#but I'm doing better than I could be

[sillygoofyqueer]

Buddhism might not have seven deadly sins, but they do have ‘five poisons’.

Moha (मोह), Wúzhī (无知): Ignorance, Confusion, Bewilderment, Delusion

Rāga (राग), Yīliàn (依恋): Attachment, Desire, Passion, Greed, Lust

Dvesha (द्वेष), Fǎngǎn (反感): Aversion, Anger, Hatred

Māna (मान), Xūróng (虛榮): Pride, Arrogance, Conceit

Irshya (ईर्ष्या), Jídù (嫉妒): Envy, Jealousy

The first three are also known as the three poisons.

If traditional heavenly demons are hatred, and the crows are pride, that leaves delusion, greed/lust and envy.

Though with how crows steal stuff, I could also see just sticking to the OG three and making them Rāga instead, so there might only be one more heavenly demon type around.

Either way, a Moha based heavenly demon would be freaky. Whatever they look like, they’d probably bend reality, confuse people’s minds, or create illusions.

Actually sounds a bit like dream demons kinda… Meng Mo, secret heavenly demon who lost his body?

Wooooaaaah, that would be so cool - and I love the idea of Meng Mo being a heavenly demon, but one that's trapped and without his body, forced to leech off the energy of OTHER demons, those that were once below him. He has become what he hates the most - weak and forced to rely on others. I do feel like Airplane would focus the most on the dvesha (wrath) demons because...well, that's Binghe, but there are probably loads of notes on potential types of heavenly demons that were abandoned through time. Maybe Meng Mo was supposed to be a plot point about Moha demons and their lineage, but it was swiftly abandoned when the fans lashed out.

[bluestation]

nami day!! 🧡💐🍊

[thereseuwu]

Wawawawa, drew Apollon instead of doing my school work (It do be like that dkjasfds.) Also, drawing Apollon in a somewhat more modern time is fun! :^)))) (Idk, man... Idk)

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[housederiva]

I may not understand how Davrin Dragon Age's clothes work yet but I do have a comprehensive knowledge of cleavage and a deep desire to figure out how to paint digitally

[darkeneddawning]

Escaped clone au

You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.

Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.

Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?

So, Danny does the responsible thing: he goes to Batman to turn himself in.

Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.

More thoughts under the read more

Here's how I'm thinking Danny leaving the League went down:

After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.

But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?

That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.

Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.

Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[shimmershy]

Just two siblings back from the dead, hanging out, totally not using this opportunity to torment one another for the rest of time! <3

Chara Week Day 4: Flowers

[Image Description: A digital drawing of Chara and Flowey from Undertale. They're on the Surface, with grass and trees and mountains stretching out behind them. Chara has golden flowers clustered around their left eye and speckled in their hair and on their hands. They're kneeling on the ground and smiling wide, holding Flowey's flower pot in one arm. Their other hand is outstretched in front of them and holding a camera. Flowey has a red bow wrapped around his stem and stickers in the shape of hearts, stars, and smiley faces decorating his pot. He looks annoyed as Chara leans their face in close to his to take a photo. /End ID]

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[commsroom]

this is a sensitive topic for me, so i really hate that i have to make this post, but unfortunately it keeps becoming relevant: stop infantilizing hera, and stop making excuses for it.

"well, she's literally four years old" she's been fully conscious with an adult mind for most of that, awake for most of that, and in multiple places at once for most of that. do you think that is comparable to a child's life experience, or is it maybe representative of something else?

i assume you understand why it would be wrong to call lovelace "literally two" because the fact that she is a clone is textually representative of the trauma she's been through. i also assume you understand why hera occasionally making flippant or frustrated comments about her own struggles living as an AI is different from the text telling you who she is or how you should regard her. it's science fiction, and it's a show that uses science fiction concepts in ways that resonate with real ones. the ultimate fact of the matter is that hera could've been in a lab for 30 years, or for 200 years, in a different setting, and be written the exact same way: as a sheltered, isolated adult woman without real life experiences.

hera is not a child or teenager in a natural stage of development. she is an adult who never went through the usual stages of development or life milestones, who has adult friendships and responsibilities, but who feels she is permanently ill-equipped to handle her life because no one ever taught her how, or gave her the space to make mistakes. if you don't understand why this distinction is important in discussing her trauma, that there are real, adult people who feel the same way, people who feel they've only been alive for four years, women who were never girls... then i really don't know what to say to you.

and i guess i have to say it: it's inherently infantilizing to say her peers see her the same way they see an actual child, or to say she needs them to be parental figures, especially eiffel of all people. "adult women have parents too" not ones that are 30 year old men! and parents have responsibilities to children, even adult children, that are different from the responsibilities two unrelated adults who care about each other have. it fundamentally reframes hera's most equal relationship in a way that diminishes her autonomy within it. (and if you're arguing it's all equal anyway, then what does it add? why don't you consider friendship as important?)

i know some people will dismiss that point because i view eiffel and hera romantically, but i've never argued you have to. if you want to go down that road, it says some pretty awful things about the couple of writers and actors who also view it romantically if you think she was meant to be viewed as a child, much less comparable to his child. you're inventing problems that don't canonically exist.

i just don't understand why you would make it about eiffel at all - and eiffel does not have the right to be a parent; the only thing that will heal his relationship with his real actual child is in relation to his real actual child - instead of discussing what a disabled, isolated, traumatized adult might be able to offer a disabled, traumatized kid. isn't the whole point of hera not being like pryce about breaking cycles? why make her a passive figure in her own story when her entire story arc is about taking control of her life?

there's no utility to this line of thought that doesn't further demean and alienate her, while implying she isn't ready to be a fully autonomous adult person. i don't think most people mean to be ableist, but hera is canonically a disabled woman, and i don't like where that line of thought leads. and yes, she's just a fictional character and can't be hurt by it, but everyone brings some real-world biases to how they engage with fiction. she's written as a marginalized adult person, and her womanhood is textually tied to defense of her personhood and autonomy (as well as a parallel to lovelace, also a marginalized woman.) to paraphrase minkowski - "you are going to show [that woman] some goddamned respect."

[sysig]

You're still standing off to the side. Somehow, center stage has shifted from under your feet without you realizing, and you're standing in the wings, performing to no one.

Starring Role (Patreon)

[userautumn]

"not all men" but not in a men's rights way, in a "it's important to remember that men aren't the only perpetrators of cruelty, abuse, and evil and that subconsciously or consciously training yourself to view men as inherently evil and everyone else as inherently safe inadvertently puts you in a position where you're both vulnerable to attack or harm from people you otherwise wouldn't suspect, AND causes you to limit the number of allies you might have in a time of need" kind of way.

[letstalkshipping]

Can we just take a moment to appreciate Sam Winchester's strength. It takes strength from your guts and bones to refuse temptation, to pass on opportunities that would benefit you but come with bad strings attached, to be humble, to be selfless, to say no to the evil this world is tainted with. Sam has seen the alluring darkness of the world and the underworld and every part of both. He has credentials that could get him into any parts of those worlds and set him up with positions of power, wealth, anything he wanted. At any point, Sam had the option to give up on the Winchester way "saving people, hunting things" and be selfish and corrupt. It doesn't even have to be a turning to the dark side... he wouldn't even stop hunting at multiple occasions because people might die. He could have chosen any life he wanted and left hunting behind, left his brother, all their schemes to bring down evil. He could have given it all up whenever he got tired, or depressed, or angry, or just saw how flawed everyone and everything was and became disillusioned. But he walked through the way of temptation and always did what he believed was RIGHT. He betrayed himself, denied himself, lived with hatred and disgust for himself when he could have chosen the easy path of giving in to the darkness and letting it becomes his chosen path. Dean was a huge factor in Sam's constant decision to stay on the straight and narrow, but he could have become an antagonizing influence if Sam had let bitterness rise in his heart. If Sam had been selfish, Dean's opinion wouldn't have had so much sway. But that's not how the story goes. The truth is, Sam Winchester is a hero.

[nostalgia-tblr]

i feel bad about it but "he killed eighty people in two days" in The Avengers just doesn't seem like that high a number to me? it'd be high for a normal person, but in supervillainy terms that's... a bit crap, really isn't it?

no wonder Thor was so quick to say "he's adopted" the honour of the family is at stake here, you can't let the humans think that's the best any of them can do D: