you just avoid it forever. 

He says it in a kind of harsh way, but there’s genuine care in his tone and his expression, so you know he doesn’t mean it like that. 

All in all I think Boothill is really great if you’re the resilient type and you have the kind of anxiety that can actually get better through treatment, but if you’re sensitive and need someone who actively helps you avoid your triggers I definitely wouldn’t recommend him 😭

╭──────────.★..─╮ Argenti ╰─..★.──────────╯

Obviously amazing at handling it is there anything he’s not good at ? 🙄 (/j)

He immediately becomes very serious when he realises your control is slipping, falls silent and looks at you worriedly. He recognises surprisingly quickly what’s happening, and steps into your field of view and crouches down, makes sure you can see his face. Takes both of your hands in his, wishes he didn’t have armour so he could let you feel his heartbeat.

He calmly talks you out of it. He sounds so sure of everything he does, to a point where you’ll question afterwards if he has firsthand experience with this. 

(He does. He used to experience a lot of anxiety and panic attacks as a child, it is only natural when you grow up surrounded by war; you’d never guess just looking at him now, though.)

He’ll obviously switch how he handles your panic attacks if you ask him to, but his default is to hold your hands (both to prevent you from accidentally scratching yourself, and to remind you he’s there) and to softly reassure you

I think he becomes sort of hyper aware of what triggers you, and does as much as he can to avoid it. Lowkey starts to baby you a little, but just a little, and even if it’s annoying it’s done with love, done out of a desire for you to be happy. It does put him in some tough spots though, considering it means he sometimes tells you to sit an adventure out, but the plan was for it to have the both of you and it’s harder to handle a lot of things alone 😭

Overall super good though I love him <3

────── ⋆⋅☆⋅⋆ ──────

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[fiona-fififi]

You know, the more I think about it, the more I do actually think a storyline about Buck fucking around (or at least dating around) would be interesting. Like, my first instinct was that it would be bad for Buck, specifically, because he's always used sex in unhealthy ways and because I really do think he's seeking a permanent kind of love.

But, you know, that's not working for him right now. He's spent 8 years entering what he hopes to be long-term, forever kinds of relationships and they just keep falling through. Abby, Ali, Taylor, Natalia, Tommy. Five failed relationships, all of which he clung to beyond their expiration date (well, all except Ali, I guess). That's a lot for him to just want to try to jump in with another person he doesn't know and try to make it work, and he has just discovered this new part of his identity—which, of course, for some people, they wouldn't need to explore—but I do think it's something a single, unattached Buck would want to explore.

And I don't even necessarily think this would have to be a backslide. But if it was, that would be okay, too, because healing isn't linear and people fuck up and do things that aren't good for them all the time, and Buck feeling hopeless and going back to his old ways because what he really wants isn't working, makes a lot of sense to me. I will admit, my first instinct was that I didn't want him to backslide, but actually, I do think there would be an interesting story to tell there, and it might even sell the way his character has stagnated in the same boring, unfulfilling relationships over and over again by calling attention to it and recognizing that Buck is feeling it, too—not just that the particular most recent relationship has failed, but that he's feeling like he's not worthy, can't make things work, isn't meant to be loved because it keeps happening. Which I don't think they've ever explored in depth before.

So having Buck backslide, or even just take a step back and decide he wants to have some casual sex for a bit while he tries to figure himself out (and by that, I do not mean his sexuality, but rather what he needs to make him happy), then I think there actually could be a really interesting story to be told there that would be both very true to the character and would serve to break this broken record of storylines for him (because yeah, it's been done before, but at least not since s1, really).

And honestly, I'm not sure where else they would go with Buck right now. This does actually feel like a logical progression for him, and I can't think of anything else they could do with him unless they decide to speedrun buddie and/or intertwine him fully with the Eddie and Chris plot (which I could see happening, and I also think could work). But beyond that, I don't see an obvious logical story progression for Buck at this moment, and I would rather see him backslide a bit with this than have them slap some completely random new plotline on him without warning, because we've all seen how poorly those have been handled lately.

And as an aside, I could also see a Buck backslide potentially causing some of the tension they're talking about for Buck and Eddie. Because Eddie's never directly known that part of Buck, and last season, he was ensuring Buck that he'd seen the growth in him and trusted him to talk to Christopher because of his past and his growth beyond it. And I could see Eddie struggling a bit with a side of Buck he's never actually encountered before, and maybe (if it is a legitimate backslide for him, and he's using casual sex as an unhealthy coping mechanism) with a part of Buck he doesn't know how to help.

[pookietv]

encore! | arthur hill

literally got this ask like a couple hours but i had ideas for it so figured the dedication to the grind was worth it :)

been so long since i've written a smau, so i hope you enjoy! i may be slightly rusty

liked by yourinstagram, arthurtv and 7,389 others

arthurnfhill: the kill hill tour has started better than i could have ever asked for :)

georgeclarkeey: who is that sexy man on stage??

↳ arthurnfhill: can't wait for you to be my sexy groupie at the london show

username3: KILL HILL IS GONNA BE SO GOOD!!!!

username4: can't wait for manchester omg

liked by shannonlangdon, arthurnfhill and 6,093 more

yourusername: soooo what if i said i was impulsively dropping a song tomorrow night because i need to get the song off my chest and i can't wait until the supposed release date of next month ...?

it's called francis forever, and it's brought me a lot of peace to throw myself into completely making this song over the past few weeks

ANYWAYS here's a presave link if you care about that sort of thing,

hope you enjoy!

love, y/n.

jamesmarriott: we're getting SPOILED with another y/n banger

↳ yourusername: how do you know banger you haven't even heard yet ??? hmmm???

↳ jamesmarriott: you only drop bangers and thats FACTUAL

taliamar: UGH you are my icon

↳ yourusername: thats funny cause you're mine ???

username5: my heart is BREAKING at the caption

username6: omg if this is a breakup song i will do something violent.

liked by chrismd, georgeclarkeey and 7383 others

arthurnfhill: i can't believe there is only four more shows of the kill hill tour - feels like i was waiting forever for the tour to come around and now its almost done just like that!

chrismd: london show night one and two rolling around real quick

↳ arthurnfhill: missed me in the flat?

↳ chrismd: all you did before you left was mope around so not much change

arthurtv: my goat

↳ arthurnfhill: can't wait to see the number one most popular arthur on famous birthdays in person again

username7: CAN'T WAIT FOR LONDON SHOWS

username8: manchester was AMAZING omg

liked by arthurnfhill, georgeclarkeey and 5739 others

yourusername: as requested - my one night only london show! it was amazing to see so many of you guys there, makes this whole music thing so much more surreal :,)

username9: girl are you just gonna ignore the fact that ARTHUR AND GEORGE WERE THERE ???

↳ username10: for REAL my delusional y/nthur ass is going into OVERDRIVE

arthurnfhill: was a great night, glad i got to catch the show :)

↳ username11: oh you guys are TWISTED dropping comments like this

↳ username12: literally still in love i am not hearing any different.

bambinobecky: can i be ur biggest fan?

↳ yourusername: anyday sexy ;)

username13: the fact she scheduled it just a couple days before his london dates so arthur could make it ..... coincidence ???

liked by arthurtv, yourusername and 6290 others

mummysboypod: Mum, did you miss me on tour?

The NEW episode of Mummy's Boy is now live - with Arthur and Lisa discussing Arthur's life on tour, from crazed fans to drunken nights!

Link in bio!

liked by yourusername, arthurtv and 6380 others

arthurnfhill: i still cannot believe kill hill is over!! i will miss seeing all of you lovely people and playing you my silly songs

arthurtv: what does slay mean and why do women keep shouting it at you?

↳ arthurnfhill: because i ATE arthur

↳ arthurtv: you ate me?

username14: TOUR WAS SO INCREDIBLE!!!

username15: y/n being in the crowd was NOT. a coincidence

username16: is y/nthur back????

username17: you seemed SO much happier towards end of tour

username18: DUBLIN MISSES YOU ALREADY !!!

liked by georgeclarkeey, arthurnfhill and 9374 others

yourusername: in musical terms... you could call this an encore?

username19: IMAGINE REANNOUNCING Y/NTHUR IN THE MOST ICONIC WAY POSSIBLE.

georgeclarkeey: i think everyone clocked when you were love heart eyeing him the whole concert

↳ yourusername: well you also did that and no one has realised yet?

↳ georgeclarkeey: it's MY bed he comes back to sweetie

lisahull_hill: you both have the sweetest smiles

↳ yourusername: LISA I MISSED YOU SO MUCH

↳ arthurnfhill: yourusername i believe you said 'more than i missed you by a long shot' ??

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ

[intimidating-fettuccine]

I’m so excited because I got out of class early and I had time to make sure this ask was ready to go

Let me know if this doesn’t quite make sense, and I’ll try to clarify, but:

—

Jeff seeing/knowing his s/o died in a fight, but seeing them alive and well two years later, obvious they had been alive those two years, but they have no memory of him or any of the time they spent with Jeff. Bonus sad points if they were married or had some sort of matching thing so s/o KNOWS something was up with the two of them, but they don’t remember.

—

Feel free to use this prompt for anyone else you wanna write for :D

I hope you enjoy! This got super extremely long because I was feeling inspired ^^' I hope you're fine with the direction I took this in :)

It destroyed him. Watching you die that day was the most difficult thing he's ever had to cope with in his entire life, and he still struggles to cope with it some days even two years later. He's spent so long mourning your loss, that when he sees you walking around one day he thinks it must be a hallucination or someone that just looks far too similar to you, and he continues on his way. At least, until he hears that incredibly familiar laugh he first fell in love with all those years ago, and he's whipping back around, eyes locked on you as you converse with the unfamiliar person at your side. His feet move immediately, pushing him forward, but at the same time, you happen to drop something. He picks it up for you and hands it to you, and his eyes land on the ring decorating your finger, the one that matches the one on his hand, the custom-made promise rings the two of you had. You accept the item you dropped without complaint, your eyes also noticing the ring on his finger, but before he can say anything you just thank him and walk away.

He's so shocked by it that he just stands there for what feels like hours, before making a beeline back to the mansion. With Slender and BEN's investigative assistance, Jeff learns you didn't die that day, and he also learns that you have no memories of your time before then. You're still in the Underworld, still wandering around and joyful as ever, but you have no memory of him at all, and that thought alone is destroying Jeff all over again. The years you'd spent together, your promises of being together forever, all of your plans for the future, vanished. He finds himself entering an existential state of limbo in the coming weeks, not sure if he should try to find you and reconnect, or if he should just let you carry on your new life as you presently are. In the end, he decides to let you go. With all of his trauma and issues, with all of the struggles you both experienced gone from your memory, he feels as though it would be unfair to force you to learn how to love him and care for him again. You, however, have a completely different plan than Jeff.

It was eating you alive, the ring he was wearing on his finger, the familiarity in his eyes, the disappointment at your swift exit. You had to learn who he was, and how he was connected to you, you finally had a clue to your life before your amnesia and you weren't going to let it pass. It wasn't hard for you to track him down, with how well known he is in the Underworld and the fact that everyone knows he works for Slender, but you also spent time waiting and wondering what you should do. Eventually, you decided on it; you were just going to have to force him to talk to you. So, there you stood, anxiously on the front porch of a mansion that seemed far too familiar for you having no memory of it, and upon the door opening, a group of faces greeting you that were also far too familiar. Slender calls Jeff down and tells him he has a guest waiting outside, and when he comes out to see you, he feels his world halting once again. You both sit on the front porch in silence for quite a while, but you break the ice first, asking him who he is, and why he has your ring. You have a feeling you already know the answer, and when he looks at you in misery, tears flooding his eyes, you know you were right, without him even having to confirm it verbally.

Jeff explains it all to you, everything. How you met, when you started dating, what your relationship was like, all of your plans for the future together, the significance of the rings he had made for you, and most importantly, the day he thought you died. It's a shock to you, of course it is, but bits and pieces of things he says, you can catch small glimpses of them in your lost memories. A night under the stars, mornings spent waking up together, an exchanging of rings. You can catch small glimpses of him, but it feels so far away. It is, however, enough for you to believe him. It feels right, sitting beside him on the steps. It feels warm, and comforting, like you belong there beside him, and when you shyly move your leg to press against his it feels so oddly familiar and correct that you find yourself being moved to tears. He tells you he didn't want to trouble you, didn't want to make you have to deal with his fucked up life and issues all over again, he thought it would be cruel, and you can only smile at him through the tears.

You tell him you have a feeling the you that he knew would be upset at him for even insisting that, and he laughs, saying that you're probably right. Neither of you makes a move to leave, to end your reminiscing as he continues telling you stories, and both of you are okay with that. It's you who finally asks the question weighing on both of you. If you can try again. If you can try from the beginning, try to love him again and become a part of his life again. He smiles a smile that has your heart racing and cheeks growing warm, and lifts your hand, saying he gave you this ring along with a promise to stay by your side for the rest of your life, no matter what. He kisses the ring on your finger, and the brush of his lips makes you long for more. He agrees easily to start over, saying he'll never give up on you, but he can't help the chuckle that follows as he simply requests that you not disappear again, and there on that front porch you make your second eternal promise to each other, that this time you'll protect each other, and stay together no matter what. A promise you both successfully keep, to the end of your lives.

[junktastic]

Hi everynyan,

Some of you will remember that I was taking names/addresses to send out free stickers in September. I am almost done sending them out now, so here's a quick update on that.

The Good!

I like this a lot! It's fun to do. For reference, I'm printing, laminating, and cutting these myself at home, so I'm learning a lot about my machine. I like being in charge of the quality control, I like doing the logistic work. Idk. It's fulfilling to me.

It's also really delightful to see names on the list who I've known of for a long time. Old and new faces, people all over the world, I love seeing people adopt a catgirl. :3 And for free! I'm by no means making a lot, but being able to provide something fun and physical to the people who enjoy my art for free is just! Wow!

The Bad!

Everything that could have gone wrong during this process did, which is why they're going out so late. The at-home manufacturing process was relatively simple but the materials kept being funky, or I'd do something wrong, so I'd have to toss something that I'd completely fucked up, OR I'd just miscount how much stuff material I had left. It's been a pain in the butt, so I'm glad it's done and that I've learned so much from it. I ALMOST FORGOT, I DESTROYED ONE CUTTING MAT MAKING THAT ROGER STANDEE FOR MY WEDDING LOL SO I HAD TO SPEND TIME CONDITIONING THE NEW CUTTING MAT! UGH!

There's also: the money. I know it's gauche to talk about it, but doing this was pretty expensive. I live in Canada now, and most of the letters were going out of Canada, so that postage added up. Materials cost, time, it's a pretty good chunk of change, but I didn't go broke so I want to do it again.

The Other?

I definitely want (and plan) to do this again very soon. I'm talking within this month. I'm making Christmas cards! I've already set money aside for this so it's all good, and it involves less at-home manufacturing since I can just reach out to a local print shop.

I know some people were wary of the google form, but I can't really find a better alternative at this time. MailChimp has had at least one major information leak in 2024 alone, so I am not sure where else to turn for collecting addresses at this time. I had a few people who did not give me towns/zip codes, and the street address would have three or four towns in that state alone with that address. Since I didn't collect e-mail addresses, I didn't have any way to reach out to entrants about this. If you don't see your sticker in the next few weeks, this might be why! I also plan on adding a checkbox just to confirm that the person requesting the sticker is over 18, NOT because I plan on sending anything saucy, but I know what it's like to be a teen with parents who open you mail, an I don't want to cause problems for anyone because Mom and Dad think fairies are satanic or something.

Most people I've talked to about all of this have really emphasized that I need to reopen my Patreon. I'm not saying anybody is wrong on this, but it just makes me feel so uncomfortable. I think anyone who's followed me for a while has seen me try and fail to do art full time or, hell, even have a schedule for something, and I've failed every time. I'm so scared of failing people again. How can I ensure that I'm producing things on time, to a standard I am happy with, that anyone willing to support me (in this economy?) would also be happy with? It will probably happen, but I'm just so... Plus, with all honesty, I have a commission backlog that I need to finish first! I'm bad at the business part of this whole thing, I think. I'm a blue-collar labourer in my heart.

That's my update! I wish you all well, please stay safe and take care of yourself and those around you. I'll post again when I'm collecting addresses for the Christmas cards.

[ofmdrecaps]

11/07-08/2024 Daily OFMD Recap

TLDR; David Jenkins; Rhys Darby; Taika Waititi/Minnie Driver; Samba Schutte; Kristian Nairn; Vico Ortiz; Guz Khan; Damien Gerard; WB News; Petition Update; Revenge Raffle; Articles; Auxiliary Wardrobe Zine Updates; Fan Spotlight: A Muse Of Fyre's Calendar Kickstarter; Love Notes;

Hey all, as you can see I'm late again. I took some advice and spent a lot of hours over the last few days doing some creative projects and spending time with friends and my son. Hoping to be caught up soon. Lots happened over the last few days so things are being spread across this and the next issue. Hope you're all staying safe and sane out there <3

== David Jenkins ==

Sounds like Chaos Dad is making the jump from Twitter elsewhere! You can now follow him if you haven't already on:

Threads

Bluesky!

== Rhys Darby ==

Okay but for real, Tumblr, for the love of all things cheese, please let me be able to upload more than one video on a post! Rhys was out in Indianapolis Indiana for his Comedy show! Thank you to our dear crewmate @sherlockig for posting these on tumblr!

So someone sent me this pic which is obviously cropped--- so if this is your photo please let me know I'd love to credit you! I couldn't find it or I'd have asked personally!

New Cryptid Factor Episode! More Footage from Lochness!

Source: The Cryptid Factor Patreon

== Taika Waititi ==

Taika has been busy with Rita being a complete gorgeous goofball as usual.

View this post on Instagram

A post shared by 𝙇𝙖 𝙈𝙤𝙙𝙚 𝙈𝙖𝙜𝙖𝙯𝙞𝙣𝙚 (@lamodemag)

Source: LA Mode Magazine

Taika has also really just been EVERYWHERE the last few days and so there's videos of him all over the place.

View this post on Instagram

A post shared by Steve Hargrave (@mrstevehargrave)

Source: Instagram

Source: KokoCamden Instagram

Taika and Minnie channeling Ed and Anne Bonny Chaos Vibes out at the KOKO Foundation charity event!

Source: Minnie Driver's Instagram

This last one, Minnie described as a "Hot Sandwich" .

Source: Minnie's Instagram

== Samba Schutte ==

This is a little late since this was from before the class, but Samba was such a sweetie and shared some love for his upcoming baking class and a script from S2 Ep 8!

Source: Samba's Twitter

== Kristian Nairn ==

New Episode of Spektrum is out!

Source: Kristian's Instagram Stories

== Guz Khan ==

Guz is going to be in Dubai Jan 20th! Ticket Info here!

Source: Guz's Instagram

== Vico Ortiz ==

Vico has blessed their Patreon followers with more S2 BTS! If you're a follower check them out below!

BTS 1 - Selection of pictures

BTS 2 - Super quick video of Sampson and Con

Source: Vico's Patreon

== Damien Gerard ==

If you have a moment, please send our Father Teach, Damien some good vibes and love. He's got some stuff going on and he could use some extra love!

Source: Damien Gerard's Bsky

== WB News ==

Our friends over at @adoptourcrew are keeping us up to date on these articles that keep coming out about WBD!

Source: AdoptOurCrew twitter

In addition, our spectacular crewmate Ashley, aka a Seven_Sugars on Twitter and Bluesky gave us a whole lot of info regarding the WBD Q3 Earnings Report!

Source: Seven_Sugars Twitter/Bluesky

== 90K on the Petition ==

Hey all! Great job! We finally hit 90K on the petition! If you're new to the fandom and havent signed yet, please do so here!

Source: Adopt Our Crew Tumblr

== Revenge Raffle ==

One of our ever present, extremely kind crewmates, Irene Adler was kind enough to set up a new raffle, she's made several lockets out of the glass from the actual Revenge ship, and she's going to be raffling them as well as some other goodies off to support LGBTQIA+ folks in the US! You can follow along for new via instagram with the #revengeraffle hashtag. Have something you wanna donate or enter? Send her a DM! The Raffle will be going live in late Nov/Early December!

Source: Irene Adler's Instagram / Threads

== Articles ==

More articles featuring OFMD! Thank you again for sharing these @adoptourcrew!

Source: Adopt Our Crew Twitter

== Auxiliary Wardrobe Zine Updates==

Over $1000 has been raised for charity with the Auxiliary Wardrobe Zine! Great job everyone! If you haven't gotten one yet and would like to, you can visit @stedebonnetzine or their carrd for more info!

Source: Auxiliary Wardrobe Zine Twitter

== Fan Spotlight ==

= A Muse Of Fyre Calendar! =

It's that time of year for 2025 Calendars! Our dear crewmate @amuseoffyre has a Kickstarter up for a calendar with their fabulous Muppets! Check it out here!

Source: A Muse Of Fyre Instagram

== Love Notes ==

Hey there lovelies. I really hope you're hanging in there. It's been a heck of a week. I've been distracting myself with art and listening to audio books, and watching film, and I have to say, disengaging a bit has been really helpful for my mental health. One of the biggest things I continue to hear from so many different supportive groups out there is that community is such a huge part of getting through the collective grief and trauma we're all experiencing right now. Please if you can, take some time and go meet up with friends. Get a hug, give a hug, if you don't hug, just a smile and be with some of your fellow people in the community. We need each other more than ever at the moment, and it's amazing how humanizing even basic human connection can be, Please be safe, please spend some time being creative, please go out and get some time with your community, someone you feel safe with. If you can't get out, try a video call, or just lean on your crew online, whatever it is you feel comfortable and safest with. I'm thinking and rooting for you every day. I'm hoping over the coming days I'll be in a better headspace to try and be around more. Sending love <3 Rest up lovelies.

View this post on Instagram

A post shared by Dani DiPirro (@positivelypresent)

Source: Positively Present Instagram

View this post on Instagram

A post shared by Jess Phoenix (@jessraephoenix)

Source: JessRaePhoenix Instagram

[panpanghost]

I can't believe it but part 3 of this :

_"Hey guys!" Monkey king jumped off his cloud and into the sand where the gang was waiting at the shore,

_"Monkey king! Are you okay?! Where's Macaque?!" MK asked worriedly,

_"Hey hey, easy body. I'm as gorgeous as ever and Macaque is asleep." Wukong put his hands on MK's shoulders and he could feel MK relaxing after saying that,

_"Oh, that's great. Wait- asleep? Why is he asleep?" MK went back to his worry,

_"He was trying to find new info about the crown as well and stayed up for a couple of nights so I thought I'd just let him sleep."

_"he must be working hard... did he find anything?"

_"Unfortunately no."

_"Fiddle sticks... But don't worry! We found something! But thankfully it's wrong."

_"Why would you say that?"

_"Because if what we found is true, Macaque would've been dead by now." Mr. Tang added,

_"What?" it was almost a whisper, Wukong now understands why MK was so worried, "Ahem. Why? What did you find?" he asked hoping it's nothing serious,

_"Well, the scroll said it's 'the corrupted king's crown'. It's supposed to take over the person wearing it. Once under its control, they start to destroy everything around them until it absorbs all their energy... and soul..."

_"Well no need to worry. Macaque has healed nicely and hasn't used his powers to destroy anything, so maybe it's another crown or the information is badly translated." Wukong said smiling,

_"Really?! Oh that great!" MK felt relieved, so did everyone else, their faces finally lit up.

_"Show me the scroll and I'll look into it, maybe ask a few old friends."

_"of course, here." Mr. Tang gets the scroll out of his bag and gives it to him.

_"Now that that's out of the way, I feel so much more relaxed and super hungry, I'd love to eat some noodles." Mei said giving Pigsy a side eye and everyone else joined,

_"ALRIGHT ALRIGHT!! I GET IT!" Pigzy snaps at her, well... if he's being honest, he's also hungry.

_"Do you and Macaque want to join us?" MK asks the monkey king before they started heading towards the ship to leave.

_"I don't think that's a good idea, kiddo. Staying here is safer for him." Wukong felt his heart squeeze when he saw MK's disappointed face, "Once he's all good, we'll go together and have a feast." he said and winked at MK, and it did make him a bit happier.

Once everyone left, Wukong opened the scroll. Damn it. It is the same crown... Is that why Macaque couldn't use his powers? Is that why he couldn't heal and needed my powers? Is that why he couldn't recover his memories? He did say that he feels pain in his entire body every time he tries to use them...

That's...

GREAT! So as long as Moonpie wears the crown he won't leave. But... the soul sucking part is worrying. He hasn't lost his mind yet so maybe the spell wasn't completed properly when whoever did this put it on him. I need to make sure that part is out of the way-

_"Wukong?" Macaque startled Wukong when he came from behind him,

_"Oh, peach! What are you doing here?"

_"I heard them leave so I came. Did they find anything?"

_"Sorry peach, they only thought they found something but it doesn't fit so we're back to zero."

_"Oh.. That's disappointing."

_"Hey hey, don't be sad, it's just a little set back, you'll be fine, I promise." Wukong hugged Macaque and gave him a little forehead kiss,

_"Yeh, I guess." Macaque said hugging Wukong back, "I just don't know what to do. I'm lost." Why...

_"Well, for starters, how about we take a long hot shower, and then I give you a little massage aaaaand maybe we can watch TV, there's a show I KNOW you're gonna love."

_"*sniff* yeh, that sounds good." Why are you lying?

_"yeh?" Wukong held Macaque's face in his hands, "You have nothing to worry about."

_"I know." Macaque said as Wukong wiped his tears, "I have you."

_"Yeh you do! Now let's go, we'll order some food as well."

_"oh I love that! Can we get some noodles?"

_"I'll get you whatever you want." You just have to stay with me and I'll give you the world.

_"I want a piggyback."

_"pffff, haha! Alright, get up here." he held him on his back and headed back home.

[incomingalbatross]

Thoughts on Ghost Days by Jim Butcher (and possibly the earlier books, if they spill over into this post)

All of this is, as Harry observes, absolutely typical of his existence. Of course he can't just die, he gets sent back as a special unknown type of ghost to solve his own murder. And of course he shoulders like three different new obligations, makes a new friend, and adopts a criminal teenager within his first 24 hours of unlife.

Kinda love how quickly and understatedly he's incorporated the very latest familial revelation into his narration. He says something like "I'd lost the scar on my arm that I got while skinning a fish on my grandfather's farm" and it's so casual it almost slips by.

(Side note: I need to see his grandfather and his brother find out about each other now. I realize there has been no opportunity and these aren't exactly Harry's secrets to tell anyway, but please.)

Mort going "all cats can see ghosts, they just don't usually care" checked out completely, of course, but it was also perfect setup for Mister's "HELLO YOU'RE BACK MY HUMAN HI." Which. Oof.

Ways you can tell it's really Harry Dresden: 1) Mister hits him in the invisible shins, 2) he opens the conversation with a Star Wars quote, 3) he's talking a teenager into turning his life around.

Love all the Bob content in this one. Harry got to see how the other half lived and everything. (Though his amorality credentials are slightly tarnished by that heroic last stand of his. Which he'd better have survived.)

Everyone here seems like they're an inch from cracking, and I'm concerned for all of them, but they're DOING THEIR BEST. (Butters isn't an inch from cracking. He seems to be doing great, I'm very proud of him.)

Very glad and also a little amused that the Super Secret Safe Witness Protection Home for Maggie is... the Carpenters. I mean it absolutely should be, but it's also funny.

Of course Mouse exists equally in the physical and spirit world. I'd be more surprised if he didn't.

I DID have several moments where I went what about Thomas. why isn't your narration even mentioning Thomas, but the payoff of "I couldn't stand to face even the thought of what I'd done to him" made it make sense.

More general/Thematic thoughts:

Uriel and/or the narrative really said "You're going to take a good, hard look at the unintended consequences of your actions. And you're going to do it disembodied so you can process a little better."

There was something that really struck me at some points in the Lasciel period, and it's back again now: I love that when Harry crosses lines, not only is he capable of seeing it, but the reaction of the people around him is, "yeah you sure did cross a line! you did wrong. so stop doing it and get better, because you can. this isn't a slippery slope unless you decide it is."

He has! Free will! Contrition is always meaningful! Change is always possible! Harry is never allowed to write himself off. He is always told that he's capable of picking himself up and doing better - because he is. He's alive and human and that means he has as much hope as he chooses to hold onto.

That said, I also really appreciated the weight his choices in the last book are given here. It's so easy to just go along with "it was for Maggie, it was his JOB" (and it was his job), but this book made Harry and us stop and linger on both the lines he crossed and the unintended harm he caused.

(Though he is taking too much weight on himself. Martin maneuvered a lot of this into play, not to mention the ACTUAL Red Court. And there is something to be said for the SG-1 approach of "stop worrying about ramifications and just kill the ancient evil first.")

(Oh, now I remember! I was also thinking of Hunger Games re: this. Katniss and Peeta's defiance of evil was personally motivated and sparked a lot of unintended harm to others - but it was also the only spark that could have destroyed the machinery of evil. Not quite the same but made me think of it.)

ANYWAY. Speaking of crossed lines and harm caused: I was NOT prepared for the murder reveal.

It DOES explain so much about this whole book, especially in combination with the (not as shocking :P) reveal that he's only mostly dead. He NEEDED to know this. He needed to know and understand all the choices he made, and their results - and the lie that influenced him - if he was going to be allowed back to his body.

First, he needed to know there was no outside killer to worry about. He also needed to know that HE did this. All of it. Part of accepting culpability and facing his choices meant facing that there was a third murder on his account - because that is how he frames it - what he did to Molly and what he did to himself and everyone who loved him.

He also, most crucially, needed his free will reasserted, both by the manipulation being revealed to him and by Uriel balancing the scales.

Because a Harry Dresden who had given up on himself as the Winter Knight is a nightmare the world's not ready for.

Instead he's ready to give Mab new problems. :) She gets what she paid for.

Closing thought: If, when he finally gets back to the world of the living, he does not make at least one "mostly dead" and/or "really most sincerely dead" joke, I will be very disappointed in him.

[southparkthetwosidesofacard]

I am listening! I am invested! Please yap about your au idea!!

AHHHHHHHHHIIWJHDIEHDIANRRUFIFBFIEBF HFHDB I GET TO YAP ABOUT THIS YAYYYYYY

ok so, I honestly don’t have much of an idea as to where exactly this would go, but just for the basics (which I’m mostly coming up with on the fly, I’ll be honest) here we go:

(this ended up being quite long so everything else is under the break, sorry!)

obviously, ford and bill were not always… separated, as it were. growing up and into his teens and early twenties it was just stanford pines, no “alter egos” or masks or anything of the sort (much as he would’ve loved to be able to hide who he was).

then, when he moved up to gravity falls and began his research, he began to realize that there were so many things that he wanted to do, couldn’t do, because of his reputation. he needed to keep his record clean because if he didn’t, he could easily have his grant money revoked, and any future opportunities in the pursuit of science dashed due to one small slip up. so, he began to look into, well, changing who he was, splitting himself, so to speak, as to be not one but two at the same time.

eventually, it worked somehow (probably through a potion, as jekyll uses in the original book), and he found himself as not just one, but seemingly two people in one body. there was the stanford pines most people knew, the eccentric, odd mad scientist that lived in the woods at the edge of town, and then there was another, completely new facade. bill cipher, named for his often frustratingly vague double speak and extreme use of overly complicated metaphors (yes I’m giving bill’s name a reason, it sort of annoys me that theres no reasoning for hyde’s name in the book but thats a rant for another day).

to begin with, bill seems content with simply switching back and forth at ford’s will, being the way for ford to kick back and let loose with no fear of the repercussions. at least, until ford begins to have trouble getting back to himself. thats when he begins to doubt the true intent of his other self, of bill. its around this time he calls fiddleford. the man may have studied engineering, but in this world he also knows a little something about psychology, and paired with his brilliant mind, ford’s very precise notes of the situation (ahem the journals ahem), and the fact that hes basically ford’s only friend, it felt like the best course of action.

of course, in actual gravity falls, ford does his best to hide bill from fidds but here bill is exactly why ford called him. anyone else would’ve called him crazy, tried to experiment on him or worse, but fiddeford would never do any of that and ford knows it (just to be clear, I do think that if I ever wrote anything for this au college fiddauthor would be heavily implied here).

fidds does his best to help but when bill goes on a rampage one night, going so far as to kill the heir to the northwest family, preston northwest, he knows ford is beyond fucked (just a heads up, the person bill kills being preston may change but idk, we’ll see if I ever actually come back to this au haha). the reason fiddleford originally makes the memory gun in this au isnt for himself, its actually to try and erase the memories of what bill has down from the townspeople’s minds. the only problem is that the next time they see bill all of the memories return and everyone is back at square one. its just too much for fidds, and he begins to turn the memory gun on himself in an attempt to get rid of the fear, pain, failure, and regret that helping his friend brought him.

ford on the hand is mortified by what hes done. I highly doubt that there would be a confrontation type scene, it would be closer to how the book goes, where ford quickly begins to be unable to switch between stanford pines and bill cipher. the au would probably “end” (as in if I turned this into a fanfic/comic/whatever the story would end there) with ford figuring out where stan is, calling and begging him to come up to gravity falls and help him, before ultimately turning the memory gun on himself and ridding himself of “bill” once and for all.

the only problem is that in order to remove bill, he has to remove stanford pines and all that he is as well. now, we all know how this goes in both the show and most aus; stan or ford or whoever it is that is possessed by bill erases themselves/has someone erase them, is weirdly blank for a bit but ultimately regains their memories. well here it… wouldnt work like that. bill(/hyde) is an integral part of ford(/jekyll), to remove bill(hyde) is to remove stanford pines (jekyll), theres no way around that. so, ford sort of ends up in that “blank slate” state for the rest of his life. he called stan prior to erasing himself because he knew stan would take care of him no matter what, and he was right. for the rest of their lives, stan takes care of his brother to the best of his abilities, and while they never get to sail the seas together, and some nights bring unimaginable sorrow for stan, knowing he’ll never speak to his brother again, despite the fact that very man sleeps just a few doors down the hall, they make it work. ford (or, well, whats left behind when you remove everything that makes a person who they are) sees that his blankness hurt stan but he cant do anything about it, and to begin with almost avoids stan, at least before they finally have a talk in which stan reassures “ford” that he’s sure whatever reason ford may have had for erasing himself, it was worth it.

as for fidds, well it mostly works out in a similar way to canon, he does eventually regain most memories but of course some bits are still fuzzy. the fuzzy bits are never fully recovered, as the one person who may have been able to fill in the blanks no longer exists, but fidds is still mostly alright.

the journals… sort of exist? but not in the way that they do in the show, and what does exist stan had from the very beginning. ofc the twins still have to deal with monsters and spooks and whatnot in gravity falls, just not anything that has to do with bill (which means that, of course, weirdmageddon physically cannot happen). at some point, dipper begins to insinuate that the weirdness of gravity falls might have something to do with “ford’s”… situation, which is when stan finally fully comes clean with all he knows about the situation. its not until fiddleford begins to regain his memory, however, that any of them learn the truth of what was going on.

oh yikes, I wrote a lot more for this than I meant to, whoops!

oh yeah, I’m naming this au the “Dr. Pines/Mr. Cipher” au for now, but if anyone has any better ideas or if thats already been used for something else, please let me know!

also, @aaabatteryy I LOVE MARINEFLAMES’ CONFRONTATION ANIMATIC, THAT WAS ACTUALLY WHAT I WAS REFERENCING WHEN I MENTIONED OTHER ANIMATIONS USING A SIMILAR CONCEPT TO THIS AU

oh, and I just want to say that I’ve never watched the musical so thats why this doesnt (intentionally) incorporate any elements of that.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[admirationandromantics]

Old story of mine, but I deleted my last Tumblr account, so here it is again!! This is a collage au!

Here we go again

The party hadn’t started yet. The only ones in the house so far were me, Jesse, and Dina. Dina hadn’t even begun to get ready, only stressing about where the bowls should stand, and what ornaments to put under the sink so that they wouldn't break. She was the host after all.

“Just go and get ready,” I urge her, searching for bowls in her cabinets to put the food in. Drinks were already in the fridge, and people with common sense would also be bringing their own. I had labelled my flask of white wine with my name, just in case someone decided to steal some.

“Fine! Just put the vases in the lower cabinets in the kitchen, please” she asks, before hurrying to the bathroom to apply her makeup.

Soon, people began arriving, and we started playing drinking games, pointing at the one who`ve had the most sex, the one with the most exes, and on and on. In the middle of the game, the door opened again. Dina ran there, and we kept sitting in the living room. That’s when I heard the voice. Her voice. A cold shiver ran down my spine, and I pressed my lips together. If I knew she would come here, I would probably fake being sick, or lie about a college assignment. In the middle of my slightly panicked state a new question comes;

“Who is the worst at managing alcohol?”. Everyone raises their fingers at me.

“The hell do you mean? Several of you can handle less than me”.

“Maybe, but you only get drunk on wine, and when you first do drink, you never stop. I`ve seen you being hungover for days” Jesse chuckles, and the others also start laughing.

“It’s true honey”. I look up to find Ellie leaning against the doorframe to the living room, looking down at me. I roll my eyes, and scoff.

“Fine, I'll show you guys that I’m not just some fancy person who enjoys only drinking things that actually taste good” I firmly state, as I pick up two filled shot glasses, and down them both in fast manoeuvre. Everybody cheers, and I can hear Jesse say something about the other part he said, but I don’t listen. Ellie lifts her eyebrows surprisingly as she watches me, and opens her mouth slightly. She soon sits down, joining the circle. I was already drunk, and this was not going to make it better.

Ellie was, simply put, a bitch the first time we met. She was super cocky and couldn’t stop talking about how good friends she and Dina were. Every time she was around me, she eyed me up and down, like she felt threatened by me. She even made a number of walking harshly into my shoulder several times, not even apologising after. This was the first year of college, and I had just gotten to know Dina as a roommate. Before she introduced us, she was completely sure we would get along well. Spoiler, we didn’t. After putting up with her behaviour for about two weeks, I exploded. Called her a bunch of names and shouted at her for being such a rude person (I may have been a little drunk too). I realised after that I may have gone over the line and waited outside her biology class to apologise. I had a shitty week, and I guess I took it out on her. She eyed me once more and swore she would make my life hell. She did. Making fun of me publicly, tripping me in the hallways and always tried to prove everything I said wrong. It was exhausting, and I started avoiding her at all costs.

 ***

We played through several games, and soon everybody was either laughing uncontrollably or laying on the ground talking about deep, philosophic stuff (As everybody does when they're drunk). Dina and I were discussing Buddhism, while sitting cross-legged on the floor.

“I just think that it makes so much sense that they refer to his awakening as a type of rebirth” I point out.

“That’s wrong, many people don’t see it like that.” I could feel her presence behind me before she started talking. I breathed in deeply, before letting it out again and turned around. Her body sat tense on the sofa, leaned a bit forward while her elbows rested on her knees.

“The scripts are badly translated, and it could be anything that we don’t yet understand”.

I smile and use a sarcastic tone while agreeing with her. “Of course, you`re totally right”

“Are you saying I am wrong?”

“Exactly what I didn’t say”.

“Fine”

“Yeah fine”

I struggle to hold my laugh, as I can sense how stiff she is. I hold my breath for too long and snort, looking away from her immediately. She gets up from her chair and her voice lowers.

“What was that?”

“Nothing” I calmly state, a smirk lurking as I lift the glass to my lips. She notices, and huffs. I`m loving this, and feeling as if I've taken some of my power back.

After a few hours I had to go to the bathroom. My body is swaying, and I understand that tomorrow is going to be horrible. Jesse is always right. I try to take my mind off it as I’m washing my hands and staring into the mirror. Suddenly, the door opens, and Ellie is standing there, her hand blocking the way out.

“What do you want?” I ask, trying to keep a stern tone, but ultimately failing.

“Do you think you would get away that easy, trying to one-up me?”

I freeze. Shit, I thought she would get over that since I got my win for the first time in a while. My voice fails me, and instead of commenting back, I stand there, mouth agape.

“What’s wrong? Lost your voice honey? But you were so open-mouthed a while ago”. She slowly walks forward, closing the door and locking it behind her. Her body is towering over mine, closing in on me till I feel her hot breath on my face. Alcohol and smoke. I back up as she puts her leg between mine and her hands against the wall. I blush.

“How drunk are you?” I ask, wondering if this is the best time for this.

“Not enough, you?”

“I'm fine,”

She starts pulling off her shirt, and I do the same. She’s flexing her arms, and I can’t help but admire her muscles. How her veins run down her arms and end by her long, slim fingers. Her hair is up halfway, but some strands are falling in her face. I meet her green eyes and decide this will be the last time. The last time we’ll do this.

“I bet you have missed me,” she smirks.

“I don’t care about you, and this will be the last time we do this” I state, already feeling hot for her. I may have said that the last time too, but this time I meant it.

“Keep telling yourself that honey��

[soo-won]

Hi Al! I'm not sure I have much positivity to share exactly but I still want to try to like? maybe give another kind of perspective that helps process things with more peace and acceptance?

very long post under the cut sorry..., but there is too much to say about Yona and the themes of the story!

To begin with, I don't think this scene says anything more than what we already discussed at length after chapter 257, it only confirms it even more, but this is really a time paradox huh. Hiryuu considered stopping things in his time, Hiryuu didn't throw his sword away, Hiryuu could have done everything Yona has done now too. But he didn't, because Yona was there and told him not to. Like...I don't think Hiryuu literally made Yona exists when wishing to live longer, she had to already be existing in the future for it to happen, so it's more that their soul connected through time and space in the one moment their heart called for the same. It doesn't make sense logically in term of timeline and cause/consequence because we deal with the divine and souls I'd say.

But I don't think Hiryuu had trouble reconciling with loss really? Yona definitely does, but Hiryuu wasn't really trying to like reunite with the dragons again himself. He left that to Yona. What caused him anguish is the idea of dying before freeing the dragons and especially Zeno. His wish to live longer is not so different from Suwon's, it's out of not wanting to leave things unaccomplished. To me what the gods say in chapter 264 imply that first of all they let the dragon warriors go on even having no idea whether Hiryuu would come back at all and when, and also that even if he did come back to them, they would have still not put an end to it because they just don't care. Like without Yona asking like she did they would have let the dragons die and be born again and kept Zeno immortal too. Even now I'm still not convinced they made Zeno mortal again, like isn't that something only the dragon in his blood can decide? And we've only seen 3 dragon gods out of 4 in ch264 so hm. However Hiryuu the individual is very much over and I think he was aware of it and accepted it. Again I swear I can't tell if Hiryuu realized Yona was from 2000 years in his future, but whatever he thought, he accepted to let her deal with everything after him and it means exactly that, we're after him. Hiryuu the person is no more. It is only speculations, but if Hiryuu decided to not return to heavens even after death, I'd say it's because as a soul without any vessel he maybe wouldn't have had any mean of action? But honestly what would have happened to Hiryuu's soul is complete mystery so I just don't know tbh, it's something that feels a bit pointless to theorize over for now.

But this chapter also implies Yona didn't really process in ch257 that what she was doing is dooming 2000 years of generations of dragons. She was in the middle of a quest to retrieve her friends, in that quest she was brought in that past where she stopped them from being completely erased from existence as they are now, and then chased after them again with a new resolve. Yona has a very finite goal in this arc: she wants to see her friends again. She wants to save them. She doesn't think about saving the world at all right now. That glimpse into the past was only that to her, her present is what drives her. It's not that she really doesn't care about the dragons' sufferings, it's that from her POV, it already all happened and she wants to make things different now. She had the power to make things different before we agree, but what she's doing now is trying to argue that she doesn't want the gods nor Hiryuu/her to have that power at all over the dragons or anyone to begin with. She throws away the sword, symbol of power over life and death, the one that has been teased since the prologue of the story that we thought was a flashforward to the ending...And Yona rejects it all. She's not being Hiryuu at all here I think. She's fully Yona. She's not some hero trying to restore the world from darkness like a hero of legend, she only follows her heart, and it's Suwon having that goal right now. She's not a King descending from the Heavens to make or protect a country like Hiryuu, the only thing Yona has ever done and is doing here is trying to help the people that she knows are in need, and here especially because she knows only her can do it. Of course, as the chagol arc developed she can see beyond her circle of close friends and she wants to find a way to end wars too etc...But the way she goes at everything is the same. In this chapter she realizes that she really made the dragons wait forever and all that suffering has to end here and now. She says it, she can't let them suffer any longer.

And in a way it's a nice twist to what the narrative hinted at until now. Many in the past (in universe and among us readers) thought that Yona is here now to save the whole country from some kind of "darkness" like Hiryuu in his time (supposedly), but that's not it. Sure, Yona did influence, change and help many people in her journey for real, but she finally found the meaning of her existence as Hiryuu's reincarnation: like Taejun said long ago, it is far more humbler or what we can call "selfish". The meaning of being reborn with the red dragon's soul is to save the dragons, not the world. The world doesn't need the gods after all, it needs the power of people. And driven all along by that simple prayer without even being aware of it, she indirectly moved and inspired others to protect the country and its people themselves. This is a bit different from Hiryuu too. Maybe he had similar feelings, but he failed to accomplish any of that in the end. He made the people depend on him, he saved them, but once he died they were lost and could not find the will and power to do anything but to cling on his symbol and depend on the skies again. In the end, he couldn't truly save and protect anyone in a lasting way. He himself points it out in Zeno's flashback arc actually: No matter what he does, war never ends. Maybe by then he had realized that his existence on Earth is actually pretty pointless and meaningless, that he can't give humans eternal peace. That it was arrogant of him to think he could just come and do that.

So I agree with you on this, and the story hasn't adressed this, but...Hiryuu loved humans I truly think so, but he still went at it like a god. Like? He became their King. He led people to wars. He was still very much above them. He accepted everything that made him special in the human world, he chose for them, then died and left everything behind. He should have died if not for the sword the Gods gave him and the Dragon Warriors. (By the way, the fact they didn't let him be killed is interesting? Like Hiryuu dying technically should made him come back to them sooner, yet they went out of their way to protect him like they did. Curious.) This wasn't explored at all for now but honestly I'm not surprised since Hiryuu was still new at this whole humanity thing wasn't he? That'd make sense to me that he either felt pressure to still be a special existence as a human and/or that he didn't know any other way to "help" them. He's more human than the other gods that hate anyone against them and love anyone worshipping them, but loving every humans whether they betray him or not without any conflict (as far as we know, like, we've never seen him be upset, have we?) is still pretty arrogant of Hiryuu. Yona is different because she was born human. She doesn't love and feel for everyone unconditionally and by nature. She hates and feels upset by others, she feels conflicted, she has to make the active effort to learn and understand others better, even those she doesn't like. Like what Hak said about Suwon (which was pretty unaccurate), loving everyone is the same as loving no one. Hiryuu surely developed deeper, more genuine feelings for the dragons (and I'd hope his wife and children too?), but it was already too late.

Another point is I believe what Suwon and Hak discuss in chapter 262 can apply here too. Suwon and Hak have no power to actually redo anything over, so when they talk about it it's only as a what if scenario, but the conclusion is that rather than changing or "correcting" the past by receving punishment, Suwon should rather find a better way next time in their life /now/, moving forward. And I fully agree with that. First because he didn't do anything wrong he should regret <3 But also because admitting that the way things happened was painful to him and Yona and Hak and that's the real tragedy of that night, then yeah, I want to wish for a way for Suwon to accomplish his ambitions without having to discard his feelings too.

But even if they had the power to go back in time and despite being fully aware of the suffering he caused to some, Suwon has no regrets, and yeah of course he doesn't! I wouldn't want him to! That'd be like rejecting all he accomplished and lived for and the people he helped and saved and worked with etc etc...It might have been painful and unfair at times but that's the only life he has. He wouldn't change a thing but he can grow and learn and use his past experiences to do better. So...I feel like the story applies that same logic to Yona and the dragons. Accepting to let Hiryuu put an end to the dragon warriors in the past is like accepting to reject all her life since she met them if not before, and the time she lived with them, and what they felt and accomplished together, and how she changed and could learn to stand on her own thanks to their help etc...They mean all that to her. And no matter how miserable the lives of the previous dragons were, it doesn't feel right to erase that completely either, right? They didn't deserve any of that but erasing this history and these existences doesn't do them justice imo. If there was a way to make all the past generations have fulfilling happy life without sacrificing the present that'd be amazing but then it'd feel like nothing truly matters too. Admitting we could ask for the present dragons' opinion, Zeno aside, I'd be surprised if they said they want that too. They're characters that /would be made/ to think that, sure, but that wouldn't be out of character, would it? The fact Yona decides for them still is a problem, that's true, but that's different from saying Yona made the wrong choice. As we discussed it's indeed also hard to not see things from the POV of the past, from Zeno's POV, from the hundreds of dragons who waited and suffered all their life in vain. But we're in a time paradox and we can only turn in circle about this like. Yeah that's terrible for all the dragons of the past and Zeno, but the other choice would likewise be terrible for the present dragons and everyone now, but then again it's terrible for the past dragons...etc etc...there's no end to it.

What actually bothers me more in this chapter is how easily Yona chooses to put an end to the dragons' powers in their stead. Like, the one thing people blamed Zeno for was how he took away their agency, but Yona does very much that again here. Sure it's kinda the only way to possibly free them AND keep them alive, and it's really a case of "what Yona thinks shouldn't matter bc it should be about what /they/ think, but alas to the gods Yona's opinion matters more so that's how it is" but that still leaves a bad taste in my mouth that it will supposedly be resolved like that for them. I wish things were executed in a way that showed them consent to it? like regaining some consciousness or being able to communicate with her in some way? or even hint at wishing for something of the like before? I...don't have any hope they will resent Yona for it at all since they'd probably be made more busy worrying for her next etc but I can only pray the story will dare to take some little time for them to process the loss of their powers and what does that make them now, and what can they do to help from now on etc. But wait and see.

So to me the core of the problem is not Yona's decision, it's Yona's writing overall. What we yearn for is Yona to be challenged in her beliefs. To be wrong. To fail. To be held accountables for her mistakes and grow from them. For the story to truly own the ways Yona is indeed not perfect, instead of making her not perfect but still framing it like she is. To me the solution to this isn't for her to kill Zeno with that sword or anything of the like at all. I want Yona to be wrong but not about everything and not about her feeling everyone deserves a better ending. I want akayona to reach its happy ending, I want Zeno to either be able to die happy with no such tragic conditions or either to be allowed to live a normal human lifespan from now on, I want the dragons to live as normal humans, I want the Hiryuu descendants to be saved and live long life too. But I want to see Yona struggle to achieve these. And by struggle I don't mean just the story throwing things at her that she has no responsibility over, I mean...doubting herself, falling, failing, correcting herself, learning from others and her own mistakes and not only the ones she made before the coup.

But akayona has carried this flaw since the end of the Awa arc lowkey, the spotlight is never on Yona admiring and learning from others (but Hak I guess...), it's always others admiring her and learning from her. Truthfully, I don't think that's true, and definitely she learns from others like Kouren, Meinyan, Suwon, Keishuk even lol but that's only something you can infer from what happens, whereas what is highlighted is always how admirable, noble and good and loved she is. I don't think this was much a problem before the Xing arc, as what happened in the Fire/Water tribe arcs compensated the beginning of this terrible trend for Yona's writing, but I'd say starting Xing (which I still believe is an arc with excellent character moments), every villain/antagonist only existed so Yona and the character she had more "complex" and interesting interactions with and that challenged her, could work together against a common enemy and resolve the lazy way all conflicts that existed between them. Like,, Gobi was just that for Yona and Kouren to me. Then Chagol for Yona and Meinyan (even if admittedly Chagol had more going on than Gobi lol), and now the gods for Yona and Zeno. If you zoom in, it's not just that, and I believe there is still good to be taken from how things turned out but...overall I don't think this serves Yona's character development in a way I'd find really meaningful. I assume it's this way exactly to convey the idea that all these characters are all driven by the will to protect something, and in different circumstances (like against a stupid common enemy) they realize they're not so different and are not "bad" people but I can't help but feel unsatisfied with how things are resolved everytime. She grows still but it's just like...she gains more experience and knowledge. There's nothing to resolve. It's not inherently a bad thing but it fails to move me like it did at the beginning and imo it can be a burden for the story akayona is telling.

Like I said, her goal in this arc is to save her friends but...there's nothing special or novel in that. This happened many times before. Of course she's going to save her friends. Like she always did. I fail to see anything meaningful in the new things Yona say or do now because I'm just "yeah that's nice, but it's not like she struggled with that before"(before meaning everything after the awa arc). It's so hard to feel it for me, because it feels like a given. And for a final arc I find this anticlimatic. Even now, I did want for Yona to be stuck in Heavens with the gods, but I hoped it would be a bit more the result of her own flaws than the gods 100% forcing her and her simply not realizing this would happen I guess? In a way you could call the current development a struggle, but you know, we have never seen Yona struggling defying the gods before like. She always confronted people with higher authority and/or more power than her. Kumji, Hiyou, Chagol. Sure these people have more and more power and she got hurt confronting them but it's not like Yona emotionally struggled against them the way she did with Suwon in the past, where you can clearly see her progress everytime she faces him and the people around him again. The only other place I see real progress is in her relationship with Hak like how she can more easily says she loves him now, or being able to protect him like she always wanted etc. Which is a shame because the development of these two (and more especially Hak I painfully have to admit) can actually be seen through their interactions with far more characters.

So now this is the part I make it a bit about Suwon I'm sorry... Because I can't agree with what I've read in the notes of your post about him. You did not say these things yourself but I still want to give my two cents on this as someone that loves him and often feels upset for him because of what akayona throws at him.

Things changed, god knows how much I hated it in the castle and chagol arcs pretty much for the reasons i listed just above, but despite everything I truly believe Suwon's very existence will always challenge Yona (just like she challenges his) and that it still does now. That again Suwon highlights Yona's emotional development well too (again, it's mutual). And that at least with him, nothing is resolved easily. Unlike with other characters, there was never anything more challenging for them but to work together against a common enemy. Being kinda stuck together in the Chagol arc only made things infinitely more complicated and painful and conflictual than they already were. The way it presented it was disconcerting to say the least, and I almost dropped akayona for real from it, but with them it never was as easy as "oh this person saved/helped me now I love them and I will do anything to help in return!", like, from both sides. And it's because even after chapter 221/224 and the Chagol arc I could tell Suwon would not simply end like Kouren or Meinyan or anyone Yona helped before in the narrative that I finally started to breathe slightly more easily. It can be similar in some ways, but I still see a lot more nuances with him than previous examples. And it's still not fully resolved between them. And Yona and Hak had to change their stance irt Suwon and the people around him continuously from the beginning to now too. (Yona moved me the most recently when she found Hyuri in this dark alleyway when she was in the middle of running after Zeno, stopped and sat at his level, and could talk about Suwon from the past like the child he was like no one did before, and that she could see Hyuri not as a crazy violent murderer like Hak and Mundok did in that same chapter, but the man watching over Suwon and protecting him, someone that Suwon needs by his side. That she can say she wants Suwon to live, and this time it doesnt feel like it's only about "dying selfishly on her" but simply the feeling of wanting him to be there, even if not part of her life, and that she could be grateful to Hyuri and thank him for protecting her friends...that's all immensely meaningful imo! Even if nghh Hyuri's monologue in response is siighhh...come on. (gestures) akayona.)

It's so damn slow with them, and Hak is still angry and will always have grips even if they reached a point they can help each other more honestly now, and Yona will never forgive Suwon, and Suwon will never regret what he did nor apologize for it. And Suwon still carries his own convictions and ideology that to this day still go at odds with Yona and Hak. I'm not saying Suwon is immune to akayona's problems at all, I'm painfully aware he isn't, but I still believe his existence in the story now has a lot of meaning and brings a lot of nuance and food to ponder more about everything else. And it's not a bad thing that Suwon accepts them more like...that feels like the natural progression. Of course they wouldn't always stay super distant and confrontional and they would slowly work together closer and closer as they all influence each other, grow, and understand each other better. We as readers might want for Suwon to forever act like Yona and Hak aren't special and important because yeah it's cathartic but...Suwon has never been like that. They were always special to him, from chapter 1. Suwon is his own character, not just a proxy for people tired of (gestures) the AnY narrative that makes everything about Yona and Hak. The same way the shadows can't accept how things changed and force Suwon to be what he's not. Of course, it doesn't change how irritating it is that yeah everyone sides with YonaHak eventually and tend to prioritize them over what they cared about before or themselves, like they're pawns more than characters, and of course Suwon isn't real and was purposely written this way and recently I feel so pained because I so wish it let other characters play a role in his development...but I'd say that tbh if Yona and Hak have to be special to someone I'm fine if it's Suwon. The way he chose the country over them is still so meaningful and admirable. Yona herself said she understood, Hak recently acknowledged that fact even if he could never do it himself. But it's at the same time true that it hurt him to kill his own feelings because of this ideology, and even more so if that makes him accept death so easily. Readers might do that at lot, but I genuinely dont think the manga actually judges if Suwon was right or wrong. It's not about that. It focuses on the characters' conflicting feelings in changing circumstances. As much as I think akayona has a problem with the way it frames things, Suwon's side included, it paradoxically still let a lot of nuances be. It often resolves things in a lazy, infuriating stupid way, yet it's not as bad it feels like either? If it makes sense. Once again it's not like Suwon throws away all his convictions for them! And that's part of the still on going tension and conflict! The execution stings half of the time I can't pretend otherwise but... No matter what I don't want to close my eyes to what is definitely there I guess.

Also, the fate of Hiryuu descendants weren't mentioned at all yet. I don't think it's a problem I think it will be adressed when the time comes. I don't want to wish on a star but my two cents now are: Yona freed the dragons from what tied them to the divine, and she pretty much used her divine authority to do so, but she didn't realize how herself is bound to the divine and probably needs to cut that tie as well. And I suspect that if there is a way for Yona to lose all connection to Hiryuu and be saved, then it will be the exact same key to free Hiryuu's descendants. And Suwon is on his way to the mausoleum, and Suwon famously hates Hiryuu and sees him as useless...Like if there's someone that is damn annoyed whenever Yona is perceived and treated like Hiryuu and by the crimson illness it's Suwon, so...wait and see... I'm sure Hak will have some major role as well but I don't like much when Hak has a role I don't really care about that for now, but recently I appreciate the way he's written so! (Like...flawed and struggling and having inner conflicts that he grows from and stuff...give that back to yona omfg).

In the end I think Yona's character is still meaningful in many ways. She doesn't move me like before, and it's painful to think she is not written like I'd want her to, in a way I can connect with again, but she is amazing to analyze and break down like that and she is the root of many fascinating questions. Like yes that's cool the narrative revolves around the feelings and experience of this girl in a male dominated world, i like the different layers of her identity as a normal girl, a princess and god reincarnated, it's cool it's about her gaining agency and power and that the male characters are here to support her, it's cool she hates that it's at the price of others losing that agency and she wants everyone to be there and free. It's beautiful that she always feels so grateful of people for helping her and hugs them and thanks them everytime. It's amazing that she's the kind of character to never give up, but also acknowledges she wouldn't have been able to without people being here for her first. I like how she cares for people, the "discarded" ones like she does. How even if she's ignorant and doesn't understand everyone's feelings and experience at first, she constantly tries to. I love that when meeting Zeno, believing that he had no power that could "protect" her like the others, she was glad to meet him only for his warmth and because she felt happy with him. I'm glad when she told Kija, that was always convinced he was born to protect Hiryuu, that she wants him with her even now that he feels like a burden. That she told them that them dying like that because it's their fate and duty is not okay again and upsets her, that she's grateful for Kija just being there even if he can't fight. I like that she wants to break all cycles and refuses the unfair destiny imposed to the people around her. She loves her friends, she loves people, despite the way she can be inconsiderate/insensitive/unfair too, which is important to point out of course. It's because it's not black and white that it's so hard.

There are countless things to say about her and she is more than either the perfect badass 10/10 queen everyone praise no matter what she does or the terrible person that doesn't truly care about anyone but herself and treats everyone like shit. I don't think she's shallow like that, one way or another. I do think the way people despict her in fandom space often is though, but I'm not interested in that Yona at all. I love how she stays so true to her feelings no matter what, I love that selfishness of her in the good and bad. I don't agree and I don't like when she says Suwon is selfish in chapter 252, but I don't mind that she, Yona with her very unique and personal experience and story, thinks that. Akatsuki no Yona is about people's heart and feelings clashing with reason and objectivity, and through Yona it chooses to show us things we can only see from her side of things. Yona herself is struggling with that. She wants to help her people as Kouka's princess, but she feels conflicted between her duties as a princess and wanting to save her friends. It felt easy to resolve it by Suwon avoiding her the struggle longer and just letting her do what she wants, but I think it did it this way precisely because the manga doesn't want to preach about what would be "right" here. There is no answer. There are only people doing their best to tweak things to find compromises. Suwon gave her the opportunity to follow her heart because "objectively it's better if it's yona dealing with this", and Yona uses it fully. Yet she still intends to come back too. A compromise again.

So what always bothered me is not Yona herself but how everything surrounding her is framed. Likee the narrative makes a ton about her when I don't think it's needed at all and kinda goes against the point. That it sides with her is definitely intended and meaningful in its own right, but I thought it was doing it much better before and I prefered when it was humbler about her and I felt like it was siding with more POV and characters but her (and Hak). So...she's not that protagonist I identify myself much with anymore (and the story itself kinda makes yona and hak's development something that we can only be a witness of outside of their head now, rather than following all the thought processes that make them grow from inside and their POV) but no matter how you process your feelings for akatsuki no yona in the end, keep being disillusioned, it's good! Keep being disillusioned about her and akayona as a whole again and again, and be disillusioned of your previous disillusions because that's the way to see it truly for what it is the most. Nothing erase the way akayona and yona's character are flawed, so there is no need to erase what is definitely there and good about it. Take all the good and bad and how they coexist. I just find it painful to hate everything so much that it makes doubt everything and blind to what is simply there so I don't want it to happen to you :').

Akayona is a mess like that, it's terribly flawed but it's also good in so many aspects and that's what makes it so damn complicated and frustrating! But also extremely interesting, and I think it's possible to appreciate it this way. So best wishes to you Al!! I love your akatsuki no yona writings and I'll be sad to see you stop and fall into that painful spiral, but it's also fine to take distances or drop it completely depending on what feels the best for you. I'll always love to discuss about all of this with you if you want!!

Critique ahead, read at your own discretion.

Am I understanding this correctly? Because of Hiryuu’s selfish wish to have more time on Earth, Yona was created, thus their soul did not return to the heavens to be with the other dragon gods. As a consequence hundreds of humans were damned with the dragon powers and short lifespans. If Hiryuu had accepted his own death as a natural course of life as a human and went back to the heavens then all of this could’ve been avoided. But it seems both he and Yona have trouble reconciling with loss. They’d curse strangers if it meant having more time with their loved ones. How is this not viewed as corrupt? Their resolve is painted as this heartwarming thing - that they’d bend reality if it led to the safety of those they care about. But what about everyone else? The world isn’t comprised only of those dear to your heart. They say Hiryuu loved humans but the more I examine his actions it seems he simply wanted control over them.

I want to love this manga, I have loved this manga, for many years. It was amazing seeing Yona’s growth and getting to know all the characters. Soo-Won, Shin-Ah, Zeno, and (earlier chapters) Yona will always have a special place in my heart. But the way the themes are being developed leaves a sour taste in my mouth. Idk, if anyone has some positivity to share about how things are progressing please feel free to do so, because at this point I’m disillusioned with YOTD.

[girl4music]

God that’s a genius line. Seems cringey at first - which Waverly does acknowledge immediately after, being the adorable self-conscious creature that she is - but when you think about it a bit deeper… it’s profound because her aunt Gus tells her earlier in the episode that “you’ve been doing what others want you to do for so long. Now you can do whatever it is you want.”

And it’s absolutely true that what Waverly wanted to do for herself - for the first time - is Nicole Haught.

It is romantic and it is beautiful despite the cringe of the line because it comes from feelings of having a deeper connection than just wanting to hook up with a girl she thinks is hot. It comes from a place in her heart of wanting to explore her sexuality in an area she hasn’t yet, but wants to with someone that she knows is worthy of her heart. Of going on this incredibly personal and intimate journey in her sexuality with. She’s not using Nicole. She’s inviting her to be apart of something that is completely new and exciting for her.

So Nicole smiles because not only has she wanted this desperately herself and was just waiting for Waverly to make the move she felt she couldn’t do, but also because she completely gets what Waverly is saying to her. She understands that she’s asking her to come on a journey with her that she feels no one else can. And so their hook up here is not just simply one of “I am attracted to you, you’re attracted to me - let’s get together”. It’s “I like you, you like me - explore this journey that I’ve never been on ever before with me.”

So yeah - what she says is profound even if cringey. But it’s also so Waverly so it had to be a little of both - including the little anxious freak out moment of “God that didn’t come out right” and *gay panick - help*.

She said everything right even if she didn’t think so at the time because Waverly knows what she means by what she said. And so does Nicole. So fuck it. Cringey it is and shall be while being so. much. more than that.

Genius writing right there. Just had to acknowledge it.