#but also art should be fun and enjoyable and if you're just

[pendwelling]

hiii been getting interested in twsb, planning to read after looking at ur posts. would you recommend starting it with the novel or the manhwa first?

OH ABSOLUTELY THE NOVEL!!! Like Please. I am actually begging for most people to start the novel first before reading the webtoon hahaha........

I love the webtoon dearly, but there are very obvious problems with it (especially if you read the adaptation on the official WEBTOON platform—the translation team clearly have no idea what they're doing and don't seem to have a good quality checker on the team which leads to mistakes on the most basic things such as name romanization (which has already been provided for FOR FREE by the novel author on their Munpia page 😭) and the wrong use of pronouns/titles of address for several characters)... Many readers in the comments have even expressed confusion because of the botched "official" translation, and despite having gone on for several episodes, they haven't bothered to go back and correct these errors :')))

The adaptation also skips over many details, and while some changes do a decent job in reorganizing the narrative flow into a smoother visual experience format, TWSB is actually quite a lore-heavy and emotionally compelling story driven by a lot of the subtle relationship development between characters through their many, MANY interactions, and elevated through the inner narrations of the characters themselves (which is obviously tricky to translate into a visual medium). A lot of such interactions do unfortunately end up getting cut from the webtoon (especially in Season 2, although the art definitely captures the novel's atmosphere better than the first season), so webtoon-only readers unknowingly end up missing out a LOT on the very strongly built characterization and the setting of foundations for the relationships that will be so fundamental in the long run.

All in all, the webtoon is decent. It's not the best, it's actually quite enjoyable, but as an adaptation, it very unfortunately suffers in many aspects, and since the webtoon is often the first impression of TWSB that many new readers are introduced to, it often leads to the belief that TWSB is just some simple and silly story without much depth (it is very much NOT. If you are familiar with ORV, TWSB is actually quite similar, just thrown into a RoFan, directed towards a different target audience, and with the promises of offering a lighthearted fun story. Think ORV on light mode, with its own unique spin. "Kim Dokja" and "Jung Eunseo". You'll get what I mean.)

Anyhow, Season 1 probably adapts the novel the best in terms of the story and scenes, but the atmosphere leans more towards the silliness and doesn't capture the balance between comedy, tension, and drama as well as it should, and is very simplistic, leaving out many relevant visual details. Season 2 on the other hand is near perfect when it comes to visual design, mood, and atmosphere, but is lacking when it comes to adapting the story and character interactions, with a surprising number of important scenes being left out. Both seasons are good in their own ways, but both are still ultimately lacking when you know what you're missing out on..... 🥹

Oughhh sorry I kinda went on a rant, but my point is, the TWSB novel is actually very deceivingly complex. At first glance, it seems like a comedic and lighthearted story, but the more you read the more depth you find is actually present, many of which are between the lines or very blatant, but presented in an initially unassuming light which makes you take it at face-value (making rereads a very enlightening experience). The novel manages to balance several different kinds of tones and moods in a way that the webtoon struggles to juggle the fine line of, and I should note that throughout all 920 chapters of the novel, it is clear that, from the very start, the author has always had an extremely clear vision, direction, and ending for the story. Each character you meet is important. Each of their stories is important. It is actually quite meta, but, this is something you'll only fully understand upon reading the novel haha. Everything is written in confidence and as a reader, you can actually feel this the more you read, and it's frankly impressive because there are other fantasy stories that feel like they drag from one arc to the next leaving you wondering how the story will even be able end, but with TWSB, the structure and end goals are always there. The writing of the protagonists definitely contribute to this, as TWSB is, to its core, an very character driven story.

Oh and in addition to a great main cast, the way the story treats its supporting cast is also so impressive. Most of my favourite character are actually not even part of the main cast—but even though they're only in the background, supporting the protagonists from the sidelines or even the shadows, the story treats their roles with great importance and depth, and even though they're minor characters, their presences are absolutely integral in their own ways, and it's nice to see a story treat its characters with such respect (so it's a shame that the webtoon doesn't seem to place as much importance onto all of its characters, focusing mainly on the MCs). TWSB is so well crafted and it will always pain me to see that the webtoon cannot do full justice to the amount of care put into the universe..... TvT

But yes, please read the novel first haha... 🥹 The webtoon is fine on its own, but is somewhat superficial compared to the novel. It's lovely, and the artists have definitely worked hard on their project, but the adaptation writers truly cannot live up to the full original experience presented by Sookym themselves! So yes, I would definitely recommend the novel first 🥹🥹🥹👍

[bonefall]

Clan Culture Illustrations

So I've been mentioning this in passing, and I think now is a good time to start collecting info from people who are interested!

I'm seeking artists who want to draw stuff for my Clan Culture series.

I often write very large guides for things like tools, ecology, medicine and treatments, etc, which then get held up by the fact that they're big blocks of text without any fun pictures. I usually collaborate with friends and family, but I could put out more quicker if I had some artists on standby.

If you're an artist who would be interested in illustrating, here's the details;

Everything I make on this blog is tailored towards WC fans, but free for anyone to use and reference for their xenofiction worldbuilding projects. You do not have to be intimately familiar with the Warrior Cats books. This offer's open to anyone above 18.

Fans of Better Bones are preferred, because Clan Culture and BB often intersect. I might ask for help with some BB stuff at some point, too. (for example i have a guide on types of StarClan spirits that needs illustration)

To re-iterate, please only inquire if you're 18+

Price range is 20 - 50 USD and turnaround time can be up to 6 months if you just keep me updated. (I am sorry that I can't offer a higher price for these, but this is coming from my own pocket. In return, this is meant to be low pressure)

Half payment upfront, the rest after completion.

I will never "assign" you a surprise mystery topic (unless you ask for that I guess?), I'll either present you with a list of posts that need illustration (yes this means you get to read stuff early), OR float some ideas that play to your strengths and interests. (for example: if I'm approached by Spider-Enjoyer-9000 who's willing to draw a ridiculous number of spiders, I will draft, write, and research a Clanmew Expansion in the style of Deer and Co or Moths and Butterflies.)

Either way, there's usually a lot of creative freedom here unless I need a specific technical drawing, which I will discuss with you and provide references for. (As an example, if we were talking about a post on declawing, I might ask for you to illustrate the muscles within the paw.)

The nature of Clan Culture means you will probably be asked to draw plants, food, objects, and/or scenery

Still interested?

I'm hoping to make a personal "list" of people I can call on, so send me your commissions info or details in a DM, an ask, a reply to this post, or anything else you'd like. Tell me about stuff you like drawing, topics you're interested in, if you can draw backgrounds, etc

Also, please tell include in that message if you're comfortable with illustrating these particular sensitive topics. These are opt-in only;

Medical Gore (Woundcare, stitching, blood, vomit, urine, parasites and bug bites, etc.)

Reproductive Care (Abortion, birth, pyometria, inducing lactation, possible revamp of the HRT guide including simple surgeries, etc)

Hunting and Butchery (Humane killing of prey, skinning, disembowelment, cutting meat, making sausage and blood pudding, etc)

Funerals and Animal Death (Sad kitties, dead battle cats, scavengers and grave desecration, tombs and burial rituals, concealing decay, etc.)

The end art will always stay tasteful, but I might need to give you references in the form of real images or tutorials that might be upsetting if you're sensitive to these topics-- so it's important to me that I consider those four things "opt-in."

I have plenty of other posts that need illustration, it's just a huge plus if you're able to do these too.

(You should also mention any other specific triggers or phobias you have, so I don't unwittingly come at you with something else upsetting)

"I still have questions!"

Putting a big list of answers beneath the cut;

"Would everything have to be colored?"

Nope, as long as there's pictures to break up the text, you can do sketches, black and white, flat colors, only put color in the header, etc. We'll discuss expectations with the post in front of us, and then agree on price.

I have ONE requirement; it's gotta look good on Tumblr darkmode. Because I use Dark Reader.

"Do you have a Discord?"

I do, I just try to be exclusive with who I give it to! When we're discussing details, we'll probably move over there if you'd like. This is a reason why I only want to work with 18+ artists, I'm not always SFW on main.

"Can we do an entry together about (specific topic)?"

Probably yes, so feel free to ask! The worst that will happen is that I say no, or maybe later. For example, I've got a post on Sweetness Tolerance reserved for my partner (they like to draw sweets), so I would say no if you asked.

Just keep in mind that researching, outlining, and writing is unpaid labor I'm doing completely for free. I have posts mostly done that just need art, and topics I've done some research on. Please only ask for special collaborations from scratch if you're serious 🙏

"Does it have to be digital?"

You'd have to have a WILD idea for me to say yes to anything non-digital, but I am a queer of whimsy. If you can whimsify me with an idea, hell yeah.

"Will I be compensated if you need any changes?"

Yes. If I spring anything on you after the details we agree on, I will first ask you, then ask how much that change would cost, and then compensate you for it.

As fair warning though, I am trying to stay within a budget and writing the posts themselves is unpaid work I do (plus occasional helping hands during research stages, I consulted a friend who is an irl wetlands expert for ShadowClan's environment). I can't pay more than what we agree on.

"Can I link my info in the post?"

Yes. "Guest Artist" is going to be named in the opening paragraphs, along with any fundraiser, shop info, carrd, etc, you want there.

"Boosty?"

Yea I got Boosty. Paypal, too.

"I have some other question about pricing"

Feel free to ask, but my hard budget is 20$ - 50$ US. Please only inquire if you're willing to charge within that range.

"What if I'd do it free or I want to do this anonymously?"

I'll donate to a charity of your choice and link to it in the post. If you have no charity preference, I will link to RAINN, Anera, or The Trevor Project.

(Naturally this comes with an anti-ghoul caveat or two. If you try to get me to donate to something like Autism Speaks I will rotate every bone in your body by 45 degrees.)

"I like checklists, can you give me a checklist of info you want in a DM?"

Sure!

Your info; socials, carrd, shop, etc

General interests and strengths. Stuff you'd love to work on, or have insight to. If you like fishing or drawing bugs, I want to know that. If you particularly want to practice flowers, tell me. Be as detailed as you want so I can pair you with a relevant subject!

Your examples

General asking price (or charity)

Which, if any, of the four Opt-In Subjects you're opting in for.

Anything else I should know (triggers, phobias, things you dislike drawing, if schooling or disability means you need a particularly long turnaround time, etc)

[alexanderwales]

Turning Off Your Brain and the Critical Lens

Alright, let's start with this: there is a thing called a critical lens. It is a way of looking at a piece of art, examining what it's saying to us about itself or its subject or themes or whatever.

There are many critical lenses. Because this is something that's mostly only taught at the college level, most of them are (in my opinion) mired in academic language and not actually all that interesting in and of themselves: I think if you read a dozen stories through a feminist lens, you really start to think "okay, yeah, I get it". Different readings of different texts through different lenses can be great fun though, and it's one of my favorite parts of media criticism, and something that I wish people were more explicit about.

I'm going to talk about the Barbie movie, because it's easy. The feminist lens is obvious and in my opinion intended: it's the thing that the movie is most trying to be about, and as a consequence, it's something that probably has the most critical meat. But you can also read the movie through other lenses, and ask what it has to say about capitalism, about race, about neurodivergence and queer theory and game theory and a bunch of other things.

Some of these readings are Unintended. The author (in this case, hundreds of people working together on the film) did not intend for you to look at the movie to see what it's saying about, say, American Imperialism. Probably.

I personally enjoy unintended readings. I like teasing apart a book to see what it's saying about different things, and how it's saying it, and what the assumptions it's operating under, and whether this creates anything interesting when I bring a different set of assumptions. I think the writers and actors of Winter Soldier were not trying to say anything in particular about masculinity, but fuck it, let's watch the movie and think about it.

Sometimes people will watch something and recommend that you turn your brain off. Sometimes they'll say this to you just as you're about to start in on some critical analysis of something that definitely was not made with that critical analysis in mind.

Here's how I think of "turning off your brain": it's a critical lens. It's not a critical lens in the sense that academics might use it, but you're looking at this piece of media from a specific viewpoint, and that viewpoint is "omg they're in love" or "fuck yeah" or "no, don't go into the basement!". There are certain pop genres that greatly benefit from being viewed this way, at least in terms of pure enjoyment.

When I sit down to watch a romcom, I can do it with male/female social dynamics in mind, or I can do it with "aw, I hope these kids get together" in mind. One is the intended reading, and I don't think that it should get all that much privilege for it, but I do think generally it can result in better enjoyment. I love media criticism and consider it to be one of my main hobbies, but if you fall in love with one particular way of viewing media and only use that single one, you're going to have a bad time.

I write and generally enjoy rational fiction, which comes with its own lens, which I guess we can call the rational lens. If you sit and view a work through the rational lens, sometimes you can have fun with it: you try to work through the systems as presented and the actions of the characters and think about how you could make everything make sense. The way to do this that's not very fun is to look at a work through the rational lens and conclude that the author is dumb, the characters are dumb, and the worldbuilding is shit. I guess this can be fun if you have a sense of smug superiority, but I personally do not.

One of the things that I love about media criticism is that you can sometimes extract weird and new things out of a work. One of the things that I love about fanfic is that you can take a deliberately strange reading of a work and then write as though that reading was true. You can look at Batman and say "what does this say about income inequality" and then start writing and say "this is about income inequality now". You can look at Winter Solider and find a reading where Cap and Bucky are gay and then write it out.

Where I think people fail in a way that's personally annoying to me is that they take their preferred reading and then loudly claim ("ironically" or not) that this is the One True Reading against which no other readings can stand. Sometimes "that is not The Point of [thing]". I think you get that a lot from the "shut off your brain" crowd, but I've seen it from other places too, and I would attribute it to people talking past each other, sometimes not even realizing what critical lens they're using.

If you're talking to me, you can just say "non-preferred lens" and I'll understand, or maybe I'll say "wat" because I might forget this blog post moments after I write it.

[bleaksqueak]

just wanted to say, as a fellow artist, THANK YOU for talking about shortcuts 🙏🙏 ive had baggage over not doing art """properly""" (re: the repetitive frustrating way just to prove i can), and im finally letting myself use tricks like warping and textured brushes and such, but i still feel weird sometimes. then i see a batshit amazing artist like you uses them, and i feel better. so thanks 😭 (and yes aye-eye is not included in this, mass theft isnt a shortcut)

The great thing about baggage is you can and absolutely should work up to just checking that crap in at the front desk and then conveniently forget to ever pick it back up~ Seriously though, it's no problem, and I'm glad to hear you're loosening up with it! If it helps, shortcuts are drilled into you if you work professionally in art. The only people who don't use shortcuts who work professionally are people who simply don't want to (be it stubbornly or out of enjoyment) and people who can afford to (names so big that deadlines will either be lenient or are dictated by the artist themself) The urgency to do everything the painstakingly hard way is, weirdly enough, a mindset most common in hobbyist spaces. People who want to do it that way (out of enjoyment, out of pride) are more than welcome to do it (as I'll sometimes just do slow crosshatching, no special brushes, because I find it relaxing)... but those who insist others do it or they aren't a real artist are often speaking from a position of bad faith, or are repeating what they had drilled into them by another hobbyist or their childhood/teen year art teachers, *or* are doing it to place themselves on a pedestal competitively. So, basically! Do things manually if you feel like it, but also know that there's hardly a "pro" out there that doesn't utilize a lot of fun little tricks and shortcuts. We still do it by our artistry, which is where the line is drawn with generated bullshit (also, you know, it's theft), but I guess a good way to look at it is like this: When you're drawing a piece of storytelling art or a comic page and the character has an elaborate costume with chains (my own character's lapel pins... we can look at Spawn, or a Nomura character and their department store of belts)...What's more important? The intricate detail of the chain, proving you can do it (again and again and again, since every angle would need to be drawn anew) Or the character acting, the composition, the atmosphere? It's the aspects that tell something about the character, the action, and the story that are always going to win out and matter, meaning that chain is just busy work-- a prime candidate for a quick swipe of a chain brush, or if you're me, this little friend:

So, yeah!! At the end of the day, the most important thing is to do what brings you joy or what meets your goal. I do love drawing clothes and I love details (love patterns and gold details especially)... but I also love finishing my work and shortcuts allow me to focus on the charcter acting and the atmosphere instead! Go forth and don't feel guilty. So long as you're not stealing from anyone and having fun, you're not doing anything wrong.

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[allthingswhumpyandangsty]

Hi there! As a new fic writer, I was wondering if you had any writing advice (in general), but especially for writing dead dove. Do you have any advice on how to make your writing impactful and more emotionally devastating (lol)?

I’ve always thought writing that hits a reader so hard that it effects them emotionally—as if they’re a part of the story themselves—are some of the best written (and my personal favorites to read).

Thanks so much!

the most important and effective advice in general that I can give anybody when it comes to writing, is that ‘practice makes perfect’.

however, it’s also important to note that I am by no means saying my writing is ‘perfect’ — because you (general you) stop learning and improving your skills the second you believe what you’re doing has already reached the point where it’s ‘perfect’, and that’s where it becomes a problem. there’s a difference between being proud of yourself and your work (which you should always be) and thinking that your work is already ‘perfect’. 

so what I’m saying is; as long as you’re willing to keep learning, you will only keep getting better. always practicing, always learning.

your first ever work may not be as satisfying as you want it to be, and that is okay. looking back, the first ever fic I wrote almost 8 years ago would not be satisfying if I wrote it recently — considering how my writing style has changed, as I’ve found (still am continuing to find) what represents myself best in my works, and how I’ve learned and improved my skills — but that fic was still my creation and I still am proud of myself and of the art I’ve created; the thing is that I’ve practiced and learned and I’ve come a long way, and that’s what really matters.

as for writing dead dove, my advice would be ‘don��t hold yourself back just because you think this is too violent or too disturbing’. as I’ve always said, there is no such thing as ‘too far’, ‘too graphic’ or ‘too triggering’ when it comes to any form of art. 

that being said, content warning is just as important. warn your potential readers beforehand about what they might be getting themselves into if they decided to give your writing a read. this doesn’t mean you have to ‘spoil’ your fic to them, just let your readers know what kind of content is in the work — for instance, child death, blood and gore, non-con, drug use, human trafficking, etc — so that your readers can decide for themselves if the work is too much for them.

but that does NOT mean you should stop writing about This Specific Topic You Love to Write About just because it’s too triggering for your readers. why? because, while your readers should always be appreciated, you don’t write for them. you write FOR YOURSELF.

write what you want to read.

write whatever you want.

you, the writer, are the priority of your work.

don’t write something you don’t want to write just because it’s what your readers want. 

don’t hold yourself back from writing what you want to write just because your readers don’t like it.

the most important factor about writing fanfics and/or original works is that writing should be something you enjoy. not a job (even if you write original work as a career), you should always have fun doing what you’re doing. that’s how you can do your best.

the trick to writing an impactful and emotionally devastating scene is if YOU are invested in what you’re writing enough that words come from within yourself. and you can only be invested in what you’re writing that much if you love and enjoy what you’re writing.

it’s more difficult to love and enjoy what you're doing, if you’re doing it to please other people.

you see where I’m getting at? it’s all about your love, enjoyment and passion as a writer. 

you don’t write for your readers. you write for yourself, and your work will attract to it the right readers who love the same thing you do. and that’s how you successfully write an impactful and emotionally devastating scene that can make your readers cry.

don’t think about whether or not your writing will have enough impact on your readers when you write, because thinking about that will only distract and prevent you from reaching your best potential. just be invested in your writing. 

don’t think about whether or not your readers will like this; because worrying about whether or not your readers will like it will also distract and prevent you from doing your best.

if you want your readers to feel as if they’re a part of the story themselves, you yourself have to be emotionally invested in it that you feel like you’re a part of the story yourself. and that can only happen if you’re doing it for you. not for your readers. not for anybody else. but for you.

repeat after me ‘I am the priority of my writing’. 

again, be invested in your writing. write whatever you want to write, no matter how disturbing or fucked up or violent your work gets, write whatever you want. just don’t forget to tag all the trigger warnings properly.

you don’t ‘try to attract people to read your work’. you get invested in your work, you write whatever you want, out of love and passion, and your work will attract the right readers to it.

I have no doubt you will become one of the best writers out there, anon. keep learning. keep writing. I’m rooting for you.

[pixelxgore]

hers a billfold wip as a treat i changed his face bc i have free will

The art is to encourage you to read my silly little insanity (you should totally do it btw)

I'm dyslexic so sorry if anything is spelled grotesquely wrong lol autocorrect sometimes has no idea what i’m trying to spell

Starting with my head cannon because every thing will make more sense with it (or it wont that's entirely up to you) Imma try my best to make this enjoyable

So I head cannon both bill and ford as aspec this is important for the rest trust (I'm Aroace myself so some of my words are based of of experience ) being aroace doesn't mean you can't have a toxic one-sided relationship with a triangle

(most of this is pretty vanilla but I still wanna talk about it)

I believe it started of as a one-sided relationship on fords part (wow shocker) but it wasn't really love because he's ace it was more of infatuation (this stems from the fact he is a science boy and like ooo demon triangle thing) mistaken for love (I'm pretty sure this is common among aroace people or I just had an original experience) and maybe bill had just a little bit of the same feeling but instead of infatuation it was just pure obsession and when they had there little “tragic break up” and bill finally came to realize his obsession and it consumed him (idk i think that how abusive obsession is) and he realized he can’t live with out ford (i man he can but unhealthy obsession) and thus bills one sided relationship with ford where he just tries to get his puppet back but can’t figure out why he needs him so bad so he comes to the (subconscious) cuncultion there in love (because of course that’s the reasonable decision) and then you all know what comes after

I think bill has major will wood music vibes so I have nominated three songs of his for bill ford (cuz I'm genuinely going insane over them)

This is for fun and based off my head cannons

All of my discussions are made purely of the vibes the song gives me and how cool than animation in my head looks so take everything you know about these will wood songs and throw it out the window cuz none of that is relevant :3

i saw someone say “Will Wood songs can really be interpreted in different ways, and most of them seem like wisps of similar thought rather than a concrete narrative, so you're always a little bit right and wrong when you take a guess.” and i think you should keep that in mined

(I'm gonna embarrass myself so hard (⁄ ⁄•⁄ω⁄•⁄ ⁄) )

I'm not gonna elaborate much but just trust me ok I put it kind of in chronological order

fords one sided relationship with bill: ...well, better than the alternative

Ok so this one is the least perfect out of all of them cuz it only half what I want (obviously this song is a stretch but hear me out) It's mostly for the like the last half of the song (remember what I said about throwing out the meaning for get that i lied) this song about the struggle ls of growing up and is a heartfelt plea to be understood and accepted for who we are (which obviously ford was a wired kid) and this kinda ties into the one-sided infatuation because it also is about the romanticism of nostalgic love, and the pressure of society telling you to find someone and "settle down" as we get older (witch yk aroace can’t really do that) so he’s grasping at the fact that he is enamored with this demon he just summoned (because science) so he can come up with this narrative in his head of how he is in love and can finally fit at least one of the societal boxes (idk it sounds like something to me probly ooc but I'm having fun)

bills one sided relationship with ford: ¡Aikido!

obsession with someone and how people often use coping mechanisms such as drugs to help with their feelings of uncertainty and helplessness. (yes this is copied not fully of a site this is tumblr not an english assignment) it also explores the idea that love and obsession can often manifest in neurotic and even pathological behavior.(oooo oooo look i’m so smart like staring the apocalyps) i’m not this cool this whole thing started with the first like whit h is “I apologize for playing with your eyes But I’m obsessed with you” witch reminded me of how bill used for as a puppet and then yk fords whole world came crashing down (this one explained its self more i have to do less mental gymnastics) and he’s like im sooo sorry i can’t live with out you

there whole relationship from the deal to the end of bill: Misanthrapologist ("In case I make it,"

Outtake)

ok this one is the one that mostly made of vibes because the song is about an unhappy codependent relationship through metaphors of christianity, nihilism, outer space, and mozart (witch only really encompasses a portion of the relationship) the song stars with “I wanna meet your make Shake him by his ensanguined damask lapel Holler "Look what you've done Gave this planet a sun And made a man to wonder if he's more than the sum of his cells"” which makes me personally think of obviously the deal fore made with bill and how bill stroked his ego all the way through there partnership um you can see where i goes from here just go listen to the song

ok this one’s off topic and only for my imaginary animation but the line “So how could I stand a chance, let alone dance With the way you sweep me off these two left feet?” just like imagine this with me it’s bill (human probably cuz i don’t work with the triangle) and young ford in the minedskape thing and its bill dipping ford and when it goes down it switches to bill and fort in bills pyramid thing with ford chained up do you see the vision ok I’m done now (´°̥̥̥̥̥̥̥̥ω°̥̥̥̥̥̥̥̥｀)

[visit-new-york]

Does Brooklyn Bridge Park Have Any Family Friendly Amenities or Play Areas?

Brooklyn Bridge Park, nestled along the East River with stunning views of the Manhattan skyline and the iconic Brooklyn Bridge, is not only a picturesque destination for adults but also a haven for families seeking recreation and relaxation. As one of New York City's most beloved waterfront parks, it boasts an array of family-friendly amenities and play areas that make it a perfect spot for parents and children alike.

Playgrounds:

One of the standout features of Brooklyn Bridge Park is its well-designed and diverse playgrounds. The park offers several playgrounds tailored to different age groups, ensuring that children of all ages have a safe and enjoyable place to play. The Main Street Playground, for instance, is equipped with state-of-the-art play structures, swings, and climbing equipment that cater to both toddlers and older kids. The imaginative designs and incorporation of natural elements make these play areas not only entertaining but also stimulating for young minds.

Water Features:

For those hot summer days, Brooklyn Bridge Park provides refreshing water features that are perfect for family fun. The Water Lab, located at Pier 6, offers a dynamic water play space with various jets, sprinklers, and fountains. Children can splash around, cool off, and engage in water play, creating a delightful and memorable experience for families visiting the park. It's important to note that the Water Lab typically operates seasonally, so visitors should check the park's schedule for availability.

Sports Facilities:

Families who enjoy sports will find Brooklyn Bridge Park to be a fantastic destination. With multiple sports fields, including soccer, basketball, and volleyball courts, there are ample opportunities for friendly matches and sports activities. These facilities cater to a range of age groups and skill levels, encouraging families to engage in physical activities together.

Picnic Areas and Food Options:

Creating a perfect family day out involves more than just play areas. Brooklyn Bridge Park provides numerous designated picnic areas equipped with tables and benches, allowing families to bring their own meals or purchase food from nearby vendors. The park also hosts a variety of food concessions, ensuring that families have convenient access to refreshments while enjoying the scenic surroundings.

Events and Programming:

Brooklyn Bridge Park regularly hosts family-friendly events and programming throughout the year. From outdoor movie nights to concerts and educational workshops, there's always something exciting happening in the park. Families can check the park's official website or event calendar to stay informed about upcoming activities suitable for all ages.

Conclusion:

Brooklyn Bridge Park stands out as a premier destination for families in New York City, offering a wealth of family-friendly amenities and play areas. From thoughtfully designed playgrounds to water features, sports facilities, and engaging events, the park provides an ideal setting for families to bond, play, and create lasting memories against the backdrop of the city's skyline and the iconic Brooklyn Bridge. Whether you're a local resident or a visitor, Brooklyn Bridge Park is a must-visit destination for families seeking a delightful and enriching experience.

[emmavoid]

Platonic Ideal of TTRPGs, or; I Swear This Isn't Just About Yeld (But Also Yes, It Is About Yeld)

To me, the platonic ideal of a tabletop role playing game is this- a kit that is perfectly suited to building stories with a particular mood and theme.

Ideally, this hypothetical perfect ttrpg won't even require you to know what the theme is! Instead, it will provide you tools (mechanics) and materials (setting) that, in whatever way you put them together, will lead you to creating stories with the system's intended themes!

Of course, platonic ideals are, by their very definition, perfect, and thus impossible. So it makes sense that most games that aim for this ideal will need to signpost what sort of mood they want you to create, or even outright state it directly; an instruction booklet of sorts, to go with the kit metaphor.

But, it's definitely possible to attempt the impossible!

---

In The Magical Land of Yeld, you play as a group of children who find themselves trapped in a world of magic, surrounded by strangers- including monsters who are people and people who are monsters!

In Yeld, separated from their families and caretakers, your characters must take on Heroic Jobs, which give them access to new powers, and grow in agency and ability on their quest to return home.

To return home, your characters must defeat the Hunters of Yeld- powerful agents of the establishment who have pledged themselves to the ruler of this place, the Evil Vampire Prince Dragul- in order to collect the magic keys that will allow them to open the door back to their world.

There is a time limit, however- any player character who turns thirteen while in Yeld will transform into a monster, taking on a Monster Job which will empower them, but also change them for the rest of their lives and prevent them from returning home unless they take control of Yeld from Prince Dragul.

---

Did you catch it?

Nowhere in the game book is the theme directly stated, but as with all good stories, it's there, waiting to be found by those who look closely.

The theme of The Magical Land of Yeld is Growing Up.

You begin play as children thrust into a world full of problems, and given the opportunity to improve themselves and grow as people. You're introduced to many new people, and learn that while some of them are dangerous, many others are helpful, and what they are- monstrous or not- does not determine who they are.

Your characters grow and learn, gaining agency and responsibility as they do.

In order to return home, to "normality," you must fulfill that responsibility by working to make the world a better place, and thereby leave your mark upon it.

And becoming a monster, well… puberty can be a terrifying change that leaves you feeling monstrous, a stranger in your own body! As I mentioned above, being physically monstrous does not determine who you are! And with age comes even more responsibility- in this case, the responsibility to deal with the biggest problem plaguing Yeld, Dragul himself!

Even the basic mechanics of the system reflect the theme. The system encourages a round-robin GM style, which allows every participant to play both roles of player and GM, giving them the opportunity to grow themselves. The initiative system, with players declaring they will take the first move, then each making the choice of who will go after them. The action chain mechanics, wherein that choice of who goes when made collectively by the players can allow the characters to work together to achieve effects beyond what they would typically be able to do.

Of course, this platonic ideal of mine is not the only consideration that must be taken into account when creating a TTRPG. As games, it's usually assumed that a TTRPG will be "fun" and "enjoyable" to play. As art in a capitalist system, it's usually assumed that a TTRPG should be "marketable," "efficient," and "worth dropping money on." As creations often made by artists struggling under that capitalist system, it's usually assumed a TTRPG should be "something that will help its creator stave off starvation and homelessness under said capitalist system." These and other considerations are often why aiming for such a platonic ideal can be, at times, counterproductive.

(And of course, my definition of the platonic ideal of TTRPGs is not necessarily one that everyone, or even anyone, else would agree with :p)

But ultimately, I really appreciate seeing stuff that works towards this <333

[ghostsoap-server]

🌘 ☀️ UnFated: GhostSoap Soulmate Event ☀️🌒

It hasn't been long, but the GhostSoap 18+ Discord is excited to announce that sign-ups are open for a SoulMay creator event!

🌟 What's SoulMay?

This is a quick and sweet creator event, with no partners. All creators should create something inspired by or within the 'soulmate' theme. Be it directly tied to our well-loved tropes, or completely contradictory to anything within that universe, we welcome it all!

As long as your creation is in any way tied to the idea/trope of soulmates, you're in this event!

🌕 Event housekeeping

The sign-ups will be open for server members throughout the whole event, so you're welcome to join whenever you want. You don't even have to sign up up until the very end (posting period). Signing up just allows us to give you a special role we'll ping for all announcements for this event. Only those with the event role will be able to post their creations in the destignated channel in the server at the end of the event.

This is a relaxed event. We want this to be more low-key for everyone, while also enjoyable and fun for creators ❤️

📃 Minimum word count is 500 words. No maximum!

🖌️ Minimum art contribution is black and white sketch is enough or an equivalent of rough draft in your chosen medium

🎨 Special thank you to @octaviusing for our beautiful banner and all of the hard work you've put into this event!

🔖We have a hashtag! When the time comes, your work can be posted to #GhostSoapSoulMay for the server blog to boost!

🌑 Timeschedule

April 25th: Sign-ups open (and never close)

May 1st: Creation period starts

June 1st: Creation ends, posting period begins

June 8th: Posting period ends, reward roles are given out

⭐️ How do I join?

This event is open to server members! If you are not yet a member of the GhostSoap Server, we hope that you'll join us 💚 Detailed instructions, sign up sheets, creation help, and just chatting about our favorite soldiers can be found in the server. If you'd like to join us, click here:

We look forward to all of the lovely things you'll create! 💚

-Lt. Bucky and Lt. ANTchan

[plurapony]

Top 5 Reasons You Should Join Our Server!

1. It is available for ALL AGES! (13+)

We understand that even with bodily adult systems, age and maturity can be a confusing topic as we personally are 22 but some parts are much younger and mentally younger!

In addition to that! MLP is a media that all ages may enjoy and we want to keep that sentiment with the server! Any age can be cringe and you're never too old to have fun!

2. It is system friendly!

We have pluralkit and octocon available for your proxy use! We have a dedicated channel to set up who's fronting, and anything else you may need to do!

This is an anti endogenic server but all traumagenic systems are welcome and that includes pro endo's (though pro endo's are asked to please keep discourse out of the server)

3. We don't just have My Little Pony!

We have My Little Pony G4 themed channels but we also have My Little Pony G1 and separate channels for Equestria Girls, My Little Pony G3, Steven Universe, Adventure Time and Gravity Falls!

We welcome all interests and have a dedicated channel where you are able to infodump about whatever you're currently interested in!

4. We 🩷 Artists!!!

We personally are artists, and we understand how important art is both as a hobby and as a career! We have a channel to share media and welcome art of any kind and we have a channel specific to artists/creators to share their stores and their commissions !!!

5. There's so much heart!

We care so much about this server and the enjoyability of everyone who enters! We have an incredible mod team and my wife does an amazing job as a head mod too!

We have so many roles including color roles corresponding to a G4 pony, hobby based roles, age roles, pronouns roles, MLP generation roles!

We are always making adjustments to further what people want! We aim to be the #1 cringe server and we will do anything to make that happen!

So join today! We are always excited for new members!!!

[IMAGE ID: ponyville is a (pro) endo free zone break dni and get blocked loser! END ID]

[unhappy-last-resort]

PGR Writing Game!

Pick a prompt and character of your choice and write it! There's no competing or any requirements to join, just write something!

Tag me, or use the #PGR writing game to participate! Time period is Aug 5th - November 1st

Further details and prompts (if you need them) below...

Info:

There is no specific trope or genre that you need to follow.

You can write whatever you want! Fluff, smut, action, horror, romance, whatever inspires you to write!

You can either post your work yourself, or submit a post!

Just make sure you give a pen name of some sort so I can credit you, otherwise I won't post it

Time frame is Aug 5th - November 1st

There is no word limit or requirement.

It can be 100 words, or 100,000. It's whatever you wanna write

You can post your work even if you're late

Struggling to write, or nervous about participating?

It can be hard to post your own work in fandom, maybe you don't feel like your work is "good enough" (there is no such thing, fandoms are community spaces, not corporate ones), or maybe you don't think anyone will like it.

Well, I've been there too! In fact, I think that all the time. Some things that have helped me keep posting my work despite that are...

Writing what you want to read

If you ever thought "I wish there was more X type fanfic", this is your sign! Writing what you want to read means you're passionate about it, and if you're passionate about what you're working on, it shows in your writing and other people will notice it too!

If you don't like what you've written, change it up!

Re-read what you've written and ask yourself "Would I read this?", "Would I enjoy it?", "Why, or why not?"

Identifying what's missing in your story will help you write with better direction. It could be as simple as adding more interesting and unique vocabulary, taking more time to describe scenarios or places to capture whatever vibes or feelings you want, or maybe adding something to the plot point.

Of course, these can be difficult to identify so you could try asking for help through the event tag, asking a friend, or asking me for help

What if people don't like it?

They can suck a dick. Okay, seriously though, most people won't do or say anything and if they do, I will eat them. You go post that lovely piece of art

My work isn't getting as much attention as X persons/Why aren't I getting a lot of notes?

Well, there can be a lot of reasons behind that. First and foremost, tags. Are you using all the tags that you could be? The PGR fandom is pretty niche in and of itself, so chances are that there a lot of people who would love to read some PGR fanfic, but they think the scene is dead and aren't looking for it, or they're only looking in the #pgr, #punishing gray raven, or #punishing: gray raven tags

Secondly, your font. Other fonts like

This

Or this

can be busy on the eyes which can make it both difficult to read and unappealing to look at it. Using the default font at a normal, or smaller size is generally your best bet.

Lastly, why is X person's work getting more attention than mine?

Like how writing is a hobby, so is reading. Some people may not have been interested at the time, or you just have to wait. Writing has the benefit of being pretty timeless, so that means people will come to read your work months or years after it's been posted.

It's also important to remember that PGR isn't a large fandom, so unlike other fan works on Tumblr, notes won't accumulate as quickly

Focus on your enjoyment of what you're making

Remember, fandom is a community space and this is a community event. You should be having fun, first and foremost

Everyone is scared

Everyone from a random blog who just posted their first writing ever, to your favorite author of several years with hundreds of works is scared of posting sometimes. It can be easy to fall into the pitfalls of thinking you're somehow annoying everyone in the fandom by posting a bunch of words, or being scared that a post won't do well. You're not alone in your paranoia, so try to be nice and encourage both yourself and others you see who might be struggling. You've got this!

Prompts:

You can write with any perspective or character(s) you want, I only have the "you" here to help you get immersed in the prompt. You may change the prompts as you like to fit your story telling.

The artificial sun of Babylonia's sky warms your skin. It's lively today, with children playing, couples shopping, and individuals heading for their morning coffee. You were no different, briskly walking towards a cafe you had agreed to meet someone.

You push the cafe door open and a bell chimes above you as you walk into the establishment. The golden rays of sunlight stream through the large, glass windows, cascading down on the patrons inside and giving the cafe a new sense of warmth. The aroma of freshly made coffee fills the air, pastries sit tantalizingly in the display cabinets, and a barista is busy making a drink behind the counter.

Just as you're about to step forward to the counter, the bell chimes behind you and you turn to see a familiar figure.

The Science Council is busy today, well- they're busy everyday, but today feels especially important. Scientists frantically type on their terminals, constructs and officers going in and out. Even Celica stopped by for a moment, hurriedly exchanging words and documents with Asimov before leaving just as fast. You tried asking what was going on, but everyone seemed too busy to talk to you. At that moment, Asimov walks up to you.

The scent of salt and water fills your lungs, sand shifting beneath your feet. You wander along the shoreline, various hopes and worries aimlessly run through your mind, coming and going as quickly as they came to you. You're so lost in thought that you didn't hear the soft crunches of sand coming up behind you.

The stars twinkled above you, cold wind rustling the trees and biting at your skin. You did your best to ignore the cold, after all, it was part of why you could travel without running into too many enemies on the way. Even still, the air held a strange tension, as if even the trees were holding their breaths, waiting for something, or someone.

The lounge felt uniquely quiet. That shouldn't be surprising, it was just you here right now, the other members of your squad were busy with their own duties at the moment. Even so, you couldn't help but feel a tinge of loneliness. Sighing, you stood up and wondered what you should do to occupy yourself. Should you clean and organize equipment? Maybe clean the lounge? Or...do something less productive? Look at old photos and logs, indulge in a private hobby? It has been a while since you found yourself with so much free time.

"Ah, there you are." Vonnegut's voice reverberates throughout the room, he speaks evenly, calmly, but you still feel the tension rise in your shoulders. A heavy gaze of displeasure and expectation weighing down your soul and keeping you from moving an inch.

Vonnegut sits on his throne, hands folded, legs crossed, golden mask and eyes glinting in the limited light.

"You've kept me waiting for quite a while."

You exhaled shakily, nervously readjusting your formal wear for the upteenth time. You could hear the cacophony of chattering voices, and clinking silver wear, occasionally cut through with the chime of a glass knocking against a plate through the other side of the door. You knew the moment you opened it, the sounds would become overwhelming, drowning out all personal thoughts and suffocating you.

Nevertheless, you couldn't linger in this dark, isolated hallway any longer than you already have.

The library was quiet as always, but it was even quieter now that the nighttime hours on Babylonia had begun. It was a perfect place to hide in solitude and wander in your thoughts, or even go through old memories of your life.

It felt eerie. The stained wallpaper, scattered furniture, broken windows with beams of moonlight streaming through. You had received a comms signal in this abandoned mansion, but now that you had stepped foot inside, it was gone. You walked quietly, keeping an eye out for any potential traps as you stepped through the halls. A creak of floorboards sounds above you, a door opens, footsteps...and silence. You froze, should you retreat? Call out? Try sending out a comms signal? Investigate? You chewed your bottom lip and as you're still deciding what to do, you hear another creak.

Right down the hallway.

[pityroadart]

Hi Nic!! What's the thing you most look forward to doing when you're drawing/painting? I've never touched a paintbrush in my life, sorry if that's a super broad question. But say, your eye watercolours- is it trying to reproduce the tones with a limited (at least to a digital artist) palette? The initial drawing stage? Painting in the wispy lashes and brows? It all seems like magic to me!!! 😍

Hello I apologise for the late reply! Race week was busy, and I wanted to give your lovely message the care it deserves (& also I just love talking about watercolours)

That's a hard question! I really enjoy the process as a whole (except when I am complaining about it, which is an important part of the process), especially my eye paintings because they're so intuitive to me by now.

But, a few parts I really enjoy are:

1. Choosing the palette — both the actual paint palette I'll be using (I have so many), and the palette of usually 2-6 actual paint colours I'll be mixing my colours from. I'm a bit of a pigment nerd, so figuring out which paints are gonna have the perfect properties (granulation, staining etc) and mix the colours I want very enjoyable

2. The first wet wash, normally working wet-in-wet (applying diluted paint to already wet paper), where the goal is to simply place your colours in the approximate areas they should be, and let the watercolour work its magic.

Here's a couple WIP shots of my Yuki eye, in both that initial stage and the one I'm about to describe below:

3. Getting the darkest darks in, and all of a sudden, just like magic, it becomes an eye! This is normally the third layer out of an approximate 4, and whilst I try to save the individual brow hairs and lashes until that final stage, I'll often mostly block them in here. An artist I follow on youtube, Arleebean, says often that if you feel your painting is going through the Ugly Stage, you've probably lost your values and need to get the (relatively) darkest darks in to bring it back to balance. It's a rule I live by, and that's what this stage is to me. I also get any freckles/spots/splatters in at this point, which is very fun to do too!

I hosted a watercolour workshop on eye paintings back in 2022 (and have another planned for this year), and here's a step-by-step I made of the first four stages (sketch, wet wash, mid tones, darks) in preparation for that. The final step after that would be, as you mentioned, any fine eyebrow hairs and eyelashes, which I think you can tell it's missing here

4. And possibly the stage I get most excited about, from about the middle of the painting onwards if it seems to be going my way, is posting it in the group chat or on here and watching my fandom friends and mutuals yell about it :)) Big fan of that, even if I am usually terrible at replying to nice comments :')

Here's a selection of older eyes I painted again as workshop examples, all using a limited palette of four colours (quin gold hue, pyrrol red, ultramarine, burnt umber)

+ a selection of more recent eyes:

Thank you so much for the lovely message! I adore your art (& seriously, if you're ever in the mood for an art collab or something, you know where to find me), so I'm glad you enjoy mine too ☀

[crow-stars]

❝LET'S GO ICE SKATING❞

❦summary; ice skating can be such a fun time, though that may depend on whether you're new to the rink or have a bit of experience under your belt. ♪the characters in this story; octavinelle; azul ashengrotto, jade leech, floyd leech, gn!reader ✎word count; ~674 words ❀what do the ghosts say?; ambiguous, school trip to an ice skating rink, falling chatacters, first times on ice, mentions of climates in respective twst characters homeland, fun times ☛the author's notes; nothing to note... ☪look at the catalogue?

❛AZUL ASHENGROTTO❜

❀ He would be... less than graceful

❀ You know that one art with Azul falling because he slipped on a banana peel? Yeah... 

❀ And he was so confident about it too!

❀ Sure, it was cold, and sure, his human legs have never touched ice, but he thought it couldn’t be too bad! 

❀ He was wrong.

❀ So, so wrong.

❀ The first moment he got on the ice, immediately slipped and fell on his butt

❀ Got up, tried again, and he fell

❀ Got up and decided to just hug the rails because he was not ready to be embarrassed for a third time

❀ He’s definitely going to be hugging the walls for most of the time on the ice, no doubt

❀ Azul refuses to try and go further than an arm’s length away from the railing

❀ His legs are horrendously shaky and he doesn’t. Know. How. To. Stop 

❀ Why did it look so much easier in the shows he watched?

❀ “Because they’ve practiced on the ice way more than you have Azul.” shut it jade

❀ But yeah, Azul isn’t getting much movement on the ice. 

❀ He’s used to the cold, but that doesn’t stop it from hurting whenever he falls

❀ Azul is definitely not going back on the ice, no matter how much you or anyone else try to convince him. 

❀ Maybe he would try selling some hot chocolate though...

❛JADE LEECH❜

❀ Jade has never been on ice before 

❀ So how is he so well balanced on the ice???

❀ No seriously, he’s stable, he can properly skate around and he hasn’t fallen either

❀ How is he doing that?

❀ I like to think that Jade actually has really good balance, so being on ice is a bit of a challenge at first, but he gets it soon enough 

❀ He’s not going to be doing anything flashy, but he’ll definitely be doing small circles around the rink or just idly skating by

❀ If you’re struggling, Jade would lend a hand, though not without a bit of teasing 

❀ Small things like poking at your side to make you fall stumble or just deciding to stop suddenly stop if you’re holding onto him

❀ Jade would apologize, but he’s definitely going to do it again

❀ I do think that Jade would find some enjoyment in ice skating and dabble in it from time to time 

❀ Though he wouldn’t take every opportunity to go skating, he wouldn’t protest to going 

❀ In my honest opinion, I think he’s rather go foraging in the woods to go find new mushrooms or plants he hasn’t discovered yet.

❀ I actually think that he’d prefer that rather than ice skating if it was an option

❛FLOYD LEECH❜

❀ Do not let him on the ice

❀ Not because he would be an absolute mess on the ice, no

❀ It’s because Floyd is a menace and has no spatial awareness. 

❀ I mean, he having fun at least? 

❀ But also he should probably have the rink to himself if he really wants to enjoy his time there 

❀ I wouldn’t be surprised if he picked up ice skating because he was bored. It seems like something Floyd would do

❀ And going in shorts in the winter also seems like something he would do, but we’re not here to talk about Floyd’s fashion sense (another post another day) 

❀ Anyway, Floyd definitely has a blast when ice skating because he really fast

❀ How and when he learned how to ice skate?

❀ Oh simple. 

❀ Spite

❀ See, I like to think that when Floyd got to experience winter for the first time, he saw a frozen over lake and thought he could easily walk over it

❀ He was wrong and fell straight ass on the ice

❀ Floyd was completely confused while Jade was laughing by the side

❀ And Floyd was embarrassed, he wasn’t sad, no

❀ He was going to go and conquer the ice. He had bruises for weeks but hey! Floyd learned how to ice skate!

❀ Most definitely would love to go and ice skate in his freetime

❀ That just means more opportunities to conquer the ice

[copperbadge]

hi sam! do you have any recommendations for good sources of info for someone who'd like to learn more about cons and con artists? Any format is fine, books, podcasts, youtube, whatever, i'm just having a hard time finding a good source that really digs into and examines the actual techniques and 'mechanics' so to speak.

It is a little bit tough because of course most scammers are also self-embroidering liars :D And my education was very patchwork. For specifically cons and con artists (outside of art crime, which generally doesn't touch the con world directly) I'd advise starting with "Titanic Thompson: The Man Who Bet On Everything" by Kevin Cook, which is a biography of one of the early 20th century's most preeminent con men; it's a good tale but it also demonstrates the general life trajectory of con men, which can be pretty grim. Most cons end up in prison, and even those that don't or that get out tend to die poor and alone, because they can't stop scamming.

The Mark Inside by Amy Reading is one that I don't remember vividly but I did write a review of here, and I think it's another good starting place. (All the links following are to reviews I did.) If you've ever watched The Sting, which is a movie about con artists and also kind of a good primer, it's based on The Professional Thief by Edwin Sutherland, which is an anthropology of professional crime in the early 20th century. While technically it was written less by him than by an anonymous contact of his in the criminal underworld, that doesn't mean it's accurate per se; we only have that writer's word that any of it is true, so again, read skeptically.

I'd have to look up which piece it was because there's been a lot about her, but if you give Doris Payne a google she's another great example of a fascinating person who is just a giant liar. She paints a very vivid picture of her own career, but if you read about her later years you do realize that she's still conning everyone (she attempts to swindle at least one journalist working with her) and has nothing to show for her career, which may be a pack of lies to begin with. A lot of her stories have been fact checked and found wanting. I'd read up on the life of Victor Lustig as well; he's most famously known as the man who fraudulently sold the Eiffel Tower (twice) but I don't have a good biography offhand.

In your reading you will probably run across Han Van Meegeren, who forged Vermeers and ripped off the art world with them, then was tried for colluding with Nazis because he sold Nazis many "Vermeers" -- he had to paint a Vermeer while in prison to prove he'd forged the ones he sold the Nazis. This is a charming story but until very recently it was not widely noted that Van Meegeren was ABSOLUTELY A BIG NAZI HIMSELF. I was suckered by the story for years and I know most people were, so if you encounter media about him that does not include this fact, and you're interested in his story, look for newer scholarship.

There's a tangentially related book, "Where The Money Was" by Willie Sutton and Edward Linn, that is the semi-autobiography of a bank robber and it's very fun and funny, so despite not being directly about crime, I'd recommend that one.

The Napoleon Of Crime by Ben MacIntyre is a biography of the man who Moriarty was purportedly based on; it's sort of related rather than direct, but I recall enjoying it and there's a fascinating example of the VERY rare times when art heists are for a specific piece rather than for a specific goal.

There's a podcast called Scam Goddess that I found...enjoyable and informative, but also not very well-researched. In particular some of the earlier episodes are really poorly fact-checked. That said, she reads out letters from people writing in to discuss their scams and she talks about a lot of famous scam stories, so as long as you listen with the knowledge that she's neither a researcher nor an expert you should be okay.

Provenance by Laney Salisbury and Aly Sujo is what I'll close with, because it's about the interplay between art crime and con artistry, but it's also a strong argument for not valorizing cons; it's a documentation of how a couple of criminals out for nothing more than a quick buck really fucked up the entire system by which we authenticate art, and did insane levels of damage to genuine art scholarship. This isn't a little guy punching up against millionaire art collectors or fat cat museums, the way the narrative is often framed; art crime like this, involving forged or altered provenances, really harms art historians and the study of art.

I think the study of confidence crime and art crime is absolutely fascinating. There's a lot to learn about social engineering and society itself. But I think if I can impart to you one piece of wisdom, it's that con men are never, ever out for anyone but themselves and have no qualms or hesitations about hurting you to get what they want. The romance of con artistry often fools journalists and sophisticated researchers as well, so it's very easy to get swept up in it, but you should approach the entire genre with the attitude that everything you read has a 75% chance of being a charming work of total fiction.

On that note -- you may enjoy the short stories of O. Henry, some of which are about confidence men; I can't recommend specific titles but his fiction is very enjoyable generally, at least in my opinion.

[elbiotipo]

I'm not asking for lack of violence in videogames though. There is much one can criticize as playing as the 'hero' in a videogame who wields violence, but the thing is, the hero stereotype is not going away as long as humanity exists. In fact, being 'heroic' in many contexts didn't even mean 'a good person', it meant someone who experienced extraordinary stuff and did great feats. Videogames allow you to replicate that. And they are art forms, so they should be analyzed and criticized, but I don't think there's anything inherently wrong with say, a videogame that allows you to rescue a town from bandits or slay a dragon. Those are things I could not do in real life, and they are fun to experience in a videogame.

What I do not find any enjoyment is in mowing down hordes of nameless enemies in an RPG. I do not mind violence in videogames, and I don't even mind playing as a bad guy. What I think is that if you're just giving me endless low-level enemies to kill and kill and kill, especially if they're people in the lore, I don't enjoy any of it. It's no longer the 80s where you get a better score by destroying enemies in a 8-bit game. I don't feel like a hero by killing Bandit 146, Raider 321 or Wolf 812. I feel like someone who did something extraordinary when I slay a dragon, or defeat an enemy army as a result of my skills.

What I want, in a roleplaying game, are roleplaying choices. If I want to play as a pacifist hero, I should be given the choice, and the choice to fail it. No, perhaps you could not negotiate with the leader of the pirates. Perhaps it's a bad idea to walk to a dragon lair equipped only with your knowledge. You were given the choice. But it also might work in many other cases. You might change things with your words. That's extraordinary too.

There is a lot of truth that many RPGs, from D&D onwards (and let's face it, Dungeon and Dragons looms large over everything) give you violence as the main gameplay, and other things as options. RPG videogames have replicated this once and again. Videogame design assumes leveled enemies, grinding, and combat-centric design as essential for RPGs. And I again, I don't mind combat. I just wonder, why it sucks so much? What pleasure is there in mowing down hundreds of wolves or bandits? When I play an RPG, I play it to be someone extraordinary, or someone regular in an extraordinary world, and I think games would be better if they focused on making an extraordinary, well crafted world where your choices make sense, and then make the gameplay fit around it, instead of endless grinding fights.