#but addressing that (rather than just talking about how much smarter you are than others) doesn't make as snappy a tumblr post i guess

[swordsoprano]

ok yeah but. some schools don't do a good job teaching it.

“we need to teach media literacy in schools” guys was i really the only person paying attention in english class bffr

[cinamun]

One thing that I think I've noticed as this story has progressed, and in general, is that we always expect and or look for reason in men's bad behavior. There is always a reason for them to do bad things, outside of them actively choosing to be a bad person. Someone must have failed them, she must have failed them, she must have failed him, etc.

Elliot tried to kill Hope. He tried to drag her with him into the abyss, and yet he was not viewed as an attempted murderer, but instead as a friend who had gone astray. Someone who needed more support or more attention. At his funeral, people wept over the fact that he couldn't be saved! It is always tragic when someone makes a fatal decision that harms themselves and others around them, but I notice that, especially in the black community, black women's victimization takes a backseat to the pain of black men.

Now we see something similar with Bishop. While it's interesting to ponder the complexities of why he is the way he is, Mercy is being preyed upon! She sets boundaries, and he crosses them, always with an undertone of violence. There is talk about whether he cares or if he can change, and it falls into that same line of thinking. "If I love him more, then he'll do right." "I can fix him" "He just needs..."

Anyway, let me know if I'm way off the mark, but it seems like women tend to take on far too much responsibility for the feelings and actions of men, to the point of forgoing their best interests.

Yes... and

That's society for you, amirite? Always prioritizing the needs of men.

But I'm going to challenge that..... as I do. Spoilers below the cut.

Yes I believe that, in the case of Elliot and Darren, there was absolutely a reason for them to do bad things and some have chosen to dismiss those reasons. Elliot was actively mentally ill, but rather than address mental illness, we chose to throw him away. We literally witnessed this young man's decline and if we can't separate his actions on the pier from his diminished mental state, what does that say about us and how we perceive mental illness?

In fact, when did Hope take a backseat? Once Elliot was collectively thrown away, all eyes centered on Hope's healing and rightfully so! But one thing I'm not gonna do (I feel it would be irresponsible as a Black woman writer) is stifle Hope's healing to uplift the man who hurt her. Hope was wrapped in love by everyone, including her husband (a Black man).

Why didn't we throw Indya away for the nasty shit she did like taking a baseball bat to Darren's nose? Or throw Jerri away for the literal attempted murder of Juan? If I do nothing else, I want us to think about things like this and force questions that we wouldn't ask ourselves otherwise.

I've opened up a space in this current arc to look at a very clearly damaged individual (Bishop) through multiple lenses. I don't think acknowledging Bishop's humanity (pixelness) necessarily means "I can fix him". Like, at all. I think our readers are smarter than that and only recognize nuance. Some of y'all be trippin tho ngl lmfao

Not everyone saw Bertie as preying on a drunk Jackson but she was. The reason no one really flipped it is because Jackson is a man. But he was a man who was not capable, in that kitchen, of making a wise decision; so he made a horrible one.

Men irritate me just like anyone else but one thing this story has tried to do is simply acknowledge the humanity and capacity for growth within all of us.

[gunnerkriggcritical]

Feel free to not answer this if you don’t want to or are uncomfortable but what would be a way for Tony to become sympathetic in your eyes? If you wrote Gunnerkrigg court what would you do with Tony?

I'm gonna try and put this into words as best I can, but it's difficult. I hope this makes sense.

Honestly, nobody crucify me for this, but... I think Tony is inherently sympathetic the way he is now? Like, all the basic ingredients to Tony's story make up someone I could very easily feel sorry for. I would not have an inherent problem with being asked to see him in shades of grey. I freely admit that he's been through a lot of pain in his life. It's just the execution that leaves me unhappy.

What I have a problem with is chapters like "Annie and the Fire," and especially "The Mind Cage." They're about as subtle as a brick in asking Annie, and especially the reader, to forgive Tony because he's been through a lot. No matter how many times we're told Tony's actions aren't excused by his pain, it doesn't disguise the transparent fact that the comic is asking us to excuse his actions and feel really, really bad for him. It reads like the author getting mad at us for interpreting his story "incorrectly," which really raises the reader's hackles, and for good reason.

I find it difficult to think of how I'd fix this - I'm sure people smarter than me have articulated it way better in the past. Let's begin with "Annie and the Fire." I don't have a problem with the reader being shown why Tony did everything that he did - and that he deeply regrets it - but I would probably remove the framing device where Donnie is purposefully showing Annie the conversation. I would rather have Annie somehow slipping her blinker stone into her dad's clothes or something and eavesdropping on him that way. Having Donnie specifically choose to show Annie "the other side" of Tony feels too much like apologism, no matter how much Donnie (and the author) try to convince us otherwise. And the idea of Donnie specifically trying to show this abused child that her dad isn't so bad after all leaves a really bad taste in my mouth, too, especially since Donnie was previously like, one of the sole reasonable adults in the entire comic, lol.

I would just erase "The Mind Cage." Like, entirely. No more "Mind Cage" period. That chapter is such a cringeworthy blunder in the comic's history. It is so obviously calculated to address reader backlash against Tony and the comic simply doesn't need it. On top of that, I would remove like, almost every reference to Tony's mind cage situation, I think. The concept that he can't talk to more than one person at once is so goddamn silly and poorly thought-out, and I say this as an autistic person with severe social anxiety myself. I will say that I do understand where Tom was coming from and what he was trying to do, I just think it was very poorly executed and comes across as so weird and borderline offensive to neurodivergent experiences. It's a no from me. Take it out.

At most, imply Tony's social difficulties through his actions. Rewrite the arc where Kat forgives him - don't just have it happening instantly and offscreen, which is so jarring and almost sickening after years of her being Annie's staunchest defender. And for god's sake don't have Annie expressing that she doesn't care what her dad does and will love him no matter what, frame this as an unambiguously good and cool thing, and have Jones, the impartial observer character, judge that this situation is fine actually.

Related note: "Get Lost" needs rewrites, too. Tony is simply not charming enough in that chapter to make us believe that Surma, and Kat, and everyone else, would be bamboozled by how cool and funny he is. He's just some dude. He's so bland, and so is his and Surma's romance. It's simply not believable. That chapter needs to be a slam dunk - it's pulling a lot of weight to convince the readers of a lot of things at once, and it's simply not working.

I think there is a fundamental problem that needs to be addressed before we deal with any of this: the comic is being written by an author that dislikes its main character and sees her as a spoiled child who deserves harsh punishment for her actions. This is in direct conflict with his readers, who have interpreted the story thus far as being about an abused and neglected kid who doesn't deserve any of the stuff that's happened to her, even if she's been cheating on her schoolwork and acting out a little. I believe Tom sees Tony's actions as at least a little justified because of this. If this wasn't the case, I think he would be more capable of writing the story in a way that readers would be more able to connect with and understand, rather than reacting with revulsion and confusion because, to us, he's depicting an abused child getting constantly knocked back down by her cruel father. Tom's biases are showing very clearly through his work, and he is not treating his story with the nuance it deserves, not anymore. I don't think there's any way to "fix" this, other than Tom having a come-to-Jesus moment, which is just not likely at this point, sad to say.

This obviously doesn't cover it all, not even close. It's just some rambling thoughts from me, and I hope they made at least a little sense. Thanks for this ask.

[sunleadblogs]

Is Door to Door Solar Sales Dead? 4 Things to Know in 2024

This Blog was Originally Published at:

Is Door to Door Solar Sales Dead? 4 Things to Know in 2024

Door to door solar sales have been a conventional method of sales for generations, allowing sales representatives to connect immediately with prospective customers. Despite the rise of online advertising and digital marketing, the value of face-to-face interactions offered by door to door solar sales can’t be denied.

However, in the era of the tech-savvy world, many wonder whether or not this approach still holds relevance. Can it resonate with homeowners seeking sustainable answers? As people are developing more interest in solar energy and solar companies are trying every method to bring more solar leads, the importance of door to door solar sales comes into question.

The effectiveness of door to door solar sales can no longer just be predicted by the pitch but also by the making relationship made with prospective customers. By addressing their worries, providing solutions, and allowing them to visualize the benefits, door to door solar sales can still be effective in closing more deals.

In this blog post, we will show you why, despite what critics may say, door to door solar sales are still relevant — if done right and with the right technologies in place. In fact, they can be more effective than other sales tactics because of the personal interaction. By the end, you will be clear on How to be successful at door-to-door solar sales.

Is Door to Door Solar Sales Dead?

No, if done with the right set of tools, door-to-door sales is not dead. Face-to-face interactions are still one of the best ways to answer all the queries potential clients may have. However, it’s important to note that door-to-door solar sales should not be the sole strategy for scaling a solar business. You must use a combination of different marketing techniques, such as online advertising, social media, and referrals.

How to do Door to Door Solar Sales Properly: 4- Easy Steps

Here are 4 easy steps you can follow to improve your door to door solar sales results:

1. Research and Qualify Potential Customers

Solar companies need to find good prospects before they start knocking on doors for door to door solar sales. This important step helps make sure salespeople talk to people who might already be willing be get solar panels. Here’s what to look at:

Select People for Door to Door Solar Sales

Figure out who your perfect customer is: Knowing your ideal customer can help you work smarter. Solar companies should make a list of prospective customer profiles that include things like age, how much money they make, and whether they own a home. For instance, homeowners who earn a certain amount of money might be more interested in buying solar panels to save on electricity bills.

Location Analysis: Not all neighborhoods work well for solar setups. Looking into areas that get lots of sun, have friendly zoning rules, and where people support clean energy can lead to better outcomes. Solar firms should zero in on places with houses that have the right roof direction and size for solar panels.

Use Data-Driven Approach: Use technology to qualify hot solar leads. Tools like Geographic Information Systems (GIS) can help to get a list of areas with high potential for solar sales. Besides this, you can also use data analytics to provide insights into homeowner behaviors.

2. Perfect Your Pitch

Elevator Pitch: This is a quick convincing talk you can give in about half a minute. Use this when you first run into a potential buyer to catch their interest fast. For instance, point out how solar power can cut their monthly power bills and shrink their carbon footprint.

Pain-Point-Focused Pitch: This method spots specific problems or worries that your potential customer might have for example energy costs and electricity bills going up. Shape your pitch and solve their problem rather than selling them something.

Storyteller Pitch: Another thing that works well is storytelling. Tell a story people can relate to about a happy customer who went solar and got good results. This will help people to feel connected with you and gain their trust.

Want to learn how to start a solar business? Read our 5-step easy guide with all the tips and tricks!

3. Add Value to Pitch With Visuals and Quick Estimates

Problem: When you approach customers for door to door solar sales, you can assume that they won’t have their electricity bills from last year readily available. However, they might remember what they paid last month or have a rough estimate of their average bill.

Solution: To solve this, you can use the SunLead Solar Quotation Tool to input this data and generate instant and accurate quotes mentioning their setup cost, total savings, and all the details.

Get SunLead

4. Follow Up and Maintain Engagement

Be Patient: Solar is a big decision for homeowners. Let them have the time they need to decide whether they would like to go forward, talk to family, or look into financing options. They could be likely to feel pressured and get uninterested if you persist too much.

Follow Up Gently: After your first meeting, check in without being pushy. A kind message or a phone call that inquires about their questions if any or if your solar benefits are not clear to them. This demonstrates you care and you are available to help.

Stay Connected with Updates: In your follow-ups, give them the information that is of use, for example, like new solar incentives, neighborhood installations, or other helpful resources. These slight reminders still prompt them to be aware of your presence without overwhelming them.

You can learn more about how to sell solar panels here!

Final Words about Door to Door Solar Sales

Finally, door to door solar sales is rare and still remain an effective marketing style to approach potential customers, especially when coupled with modern and digital sales strategies.

Here are three key takeaways from this guide:

Prioritize Efficiency: Decision-makers will be limited to those whose work is already stated and may be approached by intuitive tools if they are the right ones, thus the company will gain potential customers and save its time.

Stay Adaptable: The customers you are dealing with may not respond to a standard pitch if they have different priorities. Therefore, you need to be flexible and ready to punchlines and angles depending on the client’s queries.

Use Every Interaction to Add Value: In every follow-up or contact with the customer, be sure to introduce them to something that they will find useful or be inquisitive about. Thus, attracting customer attention and encouraging customers to become loyal.

Also Read:

1. How to start and grow a Solar Energy Business

2. 4 Steps for Solar Lead Generation in 2024

3. Everything you need to know about Solar Quotation Tool

[scarletlilyy]

Main Text

Most people that claim they desire Academic Validation are really just suckers for human validation and I'm one of them.

I'm currently experiencing major burnout and I've realized it's because my motivation to succeed has never really been valid. Don't get me wrong I love the pursuit of knowledge for the most part but I think I've always loved academic validation more cus it's the only sort of validation I receive from other people

I'm known as this holy grail genius at my school and in reality I feel like a fraud. Especially right now as my grades are getting worse by the second, I can't even begin to go into detail but I'm getting marks I never thought I'd get and my only thought is "What would people think".

I'm scared and afraid of disappointing everyone around me cus ppl expect sm and no one say it's in my head. Cus once I told a friend of mine I got a 91 on the math exam and they were very clearly disappointed and surprised.

It was so disheartening and I feel like my entire worth has been based on my grades because that's the only thing that has ever made me worthy of attention from others.

Nonetheless I want to break free from this constant search of validation, I want to enjoy the bliss of success without it being connected to someone else.

End of Main Text

**********************

Beginning of yap - Feel free to skip

I don't know how to get it but it's part of getting out of this horrible rot I'm in right now.

I think the main part is building discipline and self love.

Heavy on the self love because I'm so self conscious lately, I've always been hyper aware of my looks and now I feel worse about it knowing my intellect isn't making up for it in any way.

I think I've been concerned with seeming smart rather than actually being smart and honestly you can blame me because perception is a bitch.

I'm not going to lie to myself here but I feel like even with every bit of self love perception is still important. I'm very much a leader and someone who likes to get involved wherever I am. Especially at school I'm always participating despite my depreciating grades.

I faced the repercussions of negative perception in my middle school grad year. I had really wanted Valedictorian and didn't get it cus most people including my teacher didn't like me very much. I don't blame them but it made me very hyper aware of people's views of me.

No I am not a people pleaser and I probably will never be, I do not wish to be viewed as the perfect kind person and I still very much set my boundaries without being mean. But all In all I try my best to make sure I'm respected and seen as smart. So far in high school that has worked, most people see me as smart.

The imposter syndrome kicks in even more when I'm surrounded by clearly smarter students, which is a part of the reason I didn't go to a competitive school.

I don't actively avoid smarter people though, I still respect and hold them to high honor. Even at my current school there are people I think are smarter than me and I admire them greatly (only the nice ones).

But in a room full of overachievers I feel overshadowed and there's no denying that.

Now that was a lot of yapping abt self esteem and perception but the real main cause of my current situation is my phone obsession.

It's sad to admit that my attention span has decreased, my sleep schedule is extremely fucked and there might be no saving me.

I don't remember the last time I've gone through a whole week sleeping early and not going on my phone at night. It's quite sad and I'm afraid to admit that I am addicted.

Right now it's 1:40am and that says a lot.

Now that we've addressed that, we'll talk about my plans to change.

Truth be told, I've planned to "change" a bunch of times but I never really execute the plan or held it for long and that is the case for a lot of things in my life. I love to plan but I never go through with any plans of mine

I think it's because I've never truly "wanted" something, which leads me back to the original point of his yap session. My motivations and want.

To succeed you really have to want it at all cost.

And I want it but do i want it badly? I don't know.

Right now the issue is, I'm too comfortable with myself and where I am. Always on my bed with my phone, afraid of any sort of discomfort and avoiding work.

My mind isn't willing to leave this state of false comfort and yet I keep facing the consequences of my actions.

I'm beyond disappointed in myself and I'm using this as a reflection period to really understand what I can do to change.

am I still scared I'm gonna remain stagnant and useless? yes. But will I try? yes.

This weekend I'm gonna ponder on all these thoughts more and really reevaluate my motivations in life.

I have life goals already, I know what I'm gonna do and I know what to do.

The problem is doing it.

[caprica99]

Shadow and Bone rant, because I need it

Shadow and Bone has some incredible potential, both the books and the show, but neither actually lives up to it.

Alina could have been interesting. Cartographer is a rare profession for fictional characters, but in the books/show she's just a beginner (at 17/20 it's understandable). Make her at least 25 with 9 years of experience in the army, give her a promotion with subordinates she's responsible for and you would get a more interesting character who saw some serious shit in the army, acts like a soldier, and knows responsibility. (And maybe wants to stop the war at all cost, utilizing the Fold maybe.*wink, wink*)

It bothered me that we never saw her using cartography this profession that makes her unique for reaching her goals. In the show, she has dreams about the stag. It would have been interesting to see HER figuring out the whereabouts of the stag by using the stag's surroundings like mountains, specific types of trees, topography, etc. Work smarter, not harder.

Diana Bishop suffers from the same passiveness in the first book of the All Souls trilogy, but she actively uses her science historian background and those passages are the most interesting parts of her POV. Alina's interest in drawing and geography would give her a unique personality, and made her relatable to many (see ADoW and history nerds). Many YA heroines have a specific and useful skillset: Katniss-archery, Clary Fray-drawing, etc. Sadly, her entire personality is running away with Mal.

Mal's character feels pointless to me. The story depicts an oppressed minority group with special powers, and their struggles in the world, the heroine and the antagonist are both part of the said minority group, and he's constantly shown to be a bigot against the Grisha, so what makes him so important to the plot? His tracking skills? Give the job to a no-name tracker and I wouldn't miss him.

At least the show made him more likable, but Archie and Jessie still lack romantic chemistry. However his chemistry with his friends Mikhail and Dubrov was spot on, I really liked it. They showed life as a simple otkazat'sya soldier on the front, and their death was painful to watch. I thought that his friend's death would make a bigger impact on Mal, him wanting to get revenge on the fjerdans and end the war at all cost, and saying that maybe Kirigan's plan actually makes sense would make an interesting narrative. (They are at war dammit, there's no black and white only grey.)

Mal and Alina don't act like soldiers in a war-torn country, they act like American teenagers, and it's annoying. The General and Ivan are the only ones who act as soldiers in a 3 front war. When the villain shows the most responsibility in your story you should rewrite your heroes completely, or make the villain your hero.

The show is better than the books. It's a rare phenomenon but it is something everyone agrees upon. To me, the first book reads like a draft the author forgot to expand. The worldbuilding, the Grisha, and the characters were a perfect base to an original fantasy universe, but it all falls flat. The show made it richer by introducing multiple POVs and giving the actors more leeway (Ben Barnes ladies and gentlemen). But in the end, they had to stick to the books.

This is incredibly confusing to me because we have numerous fanfictions about Alina staying at the Little Palace, embracing her Grisha side, helping the Darkling because his plan makes sense, or changing his plan by coming up with a better one, or having dark!Alina etc... Clearly, this is what book fans wanted: giving Alina agency, make her realize that she had to work with the Darkling because she's Grisha too and they have the same goals but have different methods, let her be Professor X to Alexander's Magneto, ending the corrupt and incompetent Lantsov line, anything would have been better than taking Baghra's words at face value and running off.

Change I like: the whole West-Ravka storyline, it made the General decision understandable. Zlatan sold Grisha to the fjerdans, wanted to kill Alina and his actions could have led to a civil war, Kirigan only acted as a general of his time (not 21 century guys, we are talking about the unforgiving 19 century) and besides we only see the destruction of Zlatans army (BTW they were ready to kill everyone on the skiff) and not the whole city.

Change I don't like: making Alina half Shu. I'm not completely against it, but it was poorly executed. The racism Alina faces overshadows the Grisha-hate, rather than complementing it. Alina acts like being half Shu is somehow worse than being Grisha, eventough there are literal Holocausts going on against Grisha in two neighbouring countries, slavery in another, and the show never addresses it. This is the biggest problem with her character, she never embraces being Grisha, sides with the muggles, and makes her mission to kill the only person who stands between Grisha and persecution.

Would have been good: the show could have made little 5 minute scenes depicting the plight of Grisha in other countries. Either at the beginning or the end of every episode.

Episode 2: the Ice Court

Episode 3: the Shu concentration camps with the experimenting

Episode 4: slavery in Kerch

Episode 5: the Wandering Isle with consuming grisha blood

Episode 6: the Demon in the Woods storyline

Episode 7: Luda+Aleksander

And now... The Darkling/ Aleksander Morozov/ General Kirigan: the most interesting character in the entire series.

In the first half of SaB he was depicted as every soldier's dream general. Sitting and eating with his men, fighting side by side with them, constantly checking on his troops while other generals prefer to attend court. But in the second half, he transforms into a Mustache Twirling Villain TM and makes rather OOC decisions throughout the trilogy. He could have been a generic villain from the start, but why make him then a compelling character with understandable motivations?

In the books, I understood his motivations, but in the show, he was completely right. His backstory shows that he tried peaceful tactics but those never worked out. The only thing that worked against his enemies was power and violence. The price of hesitance was Luda's life (I'm willing to bet they were married). The Fold was actually a mistake born from desperation. He spent centuries in hiding, seeing his people persecuted. Even with the Little Palace and the Second Army Grisha are considered second-class citizens, they can't hold properties. He has to walk the fine line between usefulness and being a threat. He has to bow to incompetent Kings who don't give a shit about the state of the country. If Alina had to go through so much how would she end up? Because it's a miracle that Aleksander still has it in him to fight for the Grisha.

Many bring up Nikolai Lantsov as the Darklings foil ( or Diet Darkling as @ambitious-witch calls him) to show there is an alternative to Aleksander, but it's wrong. Because Nikolai was never part of an oppressed minority group, never had to fear centuries of persecution, he's an actual prince, it's easy to not be radicalized with his background.

Bonus: If Bardugo wanted to create a fictional world with tsarist Russia as a base, the least she could have done is to open a Wikipedia page or a dictionary for the correct names and terms. Starkov is a man's name: Alina Starkova is the correct form. Ilya Morozov, Aleksander Morozov, and Baghra Morozova would be the correct forms.

EDIT: They could have shown the building of the Little Palace and the start of the Second Army. I wanted to see the normal life at the Little Palace before Alina came along, little Grisha enjoying their powers, their reaction if the Darkling comes to see their training (I headcanon he visits the lessons at least once a year), the other teachers, and their reaction to Alina. Alina in canon is good with kids, maybe if she had spent time with little Grisha, she could have embraced her powers sooner. Having met with foreigners (Fjerdan, or Shu) and hearing their gruesome accounts of the foreign treatment of the Grisha would made her willing to fight for their future.

[dswcp]

Return of the Jedi has perhaps my favorite ending of any story, ever: Luke’s impossible faith in his father gives Vader the chance to change, and Vader takes that chance. I strongly feel this is a beautiful and moving tale about the power of forgiveness and love. The powerful relationship between father and son made a huge impression on me as a child, and continues to influence the stories I like to tell and the way I feel about life. The set, costumes, and music are so effective in their desperate darkness that they can always sweep me away from the silliness on Endor. Mark Hamill as the noble Jedi and Ian McDiarmid as the wicked Emperor are both so invested in their characters and the drama of the situation that they deliver the best chemistry in the whole franchise. Luke’s decision to throw his lightsaber away is so brave and inspiring, such a bold moment of moral intelligence, that it can sometimes even make me believe that Star Wars deserves all its hype.

But this ending is still flawed in many ways. Behind the scenes, the crew rudely slighted Vader’s actor David Prowse; they apparently promised he would get to film the helmetless scenes, but they replaced him instead, even misleading him about studio filming schedules. Also, while I love the tragedy of Luke’s failure to save his father’s life, Vader’s death still falls into the offensive “bury your disabled characters” trope. Personally I wouldn’t want to change RotJ, but as long as Star Wars keeps rhyming with itself, other Star Wars stories should show equally complex, equally disabled characters who find love and heroism and life. It is completely unfair that, after all this time, this franchise has never been as bold with its hope as it is with its tragedy.

Another problem with RotJ’s ending is that, as I explained in my short analysis yesterday, it’s not fair to push the responsibility of one’s own actions to someone else’s attitude. Just because someone believes you are bad, doesn’t mean you are; and just because someone believes you’re good -- especially if you’ve never given them any reason to -- doesn’t make you good.

Star Wars does address this problem, of course, with Revenge of the Sith. In the devastating ending of RotS, Padme’s actions parallel Luke’s. She still loves Anakin, in spite of what she knows he has done, and she gives up everything to give him the chance of a new life. Padme’s faith isn’t even as impossible as Luke’s, as she has also seen Anakin’s love. But this time, her feelings toward Anakin do not change him, and his violence toward his own wife goes much further than kids’ movies generally do. The Last Jedi also treads this ground: in spite of Luke’s warning, Rey puts her faith in Kylo, and he likewise proves himself unworthy of it.

Both these characters’ stories show the folly of reckless love, rather than its power. I like these spinoff movie endings as well; they are just as iconic as -- and smarter than -- RotJ’s ending. The main thing that takes me out of those scenes is that women just can’t catch a break in Star Wars, which can be frankly exhausting.

Another way Star Wars could address some of the flaws in the ending of RotJ, besides subverting it in referential spinoffs, would be to flesh out the now haunted relationship between the lonely knight and his ghostly dad. If these two ever manage to ditch Obi-Wan and talk mano a mano, it could be very emotional and interesting. I can’t imagine this happening in live action -- I won’t hope for more Sad Old Luke, because it’s not going to happen no matter how much I want it -- but this kind of confrontation could make a very, very cool comic.

Image credit: “Star Wars: The Original Trilogy: A Graphic Novel.” Disney-Lucasfilm Press. Originally published: March 1, 2016. Republished as mini-comic for Galaxy of Adventures Luke action figure: Fall, 2018. Writer: Alessandro Ferrari. Illustrator: Alessandro Pastrovicchio.

[nais-doodles]

THE FINAL PRODUCT AHHHH. This took a lot out of me but I am so proud of how it came together in the end, ahhhh.

Here are the original sketches if you’re curious as to how everyone looked originally.

Obligatory ask for you to click through

And finally, finally, my headcanons below the cut, so ya’ll don’t have to be bogged down with them. Warning, it’s kinda long

Hi, I put off making pancakes to write this

Lucifer

Lucifer owns a private detective agency (Edit: It’s got a name now! Morningstar Detective Agency, courtesy of the lovely @impastaz309), and all the brothers are in one way or another involved in it

The agency works with the police in the more secretive cases, usually ‘important’ people going missing under mysterious circumstances, drug trafficking etc.

Though he’s the head, a lot of the time he’s handling paperwork which helps cover the brothers and his back, especially since some of the stuff they do, and links they have with other people and organisations, could be exploited at their expense.

He’s looking at satan btw lmao

Running a detective agency and also keeping tabs on his brothers is very hard ™ so Lucifer is just, tired, all the time. Please give him a shoulder rub and smooches

Mammon

Usually used as bait, believe it or not, therefore his existence is somewhat of a mystery. He has to keep a low profile.

If you asked someone in the street, unless they were really involved in the agency (which they wouldn’t be), has a high ranking in the police (unlikely), or any of the other organisations the agency associates with (probably not) they wouldn’t know he exists

Mammon is very good at his job, organising meetings with middlemen, smooth talking his way out of situations, getting even the criminals themselves to come and meet him without a mediator

He is only ever used when they agency or police know with absolute certainty that the person they’ll be catching will be arrested without fail - which is of course impossible to know, so it’s always a gamble when they pull Mammon out of the deck

Good luck dating him because this guy can’t really go in public for too long at a time

Leviathan 

He works at a newspaper agency, or at least that’s what they want you to think

In reality the whole reporter business is a front, and Leviathan is an information broker. Or rather, the head of a small group of information brokers.

The city is big, and one person alone isn’t enough to cover everything, but man is his group efficient

Every address change, every telephone call made, every booking of hotel rooms, all of it, he keeps tabs on it all

The information he’s gathered has helped the private detective agency out in a pinch many times, and will continue to do so in the future

“I’m very very busy, so please don’t call me during work, sweetheart. Especially not this particular number, that’s only for emergencies, and even then, it better be life or death, okay? Okay.”

Satan

Works in a bar. Specifically, a bar in a kinda sorta illegal underground fight club. It’s very illegal don’t let anyone fool you

A lot of the more questionable people of the city frequent this bar, and let me tell you, some people cannot keep their mouth shut once they’ve had a few drinks.

Anything Leviathan or Asmodeus can’t catch (don’t worry I’m getting there), is usually picked up by Satan via a blabbermouth who had too much to drink that night.

Satan is also pretty chummy with a lot of the fighters, and has a tendency to be the one patching up the milder injuries after fights

Therefore, he has a lot of favours he can collect, so if Lucifer ever needs some muscle that goes beyond what Beel can provide, Satan in there recommending a few of the more... smarter(?) fighters at the club.

Please don’t scratch his bar, he is a very forgiving bartender, but ruining the mahogany imported from England will have him beating the shit out of you 

Asmodeus

A bit of a celebrity, his rise to fame being both accidental and very useful

Think barbershop quartet, but he does a lot of solo work as well. The other three guys in the barbershop quartet are an absolute blast, and Asmodeus loves them to bits.

Originally, Lucifer was furious. How does he expect to work in the agency if he’s off singing at clubs and attending fancy parties? Then he realised something: Asmodeus can keep tabs on any of the more sketchy celebrities who slip through the net

So off into stardom Asmodeus went, attending lavish parties and singing at packed theatres, collecting dirt, formulating blackmail, getting only the best gossip and pulling favours along the way.

“Jen, hon, did you hear about Carter? Apparently, he’s sleeping with the daughter of the Chief of Police.” 

“Wait a minute... Asmo, isn’t she married?”

“She is most definitely married.” 

“Oh my.”

Beelzebub

Usually seen working with Belphegor, partially because, well, that’s his twin brother and he likes his brother, so why not?

And also because Belphegor always needs backup

Though he isn’t always with Belphegor, really, he’s just sent whenever Lucifer is wary of sending anyone in the agency somewhere on their own.

Think of Beel as a bodyguard of sorts. He is always there to stop things form getting physical if needs be, but he isn’t always enough on his own despite being an absolute powerhouse. So sometimes he’ll go around with someone Satan recommended too

They’re really nice actually, Beel was super surprised, you’d think they’d have no manners? (That’s because Satan gives you the nice ones Beel, thank him once in a while) 

They also all think he’s a marvel of muscle send from the gods so ya know. And they all get him cakes from that bakery he loves, so they’re all good in Beel’s book

Belphegor

You know the whole good cop bad cop routine? Yeah, Belphie is both depending on who you need for that current situation. 

Masterful in the art of manipulation, Lucifer uses him on the more tough to crack people who sit in the interrogation room

He is actually pretty good at shoving the fragmented pieces of a case together, weaving a story that gets the person being interrogated sweating bullets

Even when he is way off, he still manages to worm information out of the subject a lot faster than anyone at the police station. Point, private detective agency.

Like I said, he can be the good cop or the bad cop, though because he isn’t all that intimidating, he’s usually asked to be good cop

But dear lord he is a scary bad cop, and everyone in the police force and their mother knows it

If you got this far wow, hi, thanks! And you may or may not be happy to know I’m planning on another noir piece, this time featuring the undatables and maybe my mcs too idk yet

[scuttling]

Flirt

Fandom: Criminal Minds Pairing: Aaron Hotchner/Latina OFC Sophie Cortes Word Count: 1,189 Tags: SFW, Pre-relationship, Jealousy, Flirting, Denial Summary: An officer flirts with Sophie, and Aaron gets jealous. Collection: Sophie Cortes timeline, 7-12 Months at the BAU (See Masterlist for reading order) Link to AO3 or read below! “You look young to be in the FBI,” a uniformed officer says to Cortes when they gather around, waiting to give a profile, and Hotch overhears. “Are you a genius like the doctor?”

“No one is quite like Dr. Reid,” she replies with a fond smile, arms crossed comfortably. “I just focused very hard on school, didn’t leave time for much else.”

“That’s a polite way of saying, ‘Yes, Officer Wilson, I am a genius. Way smarter than you.’” She laughs at his comment, and he laughs too, and something about it irks Hotch.

The officer is, objectively, average—early 30s, 5’10”, blond hair, athletic build, handsome—and he hasn’t done anything blatant to throw up a red flag, but Hotch keeps his ears open, more on edge than he’d normally be in this setting, though he can’t say why.

“I wasn’t gonna say it,” Cortes says playfully, and the officer looks at her with interest.

“What did you go to college for?” he asks, and she glances over at him, cocks her head.

“You really want to know?” He nods, smiles, and she shakes her head good-naturedly. “I have bachelors degrees in Sociology and Psychology. A masters in Criminology. A masters in Behavioral Science.” He whistles, a big grin on his face.

“Damn, that’s impressive. No time for a minor, I guess.”

“No, I minored in Gender and Sexuality studies.” The man’s eyes get wide, eyebrows raised, and she rolls her eyes lightly. “Yeah, men always seem to cling to that one.” He clears his throat, focuses.

“But see, I knew you were a genius. A young, pretty genius.”

“Flattery will get you nowhere, Officer Wilson,” she says, looking straight ahead, but her face is not unkind.

“Not even the café down the street? Much better atmosphere than this place, and I’d love to hear more about all those degrees you have.” He grins, and she glances over at him. Hotch doesn’t want to hear what she says next.

“Alright, I think it’s time we deliver the profile,” he decides suddenly, and sharply, apparently, because Cortes’s eyes snap quickly to his. “Would you like to begin, Agent Cortes?”

“Of course,” she replies, looking a little confused by his tone, and she addresses the room.  “That’s one of the nicer precincts I’ve seen in New York,” Cortes says later when the two of them climb into an SUV to meet the detectives at a crime scene. It was rather nice, compared to others, but Hotch isn’t in the mood to be kind. “Good coffee,” she tacks on, and he nods.

“I’m surprised you noticed, with all the flirting you were doing.” She pauses in buckling her safety belt, looks over at him with her eyebrows raised.

“Excuse me?” He stares straight ahead.

“I noticed you were flirting with that officer when we were waiting to give the profile, that’s all.” She clicks the seat belt a little roughly, crosses her arms, and he starts the car and heads for the crime scene.

“I wasn’t flirting with anyone, and if I were going to flirt with someone at work, I certainly wouldn’t be stupid enough to do it two feet from my boss.”

“It sounded like flirting to me; my mistake.” He knows he’s got a tone, one that he shouldn’t be using during this discussion—hell, he shouldn’t even be having this discussion. Sophie seems to agree.

“It’s insulting that you think I can’t have a conversation with a man without flirting with him.” He clenches his jaw, because that’s not what he’s saying.

“I know you’re capable. You have conversations with me all the time. I’m just telling you how it appeared to me.”

“Well I’m telling you what actually happened.” She moves a hand to her head like he’s causing it to ache, looks out the window. “This conversation would never be happening if I was male.”

“This conversation has nothing to do with your gender.”

“What does it have to do with then, Hotch?” She looks over at him, but he doesn’t answer, can’t. She closes her eyes, shakes her head. “It doesn’t even matter, forget about it.”

He can’t forget about it, knows he fucked up, but the way he felt when she was talking with Wilson… he can’t ignore that, either. Later that night, when the others are having a celebratory drink at the bar, Sophie sits alone, staring out the window at the dark skyline. He swallows his pride and walks over, takes the seat next to her. “I’m sorry about what I said to you earlier. I was stressed and I projected it onto you. That’s not an excuse, just an explanation. My behavior was uncalled for.” She looks over slowly, like she’s thinking about just ignoring him but can’t, nods her head slightly.

“Yes, it was. But I accept your apology.” She swirls her drink, mostly untouched and a little watered down, by the looks of it. “And just so you know, I don’t flirt like that.” The corners of her lips turn up in a very slight smile.

“Oh? How do you flirt, then? Not that you’d be stupid enough to do it two feet from your boss,” he tacks on, and she laughs.

“I’m much more direct. I’d look into his eyes, for one,” she says, looking into his. Both sets are brown, but his are unremarkable where hers are dark and deep and shining. “If he’s wearing accessories, I’ll mention it, so he knows I pay attention to detail; I love your watch,” she demonstrates, reaching out a hand to tap the silver band of his. “Watches are good, because it gives me an excuse to bring our hands closer. Ties are nice, too; this really brings out your eyes.” She looks down at and smooths a hand over his tie, which is light gray with a white stripe, then flicks her eyes back up to his. “Are you following me, so far?”

“I think so,” he says, and he feels himself getting a little warm under her gaze.

“Good. So then, if I think he’s interested, I might drop a hint or two. Something like, ‘I have a room upstairs, but I’m not ready to be alone just yet, so I think I’ll have one more drink’. Maybe he offers to come up and keep me company… Or maybe he’s a little old-fashioned, isn’t ready for that just yet. Then again, maybe hints don’t work with him. Maybe he needs things spelled out very clearly.” She leans in a little, and then Morgan appears between them.

“We’re all getting ready to head up, wanted to see if you guys were ready,” he says, and Sophie takes one last sip of her watered down drink, slides off her stool.

“Yeah, I’m definitely ready for bed. Are you, Hotch?” she asks, and it’s an innocent enough question, but it trips him up, and he takes a few seconds too long to answer.

"Yes. Lead the way.” He usually avoids touching himself when they’re out on a case, but for some reason, that night he has an urge he can’t resist.

[ashdumpsterpile]

I know you talk abou st*cky in the interracial ships stuff, but can we talk about st*ny? Iron husbands is literally right there, but I also always sees Rhodey as Tonys moral support only. And ik Tony is very shippable with most characters, but the fact his ship is Rhodey is one of the lowest ships in ao3 (ironstrange, winteriron and god forbid stark*r all had more fics in ao3).. It's pretty telling this side also has racism problems...

I'll go ahead and answer this here, but letting y'all know that I do have a marvel sideblog if you want to hit me up there (@themarvelarchives).

Hey, I'm going to ramble for a good minute.

So after I posted my very incoherent, controversial take on St*cky vs SamBucky, there were a ton of ppl who came onto anon saying that St*cky shippers were racist. I think I only answered a few, but y'all were pretty insistent on it. I personally have not observed that St*cky shippers are so I'm not calling anyone out on that side of the fandom for that.

I also did not call out anyone on this side of the fandom bc that's not what my meta was about. I think I mentioned maybe once or twice in the whole post that there was underlying racist in the fandom, but since you asked, we can talk about it here.

Covert Bigotry In Fandom Spaces.

To understand what's going on in the MCU, we have to first look at what I call "woke-queer" fandom.

So "Woke-Queer" Spaces is the phenomenon where certain fandom members like to call ppl out on their bigotry, while covertly harboring their own queerphobia/racism/etc. An example of this that we're all familiar with is TERFS and how they like to claim that they are progressive and woke, while also claiming that trans women are fake and trans men are sexist.

How this translates to fandom, however, is the hypocrisy that is cancellation and callout culture.

For example, Supernatural in particular is a fandom that likes to call out the writers on their homophobia and racism, and yet, somehow, the fandom is chalk full of homophobia and racism. If you want to read more about this, here is a truly excellent article from the perspective of a queer woman of color.

Moving on, I've also talked in a previous meta post, on the internalized acephobia that exploded in 2019 after Good Omens was released. Rather than reiterate everything I said in that post, I'll just leave it at this: the controversy in the Good Omens fandom can be summed up by the fact that queer audiences are claiming that Ineffable Husbands is the wrong kind of queer. The hypocrisy oozes off the screen, doesn't it?

A final way this viably translates to fandom, is in how the Doctor Who fandom evolved over time.

So Steven Moffat takes over as head writer and showrunner in 2010. It's a new series, a new Doctor, a new Tardis, and new branding. He steps up the action, changes the color grating, and raises the stakes. Women are sexier, the Doctor is smarter (and more of an asshole, but that's another meta post), and every companion comes with their own impossible mystery that makes them Special™.

Series 5-10 got tons of woke points for having lesbian characters, an episode where the Doctor is homoerotic with James Corden, and an underlying trans narrative with the Master's reincarnation. What a lot of people forget, however, is that his series was incredibly sexiest, incredibly lesbian/biphobic, and basically turned the Doctor into everyone's fantasy sex-object.

This, unfortunately, brought out the worst of the fandom. There was RTD Era vs Moffat Era wars exploding in certain corners, TenxRose shippers vs ElevenxRiver shippers.

What does this have to do with covert racism in fandom cultures though?

Hnnngng ok, so back in RTD era's we get Martha Jones, the Actual Best Companion On The Entire Show. Except for the fact, of course, that she is written to be in love with the doctor. She's a brilliant character--smart, sassy, flawed, funny, flirtatious--and her entire plotline is reduced down to a school-girl crush on a white man.

She doesn't do well with fans, they scrap her after one season.

We move on to Donna Noble (The Other Actual Best Companion On The Entire Show) and RTD's era ends with them scraping her too and regenerating David Tennant's Doctor.

It will be five more series (not seasons, SERIES) until Doctor Who will have another black companion--who gets extra points for being gay--only to fall victim to "bury your gays" at the end of the season (but not really bc no one stays dead on Doctor Who).

The fandom's reception of Martha Jones was historically bad. The comparisons to her predecessor, Rose Tyler, were rampant and everyone was finding a reason to hate her.

The fandom's reception to Bill Potts was also historically bad, as everyone was screaming that she was being written for more "woke points" and that they wanted Clara back.

Fandom has a historically bad reputation of being problematic and, I would argue, the majority of it has to do with these toxic undertones of bigotry that slip under the radar. "Woke-queer" spaces, as I call them, are these instances above where spaces that claim to be inclusive of gender/orientation/race are covertly bigoted.

Marvel and Cancelling

Now is an excellent time to talk about the MCU.

Anthony Mackie (Sam Wilson) has recently come under a lot of criticism from fandom members for shutting down shipper speculation.

"The idea of two guys being friends and loving each other in 2021 is a problem because of the exploitation of homosexuality. [...] something as pure and beautiful as homosexuality has been exploited by people who are trying to rationalize themselves."

I can't find the rest of the quote, but Mackie goes on further to say that it was important to him to portray "a sensitive, masculine figure" without insinuating that there was romance involved.

Woke culture lost it's shit. Everyone was suddenly claiming that Mackie was calling them exploitative for shipping a gay ship as a queer audience, which could not have been further from the case.

Mackie actually makes some very excellent points in that sensitivity is not gay/queer. Woke culture loves to rag on Toxic Masculinity, but the minute someone plays a character who is loving and sensitive with no queer narrative in mind, they are immediately canceled.

What Am I On About

Okay, let's actually address what your ask was about, Nonnie. You pointed out--rather truthfully--that it is unfair to call-out racism on one side of the fandom, while ignoring it on the other side.

Well, I've gone back through my St*cky vs. SamBucky analysis (which is incoherent at best, I apologize for that) and I see maybe once instance where I called out fandom members for being racist. Here's what I had to say about racism:

"[...] Iron Husbands is a rarepair, probably because it’s an interracial ship."

"[there is] nothing wrong with shipping two white men, but it does become a problem when you ignore/bash POC/interracial ships to the determinant of your own white ship."

And then there was the post you brought up where I addressed interracial ships in the fandom. That one is probably more relevant to this topic, to be honest, as I actually addressed fandom racism there. I assume that your reason for bringing up Stony is because it's a ship that is more relevant to my side of the fandom, HOWEVER, the reason I highlighted Stucky instead was because I was comparing the fact that they've both been around the same amount of time and are relationships that feature the protagonist and their best friend.

You brought up St*ny in the ask, however, so I'm going to talk about St*ny for a minute.

As someone who never has nor will ship St*ny, it never even occurred to me that some of the problem behind the Iron Husbands tag being so small is because everyone ships the white, boring ship. You brought up a very valid point, but because I was never in that part of the fandom, I can't really speak to any possible underlying racism there, besides what I've already said above.

I would be interested in hearing a St*ony shipper or ex-St*ony shippers thought on this, but sadly I don't know any. If you have any more thoughts regarding this, Nonnie, pls drop back into my inbox.

You do make some excellent points in this ask though, and I would like to talk about racism on my side of the fandom.

So back to Mackie and his Twitter cancellation. Notice that Disney made him address the rumors and not his co-star, Sebastian Stan. Anthony Mackie is put on blast and made to answer fan demands and receives backlash, while Sebastian Stan gets to fly under the rader. This is not, by the way, a criticism of Stan, but instead of the blatant racism Disney has been displaying over the past few years.

How this ties in with the rest of my post has to do with my "woke-queer" spaces bit. The outcry across the MCU fandom over Mackie was swift and unforgiving. He was cancelled on charges of homophobia and bigotry--all the while these same fans turn a blind eye to any queer interpretation of other interracial ships and discourse in their own fandom.

The racism that I'm speaking about, of course, is an almost passive racism. Of course if you don't ship a specific ship for reasons other than their race, it's perfectly fine. It's okay not to ship Iron Husbands or SamBucky or any other interracial fandom ships. However, the distinct lack of shippers in the fandom IS telling because there are people who would ship that exact ship if not for the fact that one of men is black.

I don't have much more to say about this except to thank you for bringing it up and for listening to my long rambling post.

(Feel free to bug me about Tony Stark, MCU ships, MCU Meta and anything you want to talk me about on this blog and @themarvelarchives.)

[laporcupina]

have you seen ted. lasso? i feel you would have profound thoughts about how it treats masculinity

To the surprise of nobody who remembers my Prolix Lass icons on LJ/DW, I am going to make you rethink your flattery by going for quantity over quality. ;)

I honestly don't think masculinity is a big theme of Ted Lasso. The big character beats for the guys aren't about how they are men, it's about how they are people. There is a steady drumbeat of fatherhood, biological or otherwise, throughout the show and maybe that could count but... Masculinity exists on a broad spectrum both in real life and on screen and I don't think the show had much novel to say there. Especially if you have much exposure to non-American screen storytelling.

(Although I will admit that I could not stop laughing when I found out that while Ted winds up with age-appropriate Sassy, Jason Sudeikis wound up with the young starlet playing New Rebecca and there’s your real treatment of masculinity.)

Where my Ted talk (ha!) actually goes in terms of show themes is: (1) kindness has strength and power and Ted is Batman and (2) Keeley and Rebecca and their relationship with the male gaze. And (3) a riff on Ted the Coach.

(1) The sense of Ted Lasso-the-show before it was watched was Ned Flanders in the Premier League version of Major League, but that it turned out to be so much more than that was such a delightful surprise. Ted is an improbable naif abroad, but he floats on the waves of the ocean he's never seen before because his foundations are built so well -- at least they initially seem to be. His is a ship that doesn't carry weapons but can't be sunk by anyone else's. And in the first season everyone tries. The 'strange new respect' that emerges is earned in every case because Ted doesn't shrug off the slings and arrows as meaningless to the ones firing them or harmless to himself, rather he focuses his attention on why they are being fired in the first place and deals with that. He's not tougher or smarter or better than anyone, he's just more perceptive -- he's Batman, with no powers but his ability to understand others, in a universe that thinks Superman is better because bullets bounce off of him. And with that perceptiveness has come generosity and patience and kindness toward those who don't have it instead of arrogance. Which is in contrast to the monster that Nate becomes as he grows into his prowess and power. They are both men with gaping maws at the center of them, but Ted's response is "I need other people around me to feel wanted" and Nate's becomes "I need." (2) Keeley and Rebecca, together and apart, and how they addressed aging in women, which is never done on the screen in a sympathetic way. And how the show kept sexuality as a meaningful part of them both, especially in the testosterone-soaked world of professional sports, without objectifying them even in a meta way. (You know, Black Widow is a strong, independent woman of incomparable skills and real friendships with powerful men... but we're gonna show closeups of her tits and ass.) The gals and the male gaze was a killer part of the first season for me. Women are conditioned to orient themselves to the male gaze, whether it's how to dress to attract men or how cultural mores require them to hide themselves to avoid it. But that gaze is ephemeral and there comes a point where men stop seeing a woman -- ask a lady over 35 how that works -- and that's why Hollywood is the way it is and that's why actually admitting it is so freaking novel. Keeley is 30 and her first season arc is that she realizes that she has to decide on her adult life -- her glamour model days are running out and she won't be able to get by on her tits forever. And Rebecca, much older, has been forced to reconsider her adult life and part of that is rebuilding her foundations and self-image. Because you know Rebecca was Keeley twenty years ago, a stunner who understood herself to be attractive and that attractiveness was a core part of her identity, and she never really had to deal with the body blow of the invisibility that comes with age before her husband's betrayal. Let alone the very public and intentionally humiliating version she gets to endure. (Yes, she still looks like an incredible Hannah Waddingham, but it's still American-ish TV and there are no average looking women on it.) And we get to watch them grow strong on their own and through the complementary friendship they develop and come to define themselves outside of whatever any guy thinks about them sexually -- while not de-sexing them. Rebecca starts the season on a mission to get her husband to see her again by destroying his prized team, but ends it realizing that she doesn't really want him to see her because his attention is not worthwhile and yet that of people like Keeley and Ted and Higgins is. In the first season Keeley is the one propping up Rebecca's sense of her own beauty, but in Season Two she has reclaimed her own vigor and image and reaps the benefits. Keeley starting off with Jamie and ending with Roy, yes, it's about replacing lust with love, but it's arguably the least interesting part of her arc -- her friendship with and support of Rebecca, her development as a savvy businesswoman supported by Rebecca, and her fury at Rebecca's betrayal, that's where her character beats are in the first season. Roy breakfasting in pajamas at her dining table's a result of that, not its own thing. (The two do become their own thing in the second season.) Sidebar: everyone, regardless of gender, should have friends outside of your age range. It will develop you as a person whichever side of the older/younger coin you are on. (3) That the first season was a moral victory and a loss in every other way that counts was novel. The second season being the flip side of that was also notable -- they get back to the Premier League but with casualties. I'm a baseball/hockey fan and appreciate that there are technical coaches, the guys who do strategy and tactics very well because they think the game in a special way, and there are "players' coaches" who outsource the X's-and-Os to an assistant while they work to their strength, which is morale. Ted is very clearly the latter and that's not a bad thing -- the current coach of my NHL New York Rangers is the same and they paid him a lot of money to take the job. However. There's a moment near the end of Season One, when Beard and Ted are arguing about whether Roy should start, and Beard points out -- correctly -- that this isn't the NCAA and their goal is not to produce quality young men ready for the world, it's to win. Only to win. And Ted's inability to realize this on his own, to fight this once it is pointed out before giving in, is where he actually failed as a coach. (All the more so because my god the NCAA is all about the benjamins and he should be familiar with the concept.) He is therefore a much better coach in Season Two, but if you asked him he'd look at Nate and argue the point.

[anti-catradora-receipts]

Catra abused Adora.

I want to start off by explaining my own experience with watching She-Ra for the first time. I started to watch the show and continued to watch it for various reasons. But I want to make it clear that I wasn’t watching the show to see who ended up with who. I enjoyed the show mostly because it had such wonderful messages surrounding healthy families, friendships, and relationships. And so, one of the main themes of the show ended up being: abuse. 

The show demonstrated that abuse can take a variety of forms. The show demonstrated that people can suffer from abuse in different ways. The show presented that people can break the cycle of abuse and people can continue the cycle of abuse. The show demonstrated that in some cases people can try and help an abusive person, but the abusive person may abuse the person trying to help. The show also highlighted that people are allowed to leave abusive relationships.

Before we begin, I want to note that I won’t be answering the question “Did Catra’s own experiences of abuse influence her actions?” Because the answer to this question is obviously Yes. And I sympathize with Catra and the fact that she was abused while she was growing up. In addition, there’s a lot of complexity and depth surrounding the abuse Catra received. But Catra also continued the cycle of abuse. And in real life, people who have been abused can also end up abusing other people. 

Now, since we’ll be focusing on Catradora in this commentary, we must look strictly at the interactions between Catra and Adora. The reason behind this is we are evaluating only whether the relationship between Catra and Adora is healthy. In addition, if your friend told you they were being abused, would you ask the question, “I understand, but what about your abuser? Was your abuser abused?”. No, I don’t think you would. You’d ask your friend, “Is there any way I can help?” And so, in this case, Adora is your friend and Catra is the abuser.

Thus, the main question remains: Did Catra abuse Adora? And the answer is Yes.

(Please note that the underlined statements are hyperlinked to websites providing information on abuse.)

Signs of Emotional Abuse

Catra has unrealistic expectations of Adora:

Catra makes unreasonable demands of Adora.

Catra expects Adora to put everything aside and meet her needs.

Catra is constantly dissatisfied no matter how much Adora gives.

Catra invalidates Adora:

Catra undermines, dismisses, and distorts Adora’s perceptions of reality.

Catra accuses Adora of being "crazy”.

Catra refuses to acknowledge or accept Adora’s opinions or ideas as valid.

Catra dismisses Adora’s requests, wants, and needs as ridiculous or unmerited.

Catra suggests that Adora’s perceptions are wrong or that Adora cannot be trusted by saying things like “you’re not making sense”.

Catra uses emotional blackmail:

Catra manipulates and controls Adora by making Adora feel guilty.

Catra uses Adora’s fears, values, compassion, or other hot buttons to control Adora or the situation.

Catra exaggerates Adora’s flaws or points Adora’s flaws out in order to deflect attention or to avoid taking responsibility for her poor choices or mistakes.

Catra denies that an event took place/lies about it.

Catra acts superior:

Catra treats Adora like Catra’s inferior.

Catra blames Adora for her mistakes.

Catra doubts everything Adora says and attempts to prove Adora wrong.

Catra talks down to Adora.

Catra uses sarcasm when interacting with Adora.

Catra acts like she’s always right, knows what’s best, and is smarter than Adora.

Catra controls and isolates Adora:

Catra treats Adora like a possession or property.

Signs of Physical Abuse

Catra kidnaps Adora.

Catra scratches Adora.

Catra shoves Adora.

Catra kicks Adora.

Catra slaps Adora.

Catra uses weapons on Adora.

Catra physically restrains Adora.

Catra attempts to murder Adora multiple times.

Adora suffered from Catra’s abuse and Adora displayed the effects of this abuse:

Short Term Effects

confusion

fear

hopelessness

shame

Long-term effects

guilt

anxiety

Adora also tried tactics that are not effective ways of dealing with abuse:

Adora arguing with Catra.

Adora trying to understand or make excuses for Catra.

Adora attempting to appease Catra.

Adora also figures out how to properly deal with Catra’s abuse:

Adora makes herself a priority.

Adora establishes boundaries.

Adora stops blaming herself.

Adora realizes she can’t fix Catra.

Adora avoids engaging with Catra.

Adora builds a support network.

Adora deserves to be in a healthy relationship, which consists of:

Trust

Adora should be confident her partner won’t do anything to hurt her or ruin the relationship.

In a healthy relationship, trust comes easily and Adora shouldn’t have to question her partner’s intentions or whether her partner has her back.

Honesty

Adora should be able to be truthful and candid without fearing how her partner will respond. 

Adora’s partner may not like what Adora has to say, but should respond to disappointing news in a considerate way.

Respect

Adora’s partner should value Adora’s beliefs and opinions.

Adora’s partner should love Adora for who she is.

Adora should feel comfortable setting boundaries and should feel confident that her partner will respect those boundaries. 

Adora’s partner should cheer for Adora when Adora achieves something. 

Adora’s partner should support Adora’s hard work and dreams, and appreciate Adora.

Equality

Adora’s relationship should feel balanced.

Both Adora and her partner should put the same effort into the success of the relationship. 

Neither Adora’s nor her partner’s opinions should dominate. Instead, they both should hear each other out and make compromises when they don’t want the same thing. 

Adora should feel like her needs, wishes and interests are just as important as her partner’s. 

Kindness

Adora’s partner should be caring and empathetic to Adora, and should provide comfort and support.

In a healthy relationship, Adora’s partner will do things that they know will make Adora happy. 

Kindness should be a two-way street in Adora’s relationship: it’s given and returned. 

Adora’s partner should show compassion for Adora and the things Adora cares about.

Taking Responsibility

Adora’s partner should own up to their actions and words. 

Adora’s partner should not place blame and should be able to admit when they make a mistake. 

Adora’s partner should genuinely apologize when they’ve done something wrong and continually try to make positive changes to better the relationship. 

Adora’s partner should be able take ownership for the impact of their words or behaviour had, even if it wasn’t their intention.

Healthy Conflict

Adora and her partner should be able to openly and respectfully discuss issues and confront disagreements non-judgmentally. 

Adora’s partner should not belittle or yell during an argument.

Adora’s relationship should have healthy conflict by recognizing the root issue and addressing it respectfully before it escalates into something bigger. 

Fun

Adora should enjoy spending time with her partner.

Adora and her partner should bring out the best in each other.  

A healthy relationship should feel easy and make Adora happy. 

Adora should be able to let loose, laugh, and be themselves.

Adora’s relationship should not bring Adora’s mood down but should cheer Adora up. 

Adora’s relationship doesn’t have to be fun 100% of the time, but the good times should definitely outweigh the bad.

In conclusion:

Whatever Catra says, Catra’s violence towards Adora is unacceptable. 

Catra’s violent behavior is always Catra’s responsibility, not Adora’s.

Catra’s abuse is not okay or justifiable.

There are so many scenes throughout the series where Catra emotionally and physically abused Adora, and these scenes are captured on this blog. 

I just want to add that even when Catra emotionally and physically abused Adora, Adora continuously tried to reach out and help Catra. Adora gave Catra so many chances for her to apologize and rectify her mistakes. But Catra didn’t. Not only that, when Adora left, Catra continued to abuse people. Catra emotionally abused Scorpia. Then, when Scorpia left, Catra began abusing Lonnie. Catra’s abuse didn’t stop when Adora left, Catra just found a new victim.

In addition, there were so many significant moments of growth for Adora. Adora found people who supported her and did not abuse her. Adora began to heal from Catra’s abuse. Adora no longer made excuses for Catra. Adora realized that she is not responsible for Catra’s atrocious actions. 

Adora was strong and brave for moving forward in her life without her abuser. 

Moreover, Adora is a victim of abuse. Catra abused Adora emotionally and physically. Catra repeatedly admits to manipulating Adora in order to meet her own selfish goals. Catra did not show any remorse for her abuse against Adora throughout seasons 1 to 4. Catra continuously blamed Adora for her own atrocious actions. And finally, Catra attempted to murder Adora on several occasions. 

And here’s the most important thing. I don’t care who Adora would have ended up with. I just care about the fact that Adora ended up with Catra. What I mean is: I would rather have Adora end up without a partner, than end up with Catra.

Irrespective of whether you agree or disagree with my points on Catradora, these will be final points:

Abuse can happen anywhere at any time.

Abuse can happen in any relationship, including lesbian relationships.

Abuse is unacceptable.

Make sure YOU can recognize signs of emotional and physical abuse. 

Make sure YOU know that it’s okay to leave an abusive relationship.

Make sure YOU can trust and depend on your PARTNER/FRIEND. 

Make sure YOUR PARTNER/FRIEND knows they can trust and depend on YOU. 

Make sure YOU are being treated with kindness and support in your relationships. 

Make sure YOU are treating YOUR PARTNER/FRIEND with kindness and support. 

Make sure YOU are in healthy relationships and friendships.

In conclusion, EVERYONE deserves to be treated with love and respect.

Thank you.

[transbian-technoblade]

Hhh so Tommy’s newest stream is definitely a new comfort stream for me but there’s just one little bit that kinda rubs me the wrong way and I want to comment on it just so it stops bothering me. Sorry this is really messy

/dsmp /rp

This conversation takes place at 53:27 in the vod.

TOMMY: Tubbo, I feel like we’ve grown less close while I’ve been in, y’know, in prison and dead.

TUBBO: That’s cause you’ve been gone for such a long time.

TOMMY: Do you like me less?

TUBBO: Nope.

TOMMY: Well, it feels like you do.

TUBBO: Well, that’s all in your head, then.

TOMMY: No.

TUBBO: Maybe your superpower is imagining things.

This exchange happened a few minutes after Tommy had just announced to the chat that he was gonna try to “get Tubbo back” by “looking cool” with disturbing small talk. When that unsurprisingly didn’t work out, he realized that he should just be direct and honest, clearly vocalize how he felt (and he did a pretty good job at it too). Earlier, he didn’t want Tubbo to hear when he confessed to Ranboo that he felt replaced, left out, and lonely. But here he’s being completely transparent with him.

Tubbo, on the other hand... At the risk of getting a little bit critical of Tubbo’s character here, I feel like he was being pretty dismissive of Tommy and not taking his concerns seriously enough to want to do something about it. He quickly steered the conversation in a joking direction and the subject was promptly dropped.

There’s something that people who are smarter than me and who know way more about psychology say: “Your feelings are real, but they are not reality.” It basically means that you shouldn’t trivialize your own emotions and always take the time to address and work through them, but you should also be cognizant of the fact that whatever thoughts you’re having that cause you to feel that way may not be based in reality (and here’s an article about it if you want to read more).

Tubbo says point-blank that he still likes Tommy as much as he did before they grew apart and that the only reason they grew apart at all was because Tommy was gone. But the way he says it, his tone of voice... it sounds almost callous. He quite literally says to Tommy “it’s all in your head.”

You know what Tommy says right after this exchange? “My superpower is anxiety.” A joke, obviously, but also an acknowledgment of the fact that what he’s experiencing is anxiety. I don’t know about y’all but most people with anxiety problems aren’t really helped by just being told “Your feelings aren’t reality.” That ignores the whole “Your feelings are real” of it all.

So while I really don’t think Tubbo was at all trying to be malicious here (or was being a bad friend even unintentionally), I do think he needs to work more on being receptive of and responsive to Tommy’s feelings if he wants the rift between them to mend. I really hope that they can have a more productive conversation in the future and that Tubbo will do more to acknowledge how Tommy feels rather than just saying “it’s just in your head.”

[linkspooky]

I would like to ak you about Stain and Dabi, at the very least Stain seemed to consider Deku and Shoto "true heroes", with All Might at the example to follow. Meanwhile it seems Dabi doesn´t believe real heroes exists, not even All Might. Why do you think that´s the case?

So your question here is whether Dabi is following Stain’s will or not? Dabi’s ideals may not line up 1:1 with Stain, but I would say he’s far more loyal to Stain and his ideals than to anybody else in the manga. He may even be more loyal to Stain to the point of being disloyal to the rest of the league of villains. A comparison of ideology and methods of both Stain and Dabi underneath the cut. 

1. Stain’s Number One Fanboy

There are lots of aspects of Dabi’s reveal that were clearly inspired by and are even a continuation of what Stain did that made ripples in society. First and foremost Stain’s greatest success was that he got the actual public talking about him. 

This has always been the difference between the League of Villains, and Stain. Even when the League of Villains has points to make and try to communicate with others, they often get dismissed as villains who chose to be villains for selfish reasons. With Stain, even characters like Deku who are often too naive to grasp this can recognize  why Stain’s motivations eventually pushed him into becoming a villain. 

Stain is the one villain so far we’ve seen the heroes react to with something other than, “Well obviously they just chose to be a villain, because they’re evil, mean, nasty and selfish.”

To us, the audience Shigaraki makes more sense as a character. We know exactly why Shigaraki does what he does because we see him as a human. However, Shigaraki is not human to hero society. 

Someone like Stain is more palatable, because his ideals are a warped version of Hero Society’s own. Rather than being someone who rejects the idea of heroes entirely, Stain merely says, I want the number one hero to be like All Might, pure and selfless. Every hero should be like All Might. Stain only rejects a certain type of hero, not all heroes in general, and not the way Heroes are given too much license and power in this society. 

Stain notices the flaws within hero society, however rather than addressing it as a societal issue, he believes if he kills a few posers then the real heroes will step up. Stain takes what is a societal issue, and wants people to take individual responsibility for it. Which is why he ends up taking it out on completely innocent people too. There are family legacy heroes who are just in it for the job, and the glory (cough, cough, Endeavor) but Tensei was not really one of them. It’s not really Tensei’s fault that all of hero society is corrupt,  at least not particularly more than anybody else is, he’s just a well meaning guy doing his job. 

This is why Stain’s actions can blur the line between justice, and personal revenge. Stain thinks that it’s okay to kill people in service of a cause, but in this case isn’t he just beating up someone who was otherwise a good guy because he wanted to someone else to take the blame for the ills of society? 

It’s true Stain will go as far as to spare, or even save those he deems as worthy, but at the same time it’s only ever on his personal value of worthiness. He also, only saved Deku from a nomu after his battle was already lost. When they were getting in the way of him killing Tenya, he was only a little bit relucant to try to kill both of them because they were in the way of his mission at the moment. 

So anyway those are all of Stain’s bad points. Stain emphasizes the exact same kind of survival of the fittest and individualism that only saves some people in hero society and damns all the rest in the first place. Stain’s good points, he actually did mean what he said. Stain genuinely believed his actions were going to make the world a better place. 

Stain called Endeavor a fake, he also insists on personal responsibility that he has to do something to be the one to fix society he can’t just pretend to be ignorant of it. Stain as we know was a hero student, but couldn’t stay a student when he began noticing all of society’s flaws. In a manga where most characters are ignnorant, the fact that Stain is one of the first characters to point out something might be wrong here, and then had to act on at least his personal sense of justice does mean something. 

Stain’s wors also managed to reach people and stif them up that there is “something wrong here.” They got a response out of people. Which as we’ve been seeing this arc is hard to do. The fact that villains are only evil because they choose to be is just so ingrained in things that it’s hard to shake off. 

So I’m going to list three ways Dabi primarily took after Stain. 

Televised Broadcast

Insistence on Personal Responsibility

Heroes Must be Pure

The reason Stain reached so many people is primarily because of the broadcast. It’s how we see it reached even Dabi himself who was apparently either just a minor crimminal, or living in hiding until that point. Dabi realizes that nothing is going to happen, no concrete change will happen, even if he’s right, unless he gets the public on his side.

This is also why even though Shigaraki has some points to make, almost no heroes listen to him. Shigaraki one does not know how to make his point in an understandable way, and two does not know how to play the game of public opinion. 

Dabi always mentions casting public doubt on heroes, and making a stir in thenews. As long as they get a foot in the discussion, they’ve won somehow. 

Stain reached so many people because his news coverage was a spectacle, and it sparked mass debate. Dabi has been aspiring for a long time to cause the same kind of spectacle and stirring. That’s why he intentionally lets Endeavor gets victories to build him up, that’s why he burns people and leaves them to be found to increase his own notoriety. He was creating a narrative to sell to the public, one that would be easily digestible. Taking inspiration from Stain, he wants to make another news blitz to throw everything into question. He wants to be just like Stain, seen as someone driven to villainry by their intense ideals, and their desire for a betterworld. 

In fact Dabi is even a lot smarter than Stain in some aspects. Stain attracted the wrong crowd. For the most part after the news story died down, the most people that came to the league were those not really invested in his ideals. However, here comes Dabi who knows exactly how to frame himself. Just look at the difference between the way he addresses other people, and the way he addresses Shoto and Endeavor. 

Dabi’s playing his cards as best as he can to create a narrative that will get talked about, because the greatest impact that Stain left behind is that he got the masses attention for a litlte white. 

Number two - Individual Responsibility

Just like Stain, Dabi takes everything on his shoulders, for good or ill. He’s a staunch individualist. In some aspects that means Dabi can’t ever leave well enough alone. There are some injustices he can’t forgive, so he goes out of his way to punish them. 

Part of what is happening really is just consequences for Endeavor’s actions. Something that both the rest of society, would have just let him get away with. Dabi, Stain as individuals, can’t swallow any kind of injustice, and can’t be quiet about the things they notice as wrong or hypocritical in their society. 

Hypocrite or not, I believe Dabi is moved by some kind of ideals, some idea of justice. One that easily overlaps with personal revenge, in the case of Stain, that can very easily branch out and beat up perfectly innocent people who have nothing to do with it besides the fact that Dabi is in a bad mood and wants to feel like he’s punishing an individual for the ills of society. 

For good or ill, Dabi does repeat Stain’s habit of purging as well. Like I said because of the overemphasis of personal resposnability, the belief that an individual has to overcome society all on their own (pulling themselves up by their bootstraps), if someone fails to meet Dabi and Stain’s sliding scale of standards, whoever they are, they may just decide it’s appropriate to murder them. 

This behavior also lashes out and hits people who were almost completely unrelated. Tensei gets hit by Stain’s purge. Dabi’s plan to invite Hawks into the league (probably to dig up dirt on him) ends up hitting Twice as well. 

However, there is also a strong sense of personal responsibility that should be noted. Dabi is like one of the only league members to express remorse over killing people. Not just live on television, but also to himself in the aftermath of the pro hero arc. 

There’s also a tragic element for this as well. Dabi’s decision that he has to do everything on his own, means he can’t open himself up to cooperation. He can’t accept the friendship, the sympathy, or the sense of community for the leaguethat’s been offered to him multiple times. Of course, it’s sadder for Twice because he’s dead. But at the same time Dabi can’t trust anyone, can’t work with anyone, it’s extremely unhealthy and self destructive behavior in the end. 

#Heroes must be Pure

Here is where Dabi and Stain differ a little bit. It’s also where Dabi differs from his brother Shoto. Both Stain, and Shoto were inspired to beieve that real heroes exist because they witnessed All Might. Shoto beliees even if his father is corrupt, he can become a hero like All Might which is the utlimate way to reject his father. 

For both Stain and Shoto, they can believe that good heroes exist because they have All Might as an example. As far as we know, Dabi doesn’t even seem to mention All Might. 

So for Dabi, we still have the idea that heroes need to behave a certain way, heroes need to be pure. He points out that Endeavor is a bad pillar because he’s not ideologically pure, he’s not a hero who saves others like All Might. He also believes like stain that if he culls the bad heroes, then the good heroes will rise up from that destruction.

However, I think Dabi himself may have trouble believing the idea that good heroes even exist. 

Dabi shares the same purity / stain motif with Stain himself. 

Once things are stained they’re impure. Impure things need to be cleansed. He can’t forgive the dirty past of either Endeavor or Hawks. He can’t let someone who has already dirtied their hands pretend to be a hero. 

However, I think Dabi goes a step beyond Stain in that Stain thought if he picked off a certain amount of heroes within the society then the good heroes will do better. Dabi must believe that there is no way for a hero to remain ideologically pure in this society. So, his attacks are levvied at the society that’s incapable of producing good heroes. 

Stain had a tendency to attack individuals while demanding ideological purity from them, Dabi has the same habits but he goes one step further and suggests that society is ignorant, that society needs to question whether these heroes it uplifts really are good people. 

Which is also what I think leads to what you said that Dabi treats Deku and Shoto differently than Stain would. Dabi can’t believe in real heroes, so he sees the kids aspirations to be a hero as proof of their ignorance. 

I would say he doesn’t think Deku or Shoto could be a true hero because one, he doesn’t see them as individuals, he looks down on them as kids. Two, he believes they blindly follow the false heroes. He even mentions directly he doesn’t really see Shoto’s individual will, or his desire to become a hero to save his mom. He just thinks Shoto is the perfect puppet Endeavor raised him to be. Dabi is unable to separate himself from Endeavor’s abuse of him, and therefore he’s also unable to separate the idea of Shoto from Endeavor. 

So yeah, that’s the best way I can explain it with “the vague approximation of Dabi” that canon has given us right now. Basically Dabi is pretty loyal to Stain actually, he follows Stain’s ideals to the letter,he copies his strategy, he even has the same flaws, individual emphasis, black and white thinking, blurry line between “sacrifice for a better society” and “vigiltante justice because I think I’m right.” 

The main differences come from either Dabi just seeing the UA kids as either kids who don’t know better, or blind followers in the system. (This makes sense if you realize Dabi is someone who was raised by a hero since childhood, not someone who just became a zealot like Stain). And Stain has All Might for his idea of a “pure hero” whereas Dabi either believes no good heroes exist period. Or no good heroes can exist in the current society. I hope that answered your question, nonny!

[shhhhsh]

About Tim’s New Story….

I just really hope they address Tim’s mental health. Like, DC just been ditching really good plot lines in favor of being “woke” or pandering. Just look at all the live action shows.

Now I’m not saying they can’t make Tim queer/bi/gay, but (as someone pointed out to me) Tim’s previous story writer was bi and he still chose to write Tim as straight & in a healthy romantic relationship with Stephanie Brown. I’ve seen several people who identify as queer/bi say that to have Tim go “ ooooh I’ve fooled myself into thinking I was straight, but now I’m freeeee” sends the message that Tim’s previous relationship failed b/c he was with a woman and not because of Tim’s poor mental and emotional health.

To go back to my previous statement; by him not writing Tim as bi tells me that he didn’t want or care for Tim to be bi, but instead saw Tim as, or preferred him to be, straight. The writer had free control to write Tim how ever he wanted and yet he chose to keep Tim straight. And he actually liked & wanted Tim/Steph. Again, I’m not saying Tim can’t be queer/bi, I’m just saying I find the motivations for this possible change very fishy. Almost as if the new writer is trying to get brownie points for pandering to a portion of the fans.

I think this way b/c in every other media where a character is revealed to be LGBTQ they just did it. They didn’t beat around the bush or do any queer coding/baiting. They either announced it, just made the character that way right out the gate, or just dropped the bomb w/out warning (as seen in Netflix’s Voltron, Amazon Prime’s Invincible, and Nickelodeon’s Legend of Korra respectfully).

DC currently has a bad habit changing things to be “woke” and bragging about it or shoving it in our faces. DC is becoming the “pick me girl” of superhero media. If you want to do it, just do it. Again I just get the “look at me, look at me” & “carrot on the stick” vibes from them now. If you truly feel in your heart to do something you would just do it without the need for recognition or to be so dramatic about it.

Now what I much rather see & think it’s a natural progression for Tim:

I personally believe that if Jason, Dick, & Damian can get a story that attempts to give them character development beyond romantic relationships (romance was more of a B-plot to the character driven A-plot anyway) I think they can give it to Tim as well.

I know that the Bat-Family all struggle with some form of mental health problems (most commonly paranoia and PTSD). However, I would like to point out that trauma is was what brought the others into the vigilante lifestyle, while Tim & Barbara became traumatized because of the vigilante lifestyle. Yet, Barbara was shown overcoming her trauma and using it as motivation to get better. Tim is yet to have this moment.

We all know that Tim struggles with depression, self-esteem, and suicidal tendencies. I mean heck, him becoming Red Robin only happens because of Tim’s degrading mental health. I hate to say it, but Tim is very psychologically broken and has been show to get so depressed that he can’t even get out of bed some times. To my knowledge, Tim is the only one in the Bat-Fam that struggles in his head with the idea of not being needed, useful, or forgotten when in reality that is furthest from the truth (Steph, Jason, & Damian also feel like the black sheep periodically, but that is because they have been presented with real evidence that would lead them to logically believe this. I.e being actually forgotten or dismissed for past mistakes despite great efforts to better themselves).

While yes, Dick did Tim dirty by replacing him without having a proper conversation first, the motivation was because he saw Tim as his equal and not Damian. He thought highly of Tim, but Tim couldn’t see that over his offense. Tim is so beat down by life that he see’s everything with negative lenses. Everyone came to check on Tim’s mental health but Tim took it as an insult instead.

And even though now Tim has reached some form of “peace” in his life, that only happens because the people he lost came back (Bruce, Conner, Bart, Cassie, etc). Tim never fully learned to handle grief, to handle his emotions, instead he represses them. Again in the Red Robin run, the main reason he doesn’t believe in any form of God is because he can’t logically justify the pain he has gone through. He is hurting and doesn’t know how to deal with that. In his original Robin run, when he tried talking someone out of committing suicide……the words and comfort he gave….that wasn’t something that was just inside Tim, this is something that was told to Tim. This is followed by him calling Dick to get the same pep-talk he just regurgitated to someone else.

In short: Tim is hurting. Deeply. And having been someone who’s emotional & mental sanity was pushed to the brink and attempted to jump off several times, I think it’s really sad that DC just ignores it. Now as someone who’s gotten the help they needed & now helps other people who struggle with the same issues as myself & Tim, I think that they’re going to say a lot of Tim’s problems come from him not being “aware” of his own sexuality, which is just sad.

In the story in question, Barbara talks about Tim not having a solid identity. People are more than their sexuality. People are capable of making future decisions for themselves without it hindering on their sexuality. If Tim was real, I would brake down his struggle as so:

Tim refuses to go to college and do something more with his life because he cannot see anything beyond his current circumstance. And the only reason why Tim cannot see anything beyond his circumstance is because he has no internal sense of purpose, identity, and acceptance beyond the cape & cowl. And when Tim finally found that in being Robin, Tim held onto it as a lifeline. There’s a reason why everyone says Tim is basically Bruce 2.0: it’s because he is Robin/Red Robin/Drake & Tim is the mask. At a young age, he did not grow up having these things instilled into him due to his parents neglecting him at a very important age in his development. Tim raised himself, and for a lack of better terms; an idiot cannot teach themselves to be smarter, an idiot becomes smarter by learning from the intelligent. A child can’t teach themselves to be an adult, they have to learn from others to grow & better themselves.

Now a parent doesn’t necessarily have to sit down and give a lesson about how to be an individual, but children learn how to live life by watching their parents. A good example of this is the rest of the Bat-Fam; they all grew up with some form of parental figures that taught them how to behave (for better or worse). Of course children have their own personalities, which is why two kids can go through the same type of trauma but come out differently, but it is a battle of nature vs nurture. Steph, Jason, Cass, & Damian grew up in abusive/unstable homes, while Dick, Barbara, & Bruce grew up in loving homes, but their personalities & character dictated how they responded to trauma. They took what life gave them and decided what to leave or take.

Tim had nothing to work with & is basically playing catch-up with the rest of his peers.

In a weird sense, Tim is like Zuko from The Last Airbender: only living to serve their father’s purpose. Anything outside of that they don’t know what to do. They’ve been trained to be something externally without been given a chance to figure out who they are internally.

Again you are not your sexuality, your sexuality does not determine who you are as a person. When a person struggles through life, it is due to the conditions of thier soul. Everything starts internally and shows it’s self externally.

I want to make that very clear because I am truly scared that in DC’s attempt to claim “clout” they are missing the bigger picture. Tim doesn’t have identity problems simply because he “doesn’t know” he likes boys, but because DC never gave him is own identity to begin with. Robin was never his own identity, Red Robin was never his, & Drake was his first attempt to make his own but he quickly gave it up so that he can be Robin once again. What is Tim going to do once Damian gets back? Is Damian going to get his own identity before Tim? Or is Tim just going to go back to one of his old identities?

I would like for Tim to personally move on from being a vigilante and rejoin civilian society for a while. Go to college, do something for himself and only for himself. Give Tim the self-discovery story, let him heal, and grown to be his own person. Besides you can never have a functional romantic relationship if you are not a functional individual. Self love > romantic love.

[gremlin-writes-angst]

The Life of an Ackerman: Chapter 1

Jean Kristen X FTM!reader

3k words

My longest chapter so far ( I think)

Trigger warning: Transphobia( No slurs or deadnaming, just ignoring new name) mentions torture and death ( no death or torture but the words are used)

Let me know if I missed a trigger or if you spot any spelling mistakes.

Feedback is encouraged!!

I haven't said happy pride month so happy pride month and I thought it was fitting to say here because this is both gay and trans.

Click here if you want to see more of my work and follow me for more!

Being born an Ackerman wasn’t easy, especially when your father was Kenny the ripper. Your father never had much restraint, for booze or women, when the two mixed Kenny had no problem, most of the time the booze amplified his pleaser. It was no different the night you were conceived, Kenny had his booze and women who worked at the bar. They didn’t love each other, they might not even like each other. You could describe their relationship as a drunk flirt and a waitress who was tired of it, and knowing the best way to get rid of the man was to do what he wanted. She was partially right, because, after one night together, Kenny left her alone, and which was exactly what she wanted. Then three months later she discovered she was pregnant, and Kenny was nowhere to be found. While she was pregnant she investigated Kenny and where he could have gone, and by the time you were born your mother knew where Kenny lived and she had no problem doing the same thing Kenny did to her, she disappeared.

Kenny wasn’t thrilled to find a baby at his door, with a note claiming it was his own. Though he wasn’t the best person, he wasn’t going to leave his own infant, so he raised you, more like trained you. You learned how to protect yourself and others, how to hurt and kill people at the age of 10, you never killed, you just knew how. You missed the innocence of only knowing how to kill because you couldn’t go about life as Kenny the Ripper’s child without killing someone.

At twelve you started to change, you had discovered why you felt so disconnected from your body. You slowly began to change your appearance to be more like the boy you were, even if your body was a constant reminder that you weren’t. You told your father about these feelings when he questioned the change in your appearance. You know he would catch your lies if you tried, so you told him the truth. Telling him that you wanted to go by Y/n instead of the name your mother gave you, you wanted to be called he/him like the rest of the men instead of she/her that you’d been for the past twelve years. He never called you by your old name again, but he also never called you y/n, he called you a nickname which is how he addresses most people. To him, you were now ‘kick’ short for sidekick cause that’s all you were to him.

Being his son and being trained since you were a child, you became a member of the Anti-personnel control squad. Even though you didn’t agree with his stance, you were still forced to work for him. He had told you almost everything about Reiss family and the Ackerman family, and what he hadn’t told you, drunk Kenny told you. So you knew more than most and you formed your own opinion. All for nothing though because you were still forced to work for him and against the scouts. Though being his son and learning the skills of Kenny the Ripper, and being forced to work with him, brought you to working with the scouts, so how angry can you be.

After Kenny died, you grieved and then healed rather quickly, it was important to be able to get over people, you learned that from your dad. After healing you came up with a plan, you hunted down Levi Ackerman, a man that your dad had mentioned more than once. He was an Ackerman along with the captain of the survey corps, you need to meet him. There was a lot your late father had taught you, like manipulation, or blackmail, and because he couldn’t keep his mouth shut you had enough information on Levi to do what you were taught. Though your plan underestimated Levi and fell to pieces when the man caught you.

You were sneaking around the survey corps base, when you felt someone pull you back along with the feeling of a knife against your neck, you knew it was him when he spoke.

“You have three seconds. Who are you and why are you here?”

“ I’m y/n Ackerman”

“Bullshit.”

He pressed the blade further into your neck, it reminded you of your father’s signature move.

“It’s not. I’m the son of Kenny Ackerman, your uncle. Making me your cousin.”

Even with the information which should be shocking to him, I can’t feel any changes in his heartbeat or the pressure his knife has on my throat.

“What proof do you have?”

“I know you are from the underground. I know your mother’s name, Kuchel. I know about your mother’s job.”

You could have continued but Levi didn’t seem to like what you already said and stopped you.

“How do you know that information?”

It was a stupid question, you expected a smarter man. But it must run in the family cause calling him stupid out loud is just as dumb as his question.

“That’s a stupid question, Kenny Ackerman, my dad told me.”

You now felt a change in pressure of the knife on your neck, shockingly it didn’t press deeper but released just a little.

“Did you just call me stupid?”

It was a rhetorical question, and the tone sent chills down your spine. If he hadn’t moved the knife away you would except he was going to murder you. After seconds of torturous silence and stillness, Levi fully removes the knife from your neck. You weren’t free though, he still had the knife ready, now aimed at your back instead of your neck. You weren’t so stupid to try and move, you would be dead in a second if you did such a thing.

“Smart cookie arent you.”

He was testing you, he wanted you to move so that he could strike. But since you didn’t he had no reason to believe you would later.

“Move forward, and don’t make any movement that I don’t instruct you to.”

You start to move down the corridor, trying to determine the right speed knowing that if you move too fast or too slow you’ll be in trouble.

“You are going to turn and enter the next door on your left. Then you’ll turn right and wait by the door.”

His voice was more demanding than before. You spotted the door he talked about, and when you reached it you turned left then right, stopped, and waited at the door as instructed. Levi was right behind you as you entered the room, but he now stood to your left, right in front of the doorway.

You were afraid to make too much movement cause his eyes and kife were still trained on you. Without moving anything but your eye you survived the room, noticing that multiple scouts were cleaning the room.

“Connie and Jean come here.”

Levi yelled into the room, two men approached him. The short one with almost no hair, stood in front of Levi ready for instructions. Then the taller one with brown hair and a long flattish face, stood slouched as if his sergeant wasn’t in front of him. The shorter one hit the taller one, who then straighten his posture. It was funny in an attractive way. Levi turned to the short one and began to give him instruction.

“Connie, go inform Hange that we have an intruder in custody who may be lying about their identity, they’ll know what to do.”

Connie left as soon as Levi was done talking and had now turned to the taller one, and by process of elimination you figured out that he was Jean.

“Jean I need you to find something to confined this intruder with, rope would probably work best.”

Jean moved to a cabinet right next to you and pulled at some rope.

“Good thing we just organized sir or else it would have taken me ages to find this.”

It wasn’t a super finny joke but it was funnier than what you had heard in the past month, and a laugh passed right through you. The was quick shuffling and you realized everyone’s eyes were on you. They all know how strict Levi was and that you laughing wasn’t something Levi instructed. When they realized Levi wasn’t going to do anything they got back to work.

“Jean tie this man’s arms behind his back.”

You had never been called a man and once again your emotions slipped through and a smile reached your lips.

Jean approached you and put his hand on your shoulder, turning your body so you were facing the cabinet the rope came from. He began to tie your arms, tight enough to restrict your movement but not the blood flow. While he works he talks, whispering so only you hear.

“Thanks for laughing at my joke, no one does, it also takes balls to laugh at one of my jokes when your under Levi’s knife.”

Ironic. His hands finish tying yours and he guided you back to Levi.

“Sir I’ve tied the intruder, where should I take him.”

“That won’t be necessary, I got him for now. Everyone finishes cleaning this room, it better be spotless when I return from the torture chamber.”

He takes me from Jean and pushes me out of the room, and toward what I can only assume will be my death or wish for death.

“See you soon, or maybe not.”

“Jean!!”

Jean calls out from behind followed by others yelling at him for the insensitive joke. I smile even if it is a joke at my possible death.

You know sat on the floor of what you assume is a torture chamber, it’s dirty, which isn’t a shock. Suddenly the door opens and Levi walks in and behind him comes a taller person with glasses and a determined face. They seemed to be at the end of a conversation.

“Oh another Ackerman, exiting!”

The taller one practically jumps closer to you.

“We don’t know if it’s true. That what you are here for.”

Levi closed the door behind the two of them still trying to take away your last name.

“Oh come on, what would a poor thing like this lie. Especially lie about being related to you.”

The person stood over you, staring at you intensely, but they talked as if you weren’t there.

“I don’t know, but I do know that Kenny isn’t the father type.”

“I can’t argue with that. I never claimed he was the father type.”

You laughed at the idea of your father acting like a father to you.

“Pipe down brat. Only talk when we ask you a question.”

Levi silenced you.

“Wow, no kick to the stomach. Have you gotten soft?

The person mocked Levi, they also started to investigate you, but never touched you.

“Non-sense.”

That’s all Levi said in defense of the person’s accusations of his emotional strength. You found it Ackerman-like, Ackermans don’t need to defend them selfs over stupid accusations.

“You’re pretty good at spotting lies. So I want you to tell me when the little twerp lies.”

“So no torture, why bring him here then? I think I was right, you’ve gone soft. But no complaints here.”

The person finally addresses you.

“Hello I’m Hange, and it might be your lucky day, As long as you don’t lie, we won’t touch or harm you.”

You weren’t sure if you were allowed to nod so you stay still, Hange continued.

“So you claim that your and Ackerman, to be specific y/n Ackerman. Are you sticking by your original statement?”

You were tired of the constant questioning of your true identity.

“Yes, I am y/n Ackerman!”

You snapped a little.

“Feisty, that’s the Ackerman attitude!”

They turn back to Levi.

“I don’t think they’re lying but I’ll continue.”

They turn back to me.

“Is your father Kenny the Ripper, also known a Kenny Ackerman?”

It was only the second question but you were already sick of the interrogation.

“Yes.”

Hange turned back and walked to Levi.

“Still no lie detected, I don’t have any more questions, because you won’t tell me the rest of the story.”

They nudged Levi with their whole body.

“So you believe he’s an Ackerman. Their little proof of what he says”

When Levi finished, Hange added to what he was saying.

“And less against it.”

They sounded smug.

The two of them left, you were left in the gross dark room. You were also left dark in the sense that you had no clue what they were discussing you knew that what they decide will be your future.

Eventually, the door opened and Hange came in, more excited than they should be.

“A new friend!”

They grabbed you and lifted you onto your feet and began pulling you out of the room.

“Oh sorry, I was supposed to ask before touching you.”

Even though they sounded sincere, they continued to pull you around.

“The cadets and others always tell me that I should respect others space”

They continue to pull you until you arrived at a room, they opened the door and pulled you in, then sat you on the bed.

“Welcome to your new room, it took some convincing but we agreed that at the very least we should keep you in our sight. So your kind of trapped here now, but I promise it won’t feel that way!”

They left and closed the door, but before you could relax they rushed back in.

“Whoops, guess I should undo those restraints.”

You had forgotten about the restraints, they had been on practically all day. You stood up from the bed and turned around so that Hange could undo the rope. You thought back to the person who did the restraints, you thought about his face and his hands and his voice, his laugh that was caused by his own joke. You tried to remember his name, it rhymed with bean, and started with J.

“Jean!”

When you remembered his name, it slipped out, not quietly.

“Yeah, that’s what I said,”

Luckily for you, Hange was talking about the very person you were thinking about. Either way, you became embarrassed. Soon enough Hange left, and you were alone with your thoughts.

You stayed cooped up in the room you were given. There was one door, zero windows, one bed one dresser, and a mirror. There wasn’t much for you to do, the only clothes you had were what you were wearing. You had no reason to leave, no birds to watch and you didn’t even consider looking in the mirror. The boredom had finally reached you, and you couldn’t think of a way to cure it. Luckily for you, someone came to the rescue.

The door open and as it opened Jean came into sight. He had a towel slung across his shoulder and a bucket in hand. He scanned the room and upon seeing you he froze, then coughed a little, while a blush crept up his cheeks.

“Sorry, I thought this room was empty.”

He didn’t make any movement to leave or enter, he stood there staring at you.

“Well, now you know. So are you going to leave or come in, or have you become a statute?”

He started to move inside your room, you had expected him to leave. He must have noticed the confused look on your face, deciding to explain himself.

“Levi’s strict about the cleanliness, so either you clean this room or let me.”

He has a stupid smile on his face as he offers the bucket and pulls the rag off his shoulder, also offering it to you.

“I’m not cleaning, so have fun.”

“That’s what I expected.”

He started to clean the room, but he eventually became tired of the awkwardness of being watched in silence.

“So you have no worries that I’ll snoop on you or steal from you?”

You changed your position on your bed, now sitting legs crossed.

“Yeah cause the man who makes terrible jokes is going to steal something from me. No, I just don’t have anything for you to steal or snoop.”

You responded sarcastically but also felt there was no reason to hide the truth so you told him, in the end, to clear up any confusion.

“Oh so you think that I wouldn’t be able to steal from you, you must be confident. You are you that you are so confident.”

He was joking with you, your glad a strict scout wasn’t the one who was cleaning your room.

“Someone who you restrained less than five hours ago.”

You thought it was weird that he was acting so normal around someone that was labeled as an intruder.

“You’re clearly not much of a threat if they let you in such a nice room.”

You laughed at his detective skills.

“Real though who are you, intruder.”

Without knowing your name, he only knew you as the intruder and decided to use it as a nickname.

“I’m y/n!”

He waited for you to continue but you never did. You didn’t think Levi would want you exposing yourself as an Ackerman.

“No last name?”

He questioned, but you’ve been here before and always answer with something that shuts most people down.

“Lots of people don’t.”

He took your answer, as most people did.

“Yeah, I guess you right.”

The room went quiet again as he continues to clean. Every once and a while one of you would strike up a conversation. You need to stretch your legs, got up, and walked to the door and back, which earned you an earful from Jean about making the floor dirty when he just cleaned it.

Eventually, he was done and had to leave. He opened the door about to leave but stopped when he heard your voice.

“Before you go, can I have my sock back?”

He turned around with a slight shock on his face.

“I guess you have a right to be confident. And you really did have nothing else for me to steal.”

He dropped the sock next to your shoes. He grabbed the door handle and began to close it while saying goodbye.

“See you around, Intruder.”

You assumed that this was going to be a countenance thing, and you don’t mind.