#but I suspect we’re going to find out something shady about him maybe years from now… just a random hunch

[wildhannimal]

Why does Ryan Reynolds seem super fake-nice?

[peralta-guaranteed]

What abkut mafia!jake au

Stop giving me awesome AU ideas that I cannot write the fic for! 😭

- due to some really, really bad choices after high school (did he ever make other ones? who knows), Jake Peralta has ended up as a grunt for the Ianucci family. He doesn’t really do much - he’s mostly someone who gathers information and new areas for them to work in, because he’s good at randomly befriending people and milking them for all it’s worth. He’s done a few ‘deliveries’, too, but has never had to really get physical.

- (he was at one family meeting that turned into the ‘farewell’ of a mistrusted member and he still has nightmares about it)

- he’s never been arrested for anything and thought the police didn’t even know his name, so imagine his surprise when he’s approached by one of their higher-ups (as if he knows the rankings, psh, pigs are all the same) and subtly but definitely asked if he would be willing to work with them

- his task seems simple: bring one of their cops into the family undercover, the same way he has ‘recruited’ several bodega owners and other ‘low-skill’ workers that turned out to be useful for the family. Maybe keep an eye on the cop as well and help her out if she’s struggling

- she? oh yeah, it’s a woman. A frankly gorgeous woman, he realises when they meet up with her and some FBI dude who obviously pretends he’s not FBI, to discuss it all further. Her name is ‘Dora’, and he knows that’s a lie from the second she’s introduced, but the less he knows, probably the better. The rules are set, he gets a special cellphone number of a ‘cousin’ to contact if something goes wrong, and two weeks later Dora Perez is steadily working her way up the ranks with the Ianuccis, who are very proud of Jake for bringing in this brilliant new talent.

- He might or might not be looking out for her a little bit too much. He might or might not get involved in far more shady dealings with the Iannuccis so he can work closer with her. He might or might not be in deep, deep shit.

- ‘Dora’ is grateful for it, though, he learns every time he drives her home after a more difficult job. She used to be withdrawn and quiet with him, which he tried to equalise by cracking more and more stupid jokes and doing random silly stuff during their drives, but then one time they drive in absolute silence while she cleans blood of her hands, and he says something, he doesn’t remember what, but it’s the right thing apparently, because she starts to talk. She talks to him during every ride after, telling him about the stress and the constant guard she has to keep up and how none of her research binders prepared her for this, and at some point she tells him about nightmares and seeing death around every corner and she can’t wait for this mission to be over.

- (for her sake, he can’t wait for that either. For his sake, he wishes it would go on forever.)

- They’re sent out for a big job together once, because Jake has already become ‘connected’ to Amy in the Ianuccis’ eyes, and they both end up with blood on their hands, and some of it is hers.

- he gets out of the car after that drive home, and gets up to her tiny, fake apartment, and helps her clean the wounds (nothing too big, just cuts, because thank god that guy only had a knife before he beat it out of his hands and then beat the living daylight out of him after he injured her) with the softest fingers she’s ever felt. Then the cleaning alcohol is swapped for drinkable stuff, and they talk, and they talk about everything and nothing, about how a dead-beat dad and an absent mother make a Mafia goon, and how family pressure and a sense of constant duty make a detective who so badly wanted to say no to this assignment but couldn’t.

- “For what it’s worth, Dora, I’m glad you said yes. I mean, not that- not that I want you to do this kind of work- and I want things to be over for you soon, because- but- I’m glad it’s you.” “Amy.” “Hm?” “My name is Amy. Amy Santiago.”

- He wakes up in her bed the next morning, with her in his arms, and he kind of doesn’t regret a single thing, even as his smart-brain is screaming at him. He’s pretty sure he would’ve willingly died for her even before this night, but now, he realises... that he probably will.

- Amy (Amy, not Dora) does freak out a little more than he does when she wakes up. She can’t get involved, she says, this is a job, a dangerous one, and she has to focus on that job and getting the mafia gang and not- okay, okay, let’s not overthink this then, Jake says only to calm her down, we don’t do anything ‘involved’, we’re just... having fun. Keeping things light and breezy. Helping deal with the stress.

- and so, despite how much it hurts and how much it makes him happy at the same time, Jakey the Jew becomes Jakey, Dora’s Loverboy. It helps, he supposes, because it means the Ianuccis won’t suspect them hanging out so much, and send him along to most of her jobs now so he can watch out for her, and he gets to be with her in a way, even as she constantly reiterates ‘light and breezy’ to keep him at a distance no matter how close they get.

- it doesn’t feel very ‘light and breezy’ when they spend time together in front of the TV, though, to get their minds to relax after doing whatever the Ianuccis needed them doing. It doesn’t feel ‘light and breezy’ when they joke around in the bodega getting ice cream on a particularly hot day out doing jobs, or when she shows him around the library after meeting her ‘cousin’ there for a chat. It doesn’t feel ‘light and breezy’ at all when she sighs into his arms when he’s holding her in bed, neither of them even wanting to take the night any further than soft hands under tshirts, because all they really need at some point is the comfort of each other.

- and then one day, after a few months of this ‘light and breezy’ and ‘Dora’s Loverboy’, Jake gets invited for a ‘Talk’ by the family. With a capital T. And he’s not been that high up in the ranks at any point, and he’s not really done much for the family, but he’s not an idiot. He knows what that means. So of course he doesn’t tell Amy, writes her a short but succinct note instead that maybe ends with the L-word somewhere in it, and goes to have a Talk.

- The Ianuccis know that there is a rat, but they don’t know who. And they know that if Jakey is good for one thing, it’s information. So The Talk doesn’t end as quickly as it usually does, and the way he’d expected. It hurts a lot more, for one thing. Jake thinks of offering up some other goon or lower family member as the rat, if only to make the torture stop, but his brain is too broken in the moment to figure out a convincing story. And when the name ‘Perez’ suddenly drops into the conversation, there’s really only one other name he can still think of clearly to blame. Peralta.

- he doesn’t remember much after that - he’s pretty sure he heard gunshots, but none of them hit him, so what’s the deal with that? Everything else is pretty much a blur of pain and cold, and lots of shouting, and then warm soft hands on his face and a quiet voice saying his name amidst it all, and when he wakes up the next time he’s in a hospital bed.

- He’s in that hospital bed for two weeks to recover, and no one visits him. Not that it should be surprising - Nana is dead, his mom doesn’t know about anything he’s done since the age of 18 for a reason, and there’s no one else who in their right mind should care to visit him. So imagine his surprise when a detective shows up, introduces herself as Rosa Diaz, and explains that she’s Amy’s partner at work, but she’s not here for official business.

- “She wanted to come see you. Hell, she fought tooth and nail for it. But she had to be debriefed, stupid FBI assholes, and then it turned out two of the Ianuccis got away, so we had to find them first to make sure they don’t go after her for revenge” (well that explains the constant patrols in the hospital for him, as well) “and we had to hide her for her safety, but, Jake, she wanted to come see you. I swear.” “It’s okay.” Jake says, and it’s really not, but he’s been a brilliant liar for years now. “You can tell her... it’s okay. The job is done, and I’m, I’m glad she’s finally got it over and past her. Really. Tell her it’s okay.”

- He’s debriefed by the FBI after he gets discharged, as well. They tell him ‘good job’ and ‘thanks’ and pay him a surprisingly large amount of money and cover his hospital bills, so that’s good. They also advise that he move, not far, but far enough that any possible leftover scragglers of the family don’t remember his old place for a ‘visit’. So he moves, a few blocks only, enough to get a new favourite bodega and deli and discover that the library is actually nearby and that there’s this community college that Amy kept talking about for some reason, and if he takes a few classes to finally get a degree, it’s not about getting a proper job at some point, it’s more about not thinking about anything else. About maybe forgetting, even if it was her that basically got him where he is now.

- (it does not work)

- she knocks on his door a month later. She looks strange in her professional outfit instead of washed out jeans and a tanktop with a stupid slogan on it, but also so perfectly her. That’s Amy, he thinks, not Dora anymore. That’s Amy, and he still loves her just as much as he did when she was ‘Dora’ in his sweatpants and tshirt. Maybe more.

- “You’re a hard man to find, Peralta.” She says, and he knows that’s a lie, but she smiles with a scared look through it and he takes it for what it is - an attempt at saying anything, really, after 1 1/2 months of silence, when she’s probably got a speech all prepared in her head but needs to get there first. “That’s such a bad, cheesy movie line.” He helps, and she laughs and yeah, that’s all he needs in life. “Well we never watched any good movies, did we.” “Hey, we watched Die Hard. That’s the best movie there is.” She rolls her eyes but nods, and opens her mouth, and Jake thinks that the speech is coming now, but he has no idea what it might entail. Thank you and good bye, maybe. Good job, great work, can you sign this official statement for me so I can add it to my paperwork? possibly. “Screw light and breezy.” She says instead, and then she’s in his new apartment, which is much nicer and cleaner than the old place was even after she worked her magic on it, and she’s kissing him, and he’s never, ever letting her out.

[renegadewangs]

Van Zieks - the Examination, part 5

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4

It’s time to return to the first game for case 5, The Unspeakable Story!

Episode 5: The Unspeakable Story – Part 1

Prepare yourselves, this is a big one! So big, even, that I'm going to have to split it into two parts. Fortunately, we can skip over the entire Investigation segment, because virtually none of it is relevant to Van Zieks. In fact, we don't even learn Van Zieks is the prosecutor until we enter the courtroom and see him standing there. Somehow, no one thought to ask who Ryu would be facing. What we do learn during the Investigation is confirmation that McGilded was indeed a lying scumbag who murdered Thrice-fired Mason. He asked Gina to lie for him in a court of law, too. So indeed, Ryu backed the wrong horse in The Runaway Room and Van Zieks was right to suspect the defense of deceit. He was wrong in how he worded half his arguments, though.

An extra thing worth noting is that after the conversation in which the blood is found on Gina's coat and the truth of McGilded comes out, it's revealed that Gregson was hiding nearby in the shadows. He insists he didn't eavesdrop and only just walked in, but it's implied much later in the trial that he knew about the blood on the coat. This means that Gregson is, from this point on, holding the full knowledge that McGilded was McGuilty in the omnibus murder.

So into the courtroom we go, where it is shown we're facing Van Zieks. (And nobody is surprised, because who else would it have been? Auchi?) It is now two months after the Runaway Room and the two Clouded Kokoro cases, so immediately upon starting the trial, the judge basically asks Van Zieks whether he's gone insane- in his own words, that is. First he asks how many years it's been since Van Zieks retired, to which Van Zieks replies that it's been five. The judge notes that Van Zieks resurfaced rather suddenly two months ago, (then basically handled three cases in a single week,) and showed up again today.

HAH. I love how on the nose this judge is when it comes to dissing the prosecution. He goes on to state that Van Zieks used to deal exclusively in matters concerned with 'the highest echelons of society and government', yet today he's trying 'a simple case of burglary and murder'. We already learned this from Gregson in case 1-4, but it's nice to have it repeated again.

Van Zieks replies that there's two things he cannot abide: “Wealthy scoundrels who hide behind a mask of philanthropy-” (hi McGilded!) and... “Secondly- even more loathsome... Those wily scoundrels who masquerade as allies only to effect total betrayal in the final hour.”

So that settles it then. He's specifically taken on his three most recent cases because there were Japanese people involved. He's also outright admitting that which Ryu had already guessed: Van Zieks hates Japanese people and going by his wording (“betrayal”, etc.) he has some bad experiences. Ryu wonders whether that 'torrid look of hatred' in Van Zieks's eyes is directed at him or at all Japanese people. Frankly, I think that in a subconscious sense, it's neither. The way I see it, that torrid look of hatred is directed at a man who died ten years ago. But I'll get back to this when it's time to address the backstory. The judge finds that an “alarmingly scathing explanation”, but welcomes the Reaper of the Bailey back to court all the same.

I love the implication that Van Zieks can apparently just come and go as he pleases in terms of prosecuting. Retirement can just be upturned on a whim and he's allowed to choose any case he wants. Who even is keeping him informed on which cases are happening and who the defense is? Is there a Chief Prosecutor in play we don't know about or is Stronghart slipping notes into his letterbox? Or has Van Zieks been entering the prosecutor's office every day for the past two months, demanding to hear news of 'that Nipponese attorney'?

So anyway, Van Zieks lays out the opening statement, pours himself a glass of wine, accuses Ryu of jumping to conclusions and reveals that he has witnesses. Remember when he threw aside his cloak halfway into 1-3 and it was seen as a big deal? … Yeah. It's not much anymore, now. He gets rid of it before the first witnesses have even taken the stand. The guys called forth are literal criminals who happened to break into the scene of the crime and, according to Van Zieks, “will face trial in the very near future” for their “various trespasses”. Alright, so he's acknowledging he's called forth some sketchy witnesses, but considers the murder itself far more sinister than their burglary.

Ryu manages to prove the taller Skulkin brother fired a gun at the crime scene and in doing so, struck poor innocent (S)Holmes. (Ryu presents a picture of a blood-stained calendar with a bullet in it to prove this, yet ten minutes later, he'll present the exact same picture and the entire court will act as if they'd never seen it before. Awkwaaard.) Van Zieks pours himself another glass of wine, toasts to Ryu's incompetence and later has another micro-aggression:

Scumbag points! And also possibly hilarious foreshadowing if he's referring to either Asogi Sr. or Mikotoba here. Though it's hard to say how well acquainted Van Zieks was with (S)Holmes and his partner roughly 16 to 10 years ago. Anyway, Van Zieks flings another chalice and basically admits that he already knew these two criminals gunned down (S)Holmes, but made a deal with them not to get into that. Though technically, Ryu was the one who got into it by proving it in court, so Van Zieks didn't break any unscrupulous deals. And maybe he was even expecting Ryu to do so? Maybe that's why he was pushing Ryu to present evidence? Either way, Van Zieks now owes 'his Nipponese friend' a word of gratitude, since he helpfully confirmed the two brothers couldn't possibly have shot the victim. Only one bullet was fired from their pistol, after all, and if it hit (S)Holmes it couldn't possibly have killed Windibank.

Van Zieks proceeds to “take a moment to consider the aforementioned Great Detective, Mr. Sholmes” (KEEP THIS LINE IN MIND), and brings up the security cameras (S)Holmes planted at the pawnshop so that he can present a picture of the defendant waving a pistol at the victim. Why didn't he present this evidence immediately instead of asking two shady burglars to testify? Who even knows, man. He's being erratic, just as the judge said. The jurors have seen enough and vote guilty, so it's time for a Summation Examination! Van Zieks poured himself another glass of wine before Ryu even asserted his right to that, because he knew it was coming. He has to stand in silence and so he will drink.

(Juror No 1, aka Mr. Garrideb, proceeds to piss me off by oggling the maid juror. I thought the whole point of this character was that his wife misunderstood and jumped to conclusions; that she's been punishing him wrongfully since he does indeed love her and will stand by her side no matter what, but apparently not.) Some tomfoolery later, we require the prosecution's help to prove stereoscopes are just as cool as wireless telegraphy.

I honestly think it's hilarious that he's meant to stay silent but has broken that rule several times, so now we're taunting him by asking him a direct question during the Examination. So after it's been proven the two criminals moved some stuff around inside the pawnshop, four jurors vote not-guilty and the trial continues. The two witnesses get called back to the stand and---

… Okay. So he definitely is against perjury. He seems to hate it, even. He apparently keeps giving them the evil eye as they testify, intimidating Ringo into telling the truth. But I just can't shake the memory of him feeding a lie to Shamspeare in Memoirs of the Clouded Kokoro. Also, the game very much caught me off guard during this testimony when I presented a piece of evidence which wasn't correct, but instead of leading to a penalty led me to a unique set of dialogue not found when presenting other wrong evidence. That is to say, I presented a picture of Gina holding the sole gun to disprove the testimony that both she and Windibank were wielding guns, which led to:

Isn't that what we often do in these games? Van Zieks clearly hasn't been paying attention. Anyway, the judge points out that so long as I couldn't prove that Gina was still holding the only gun some time later, when Windibank was shot, the evidence wasn't relevant. So I had to present the picture of Windibank's body (not holding a gun) instead. Ryu manages to point out through that picture that the Skulkin brothers were lying and-

OKAY OKAY. I GET IT. Van Zieks hates perjury with a burning passion and Memoirs of the Clouded Kokoro messed up. The trial continues on to the point where Ryu manages to suggest that the Skulkin brothers shot Windibank and Gina then locked the door to save herself. At first Van Zieks is shocked at the notion, but after Ryu details his logic, he just puts his hands down on the desk and chuckles.

This is the first time we see something close to laughter from him, and it's not even really laughter. It's just a malicious, bitter little noise. In fact, we've never seen him smile. He's not even smiling now, as he cackles. That's a stark contrast from other prosecutors, who all smile/smirk as they gloat. Barok's facial expression barely changes at all. Are they building up to something? Anyway, the judge wonders why Van Zieks finds this amusing, as he found the argument quite persuasive himself. Van Zieks pours himself another glass of wine and says:

“But such blatantly malicious conjuring tricks amount to nothing more than inexcusable pettifoggery here. Because you see, it contains a fatal flaw!”

Scumbag points! He then proceeds to imply all the members of the jury are too dimwitted to count (as he flings his chalice). Bullets, that is. There were two bullets found at the crime scene and there were two guns recovered, each having fired one bullet. So if the Skulkin brothers had shot (S)Holmes, they couldn't possibly have shot Windibank as well.

Bye wine bottle, rip person sitting behind him. Van Zieks proceeds to slander Gina for being “far from a law-abiding citizen” and having “a past riddled with criminal misconduct”. To further illustrate his point, he presents a piece of evidence that the defendant attempted to steal the day beforehand, not with the subtlety of a pickpocket but by brute force and brazen impudence. Gregson loses it at this point, shouting out a loud “Hold it!” before losing his nerve and stammering his way through his protest. He mentions that there was a meeting with the prosecution service where it was agreed that piece of evidence wouldn't be used. Ryu is baffled and thinks this:

And now I'm baffled as well, because thinking back on it... Yes, Gregson has talked about Van Zieks before in Investigation segments and has been called in to testify, but as far as I can recall, he hasn't ever addressed Van Zieks directly. Fascinating stuff. Van Zieks says he's unaware of this meeting- probably because he found out Ryu's defending later on and snatched this case up at the last second. Perhaps even took it from the originally-assigned prosecutor with brute force and brazen impudence. Gregson insists that 'the government bigwigs' were very insistent about not using the disc as evidence, to which Van Zieks says:

Good gracious, Van Zieks is a loose cannon! … Or wait, maybe he's a reckless renegade? Or is he perhaps a prosecutor on the edge with nothing to lose? (Alright, put on a pot of coffee- we're gonna get to the bottom of this!) ...Either way, the prosecution thinks it's sufficiently made its case by establishing motive, opportunity and baseness of character.

OY! I thought you don't read third-rate detective stories! But Iris specifically wrote that line into existence, so he must have. Me thinks we've got a closet Adventures of (S)Herlock (S)Holmes fan on our hands, here. The jury buys into his slander, votes guilty, Iris accuses him of being mean and Ryu enters Summation Examination mode a second time.

Oh he knows what he's in for. He knows. Several minutes of talking about bullets later, the topic of (S)Holmes's waist pouch is brought up and Iris wonders whether perhaps the bullet hit one of the glass vials with flammable content. Van Zieks suddenly speaks up with an “If I may...”, catching the startled attention of Ryu in particular.

“I should inform the defence that I have the pouch in question in the antechamber outside the courtroom. As I understand it, when the police arrived on the scene and found Mr Sholmes injured, they removed the pouch in order to assess the wound. Since then, it has been in my safekeeping along with all other evidence relating to the case. I can personally vouch for the fact that it has not been touched since the incident occurred.”

This whole plotline cracks me up with how little sense it makes, considering the position of this pouch on (S)Holmes's outfit. But I'm not here to criticize plot-convenience of evidence, so let's move on and look at what's actually happening here. The defense is discussing possibilities with the jurors in hopes of changing their minds towards a not-guilty and instead of keeping silent, as he's supposed to during this moment, Van Zieks actively speaks up to admit he has a piece of evidence which may be of assistance. It's entirely possible that the pouch would have all three vials intact and thereby dismiss the theory that the bullet hit one of them, but... Regardless of whether he remembers seeing a broken vial with his own eyes, he's taking a risk by showing the pouch. He could've played by the Summation Examination rules, kept his mouth shut and then later when it comes out he had the pouch all along, just remind everyone he wasn't allowed to speak. That's what most prosecutors would've done. Naturally, it's revealed there was indeed a broken vial and some scorched leather, and even closer examination reveals a third bullet we can present to the jurors.

Scumbag point! So with all the confusion on the third bullet and the implication of there being a third gun, the judge does something pretty extraordinary. He doesn't wait for the jurors to change their leaning and instead actually suspends the Summation Examination until the matter is cleared up. This implies any judge has the power to overrule juror leanings, at the very least during Summation Examination, when they feel the case presented by the counsels is lacking important details. Anyway, closing argument on hold for now and the Skulkins return to the stand. Barok looks them straight in the eyes with his usual evil eye and asks them whether the third gun is one of theirs. When that's denied, he asks whether they had an accomplice, which is also denied. And it's kind of funny, because only a few minutes later when Ryu implies they had an accomplice, we get this line:

“Yet in all that time, there has been not a murmur of a third man. If this apparently wraithlike being exists...” pause for chalice crush... “The court must be shown hard evidence!”

But Van Zieks was the one who questioned the Skulkins about an accomplice earlier, so... Indeed, we don't have evidence, but the murmur was definitely already there. So now the prosecution wants two things: evidence there was a third person on the scene and their identity. The game prompts two options: Either present an answer to the prosecution's demands or, y'know, don't. Naturally I chose the latter option to see what happens and it goes about as well as you'd expect. Ryu stutters and trails off, Van Zieks notes the defense is unable to complete a sentence, let alone provide credible answers... Iris takes the place of Susato in telling Ryu off for faltering, so Ryu desperately tries to catch himself and push his argument. Van Zieks says: “So, my Nipponese friend, despite the swimming eyes you seem to think you have something to say...”

PENALTY FROM THE PROSECUTION, oh how I've missed you. Loading up the savegame and choosing the first option actually also leads to the exact same line of “so, my Nipponese friend, despite the swimming eyes you seem to think you have something to say...”, just with a slightly different posture and followed up with the words “this promises to be interesting.” Ryu presents the blood sample on the calendar once more and as I said before, the court acts as if they've never seen this picture before. Hilarious. Van Zieks asks why the blood is depicted as green and Ryu explains it's because of a new chemical (S)Holmes invented. The green blood is then linked to Eggert Benedict through the music disc. The court gets very excited, but much like the skin prints in case 2-2, this isn't admissible evidence. Van Zieks says “this has gone on long enough now. This flagrant ignorance of the mechanics of law.”

“The protagonist in a series of short stories for the vulgar classes. A god of detection or some such. And now you employ chemical substances devised by this fantastical persona in the highest court in the land? Do you expect us to take you seriously? The samples made by this plaything are not fit to be called evidence.”

These lines! I had a quick look at both Scarlet Study's and Taisa's scripts, and there Van Zieks outright accuses (S)Holmes of being a fictional character. He doesn't actually diss the stories themselves though, nor is there anything similar to that plaything line. He only says the chemical itself is 'rubbish'. What ultimately kills me is the “Yes, I’ve heard the name” as if this is the first time it’s being uttered in the courtroom. Let's be merciful here and take case 2-2 out of the equation. Yes, (S)Holmes is mentioned several times there, they establish the two have some sort of history and he even enters the courtroom at one point to address Van Zieks directly, but that case was developed after this one so accidental retcon is bound to happen. No, let's look solely at the cases in the first game. (S)Holmes has been mentioned several times throughout the course of this trial, even by Van Zieks himself. Even better, Van Zieks was the one to present photographs taken by one of (S)Holmes's playthings earlier on. OOPS.

Ryu enters despair mode because there really is no way to prove that the color green is unique to Eggert Benedict, nor would it be accepted as evidence to begin with. But that's okay, because much like the skin prints in 2-2, it was never about having it filed as official evidence. It was about influencing the jury and as Iris so smartly points out, the Summation Examination was suspended earlier. This means that technically, it's still going on. It doesn't matter what the prosecution or the judge thinks of (S)Holmes's invention, it only matters what the jurors think, as they now have the power to force the trial to continue. Naturally, the majority votes not-guilty. Van Zieks objects rather ferociously. “My lord, with all due respect, this is an outrage! The prosecution refuses to accept this decision!” (heehee, I really enjoy these lines. With all due respect, indeed.) The judge asks on what grounds the prosecution is objecting, and Van Zieks says:

“Then they are too ignorant to be trusted with the judgement of anyone's guilt!”

Gosh, he really doesn't enjoy how 'gullible' the jurors are, does he? Or rather, he gets frustrated when the jurors begin to think for themselves instead of taking the prosecution's word for it. The judge sets Van Zieks straight by basically reminding him that this is how the court works.

It is so satisfying to watch him squirm. Van Zieks wants us to play by the court's rules, so we're playing by the court's rules and now he's got no more comebacks. This is it folks, we're subpoena-ing Egg Benedict! He does indeed show up to court after a brief intermission and reveals his true name to be Ashley Graydon. Graydon expresses haughty dismay that the highest court of the land was swayed by some self-professed detective's homemade tincture. Van Zieks tells him it was the will of the jury, and their great British justice system demands that the jury's will is upheld. Graydon calls the jury members inept, as Van Zieks has done many times before, but agrees to testify. Ryu attempts to needle this guy several times by asserting he was definitely at the crime scene, but indeed, the blood sample doesn't count as evidence and Ryu doesn't really have anything else to back him up. Van Zieks oh-so-kindly reminds him that the obligation to prove the defense's assertion lies with, well, the defense. Eventually we do get there and Graydon starts making up some bullshit story about how he met McGilded in a gentlemen's club and bonded with him over unique music box music, so that's what that disc was. Van Zieks points out that Yard have indeed been gathering items believed to have been McGilded's property, presumably to aid their investigations. Gregson once again loses his composure here and tries to shut the conversation down.

Gregson and Van Zieks continue to banter back and forth about how Gregson is definitely not allowed to talk about these things and Van Zieks should also know better than to pry. Even Ryu thinks it's strange the two of them are bickering like that. Anyway, we're not allowed to discuss the McGilded stuff, so back to Graydon and his breaking and entering! Van Zieks asserts that if the police confiscated the disc beforehand and Graydon saw this happen, there was no reason for him to break into the pawnshop anymore.

Oooh, that's some tasty triumph over Van Zieks's ignorance! Ryu brings up the second item pawned by McGilded, a 'small box'. Van Zieks insists that no such thing was stolen from the pawnshop and he can prove it, since he has a picture of the shelves from before the break-in and one from after the break-in. You know, the pictures taken by that idiot detective's silly little plaything! Through the magic of stereoscopes (or the 3D Slider in the 3DS version), Ryu can see that a small box was moved.

It's absolutely hilarious that most of the court has to go cross-eyed to do the stereoscope thing and then there's Van Zieks, with a fancy stereoscope device that he just happened to have with him in a trial he couldn't possibly predict would require a stereoscope. He's so extra! Ryu asserts that if the box was moved, they have to raise the question of what was inside it and send the Yard to retrieve that thing at once. Van Zieks objects, saying that “some little box belonging to a man who died two months ago can't possibly be relevant to this trial.” The judge doesn't see it his way, though, and overrules his objection. Nice! So officers are dispatched to Baker Street to fetch the box and Van Zieks grumbles to himself about being hoodwinked by a farce.

The judge once again doesn't take kindly to Van Zieks's attitude problems and I love this. I can't wait for the prosecution to be penalized, because it feels like it's right around the corner here. Van Zieks elaborates that this whole thing is nothing but a smoke screen; a Nipponese specialty. Scumbag points for this one! I can't entirely connect this to Professor foreshadowing, I think it's just him being petty. Either way, he's going to jump through hoops now. Mere minutes ago he established that the Yard is still investigating McGilded's stuff and the 'aftermath' of his activities, but he's flipping it all over now. He begins to talk about how McGilded died two months ago, immediately after the trial in which he was found not-guilty.

“So I propose a toast. To my learned friend, and his most... insightful defense.”

So the logic being used here now is that McGilded was a fine, upstanding citizen and anything he pawned was truly innocent/ordinary, so why would someone want to steal it? The only way to prove that there's more to these items than might be apparent would be for Ryu to reveal that the acquittal was a mistake and the defense's argument was based on false information. They all suspected this two months ago, though. It was made abundantly clear that the only reason McGilded walked free was because nobody could say for certain whether the evidence was tampered with. Either way, Ryu's cornered now and wondering to himself whether Van Zieks knows the items in question are related to the omnibus murder. He probably does. He has access to the evidence, which means he has access to to the pawn tickets which hold some very specific dates on them.

The game gives Ryu an option whether or not to have Gina testify about what happened two months ago, but this option isn't real. If you choose 'leave it', Ryu still decides within two lines of dialogue that they have to uncover the truth. There's no penalty for stalling. So Ryu calls for Gina to testify and Van Zieks definitely knows what's up.

“In particular, the impact it will have on the accused's standing... And indeed your own.”

So this is a warning, clear and simple. Van Zieks knows shit will hit the fan. Or, as he later phrases it, it will bring the court down around Ryu's ears. But Ryu insists upon the testimony, the prosecution agrees and Gina is put on the stand. The judge tells Graydon he can step down, Graydon promptly sees this as an excuse to leave and bids them all a good day, but Van Zieks tells him to wait.

Oh, this... I like this. By now, Van Zieks has caught on to Ryu's little trick of watching the reactions from other witnesses during testimonies. He's purposely making Graydon stand there and listen to Gina's testimony just in case he reacts in such an overdramatic way, Ryu can pursue it. Iiinteresting! Now it seems as if he's on our side, but we're not quite there yet. Before Gina can begin her testimony, Van Zieks reminds her that if it turns out she willfully withheld information two months ago, she'll be prosecuted for perjury. That's just an intimidation technique to get her not to reveal what she withheld. … Which is weird, because you'd think Van Zieks would want her to spill those beans. Either way, with some encouragement from Ryu and Iris, Gina begins to talk about the lies she told. Aaand we're ending the essay here for now, because we're only about halfway into this disaster of a trial and the plot will only thicken from here on out. Stay tuned for part 2 of The Unspeakable Story!

[torialeysha]

Cold feet - Part 16

Bakers redemption

A/N: I’m on a roll guys! Your love, patience and support for this story fuels my fire for writing, a fire I thought I had lost and for that I am eternally grateful. Thank you all <3

Songs: Carry me home - Jorja Smith ft Maverick Sabre

Can’t buy happiness - Tash Sultana

Fortunately the awkwardness of the journey home was lost on you as all you could do was think about Alfie. You questioned the sincerity of his visit and wondered why it had taken him so long to realise you had lied about the ridiculous possibility of him not being the father of your unborn baby? He had asked you for forgiveness. A shot at redemption. Could you give it to him? Could you allow him another chance when he had already let you down not once but twice? Were you foolish enough to give him the opportunity to do it again? Would he do it again? He said that he had seen the error of his ways and that he really did want the baby. Did he mean it? Could you believe him even if he did? He said he could prove it to you and you were curious to see how. Silently you pondered, driving yourself insane with question after question that regrettably you didn’t have the answers to.

After a tedious battle with the London traffic the car finally pulled up outside the opulent townhouse Charles was renting. The atmosphere still frosty and tense as you crossed it’s threshold. You were in the process of removing your coat when one of the butlers collared Charles.

“There’s a Mr Changretta waiting for you in the lounge, sir.” He announced casually as he took your coat. Your hair immediately stood on end.

“Ok. I’ll be right there. Meanwhile, could you please fetch Ms Y/L/N something to eat.” Charles hands his coat to the butler then turns to you. “I won’t be long. Feel free to start without me.” He told you coldly. But you were no longer worried about food and more concerned about the fact that Luca Changretta was in the next room.

Fraught, you staggered to the dining room and began to pace, anxiously wondering what the occupants next door were discussing. You manoeuvred towards the wall that separated the lounge from the dining room and placed your ear against it, hoping that the divide was thin enough to be able to hear their conversation. Their muffled voices vibrated through the wall. You edged closer to the crack of the locked double doors that connected the two rooms and the voices got slightly clearer.

“...And you really trust this broad? You’re sure she isn’t the problem?” It was Luca’s voice.

“Of course I trust her! I wouldn’t have involved her if I didn’t.”

“How much does she know?”

“Hardly anything. She asked me some questions about the club. Why I bought it for her and why I insisted I put it in her name and not mine, but her curiosity is only natural, Luca.”

Your stomach rolled realising they were talking about you.

“What did you tell her?”

“I fed her some bullshit about wanting to give her the world.”

“Nice. So she doesn’t know anything about the money coming in from New York?”

“No, I take care of the books and I keep them locked in my safe.”

“Good.”

There was a brief silence before Luca spoke again.

“Tell me, Cuz, what are your feelings for this broad? You still intend on marrying her when this is all over?”

Cuz? Why would Luca call Charles that?

“Yes. I love her.”

Charles’ confession made you feel sick.

There’s another long pause before Luca speaks again.

“Then you have my blessing. But I’m warning ya, I don’t know if my dear Aunt will be as accepting. You know how she only wants the best for her son.”

Cousin? Aunt? Son? You felt the colour drain from your face as realisation dawned on you.

“Y/N is best for me. Now can we please stop discussing my personal life and get back to business.”

“Of course. I hear what you’re saying about the Jew but we need him alive for now. I think he’ll be able to help us deal with Thomas Shelby.”

“Solomon’s is tight with Shelby. There’s no way he’d sell him out.”

“Oh, he will.”

“How can you be so sure?”

“I’m going to make him an offer he can’t refuse... Don’t look so worried, Chuck, all will be revealed soon. You just carry on doing what you’re doing and remember that we’re doing this per la famiglia. Luca’s foreign tongue made you shudder. “Once Solomon’s, Shelby and Sabini are dealt with. London will be ours for the taking.”

You pulled away from the door just as Charles was asking about Sabini. You had heard enough.

It was worse than you or Tommy had anticipated. Charles and Luca wasn’t just business relations, they were blood relations. His money was their money. Your time and efforts had been in vain. Any hope of sabotaging their connection was gone. Replaced with an overwhelming sense of alarming trepidation. You had to leave. There was no way you could stay now knowing what you know.

The main door of the dining room swung open, startling you.

“I’m terribly sorry miss. I didn’t mean to scare you.” The flustered housemaid apologised as she shuffled in with your supper.

“Please don’t apologise.” You told her shakily.

“You’re white as a sheet! I must’ve given you a proper fright. Poor thing. Sit ya self down and I’ll fetch you something to drink.”

“No, no. I’m fine. It’s just-I’ve received word today that my friend isn’t well and it’s come as quite a shock. I would like to check on her to see if she’s feeling better. Could you let Mr Fenton know that I’m going to visit her and I won’t be back until later.”

“Of course, Miss, but what about your tea?” She signals to the silver tray she’s carrying.

“I’ve suddenly lost my appetite. I’ll eat it when I return.”

“Ok, Miss. I’ll put it by for later.” She took off with the tray of food and without a second thought you made for the door without even stopping for your coat or purse.

In a daze you wandered down the street, feeling hopelessly lost in a city that had been your home for 20 odd years. You headed north, knowing that regardless of your current uncertainty towards Alfie you would have to warn him and get word to Tommy. Without your purse you had no money to jump on a bus or the underground. Your only option was to trudge the busy late afternoon streets to your destination. It would take roughly an hour to get from Central to Camden, probably the same amount of time it would take Charles to suspect something was amiss. It was a distressing thought that caused you to pick up pace. To make up time you decided to take a shortcut that lead you along the river and down the canals. It was a risky move as the muddy banks of the canals were refuge to some unsavoury characters - mainly drunkards - desperate men that would find easy prey on a young woman trekking the waterways on her own.

The sun was slowly sinking into twilight by the time you had reached Camden lock. Despite your exhaustion you were relieved to have made it in one piece but you shouldn’t have spoke too soon. In the distance you could see a group of what looked like 3 men huddled together along the path which you needed to pass to get across to the bakery. Your blistered feet slowed but it was too late, they had already spotted you. You quickly tried to think of an alternative route. The only other way was to swim across but jumping in and braving the grim green water that was frothing with rubbish and other questionable substances wasn’t tempting to say the least. There was nothing you could do now except carry on walking with your chin held high as if their shady presence didn’t intimidate you. You argued with yourself as you approached that maybe you had jumped to a brash assumption and that they were in fact a harmless trio who would just let you pass without a second glance. As you got closer they rose from their makeshift perches and swayed towards you. It was then you knew that your brash assumption had been correct.

“Evening treacle.” One slurred. “What brings you down ‘ere then?” He smiled, revealing a row of yellow teeth that were gradually rotting a browny black. You ignored him and tried to pass but he obstructed you.

“Let me pass!” You ordered him.

“Now then, that’s not nice. You could at least ask nicely. Say please.” He slurred.

“Please let me pass.” You said through gritted teeth.

The other two came to stand beside him. Panicking, you tried hard to conceal the trembling of your body.

“Beg.” He tells you through a snarl.

“I love it when they beg.” One of the other men chimed in, earning a chortle from his soapy comrades.

You laugh as if joining in with their sadistic merriment. Then quick as a whippet you tried to barge through their burly blockade, effectively knocking one of the men into the drink. The middle one grabbed you. You turned as he did so, kneeing him between the legs. He dropped to the floor and you made to escape but was grabbed again by the last remaining man. His filthy hand covered your mouth, cutting you off mid scream. You thrashed in his arms. Your eyes widening as the man on the floor rose slowly.

“We’ve got a feisty one ‘ere, Del.”

“Let’s see how feisty she is once I’ve finished with ‘er.” The man you knocked to the floor was now fully upright, stalking towards you.

You closed your eyes, helplessly awaiting your fate.

“Get your filthy fucking hands off ‘er!”

Your eyes shot open at the unmistakable voice coming from behind you.

The man turned suddenly with you still in his arms. Your eyes landed on Alfie and Ollie and you wanted to cry out in relief.

“Mr Solomon’s - I was only helping the poor Lass. She was lost, ya see.” He muttered a sheepish reply. His arms loosening around you. You pushed away from him stricken and lurched into Alfie’s arms.

“Are you ok, Yahalom?” He asked, pushing away the hair from your face and checking you over for any sign of injury.

You noded, clinging to him.

“Run!” One of the men shouted and they both fled in opposite directions. The one who had hold of you tried to leg-it past Alfie who with a flick of his cane tripped him before he could get any further. Alfie pushed you to Ollie, and pounced on top of the fallen man. Savagely he landed a shocking set of bone crunching blows upon the sputtering and sobbing man on the floor.

You started to shake uncontrollably. Your chest heaving to draw in breaths.

“Alfie, stop now. You’re scaring ‘er!” Ollie yelled at Alfie who stopped immediately.

“Get ‘er out of ‘ere!” He shouted.

You felt Ollie tug on your arm.

“No-I c-can’t go-I need t-to talk to A-alfie.” You chattered numbly.

“It’s ok, Y/N. Let’s wait for him inside and you can talk to him then, yeah?” Ollie asked you soothingly. You stopped resisting, allowing him to guide you over the bridge of the canal and inside the huge double door entrance of the bakery. He set you down on a crate.

“Are you ok?” Ollie asked. Kneeling in front of you.

You shook your head from side to side, unable to speak through the loud chattering of your teeth.

“We were just leaving. You’re lucky we spotted you, ya know.”

You didn’t answer him. Instead you reached out and gave his hand a grateful squeeze.

Alfie exploded through the doors, making you and Ollie jump. His blood splattered face was a fit of pure rage.

“How many fucking times have I told you not to walk the canals on your own? If me and him would have left ‘ere half hour ago like we were supposed to, what would have happened then, ay?” His eyes flickered as he tortured himself pointlessly with the sickening possibilities.

“Alright, Alfie. Calm down, ay? We left at the right time and luckily Y/N weren’t hurt-“ Ollie started calmly before Alfie interrupted him.

“- You sure they didn’t hurt you?” Alfie asked.

“I’m sure.”

“The fuck was you thinking, Pet?” His stern voice was slightly softer now.

“I-I wasn’t-“

“-Where’s your coat?” He asked suddenly. “Them cunts take it?”

“No, I left it behind-there was n-no time- I had t-to get out of there fast-I left my coat behind along with my p-purse-I’ve had to walk from Central-thats why I t-took the sh-shortcut.” You stuttered senselessly, barely pausing to take a breath. Alfie took off his coat and draped it over your shoulders. You pulled it tightly around yourself. His musky scent clung to the heavy wool material that was still warm with the heat of his body. You inhaled deeply, feeling instantly calmer. “I couldn’t stay there, Alfie. I had to leave, I had to get out of there!”

“Calm down, Yahalom, and tell me exactly what’s happened?” He ordered, his eyes wild.

“It’s Charles. He and Lu-ca Changretta are related. They’re cousins. I-I overheard them talking. They said something about money coming in from New York and taking over London. They’re going to take down everyone in their way - you, Tommy, even Sabini. Everything Tommy said is true and there’s nothing I can do about it. We have to warn Thomas.”

Alfie exchanged a look with Ollie.

“Did he know you were listening in on his conversation?” Ollie asked.

“No. But he’ll know I’m missing by now and maybe he’ll put two and two together. I told the housemaid to tell him I was visiting an ill friend but I’m not sure he’ll believe that.”

“Right then. Well, first things first.” Alfie put his arms around your shoulders and lifted you gently from where you rested. “I need to get you out of here.”

“I’m not going anywhere. I’m going to stay here and help sort this.” You told him wilfully.

“You’ve done all you can, pet. Let me and Tommy deal with this now.”

“So all of this was for nothing? Me staying with Charles, weeks of misery and sneaking around. That was all for nothing?”

“This isn’t your fight, Y/N. It never was your fight.” Alfie sighed.

“They’re planning on killing you, Alfie - the father of my unborn baby. Tell me how that isn’t my fight?” You sobbed angrily.

He grabbed your shoulders, shaking you lightly.

“Look at me.” He said firmly. Your wide eyes rose to his. “I can handle it, right. What I can’t handle is the worry of anything happening to you. Which is why I’m getting you out of ‘ere, even if I have to drag you kicking and screaming. I’m taking you and that unborn baby of mine to safety. You ‘ear me? That’s our priority now, yeah?”

“...Yeah.” You whispered, knowing he was right.

“Come on.”

You held on to him as you walked, your weary feet stinging with every faltered step you took.

“You need me to carry you?” He asked.

You shook your head weakly.

The sun had now almost set but the brightness outside was still blinding as you emerged from the darkness of the distillery.

“Get in the car.” Alfie ordered.

You did as he said, sliding into the front passenger seat and trying to avoid looking across the canal where your attacker still lay, a lifeless crumpled, mess on the floor. You blocked it out and focused on Alfie through the windscreen instead. He was leant into Ollie, telling him something. Ollie gave him a contrite nod and handed him what looked like a set of keys. With a pat on the back, Alfie left him to climb in to the drivers seat. He started the engine.

“Isn’t Ollie coming with us?”

“Na. He’s got to sort a few things out for me.” He replied, shoving the shift stick into gear and pulling off. You watched him intently. An unsolicited heat crept over you as he manoeuvred the machine with a confident ease that you couldn’t help but find alluring.

“Where are we going?” You asked croakily.

“Let me worry about that, right. You look exhausted. Rest your head and I’ll wake you when we get there.”

Too weak to argue you did just that. Leaning your head against the window which was slick with condensation. The soft purr of the cars engine lulled you rapidly into a deep and dreamless sleep.

You were roused from your confined slumber by Alfie as he lifted you from the passenger seat into his arms. Your neck throbbed where you had laid awkwardly propped up against the window for God knows how long. You let the aching heaviness of your head rest against Alfies chest as he carried you. A whooshing noise echoed familiarly in the blustery background, intertwined with what sounded like crunching gravel beneath Alfie’s feet as he walked. Curiously your sluggish eyes peered at your surroundings. You could just about make out the silhouette of a building and an unusual looking tree against the dark blue of the night sky.

Exhausted, your head fell back onto Alfie’s chest and you buried your face in the crook of his neck to shield it from the tenacious chill of the night air. He came to a stop holding you tightly with one arm as the other searched his trouser pocket. A jingling of keys and the sound of the lock turning, then you were finally inside and out of the cold.

The smell of fresh paint and varnish filled your nostrils as he carried you over the foreign residence. After kicking the door closed with his foot, you felt him ascend a set of stairs in the darkness, effortlessly, as if he was already well acquainted with the steps. A door creaked open and then shortly after you were being lowered. You unfolded from him as he placed you on the soft cushioning of a mattress. Your head sunk into the fluffy pillows, your arms stretching across the width of the spacious bed. Your eyes opened when you realised Alfie wasn’t joining you.

“Don’t leave me.” You begged.

“Sssh.” He soothed softly. His heavy hand brushing back your hair from your face. “You’re safe now, Yahalom.”

Your eyes closed, his reassuring tone and tender touch settling you back to sleep.

You awoke with a start. Looking around the huge room that was now highlighted by an orange hue emanating from the fire that crackled and danced in the fireplace adjacent to the bed. The ceaseless whooshing you heard earlier broke in from a set of french doors to your left and you raised from the bed to investigate. Pulling back the floor length curtains that decorated them, you were shocked to see the mosaicked balcony and the beach landscape that it overlooked. At a glance it appeared that Alfie had stolen you away from the perilous situation in London and brought you to Margate - your safe haven. But what was this place? It wasn’t a B&B or a hotel because you remembered that Alfie had entered with a key - you assumed the same key Ollie had handed him before you left. You glanced around the room once more, the unfamiliarity of your surroundings causing you great unease. And it was quiet, too quiet. Where was Alfie?

You poked your nose out of the bedroom door and peeked down the length of the darkened hallway. A sliver of warm light shone from a partially open door of one of the rooms and cautiously you ambled towards it. You lingered outside, your nerves settling when you heard Alfie’s hushed tone beyond the wood.

“Did you get hold of the rabbi?”

There was a long pause before Alfie spoke again.

“I don’t care what fucking time it is just keep trying. I want him up ‘ere by the end of the week, before the fight... Yeah? Well make-fucking-sure.” You heard a crashing bang which you guessed was the receiver of the telephone being put down on whoever Alfie was talking to.

“Are you gonna stand out there all fucking night or you gonna come in?” He shouted out to you, causing you to smile.

You entered slowly, stalling in the doorway.

Alfie was sat at a desk, a much neater, more fancier desk than the one he usually occupied at the bakery.

“You alright?” He asked, watching you intently as you came to sit in front of him.

You nodded absentmindedly, too busy taking in the plush interior of the room.

“Did you speak to Tommy?” You asked eagerly, your eyes finally meeting his. He waited a moment before answering you.

“Na, I ain’t been able to get hold of him. I’ll try again in the morning...You sure you’re alright?”

“Where are we?” You queried, ignoring his question.

“Margate.”

“No, I mean here.” You pointed to where you were sat. “Whose house is this?”

“This is our house.” He said casually.

You look at him stunned. Your mouth agape.

“Our house?”

He nodded simply.

“W-when? How?” You stuttered, dumbfounded.

“I bought it a while back, after I saw you again at the Eden. It was in a bit of a two an’ eight when I bought it. Taken me an’ the boys a little while to do up.”

“I’m confused.” You shook your head. “You’ve bought a house in Margate? But we’re so far away from London, from your businesses. What about the bakery?”

“I’m retiring, Yahalom. I’ve sold up all the properties I own and I’ve handed the bakery down to Ollie. This was my plan all along. The only way I knew I could keep you safe.”

It took you a moment to process everything and still you were stunned speechless.

“I don’t know what to say.”

“I thought this was what you wanted?” He cites.

“It was-“

Alfie narrowed his eyes at your use of past tense.

“-I mean is.” You corrected swiftly before carrying on “It’s just come as a bit of a shock is all.”

“Hmm.” He let out a suspicious grunt. “It’s not the best timing after the day you’ve had, I get that. But that was out of my control wern’it?”

You nodded solemnly. Still trying to wrap your head around everything.

“I thought you’d be happy, Yahalom?”

“I am.” You frowned.

“At least show it then. Crack a smile or summin. You’ve got a face like a slapped arse at the minute.” You heard a frustrated annoyance creep into the grimmess of his voice.

“I don’t know how I feel about it, if I’m being honest. The last few months have been a whirlwind for me. I haven’t slept properly in days, weeks even. Weary to the bone. Wracked with guilt and worry. I honestly don’t know wether I’m coming or going. And now you’re telling me that you’re selling up. Leaving behind everything you’ve worked so hard to build and for what?”

“For us!” He barked. “For us to be together without the worry of someone hurting you to hurt me. And yeah, I’ve worked hard, I’ve earn’t my money, however, it’s time for me to rest now and enjoy the fruits of my labour.”

“I’m not sure, Alf...” You hummed uneasily.

“What’s there to be unsure of?”

“I still ain’t sure this is what you really want!” You snapped frustratedly. “A quiet life by the sea, a child you never wanted...I just can’t see it.” You admitted sadly.

He exhaled harshly, rising from his desk and stepping round to extend a hand to you.

“Come with me. I wanna show you something.”

Reluctantly you took his offered hand and let him guide you back out into the hallway and along to a room that was situated next to the one you had been resting in earlier.

He opened the door and moved aside for you to enter.

The waxing moon shon brightly through the bare windows, lighting up the room with it’s spectacular lunar glow. You stepped through noticing immediately the cot that lay new and empty against the far wall, next to it was a matching chest of drawers and a rocking horse that looked like it had been plucked from a fairground carousel.

Your eyes shot to Alfie whose bear like frame was leant in the doorway studying your reaction.

“When did you do this?”

“A couple of days ago. The room needs a lick of paint but I thought you might wanna choose the colour.” He came to join you in the centre of the room.

“So you did all this before you come to see me? Before you were even certain that the baby yours?...Why?”

He was silent for a moment, deep in thought.

He shrugged. “I s’pose deep down I knew you were lying and that the baby was mine... or maybe I didn’t fucking care, I dunno... doing this...it just felt right.”

“But you said-“

“-I know what I said but saying don’t mean fuck all does it. Actions speak louder than words.” He motions to the room. “And this speaks fucking volumes, dunnit. I mean if this doesn’t prove to you that this is what I really want then I don’t know what will.”

Reassurance drifted over you as you looked once again around the unfinished nursery.

“Say something.” He requested quietly.

Wordlessly you rushed to him and threw your arms around his broad shoulders.

“You like it then? You’re happy?” He confirmed uncertainly.

“I do. I am. It’s...wonderful! Thank you!” You choked a reply, your voice struggling past the forming lump in your throat.

He pulled you closer, his shoulders relaxing as if a weight had been lifted off them.

“You want me to show you round the rest of the house?” He whispered gruffly into your hair.

“Not tonight. Show me tomorrow in the daylight so I can properly take in the beauty of it all.”

“Alright. Well, what shall we do now then?” You were sure you heard a seductive undertone in his question and took full advantage.

“Take me to our bed.”

“You ain’t gotta ask me twice.” He said. His eyes lighting up at your words.

You squealed when he lifted you in his arms and carried you to the next room.

“Cor blimey. You’ve got heavier already.” He huffs.

“Oh give over, I ain’t even showing properly yet. You’re just getting weaker with age, old man.” You teased him.

“Oi! I’ll have you know that there’s nothing wrong with my stamina and I will gladly prove that to you in a minute.” He threatened hotly. Sending your pulse racing. “There’s just one more thing I’ve got to do first.”

He set you down carefully on your own two feet.

“Can’t it wait?” You whined as he stepped away from you and headed towards the door.

“It won’t take me a minute.” He assured you.

You stood in the middle of the once unfamiliar room that you now knew was yours and Alfies. Sighing happily, you glided to the french doors and tried the handle. They opened willingly under your touch. The chill of the night air was refreshing as you stepped out on to the balcony. Leaning on the stone balaustrade, you observed the unrelenting waves that stretched the distance, relishing in the peacefulness of their crashing melody. Nothing could ruin this moment, not even the ugliness of the Changretta situation. All that mattered right now was your future with Alfie, a future that this morning never even existed.

“Yahalom?” Alfie called, having returned.

You spun to look at him. He marched skittishly towards you, his hands behind his back, as he joined you on the balcony.

“I know I’ve asked you this before but as you so poignantly pointed out to me the other day, it’s a proposal that has since expired. So, I’m gonna ask you again... Y/N Y/L/N will you marry me?” He asked gruffly, his eyes so intense you thought they could set you on fire. You gasped unexpectedly. Although it was the second time he had asked you, it was the first time you had heard him say those words aloud.

“Oh, Alfie. Of course I’ll marry you.”

“Thank fuck for that. Here then.” He produced a ring that was hidden in his clenched fist behind his back. Grabbing your hand he slipped it on your finger. You stared down at it in awe. A ruby once again burned brightly on your finger but it wasn’t the one you were used to. You frowned down at the foreignness of the rings delicate beauty and the circle of winking diamonds that surrounded the red gem like a halo.

“I searched high and low for the other one in the bakery but couldn’t find it. So I bought you another one. D’you like it?”

“It’s beautiful... I was just expecting to see the old one.” You replied, your heart sinking at the thought of your first engagement ring being lost forever. It was only supposed to be a temporary ring, taken from Alfie’s pinky finger until he had gotten you a proper one. There wasn’t much to it just a thick gold band with a faceted ruby so red it was hypnotising. Back then you had persuaded Alfie not to buy a replacement, that you wanted to keep his one as every time you looked at it it reminded you of him. Now, thanks to yourself you’ll never see it again.

“That’s old hat now that one though, innit? a token of who we used to be. We’ve been through a lot of shit, right, shit I wanna leave in the past. I want us to have a fresh start, a clean slate, and this house and this ring is where it begins.”

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Tag list: @storm-bjorn @alsheyra @lililolli @jaegers-and-kaijus @lightwoodt @stars-trash-18 @anrm1 @innerpaperexpertcloud @alitheamateur @hardygal69

[themonkeycabal]

Wandavision Ep 6 Spoilers

No really, spoilers. 

Previously on Wandavision — Wanda told SWORD to shove their drones right straight up their asses, Vision woke up to the reality that his utopian sitcom life was in fact a dystopian hellscape, their children were extremely creepy, and Agnes was being bizarre as hell and super sus. In the real world, Acting Director Dick was a dick, and Darcy and Jimmy welcomed Monica into their sciencey weird-crime-fighting team. Monica also mentioned an aerospace engineer she knows, which some suggest may be the first mention of Reed Richards in the MCU. I have conflicted feelings about the Fantastic Four. Mostly I never liked them. But, I'm open to revising my opinion.

Oh, and also X-Men 'Verse Pietro showed up suddenly and that was fun.

Anyway. the roommate and I tried to sort out a timeline — so Monica unBlips and goes back to work at SWORD three weeks later. AD Dick tells us Wanda stole Vision's body nine days previously. That means, just three weeks ago Wanda was in the middle of a battle, lost her boyfriend, was Snapped, was then unsnapped to fall right into the middle of another battle. Lost THREE additional teammates. And then sometime in the following week found out a shady government agency had Vision's body and she probably went "OH HELL NO". Because that's what I would say. So she goes to SWORD, dents a few doors, takes Vision's body and swans off to New Jersey. Look, she's been through a hell of a lot in the last couple weeks, is what I'm saying. I don't blame her a tiny bit. But, also, I don't think she's entirely behind this.

10-year old boy plus video camera = the 90s. Obnoxious opening credits. But, you know, I kind of liked them (as a one off). WAYYY better than last week's.

It's Halloween, and *sigh* Billy is breaking the fourth wall and narrating to the camera. There's childish twin bickering as you expect, Tommy's the wild and crazy twin, and Billy's the buttoned up twin. And Pietro is passed out on the couch at 4 in the afternoon. Living his best life. He teasingly scares the boys, chases them around, and there's awkward child acting.

Wanda comes down the stairs in the classic Scarlet Witch costume, and says she's a Sokovian Fortune Teller. Sokovia was more wild than I realized.

Genuinely funny flashback to Wanda and Pietro trick-or-treating in Sokovia as kids, 'the year we got typhus'. lol. Was it the fish that gave them typhus? Or was that just a special treat? Wanda doubts this version of events, and Pietro suggests she suppressed the memory due to the trauma. This gives Billy the chance to tell the camera that mom's been weird since uncle Pietro turned up to crash on their couch.

Next it's Vision's turn to appear in the classic Vision costume. Yikes. Wanda thanks him for humoring her, and he says there were no other clothes in his closet and they have a very weird second where he's not playing along and she's not sure what to do, and then he breaks into sitcom character says something about "just kidding, i know how much you love mexican wrestling" like it's a luchador costume, and then there's some super weird flirting. TMI you two.

Meanwhile, Pietro is a large child and the kids love him, of course. So there's that.

Back to Wanda and Vision, she's ready to take the kids out trick-or-treating, but Vision says he can't go, he's on the neighborhood watch and must patrol the streets ever-vigilant for wild gangs of child hooligans who might TP trees. He's gone off-script and it takes Wanda a second to figure out how to play this. She says it's the boys' first Halloween so he has to be there. Pietro breaks up the almost argument and says he can be a father figure-type and he'll help with the boys. Vision's still pretty off-script but Wanda doesn't fight it but looks uncertain, and he goes off to protect the night — or early afternoon.

Pietro is a child hooligan and wants to go do hooligany things with the kids. Wanda says he doesn't have a costume and he grabs Billy and they speed off only to return dressed in classic Quicksilver duds. Well, cheap-looking, thrown together Quicksilver duds. I laughed. The hair. lol. Good one.

Outside in the real world. The Hex field is still kind of glowing red and making bad force field noises. It only started doing that when Wanda got pissed in the last ep. Oh, goody, it's Acting Director Dick. I've learned his name is Hayward. I don't care.

Blah blah Stompy Mc-I'm-In-Charge blah. Monica is not pleased about the whole trying to kill Wanda with a missile while she was talking to her plan. AD Dick just says "now we know who we're dealing with". Um … what? You tried to kill her and her response was to tell you to go away. Yeah, boy, she's a monster.

Darcy is there to helpfully remind AD Dick that Wanda made him look like the fool he is. ILU girl. "Hey, there he is; the guy who almost got murdered by his own murder squad." Jimmy just makes a 'i'm so disappointed in you and your choices' face at him in the background.

I despise characters like Hayward. They are so tedious. Narratively they are there to incite conflict, but given the situation conflict naturally exists, surely there are other ways to bring up/drive that tension without the trope of the government heavy ready to solve the problem with the most extreme amount of force available to him. OH no! Our plucky heroes will have to find a way to save the day and fight the Man! Can they do it? Boring. It's too bad General Talbot went insane and then died; he could probably give tips on How Not To Be That Guy.

Anyway

Hayward wants to know if Darcy works for him and she's like "dunno my dude", Monica claims her, AD Dick says "which one of you is the sassy best friend" and Jimmy's like, that is quite enough Acting Director Not Very Nice Man. "There's no time to diminish your colleagues when you're about to start a war you can't win." AD Dick just wants to take out Wanda so the whole nightmare ends. Monica's like um, we literally do not know what's going on. Like, for real we have no clue. So that might not, in fact, end the nightmare, Director Murder Britches.

They argue a lot and Director Dick goes off the rails. Dude's like more unhinged than seems warranted. Unless he's just so embarrassed that he pissed himself when Wanda returned his murder drone to him, he's decided SHE MUST BE DESTROYED FOR THE GOOD OF … NEW JERSEY AND MY SOILED UNDERWEAR OR SOMETHING. 

"Captain Rambeau, you are an impediment to this mission!" Oh no! He's gonna tell her all about how hard it was to survive in a post-blip world, all those lucky blipped don't know what it was like! You just can't understand! Monica tells him not to use that as an excuse to be a coward. I'm so bored with this scene. Let me guess, the trio will have to go behind his back to save the day.

"Maybe it's a good thing you weren't here with your mother died. Because, clearly you don't have the stomach for this job." … non-sequitur much? Or is he saying she would have inherited the Director-ship (which should probably not be how that sort of agency works, let's be real). Is this scene five hours long, or does it just feel that way?

The Dick banishes the trio from his base.

"Hayward is way over-stepping his provisional authority". Jimmy Woo, you're so great. Monica says he's up to something. Yeah a tactical nuke and murder. Clearly he doesn't want to actually solve the problem, he just wants the problem to go away with a big show of macho explosions and whatnot. I suspect he might be in over his head, like he was not meant to be Acting Director, let alone Director. Also, he's a boring cliche stereotype and I loathe it.

JIMMY! I legit did not see that coming. He just pure hauls off and clocks one of the soldiers escorting them off the base, to a transport truck or something. Monica seems just as surprised for a second but then she's like "hell yeah!" and jumps in. Darcy sort of stands back and watches. lol. "Why didn't anyone tell me the plan?"

Oh look, it's my shipping container! They put the soldiers in there. Guys, it was for Hayward. Come on.

The trio disguise themselves with ponchos, which is a big step up from the usual MCU disguise of "baseball hat". That was a good bit in Ant-man and the Wasp "it's not a disguise, it just looks like us at a baseball game" (I watched that like last week. I missed Luis). Anyway …

Back in the sitcom world. The kids are ready for their early afternoon trick-or-treating. They're still talking to the camera. It's so awkward. I'm not a fan. I get it's meant to reproduce the very 90s Nick-era sitcoms and so, you know, it's spot on. Still, though.

Pietro is encouraging and supportive. "Unleash hell, demon spawn!"

Dang there are a lot of kids in that neighborhood. Wasn't Vision wondering last episode why there weren't any kids? Is the program correcting itself?

Wanda tries to test Pietro, asking him about some kid at an orphanage when they were kids. Pietro calls her on it, and says he knows he looks different. Wanda wants to know why that is. He says, "You tell me. I mean, if I found shangra-la, I wouldn't want to be reminded of the past, either." Hmm.

The kids speed off with uncle Pietro. Wanda wanders over to talk to neighbor Herb, who has a g-man earbud in and is clearly part of the neighborhood watch. In the background Pietro is stealing all the candy and smashing pumpkins and spraying the place with silly string. The hijinks are so wacky. Wanda tells Herb maybe Vision can help out with the chaos, and Herb says Vision isn't on duty. Oh no, he lied to her!

Herb goes weird "is there something I can do for you, Wanda? Do you want something changed?" Hmmm.

Elsewhere Vision is wandering the wild streets of Westview. He finds people caught in some type of weird decorating loop, the woman seems trapped but aware.

Commercial time!  What the fuck was that. "Yo-magic! The snack for survivors." No, really, what the fuck.

Night has fallen, the twins and the twins walk the streets. Wanda's making the boys give back all the candy they stole. She says Pietro is a bad influence. He says "I'm just trying to do my part, kay? Come to town unexpectedly, create tension with the brother-in-law, stir up trouble with the rugrats, and ultimately give you grief. I mean, that's what you wanted, isn't it?"

"What happened to your accent?"

"What happened to yours? Details are fuzzy, man. I got shot like a chump in the street for no reason." AHAHAHAHAHAHA! AHAHAHAHAHA! no really AHAHAHAHAAH! Thank you, Pietro! Holy shit, perfect. That's some delicious shade. I expect to see this gif'd fifteen different ways when I load tumblr today.

"Next thing I know, I heard you calling me. I knew you needed me."

The kids interrupt. And now all of a sudden Tommy can zoom. Character development!

Everyone is so careful to give Wanda what she wants. Why? She's not cruel. Who wants to keep her pacified? And whoever it is cannot possibly be pleased with AD Dick messing things up. Assuming it's an outside or outside-ish force/entity, of course. I mean, I don't think she's doing this entirely, she might be the battery powering it, but despite her thing last episode to get SWORD to leave her alone, she does seem a little confused about the where, why, and how things are going.

"Don't go past Ellis Avenue." Just a kid thing or a boundary of the sitcom control world?

In the real world, our heroes are sneaking through a tent city and into the server room. The scene with Pietro and Wanda discussing his accent is playing in the background. Darcy seems put-out that Pietro was recast. lol. "He brought the wrong face."

Darcy hacks into Hayward's devices. "Hayward figured out a way to look through the boundary." "And he didn't share it with the group." I don't like Hayward. 

Something is blipping on the map on the computer. Jimmy asks if it's Wanda, but Darcy says "it's tracking the decay signature of vibranium". So Vision. Monica wants to know why Hayward is tracking Vision. Well, I'd super like to know what SWORD was doing with Vision in the first place, because they weren't just storing him, they were doing something. So …

Jimmy notices that there are other dots, the ones closest to Vision, who are other residents. Jimmy says the ones near the edge of town are barely moving.

Back to Vision. He's found a cul-de-sac to patrol. Everybody's frozen in place, the street lights flicker. Eerie. They're all dressed for Halloween. Does this mean the field is shrinking, or the effects spreading and so it's closing in, slowing and then freezing people who were earlier moving about just fine? Vision is unaffected by this whatever it is. He turns himself into himself and flies off, up above the town. part of the town is dark, and part alive with voices and laughter.

He spots a car at the edge of town. It's Agnes. She seems frozen-ish, but when he asks what she's doing there, she says "Town Square Scare. Where is it?" all robotic like. Vision helpfully tries to give directions. lol. "Took a wrong turn, got lost" she says.

Vision touches her head and she wakes up. "You! You're one of the Avengers. You're Vision. Are you here to help us?" "I am Vision. I do want to help. But, what's an Avenger?"

Hmm. Well, I guess he did say last week that he couldn't remember anything before Westview.

"Am I dead?" she asks. "No, why would you think that?" "Because you are."

What was news coverage after the Snap like, do you suppose? I mean, ridiculous, of course. But, like, I think they had bigger problems then wondering about snapped/dead Avengers, didn't they? Well, maybe not. "WHERE ARE AVENGERS TO HELP US?" or "HOW DARE THE AVENGERS NOT HELP US!" "TOTALLY THIS IS ON THE AVENGERS!" "WE'D ALL BE DEAD WITHOUT THE AVENGERS!" "NUHUH! BOO AVENGERS!" "EXCEPT VISION WHO DIED HEROICALLY, WE ALL LIKE THAT AVENGER!" "TONY STARK AND PEPPER POTTS SHARE THE DECORATING TIPS THAT TRANSFORMED THEIR RUSTIC RESTORATION PROJECT INTO A CHARMING FAMILY HOME".

Agnes starts screaming "Dead" at Vision. She's not coping well. Vision says he's going to try and reach outside town and try to figure this all out. "How? No one leaves. Wanda won't even let us think about it." I SUSPECT YOU, AGNES! Why would Wanda keep everybody trapped and miserable? I could see if she did it on accident, but this implies she's purposefully hurting people. I don't buy it. Agnes, again, seems to be in the right place at the right time to make Vision doubt Wanda. You're a very suspicious character, Agnes.  

She starts to laugh. "All is lost." Vision touches her had and she resets to sitcom Agnes. Somehow she can move again, she turns the car around on Ellis Ave and heads back into town. So, that answers that.

Vision walks across the Eillis Ave to the field beyond.

Meanwhile, Darcy continues to hack. Monica gets a text and says "that's it! My way back into the Hex will be here in an hour." Jimmy's all ready to boost a ride to take her to meet her aerospace buddy. But, Darcy says, nope. Can't do it. Monica's been through the Hex twice, and it's rewritten her cells. "It's changing you." Monica is undaunted. "I know what Wanda's feeling and I won't stop until I help her." Alrighty then.

Jimmy's finally going to get to hotwire a car! But wait, Darcy's not going with them. AD Dick has something hidden behind one last firewall. Darcy thinks it's big and can help them. She's going to find it.

I don't think Jimmy had to hotwire that humvee. It just started right up. Motorpool, pfft - they always leave the keys.

Back in Westview. Halloween continues at Town Square. Pietro asks Wanda where she was hiding all those kids. Whu? Says Wanda. "I assume they were all just sleeping peacefully in their beds. No need to traumatize beyond the occasional holiday cameo, amiright?" What is Pietro. "Hey don't get me wrong, you've handled the ethical considerations of this scenario as best you could. Families and couples stay together. Most personalities aren't far from what's underneath. People got better jobs. Better haircuts for sure."

"You don't think it's wrong?"

"Are you kidding me? I'm impressed. It's a pretty big leap from giving people nightmares and shooting red wigglywoos out your hands." No, really, what is Pietro? "How'd you even do all this?" Hmmm.

"I don't know how I did it. I only remember feeling completely alone. Empty. Just endless nothingness." She looks back at Pietro and for a second he's dead Pietro. Poor Wanda.

Darcy continues to hack Hayward's systems. Cataract classified weapons something something. They're still tracking Vision. Who continues his walk across the field and comes to the hex. He tries to push through it. Looks painful. SWORD rolls out to go overreact at him. He makes it through the barrier, kind of. It's a struggle.

Hayward standing there looking like a jackass "he really does want out, doesn't he?" Like he’s just amused by this turn of events, or watching a lab rat try to get out of the lab. 

Darcy's standing behind watching all of this. Bits of Vision sort of fly off and back into the Hex. Darcy says "oh no!" and runs towards him, screaming for them to help him. Way to give away your sneaky hiding, girlfriend.

In Westview. Billy looks up, he can hear what's going on outside. "I hear daddy in my head. He's in trouble."

Vision calls for help, while SWORD prioritizes arresting Darcy. Phil Coulson would never have behaved like this. Boo to SWORD. Vision is dissolving. It's kind of gross and sad.

Wanda asks where Vision is, and Pietro interrupts "Don't sweat it, sis. It's not like your dead husband can die twice." Wanda wallops him with some red wigglywoos.

Billy sees soldiers and thinks Vision is dying. Wanda stops everything and makes a big red boom. The Hex appears to be expanding. Whoops, now you've done it AD Dick. He runs away like the brave brave guy he is. They leave Darcy handcuffed to a jeep. "Are you serious right now?"

The Hex overtakes Vision and then Darcy. Trapped soldiers become clowns, and we're in the circus. Well, SWORD seems like a circus, so Wanda's not wrong. I'm pretty sure Jimmy and Monica made it, but sadly the bravest Director who ever braved also escaped. He deserved to be a circus clown. Better luck next week, Wanda.

Credits.

Well, I just don't know anymore.

Hayward doesn't care about Wanda, except where I think because of this someone will figure out what he was doing to Vision's body. And Vision is ultimately the thing he cares about in all this. I hope Wanda drops a house on him.

Hmmm.

Quit suggesting I watch Age of Ultron next, Disney. It’s not happening. 

[life-rewritten]

Manner of Death: A break down of Suspects

So it's finally here. The show I've been waiting for all year since it was announced. Manner of Death is here! So far it's excellent, I'm ready for the thrills and the ride, I'm prepared to be on this roller coaster of angst, emotions and stress. But warning I'm not good at mysteries. I know, right? Me who's always on the lookout for clues, symbols and foreshadowing devices? I never get the correct answer for mysteries because too much information is withheld, the hints don't add up to a big picture for me for some reason, and I stress out every time I could be overthinking or missing something. So yeh not a murder mystery person but I am so excited to analyse this show, hopefully, study dynamics (seems like there are interesting ones) and repressed feelings between our couple, the suspects and why they could be our murderer, the manner of death, and the victims and why they ended up in the situation they are in. I'm hoping we have something each episode to flesh out and notice, more plot twists but also more clues that help push us in the right direction. Without further or do here is my suspect list: analysis and first thoughts about the manner of death of Jane, and why no one should be trusted (you all already know this). 

The Death of Jane

Jane is our victim; she was murdered in a way that looked like suicide by hanging. However, she had similar symptoms to her previous student, who also died a week ago. Needle marks (suggesting drug use), bite marks (indicating assault/abuse) and signs of drug intake: diazepam for anxiety and depression. Hers was much lighter, and the bite marks were more on Natty than her. Also, before she died, she admitted to wanting to be responsible and do the right thing. The last people she spoke to was Bun (our main character and faux detective), Tan (her boyfriend), Pued (her ex? or acquaintance) and Pat (an intrusive reporter who she was going to give information to). So who is the suspects of this show so far and what is their motive/clues?

Ratings: From 1 to 5 (1 being least , 5 being most,) how suspicious are they? What the show is showing vs What I'm thinking:

Red herrings are one of the biggest reasons why mysteries are intricate for me because if you're a good mystery writer, you litter red herrings. You trick the audience into believing someone is guilty whilst overlooking the person who is. And this is why I'm on edge each time these characters show apparent hints that they are meant to be suspicious. For me because you've hinted at that, they're not the killer, what's the fun of going through these 14 episodes only to know who the killer is by episode 2? Like sure it's fun to find out why, but with these red herrings, it's pretty obvious why if they are the killers. So yeah I don't believe in these red herrings, but this probably is my downfall for this series because they probably are the killer. Anyhoo, Let's break them down.

We have:

PUED

Puedy; he's bad, handsome and suspicious. He's been a little bit of a problem; clearly had caused some chaos with Tan and Jane before she died, and is definitely up to something and also determined for her death to be silenced and the reason to be hidden. Thing is Pued obviously knows so much more than he's letting on, he probably connected to Jane's death with the way he tries to stop Bun from finding out more, the way he is a prosecutor but seems involved in a shady 'family' business, the way he was harassing Jane and causing Tan to lose it. But also the secret stare he shared with Tan as they walked past each other in episode 2. The way he played of their relationship. He definitely is a source of knowing more about this murder. So we need to think about his involvement, his relationship with Jane and his reason for why he'd want to get rid of her. 

So my theory is he's the one who's sending the stalker to Bun, to warn him off and make him stop trying to discover why Jane died. But I also think he's in it with Tan, does this make them murderers? No. Actually forced accomplices or pawns of the murderer. 

First Pued is just so evident as the murderer: like a secret love affair with Jane, she wanted to expose him, and then he lost it and killed her. I can see that. But I do think his reason for wanting to hide her manner of death is reputation and uncovering/destruction of higher places/ organisations that have the power. I think he's greedy, obsessed with wealth and status (from the watch that he and Tan share) and so the uncovering of Jane's death would cause him to lose all this not because he's the murderer but because he profits from them some way. 

So I think it's pretty obvious I'm thinking it's to do with the mafia and drug rings, and I think Pued's family is essential as well, they're higher-ups who may be the ones that are corrupt, manipulative and behind all the justice systems. I think Bun showed at the party how small the town was and he pointed out all the higher-ups, the judges, the police officers, the prosecutors, but I thought that was a clue, the justice system in this town is shady, they're doing things behind the scenes that they don't want to be uncovered. Jane tried to expose it, and thus she was killed. So yeh Pued is just a pawn, maybe she did die for love (little mermaid foreshadowing) for him but not because of him you get me? Like they may have had an affair, or she needed help with his prosecutor knowledge (for probably Natty's case), but he didn't want her to be successful, and he ended up snitching. Bam! She's dead. 

So yeh he's involved I just don't think he's the murder.

Ratings: 

The show: Right now 4/5- the most shadiest and predictable person for the suspect of the murder

Me: 2/5: A red herring/ pawn under the actual murderer 

TAN

Oh, Tan, you are so gorgeous it hurts. I mean no surprise being played by Max will do that, but I can't trust Tan. Obviously, I don't think he's the murderer, if he is, it was to help end her suffering, or she was shadier than we think. But I do think he's also a pawn/involved. I guess whatever organisation Pued is part of, he's part of it, might even be a lackey. He's shown moments of violence, and shadiness, he's expressionless, and emotionless when it comes to her death, he moves on and continues teaching like its nothing. Only when his students find out does he look worried like he doesn't want her manner of death to be exposed.  

Now the thing with Tan is I think he's the suspicious/dangerous Dam that Sorowit was speaking about in episode 2, someone dressed in black which if you meet them you don't come back out okay, you get hurt. I think the person who we see the most in an all-black ensemble is Tan. So he's definitely connected to violence and secrecy. Does this make him the murderer?

To understand, we have to look at his relationship and story with Jane before she died. He's introduced as her boyfriend who's very protective and watchful of her, we also see him lose his mind at Pued and beat him up terribly, Pued pushes off as he was interested in Jane and it was for possessiveness and jealousy that Tan beat him up. I don't believe in anything Pued says, in fact, I find the whole fight suspicious. Also, Jane promises to tell Tan what's going on; she says he'll soon find out which means he even doesn't know everything about her manner of death. There's some stuff he's not part of like her murder. 

But with Tan, I have to question if he even loved Jane or cared for her. Because the way he's acting; moving on quickly, emotionless and just accepting her suicide was weird for me. It's like they're not dating but faking it. I could see that obviously if he was hired to keep an eye on her, or they both agreed to fake date to protect her from a particular organisation or danger. 

I also feel this is also something he could be doing with Bun now, being hired to keep an eye on him on the guise of wanting to find out what happened to her. Also bringing me back to did he even love Jane, we see he's pretty much attracted and flirty with Bun, he's not even trying to hide it, he flirts openly, and they both act like the kiss didn't happen. It's suspect, very, like he doesn't feel guilt, worry or angst about Bun and him having these weird feelings he's just like flirty and bold with it. 

Reasons why Tan, if he was dating Jane, is the murderer is because again the foreshadowing with little mermaid, Jane says the mermaid died because of love/ for love. And although I do believe this, I don't think its Tan she was in love with, but it is interesting if as her boyfriend he was the reason for why she died. Since he's one of the only love interests, we know so far that she had. 

Ratings

Show: 3/5 Very suspicious, very shady, very violent but he probably has connections, family (either them being in danger or their reputation also getting ruined if the truth comes out), threats or he was groomed into the life of being part of the organisation. If so, then he'd be forced to become emotionless and hide his feelings concerning death and hurt, so he doesn't seem vulnerable.

Me: 3/5 He definitely knows more, definitely was defeated at her death but he also didn't want her death to be found out or taken seriously. I don't think he's the killer, but he might be involved in the reason for why she got killed. 

PAT

Here is someone who I can't stand. But we're going to have to get used to him. Frustrates me so much every time this guy shows up, one because he has no respect for the dead, he also has no respect for privacy, and he just ends up being everywhere. I think he's important. Him being portrayed in a negative light screams red herring to me, definitely isn't the killer, maybe a snitch since she probably wanted to expose the truth to him. But I don't really see him as the suspect, I think he's important and will have information for the future secrets, he probably has been watching and keeping an eye on this case. Reporters have good intuition, and so he probably noticed, last whereabouts, conversations and hidden agendas that Jane had before she died. 

Yeh but I don't like him,  he is a red herring because he's one of the last people she spoke to. I don't see him as the murderer because the motive makes no sense when we think that the justice system, Mafia and other things are involved with this, where would he get the knowledge about the drugs and why would he kill and rape one of the girls and be so nonchalant and annoying? He just wouldn't be essential for me to to the final reveal unless he's hiding his agenda and identity and using being a reporter as a cover. Nah. There's more to it than that. But being a snitch with his personality after being maybe threatened? Yeh, I can see that. 

Ratings: 

Show: 3/5 He was one of the last ones in contact with her, she probably wanted to expose something because she wanted to be responsible and she felt guilty about hiding it. He could have snitched and caused her death. 

Me: 1/5 Probably helpful to uncovering the mystery. He doesn't seem that important, but he does have intuition and information that he probably knows about the case though. 

The suspects so far:

For me suspects are the people who are hidden and have shown reactions or facial gestures that piqued my interest. These are just theories I have to keep an eye on them for now, but it all revolves around this organisation not wanting their secrets to be exposed.

CAPTAIN

I mean you have to think the people part of the justice system is corrupt. Mostly because whatever the reason for Jane's death is, the killer doesn't want it to be found, the only reason for why that is: because of the chance of going to jail but even more the possibility of losing power and fame. If the black market/ mafia organisation is controlling this little town's justice system, then the higher-ups won't want anyone to know. Also, we're shown two police officers and Captain screams suspect just because he's quieter, the camera lingers on his facial expression sometimes and he'd be a shocking plot twist because he's meant to be good. Oh no! So this show has promised a lot of plot twists where we won't trust who's good or bad, we won't know what's right or wrong so Captain being the murderer is a great twist for the shock. That's all it is so far with him, so that's why I'm not sure what his role is here, all I know is if he is a killer its because he was threatened by her exposing his system. 

Ratings

Show: 1/5 No hints that he's the killer apart from facial expressions when Inspector M speaks, but he could just know more than he lets on. (as with everyone on this show)

Me: 3/5 Suspect will keep an eye on him to see if we get more camera time.

PUED’S FATHER

Okay so Pued might not be the killer so what about his father? Maybe it's his father Jane actually got to know when Pued thought she was with him or whatever. Like I said  I feel like Pued's family have a good reputation but are shady, so they're probably part of the group that trades the drugs or lures the girls. I won't be shocked.  I also think he's a higher-up who has enough influence to manipulate and want to hide secrets about his organisation, so his reputation isn't messed up. Won't be shocked if he's a r*pist, abuser, killer because he has traits of someone who's powerful and gets away with anything, seems like he has enough influence to control the justice system, to put his son as a prosecutor, to hire more people (maybe Captain) to be police officers.

 It makes sense to me; it's like what always happens whenever a girl is hurt and killed in a murder mystery you always distrust the elder/influential person. Also, I don't know if it was just me, but Pued seemed a bit scared of him? And he appeared defensive/ too curious about what happened with Pued and Tan. I also think the watch is a symbol of his organisation and so I guess Tan and Pued work with him in this organisation. 

Ratings

Show: 2/5 Yeh the show obviously shows him, but we don't really know enough to infer his relationships or his influence

Me: 4/5, Ding! Ding! Ding! Probably a massive chance of him being the higher up who messed around and now wants to hide his mistakes. 

DAM: GANG OR MAFIA?

Dam is part of the organisation. The control of drugs, the abuse, the shady businesses all screams to me Mafia. So if Tan isn't Dam and Dam is the killer, someone else is and they  did something to lure these women in to be drugged (still deciding if they're the ones who come willingly or if they're injected non-consentially repeatedly  I think it's the latter though why they got involved in drugs, I don't know), they also could have kidnapped and kept the girls hidden whilst abusing and hurting them and stabbing them with the needle. But that's a lot ( a sex trafficking ring? see why I hate mysteries my mind just goes everywhere without getting an answer).

 So whatever Dam is we know he’s violent, whoever gets to face them gets hurt and don't come back, they have a scary reputation and don't mess around. If Jane felt curious about Natty and then tried to find out what happened, they may have killed her to shut her up. But I don't think Dam is the killer (cause I think it's Tan), part of the organisation that traffics drugs probably, so far with this I think its do with family organisations, like Pued's family is one of the Mafia, Tan's family is one as well, and others right? Maybe the watch is a sign of membership. Hence why they both wore it? 

Ratings

Show: 4/5 this organisation or group or Dam is definitely connected to whatever Jane found out. Still wondering how the girls are roped into this, is it the need to run away from things so they take the drugs willingly but things go too far, and they regret their choices or did she find out about a kidnapping/capturing women ring, and she was going to expose it? 

Me: 3/5 Like I don't think Dam is an organisation I believe it's Tan, so it's probably involved, but it's not like the whole organisation that killed her. 

Non-suspects but still suspicious

Inspector M: Because he seems determined and not secretive to find out and actually understand what's going on. Not because he's trying to prevent information from happening but genuinely wanting to discover who murdered her. I trust him for now, if he does realise that his justice system is in jeopardy of being exposed as wrong he'd probably start to waver and stop being right, he'd probably want to keep his job, or he'd be 100% against Tan. 

Rungtiwa: It's her sister I'm not actually fully trusting her because she's the only person who's actually shown overreactions and emotions at Jane's death. Thing is she's her sister, so she's meant to be that way but if someone says "let me know what you find out as soon as possible" a bit shady, obviously she'd want to know more about her sister but like it could also be a so I know how much you know agenda, especially because after he told her about it being a murder he started to get threatened by a stalker. However, I can't figure out her motive, or how she did it and why she's connected to Natty, so she's innocent for now. 

Oat: How funny would it be if it's him? Like you know he knows information about drugs and what they're for, he's someone who is everywhere and readily available and trustworthy to the victims, but why would he kill her? Why would he be part of a drug ring or Mafia? Just the motives don't make sense. I don't think he's involved with Natty at all, so he's probably innocent too and only our comedy relief. 

Who are you guys thinking it is that’s the suspect? Did I miss someone? Let’s discuss and scream about this show! I think I’m definitely slowly becoming obsessed, even we get theories wrong it’s still fun to break down everything and throw out our own ideas and options. I like that. But can’t wait till we finally out why, who and what killed Jane and how it affects our love story building.

[chenoehi]

Thoughts on Ep. 15: Koga, Moroha, Zero, Riku, and Kirinmaru

First, now that good boy Koga is back in the game, a fun theory/headcanon I’ve had is that Moroha’s sword is actually Koga’s sword—you know the one he always carries around but never uses? They look the same as far as I can tell, and I noticed that immediately in addition to the other hints she was raised by the wolves (which I think most of us suspected, but it’s lovely to have it confirmed). That or the sword came from the wolf tribe at least, it resembles the kind of sword Ayame has, too. With the confirmation of Ep. 15 this theory is now becoming more likely.

Also, I just have to say that as devastating as it is that Kagome and Inuyasha did not get to raise their daughter and that they felt betrayed by Sesshomaru after coming to trust him (I absolutely believe he is helping them, not hurting them), it is comforting knowing that Koga had a hand in raising their daughter. He loved Kagome and treated well, having so much affection and respect for her by the end. He even showed some compassion for Inuyasha (in his own way). You can say he became their friend rather than simply being their ally. The fact that they trusted him to protect their child speaks volumes. And did you see how proud he looked when Hachi brought her to the tribe? Moroha is not his child but you know he will treat her like one. We don’t know the details yet of who raised her exactly or how she came to be separated from the wolves, but I have full confidence that Ayame and Koga treat Moroha like their own.

I know some people are sad that Miroku and Sango did not raise her, but knowing the threat against her and that their human friends already had a young family to take care of, it makes sense they would want to hide her away. And although it would have been perfect if Moroha could have lived in the barrier and been safe with her cousins (and possibly Rin), but again we’re not sure of the details yet.

Obviously, Inuyasha knew of the threat against Moroha’s life from Kagome who learned about it from Riku (a comment on that in a minute). I think the swiftness of everything and Moroha’s being sent away rather than being protected behind a barrier like the twins may be due to how immediate the threat became once Kirinmaru was awoken.

What’s unclear is 1. how long after Moroha’s birth is she whisked away? 2. why did they go somewhere specific to confront the maru bros and send their child away? 3. why would they delay sending her away in the first place (they had to with Kagome being there, and also Moroha’s hair is a little longer than the twins at birth so maybe this indicates it wasn’t immediate, or maybe not)? 4. if they delayed sending her because they just found out Kirinmaru had been awoken (by Zero) then who told them? Sesshomaru? 5. if so, did Sesshomaru tell them he had a plan or ask them to trust him while also explaining where to meet and that they needed to send Moroha away? 6. did Koga and co. know that Moroha was coming to them? They don’t seem very surprised, mostly just happy/pleased to see her, but also like they were expecting her. I don’t know how they would have gotten a message to them, but maybe they sent word to the wolves alerting them to the danger and the possibility that they may have to send Moroha away, Koga may have agreed to care for her, and when the time came to follow through they already knew to expect her.

Riku though...

Oh Riku. Seriously what the fuck. I thought I knew where this was going but..I’m trying to justify how Riku is introduced the same episode that we see Kirinmaru in the flesh. They are both shown eating grapes in their introductory scene. They both spit said grapes out and make some similar comments, showing that they have similar ideals and mannerisms (even if it is just grapes we’re talking about). They both are associated with water. They both are on boats a lot. Riku is referred to as a pirate washed up on shore or lost, trying to find his ship, etc. All the characters (human and demon) refer to him as lord or -sama. Kyuki (a peril) knew him. He has a personal grudge against the perils. The perils serve Kirinmaru. They both have green eyes (not a human eye color in feudal era Japan or even modern day Japan). They both have red hair (same comment). Riku is clearly shown to have some control over the pearls or ability to use them that might possibly exist in tandem with other abilities he possesses.

Riku also kind of just revealed himself to be something other than human in Ep. 15 when he commented that 18 years passing was nothing to him as we see visibly that he has the same appearance in present day as he had the year that the cousins were born. Could be that he means time itself means nothing to him because he can travel through time but that’s still unclear. Conclusion is that Riku is Kirinmaru’s hanyo child as he’s clearly not human but does not appear to be full demon either and has obvious visual connections to both Kirinmaru and Zero.

BUT. Kirinmaru doesn’t appear to have any love of humans like his doggy counterparts. He practically looks like he’s about to have a stroke when he hears that Sesshomaru married a human and sired hanyo heirs. It’s hard to imagine that person has a hanyo child floating around who everyone is aware of. However, he does seem to be contemplating something beyond what Zero is telling him and if he does have a hanyo child then he could be realizing that he potentially created a being that will kill him.

Another thing that is bothering me is how Riku warned Kagome. Obviously everything about that and Riku himself is shady af and we have no idea what’s going on yet, but what’s interesting to me is that Kirinmaru doesn’t realize that hanyous are a threat to him until Zero points it out—which is months after the comet when Moroha is born. Of course, this is all assuming that the moment Kirinmaru is awoken by Zero comes after Moroha has been born and not before. It is possible that Zero awoke Kirinmaru immediately after the twins were born and that Kirinmaru spent some time plotting but that’s kind of illogical. Why wait to kill a child until after it’s born if you can just kill the mother? Which then makes it even more sus that Zero waits to wake him up and tell him this. It’s also sus how Zero warns Sesshomaru of the threat on his daughters’ lives (the threat she’s making) only to send Jokka after them as a pawn before biding her time until after Moroha is born to then conveniently and casually point out to her brother that all half and quarter demons are a threat to him.

Zero’s movements make little sense until we have a better understanding of what’s motivating her and why the timing of everything was so important. I’m not leaving the possibility of her betraying Kirinmaru off the table honestly. Something’s not right. I have this feeling that Kirinmaru is just being used. I know he’s still supposed to be the villain and he does try to kill the girls (eventually) but something is very wrong. And Zero’s comment that she expected Sesshomaru to protect his children with a barrier...if she expected that to happen then why didn’t she attack when it would have been unexpected? Why didn’t she try anything when Rin was still pregnant? Wouldn’t that be devastating to lose your wife and two unborn children? Why the cloak and dagger? It seems that she’s purposefully trying to pit Kirinmaru against Sesshomaru, but she’s also not hiding her hatred of Sesshomaru and his whole family either.

This episode kind of further reinforces the Riku is a time traveler theory because Riku knows Kagome is pregnant when she’s not even showing and he warns her about Kirinmaru although at this time Kirinmaru doesn’t even know hanyous are a threat. In fact, he seems confident that the InuTaisho’s sons took care of the comet. He shows no inclination of wanting Inuyasha dead.

But one thing that’s bothering me is just how shook Kirinmaru is that Sesshomaru has a human wife and hanyo babies. He’s shook shook. Like, blindsided. Everyone but Myoga so far has taken the news with little reaction (to be fair, we’re not sure how the OG gang felt but Kohaku wasn’t in utter disbelief as far as I remember). Maybe that’s just because he knew Sesshomaru for a long time and he really can’t believe it, but I have this feeling we saw his reaction being a bit overblown (and honestly, kind of undignified) for a reason. Something clearly went down between Zero, Toga, Sesshomaru’s mother, and possibly involving Sesshomaru as well. Kirinmaru seemed to have made peace with Toga and he doesn’t appear to be on adversarial terms with his son, but something is wrong. Everything feels very personal, like somehow Sesshomaru marrying a human and siring children with her is an insult to Kirinmaru personally. If he already knew about the hanyo threat by that point it would make sense but no dice, so then why.

Also, if Osamu Kirin is in fact Kirinmaru in human disguise, wouldn’t he save himself a lot of trouble by just killing Towa in the Reiwa period when he had the chance? It’s not like she was hiding her presence, she didn’t even know she was a hanyo. So if that theory is true, did he choose to leave her alone for a reason or has he suffered memory loss? We already know Kirinmaru in the fuedal era was a little off so it’s not a stretch.

[sylvies-chen]

Welp, I loved your the last response to my ask, so here goes again! You’re totally welcome to ignore or hold off if you’re exhausted or not in the mood... but chenford prompt #2:

“You don't even know me, it's only a feeling

You gotta believe me

Darling, I'm just saying, there ain't no shame in

Admitting you're lonely.”

- “Pieces” by Declan J. Donovan

Thank you, I’m glad you guys are liking these! I’ve gotten a swarm of requests but they’ve been super fun to write for so I’m definitely not complaining lol. Anyway, I hope you enjoy this one, I went for one of my favourite tropes!

//

Lucy knows better than to cross professional boundaries. 

At least she thinks she does until one night when she has to go on an overnight stakeout with Tim. 

In a hotel. 

Normally they just wait for the suspect out in their designated undercover car, drinking coffee to stay awake and alert. But there aren’t any good vantage points from a safe distance and the deal is going down in the hotel anyway, at a time during the weekend that they aren’t yet sure of. It’s an important meeting from some hotshot criminal named Miles Lerner, allegedly happening at the hotel, so Grey sends them there overnight to take pictures and gather intel first during their stakeout before making the bust. 

They arrive at the hotel late into the night, check in under false names, make sure they’re in their plain clothes. The receptionist seems disinterested, hardly looking up from her computer as she asks, “Would you like to book a room?” 

“Yes, please,” Lucy starts but Tim taps her on the shoulder and draws her attention to the hotel room that their suspect is walking into. He gives her a look, which she picks up on and asks in an innocent tone, “Do you possibly have a room down that hallway? I like to stay close to the vending machines, we never pack enough food.” She pats Tim’s shoulder and Tim goes with it. If they’re going to keep their cover, they might as well make it believable. 

“Yeah… babe,” he stutters. He looks nervous as he wraps his arm around her waist and puts on a smile that looks way too forced. Lucy finds it kind of adorable, has to actively stop herself from picturing their life together as a married couple. 

It’s not that she wants to. She doesn’t have feelings for Tim. At least, she doesn’t think she does. But Emmett had broken up with her mere weeks ago and Tim had been there to comfort her. The only logical explanation is that she feels emotional and lonely after a breakup and Tim was the first person she’s seen. She chalks it up to that, tries to brush off whatever residual feelings she thinks might be there, and smiles back at the hotel receptionist. 

“That can be arranged.” The receptionist types into her computer, squints at the screen and then passes them a set of room key cards. “There you go. Your room will be right down that hall, first one on the left.” 

“Thank you,” Lucy smiles. She and Tim make their way to their room, luckily right across from their suspect’s room. 

Tim fidgets with the key, the door only unlocking after the third try. They walk in and throughout all of the beautiful things about the room, the big window, the clean sheets, the cute vintage pictures on the wall, Lucy and Tim’s eyes are both drawn to the one thing they can’t ignore. 

The one bed sitting in the middle of their room. 

“Shit,” Tim curses, “You didn’t think to mention that we needed two beds?” 

“Well, it was a little hard to concentrate with your hand around my waist. How is this even my fault? You were there too, you know.” she whacks his chest with the back of her hand, dropping her bags on the table in their room.

“Okay. Well… I can take the couch then.” 

“No no, I should take it,” she argues sympathetically. “I’m shorter, I have an actual chance of fitting on the couch.” 

“Okay, if you insist,” he caves in after a while. He puts his own bags on the bed, unpacks the duffle bag with their work gear. His phone starts ringing, so he takes the call. Lucy doesn’t know who it is but figures it’s Grey from the fact that Tim uses his professional voice as he works his way through a series of the regular “yes, I understand” and “got it” and “okay, thanks”. He hangs up after a few minutes, turns to Lucy who’s waiting in anticipation. 

“So?” 

“That was Grey,” he explains. “He says there’s new intel saying the drop isn’t happening until tomorrow morning but we have a good view of their room from here so he’s not pulling us out. We can relax for now, get some sleep. Tomorrow’s going to be busy.” 

Lucy nods, looking around the room nervously. Tim goes into the bathroom first to change, and then Lucy goes after him. It���s weird, seeing each other in such casual clothing. Lucy’s pyjamas consist solely of an oversized graphic tee of Jimin from BTS and a pair of shorts that are much shorter than what is considered professional. Tim tosses her one of the blankets from the bed and she spreads it out on the couch, slithering into it as she settles into the couch that has now become her bed. 

“This guy we’re after, Lerner. He’s married, has a wife and kids. You think they know that he’s a major drug dealer?” She asks him from her couch, stares up at the ceiling as he gets into his own bed. 

“I doubt he brings his shady business back home with him but I’m sure his wife suspects something. We tried bringing her in for questioning years ago without telling her why but that just scared this guy off. Went off the radar for months.” 

“Still, it must be nice to have someone worried for you, wondering if you’re going to be there when you get home…” She drifts off, thinks of how nice it would be. Of how much she misses that, how much she wants to find the one. 

“You’re really taking this breakup with Emmett to heart, aren’t you?” He sits up in his bed momentarily, rolls over and props himself up with his elbow to face her while looking at her sympathetically. “Listen, Chen, he didn’t deserve you. You’re… you’re good. And smart. And if he doesn’t see that, then you’re better off without him.” 

“Thanks,” she replies shyly. “It’s not about Emmett, really. I just… Dating is fun, sure. But I want the one, you know? That guy who you feel so lucky just to wake up next to. The smiling like an idiot and the fun banter and the exciting stuff. I want the whole package, you know? It just gets… lonely, sometimes.” She’s still staring up at the ceiling and so is he now, the two of them sitting in silence. “Whatever. It’s just stupid pipe dream,” she brushes it off with a weak laugh, “We should get some sleep.” 

He opens his mouth to say something but shuts it again. “Goodnight, Lucy,” he settles on eventually, his voice low and raspy, soothing to her soul. 

“Goodnight,” she replies in almost a whisper. The word feels so intimate, so sensitive coming out of her lips. And it does while coming out of his mouth well. She doesn’t know what to think of these feelings stirring in her stomach, so she turns the lamp next to the couch and the whole room goes dark as she rests her head against the pillows of the couch. 

An hour later, Lucy’s still awake, and just. 

The pillows are really hard. 

It’s very noticeable, combined with the weird, grainy texture of the fabric and the tacky tassels dangling in her face. She tries to fall asleep, tries to ignore all of the factors contributing to her discomfort. But then, she’s glancing over subtly at Tim’s bed, and just. Ok. She’s not the type of person to be bold and make a move. And that’s not what she’s doing here at all. But it’s a really, really uncomfortable couch, and she just wants to get some shuteye. “Tim? Are you awake?” She whispers quietly in case he isn’t. 

“... Yes,” he mumbles back in the dark. “I can’t fall asleep. Lucy sits up on the couch, sees him staring at the ceiling as he talks and then moving his gaze to her. 

“Me neither,” she replies. Silence falls over the room again. After a moment, Lucy gets up off the couch, tiptoes her way to the bed and leans over the side of the bed that Tim isn’t occupying. 

It’s just a bed, she tells herself. Figures it’s for professional purposes, that she needs sleep to perform at her best. She knows she’s lying to herself, but at this point, she’s too tired and, quite frankly, too lonely to care. 

Tim turns on his side, faces her now and watches her with confusion as she crawls into the bed. “Lucy—”

“Just… shut up, okay?” She pulls the blankets over her, turns on her side so that her back is facing Tim. She leaves a big gap between them, making sure to just focus on getting a good night’s sleep. 

“Okay,” he whispers. Then, as if he purposely tries to put a wrench in Lucy’s plans, Tim closes the gap between them and wraps an arm around her side from behind her. His head is snuggled into the crook of her neck, his breathing slow and steady, and just. Lucy doesn’t even know if she’s breathing, has to remind herself to inhale and exhale. Her heart’s racing fast just from his touch. 

Maybe it’s that she’s lonely. Maybe she’s just that she’s sleep-deprived and out of her mind. She doesn’t know. But as Lucy feels his breathing on her neck and shoulders, melts under his tight, steady embrace, she feels more with him than she had with Emmett, or with Nolan, or with any other guy, really. 

She learns that falling asleep is a lot easier when you’re wrapping up in Tim Bradford’s arms.

[ramblings-of-a-mad-cat]

Who is the Mole?

@dalekofchaos I’m not taking any chances, your Ask will be given the security it deserves, from the demons of Tumblr who have been eating my messages! 

So, who is R’s agent? Well, let’s look at what we know. They’re apparently someone within the walls of Hogwarts, that this dark witch has regular contact with. It’s never established when the mole arrived, but MC seems to think that it was after Rakepick left, and that would make sense. Let’s narrow down the suspects. 

It’s not Jacob. Make no mistake, he is shady and he always has been. But he comes and goes. They specifically talked about a mole being present at Hogwarts. Plus, why would the White-Robed wizard flee when Jacob showed up, if he was on their side? Jacob is clear. 

It’s not Alanza. She simply arrived too late in the story. Why would R wait this long to have another agent planted at Hogwarts? One who could not slip in undetected, but would inevitably have attention drawn to herself by transferring? What’s more, Alanza declined to join the Circle and she admitted to knowing Rakepick. I know a lot of people think that it’s her, but if she’s a spy, she’s a pretty lousy one. Alanza is clear. 

Of the younger characters, the only one who isn’t canon is Beatrice. With how much focus she’s gotten, it’s a possibility. But she’s almost always under the watchful eye of Penny, or hanging with Ismelda. The only time she wasn’t, she nearly drowned in the Black Lake. She can’t even go to Hogsmeade, no way she’s meeting up with R in secret. Not to mention, she would never be on board with having her mind probed if she was the mole. Beatrice is clear. 

Regarding the rest of the Year 6 characters, Talbott and Chiara are both secretive and keep their distance from the group. But we already know why they do this, they have well-established backstories and character-based reasons for why they would. Beyond that, the mole should want to join the Circle. They should want access to that intel. Just like Alanza, Chiara didn’t even want to join at first. No, I’m gonna say Talbott and Chiara are clear.

I could go through every member of the Circle, but I’m going to streamline the process and say that I don’t believe it’s anyone who was introduced from Years 2-5. The way HPHM is written, the only characters who get major plot importance are the Year 1 characters,and the people who are “guest-starring” in the current year, who were introduced in that Year. I consider The Year characters to be possible suspects, but I’ve gone through why it won’t be them. Many people suspect Tulip, but when was the last time she was relevant? Or Barnaby, or Jae, or Badeea? Sorry, no way it’s anyone who guest starred in a past year. Let’s go through the Year One folk, because I believe it is one of them. 

Penny has simply never had the relevance that Ben and Merula have had. She didn’t even have a connection the plot prior to Year 5, prior to Beatrice’s introduction. I’ve talked about this before, but assuming you chose not to bring her along on any adventures, she could, in theory, but cut from the first four years, without the story changing much. Which is not to say Penny isn’t important, just that I don’t think she’s the mole. Penny is (basically) clear. 

Merula’s loyalty has always been questionable, even as a major of hers, I don’t deny this. I can believe that even now, she would work against MC. The only question then, is when did this start? Did Rakepick give her this job before the Portrait Vault? Was Merula in on that? It might explain why Rakepick told MC to look out for her. But we’re forgetting one key detail about this character. She’s a terrible liar. This has been well-established. Merula’s emotions get the better of her. She would have given herself away by now. If this theory is true, she would need to pull a serious long-con, and I just don’t believe she’s capable of doing that. Merula is clear.

Ben has always been suspicious. From Year 2 on, Rowan them-self suspected him. It’s abundantly clear that he’s keeping secrets. Who did he write that letter to, prior to the Portrait Vault? Why did he insist on coming? Does he remember the time that he was kidnapped, or not? Why did he panic upon seeing Rakepick for what we can only assume was the first time? He’s hiding something, definitely. However...Year 5 seemed to settle the question of “who’s side is he on?” by using Rowan to prove that R can and will Imperius people, and exonerating Ben from his time as the Red Cloak. What’s more...Rakepick aimed that curse at him. She tried to kill him outright, and she couldn’t have known that Rowan would rush in. She wouldn’t do that if he were the mole. Maybe Ben can be trusted, maybe not, but regarding this...Ben is clear.

But hold on, I said that I believed one of the Year 1 characters in the mole, didn’t I? And I do. I’ve talked about this before, but I sincerely believe that the Mole...is MC. 

Now, I’m not saying that MC is pulling a long-con, that they’ve always been loyal to R, and that even the player didn’t know it. That would be one hell of a twist by itself, but people would probably hate it. No, I think that MC is the mole...without knowing it. I have on many occasions, expressed doubts about Moody. I know he’s canon, but like I said, R has proven that they can and will use the Imperius Curse. That would be a way to use Moody as a secret villain without breaking canon, and it’s not like we haven’t seen that done before. Seriously, the way he’s acting in this game, particularly his encouragement of MC’s revenge and blood-lust? This reminds me more of Barty Crouch Jr’s impersonation than anything else. We know from the Weird Sister TLSQ that the Cabal was planning to contact Moody and “see what he knows” about the Sunken Vault, and the Coral Key. (A quest that, curiously, has since been removed, and it seems like they’re not putting it back. I wonder why...) At the end of Year 5, not long after Rakepick abandoned her role as R’s agent at Hogwarts, Moody shows up and abducts MC. Swearing them to secrecy, almost always insisting that they not tell Jacob and their friends important information, or otherwise encouraging them not to. Think about it, what new information has Moody actually provided? Compared to the fountain of intel that MC has been providing him, for no real reason. MC told him about the Circle almost immediately. Now, Moody isn’t the dark witch, but suppose she was the one who Imperius’d him? If my theory about this is true, then MC has been passing information to R, without their friends knowing, for this entire year. That would make them a mole. 

Of course, they have no idea. Which means that in this context, to call them a “mole” or a spy isn’t really accurate. It’s twisting the facts. But I firmly believe that’s the interpretation that we’re going with here. Which is a good lead-in to another phase of this theory that I have. Not only do I think R has been using MC as a mole, the way they’ve been using them as a weapon to open the Vaults this entire time...I also believe that R wanted MC to find out this bit of information. I believe that entire Infiltration was a trap, that R knew MC was there, and that it went exactly as they wanted it to. Setting aside my theory about Moody, I have to confess that the “advertisement” MC and Merula found at the Whomping Willow never made any sense to me, and felt like bait for a trap. Seriously, even if we ignore that the tip-off about The Whomping Willow being a secret meeting place was almost certainly referring to the Shrieking Shack, and not this...why would R do something like that? Leave a note like that out in the open, for any student or teacher to find? It’s not like dark witches and wizards are going to be prowling around Hogwarts that often. Wouldn’t it make way more sense to post that around say, Knockturn Alley? No, they wanted MC to find th at. Not to mention the tone of the note, “Dark wizards, come one, come all!” Please, if I’m a dark wizard, and I read that? My first thought is, “Well, this is clearly a sting. I’m not getting involved.” Not to mention, this wouldn’t be the first time MC tried to crash an R meeting based on written information that they supposedly left laying around. The Forbidden Forest was a trap, and Rowan paid the price. So why wouldn’t this be a trap? Sure, it seemed to go well...but I can’t help remembering the White-Robed Wizard’s line about how R would never let MC learn something that they didn’t want MC to know...

And that’s just it. They wanted MC to know that there was a mole. They wanted MC to tell the Circle that there was a mole. Moody instructed MC not to say anything about R wanting them to join and someday lead, but he didn’t tell them not to bring up the mole. Really, it isn’t so much that they wanted MC to know, it’s that they want the Circle to know. They want The Circle of Khanna to know there’s a mole. They want MC to find out about R’s plan for them, and they want MC to keep this plan from the Circle, so that when the time comes, R can drop this bomb. That MC is the mole, and always has been. MC can deny it of course, but what will they do when it comes out that they’ve been reporting to R (Through Moody) all this time? There’s a reason no one else is ever in those scenes - not even Jacob. There’s a reason Moody has been trying to put distance between MC and their friends. Imagine if The Circle finds out that MC knew R wanted to recruit them, and they said nothing? People have been speculating that MC losing a friend in an “unexpected way” might be referring to the mole, and how one of their friends is a traitor. But it could work in the opposite direction as well. If people find out that MC is a “traitor” I mean...how are Ben and Merula going to handle that news? Sure, some people might not immediately turn on MC, some people might believe them, or be uncertain...but R has been building up “evidence” of this for months, and Ben and Merula are both in a place of being so traumatized and unstable that they’d probably just buy it hook line and sinker. And they’re the co-leaders of the Circle. They might, at that point, kick MC out. Or at least call for a vote. 

And what happens if MC is expelled from the Circle? The very organization they formed to honor Rowan? They wouldn’t be able to investigate the Vaults anymore, because they’d be working against two secret organizations, one within the walls of Hogwarts. The Circle of Khanna, presuming MC to be a spy for R, would never let them within fifty feet of their investigation - hell, they could be the opponent that MC has to face, from the Centaur’s prophecy. (Or it could be R’s leader.) The Circle, at least initially, wouldn’t take MC back or trust them.  But the Cabal? Oh, you just know that they would open their arms to MC and welcome them to join, pointing out that they have nowhere else to go...not saying MC would agree to join them, but this could be R’s plan. This could be the big choice that MC has to make from the Centaur’s prophecy. Suppose Dumbledore was told by Circle members that MC is an R agent, and, oh I dunno...expels them as a result? We’ve all speculated than an expulsion arc is coming. If it is, that would be the perfect opportunity for R to try and get their claws into MC. 

Thank you for sending me the Ask! This has been a lot of fun, and I’ve enjoyed getting all these suspicions out in the open. 

[brvdleymilligan]

HLO slinks in thru a bead curtain.......... truly sry this took me so long to concoct bt i’m here now, hand on hip, smiling coyly at u all...... i’m nai n i’m rly excited to b here so i’ll just dive right in!! u can find bradley’s pinterest board here n her muse tag here. like this or hmu for plots!

[ cis female, she/her, margaret qualley , twenty-four ] i can’t be sure, but i think i just saw BRADLEY MILLIGAN drive onto the parkway. don’t they know we’re not supposed to be driving on that haunted road right now? maybe it has to do with the fact that they’re so +RESILIENT and -VOLATILE that makes them feel UNPHASED about everything going on. i guess we could also chalk it up to the fact that they’re always reminding me of LEMON IN A FRESH CUT, THE AMBER BLINK OF AN ANGRY ALLEY CAT, GRINNING WITH BLOOD ON YOUR TEETH. either way, i hope they get back safely. [ nai, she/her, 24, gmt ]

aesthetics: singeing a hole in your fishnets with the cherry of a menthol, spitting a pistachio behind the bar just to hear it ping off the nozzle top bottles, lemon in a fresh cut, a war torn poppy standing alone in an empty field, pressing thumbs to yellow bruises, stomping over flowerbeds when there’s a path right besides it, dangling over ledges just to feel your chest jolt, a snarling rottweiler that needs muzzling, limp feet poking out behind a door, ‘I PROMISE I DON’T BITE’ scrawled on a name tag, slapping a bald head in front of you at the cinema like it’s a bongo, not owning a single jacket that isn’t stolen, driving a stranger’s car down the wrong lane against the screaming traffic, hair more feral than a wolf cub and eyes smudgier than a coal mine.  

BACKGROUND:

ok SO. her father owns a strip club in crescent hill named no angels. it’s kind of.... a seedy establishment i won’t lie. hs a red glowing sign like it’s lighting up a window in amsterdam. cigarette butts floating in oil slick puddles outside. unsavoury characters crawling all over like rats in a sewer. despite this it’s a legitimate business on the surface of things n it does pretty well in trade. it’s like.... that place people warn u NOT to have ur bachelor party at unless u fancy urself the type tht willingly enters a lion’s den bt tht almost??? adds to the allure in a way??? ppl r like wow so sketchy it’s the thrill of a lifetime........ i mean run while u still can bt go off i guess

it isn’t Confirmed Public Knowledge bt it’s pretty heavily implied thru the rumour mill that bradley’s father is the head of a gang of rly............ Not Nice people. all the ppl that work for him u would hands down NOT want to run into in a dark alley. while things seem legitimate on the suface it’s pretty clear they’re into shady dealings n the townsfolk that suspect that would indeed b correct! the club’s a front for a drug business n they’re also washing n running counterfeit cash thru it. they probably also have their hands dipped into a few other local businesses to run their cash thru these too n keep it all seemingly by the books so nobody comes sniffing around. they even r friends with a member of local law enforcement that’s working w them for a cut so they honestly have all bases covered to keep things airtight n foolproof. perhaps a business in reed too which bradley oversees bt i haven’t given this Too Much thought as of yet??

so ya she’s grown up fairly local most of her life n would maybe be known around town as such.................. the milligans r certainly Interesting as far as families go so like. it honestly wldn’t surprise me if ppl nudge elbows when they see one of them coming n immediately walk in the opposite direction. just quite an intimidating presence...... they’re like caged animals where ur specifically instructed NOT to stick ur fingers between the bars bc they WILL bite

on a more personal note her dad is pretty much the worst human being alive n bradley hs like….. a lot of issues with herself as a result of years of toxicity n abuse

in terms of more family bkground info her mum’s name was alyssa n she vanished when bradley was 12. jst like…. into thin air. nothing. no note. zilch. gan! n when bradley asked her dad abt it his response was essentially “guess she didn’t love us enough to stay”. as bradley’s got older tho n become (without intention) more involved in the business side of things, it’s become pretty clear there was far more to the story.

(abuse tw) they had a horrible marriage n tony ws emotionally manipulative at the best of times, violent at worst, which didn’t help the fact tht alyssa ws struggling a lot w severe depression n rly just… not in the mindset to b dealing w anything else, even where motherhood ws concerned. bradley p much… would look after her a lot n they’d both b scared of her dad n it was just a whole unhealthy mess.

(death implied tw) anyway im rambling bt basically tony (bradley’s dad) gt wind of alyssa sleeping w men tht worked fr him n he just… got rid. bradley’s kind of worked out over the yrs tht her mum didn’t jst leave on her own accord n tht something must hav happened to her bt she’s too scared of her dad to ever directly accuse him

when her mum went all of her dad’s cruelty pretty mch got channelled straight onto her. it ws diluted between two before bt as u can probably imagine her upbringing was jst…. a steep downhill decline

(drugs implied tw) she learnt ways 2 deal w the incurring trauma bt they weren’t healthy ones at all! bsically jst. will do or take anything fr the distraction. chases a thrill like it’s the only way to remind her she’s alive. has absolutely no regard fr her own wellbeing n often gets other ppl in trouble too bc she’s so insatiably reckless

(hospitalisation tw) she hd….2 separate stints of psychiatric hospitalisation n she never tlks abt it. like ever. acknowledging she’s been vulnerable is her worst nightmare n bc of the way her dad raised her she always thinks any sign of struggling within herself is weakness. truly does…. not kno how to properly emotion

CUT TO!!!! the present. she’s currently living at the motel which is like. the least homely place she cld ever live rly but bradley loves making her life uncomfortable n doesn’t rly believe in growing sentimentally attached to anything if she cn help it <3 probably gets into arguments all the time w her neighbours it’s a whole thing.... atrocious at feeding herself has breakfasts frm the vending machine like her organs aren’t screaming fr vegetables.... plays music too loud n sometimes vanishes for days at a time without a word. she’s a lot.

i honestly feel like the murders haven’t rly phased bradley too hugely....... i won’t lie she probably genuinely is like. oh maybe it’s smthn to do w my dad. n just blinks the other way not rly that phased. on some subconscious level i think she rly just thinks........ death follows her wherever she goes n is like. this is just life for me! kind of depressing. holds her hand bt then screams n pulls away when she inevitably bites me.

PERSONALITY:

the kind of sour cherry only certain people have a taste for

once drank a bottle of whiskey, insisted she could still do a cartwheel and accidentally kicked an old man’s front tooth out in the process. proceeded 2 collapse into a flower bed and laugh so much abt it that she cried

barely takes anything seriously 50% of the time and is angry the other 50%

if she was a coffee she’d be black with five grains of sugar that you couldn’t taste until the last sip

(alcoholism tw) high functioning alcoholic. if u ever see her w a coffee cup u jst kno tht one sniff will confirm high alcohol percentage. honestly idk hw she does it her liver must b yellin

loyal to a point of fault. if she cares abt u (rare) and u murder a man in cold blood (not so rare in the broad scheme of bradley’s life) she’ll brawl anyone that says ur guilty

honestly wld probably fight a person over anything. sometimes she’ll jst be having a bad day n she’ll burst n take it out on whoever says the wrong thing. minefield!

has the worst luck in romance…. ever. ALL her past bfs hav been absolute beasts n as a result she has the ‘romance is dead n love is a lie’ mentality. definitely NOT a romantic. very cut n dry abt these things. sex is mostly just sex n she’d kind of scoff at anyone that wanted more from her

mostly wears stolen clothes from strangers and jackets that swamp her. huge chunky stomping boots with steel toe caps that would RLY bruise if they gave u a kick. hair is p much always a wild mess n she usually hs kind of smudgy/smoky makeup bcos apparently she’s allergic to combs and generally looking presentable… relatable content. the only time she rly looks put together is when she has to do something/go somewhere/see someone on behalf of her father....... he kind of uses her as a sort of. honey pot sometimes fr shit his gang get up to it’s like. not! a way u should ever utilise ur daughter but :/ i cannot stress enough how much i wna drop kick him in the neck

she’s v sarcastic. blunt. kind of has a habit of…. assessing a person n she’s quite perceptive bc she’s been trained to b by the way she always has to monitor her dad’s expression fr the slightest emotion change. she’s very confident n can p much mke a conversation out of whatever if she feels like it. independent too like she hs a bunch of (predominantly surface connection) friends bt she doesn’t care abt going out places alone n does this often. she’s probably kind of known around town bt itd b a 50/50 balance between bein known as intimidating n bein known as that one girl tht always gets into anarchy

likes: drunken snow angels that drag on so long they flirt with pneumonia, stealing cars, throwing watermelons off rooftops to watch them explode, shooting pedestrian’s with bb guns from hidden spots on rooftops. 

dislikes: telling the truth, tulips so yellow it’s like they’re gloating, playing music loud enough to fry your brain and serve it on a piece of toast, going home.

PLOTS:

someone tht works at the ‘no angels’ strip club?? either as a dancer or bartender or whtever. just a forewarning it’s probably gna b a pretty….. seedy and Not That Pleasant environment bc it’s like. a crime hotspot inevitably bc it’s a gang hangout so. ur chara wld truly be in fr a rollercoaster ride to say the least

(drugs tw) she deals coke fr her dad’s gang so perhaps ur muse buys off her

anyone….. she’s brawled in the past like. she’s literally a menace i cnt express this enough. wil jst randomly throw a drink in someone’s face fr no reason bc she’s bored. she’s probably pissed off 1000 diff ppl in 1000 diff ways. the possibilities r endless n i jst think tht’s a sexy prospect!

fwbs perhaps??? exes??? (probably ws a tumultuous relationship honestly bradley is. a handful...... it’s also rly not often she ties herself down tbh so this would maybe have to b discussed/be circumstantial/kind of rare)

mayb someone tht she met at an aa meeting when she hd to go fr a court mandated thing one time after bein arrested fr public indecency. i feel like there’s probably a rly expensive statue somewhere thts fancily sculpted n she like. did a flying kick n broke the dick of it off n gt arrested fr it

ppl she……. Goes Wild Goes Crazy w. truly jst the most self destructive person alive so anyone w a similar mindset wld b a hellish bt fun combination

on the contrary a gd influence cld b nice perhaps? like someone tht genuinely cares abt her n she jst doesn’t kno hw to compute it

maybe people who r her neighbours that live at the motel too??

OH it could b fun if ur muse runs or works at a local business maybe like. a bar? idk? n bradley n ur muse have developed a rapport bc she frequents the place n is................ a Character

um. honestly the world’s our oyster. hmu n we cn brainstorm if none of tht catches ur eye!

[askaceattorney]

Dear Inferno,

Essay?  You just said the magic word.

Trucy’s a bit of a lengthy character to unpack, but I’ll see what I can pull out of my hat.

Trucy Wright, CEO, magic extraordinaire, and maiden of mystery, formerly Trucy Gramarye, the 8-year-old prodigy magician.  She’s the kind of character who never forgets to smile (that’s part of her creed, in fact), and always has a magic trick up her sleeve.  Or her magic panties, in this case.

This optimism and charm of hers do a lot to make her likable, both as the second non-Maya assistant in the series and as a side character who provides some comedy relief for the agency when morale is low.

But interestingly enough, this isn’t the sort of character she’s introduced as.

Trucy’s first “magic act” is to appear out of nowhere as Apollo is trying to contemplate how his boss suddenly became a murder suspect.  Rather than offering a smile and an encouraging message, she decides to play the role of a mysterious fortuneteller.

If I didn’t know who was saying this, I might think it was a Toad from Super Mario Bros. 3.

So far, all she is to Apollo (and us) is a mysterious messenger trying to help her father...until he realizes just who her father is.

This presents a new mystery for Apollo (and for us): How did a young magician wind up in the custody of an ex-lawyer?  And on top of that, why was a locket with her picture in the possession of a shady drifter...and why did Phoenix feel the need to take it from his dead body?

Unfortunately, Phoenix is just as cryptic as Trucy in her debut game, but it’s far from the end of Apollo’s interaction with them.

After two months of coping with the loss of his first position as an attorney and considering Phoenix’s offer to work at the legendary Wright & Co. Law Offices, Apollo finally shows up there to discover that it not only went through a name chance, but now has it’s own CEO -- the same mysterious girl he ran into before!

Before he knows it, he’s being interviewed for the Wright Talent Agency by a magician whose energetic and professional attitude completely contradicts her father’s calm, laid-back personality.  It isn’t until his misunderstanding is cleared up that she finally introduces herself:

It’s here that we also hear Trucy’s theme, “Child of Magic,” for the first time, which does a great job of conveying the sort of delightful, peppy aura Trucy creates just by being herself.  Speaking of which, Apollo gets to “enjoy” a bunch more of her optimism as she explains her and Phoenix’s current situation.  According to her, the former law office was converted into an agency for acquiring talented individuals.

She also describes what might be her most important role in Phoenix’s life, whether she knows it or not.

And so she did.  She may not have actually cooked for him (or maybe she did, we don’t know), but she did provide Phoenix, a well-respected lawyer who’d just been cheated out of his badge, with exactly what he needed at the time: a reason to keep going.  It’s hard to imagine what his life would’ve been like without her making her entrance into it, so to speak, but because of her, he was compelled to pull himself together, find a job, and begin to move on from one of the darkest moments of his life.  In short, Trucy became a light in his darkness.  Pretty impressive for an 8-year-old, huh?

We’ll get to that in due time, though.  The next thing we learn about Trucy comes from her Daddy, and once again, it’s pretty vague.

What could this “talent” of hers be?  Besides being a talented magician and motivator, that is?  We don’t find that out until after she’s spent some time as Apollo’s investigating assistant.

Thus she officially becomes Apollo’s “Maya,” a role she fills remarkably well, being just as cute, perky, annoying, and naive as Maya ever was.

Every good lawyer needs one of those, after all.

Then, when Apollo finally gets his first *cough* normal case, we get to see what Trucy’s capable of in the courtroom.  ...Well, after a quick diversion.

Has Professor Layton gone rogue and joined the mafia?  Nope, it’s just one of Trucy’s best tricks -- the Amazing Mr. Hat!

Not even going to ask how that works.

After this hilarious sideshow, Trucy reveals what her special “talent” is, and how it can help Apollo.

For the first time in the series, we have a courtroom mechanic that doesn’t involve pressing someone, presenting evidence, or asking the right questions -- instead we get to use a brand-new technique to slow time down and spot witnesses’ nervous habits when they tell lies, and our young magician friend is just the one to introduce it to us (much like Pearl introduced the Psyche-Lock mechanic to Phoenix).

She apparently knows about Apollo’s “perceive” ability from Phoenix, but how does she happen to have the same gift herself?  That remains a mystery until we learn about her past, which doesn’t happen until near the end of the game.

Thankfully, we aren’t playing the game here, so we can just skip ahead to that part.

During the third case, Trucy’s real father, Zak Gramarye, is given a brief mention, but all we learn about him is that he’s a magician who once belonged to Troupe Gramarye.  Who is he today, though?

It turns out his identity is none other than Shadi Smith, the card-playing drifter who was murdered by Kristoph (and the one partly responsible for Phoenix’s disbarment).  We could get into his *ah-HEM* wonderful fathering technique, but the important thing here is what we learn from him about Trucy and Apollo’s gift.

Whatever this strange ability is, it’s apparently hereditary, passed down from Trucy’s mother.  Also, as Phoenix deduces, Apollo shares this ability because, shocker of shockers, the two of them share the same mother, Thalassa Gramarye.

Who’d have thunk it?  Not even Phoenix, even though he’s a good thunker.

Speaking of Phoenix, let’s go back to his first meeting with young Trucy.

When she first entered his life, she was a famous magician’s daughter whose first “performance” was to help him escape a Guilty verdict.  She of course didn’t know at the time how long it would be before she saw him again, or the lawyer she was talking to would soon be replacing him.  It’s here, by the way, that we learn we she gets her charming grin from.

And then...tragedy.

With her father missing and no living relatives to take care of her, Trucy’s future looks even bleaker than Phoenix’s (which is saying a lot).  Thankfully, he offers to let her stay with him until her father comes back, and does his best to help her feel comfortable.  Luckily for both of them, her father already gave her some advice.

Then comes the big switcheroo.  As mentioned before, Trucy provided Phoenix with a reason to keep going after losing his job, but when we see how it actually took place, it becomes clear that she took it a step further than that -- she practically led him forward by the hand.

This makes me wonder something: could her vigorous encouragement have reminded Phoenix of another young woman who came into his life just after a tragedy occurred?

Maybe it’s just speculation, but it wouldn’t surprise me if Maya had crossed his mind.  He even told Trucy she could call him “Nick” if she wanted to.  If nothing else, that provided some serious heartfelt nostalgia.

One other thing I loved about AJ: AA is how it showed Trucy’s more fragile side near the end.  Things worked out pretty well for her after the ordeal with her father, but that doesn’t mean she felt no emotion about it.

We’ll never know how much of her sadness is due to her father’s death and how much is due to his sudden disappearance, but at least we’re given a chance to see her being less magical and more human.

And finally, let us fast-forward past Trucy’s adoption, her accidental reunion with her half-brother, and her antics in the courtroom to the final (and in my opinion, the best) big moment for her: The Magical Turnabout.  Here we get to see, through the magic of animation and voice-overs, how expertly Trucy performs and how confidently she speaks for the first time.

But just when things seem to be going better than ever for her and the new Troupe Gramarye...

What a way to go, huh?

Thankfully, that situation was an imaginary one (and she came out on top, as always), but then a real disaster occurs.

She’s lucky enough to have Apollo and Athena there to help her, but she’s left to wonder if Mr. Reus’s death was due to a fatal accident on her part.  If so, it would be a devastating blow to her magic career, besides destroying Troupe Gramarye’s reputation after it had just made a recovery.  Luckily, there’s one person who doesn’t believe she could make such a mistake, and who can see through her fake smile.

Then we get one more glimpse of Trucy’s human side, but for a completely different reason: Apollo’s faith in her performing ability, even as she struggles to believe in herself.

Unlike her previous crying scene, this one is more bittersweet than sad.  Having faith in your friends might be a cliche, but it’s moments like this when you see just how much it matters.

Things go from bad to worse when she suddenly finds herself in the Accused of Murder Club while her Daddy’s out of the country, but like always, the truth comes out in the end.  But here’s what I love most about this case: Trucy herself gets to play a role in proving her innocence, simply by doing what she does best: performing magic!

Besides giving her defense team new evidence to work with, her trick completely turns the room around.  Even Apollo couldn’t detect the sword switch with his kinetic vision.  Not bad for an impromptu performance, huh?

And if that wasn’t beautiful enough, the judge himself asks Trucy a favor before announcing a verdict:

Looks like she’s officially earned the title, hasn’t she?

So with all this in mind, what’s the best way to describe Trucy?  She’s a great magician, a strong motivator, a bringer of joy and encouragement to those around her, a comedy relief when one is needed, and...  Oh yeah, I forgot -- it turns out she’s also a bit of a sadist.

Sort of a weird character quirk for Capcom to give her, in my opinion, but not too hard to believe, I guess.

But most importantly, she’s a true entertainer, much like her old Daddy, and someone who knows how to smile even in the darkest of times and who has an eye (two, in fact) for the truth, much like her new Daddy.  You could say she represents the best of both worlds.

You’re still a jerk, though, Zak.

-The Co-Mod

[locktobre]

Ooh, your Princess Power soft reboot has me intrigued! Could you possibly expand on it more? Like how Kara and Corrine lose their powers, get new ones, and how Wes becomes a villain? I myself don't him because he LITERALLY revealed Kara's identity for views and that's. fricked up.- That PCS Anon

Sure, I can do that. I debated how deep to go into it, bc my Princess Power headcanons (like everything else) depend so heavily on a million other things, but hopefully this ended up semi-coherent. It also ends up fairly dark, as my Princess Power/Spy Squad backstory are some of the darkest headcanons I have. So fair warning for that. I’m not solid on some of this (I always say, it’s not canon until I actually put it in a fic), but as of now, here’s how it’s gonna go down:

Kara, Corinne & their powers

Kara and Corinne lose their powers for two reasons: 1) It makes sense to me that they would, and 2) It gets rid of the pet powers, too, which I need to happen bc I just think it’s beyond ridiculous that they got them in the first place. (Not Bruce’s, but I might get rid of him another way. We’ll see.) The Baron, whom I’ve named Charles, drank a potion, which I can buy as producing a permanent change. But the girls got their powers from a mutated butterfly, and somehow... it’s supposed to be equivalent? I don’t think so! So I have their powers start to fade some time after the movie, as their powers are actually tied to the butterfly’s life force, and it’s dying. Butterflies don’t live for very long on average (less than a year), and also having the butterfly die keeps anyone else from getting powers that way, since that was already a whole fiasco. (It’s a magical butterfly, but it’s given out powers 4 times, so that’s sapped it more than anything.)

Kara and Corinne have opposite reactions to this: Kara is horrified, and wants to find some way to get her powers back, but Corinne is sort of relieved, since without powers, they can go back to being normal. I think the high of being a superhero would wear off pretty quickly for Corinne, especially since she’s not competing with Kara anymore.

Kara, in her desperation, goes to see Charles and see how he got his powers, bc she will do anything to keep hers, at this point. The novelization says that Kara connects the butterfly to Charles, but as I pointed out in my post about it, she has absolutely no reason to do that, bc it makes no sense whatsoever. So since she doesn’t know where the magic butterfly came from, she goes to the guy she knows also got powers out of nowhere. I’m not sure what he would tell her, but even if he doesn’t say anything, she could still search his lab and maybe have Madison and Makayla reverse-engineer the potion (which I think would go badly, as they’re engineers, not chemists). Whatever the case, she ends up drinking that potion, and that combined with the last of the butterfly magic, produces... a mutation. I go back and forth on whether I want that mutation to be permanent, or if she can shift between butterfly and human forms, but that’s how she ends up. I’m thinking there may be some sort of chrysalis stage she goes through, bc I need her to be sidelined for Corinne’s power reset, but like I said, I’m still working on this.

Corinne is in some kind of lab accident (possibly in Madison and Makayla’s lab, or maybe in Windemere’s I3 branch), and ends up with her new powers. However, she takes this opportunity to say that her powers actually wore off for good, and essentially retires, which she feels comfortable with bc there are two other heroes running around with Kara now. She’s technically the strongest of all of them, so she’ll step in if they really need her, but she leaves the day-to-day stuff to them. She might stay in hero support with Violet, or she might just go back to her life for the most part.

Wes’ descent into villainy

This one has gone through a few different stages, and I honestly don’t know where I’m going to land with him. I’ll most likely give him a redemption arc at some point, but I’m gonna put him through the wringer first bc he is a weasel who outed Kara for no reason and I’m spiteful like that. And I’ve said before that I don’t think Kara was as unaffected by that as the movie would have us believe.

Anyway, with all that, I think his motivation stems from a combination of rejection from Kara, and goading from others. The rejection from Kara is not romantic, bc I’ve always thought of him as too old for her--he tries to pass himself off as a serious journalist in the movie, which wouldn’t work if he was a teenager, would it? So I think he’s like, 20--but like, she doesn’t want to be his friend anymore. She’d be cordial but not all buddy-buddy like she was before, and he’d be able to feel the difference.

So, there’s that, putting a wedge between them, and at that point, he’s got ppl whispering in his ear and enabling him, for their own purposes. Originally, this was going to be Charles, but I think Charles is just a smidge too goofy. He seems interested in power, but also like he would have no idea what to do with it if he had it. Like, you want to be king... why, exactly? What are you gonna do once you have the throne? He’s not exactly stupid (altho, I mean, I’d call having Bruce around stupid), but not like, cunning enough to manipulate someone in that way.

We’re gonna take a detour for a second to talk about Charles’ family and some backstory, since that will make this make more sense (I think). Bear with me.

Basil was the Baron before Charles, and also the head of Windemere’s branch of I3 (WI3). He had a good public face, but behind the scenes, he was a real shady bastard. WI3 is almost entirely corrupt due to his influence. He’s the reason Charles ended up as a villain. The reason Philip and Anne didn’t is that they got away from his influence.

Philip went to work in the USA in the late 80s, at LA’s branch of I3 (obviously, as per Spy Squad). Anne was also in LA in the 90s, having her secret relationship with Finn, and while Philip was aware of what she doing, he didn’t rat her out, in part bc he had his own relationship that resulted in a child. (Patricia wasn’t given up for adoption like Sloane was, but she was raised primarily by her mother, as per Marguerite’s wishes, which worked out pretty well for Philip’s situation. They were a way more casual relationship than Finn and Anne.) Anne eventually did return to Windemere, but her charity work and Camp Royalty actually kept her away for the most part. So Philip and Anne had long periods away from their father and his tyranny. They did try to get Charles away too, but Basil had a much tighter hold on him (as the eldest son and heir), and also Charles actually ended believing in Basil’s vision for their future, which Philip and Anne never did. (I’ll point out now that I do feel bad for Charles, and he may get a redemption arc at some point, too.)

Anyway, so Basil does a lot of shady shit. He has Wendy Marvin (mother of Lazslo, Madison, and Makayla) killed in 2006; she was an engineer at WI3 and didn’t like how they wanted to use her research, as she joined to help ppl, not hurt them. And soon after that she died in a fire in her lab. Two years later, her husband Lysander, dies in a similar “accident”; he was actually Kara’s doctor, and trying to determine the cause her mysterious illness.

While Basil did know that Lysander suspected foul play, he did not know that Lysander had actually approached Eleanor about it, wondering if she had seen Basil doing anything suspicious. (Everything the man did was suspicious, but she knows what he means.) After Lysander’s death, Eleanor puts the pieces together and realizes that yeah, Basil was doing something to Kara (most likely slowly poisoning her, as that’s what Lysander had thought). Kara’s about 9 years old at the time--not that it would be any better if she was older, but she’s really just an innocent little kid. (Incidentally, this mysterious illness is why Kara’s parents are so overprotective of her. They never find out what was causing it, or figure out how she got better.)

At this point, Eleanor decides she’s had enough, she’s watched her husband corrupt their son and drive their other two children away and she’s not been able to do anything about it (who would believe her? He’s a perfect gentleman, in public), so she decides to end it. She kills Basil, and then her self. (She would have happily gone to jail for putting the world out of his misery, but she knows that with his contacts at WI3, she’s on borrowed time as soon as he’s dead. And she wants to go out on her own terms.)

This actually lines up with where I put the events of Spy Squad, in 2008. Philip was already about to transfer to WI3, as per Basil’s wishes, to be his #2. But then, with his father dead, Philip actually ends up in charge of WI3, and his #2 is his father’s former right-hand man, Creighton Weaver. (Basil was going to try to get Philip back under his thumb, before his death. He had mostly tolerated him being in LA bc he didn’t need him in Windemere, but once that was no longer true, time to come home, son.) Weaver’s every bit the bastard that Basil was, and Philip can tell, but he has no proof. So Philip is in WI3, with nobody he can trust except Patricia and Lazslo, who ended up transferring with him. (Lazslo so he can be there for his sisters, Patricia bc she wants to be there for Lazslo. And also her dad, kind of.) He basically starts collecting any evidence he can on anybody at WI3, but doesn’t make a move, bc technically nobody is getting hurt (none of the shady research is being applied), and he wants to flush everyone out in one go, if he can.

Fast forward to the summer of 2015, and the events of Princess Power happen. WI3 is contacted to try to make sure that Charles can’t escape his cell, so they end up being one of the few who actually know what happened to him, due to the actual events leading up to the volcano’s eruption being pretty well covered up. Now, Weaver’s known for 7 years that Philip is trying to take him and his cohorts down, but he’s played dumb bc it’s been convenient. However, with Charles going full supervillain, Weaver decides it’s time to jump ship, so he and a bunch of the other most corrupt agents at WI3 basically leave to go be Charles’ henchmen. I’ve tried to come up with a more poetic name for their organization, but so far I only have Dunbar Loyalists--their ultimate goal, of course, being to put Charles on the throne of Windemere, by any means necessary.

However, as I said before, Charles is... not exactly the valiant leader they were looking for. He’s not the man his father was, that’s for sure, so Weaver’s the one actually calling the shots, bc he knows Charles isn’t up to it. And Charles is pretty fine with that, as long as they’re helping him. Makes things easier. (Incidentally, I think this will end up being the set-up to Charles’ redemption arc. Bc teaming up with them, and especially Weaver, is going to get him in way over his head, and I think he might decide at some point it’s not worth it. Especially if Philip and Anne ever end up in danger, bc I think they still do care for each other, even with everything that happened.)

So, to bring this all the way back around to Wes, since Charles isn’t really the type to be manipulative... Weaver certainly is. So I think he’s going to be the one to do it. He can push Wes’ buttons, tell him that no, Kara isn’t right to be mad at you for outing her. You were just doing what you had to do, for yourself, and that’s good. She thinks she’s so great just bc she has powers, you should get back at her, you should show her that you can be special, too. And I just happen to have the technology to make that happen. (Remember, the Loyalists are made up of at least some shady engineers.) So he gives Wes some kind of experimental super suit and sets him loose in the city to wreak havoc against Kara and her crew, mostly to keep everyone’s eyes on that while he does other stuff. Weaver is basically a puppet master for crime in Windemere lol.

And that’s about as much as have so far, which feels like a lot and also a little. I’m not sure how the whole thing will end, who will be redeemed, who might end up dying... Not sure. It could go a lot of different ways, but that’s for future me to decide. I hope that was at least somewhat interesting, even if it was also... very dark. I didn’t try to make it that way, but when dealing with superheroes and spies, it just kind of happens.

[katehuntington]

Title: Changes - part eight Word count:  ±4800 words Summary “Changes”: Huntress Zoë Sullivan (OFC) crosses paths and swords with the Winchesters, when the brothers stumble on a case she’s already working. When complications arise, they are forced to work together. Summary part eight: Zoë meets with Terry Cliffer, or is it the shapeshifter? She tries to find out fast, but can’t prevent bullets from flying. Episode warnings: Dark! NSFW, 18+ only! Angst, gore, violence, character death. Description of blood, injury and medical procedures. Demon possession, supernatural creatures/entities. Smut, swearing, alcohol use/addiction. Kidnapping, mentions of torture and murder, illegal/criminal practices. Mentions of nightmares and flashbacks.  Music: Boulevard Of Broken Dreams - Greenday. Author’s note: I couldn’t be more excited to share Supernatural: The Sullivan Series with you. There are quite a few people I want to thank: @coffee-obsessed-writer, @soupornatural & @mrswhozeewhatsis, who edited the early drafts, and my girls @girl-with-a-fandom-fettish & @winchest09 who are deciphering the recent version. Everyone who encouraged me to go for it, you are awesome!

Supernatural: The Sullivan Series Masterlist 01x01 “Changes” Masterlist

     Zoë sips her cappuccino as she observes the foam floating on top of her hot drink. She’s at Beetle’s, sitting on a stool at the bar. Cigarette smoke fills the air, and even though she would love to light one, she ignores the smell. Instead the huntress stares at the bottles across from the counter, exhibited on the shelves, the back wall is a mirror to create the illusion that they have a lot more drinks in store. It’s a modern kind of place, the only history it shows are some pictures, pinned to the wall. The current number one hit Boulevard of Broken Dreams by Greenday plays in the background. She listens to the lyrics, the song appealing to her.      I walk this empty street, on the boulevard of broken dreams      Where the city sleeps and I'm the only one and I walk alone      My shadow's the only one that walks beside me      My shallow heart's the only thing that's beating      Sometimes I wish someone out there will find me      'Til then I walk alone

     The long nights are taking their toll. Although strangers still see a stunning young woman, she herself notices the signs of fatigue in her reflection, despite her makeup, that is a little more prominent than usual. Zoë finds it thrilling to pretend to be someone she’s not. She traded her leather biker outfit for a white blouse, a black blazer, matching suit pants and pumps. Her straightened dark hair is combed back and tied together in a bun. It’s funny, leather or business, she still gives away the same message; don’t mess with me. 

     Her eyes capture the bottle of Johnny Walker Red again. She would kill for a glass, but having a shot wouldn’t be a smart thing to do. Focus is the issue here; no way she’s letting her guard down. The damn bastard shot her once and she doesn’t feel like peeling a bullet out of herself for the second time today. But one glass wouldn’t hurt, right? Zoë shakes her head, deciding against it.           This appointment can go two ways: either the shapeshifter shows up and this bar and its customers are going to have the most ‘exciting’ evening of their lives, or Terry Cliffer shows up and this will be nothing more than a boring interrogation. Not to mention, this case will once again take longer than anticipated, because by now, the fucker could’ve easily shifted into someone else already. 

     She finishes her coffee and leaves the empty cup on the bar. Carefully, she glances over her shoulder. Zoë can’t put her finger on it, but she can feel a pair of eyes burning in her back; someone’s watching her. The shapeshifter maybe? She remembers Sam’s words and realizes that even if she meets Cliffer within fifteen minutes, the son of a bitch might actually be here right now. Suddenly, she hears something sweeping towards her over the wooden bartop. Startled, she turns to the bartender, who still has his hand folded around a glass of whiskey.      “You’ve been eying that Johnny Walker bottle for twenty minutes and you look really tense. You need a drink, on the house.”

     She looks him in the eye, trying to decide whether or not to trust him. She smiles politely and takes the glass, but doesn’t drink, just yet.      “Thank you,” she says, observing him. “You’re the owner of this place? Rob Michaels?”      “That’s me,” Rob answers while he polishes a glass.      We’ll see about that, Zoë thinks to herself. The bartender could be the shapeshifter, for all she knows. She needs to figure out if he is, without giving him the impression that she’s suspecting him.      “Then you probably know most of your regulars, right?” she questions.      “Right…” Rob hesitates. “Am I being questioned?”      “Whatever you wanna call it,” she flashes him her FBI identification.

     He raises his eyebrows. He thought there was something more to her than just a businesswoman who’s getting a drink after work, but a fed? He had city police over, even state police at one point, this is a new one. He leans in for her to hear his whispered words.      “Something shady going on in my bar?” he asks, looking around for anything suspicious.      She puts her ID away in the inside pocket of her blazer, after which she folds her hands together, ignoring his question. “What do you know about Terry Cliffer?”            Rob chuckles. “Are you kidding me? Terry wouldn’t hurt a fly.”      “We’re not just around to catch the bad guys, Mr. Michaels. We actually intend to prevent crimes from happening, too” she states, pretending to be insulted.      “Is he in trouble?” the bar owner wonders.      “I think I’m the one who’s doing the questioning here, Rob. Can I call you Rob?” Zoë grabs a hold of the conversation again, not impressed.      “S-sure,” he answers, intimidated.      She glances at the clock, it’s 5:55. Then she continues.      “Tell me what you know.”

     Zoë’s eyes are penetrating, yet calm and the bartender soon begins his story, but he doesn’t start off with anything new. Shy guy, father of two, yada yada yada. Her thoughts wander off to the whiskey bottle on the shelf again, as she partly listens. Shit, she wants that heavenly brown liquor, and she wants it bad. Although there’s a full glass in front of her, she still refuses to drink it. Zoë hasn’t actually seen him rinse the glass, nor if he poured the whiskey straight from the bottle; it could be spiked. The huntress contemplates on dragging him over the counter and cutting him; if he screams out in terror, he’s not the shifter, if he doesn’t, he is. Yeah, maybe not such a great idea, Zo, she thinks to herself. And all this time she keeps staring at the Johnny Walker Red.

     “He moved into town a few years back with his family. I believe he still owns some property about a mile or three out, though. Somewhere on 110th Ave,” Rob says with a lowered voice.      Suddenly there’s the sound of glass breaking. The bartender turns around and is surprised to find the bottle of whiskey in pieces on the floor.      “Ah, damn it! Must have left it too close to the edge,” he mutters as he kneels down to pick up the biggest pieces of shattered glass.      Startled, Zoë stares over the bar, recapturing what just happened. Did she just… Ah shit, not this again.      “That’s a shame,” she comments to break the silence.      “Sure is,” he agrees, but then pulls his hand back with a little screech. “Ow!”      He gets up and Zoë immediately detects the bleeding cut on his finger, which causes Rob to hiss in pain. A shapeshifter wouldn’t feel a thing when being cut by glass; so much for her theory. As if she was waiting for the lights to go green on a racetrack, she puts the glass to her mouth and lets the whiskey ooze down her throat. My God, she so needed a drink. 

     In the meantime Rob takes off to the kitchen, probably to bandage the cut. It’s when the door closes behind him, that his last words sink in. 110th Ave! Cliffer owned land there? She quickly gets her ducks in a row. She knows O’Brien, Middleton and Gibson, the missing people, have all been at 110th Avenue over the last month, but no one actually owned a place there. This might be a major lead! Why didn’t she learn about this sooner? She has to find the exact address and pay a visit as soon as she’s done here. 

     As the place gets more crowded during these after work hours, Terry Cliffer walks in. Zoë straightens her back and looks over the crowd. Insecure, the guy in his mid-forties searches the place, then he carefully approaches the bar. He’s not a tall man and he seems thin. It surprises Zoë that the shapeshifter chose his body to copy in the first place.       He glances behind the bar, probably looking for Rob to ask if there has been anyone around looking for him. By this time, Zoë has hopped off the bar stool and walked up to the guy. Her gun, loaded with silver bullets, hangs from her belt and burns in her flesh through the fabric of her dress pants. If he attacks, runs, or does something else that she doesn’t like, she’s going to shoot him.            “Terry Cliffer?”      He turns around and looks her in the eye. Not a sign of recognition. The shapeshifter would recognize her, after all, she is the one hunting him. Nothing strange, nothing out of the ordinary happens, he just puts out his hand to greet her.      “Are you the FBI agent?” he assumes, carefully.      “That would be me, yeah,” she takes out her federal agent identification again. “Shall we take a seat?”      They move to a table in the far corner and sit down. A good spot, one she picked out the moment she walked in. From here, she has a clear view over the entire place, yet it’s private. She signals Rob, who probably took care of his little problem and is back behind his bar. In a few seconds he halts next to their table.

     “What can I get you?” he takes out a pen and a small notebook.      “A beer, if that’s okay?” Terry glances at the woman across from the table.      “Be my guest,” she approves and looks up at Rob. “Plain water please.”      “Oh, and can I get something to eat? I didn’t actually get the chance to have dinner, yet.” The last sentence was more directed to Zoë than to the bar owner, excusing himself again in that self-conscious way.      “The usual?” the owner of the place asks.       Terry nods.      “Anything else?” Rob glances from one to the other.      “No, I think we’re fine,” Zoë answers.      “Okay then, coming right up.”

     Rob leaves the table and finally Zoë can start her conversation. She begins with an attempt to break the ice, since Terry seems to be pretty tense. It’s not every day that you have a one-on-one with an FBI agent.      “Not planning to have supper with your family?” she assumes.      “Not today, my wife took the kids to their grandparents for the week, down in Preston,” Terry tells her.      Good, they are safe, Zoë notes. She folds her hands together leaning on her forearms on the edge of the table, ready to start the interrogation, but Terry beats her to it.      “I don’t want to be rude, but I expected to meet a man today,” he admits with a nervous laugh.      “Right, I heard you talked to my partner. He called in sick,” she makes up quickly.       “It was really odd, he didn’t know your name,” Terry tells her. “For a moment, I thought I was being pranked or something.”

     Uh-oh. Is he suspecting something? She has to come up with something good now to keep a good impression.      “I actually got married a week ago,” she lets a smile play on her lips, turning her mother’s engagement ring on her finger, drawing attention to the piece of jewelry.       “I changed surnames. What can I say, he doesn’t like change.”      “Congratulations!” Terry smiles back, seemingly buying it.      Pfew, that was a close call. Now it’s her turn to ask some questions, because all she has been doing during the last five minutes is covering the Winchester’s fuck ups. Just as she takes a breath to begin, Rob shows up next to the table with their drinks and a cutlery set for Terry. Zoë lets out an annoyed sigh and looks away.

     “One beer and plain water.”      He puts down the glasses from his dinner-tray, which he holds up with his left hand. As he sets down Terry’s beer, the meat knife slips from the plate and falls, the sharp edge pointing down. Zoë looks up just in time to see the knife penetrate the hand of the man she’s about to negotiate. She almost lets out a moan of disgust, but strangely enough, Terry doesn’t even notice it until he glances at his hand.      “Terry, Jesus Christ! I’m so sorry, it - it just fell off!” Rob stammers, but neither of them hear him.      It’s not a silver knife, it’s stainless steel, Zoë realizes instantly. Slowly the person  - no - creature, on the other side of the table lifts his head until he looks directly at her. His facial expression is no longer insecure and friendly, but self-confident and sadistic. For a brief moment his eyes flash white, as the eyes of a cat reflect when it stares into a pair of headlights.

     “You son of a--”      There’s no time to finish her sentence. In a split second, the shapeshifter draws his gun and Zoë is just in time to flip the metal table over on the side. She goes for her Smith & Wesson as well, as the shapeshifter backs up, causing his chair to fall over. Several people turn around to see what’s going on as Rob turns pale and steps back. Just before he unleashes a bullet on her, she shouts a warning.      “Everybody on the floor!”            As screams are let out by people inside the bar, the shifter fires two bullets at her, but by using the steel table as a shield, she stays unharmed.      “No way you’re gonna shoot me twice, fucker,” she snarls as she aims her gun over the edge of the table and pulls the trigger.      Making sure not to injure any civilians, Zoë fires three shots in a row. She’s not sure if any of them hit the target, but he’s still running.      “Fuck!” she curses as the third shot shatters the glass of the front door.

     Quickly, she follows and intends to run outside. Good thing she takes cover behind the doorpost as she glances around the corner, because the huntress stares right into a barrel. Just in time, she retreats and the two bullets shoot by her. Stumbling back inside, she takes a short second to catch her breath with her back against the wall and her gun tightly gripped in both hands and pointing it down. Several frightened and panicked eyes look straight at the FBI impersonator. One face stands out, Rob stares at her as if he just saw a ghost.      “I hope you’ve got insurance, Rob,” she comments, out of breath from all the excitement.      He nods his head, dumbfounded, unable to get a proper ‘yes’ or ‘no’ out of his mouth.      “Good, have a nice evening. Sorry ‘bout the mess.” She smiles uncomfortably and gives him an awkward wave.

      After gathering her courage, the huntress exits the bar. With the gun pointing ahead and her index finger off the trigger, Zoë clears the area, but there’s no one there but a bunch of thrill seekers who probably heard the gunshots. Zoë lets out a sigh and lowers her nine mil; she’s back to square one. There’s no need to follow him, he could be anywhere and anyone by now. She moves back to the small alleyway next to the bar where she parked her Harley, still expecting an ambush behind every corner. When she walks up the street, she notices a shiny fluid on the sidewalk, which catches her attention. Curious she kneels down and touches it with the tip of her finger; it’s blood. A grin appears on her face; looks like she managed to hit him after all. 

     When she looks further she notices a blood trail leading to a manhole in the center of the alley. The shifter left the cover off, allowing the huntress to stare down into the black depth.      “Hope my bullet hurts as much as yours did, fucking lizard!” she bellows down.      Zoë gets up and makes her way to the Harley, thinking through her next move and forcing herself to focus, even though the adrenaline is still rushing through her body. Terry Cliffer’s property at 110th Avenue; that is her first priority. She would bet money on it: this has to be the location of the shapeshifter’s lair.

     It’s quiet in the parking lot when Zoë pulls up to the motel, but she doesn't pay much attention to the silence, determined to close this case tonight. She rushes inside while taking her helmet off, doesn’t bother to pay attention to the man behind the counter and quickly opens the door to her room. Her Macbook is still buzzing softly and as soon as she presses a key, the screen activates. She selects a tracking website from her favorites and types in the information she has. After several seconds a complete address shows: 3841 110th Avenue NW. Quickly she kicks off her pumps, changes her dress pants for jeans and her blazer for the new leather Harley Davidson jacket. As she’s lacing up her biker boots, when three loud bangs on the door startle her. Cautious, the huntress takes her gun in her left hand, finger still off the trigger, and silently approaches the door.      “Mrs. Johnson! I know you’re in there!”            She recognizes that voice, it’s the owner of the motel. Quickly she puts away her weapon and opens the door. The old man is waiting with a phone still in his hand, he doesn’t seem amused.      “I just received a call from one of my guests who was dining at Beetle’s Bar, said he saw you shooting up the place,” he recalls.      “I can explain that,” she states, calmly.      “I bet you can. You know what? I’ll bet your real name isn’t even Johnson. I want you out. I said I didn’t want any trouble,” he insists, pointing down the hallway.      “Just give me a sec.” She goes for her ID in her inside pocket while her other hand makes a calming gesture, then she shows it to him.      “My name isn’t Johnson, you’re right. It’s Evans, Sarah Evans. I’m a federal agent and I was working undercover,” she explains.      “FBI? Yeah, right. I don’t give a damn. Now, get out of my motel,” the man decides.      “Alright, let me get my stuff,” she sighs, putting back her identification.

     Instead of pulling back her hand empty, she grabs a small flashlight, turns it on and points it in the old man’s eyes. Her suspicion is confirmed, because his eyes flash white. For a brief moment the shapeshifter is overwhelmed by the reveal, enough time for Zoë to drop the flashlight into her striking hand, breach the space between them and slam her fist right up his nose, giving him one hell of an uppercut. He goes down in the hallway and looks up at her, staggered.      “Come on. Did you really think I was gonna be that easy?” she chuckles, flipping the torch up in the air and catching it skillfully.

     She grabs him by the collar and drags him inside her room, shifting the fight between four walls instead of on the corridor, not wanting innocent bystanders to get caught in the crossfire. She drops him to the ground, glaring down on him with disgust as she takes her gun from behind her waistband. The shifter clears his throat, wiping crimson red from his lip.      “Actually, I did. I almost shot you twice. Reckoned this would be a piece of cake,” he gloats with a grin, after which he struggles to get on his feet, holding his hands up. “You wanna shoot me in a fully booked motel? Try to explain that to the neighbors.”      Zoë narrows her eyes at him, mentally kicking herself for leaving the gun suppressor in her storage locker the last time she was there. The bastard has a point; shooting what looks like the owner of Motel 6 through the heart, will definitely draw attention. She scoffs, pursing her lips, then she takes the magazine from her weapon and lays it on the bed.      “We’ll finish this the old fashioned way, then,” she agrees confidently.

     They face each other, challenging. Zoë adjusts to a back stance, putting her left foot behind her and bending her knees slightly. Her hands lift up in front of her face as she flexes her fingers, ready for anything that son of a bitch is going to throw at her.       “I have to say, you got me fooled. Making me believe Terry Cliffer was going to be your next dress-up party, while he actually was your first. Smart,” she admits.      “If you admire me so much, why waste me?” he tests, blood dripping from his nose.      She smirks at that, entertained by his arrogance. “Don’t give yourself too much credit.”

     He steps towards her, but she beats him to it. In a quick move she defends, blocking his attack with her forearm and swings her back leg up with force, kicking the shifter hard against his temple. He goes down, shaking his head to ward off the black spots that are inevitably swimming in front of his eyes. When he looks up, the huntress has taken her rear foot stance again. One fist with her palm up on her hip and ready to strike, the other is ready in front of her to defend.       “Gotta say, you fight pretty good for a girl,” He gets to his feet again, wiping his brow. “Or should I call you the Karate Kid?”      “Oh, I’m not a kid. I’m more like a ninja,” she smirks, staring him down.        “Ninja or not, you’re no match for me.”

     He charges her, faster than humanly possible. Despite his supernatural speed, she dodges his jab and releases another kick, against his ribs this time. The creature locks her leg before she can retreat, however, and steps in while Zoë has lost her balance. With a fierce strike, his fist hits her in the jaw, hard. He still has a hold of her leg and twists it, forcing her on the floor, pulling a groan of agony from her as the ligaments in her knee stretch further than possible. Not giving up that easily, she pushes her left foot from the ground, using the leverage of him still holding her right leg tight to swing the other to his head, hitting him on the side of his face with her instep. He releases her and she breaks her fall, rolls, and gets up again, all in one swift movement. The arm that had a strong grip on her only seconds ago, is now twisted to the shifter’s back. Roughly, she  forces him to his knees; he can't go anywhere. 

     “What did you do to those people?” she demands, not asking very nicely.      “Oh, don’t worry, I don’t actually kill them. It’s far more fun to watch them suffer,” he responds, sadistically.      “You son of a—”      She doesn’t have time to finish her sentence, because the shapeshifter throws his head back and hits her hard in the teeth. Sharp pain shoots through the roots into her skull and for a moment there she’s sure he broke off a tooth or two; so much for looking fabulous.       In that split second, the chameleon manages to fight free, grabs her by her arm and violently throws her over his shoulder. Zoë lands on her back, the air slamming out of her lungs. She gasps sharply, unable to catch her breath. No time to recover from the pain, though, because she receives a kick in the gut a moment after. 

     Losing control over the fight fast, she tries to push away from her attacker to buy herself some valuable time, but her opponent takes the liberty to help her up, forcing her to stand by pulling her hair, before she suffers a blow in the chest with a strength that exceeds that of a human being. The huntress slams into the table, the edge bruising her lower back, feeling the tight grip of the shifter's hands on her throat when he roughly pushes her into the wooden surface.       With a devilish grin on his thin lips, he chokes her, clearly enjoying the display: how his victim fights for air, trying to pull in desperate breaths as he crushes her throat under his fingers.  

     “You know what I do to them? I keep them somewhere safe, safe from the world, where no one can find them,” he tells her, his speech eerily slow, as if he’s reading a chapter of a horror novel.      Zoë glances aside briefly. Although she can’t move her head, she notices the empty whiskey bottle she and Dean left last night, still laying on its side in the window sill. She reaches out, almost touching the glass, but the bottle remains out of reach by an inch or two. The shapeshifter laughs at her attempt and continues his story, as if he has all the time in the world to tell it.      “Humans are such strange creatures, you know? If you keep them together in a tiny cage for a while, they tend to behave like spiders. They attack each other, eventually kill and actually eat their own kind out of pure desperation. How amusing is that?”

     Zoë can’t hold back a gag, but forces herself to concentrate on the bottle. It vibrates almost unnoticeable, then the bottleneck turns towards her slightly. Focus, Zo! You can do this! She sends all her energy through her stretched out arm towards the nerve endings on her fingertips. It works, because the bottle flies into her hand. With an unexpected strike Zoë breaks the bottle on the shifter’s head, who stumbles back, finally letting go of her neck. Trying to suck oxygen down her painful windpipe, she coughs uncontrollably. Alright, that’s enough. A fair fight seems noble and all, but having a face off with a supernatural being, might not have been one of her smartest ideas. The huntress reaches for her gun and takes the magazine from the bed, swings around, aiming at… nothing? The room is empty.      “Fuck, not again,” she curses, bummed that she can’t put twenty years of jujitzu training in good use because of the runner.

     Before bolting out the door, the experienced huntress glances both ways down the hallway, her gun ready. Shit. No sign of the shifter. She lets out a frustrated sigh and  moves in, rolling her tongue over her straight teeth in the meantime, checking if they got chipped after the nasty headbutt she received.       When she clears the foyer, she is surprised to find the real motel owner, tied up to a chair in nothing more than a shirt and trunks, his mouth taped.      “Are you alright?” she asks, as he ‘hmm’s’ loudly.      In a quick movement she rips the tape from his mouth, unleashing a rant of curses and shouts.      “Ouch! That son of a bitch! Where is he?! Where is that bastard who did this to me?! I’m gonna kill him! I swear, I’m gonna--”

     Zoë stares at him for a moment, feeling a headache coming on, then grabs the roll of duct tape from the counter. While the manager keeps on raging, she rips off a piece of tape and presses it over his mouth. There is no way in the world she’s gonna release the pissed off elder; he needs some cooling down time. Casually she picks up the phone and for a moment considers dialling 911, but decides this isn’t really that much of an emergency and calls the local police.      “Hello? Yeah, hi. I just found an old guy tied up to a chair in not much more than his undies… Motel 6, 2107 Highway 52 North... My name? Yeah, it’s Not Interested.”       She hangs up and clears her throat, wiping her prints from the horn, then walks away, bored, with the roll of duct tape in her hand, leaving the furiously moaning motel owner behind the counter.

     Back in her room, she gathers her things and stuffs them in two duffels, which fit into the two big leather saddlebags on her Harley perfectly. She makes quick work of getting rid of all the evidence, including the glass she shattered on the shifter’s head. With both bags on her shoulder, she takes a last look around and leaves the room, waving at the motel manager on her way out while hiding her face from the security camera.       The cover of the manhole in the center of the parking lot is removed; her shifter went underground again. He's running back to his hideout, only he doesn't know that she knows exactly where that is.      “3841 110th Avenue Northwest,” she mumbles to herself as she gets on her bike and puts the helmet on her head.

     That’s where she’s going, that’s where this is going to end. The Harley engine roars loudly when she accelerates. Its back tire spins for a moment before the motorbike takes off as the evening sets in. This is going to be her last night in Rochester and his last night on the face of the earth. Zoë is determined: this hunt ends tonight.

Thank you for reading. I appreciate every single one of you, but if you do want to give me some extra love, you are free to reblog my work or buy me coffee (Link in bio at the top of the page).

Read part nine here

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[littlemeangreen]

Onism

The frustration of being stuck in just one body

@thecorteztwins your favs call me daddy too.

"Oh god, oh god, oh fuck-" Shinobi Shaw swore as he tripped over a table leg. Who put table legs in the hallway? Who put tables in hallways? God, they were so gaudy. But then again, it seemed like a thing for Haven. She was a sweet woman and a total milf but like all rich people, she had obviously never had to furnish her own home before.

But still, for what Haven lacked in moderate taste she made up for in a caring attitude that made most mutants of Krakoa swear that she had some sort of...super mothering powers. Yeah, that seemed like a valid enough thing for Haven.

She was always caring and polite and Shinobi was hard pressed to think of a time where she didn't help any members of the team. Like taking Alice shopping to develop her own style, letting Claudia ramble on about something, being there for Pyro when he either started going off about one of his books or dragged her off to talk in private and letting Madelyne go off on her personal martyr missions because it was "healthy for her".

Hell, she even made an effort with Shinobi's father, Sebastian. Shinobi didn't think that much could happen there, once a lost cause then always a lost cause, right? Still his father hadn't given any hints that he fucked her so Shinobi could admit that a great deal of his love for Haven came because of that fact.

But still, Haven gave almost everything she saw effort and that weirdly enough included the Shaws for god knows why. They were then Kardashians of Krakoa! There was no point for Haven to try and use her feelings to try and get along with his father. You could try to feed a donkey a carrot but you couldn't do it by shoving the carrot up its asshole.

That's why it was odd that she had called him so....late? Early? He had been at a delightful party-turned orgy so he had lost track of the time. He'd gotten told that he had a text right when it had been getting good and now here he was, rushing down a hallway because Haven had texted him in a middle of an orgy because something had happened to his father and no one would tell Shinobi what is was.

It was maddening. Infuriating. Worrying. Shinobi wanted his father to be okay.

Shinobi also wanted to hear that his father was in pain.

"Ah! Shinobi! Forgive me for not passing any details, the situa-" Haven seemed to have been cut off by the look he had given her but really, surely the woman would know not to ramble on after giving such a text!

"Right, yes, sorry. Your father is...okay." Okay? No mutant was ever okay in their lives! "He was on a mission with Fabian-"

Oh fuck. Shinobi imagined that if his father had another son (that Shinobi knew of) and dropped him down a river like Mystique did, it would be Fabian. A disaster of a birth could only make such a wreck of a man years down the line in Shinobi's opinion. But it wasn't like he would actually ever say anything to Cortez. After all, who knew what a mutant with power enhancing skills could do to a man who phased through things. Better to keep his tongue away from Fabian Cortez, both metaphorically and physically. Especially physically.

Wait. Shit. Haven looked like she was done speaking. Had Shinobi glazed through it all? Haven would be perfectly fine with explaining it again but still...did he really want to stand through another long winded and overly detailed talk? Probably not.

"-Trust me, we're going to try and reverse what happned but first we need to just simply wait and find out if..." Haven seemed to stop for a moment, biting her lip and looking away briefly. She fiddled with low hanging necklace riddled with red jewels. Shinobi distantly remembered that red apparently evil comings in Egyptian mythology.

Shinobi sighed and decided that, like all things in life, he would do this head first. After all, he was excellent at head.

"Right....well. Take me to him, I suppose he will be wanting to talk to me." He frowned and waved a hand, trying to come off as aloof. Father had done it many a times and he hoped to think that he had gotten the gesture down to the same titbit.

Haven seemed to account his aloofness for grief and stepped forward, offering her hand and not looking off-put when Shinobi didn't take it. "Of course. Follow me, he- they refused anyone in the room apart from Dr McCoy, Charles, Moira and....Madelyne." Haven winced at that last bit and Shinobi could only imagine what it could mean. Did Sebastian demand that she stay? To keep someone the smallest bit familiar that he could stand? Perhaps he liked it when Madelyne presence could soothe something in him, like a twisted beast disguise as a beauty.

No, that was ridiculous. Shinobi's father could take more comfort from a wrinkled bill rather than any person.

Fabian though? Yeah, that made sense she'd be there.

Shinobi was led through the halls, where he saw the rest off his team waiting about. Alice was leaning against Pyro, frowning as he rambled on about something to make her feel better. That was good of him, Pyro often than not was able to pull through on comfort far more easily than he thought he could. He'd hold on just fine until Dom came over to help him out.

Claudine was leaning against a wall, nodding at Haven after looking up from her phone and rapidly texting. Shinobi didn't want to think about what she would hope to gain from whatever happened to his father.

But what was surprising was the fact that the rest of the Acolytes were standing around near the doorway, Anne Marie being helped by Delgardo, who was passing her a glass of water as the blue haired woman took a sip and cradled her head. Also...Quicksilver was there. Which Shinobi didn't want to think about why other than him being on he mission with Fabian and Sebastian.

All of these people for the worst men on Krakoa...it was astounding honestly. "Are you ready?" The tall woman was weirdly insistent on making sure Shinobi was prepared for something he wasn't even sure about yet. But he liked surprises for the most part, maybe this would be one of them. Or better yet, this whole charade was just some sort of...surprise birthday party. You never knew, he certainly didn't know when his birthday was. Father was never big on celebrating milestones that just reminded him of the disappointment he seeded years ago. Ugh.

Shinobi nodded, adjusting his tie and taking in a deep breath as the door opened up. Whatever this was, he could easily handle it. Contrary to belief, Shinobi was capable of doing tasks for his fa-

Oh.

"Oh." Shinobi said.

"Oh." Haven agreed with a small sigh, covering her mouth at the unfortunate sight.

"Oh." Charles Xavier, sitting by a table in the room, seemed to think that this was the best greeting.

"Oh?" A new voice, deep enough that Shinobi could feel it rumble in his chest, deep enough that it caused he windows to shake gently. The voice belonged to a horror of a nightmare and oh god Shinobi was going to become a nun or whatever the hell meant he could never look at evil again. Because this?? This was evil.

He was big. Like, eight or nine foot big. Fucking stacked with the small pouch of fat that all middle aged people got eventually. There were also stretch marks across his skin and Shinobi wished that he had the decency to either cover himself or to just not wear a shirt at all, with the way that he wore ONLY sleeves that were buttoned above his ridiculously big man boobs, the type of man boobs that only jacked guys or the Blob had and the type that Shinobi prayed every night that he wouldn't get one day. Thank god his pants stayed on, despite how...hugging they were.

His face was chiselled enough, with a shady stubble that definitely make a picture with the brownish-red hair that was currently tied up in a ponytail trailing down his back and Shinobi couldn't help but notice the fact that his eyes were practically glowing blue among a pitch black scelara.

"Shinobi, I HOPE that you aren't going to just STAND there and stare like a FOOL." The same deep rumble was back and with every word that was seemingly emphasised, Shinobi not only heard his father's voice, but also a deep surge of something that made a churning feeling arrive in his chest and stomach. He didn't need to stand around here to know that he didn't like the way that another set of eyes opened up and stared from what was supposed to be Sebastian Shaw and Fabian Cortez's throat and left cheek. He also didn't like how a crunching noise led to another set of arms, just as muscular as the first pair.

Haven seemed to catch on to what he was feeling, she always did. And the kindly woman was quick to carefully place herself between the...two? Three? Of them. Luckily Fabian's liking for Haven seemed to transpire over to Sebastian and the giant's eyes softened as he stared down at her.

Well. Shinobi would feel traumatised over that later. It would give him something to do when he wasn't partying.

"Okay, let's...take a deep breath and...try to think about this. After all," Haven dropped her hands and winced, obviously thinking back to something Shinobi had missed. "We don't want a repeat of what happened to Scott when he tried to get you two to split up..." Shinobi didn't know it now, but he would definitely laugh later when he heard how Scott blasted an eye beam when Fabastian got too rowdy, only for his own lasers to bounce off him and.. seemingly emit from Fabastian's own eyes. Beast and Chrome had suspected that rather than increasing other mutant's powers or absorbing them in force, Fabastian took the power in and replicated it in a more extreme force, rather than a simple absorption like Rogue did.

Fabastian sighed and nodded, turning away to stare out the large windows, his awful back...rippling. ugh. How did someone ripple that much? It was gross and unnatural and ugh, oak trees were skinnier than Fabastian's arms. It was like bear meets bear meets bear with a bear with a steroid problem. "We are absolutely SURE that we can fix it BECAUSE, no one can even BEGIN to be trusted with this!"

Then, as an afterthought and lower to himself, Fabastian added, "And it isn't like any of you will be willing to help me or him or us or what makes this form so brilliant."

Behind them all, Pietro seemed to wince and look away, like be didn't agree with that sentiment. Which was fair, Shinobi didn't like it either so Blues Twinky Clues had a very good point there.

"Um. Okay." Shinobi made the effort to try and ignore the way that his - father? Guy he didn't want at orgies or doing drugs? Or anywhere near him? - Spoke. "So. Um. I think...this is a big problem and Haven is absolutely right when she thinks that this shit is weird and we need to-"

He barely got to finish before large hands were shooting out for him. Haven...she tried to stand in the way again but it seemed that Fabastian's emotions had taken over and large hand roughly shoved her away, causing Haven to slide across the room and into the back of a wall. Funny enough, almost no one noticed the flare of darkness coming across her eyes and spilling out of her mouth as she took the sudden force and was...seemingly okay.

Everyone else though, took it as the motion of "oh fuck they're angry time to fight" and now Shinobi was suddenly surrounded by a room of heroes, villains for hire and whatever Pyro was, as they took the big fight scene poses. Completely ready to get their asses kicked if you asked Shinobi.

After all, no one went up against any part of Sebastian Shaw and came away perfectly fine. He always hurt you in some little way that maybe you won't notice for months until someone sneered or yelled at you in the right way and your stomach would clench and you would start to shake because they were right, he was right about everything when it came to how awful you were but you could never hope to say anything to defend yourself.....ahem. Shinobi was getting ahead of himself there but the point still stood; You never won in a war with Sebastian Shaw, even if you had won the battle of that day.

And maybe someone would think that seeing Haven getting supposedly hurt would make Shinobi be more heroic and actually stand up for her for once. That having everyone in the room, including Anne Marie who normally would never harm a mutant so long as she knew stood on her side, was now staring intently at the awful muscular being and...well, fuck. It was going to be one hell of a showdown and Krakoa would definitely be busy over the next few weeks bringing people back to life. That is, if Fabastian didn't explode on impact, like am oversized balloon.

And maybe you would expect Shinobi himself to start fighting. To finally take a big stand against his dad and the asshole that kept ruining the good parties and orgies.

No.

Instead, Shinobi took a step back, a deeper intake of air that seemed to keep on running away from him. His eyes were wider by the second as Fabastian took a step forward and something pulsed within him that....well, he didn't like thinking about the sudden sharp fear, like he was a deer in headlights. Only that the headlights were an overzealous and violent man who was currently screaming over how; "He KNEW you would all betray him how DARE you ALL!" You know, the scary shit that you tended to hide from when an incredibly creepy guy and your scary parent were getting into that awful mood.

Instead, Shinobi decided that dying again wasn't worth it. And something in him twisted and turned in an ugly manner as the sight of familiar eyes shifting in anger as they took in all of the opponents they would hurt and prove their worth to. He didn't want to die like this and something in Shinobi (the part of him that went "that catch of tequila will fuck you UP" And was usually right) told him that he especially didn't want to die by his father's hand.

It was cowardly. To step back and simply...phase through the floor before Fabastian could touch him. He couldn't deal with this. Not right now. There was nothing funny about the current situation or the anger that was taking hold in a normally coll and collected man. Right now, all Shinobi cared about was getting to safety for himself. Maybe finding Storm because even when he was being awful and flirty, he did admittedly admire how she was seemingly never scared by what she faced.

And besides, he could always laugh at Pietro being punted into Anne Marie out of a window later.

[very-grownup]

THE YEAR IS 2020 AND I WATCHED NEON GENESIS EVANGELION FOR THE FIRST TIME, PART 12

Episode 24.

It seems very unfair of us to watch Dorohedoro after Evangelion, because each episode of the former concludes by telling us things we've learned. I feel like all I've learned from Evangelion is "fuck the colour orange".

This is also the episode where I cursed that the episode length of Devilman Crybaby and Madoka didn't sync up with Evangelion so we never got the power trifecta of 'my first homoerotic teenage nihilist crush'.

The actual episode report under the cut.

So, so, so after last week's upsetting underground tang aquarium of Reis adventure the series remembers to check in on the super-traumatized Asuka (which is more than the adults within the series do). We get a greyscale small child Asuka running down an orange (bad) corridor. She's excitedly telling her mother about how she's been chosen to pilot a giant robot and protect humanity and it'll be with other kids and she won't be alone and won't need to depend on her father or anyone else and the excited child shots keep cutting to an ominous door. Eventually the door opens enough to show the red behind it and, knowing what we know from the Asuka episode a few weeks back, you can interpolate pretty easily and upsettingly what opening door onto solid red means.

There's a fight between Shinji and Asuka that we're catching the climax of, with thrown and shattered mugs, and Asuka calling Shinji a liar and Shinji apparently reiterating that fuckin' Kaji is gone (I can't tell if he's trying to tell her Kaji is dead or just that he’s bailed on them).

Misato's gotten notice from Seele, the obelisk council, that the Fifth Child is being sent to replace Asuka and Misato recognizes something hinky is going on and senses conspiracy which is ... pretty reasonable at this point. I'd also be seeing conspiracies everywhere. I wouldn't know what they meant or even whose conspiracies they were, but I'd definitely suspect multiple conspiracies going on if literally anything new happened.

Asuka, naked, maybe bloody? in a bathtub in a destroyed apartment with the ceiling crumbling down. Her eyes are vacant and her cheeks are hollow and she's mumbling about her sync rates falling. It's weird and haunting and the building is as destroyed and non-functional as Asuka. Someone from NERV finds her and it turns out Asuka's been missing for a fucking /week/ in this destroyed city and they've only just found her since I guess she ran away after her fight with Shinji and you know it's at least partially because they don't care about finding her. NERV barely cared about Asuka back when she could get in the robot, they absolutely don't care about her now and it's unclear who, if anyone, is responsible for her since fuckin' Kaji's death. Is there even law in Tokyo 3?

My point is, everything is falling apart in the structure of the show and the world within it and the first ball to truly get dropped and broken is the used up and now valueless teenage girl and it's heartbreaking.

Things are getting so real that Misato is /sending Penpen away/ for his own safety and I'm glad Misato cares about Penpen but I wish Misato could find it in her to care about, say, Asuka (Misato is a fuck up and trying her best, but at the end of the day she's still a fuck up). Is Misato the best adult in the series or is she actually the worst adult in the series because she recognizes how she is failing but fails to take action to correct her failures? As a viewer I can't be disappointed in Gendo because he's shit and I have no expectations of him. But I love Misato and so it hurts more when she lets me down and by this point she is letting me down HARD (but I suppose Misato disappoints herself).

Shinji is also in a bad place and he's contemplating the orange tang wreckage of the city and how the small thread of normalcy has gone now that everyone's evacuated. Shinji misses his friends who ... hoo boy.

The one Shinji last saw in the hospital after nearly killing him via giant robot and the other he last heard calling him to tell him how much he sucked for not wanting to pilot a giant robot. It's sad that those two are as close to friends as Shinji has had.

Shinji desperately wants to talk to someone right now about, you know, the /underground tang aquarium full of Reis/ which it seems to be implied is a result of forbidden science experiments combining Adam Trevor flesh with the remains of Shinji's mother? No one SAYS it but yes?

So Shinji can't talk to Rei about this because he feels weird about the whole thing. Asuka's missing. His friends, such as they were, are gone. The poor kid just needs someone to talk to, to confide in, and he asks Asuka, Misato, and his mother, in that order, for help. Are all women ultimately mother for him? Rei, Misato, and Asuka all got conflated when he was absorbed into the EVA which were all part of an ur-mother thing so ... maybe? I don't know. Probably nobody knows. Shinji certainly doesn't know.

Then Shinji's thoughts are interrupted by Akira Ishida humming "Ode to Joy" (gorgeous piece of music, loved it since I was a little girl) and Akira Ishida is here! Things are not going to get more sensical when Akira Ishida just appears in your anime.

So this is Kaworu, who is sitting on some picturesque rubble jutting out from the orange tang, and he's the replacement EVA pilot. His hobbies are having mysteriously deleted records, perching on things, knowing about Shinji, and talking deep and cryptic, but in a friendly way.

AT SOME POINT IN THIS EPISODE Gendo talks to Shinji's EVA and refers to it by his dead wife's name and is glad the spear of Longinus is on the moon, actually, because with it on the moon it can't stand in the way of their plans and Gendo has an eyeball in his palm.

The obelisk council have a meeting where they are once again berating and complaining about Gendo and it is unclear if they realize that Gendo's not there.

Misato is pretty sure Kaworu is a spy or agent of some sort sent by the obelisk council and she and the dude NERV subordinate who's always around are trying to do some side snooping to figure out what his deal is.

Hey where's Ritsuko? Sitting on a chair in a black void telling Gendo about how her cat died and she didn't think about it at all for years until her grandmother called to tell her it was dead and now she's having feelings about it and Gendo doesn't care about symbolism. Gendo wants to know why Ritsuko destroyed the dummy plugs and Ritsuko is like, I didn't destroy the dummy plugs, I destroyed Rei which ... I don't know, I don't know, are we all operating at cross-purposes here Ritsuko? Are you and Gendo even having the same conversation?

Gendo's like ... is this because I stopped having sex with you? And ... maybe that conversation went further but I think my brain strangled itself rather than contemplate Gendo viewing sex with anyone as a favour he's doing them and one Gendo finds inconvenient (and gross at that).

Rei's having a time and as is often the case with Rei it's unclear what she thinks about what she's thinking? Rei seems like she's a cypher to herself more than she is to anyone else. Rei's maybe trying to figure out what her purpose in life is or who she's alive for? She thinks about Gendo's glasses and something's different with this Rei, I guess, compared to the other Reis. I think something's breaking down, like maybe each new Rei is less and less connected to Gendo? I don't know.

At some point, Rei encounters Kaworu and he's like oh hey, you're like me, I thought so! Maybe they're at NERV or on their way to NERV? Look, the budget ball got dropped with Asuka, this shit is getting impressionistic. So maybe Kaworu doesn't have any background for Misato to dig up because, like Rei, he's a construct from some weird genetic fuckery (I think Misato even compares his lack of background to Rei at one point) anyway he's like it's episode 24 time to drop Lilith references!

Why are you doing this to me, Akira Ishida? If I had one of those murder evidence string boards it would be such a mess right now as I tried to find room for /Lilith/.

Misato's reached the point of fuck it, let's just throw all the kids into the robots for tests and Kaworu is /suspiciously good at robot numbers/.

After robots, Shinji is just sort of hanging around when Kaworu exits ... something NERV-y and Shinji is awkward and shy and doesn't want to go home and needs to take a shower and Kaworu is ... intense and suggestive and friendly. So they shower together and then bathe together and there's, like, an entire wall in the baths that's dedicated to a screensaver slideshow of NERV propaganda and Kaworu just wants to talk to Shinji and get to know him and hold hands in the bath and it's obviously weird.

Shinji is so desperate for friendship and someone to talk to and you don't want to see conspiracy or shady shit here because at this point I just want something /good/ to happen to Shinji for once in this constant tragedy train of a show. Just let him have this weird friend who wants to talk to Shinji about his intimacy issues and how his fear of being alone makes him keep to himself and causes the aloneness because chosen aloneness is better than risking connection and getting rejection. So probably the biggest red flag about Kaworu is that he's talking to Shinji about the things Shinji is concerned about without any overt robot-centric motives.

Then Kaworu invites himself over for a sleepover. Shinji takes the floor because of course he does and they talk more philosophy and fate and destiny and depression and Kaworu is intense and tells Shinji he likes him and no one has given Shinji even this crumb before.

The obelisk council has a meeting that isn't in the void but is over the tang craters of the ruined city and they're meeting with Kaworu because of course Kaworu is their construct of some sort being sent to ... something ... Gendo ... moons ... Lilith ... Adam ...

Misato is watching all of this from the highway through highspec binoculars and cursing that she can't read Kaworu's lips. She's looking at the back of his head, mind you. But I heard what Kaworu said and I don't fucking know, Misato, so don't feel bad.

Misato meets Ritsuko in the black void at some point and if I knew why in the moment I have since forgotten. I don't take notes. I just watch. Misato's angry, though and Ritsuko is just ... overcome with a sense of her own failure or maybe grief or anger at her inability to not repeat her mother's mistakes? There's definitely mom-stuff involved.

I'm aware that these reports are becoming longer and less coherent and also probably less interesting for people to read but once I decide to do a thing I do it. There's definitely a loss of narrative cohesion as the series nears its end, probably due to budget stuff.

It's an episode for people to talk to the EVAs in their giant hangers and Kaworu goes to have a chat with Asuka's robot where chat means 'starts floating and establishes some kind of mental link with the EVA and turns it on'.

In the NERV control centre everyone starts freaking out at the sudden activation of the EVA. IS IT ASUKA? they ask (no, she's shown to be barely conscious in a hospital bed, so someone's caring for her to some degree). NO PLUG, NO PILOT, JUST KAWORU'S PSYCHIC MANIPULATION.

Oh, and Kaworu's an Angel which means an Angel is now using an EVA to punch through ... NERV ... ground ... basement ... heading to where Adam Trevor is, the orange tang ocean, and that's really bad. If he/they succeed ... Third Impact?

Shinji's called in (and Misato hasn't talked to Shinji once about Kaworu even though the last time there was a new surprise EVA pilot it went ... poorly and, well, here we are now) and he's angry and sad and disbelieving (echoing Asuka's disbelief at the beginning). Shinji feels so /betrayed/ and he compares what Kaworu has done to his relationship with his father which is ... a lot to unpack. I suppose the friendship Kaworu offered is the most obvious affection Shinji has been offered by anyone. He wants affection and recognition from Gendo. But any affection, any seeing and noticing of him, must be like water in the desert to Shinji at this point, and if Gendo's greatest betrayal of Shinji's hopes was overriding his will to make Shinji nearly kill Tohji I guess Kaworu, the only character who's shown any interest in being Shinji's friend, being revealed to be an Angel, something Shinji /has/ to kill, is comparable. I'm sorry, Shinji.

Shinji fights Asuka's EVA, controlled by Kaworu, as they descend deeper and deeper into the bowels under NERV, the two EVAs locked into a very cool looking combat that Shinji doesn't want to be involved in, and Misato and her underling confirm plan SELF-DESTRUCT NERV.

"Ode to Joy" is playing throughout this. It feels very natural.

Kaworu gets to where Adam Trevor is, weird and white and bulgy, looking very pregnant and Adam Trevor is also Lilith and they are the parent of humanity while the Angels are maybe less tainted children of god and are siblings to the EVAs?

Shinji throws Asuka's destroyed EVA through the ... wall? into the orange tang ocean zone with Kaworu and Adam Trevor Lilith and since Shinji's the victor of that fight, he seizes Kaworu, who he still does not want to fight, let alone kill. Kaworu's calm about all of this, though. He's ready to die. He expects to die. He also is ready to live but he recognizes this is a situation where for one of them to survive, the other one can't, and he smiles and tells Shinji he wants Shinji to live.

There's once again a really excellent use of the budget and animation limitations the show was hitting at this point, as there's a long, still shot of Shinji's EVA holding Kaworu as "Ode to Joy" soars, the music the only sound for the static shot.

Then the screen flashes and a small shadowy shape sinks into the orange.

Gendo and Rei wear raincoats as blood is hosed off Shinji's EVA.

Shinji sits by Misato, devastated, and tries to express his feelings to her, express his grief and regret. Kaworu was a good person. Kaworu was his friend. Kaworu told Shinji he liked him and Shinji confirms that /no one has ever told him that before/. Shinji feels like he should have died instead of Kaworu. He felt awful about Tohji's near-death at his unwilling hands. Tohji wasn't even really his friend. His grief and culpability in his own loss here is ... huge. And all Misato can say is that Shinji did the right thing in killing his friend. She's the only adult who's been sometimes sympathetic to Shinji, who he's been forging a real connection with, but by this point she's had to deal with so much shit of her own that the fragile pseudo-parent-child relationship between them has shattered. Misato is just another adult who isn't hearing Shinji. He doesn't know why it's changed, he just knows she's telling him killing his friend was right. This concludes my report on Episode 24 of Neon Genesis Evangelion.

Edit: I know there was a lot of discussion and criticism when Netflix released their new dub and sub, particularly with respect to the line "worthy of his grace" and we can all agree, I think, that Netflix's subtitles are sloppy, their localization flawed. But regardless of the words used, it's clear that Kaworu offers Shinji everything he isn't getting from the rest of the world: affection, understanding, intimacy, a sense of being valued, a sense of safety. Love in whatever form, every form Shinji needs and wants.

I guess I wonder how genuine this offer of love is although I suppose it doesn't matter to Shinji because the betrayal happens, the universe punishes him for risking emotional intimacy, and Kaworu's sincerity doesn't change how awful Shinji is left feeling.

[space-blue]

The first short story I ever wrote

This story was my very first entry to the monthly competitions. It was my first ever English short story. Though it’s very tempting to edit it, I like to keep it exactly as I once posted it, so I can look back and see my own progress over time.

Hades didn't know how he felt about the sight in front of him. His life had led him to some of the most desolate places on the continent, and he had learnt to appreciate dreariness in a landscape. If you kept morals out, anything could become beautiful.

But the ruin of a city's Plant was something else. The vitreous building, still majestic despite its downfall, was marked by soot. Massive metal beams and towering shards of molten materials stabbed the ground around its broken frame. Fire had killed that Plant. Nothing spoke of slow and painful death like the carcass of a Plant. It meant no filtered water, no recycled earth. No uncontaminated food. Despite his twisted tastes, Hades couldn't find it in him to appreciate the view. Instead he shouldered his bag and went in search of a lookout, internally seething against his employer. It wasn't an assassin they should have sent out here but a recovery crew. The life of his target most certainly wasn't worth more than the smallest piece that could be salvaged from the Plant. His employer must be ill informed. The town had been doomed years ago in that fire.

He stayed in his lookout for two days before he spotted his first sign of human life. Gray shadow on grayer background. Proof people were still surviving. He sat in his concrete lair, charging his gun, screwing his silencer on. Maybe after all his target was alive. When he saw a second human in the distance, he took to the streets. For several hours he walked in expanding circles, hugging shadows, progressing through debris. The kid reached him before Hades could sense him. Instant brownie points earned. This respect was all that saved the child from getting his head blasted, as Hades stood, gripping his pack, grimly staring at the sheepish youth holding on to the other end of it. Hades shook the straps violently, jolting the kid off against the pile of trash sheltering them. However the kid stood his ground, cooly assessing the older man.

"Are you a Rogue?" the child asked, eyes suddenly sparkling. "Why? Are you a Rogue killer?" Hades scowled. The kid only groaned, turning his attention back to the pack. Hades had seen rogue killers younger than this kid. Considering that the ones who could claim the kill had first dibs on the rogue's belongings, people got motivated. In such ruined cities all thieves or scavengers, even simple shady strangers, would fall under the Rogue denomination. Of course Hades fell into other categories as well. Spy, thief, murderer. Gun for hire. Hopelessly for the locals, he would probably prove too hard a kill even if the entire town set after him.

"You've gotta be one though no?" The kid went on, "Not like people come to visit here no more."

"Your English is dreadful." Hades replied.

The kid shrugged, unconcerned. The sound of upset rubble clicked in the air and in an instant the kid fell forward, arms bent, fingers splayed to smoothly catch his weight. He landed soundlessly next to Hades, who had spontaneously crouched, palming his gun under his coat. He was impressed by the kid's reflexes. "Smart brat" he whispered. "Them dumb ones don't grow old." Hades waited, scanning the ruined street and staying stone-still, even after a scrawny fox dashed away, offering a possible explanation for the noise that had startled them. One didn't survive by being dismissive. As they finally relaxed, Hades made up his mind. "What's your name kid?" "Aki. What's yours?" "Hades" Aki frowned, his little dirty nose creasing in concentration. "Heard it before I think but… never met you" Hades laughed at that. "You probably heard it in old stories." "Stories about you?" "No. A very long time ago, some people believed in a God called Hades. They left many stories about their gods." The kid gaped, his jaw falling open in complete amazement. "You've got a god's name?! Dust me!" he was so enthusiastic that Hades resolved to keep the nature of his namesake's godly business to himself. No need to dampen the mood. "Aki, sorry to cut the fun but I've been traveling for days to get here. I've got a message for the town's Master Engineer. I didn't know the Plant had died. Is he still alive?" Aki nodded. "Could you take me to him?" Hades asked. The child stood up and dusted his thick gloves on his hips. "Canna do that if you're a Rogue." "I'm no Rogue." The kid shrugged again. Obviously the gesture was some local equivalent for "I don't care what you say". Hades opened his pack with a sigh and made a show of digging through his belongings under the suddenly burning gaze of the youth. He felt bad. Why bother with this kid? Hades had never had to invent a cover story before. Why talk to the rare people who got in his way when he could simply kill them? But if the kid led him to the Master Engineer, he'd speed Hades' work by days… And betray his Master. Anyway he wasn't lying was he? He was a traveller. He had a message to deliver. Bullet message between the eyes.

"Here, that's from Beiry. A shell, the home of a creature that lives in the sea. That's dried fruit paste. They make it in Sakarof, ten days walk West of here. It's sweet. And that's my old mister, you could plug it on your mask. It vibrates when the levels get too high. You pick. I give you the one you want to bring me to your Master Engineer." It was an easy bargain. The kid was quick in making decisions and wisely chose the mister over the rest. Aki might look twelve, but Hades suspected him to be older. The scraggy body poking under the layers of protective clothing spoke of years with too little food. He glanced down at his own chest, peeking under his combi at jutting ribs. He looked almost as malnourished as the child. That's what you got for spending weeks walking through the zone on stupid contracts.

Aki proved to be intense company. He needed frequent breaks and paced their movements in order to always rest in a shelter he was familiar with. He would then indulge in a stream of breathless chatter. He explained how the ruins of the town were mapped, took them to the water works, pointed at shelters, led the way to the cemetery field and cross-questioned Hades about the ways of other town-people, and if any around had pretty girls. He told him everything he remembered about the day their own Plant burnt. He was all around the single most bubbly, optimistic, good humoured zone dweller Hades had ever met. It baffled him. "You're a very trustful brat to tell a stranger all this." "It's my mom's doin' you know? It's how she saved the town too, when the Plant died on us." "What do you mean?" "You know of Master no? She's no leader, weird specialty too. Old tech, she used to study. When the Plant died, everyone was just feeling like it should be someone's fault, so they got after her." "Your Master Engineer is a woman?" Aki nodded. Hades was surprised, but waved at Aki to continue. "Like I said, my mom always went 'Aki, there is no trustin' no one these days, so you'll have to make a choice each time, and start trusting. Better live with treason than never trustin' no one'. That's what she went yelling at people who were after the Master, too. And she did good on that. None of us would be living but for the Master." Hades' curiosity was definitely piqued.

Aki had led them towards the edge of the town, walking along the hazy border between concrete and wilderness. He finally went up a slope, creeping to the top and hid behind a boulder, pointing down around it.

For the second time that week, Hades didn't know how to feel about the sight in front of him. Aki sniggered. Underground buildings poked out of the earth, next to three long, half buried glasshouses, complete with lead sheeting. A century old model. People where going around, caring for plants grown on aeroponic beds. "Dust me to Hell" Hades muttered, "your Master specialized in 21st century tech?" Aki nodded vigorously. "We're still twenty-two people, eight years after. She's teaching us good."

The Master, easily identifiable by her combi, appeared by a glasshouse, patiently showing another woman how to coil a water cable. And here he had come, to this impossible, hidden little village of hope, the god of Death he was, to put a bullet in that woman's head, crop it off and carry it to a ruthless employer. One bullet, twenty-two deaths. Hades felt sick. Dust it all! He turned to Aki, yanking him close. "Kid, in that cemetery, didn't you say you buried someone recently?"

~~ March 2015 – theme : Rogues