#but I'd still find it funny

[robo-dino-puppy]

...that's not going to fit into your pocket, aloy.

[forcedhesitation]

dead by daylight-- the game where you can play as steve harrington from stranger things, and can get sent to partake in a match of murder hide and seek at midwich elementary from silent hill, where you can then use a lute to perform bardic inspiration from dungeons and dragons to give a bonus to your teammates, except for the one who is being chased by nemesis from resident evil 3.

[bmpmp3]

11 fish

[every-sanji]

[selamat-linting]

resignation letter is the most potent painkiller. i love you resignation letter i love you one month notice <3

[bonetrousledbones]

i know that this is a weirdly common paradox that happens in this fandom but folks i cannot overstate how much of a punch in the throat it was to come across a post saying "hiiii in canon frisk and chara are nb but in this au they're boys ^.^", finding what looks like their main blog since just blocking the au's sideblog is useless, and immediately seeing this in their pinned post

[britneyshakespeare]

i'm very interested what ppl find to be the harder shakespeare plays and which they found to be easier. bc i was googling out of curiosity and i found a sparknotes article (link if you're curious) that ranked ten of the most commonly-read plays on difficulty and it put king lear kinda down low whereas it put julius caesar pretty high because of the politics/complicated conflicts. that kind of baffled me because julius caesar was the first tragedy i read outside of the classroom and i found it very approachable; it's one i often recommend to people trying to get into shakespeare because the plot is already familiar to most ppl and you can just enjoy the poetry and how shakespeare chooses to characterize these figures. on the other hand i read king lear a few years later in my shakespeare journey, and to be honest i still kind of have a hard time with lear. maybe i just don't connect with it on some level; i'm not sure. it's not a very tightly-organized play where the action is as centered as in the other tragedies like hamlet or macbeth. that's certainly a me thing and maybe that'll change with age. but i'm always a little surprised when i find someone's experience with the plays so much different than mine.

anyway if you're reading this feel free to reblog and tag or comment which shakespeare plays you found yourself falling into most naturally and which worlds you felt like you had to force yourself into. i'm interested in what ppl feel on this subject

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[magentagalaxies]

one of the absolute funniest moments on scott's tour that i wasn't able to capture on camera (for obvious reasons) was at the meet and greet after the nashville show these two older gay guys mentioned they were reading scott's wikipedia page before the show to find out more to chat about at the meet and greet and like. idk if this is just because i am very familiar with scott's wikipedia page but you could tell that was the extent of their scott knowledge (which is valid not everyone is researching a documentary on the guy)

but then they asked about the poster for the lowest show, which they'd never heard of before their wikipedia reading, specifically this quote:

"The posters—featuring Thompson lying supine on the ground with a big wad of semen dripping down the side of his face—went up around the city on September 10, 2001"

and they were like "wow we'd love to see those posters hahaha" and i immediately jump in like "oh i have that photo on my phone give me like 2 seconds"

to be clear: these guys had not interacted with me or acknowledged my existence the entire conversation. they had their backs to me when they were talking to scott, i did not introduce myself as directing the documentary since i wasn't filming and they didn't ask who i am, etc. but my brain was like "oh someone wants to learn more about scott? my time to shine, let me pull up that folder in my camera roll". even scott was like jfc here they go again.

anyway i barely had to scroll back in my doc research folder so i immediately held out my phone to the guys and showed them this

it's a photo taken days after 9/11 of scott in front of the posters for his show which was supposed to open the following week

so i hold out my phone and explain this thinking like hey i'm being so helpful these guys wanted to see this aspect of scott lore and i gave it to them!! meanwhile these two old guys are like i can't even focus on the poster anymore i am standing next to scott thompson and also WHO THE FUCK IS THIS CHILD AND WHY DID THEY JUST HAVE THIS ON THEIR PHONE?

another one of the funniest tour moments was after meeting up with some gay guys in their 70s who were friends-of-a-friend-of-scott and immediately befriending both of them we were about to leave and i asked for their phone number and scott just rolled his eyes and was like i'll give you his phone number in the car as though he was saying "jfc jessamine this is ridiculous even for you". he never ended up giving me the old guy's number

[dootznbootz]

I say I relate to Odysseus and Penelope but oof... 😅

Friend: [shitty thing happened in which someone keeps bothering them] Me: Do you want me to make them knock it off? Friend: No. Haha I don't think I'd want to see the situation escalate. Me: You don't have to be there. 👀

[uncanny-tranny]

Another thing that I've learned as I have undertaken my craft is just how satisfying it is to use what you make - to have known that you made it. Even now as I make my big project, the fabric is big enough that it's warming my lap up as I make it - even that is satisfying.

People want to make an effort - even small ones. What people don't like is pseudowork - bullshit jobs. Honestly, it's partly tragic to think about, partly infuriating.

[oifaaa]

Yeah, as someone who was in boarding school a lot of my childhood- it's not neglect ffs. There are welfare roles, teachers, staff, other kids.

Do I have some issues with my parents now? Honestly yes, I do. I often wish they had been more involved.

But so do people whose parents have divorced or had to work a lot or honestly most people have issues with their parents.

Equating that to neglect??? When neglect is legally abuse? Is very serious

There are abusive/neglectful boarding schools but there are good ones and Tim went tk good ones

Yes boarding school can suck but between being home alone rather than with friends/teachers who raised me, I know which I'd pick. Most of my friends from college did not come from the same privilege I did and their parents also worked super hard but they didn't have the resources to pay for something like boarding school. I consider myself very fortunate!

Boarding school gave me community and an amazing education. My parents placing me there and paying for me was them taking care of me. And I can recognise that I'm extremely privileged for being able to have that education

(On anon because it's personal but no pressure to reply if you don't feel like it isn't relevant)

I think people throw around terms like negligence and abuse way too often when it comes to Tim without actually knowing what those terms mean and it results in people getting the wrong idea about his child hood which like considering I also grew up in a household were I never saw my parents since they both went out to work before I woke up in the morning and weren't home till after I went to sleep I don't get the fuss parents need to work it happens doesn't qualify as neglect and yeah we can talk about boarding school and how they can be good and bad but Tim never seems to have a problem with his and yeah I still think it would have been worse for Tim if his parents had flown him off to every corner of the earth like that's no life for a child

[meganechan05]

How to make more Mini Moffun from preexisting Mini Moffun plushies.

※Warning: Please do not slam Moffun plushies against tables or other hard surfaces. This video is for educational purposes only※

※All who do slam Mini Moffun against tables or other hard surfaces may be sentenced to 6 months in a -10°C cell※

※For the safety of the artist, they will keep their identity anonymous. They find the Supreme Justice scary when angered※

Bonus GIF:

[oh-meow-swirls]

it's kind of weird to me that they didn't bother releasing sushi and tempura internationally at all but at the same time i'm kinda glad they didn't cuz like. yo-kai watch was financially failing in the west by the time 3 released. i feel like if they had released sushi and tempura the franchise would've completely tanked before we got sukiyaki which would've sucked. honestly if anything i feel like it's more surprising that we got all three versions of 2 instead of them just releasing psychic specters but tbf i think yo-kai watch was doing well in the west when 2 released. 2 is just inexplicably what killed the franchise despite being a masterpiece-

[thevegetablewhichnoonedaresname]

I didn't know Batman Begins was filmed in Chicago

[roitaminnah]

hey have u guys read the fic bandit queens of the mont satiné shopping mall. (shaking through tears) i think u should. join me in my insanity <3