#but I'm all about post 50 jon

[bringthesauerkraut]

Thirst post time!

I'm actually obsessed with how he's aging.

The still very blue eyes, the deep wrinkles & laughter lines, just how white his hair has gotten & of cors his stupidly distracting arms.

He lives in this weird land between a staggering lack of vanity (even though he acknowledges he's rich enough he could do something about it if he wanted) & an extreme amount of self loathing of his looks (even though he's always been extremely handsome)

He says he's just an old man now & yeah, he is. He's 62 in a few weeks but I think he's fucking beautiful.

(screenshots from the weekly show come from the jonstewartstuffblog)

[sparky-is-spiders]

Hi! I’m here suffering from lack of good Archivist!Sasha content as well 😭 On that note, do you have any fic on that topic you would recommend? Or just good Sasha fics in general, (or Jonsasha, if that’s your cup of tea)? Thank you in advance 😊

Tragically, I think there is a general dearth of good Archivist!Sasha content (and just about none of it Jonsasha content, as far as I can tell (and not only is Jonsasha my cup of tea, but the ONLY thing standing between it and the #1 OTP spot (currently occupied by JE) is the fact that the Jonsasha that I desperately crave exists in my brain and nowhere else)). Admittedly, I haven't looked very far into her tag yet (I should rectify that at some point tbh) but I've dug around the Jonsasha tag when I first got into it, and I know at least one fic where Sasha drifts towards Beholding through an interest in office gossip.

In terms of Jonsasha Ao3 has:

This very good Sasha lives fic where Jon shows up to Georgie's with an unconscious Sasha and everyone involved is very confused.

These two fics are cute also. The former is by @/suttttton and is them getting together, the latter is established Jonsasha from @/dickwheelie.

Eyevatar Sasha might actually be thinner on the ground (outside of fix-its where she solves everything and her canon reckless curiosity is completely ignored). Ao3 has:

This fic, which is Jongerry with outsider PoV Sasha. Just barely has the implication that she might be shifting towards the Eye (via prying into the lives of her coworkers) but gets a mention through sheer force of Excellent Sasha Characterization. I read this and I feel like I'm reading a fic from a Sasha Understander.

There's also this fic, which looks very promising but which I haven't actually gotten the chance to read yet, so I can't speak to its quality.

Unfortunately I've only gotten into Sasha fairly recently (especially as compared to Jon, who my brain latched onto in a deathgrip from the start), so I haven't gone through her tag yet. A scroll through the Archivist!Sasha or Beholding Avatar!Sasha tags pulls up a lot of fix-it and J//mart, which isn't really what I'm looking for from the concept. I'm sure there's more out there, and if/when I find them I'll come back to this ask probably, but I lucked into Reverse Nighthawks (I was on a Jongerry kick).

But god every day I wish that I could write romance and/or longfic, because about a year ago I read a Jonmichael fic that, when discussing alternate universes (where Jon ended the world) it's revealed that he once did an apocalypse out of love for his Archivist, Sasha James. And it was one (1) single line, but it struck me so hard because god. A perfect concept I think. The potential dynamics of Archivist!Sasha/Assistant!Jon are enthralling to me. Jon destroying the world (or helping her destroy the world? Cute date night I think: bringing about armageddon with your eldritch monster partner) for Sasha... anyway mostly I mentioned that one because My God if I have to live with that tantalizing AU rotating in the background of my mind 24/7 so do the rest of you.

[jonnywaistcoat]

Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?

So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.

First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.

Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.

It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"

But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?

Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.

Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.

[honeyspawn]

Some ideas about Paul's family:

Option 1: Jon Matteson Fmily Tree - full-transparency, the Jon Matteson family tree has never really been my personal favorite, or at the very least, the idea of Paul specifically having a big chaotic extended family has never felt very "Paul" to me. Paul has always struck me as such a solitary entity in Hatchetfield, or at least until Emma shows up. That being said, I won't deny that the idea is fun. That being said, I think if we're gonna go with the whole Paul is Richie's uncle thing, I don't think he's literally the brother of one of Richie's parents. I think "uncle" in this case is used in the general way a kid refers to an adult relative, and he's more of a distant cousin. I don't really know how to explain it, but I simply cannot picture Paul with siblings. Overall though, to me, I think I prefer the idea of Gary and Boy Jerry being Richie's uncles, and Paul is just kinda separate.

Option 2: Generic Retirees - I've mentioned this in another post, but something about Paul having no relatives in Hatchetfield even though he's lived there his whole life there feels very "Paul" to me. I suppose you could conclude from this that his parents are dead, but seeing as he's only in his early 30s and that implies his parents probably died kind of young (probably somewhere in the 50s-70s range depending on how old they were when Paul was born and when they died), I like the idea instead that the explanation is the most boring one possible; they retired in Florida. Their names are Arthur and Martha Matthews, or something similarly generic. They are the most boring 60 year old couple imaginable. Arthur likes to garden. Martha likes bird watching. They have no other hobbies. They visit Paul a couple times a year. They are constantly trying to convince Paul to move to Florida. They are the Matthews family. They are boring.

Option 3: Crack Theory Time - This is insane, and I don't really believe this theory, but the idea came to me one day and I the thought wouldn't leave my head, so I need to share it. So the idea behind this is Paul is such a singular entity that it's almost enigmatic, or at least it would be if anyone cared that much. Paul never talks about his family to anyone. He never really thinks about his family, and he feels like he's been on his own for a long time. That's not to say he doesn't remember having a family. He had a mom. She was nice. It was a shame she passed away 15 years ago. And when he starts dating Emma and she asks about his family, that's all he has to say. "I had a mom. She was nice. It was a shame she passed away 15 years ago." He remembers having a mother, but he doesn't really remember anything that specific about her. He's not sure why. He never thinks too deeply about it. He's not sure he can properly recall her face unless he's looking at an old scrapbook. It's strange, though. As soon as he puts the scrapbook back on the shelf, it's like he forgets again. All that really sticks is he had a mom. She was nice. It's a shame she passed away 15 years ago. It's not like he didn't love her, of course he did, she was his mom. And she was a good mom too, he's sure of it. One thing he does remember though, is before she died, she had a long talk with him. He can't remember about what exactly, but he knows it was important. He's pretty sure she was saying goodbye. If you've watched nightmare time, you may have guessed where I'm going with this. I don't really know where this idea of mine that Miss Holloway is Paul's mom came from, it just kind of seemed like Paul being a mysteriously solo entity in Hatchetfield makes sense, and this seemed like an interesting explanation. It also would tie into the fact that Paul might have a slight latent resistance to the LiBs. In tgwdlm, Paul has a whole musical number where he resists the Hive while being infected, while the only other times anyone gets infected on stage, it's a matter of seconds. Paul is also one of the only adult characters who sees through Tickle-Me-Wiggly; even Emma thinks Tim would want a Wiggly "more than anything." Do I think this is all some insane foreshadowing? Absolutely not. This seems extremely unlikely to me, and a product of my own over-thinking, but it sure is fun to think about anyway. (Also, I've never seen anything about this online before, but if this is an existing fan theory, please let me know. The Miss Matthews theory, if you will)

Option 4: He Doesn't Have One - Paul does not have a family. He is just Paul. It's not important for Paul to have a family because they are not relevant, and therefore, they simply do not exist. This also seems very possible to me, and tbh feels appropriate, both for Paul, and for Hatchetfield. I mean heck, according to Curt Mega his shopper character in Black Friday is literally named "Shopper No. 4". Paul just straight up not having a family because he's Just A Guy™️ feels right.

Wow, this was a lot, actually. If you read this whole thing, thanks for letting me infodump, and I'd love to hear what you think.

[katy-89]

Discussing Rhaegar Targaryen in this fandom is boring. More than discussing Dany or Sansa.

Rhaegar Targaryen is literally the devil.

Reading this fandom discussion you would think Rhaegar is on par with Crastor or Ramsey. Sometimes the takes about him are literally at odds with the text of the book, subtext, and the main themes explored. I don't know why people are so hypercritical of this character, we have virtually no reliable information on his motivation or actions. I guess it's easier to blame one person for all fallout of the war than to accept it's caused by a Veriety of factors. I really think we could use a moratorium on "Rhaegar Targaryen kicked my dog" posts.

Character are supposed to fuck up and create conflict, their actions are a way for the author to explore a theme. Every single character in this book makes mistakes that have horrible unintended results.

Reducing what Rhaegar and Lyanna means for the narrative, and Jon's themes of love vs duty in particular, to just "Rhaegar Bad" is just a bad faith way of engaging with the story. It's also possibly a less interesting way of reading it but for some people outrage is fun so that's clearly up for debate.

I truly don't give a fuck if "Rhaegar fucked up", but I'm incredibly tired of seeing the character vilified just to have people shouting the same talking points over and over with out any deeper reading of the situation or speculation about alternatives. Until WOW comes out to add new information to the pile, I just think this topic is boring and doesn't justify the 50 bashing posts per week we get.

And I'm incredibly tired of seeing the age stuff being an issue ONLY when it comes to Rhaegar and Lyanna. Y'all doesn't care about age gaps, you just have an agenda. Or you would care about Oberyn, Cersei, Renly, Robert etc fucking teenagers. You don't.

Also....Shout out to the Bobby B Stans who refered to Lyanna as Roberts property and Rhaegar is wrong for stealing her. Thank you for strengthening my conviction that Lyanna Stark could have personally burned westeros to the ground and been justified. I'd support her.

[go-to-the-mirror]

today has been a day of procrastinating tma stuff and actually doing irl stuff (my washing! which is always like a four hour ordeal, but finally my favourite hoodis are clean) So, yeah didn't even get done writing things, much less the tma relisten. But I made a promise in the tags of an earlier post that I'd ramble about jontim here, so... I just... I'm sad about them.

Firstly, did you know that MAG 50 - Foundations is the last time we hear Tim and Jon have a good moment together on tape? Barring of course MAG 161. And here it's cracked foundations. Do you know that in MAG 11, Jon says he trusts Tim most of all, for it not to be a joke? Do you know that in MAG 159 Jon's mind immediately jumps to Tim and Sasha when asked where his friends are? They feel like they were friends, really close friends, that just... fell apart. Do you know how it feels to lose your rock. To lose someone you always thought was going to be forever for you? Do you know how it feels to be betrayed, to have someone you thought was your best friend turn on you and hurt you? Do you know how it feels to stand in document storage, and look at each other, and see the person you trusted, and see how it all fell apart, and see fear and mistrust, and see a want to repair things, but it's already too late?

Do you know how it feels to look at the person who represents everything that's wrong about this place, and know that they're the only one you're ever going to trust to be real?

"I'm still me, Tim. I'm still me." "You know what? You're actually right." "What?" "You're the only one."

@a-mag-a-day

[starcanwrecked-confessions]

Taking a break from retirement. I don't follow this blog (because the posts here can get a bit too intense sometimes), but when I get bored and miss StarKid (or check if my anon posts got published or reacted to), I do read the posts here. Here’s what I think about the current posts I’ve read.

Why do people who apparently dislike or hate Robert Manion still talk about him, even though the events happened a few years ago? Please ask yourselves this. Sure, he committed his wrongdoings back in 2020 and/or 2021, but is three years not enough to stop talking about it? People generally know his actions were bad. Even those who don't know him or know nothing about SK understand that harassing someone romantically and sexually online and saying insensitive or uninformed things is wrong. (If I miss something or I'm being vague about it, it’s because I avoid that Robert topic and vaguely remember what he actually said online. I don't care to read about them again because I know what's right and what's wrong.)

I don't even hate Robert, probably because I left the fandom when he joined. When I came back, he was no longer a part of SK.

To those who are new, please read Robert's fandom wiki page and look up information online about why he left and the controversies surrounding him in SK’s past. There’s no need to add to the discourse about someone whom StarKid carefully mentions online because of what happened—trust me, there’s already more than enough awareness about it online.

I remember they did not even tag Robert in their IG post about the Twisted anniversary, but they did post his character's photo. Joey briefly mentioned him while talking about TGWDLM or BF during the CC Kickstarter livestreams.

Note, expressing that you miss or wish Robert had stayed because you enjoyed his performances will likely attract replies about what he did, and they often repeat the same things. It’s probably best to avoid this.

He was a good and funny performer, then he made some mistakes, and he left SK.

And yes, Robert still talks and works with Jon Matteson and maybe a few other SK members. They probably made amends. Deal with it. It's their lives and friendships.

P.S. I block Robert Manion tags here on Tumblr, but I’m still curious why he is still discussed by fans as a person and what he did, rather than just as a performer. I can understand fans talking about his past creative work with SK, like how good of a performer he was and about his characters.

P.S.S. This is not an invitation to add more discourse or anon posts about him. If you want to react to this, there’s a comment section under this post and I might reply.

Will there still be a lot of discourse/posts about Rob’s actions in the next 5 or 10 years? Hopefully not, as we all get older and the active and older SK members will be in their 40s or 50s. Heck, they might even talk about him again and maybe open up about what he did (again) as a reflection, kind of like a deep-dive history documentary, when SK reaches their 20th or 30th anniversary or something.

I could say more about this but I'm just gonna say the biggest on my mind after reading this

I think a big reason people still talk is actually to inform fans who don't know, also it can be hard to seperate his performance from him, art vs artists

For you maybe not since you weren't part of the fandom while he was here but for many people he was MASSIVE part starkid and loved by many

Just because it's been 3 years doesn't mean people have to stop talking about it and should only think of the good parts of him, again it's pretty hard to do that

Also "note, expressing that you miss or wish Robert had stayed because you enjoyed his performances will likely attract replies about what he did, and they often repeat the same things. It's probably best to avoid this" what are you getting at here? First off although I can understand being nostalgic for before this all happened sure I'd honestly hope no one who knows what happened actually truly wishes he stayed, he sexually harassed someone in starkid, I don't think he should stay in the same company as the person he harassed. Second yeah people commenting about what he did are going to repeat the same things? Bc they are explaing what the bad things he did were? You can't add on or makr stuff very different when explaing what the bad things someone did were.

[respectthepetty]

With My Dear Bro Day One

Love Tractor's leads got sent to El Nido in the Philippines by the production company and recorded it for With My Dear Bro. I truly have nothing better to do with my time during this quiet holiday break now that midnight mass is done, and GMMTV didn't give me Safe House this year, so I'm binging it and writing about it in three posts (One, Two, Three) because why not?

First off, the opening credits are adorable.

Next, their only concern when packing was making sure to bring a hairdryer. Not a joke. Very serious business.

There is only ONE BED, and they did not realize that until they get to the house. Yoon Do Jin said he would sleep on the couch.

That was a lie.

Yoon Do Jin is very outgoing and travels often while Do Won is introverted and hasn't traveled much. Yoon Do Jin is fine spending all their money. Do Won is frugal. Yoo Do Jin wants to try all the things. Do Won, not so much.

They both speak English often on the trip, but Do Won, who has a degree in hotel management teaches Yoon Do Jin the words for fork, knife, and spoon, plus that the taller glass is for wine and the shorter glass is for water (the more you know). They struggle with the laid-back style of the island aka the speed of service.

Much like their characters in Love Tractor, Yoon Do Jin fills every silence (with horrible dad jokes!). Do Won, not so much.

They have $700 which equals over 40,000 pesos! I'm on Yoon Do Jin's side here. BALLIN'! Treat yo' self! But they are counting the money with ALL THESE PEOPLE WATCHING!

They even had the money changer stressed out. 40,000 pesos is a lot to be counting out in the open like that. No, baby boys, NO!

Oh, lord. Men. Do Won wants to buy a wallet and Yoon Do Jin wants slippers. Then, the walkway is wet, and Yoon Do Jin needs help crossing it. They are 60-year old dads.

They haggle (as they should), but they misunderstand. The price is 3 for 100. They think each item is 300, so the haggling gets lost in translation! The lady is actually really sweet to them and shows them which bill to hand her.

Everyone is watching them and wants to take a picture with them since it's become obvious that they are Korean actors (with the cameras and the 40,000+ pesos!). I am bothered for them, especially Do Won who is anxious, but they don't want to make ALL Koreans look bad because that's what they think will happen.

They take a taxi which was supposed to cost 100, but haggle for 90. Then, they only hand the driver a 50. These men are wildin'!

Yoon Do Jin is haggling his ass off, and the ladies are loving it He ends up getting free fruit!

Oh, God, they spot balut, and Yoon Do Jin, who is down to try everything, goes for it. Do Won lets Yoon Do Jin take the L for both of them.

This is adorable. They shop because Do Won likes to cook. Yoon Do Jin sneaks chocolate into the cart. Do Won wants to carry the bags. Yoon Di Jin says no. Yoon Di Jin wants to help cook. Do Won says no.

Do Won, who is visibly nervous when they sit down to eat, waits for Yoon Di Jon to take a bite, then immediately asks for a score repeatedly as he begins to freak out about how he cooked it.

But Yoon Di Jon comes through with the compliments!

They bought banana blossoms, and have no idea what to do with them or how to eat them, so Do Won tricks Yoon Di Jon into eating it as it is.

They didn't even google or anything. They just ate it. Raw. With the leaves y todo. No bueno.

A bug is spotted. Do Won is terrified of bugs. Yoon Di Jon kills it.

But then he teases Do Won with it. Do Won is not pleased.

They shower, Yoon Di Jon kills a moth for Do Won, they drink, then Do Won attempts to make plans for the next day.

To which Yoon Di Jon responds.

Man's got jokes, all day, every day.

And that was just the first day, so they hop into their one bed and get ready for day two.

[hit-song-showdown]

Year-End Poll #54: 2003

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: 50 Cent, R. Kelly, Sean Paul, Beyoncé, 3 Doors Down, Matchbox Twenty, Chingy, Aaliyah, Kid Rock and Sheryl Crow, Evanescence. End description]

More information about this blog here

As I alluded to yesterday, ringtones became one of the record industry's strategies for raising profits in a post-Napster world. Two of the songs on today's poll are notable for this reason, with 50 Cent's In da Club becoming the first number one song on the Billboard Ringtone Charts in 2004 (the first song to reach this achievement) and Beyoncé's Crazy in Love becoming the best selling ringtone in the United Kingdom that year.

We're also starting to see the south start to take over the sound of rap in the mainstream. Groups like OutKast, Arrested Development, Three 6 Mafia, and Geto Boys already helped to put the south on people's radars (note: these artists are all from different regions in the south so their music branches off from different styles, so I'm not lumping them together for any of those reasons). But in the early 2000s with the mainstream popularity of crunk, the south was going to define a lot of what rap sounds like to people this decade. With all of the R&B fusion gaining popularity in the genre, crunk helped to serve as an alternative sound. There isn't any crunk on this poll (sadly Get Low by Lil Jon and the East Side Boyz missed eligibility by one slot), but we'll definitely see its presence later on.

Today's chart also features the posthumous release of Aaliyah's Miss You. Aaliyah, singer, actress, "Princess of R&B", was killed in a plane crash in 2001 when she was only 22 years old. For the music video, artists like Jamie Foxx, Queen Latifa, Lil Kim, DMX, and Missy Elliot made appearances to pay tribute to the late artist. The video also opens with DMX reciting a poem he wrote after the news of her passing. During her short life, she helped to define an entire generation of R&B and her influence is still heard and seen today.

[starkfish]

Twenty Questions for Fic Writers

Tagged by @meduseld! Because while I haven't written in awhile, I sure do love *talking* about writing :D Under the cut

1. How many works do you have on ao3?

A nice round 50.

2. What's your total ao3 word count? 337,459

3. What fandoms do you write for?

Nowadays not really any, lmao, but BACK IN THE DAY I was obviously primarily an ASOIAF writer, but I've also written for Harry Potter, Law and Order SVU, Grey's Anatomy, Desperate Housewives, Taken, and American Horror Story. And I loooooove talking about those fandoms that I write less frequently about so feel free if anyone had any questions, I would lap that shit right up.

4. Top five fics by kudos:

we're men of snow (we melt one day)

Rivers and Roads

this house no longer feels like home

And Maybe Someday Love

to stand outside your virtue (this one is probably the biggest surprise in the top 5 for me)

5. Do you respond to comments?

I was/am good at responding when a fic is newly posted but I'm not very good at it now, which is a shame on me because I still read and love every comment and I think people who take the time to leave comments on fics that are years old are super super rad. Usually I see it and get all giddy and then forget to respond and then feel weird responding much later, which is silly of me. I don't get a ton of comments anymore but I'm going to try and be better about answering because I do appreciate them!

6. What is the fic you wrote with the angstiest ending?

Definitely Measures, that one is just an angst fest in general. Or hmm, A Myth of Devotion is a close second.

7. What's the fic you wrote with the happiest ending?

Aahahaha this is just making me realize how death is involved in like...all of my fics? So maybe Rivers and Roads since Ned and Cat get to be together at the end, despite the DEATH AND WAR around them? Or maybe that my lips would build a castle which finds Jon and Sansa together in Winterfell despite all the DEATH AND WAR THAT WAS AROUND THEM. Or maybe Wedding Bell Blues which is a fun modern AU despite the fact that Lyanna is unhappy in it. What can I say, I enjoy my angst.

8. Do you get hate on fics?

Not a lot, although I did just recently get someone angry that I tagged Ned/Ashara in 'Wedding Bell Blues', and honestly they weren't completely wrong but they were so obnoxious about it that the tag is staying there out of spite. And of course I used to get the requisite Catelyn hate but even that was pretty few and far between. My stuff is usually what it says on the tin and AO3 is a little bit more self selecting than other sites of the past.

9. Do you write smut?

Awwwww yis especially SMUT WITH FEELINGS.

10. Craziest crossover:

I'm not really a crossover babe, alas.

11. Have you ever had a fic stolen?

Yes, someone took 'Measures' and basically rewrote it word-for-word as a Downton Abbey fic and someone recognized it as my work (...actually was it you, @meduseld??) and brought it to my attention. Lmao also back when I was on a Desperate Housewives livejournal (BACK IN THE DAYS) I had a couple of ESL writers take parts of my fics and use them in theirs and the mod of the LJ community got SO MAD at me when I was like "...hey please don't do that!" But the incident with 'Measures' was definitely the most blatant.

12. Have you ever had a fic translated?

Yes, and I think it's very cool! I would never attempt to translate it back though lol. But it is very touching to me that someone would like my work enough to want to take the time to translate it so others can enjoy it. I'm always fine with it as long as proper credit is given. I have also had a podfic done on a Lyanna comment fic and that was also extremely cool! The person who did that had a lovely reading voice. =)

13. Have you ever co-written a fic before?

Not a published fic but I've done roleplay-y writing with a few friends before which was always fun!

14. All time favorite ship?

I don't know if I've penned more words, thought more thoughts, spent more time for any other ship more than Ned/Cat. <3 A close second to Elliot/Olivia in Law and Order SVU for goddamn longevity though. Still dragging me along, twenty years later.

15. What's a WIP you want to finish but doubt you ever will?

Sadly I doubt I'll ever finish 'these are hard times for dreamers' because back in 2019 I only had the vaguest idea of where I wanted to go next and that has only gotten worse with time. I have also had a Lynesse fic half-written on my computer for probably like...five years at this point, BUT I think that's more likely to get finished at SOME point just because it is already around 4k words. But who knows WHEN.

16. What are your writing strengths?

Character work, especially internal thoughts, setting a mood/scene, etc.

17. What are your writing weaknesses?

Action scenes, getting from point A to point B to point C, especially concisely versus needing ten thousand words. I also think my dialogue is hit or miss, especially in a longer back-and-forth conversation.

18. Thoughts on dialogue in another language?

I'll reference it if need be but usually try and avoid because I don't speak any other language fluently and don't want to make any foolish mistakes.

19. First fandom you wrote in?

Lmao SAILOR MOON (Geocities 5ever) and also I wrote some Pokemon stuff. I'm not even a little sorry.

20. Favorite fic you've written?

I think it's 'we're men of snow (we melt one day)' which makes it especially gratifying that it is my most popular. There are still bits I would clean up if I were rewriting it but on the whole I'm so pleased with how it turned out and it was also really nice that it was a gift for a friend for FandomAid (@catelyngrant) who gave me pretty free reign to do whatever I wanted. So I'm glad I was able to deliver something that I'm very happy with because she deserves it! I am also very partial to my Lysa Heroine Big Bang fic, 'The Girl in the Mirror'. I love writing Lysa and this was the most complete thing I ever wrote about her, and I loved getting to flesh out her backstory. Much as it is super fun to play in the AU sandbox, it is also a ton of fun to examine a part of canon that is left uncovered in the source material. Tagging @catelyngrant, @apprenticemockingbird, and anyone else who may be interested!

[whyisstarkidfollowingmeshoo]

A post for all new and longtime Jeff Blim livestream viewers and chatters. Welcome! (updated on March 8 2024)

*check https://starkid.fandom.com/wiki/Jeff_Blim to compare facts here. For now, the wikia is more updated than this since everyone knows where it is. But this post has further information than the one in wikia.

Update (May 15, 2024) Thank you so much for following me. I apologize for not following back but I may find your posts (and like or repost them) when they have a Jeff Blim tag and other tags in my list. Update: May 27 2024. Watch Jeff's last stream where he checked his wiki. He said he will do some or a few edits and he made some corrections. I don't know when I'll check it myself. Any edits from other fans are highly encouraged. For me, there is no longer to add info here and on the wiki at least about his history. His wiki is already too long enough lol. Update: June 7 2024 Started slowly updating his wiki again and maybe make it even funnier or sarcastic lol maybe because of the way he reacted while reading it

Sometimes we read the same questions over and over on his stream and he has answered all of them in the past. Or accidentally ignores/did not read the old, repeated question, so he can't answer because he's busy doing stuff on the stream. And sometimes, instead of giving the answer to our fellow fans, we just give joke answers instead because we are that silly. I'm trying hard to remember fun facts/stuff he shared on his livestreams and will update if I can. Please help with mistakes on recollection to avoid fake facts. Thank you...

I. The Content in his livestreaming. Well, most days we listen to demos, Jeff live composing his music/songs and some of them are spoiler-less clues to up-and-coming StarKid shows, showcase his difficult and complex relationship with Logic and Stream labs (gee, that sounds familiar. There is screaming/shouting and desk hitting, followed by amazing wit to calm his nerves) listen to him improv and say funny things sometimes based on what Chat is typing about. And have that clout chaser and clout black hole named Jon Matteson as his guest in his streams, most of the time via phone call. If Jon ever gets on his stream, good luck trying to get attention from Jeff on the chat lol. The bromance is strong in this one (although I have gotten Jeff's attention once while Jon was on stream but it was about Jon haha).

Sometimes Jeff just wants to hang out and talk anything, jam with his piano, answer personality quizzes that we give him, give out audition advices (Uncle Jeff's audition hotline. make sure to identify when he's being sincere and when's he's joking/being sarcastic), talk about his hobbies, do spreadsheet baseball... On his hot takes, they are plainly hot takes and you don't have to agree with whatever he says. His hot takes are, half of the time, for entertainment purposes only. Send acting audition help inquiries to Blimswork@gmail.com to make your dream work. More cheaper charges than the one in Broadway Plus. You can also DM Uncle Jeff on his active social media accounts (Twitch, IG) No silly messages pls. Just acting audition help business ONLY. His rates are 75 dollars per hour, 50 for half. To those who can afford, he has a patreon page if you want downloadable copies to the songs he composes on his streams. The link is in his Twitch and YT pages.

II. Music 1. He started learning the piano as a young boy. His teacher was a Russian woman (I can't remember her name). Then he switched to the trumpet and told his father he didn't want to play the piano anymore. 2. He was never a member of a drum corps but went to a camp for it by the The Cavaliers. 3. He only joined Amazin Blue, an a cappella group in UMich, because he wanted to be in a band. He ended up becoming their music director because he wanted every member to have a song where they provided the main vocals, which is something that he butted heads with previous music directors in the past. He won an award for a cappella arrangement for his work with Amazin Blue. Their two albums (Shades of Blue and Self-Titled) can be found in Bandcamp One of his former fellow members in AB is also famous now. The half of the team behind Dear Evan Hansen, Justin Paul.

5. He was a trumpet player at the church where he grew up. (one of his first jobs). 6. According to him, he used to listen to awful Christian rock while growing up. 7. His dad is a retired band director. 8. Likes The 1975 9. He mentioned in Feb 23, 2024 on his stream that he does not want to sing Get In My Mouth live again because he does not want to relive the memory of playing a giant spider. He still thinks it's a great song.

III. Jobs First: Taking out the trash for a neighbor. Second: Trumpet player at the church where he grew up. Third: High school - Trumpet player and played as an "executioner" at a Medieval Times Dinner Theater (??? I'm not well-versed about this as I don't live in the US). After college, while looking for acting jobs and writing TTO. New York City Fourth: Carrying signs for Disney at Times Square. Fifth: Theater Usher (his favorite job). Los Angeles Sixth: working for THAT infamous Los Angeles escape room that he got from Nick Lang. Seventh: Full-time streamer, actor, singer, composer, dancer, acting coach, Internet Uncle to 20+ nephews and nieces 😆 around the world. A. One of his fave TV jobs is his appearance on HBO's Veep because he loves the show. B. On the 911 episode where his chef character accidentally hurts himself, he said he didn't particularly enjoyed his time shooting that ep because he was strapped with a heavy object on his chest during the bloody scene. C. Shooting 24/7: Lego Maniac was fun Eighth: He said a few times he's not auditioning anymore and will only take roles offered to him. Whether it's a joke or not, let's just take that as fact for now lol. There was a phase in his life that he got tired of auditioning (NYC, while writing TTO).

IV. StarKid Stuff

(while answering a personality quiz and as of late 2023 or early 2024) Fave Hatchetfield musical: Black Friday. (while answering a personality quiz as of late 2023 or early 2024) Fave LiB: Nibbly. For the longest time, he considers "Lost Without You" as his/one of his favorite songs that he wrote because it's his first ballad. Generally, if you ask him what's his fave StarKid song or what's his favorite play/musical he was a part, he can't/won't choose because he considers all of them his favorite. 2. I've read this many times, Max Jagerman was never written for Jeff. He may replicate the energy but he is too old to play a high schooler. Can you imagine him doing the shirtless scene during Dirty Girl? His body is no longer like when he did Aladdin in Twisted. He is no longer in his 20s. 3. He said he had the most fun composing for Black Friday.

V. StarKid Tangent Stuff 1. As of Feb 2024, Jeff announced that Rim Tim Timmy is dead. RIP Rim Tim Timmy. :,-( Meanwhile, his sister (chat head canon and Jeff laughed at the name) Rim (Ram) Tam Tammy is alive and well, thank yewww.... VI. Movies 1. For list of movies he loves, check out Rim Tim Timmy's Movies Movies Movies. Yes, you don't know half/most of the movies he likes cause he's old and you're a Gen Z-er. Get a grip. 2. His first and only appearance so far in a full length film is in his brother's indie movie Mondo Hollywoodland. As of now, the movie is available to watch for free in some streaming sites. VII. Likes 1. Coffee once a day, most of the time spending 10 dollars a cup from a shop. He has thankfully quit on nitro. He describes it like a drug addiction he needs to curb. He wants the baristas who are serving him to have that indifferent vibe.

2. Spreadsheet baseball. He plays with classic/ old school famous baseball players. He used to just play on an excel spreadsheet that he made himself until a fan who showed up on one of the TGWDLM showings and told him that he can compete with other people online.

3. Is a fan of the up and coming sport of arm wrestling. He only watches people arm wrestle, not engage in one.

[yeniayofnymeria]

Theory: The End of A Stark "Will Sansa Die?"

Hi, Selam!

This week I would like to revisit a theory that I read years ago, but I have to say that I have rewritten it with my own additions and ideas. I want to say at the beginning what I'll say at the end, to be honest, for years I've had a 50% chance that Sansa will live or die at the end of the story, but I'm a little bit more on the possibility of her dying, but I have to say that it's still not a definite idea, I'm still not very sure.

Here I will not only discuss Sansa's possible signs of death, but also include some ideas between the lines on how her story might progress.

(It's going to be a bit of a long post and I hope my bad grammar doesn't kill your enjoyment of reading.)

As you know very well, none of the characters are safe, except for one person at least. For this reason, we approach almost every character, be it the main character or the lead, with the possibility that they might die.

While characters have their own missions in the story, the writers also impose other missions on them, and the two missions can be completely opposite as well as compatible. For example, even if character x sees himself as the savior of the story, the author can turn him into the villain of the story. People like Martin place hints about missions and story development in the text from the very beginning, and if we pay close attention we can see them, but sometimes we don't fully understand the purpose of the characters' existence. For example, I still can't figure out why Val exists. I think it's easier to predict the protagonists, after all, they are the main focus of the author, they are the characters that drive/shape the story.

Sansa is one of the main characters, like Cersei and Jaime, and there is no doubt that, like every character, the author has a mission for her. We're not going to discuss that here because that's not our topic, but the meaning that is attributed to her can affect the ending of the story.

In my opinion, the author has not yet used Sansa for her purpose. Yes, she served as Arya's foil at the beginning of the story, but I don't think her part in what happened between Ned and the Lannists is her raison d'etre, at least not her sole raison d'etre. Most fans think that she is the one who will turn into a player for the throne and make up for the Starks' lack of intrigue; some readers don't attach any special meaning to her; or some - like me - think that she will be partly involved in a game for the throne, but against Jon, to his detriment. It's impossible to know which of these three ideas will turn out to be exactly right without reading it, but some uncertainty about the character's purpose in the story creates a similar uncertainty about her possible ending, at least for me.

I'm thinking of two possible scenarios.

The first one is that, like when we start the book, she takes some actions against her family, which in this case it's Jon and Arya, but in the end she realizes what she did wrong, corrects herself and helps destroy the family enemy, which would be Littlefinger. That's a bit of a classic character development, so I'm actually leaning a bit towards that idea, especially with the prophecy of killing the giant that we think is Littlefinger.

In these scenarios, there are usually two possibilities; (1) the character survives and finds her own happiness by turning into a figure who supports her family until the end, or (2) she sacrifices herself for the sake of protecting her family / righting the wrong she has done(There are readers who think that because the Lady died instead of Nymeria, Sansa will sacrifice herself for Arya).

In the second scenario, she becomes the villain within the family and continues to reinforce her betrayal and is eventually executed within the family. Of course, the adjective "villain" here does not mean turning into a devilish temptress. For example, the desire to protect the inheritance rights of her brothers (against Jon) with good intentions and to elevate / secure her own position in return for all that she has suffered is quite possible and I think it would be a reasonable desire. Although I already think that she will act in this or a similar way, as I just said, she is more inclined to the possibility of correcting herself, but if she does not, "death" would be inevitable for such a figure. The person I got the theory from already thinks that Sansa will die by Arya's hand.

For this reason, we can approach the theory with two separate questions: Will Sansa die and if so, how/by whom?

First, let's look for an answer to the question "Will Sansa die, or rather, are there signs that she might die?". The short answer to this question is "yes". As we have already said, no character seems to be safe, so it will be possible to find at least one sign that could point to death for almost every lead and main character.

So, what are these signs for Sansa? Let's take them one by one.

Death Signs / Arguments

1- Our first sign is RED ROSE and SWEET SMELL.

When the characters smell sweet from someone or something, it is considered to be danger bells. Of course, we do not claim that they will die 100%, they may be there as a sign that they will face death and return from death, but if they have received more than one sign, it may be difficult to say that they will simply fall into a coma.

The red rose that Loras Tyrell gave Sansa at the tournament in the first book is remarkable. While he gave white roses to everyone else, he gave her a red rose, which Loras didn't even remember. It was probably a political gesture to honor his father for being the daughter of the Hand, which he did at Renly's direction in the show.

While white roses are usually associated with purity, innocence and cherishing, red roses are the most remarkable and most acceptable of all types of roses because they express love and passion. It is for this reason that it is the most valuable, at least spiritually, which is why Loras gives a red rose, but if we look at the author's intention, the fact that a sweet scent emanates from this rose can be interpreted as a sign that Sansa may die for the sake of love/love, considering the importance she attaches to love. Now let's elaborate on this scenario.

When we think of love, we usually think of romantic feelings between a man and a woman; if you remember the SanSan theory, Sansa's emotional bond with Sandor may be a path that leads to their deaths in the future. Almost everyone thinks Sandor will die in his fight with his brother, probably very few think he will survive. The part that interests me is the idea of how this will happen.

I have actually opened two threads for this in the past. Bran's coma dream, which refers to Sandor's fight with Jaime against his brother, and Sandor's motivation. If you haven't read it or forgotten the details, I recommend you to read it again.

Roughly summarized... So in the fight of the three shadows that we saw in Bran's coma dream, Sandor's motivation to fight his brother the Mountain could be to protect Sansa. Sandor will probably die protecting Sansa at the end of this fight.

Alternative Interpretation of the Rose Sign

Apart from the love for Sansa and Sandor, the red rose reference can also be interpreted as "love for family". After all, what we call love is not a uniform thing. Usually, when we buy roses for our mothers, we prefer red roses. This could fit the scenario that Sansa comes to her senses and dies trying to protect her family. Of course, I am closer to the love interpretation, but I think this is a possible scenario.

The Red Rose is the strongest death argument for Sansa. The ones after that can be considered equivalent or relatively less strong.

2- Let's continue with Lady The Direwolf.

Everyone knows that wolves symbolize their owners and are a sign of their fate. The Lady, like her owner, is a graceful and calm animal, but she is killed because of Cersei's hatred of wolves. Some interpret Sansa's naming of the wolf and its untimely death as a sign of two things. The first is that a character who was expected to be queen in the first book (because of her betrothal to Joffrey) will remain a lady forever , and the second is that Sansa will die with the early death of her wolf.

While I agree with forever lady interpretation, but I can't claim that I see the wolf's death as a sign that Sansa should also die, at least not directly. Yes, I'm not ruling it out as a possibility, maybe it is indeed a sign, but there is a more weighty view(for some people), which I'm a little closer to.

Wolves symbolize Stark children and their Stark identity. They are also the key to triggering the warg abilities. We know that Sansa is a warg, but it's a dormant ability that never triggers because her wolf died. Whereas all her other siblings have their wolves and their warg abilities have awakened.

So what does this detail mean for Sansa? Why is Sansa the only one of all the children who is deprived of this?

Well, like Nymeria, the Lady could have been kept alive somehow, but the author did not choose to do so. For some view is that Sansa is no longer a Stark as an "identity", that this aspect is dead. Don't get me wrong, of course she is still her father's daughter and a member of the family. We are talking about her spiritual Stark identity. If you remember, after letter she sent to her family, when Robb reacted angrily and asked what was wrong with this girl, Bran's answer was "her wolf is dead". It's a rather meaningless thought when you look at what's going on, but I think the writer is sending a signal here that Sansa's spiritual bond with the north and with the Starks has been severed.

In 2001, we see an interesting dialogue between the fans and Martin (actually, I remember there was something similar, but I couldn't find the source).

Well, 20-odd years later this information is still there, so I'm proceeding from the conclusion that it hasn't been refuted. And this is parallel to what I'm about to explain.

So, what exactly does Martin mean by that?

Now Sansa is disguised as Aleyna in the Vale and keep her role of father and daughter, as if performing a theatre with Littlefinger. No doubt she still remembers Sansa in her mind(even she is Sansa), but at LF's request, they continue to play father-daughter roles even when they are alone(it's important detail).

However, if you pay attention, there are changes in the names of the characters starting from the 4th book, this is a detail that Martin later thought of and added. The POV name is written in this way if the character feels himself as what or who he is at that moment.

In an interview in 2006, Martin explained that pov names are a sign of how the characters, but especially Sansa, think of themselves, and even in 2008, when asked if the Hound and Sansa will get together, He says: “Why? The Hound is dead and Sansa may be dead too, there is only Aleyne Stone.”

What is meant by death here, of course, is not bodily, but as a "spiritual-identity". There is a nice theory that the Hound is not essentially dead, but that the Hound within is dead. We've probably seen him in Brienne povs anyway... The author (seems) has made a statement that the same identity-spiritual death is also for Sansa. In later years, he explained the changes in these pov names of the characters as "identities are under attack." As a matter of fact, although we talking about Sansa, the identities of many characters such as Arya and Theon are also under attack. It looks like Theon has finally found himself, as we look at Mercy POV, we know Arya's holding onto her identity thanks to Needle and Nymeria, but Sansa?

She has neither a wolf nor an anchor like Needle to connect her to her identity.

Martin said the imaginary kiss was intentional and hinted at something; He explains by pointing to Sansa's psychology. When we first met Sansa, we saw that she told a little lie and we didn't dwell on it, we said we all tell little lies like that, but then the lies started to get bigger and more serious. Worse still, Sansa lies to herself the most, which is made most obvious by the imaginary kiss. Lying is one of the most striking situations in Sansa's story. She lies so often now that she begins to remember events that way (something we actually saw in the first book with the Mycah issue).

Considering Martin's emphasis on Sansa's psychology and Aleyna identity, in addition to the reason for the changes in pov names, Sansa will probably begin to consider herself as Aleyna in the future. It looks like Sansa will lose her identity while the readers wait for Arya. Of course, to me, this loss of identity will not be like the Faceless Men. Sansa will be well aware of herself, but she will see herself as Petry Baelish's bastard daughter Aleyna Stone; As we are used to seeing in spy movies, we can expect to see in Sansa the character starts to integrate with the identity she is acting after playing long enough.

In fact, this situation can be seen from time to time in actors who show method acting, they cannot get out of the role and their behaviors change because the point of this technique is not to portray the character, but to live. Like a method actress, Sansa does not portray the character of Aleyna, she is officially live it. You can easily observe this between the lines. Remember the scenes where Theon goes back and forth between The Reek and Theon. This shows that she will not be able to get rid of the LF effect for a long time, which is one of the reasons why I think she will act against Jon, because she is under the LF effect.

To summarize this matter, the death of Sansa's wolf is a sign for her breaking of her ties with Stark and the north, her distance from being a Stark spiritually and her slowly starting to assume the identity of Aleyna Stone. This, in the LF effect, makes her a pawn to be used against the Starks. If Sansa cannot find her identity again at the end of the story, I don't see it possible for such a person to live, she will definitely die at the end of the story.

3- Another argument, Blood Oranges

Actually, this is a bit sweet and death theory thing . Blood Oranges are death symbols that symbolize murder in the series. It caught our attention mainly in the Doran Martell scenes; Hotah was talking about the sweet smell of overripe and falling blood oranges, which, as you can see, also has a sweet side. Another notable example is the phrase "whatever you do, keep your hands clean" in the scene where LF squeezes and drinks a blood orange while LF's with Sansa, where they're talking about Joffrey's murder. Of course, these two are not the only examples, but the example that interests us is in the first book, between Arya and Sansa...

...the two sisters were talking about the Mycah murder at a time they were arguing at dinner and Sansa was lying again, Arya said "liar", squeezing the blood orange in anger, then she throws it to Sansa. The orange falls first on her head and then on her lap, staining her dress. Sansa's fear of Illyn Payne from the first moment she saw it; When we think about things such as having terrible dreams/fears that her head will be cut off, does the blood orange that hit her head indicate that she will be the victim of such a murder? Moreover, the orange falls into her lap, which is actually where her private area is; When she took off the dress, she was having a fit of crying, seeing that it was also covered in her underwear. Here Martin may have signaled that Sansa will be killed, there seems to be strong symbolism, especially when we combine it with the red rose scene.

The fact that her white silk dress was dyed a dark color (I think it was black) because it was stained shows that her innocence has been lost. Even if that's not his intention, the fact that she's poisoning Sweet Robin is a sign, or that she blames the singer for Lysa's murder. No doubt we have reason to justify this latest incident, but there may come times when we can no longer justify it, when Sansa can do things we can't justify.

4- For now, let's briefly touch on Sansa's dreams as the last argument.

Contrary to what we are used to, Sansa's dreams appear as psychological dreams triggered by her trauma. This shows that they have a lot of violence, of course, there are some that are not, some of them include longing for home and family. Sansa often dreams of Payne and is afraid of dying. She had seen the rebellion in a dream and had been struck with a sword in the stomach. Although it is a weak approach, the fact that dreams are so violent and bad, but especially the Payne detail, may be a reference that Sansa's fear of death can become reality.

I have theory about "Tully Women Mental Health."

Even though they have a strong psychology image at the first stage, after a point, the last generation Tully women are like iron like Stannis, but they have a mind structure that is so sensitive that they break before they bend over. I thought that Sansa had her share of it because she looked like her mother in everything. When you combine it with what I have told you so far, it may be possible to predict that Sansa has a very sensitive psychology and will experience a breaking moment in the future.

Further of the death marks and the Possible Sandor Scenario, could Arya have an interior in Sansa's death or murder?

While I don't think Martin would get Arya to kill her sister or anyone in the family, I can't dismiss the possibility because the conflict between the two sisters is not to be overlooked. From the very beginning, Sansa was created to be Arya's foil. Foil characters are those in which the meaning of existence is opposite. Martin wrote Sansa because he didn't think everyone got along well in a family. So the "conflict" between siblings is Sansa's main purpose of existence.

As a matter of fact, the Sansa'a arc, which I expect to come to the fore in the story, will be exactly in this direction; The escalation of her conflict with Arya...

The development of tension between the sisters...

We already know Sansa in the first Arya POV, and as the contrasts between these two are revealed right before us, a small and simple sibling conflict is staged. After that, the two sisters have more conflicts with each other during their time together and they are getting bigger every day, but then the Ned case happens and the sisters separate. It has gone beyond being a simple sibling quarrel between them, but we cannot claim that it is an irreversible situation that still crosses the threshold; at least until Arya finds out that Sansa has said her father's plan to Cersei. Even then, the threshold may not have been fully crossed, but if Sansa, as Aleyna, starts making moves against Jon by advancing under the influence of Littlefinger, as I believe she will, then the threshold will be crossed for Arya.

After all, Jon's appearance as a surprise egg is definitely an obstacle to LF's goals, and he must eliminate Jon to realize his thoughts about the north. The most useful tool for this is Sansa herself. We can read a triple attack as I believe LSH will come and join this duo, but LF will stay behind to keep his hands clean as per his life philosophy.

It becomes much more meaningful at this stage that Arya is equipped with abilities that she can use in Game of Thrones, such as understanding lies and learning to gather information... etc. In any case, the point of "understand a lie" becomes more meaningful when you think of Sansa and LF, who are constantly lying and are used to telling, and it becomes a more important skill. Of course, we should not forget the likes of Varys and Illyrio. So it looks like the author chose Arya, not Sansa, to make up for the Starks' lack of intrigue. I mentioned and explained these abilities in a old thread of mine and I even mentioned that the Kind Man teaches Arya of mother languages of Dany, Illyrio, and Varys besides Braavos.

But yes, Sansa will also get involved in intrigue/game of thrones as LF's student, but she will use it against Jon. This will bring the conflict between Arya and Sansa to the peak.

We read that Sandor said that when he looked at Arya in one scene, he said he thinks Arya want to kill Sansa; It's also worth remembering that Arya said "I don't hate her" while Ned admonished her not to stab Needle into her sister, saying "that was just half a lie". Of course, these may be red herrings, but the possibility of not being must be considered. This might be a reference, as it was Arya who threw the blood orange at Sansa.

These are my opinions in general, what do you think about it? Will Sansa die, and if she does, how?

TLDR: There are several signs that could indicate Sansa's death. These are the sweet fragrance of the red rose; blood orange scenes, killing/injuring in her nightmares are a few of them. In addition, the death of Lady may indicate that she dies at the end of the story as a result of her breaking away from her Stark identity, and it may also be a sign that Sansa begins to see herself as Aleyna Stone over time and enters into a game of throne against Jon and Arya under the control of LF. As the tension between Arya and Sansa grows, in addition to the possibility of Arya having a share in Sansa's death, there may also be a possibility that Sansa will die here by taking part in the Sandor and Mountain fight.Of course, you have to read the articles in detail for them to make sense.

Thank you.

[sparky-is-spiders]

Peter for the ask game. ((You should pick "leave him alone" methinks))

Afraid I don't have too many interesting thoughts on him, sorry....

I'm neutral on Lonely/eyes but I don't really seek it out and I don't really vibe with the common fandom version? Like I don't really mind it but it doesn't super appeal to me either. However his second most popular ship is with Martin. Whom I hate. So. Half-point I guess (look I needed to get something on the board).

You're right he would want 'Leave them alone' so I will give it to him. I can relate to that tbh. However I do also prefer him as part of a dynamic (read: with Jon) so he only gets a half point there I'm afraid.

As for dynamic: I actually have a lot of fondness and love for Jonpeter. Like it's actually so fun. I particularly enjoy S4 Jonpeter. Like, in my head I have this AU where Jon is just miserable and lonely and so desperate for connection but at the same time feels this need to punish himself. And so he pursues or ends up in a relationship with Peter, which soothes the loneliness a little except it hurts so much more, which only serves to justify this indulgence to him further really. Idk. A lot of it is just VIbes in my Brain if I'm being real. Anyway I do actually love their dynamic because Jon really is SUCH good Lonely Bait and I want to put him in front of someone who wants to take the bait so BAD but knows that he can't (either because of consequences from Elias or because doing so would risk him losing that bet and handing Jon over to Elias early). Do you see the vision?

Also fond of the Jon x Peter x Elias polycule. I think either of these ships on their own would probably be mostly stable (if not especially functional) where even if it would sometimes be messy it would at worst be self-contained break-up make-up break-up make-up but add in a third and it should be a toxic oil spill of colossal proportions. Look maybe it's the drama monger in me but I genuinely think the personalities in here would make this polycule a ticking time bomb that keeps going off. I'm too tired to explain real good but it's basically this post. Ideal dynamic for them I think.

Gonna take this opportunity to plug the fics responsible for getting this dynamic into my brain:

A Glass Essay - All time fave, cemented Jonpeter's place as a Good Ship in my book

It's a Date - Absolutely hilarious. Also the reason I got brainworms for this ship to begin with.

Anyway these did something to my brain I think. That's about all I have to say tbh. There's probably some posts in my Jonpeter tag if you want more Thoughts. It's almost 9:50.

Ask me about a character!

(Note: I have already gotten asks for Sasha, Elias, Peter, Gerry and Jon)

[thevindicativevordan]

Comics this week ? (like WW #12)

Superman #17 - The good Absolute Power tie-in of the week. Glad to see Clark is pissed about Jon and not handling it well. He’s much more aggressive and short tempered here, with Zatanna playing the cool head. An underrated aspect of Superman is that when he loses his powers he also tends to lose his patience and his restraint. Something to unpack there about how much of the cool-headed friendly personality we normally associate with Superman is an act. But of course I am not unbiased when it comes to Superman and Wrath…

World’s Finest #30 - Waid managed to write a story that even the Wondy fans enjoyed, truly a Herculean feat given the grudge they bear towards him for his self-admitted tendency to misrepresent Diana. Themyscaria came off well, they had advanced tech, kangas, and not all of the Amazons were hostile to the World’s Finest trio.

Wonder Woman #12 - Bleh. Good to let Sampere get ahead so that the actual story has consistent art, but these AP tie-ins from King are not hitting.

Green Lantern: War Journal #12 - Loved the ending. Finally have a stand-alone story for Stewart that I can recommend. I'm not sure about keeping Ellie around as her own entity. I interpreted the bit about John's Mama being preserved in the ring as John rewiring his ring to be based on his mom's personality rather than literally preserving her soul or what not, and that interpretation strikes me as very touching. Montos for Stewart is what Reis was for Hal, what a shame we can’t get a 50 issue run on Stewart from this team.

Jenny Sparks #1 - Judging by the complaints, it’s seems like this was a lot of people’s first exposure to the Ellis style of sneering bastards making fun of “capes”. King captured that tone perfectly I’d say, even if some of Spoke’s imagery was heavy handed. Old bearded white guy feeding the birds for no reason other than he wants to (God as a benevolent provider) contrasted with Atom saying he wants to kill and eat the birds because he can (God as a terrifying force of destruction) was not subtle at all. Will King bring up the High is my biggest question. After all it was the High who in a way caused Jenny to form the Authority in the first place, since she seems to have a negative opinion of Superman here I want to know what her history is with High/Superman. Especially in a post-S&tA world (even if it is an Elseworld) you could wrong some interesting stuff out of Superman and Sparks talking about the Authority.

Ultimate Spider-Man #8 - If my clothes started smiling at me I would simply never wear them again. I would also set them on fire. If it wasn’t obvious, the picosuit is 6160 Venom. I loved how ominous this entire issue read, even without any major action you can feel the swords dangling over the cast. AI Peter is already referring to himself as his own entity, he’s focused on the kids just like regular Peter, he’s teasing that he can do stuff Peter doesn’t know about, how long until he starts trying to “take the wheel”? Maybe we’ll get a version of Earth X Venom where the suit tries to bond with either Richard or May in an effort to protect them.

Harry meanwhile gets a small humiliation in that Maker didn’t even consider him worthy of notice, which is only going to fuel his need to prove himself. Been going back and forth on if Richard or Jonah would be the ones to die, and after this issue I bet it’s Jonah. Killing Jonah would affect both Richard (with whom Jonah bonds in one of the best Jonah moments ever) and Ben (who is clearly lonely after his wife’s death and Jonah dying could push Robbie to join Ben or Peter to jump ship too). Kingpin gathers his Sinister Six, and I loved how Mysterio is shown to be playing mind games with his fellow villains.

[kylesvariouslistsandstuff]

This is my post for tonight's movie presentation at the D23 Expo, which I'll edit/update as the news comes out, and after I formulate thoughts and whatnot... I have already seen some of the stuff for ELIO and ZOOTOPIA 2 revealed earlier today and yesterday, and will integrate my thoughts into this.

10:23PM EST (Approx): Looks like MOANA 2 will be the focus of their first announcement tonight. A real 180 from the 2022 D23, where they saved all the animation stuff for the last half hour and breeeezed through it.

10:30 PM EST: Trailer drop. Promises epic adventure, more pig, a very natural kind of villain, and worldbuilding/expansion of this South Pacific setting. I dig, I dig. Looks very movie-caliber to me. If it was never said that this began life as a D+ show, I don't think most would see a difference.

10:35 EST: The Rock is involved with another Disney movie, a live-action called MONSTER JAM. About... Monster trucks. Documentary or picture that isn't a remake? No release date given.

10:37 EST: 'Kay, we're jumping right into the AVATAR movies now. From water to monster trucks to water... I guess we'll be jumping around a bit tonight.

10:42 EST: AVATAR 3 is AVATAR: FIRE AND ASH. Not THE SEED BEARER, as previously rumored. Hitting all the elements.

10:44 EST: Alright, Pixar time, what's a-cookin'?

10:46 EST: Kicking off with DREAM PRODUCTIONS, the INSIDE OUT Disney+ series that had been previously talked about in interviews. TBD 2025. Takes place between the two movies, so a little bridging of the gap.

10:48 EST: FINALLY! A WIN OR LOSE release date! December 6th!

10:50 EST: Trailer for WIN OR LOSE. Looks like a lot of fun, love the different animation styles for each players' perspectives.

TOY STORY 5 is being directed by Andrew Stanton after all. Concept art shows Woody, Buzz, and the gang all together, in Bonnie's room. She's playing with a tablet. Apparently the story about toys dealing with... Electronics. Smartphones and computers and tablets... Is this a midquel?

A bunch of malfunctioning Buzzes... 50 of them... Is the antagonist. Kinda dipping into the unmade Circle 7 TOY STORY 3 well for ideas, is we?

10:54 EST: Pixar original 2026 is called HOPPERS, starring Bobby Moynihan as a beaver. Not a movie about a clone army of the A BUG'S LIFE villain. Logo gives secret agent/spy vibes. Critter comedy meets action?

It's about a girl who switches brains with a beaver, while her town's mayor (voiced by Jon Hamm) threatens to destroy the beaver home... Love this. Wacky-sounding and perfectly Pixar.

10:58 EST: Zoe Saldanha is starring in ELIO, as the titular kid's aunt. The story doesn't sound much different from what the mid-2023 teaser promised...

The little girl is HOPPERS is putting her brain in a ROBOT beaver, correction. This stuff comes at you so fast. No director named, but I'm thinking it's Daniel Chong?

11:01 EST: INCREDIBLES 3... Whoaaaaaa.

HOPPERS is Daniel Chong's Pixar movie. Makes sense... Bears, now beavers...

Per INCREDIBLES 3... "Brad Bird is developing it right now." Directing? Writing? Producing?

Pixar presentation OVER. INCREDIBLES 3, I guess, will bow in 2027 or 2028.

11:05 PM EST: ZOOTOPIA 2 time. Ke Huy Quan voices a snake named Gary in the film. Reptiles, sea creatures, and more are now in the city.

11:09 PM EST: FROZEN III, 2027. Not 2026. FROZEN IV confirmed. Disney's "Four Seasons" quadrilogy, it seems.

Jennifer Lee says an original comes from WDAS in 2026... Doesn't say what... yet?

11:12 PM EST: Not announced at D23. Adrian Molina was removed as director from ELIO, it was taken over by Domee Shi and Madeline Sharafian... More on this shocking development later.

11:15 PM EST: They're onto stage stuff now, musicals, etc. No word on the WDAS original slated for 2026. Surprised, but also not surprised. The furthest Pixars tend to get announced before the furthest WDAS movie... Still very shocked about ELIO, though. First director removal of Pete Docter's era... He said in an interview that Molina is still at Pixar and had been moved to a "priority project"... ELIO must've really hit a wall, or something's afoot...

Stay tooned...

[youngjustus]

raven’s name has technically been rachel roth for 20 years too but im not fucking calling her that lmao…idk for me it’s partially 1) fuck johns and the way he sought to completely change kon’s character and spit in the face of all his prior development just to make his stupid fan theory canon 2) having a character go from going by kon to conner is like going from tim to timothy. why make it longer, yfeel? and 3) 50% of the people who call him conner misspell it as connor, which would be fine (annoying, but ultimately harmless) except dc already has a connor, and i’m vehemently against dc’s inability to come up with an original name for any of their characters. hashtag team jon should’ve been given literally any other name bc there’s already like 6 jonathan kents

i know there is a lot to criticize about johns's run, but i honestly don't find a lot of things with what he did with conner leading up to his death in infinite crisis in terms of characterization to be out of character. although, full disclosure, i haven't revisited teen titans vol. 3 in [checks calendar] 7 years, so there might be some gaps in my memory.

i like that he's getting used to having an actual structured life with going to school and living in a house with parents that care about him. he's also still dealing with the aftermath of the finale of his solo series and graduation day! he's adjusting! it would be normal for him to feel weird and off. this is a post that i made a few years ago with a good addition from another user that puts this well.

however, i do generally dislike the luthor reveal because of how many stories that came after for conner have so heavily focused on it, when a) we already did something similar in the 90's with his original backstory and b) it contributes to one of the most annoying fan discourses i've had to see for my entire comics reading experience regarding superman being a 'dead beat dad'. unfortunately, at this point, it is a part of canon that is ingrained in too many fans and writers' heads, and is tied into too many plot lines for them to go away with it. such is the nature of a shared intellectual property! ¯\_(ツ)_/¯

i think i'm probably misreading what you're saying, but kon isn't short for conner, and i don't think tim's full name is a good comparison. they’re two separate names. i've posted about the origin's of the name kon-el a few times over the years, and i even have the issue where he receives it in my personal comic collection. it is a very important part of the character's history, and a good thing to point to when people doubt the positive relationship between conner and superman. the name is one with real history, and it is a gift!

this is where my own headcanons and speculation comes in: it makes the most amount of sense to me that conner is a name that he specifically chose himself when he was adopted by the kents.

if somehow i missed a random issue of superman or action comics from between when his superboy series was canceled to him showing up in teen titans that gives an origin to the civilian name conner kent, or even just an interview with the creatives discussing the issue the name first shows up in, please send it my way!

if such a comic or interview does not exist, and if i ever had the chance to write the character, this is 100% something i'd like to explore. i have my own ideas that i've thought about a lot over the years (and even a middle name picked, too).

i also think that there are much bigger problems with dc comics than a few characters sharing a first name. like a lot more problems.

conner is his name as much as it is kon, and it's not wrong to call him it in the way that it's not wrong to refer to superman as clark or kal. the comparison at the start of this ask to raven is interesting, but i think the key difference there is that rachel roth feels like a regression (she's deaged and put in high school) and to me conner kent is further growth (being with the family that wants him in their lives).