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cherry-pop-elf · 1 month ago

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Kiss it Better Pt:2

Curly x Reader

AN: Holy shit I did NOT expect all the love and support from the original like god damn! People begging for a part 2 and everything (I’ll make sure to tag those who asked for one at the bottom) Like oh my god thank you guys so much! This means the WORLD to me! As a disabled person trying to make his medical issues more accurate it means so much that yall love it and how I write in general! Thank you!

SUM: You and Anya were busy dealing with changing Curly’s wrappings together. Sharing stories, and just trying to stay positive. That’s when you just had to ask. What’s going on between her and Jimmy?

Warnings: Jimmy, sexual assault, Anya sharing her trauma so pls take care of yourself, medical gore, medical situations, light violence,

“Thank you again for handling Curly’s medication. I’m sorry I just-“ Anya would try to explain again how sorry she was that she was struggling to do her job. A job you could never blame her for. She’s been through a traumatic event of the ship crashing, and already had to try and save a near corpse. She deserves to breathe.

“Anya it’s fine, really. I’m his romantic partner as well. It be weird if I didn’t pick up some responsibility and tried to take care of him. You also deserve time to rest. You’ve done so much for him, and saved his life. Give yourself more credit. It’s not a sin to ask for help.” You would try and comfort her, as you would grab the fresh bandages for Curly.

He needed a lot of them, and they had to be changed out relatively often. He’s basically just exposed meat after all. The risk of infection was high, which you were wondering how he didn’t even catch any yet, so he needed alot of attention and care.

If only Pony Express had packed more, because the med bay was running out of them fast. Very very fast. Might be only able to maybe re wrap him a few more times now. Had you terrified because as much as you wanted to take care of him you had to leave some bandages for the rest of the crew. In case of another emergency.

You wish you could be doing more.

“We’re going to undress you. Is that alright?” Anya would ask Curly, who in return would give two blinks to indicate that he consented to being stripped. Was gonna have to be done but it was still so kind of Anya to still ask before hand.

The two of you would soon get to work on changing out his bandages. A very slow, careful, tedious job. One that normally took over a hour to do properly. So it’s time to kill some of that empty space.

“Ya know, this isn’t the first time over had to wrap up a certain someone because they got hurt. I remember a time when we were at a Ski resort with his family. Someone wanted to try a path that was meant for experts and before you know it someone’s returning to the lodge with his leg bone sticking out of his pants.”

Anya gave a little ‘oh my’ as you just laughed at the memory. Curly just adored sports. Especially the winter variety. You felt so blessed that he had a job that paid so well. Well enough that the two of you, and his own family sometimes, could go and enjoy vacations like that.

You wonder if the two of you will ever see the snow again.

“That sounds rather nice, minus the whole breaking his leg. To share a cabin together with someone. Cuddle for warmth together by the fire place. Sounds really nice.” She would speak dreamily. As if she knew it was simply that. A dream. Something that will never happen again. No matter how hard she tried.

Like something was wrong with her.

“I bet you’ll get that moment. When we escape here you’ll have a flooding of men and women coming your way. The brilliant woman who managed to fight death and win. Again and again. The most brilliant woman to ever live.” You would praise her, as you were very mindful of Curly’s catheter. As if that needed to be messed with.

“Yeah…..Maybe……” Anya didn’t really seem to actually respond. Was like she was just saying words for the sake of words. Had you wondering.

Even before the crash she had just started acting off one day. From being a cheerful woman who was gentle and full of smiles, to being so quiet and scared by the littlest of sounds. Like she expected someone to jump from around the corner and attack her. Any feeling of safety and comfort vanished.

You were worried.

“Say, Anya-“ You began to speak, while disposing the bandages safely into the bio hazard bag. “-Is everything ok? I mean duh we’re not doing to hot with being, ya know, crashed and all. But besides that. You just seem…..different.”

Anya seemed to not hear you. She simply worked on checking over Curly’s body. Hunting down any infections, looking for possible bed sores, monitoring his healing, and getting ready to do the ever so gentlest of sponge baths.

Anya did always get in the zone whenever someone was hurt. You figured she didn’t catch what you said because of it.

So repeated yourself, as you stood next to her. Impossible to miss what you were asking, as you would help Curly sit up and just move his joints to better reach with the sponge.

The only sounds in that room were Curly’s whines of discomfort. Whines to indicate truly how much pain he was in when even the pain killers can numb it.

“Anya….I know you can hear me. Is everything alright? Not to be rude but I’m kinda asking you a question.” You would be gentle, but she still couldn’t help but looked distressed.

“Anya what’s-“ You would reach a hand out, to comfort her, but the second it was raised towards her she would immediately flinch. Her startled reaction ended up even making her drop Curly’s leg on the table.

Oh that’s gotta hurt.

For a fleeting moment you put Anya on the back burner, and just focused your attention on comforting Curly. How he gave a weak sob from the intense pain.

“Shhhh I know Curly Fry. I know. It’s gonna be ok. It was an accident. You know she didn’t mean it. Shhh.” You would kiss his forehead, as Curly had a muscle spasm through his body from the intense shock to his system. So exhausted and in so much pain.

“It’s gonna be ok. I promise. I love you so much. Just think about our future. How we will get off this ship, and have that family. Have our own baby-“

The moment you said baby, that’s when Anya finally cracked.

Her hands were now covering her face, as she just broke down into sobs. Sobs that sounded so hoarse. Like she’s done it so many times that her body was just abused from it. Left you so worried and confused.

What the hell is going on here?

“Anya, what’s wrong? What did I say?” You would gently guide her to a chair, and worked on stroking her hair. Giving her as much comfort as you would to Curly. The same gentle love as he would get. Love she deserved.

It took a while for her to catch her breathe, and you didn’t rush it because it really seemed she needed it, but her own trembling body was finally able to quite down.

“I need to tell you something. I need to tell you something about Jimmy-“

You were quick to kneel down infront of her, and was ready to take in every last word she was going to say. Maybe what secrets she held could finally explain why the hell you all were crashed here. Why Jimmy crashed you all.

“Jimmy ra-“

That’s when the door opened.

As if that bastard had a sixth sense for whenever people were talking about him. That same annoyed expression, same sneer, same empty eyes.

All three of you kinda froze in time now. Looking at him, as he looked back at you all. Scanning you. As if judging to figure out what was being said before entering.

“Hey….Captain….” You swallowed, as you would return to standing. Anya herself remained in her chair, with her head down. Didn’t seem she trusted herself in showing any expressions right now.

“What were you guys talking about?” He asked, as he seemed slightly on edge. Like he hasn’t been sleeping well or had too much caffeine. Just this tension of paranoia was in the air. Like he was worried about something.

“Just about the bandages. We’re starting to run low, and Anya is just getting worried about having enough.” Wasn’t a complete lie. The best lies were the ones with truth sprinkled in.

“Of course he’s wasting our supplies.” He scoffed, before walking over to the table. You were trying to give Curly some respect with grabbing something to cover him up with, but it was like Jimmy wouldn’t let you. The stare he gave you, when you grabbed the clean hospital gown, made you just freeze in place.

It was just so full of hate.

It was just so full of disgust.

It was just cruelty in dark eyes.

It was just focused on you. As if Anya didn’t even exist right now. Like she meant nothing to him. Nothing but the wind in the air. Something you don’t even bother in registering every day. Like how you breathe in air in your lungs.

You don’t notice until it’s gone.

“Has he been given his medication?” He would ask you, as his hands would be firm on the bed side. Just seeming to assert his dominance with standing over the man. Like some got over the little people.

“Yes Jimmy. He’s been medicated. We are actually in the middle of washing him. It would be nice if there was some privacy-“ You tried to gently hint at, only for it yo fall on deaf ears.

"The crash really did do a number on you. You don’t even have a dick anymore. Just holes huh-?” Jimmy would scoff, as that was your final straw. You would give Jimmy a hard hip bump, and quickly covered Curly up. To give him dignity and respect.

“Hey-! Watch it! Don’t think because you are Curly’s little eye candy doesn’t mean you can go pushing people around-“ Jimmy would bark at you.

You didn’t feel fear.

Jimmy was messing with YOUR man now. Curly deserved dignity and respect. He doesn’t deserve to be called a ‘set of holes’ no way in hell. No one deserved that and ESPECIALLY not Curly.

“Will you just shut up?! What the hell are you even doing here?! Aren’t you the Captain now? Captains are suppose to be doing whatever it takes to help the crew. All you’ve been doing is walking around and insulting everyone! It’s like you don’t want us to be saved. Be a Captain and take some responsibility already-!”

The anger that he had for you was terrifying. You swore it was like a switch. He suddenly seemed taller, bigger, angrier, more intense. You felt like you were shrinking more and more. Like you would melt into a puddle under that heated stare.

But you refused to.

For Curly.

“Listen here you-“

SLAP

You smacked him across the face. Was like the world went mute. No one was so much as breathing. Just the stares of shock from Anya and Curly.

“Get. Back. To. WORK.”

You ordered, and he listened.

He would hold his red cheek, and walked away like a dog with its tail between its legs. As if he was all talk and no bite. That he couldn’t bring himself to be more than an angry voice.

Someone needed to keep him in his place.

“Can this damn ship get any more hectic?” You sighed with your fingers to the bridge of your nose. Just trying to think clearly.

That’s when Anya found her voice.

“I’m pregnant.”

You opened your eyes wide, and was frozen in place.

Did you hear that right? No no. No way. Why would she be pregnant? How would she get pregnant? Who would get her…

“Oh my god.”

You slowly turned around to Anya with the puzzle pieces falling into place. You finally realized what had happened.

Jimmy never was a responsible man.

@meheheasasa @letmebedelutional @trashcansally @balanahala562

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cuddlytogas · 9 months ago

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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