#but I really feel like there's solid evidence for this

[erinwantstowrite]

Has Peter yapped about Ned to Dick yet + does Dick have any suspicions about Peter’s feelings towards Ned being slightly stronger than normal for best friends? Or is he just like “Boy I’m so happy my son has such a great friend :D It’s so important to have people your age you can talk to, especially as a vigilante, like how I had Wally-”

there's been a couple times he's brought Ned up which seemed like "oh normal best friend things" but after Peter freaked out thinking Ned could even be a little bit in danger in chapter 16 i like to think Dick went "huh" and then started going through every time Peter has mentioned Ned to him. the only person who has really clocked Peter possibly having a crush on Ned is Tim (the fact that this includes Peter himself as not knowing is hilarious to me), because even with the freakout, it's not solid evidence. Peter's only ever talked about one friend, and with the context that Peter missed a couple years of school and was mostly on his own, Dick figures it was a normal reaction to finding out your only friend might be hurt

later on, however, it will be very easy to see, and Dick will go "oh!"

[arttsuka]

I wanted to talk about Toothless and how his design and personality changed for the worst throughout the 3 animated movies (I won't be tackling any of the shows because I haven't watched them)

In the first movie he's at his best. His design is actually amazing, from the overall model structure to the patterns on his skin (which are visible in every shot, especially the ones taking place during the day, without ruining the 'illusion' of his black skin. It actually feels like it's resembling a panther aka black leopard in which the fur patterns are still visible). His face has a more aerodynamic shape, more sharp, a big curve.

His snarky but intelligent personality was really fitting for him. And we got to see more of it as the movie was progressing and he was getting more comfortable with humans.

In the second movie the patterns on his skin are still mostly there, way less prominent but still visible. His face got squashed down (a problem which only because stronger in the 3rd movie) but as a whole he still looks presentable, kinda. His posture changed too (but I'm too lazy to find evidence, you'll have to take my word for it).

I remember not having a problem with his personality in the second movie which is why I was surprised to see that this was only half true. He acts more domesticated, that's to be expected, but only around humans? When he interacts with other dragons it's like he's a completely different character, closer to what he became in httyd 3 than 1. He's still quite intelligent and more used to human equipment and people in general. In the first part of the film (especially this scene with Hiccup) he acts like how I'd imagine he should be in the 3rd movie, here it should have been a 'middle' ground, not 100% domesticated but not movie 1 feral either.

In the third movie he suffered the worst. Gone are the patterns on his skin, he's solid black now. His face got weirder too.

His personality got reduced to this stupid, slobbering 'dog'. His pupils are always dilated and his tongue almost constantly out. He acts unintelligent and he doesn't have that snarky personality he had in the first and even the second movie. He's basically a different character altogether. (That scene where he tries to 'woo' the light fury is embarrassing at best and shows exactly what's wrong with his character now).

They did it to make him more 'likable' to younger audiences + to make a good visual contrast to the light fury (who has an undercooked personality AND awful design as well), which is weird because they gave the light fury patterns on her wings?

The light fury looks like a beluga whale in the worst way possible. She has almost nothing going on visually to the point it doesn't even make sense. Her skin looks fragile, she's so weirdly smooth for no reason. It would legit be better if they took a night fury model and painted it white.

They gave her a 'cat' personality and took it away from Toothless (why couldn't both be 'cats'?). Also she's the 'girl' character, her only purpose is to be the romantic interest. She adds nothing to the film.

No comment in the live action design. Just ugly. Atrocious even.

Also something else that's been bothering me from the live action remake is this scene.

They've basically recreated every scene exactly as it was in the original so far (which is a bad thing) but the slight hesitation Toothless showed before touching Hiccups hand was the one thing they chose not to include? (I know the scene wasn't meant to have that in the beginning and it was an error in animation which they decided to keep because it gave the scene more personality so, why not include it in the live action?)

[dazais-guardian-angel]

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

[moxie-girl]

DRDT SPOILERS

all the theories/evidence/etc I still want answered before we wrap up this trial:

- what was the ball of clothes for? why/how were they starchy?? (and how did the culprit know about the old clothes)

- how and when did the culprit get the fish w/out Nico noticing

- what did Nico tell Hu to get the wire from her

- did the culprit use turpentine? if so, how did they get it, and if not, how did they knock Arei out?

- is the origin of anything else in the crime scene in any way important (where and when did the culprit get the rope, empty jugs, something to cut the rope with, etc.)

- how on earth did Nico come up with that crazy murder method???

- why the hell was MonoTV so urgent and insistent on cleaning up Nico’s crime scene so fast (I don’t think we’re actually gonna get an answer to that but why?????)

- what’s up with the scuffs on the ground + the broken light

- what’s up with Arei’s missing glove!!

- was someone actually following Eden in that scene where she thought she was being followed?

- how did the culprit figure out how Nico’s hanging attempt worked without seeing it in action (5 secs while actively being murdered shouldn’t count!)

- why did the person who took the tape think to do so (and do so without anyone else noticing) considering the circumstances

- why hasn’t anyone brought up that someone could’ve easily stolen the tape from whoever took it? (or even just asked to borrow it??) we just recently addressed how dangerous it is to narrow down the suspect pool without solid proof but I don’t think Teruko will make another ‘mistake’ this trial??

- why and how did the culprit listen in on the Eden/Arturo/Arei scene

- why did the culprit target Arei specifically?

- the fact that the culprit misspelled a bunch of stuff in their letter has to be relevant right

- why and how did the culprit move Arei’s body to the swingset?

- why hasn’t anyone brought up that Arei theoretically could’ve been murdered at night and then moved in the morning!!

- why haven’t we addressed that the murderer could’ve had an accomplice, rendering many alibis useless??

like I dunno, it just feels like David just brought up that we need to consider every possibility when looking at suspects and yet we narrowed down the suspects to two people when theoretically it could still be someone else even with the evidence? i don’t think I’m wording this well but… (like it doesn’t have to be likely or even plausible, it just has to be possible for it to be something Teruko should consider? or maybe I’m reading to deeply into David’s latest monologue idk)

[aq2003]

omfg . radio play version of much ado with david as benedick from 2001

[softquietsteadylove]

Helloo, how are you?

So its halloween and i have a little request for something scary. Maybe the eternals somehow end up in this very old and problaby haunted house, and then the ghost in said house take a liking for Thena, so they start to hide her and make the others see her when she is not there. And poor Gil is more scared that he would like.

(Also thank you for answering to my asks🩷😭)

"This place really is massive," Gil commented mildly as he moved the flashlight around the walls. It was just the sound of their steps and their breathing. The halls of this old asylum were oppressively quiet.

"It's easily the largest space we've ever been in," Thena agreed as she too moved moved her light to examine their surroundings. "Its a good thing the others agreed to come with us to man the equipment."

Their friends were being good sports about it, whether or not they were present as true believers or because if half of their group was already in, they might as well all come.

"I hope they don't hate me for dragging them out here all Halloween night," he gulped as they turned a corner down - what a surprise - another pitch black hallway.

Thena scoffed at the idea, though, allowing him to walk even closer to her, all but clinging to her arm. "Please, all they would be doing is loitering at Phastos' anyway. He and Ben would be watching something, Makkari and Druig would be pretending not to make out in the corner and Ikaris would be trying - and failing - to hold Sersi's hand during the whole movie."

Gil snickered beside her. Thena's observations could seem cutting at times, but they were never all that inaccurate. And they could be pretty funny, in that way. "I'm sure he'd get there eventually."

"I have yet to see it," she drawled about their mutual friend, more frenemy when it came to her and Ikaris in particular. "Speaking of, when did they last check in?"

Gil pulled pulled out his walkie-talkie. "Ground floor, do you copy?"

"Ugh, Gil--aye, we're still 'ere. You don't have to go all air traffic control for it."

Well, if he was going to be such a stick in the mud. Gil huffed, "roger that, Party-Pooper."

"Oi!"

Thena took his hand and pulled the walkie closer to her. "Sersi, tell us if he holds onto you too tight and we'll switch floors."

"Watch it!"

The constant radio static of the channel clicked again and Sersi laughed. "He's really quite all right, you two. Anything up there?"

"Nothing, so far," Thena sighed before remembering to add, "over and out."

Gil smiled as he put the walkie back in his pocket. Thena probably thought it was silly too, but she would never actually say anything. It was one of the many ways in which she indulged him on these ghost hunts. "Hey."

She looked at him, wondering what had caught his attention. Once she saw him wiggling his hand at her, her smiled turned a little bit shy as she slipped her hand into his. "Do you think they'll know what to look for?"

"I told them about what all the equipment does, they should be able to tell if they get any activity," Gil murmured as they turned down a hall into a more residential looking area. "Whoa, this looks like an actual house."

"This must have been an area for those in a palliative sort of care, like a true hospice," she muttered, pressing closer to him. It was still old floors and concrete walls, but there were now rooms with more than nothing, some even still had an old metal bed frame in them. There was a dresser or two, even a mirror.

Gil winced as their flashlights both hit it head on. He lowered his, but he blinked and rubbed his eyes after the fact. "Can't believe something like that is still standing in a place like this in one piece."

Thena had no comment on it, apparently.

"Kinda freaky, right?" he sighed as he rubbed at his eyes again before shaking it off. "Thena?"

He looked around.

"Thena?" he called out with a little more urgency. He moved the flashlight around, plenty of the room doors were open, but he would have heard her. He would have felt her, wouldn't he? "Thena?!"

He rushed to check each of the rooms, forgetting how creepy everything was. His stomping feet were echoing all over the place, but that didn't matter. "Thena, where are you?!"

All that came back was his own voice bouncing around. He was starting to panic.

"Thena, please, answer me!" he panted, even moving the creaky, old doors to make sure she wasn't hiding somewhere. How could she have just vanished into this air?

He shouldn't have let go of her hand.

"Thena, please!" he shouted, retracing their steps, shining his flashlight down every hall he passed. He knew most of them led to dead ends. Where could she have gone? His hand pulled out the walkie-talkie again, fumbling with it a little. "G-Guys?!"

"Gil, what's wrong?"

"Th-Thena!" he gulped, knowing they needed more information than that. "She was right next to me and-and now-"

"Whoa, Gil, slow down. Nothing's happened to Thena, I'm sure she just went to look at something that caught her eye," Sersi attempted to diffuse his worry.

"Why the hell weren't you keeping an eye on her?" Ikaris snapped at him in sharp contrast.

"Oi," Druig chimed in on his set. "You all need to calm down, I just saw 'er."

"What?" Gil frowned. Druig and Makkari were on the second level, although most of it was sectioned off thanks to a fire from the last century. He rushed to the stairs, "you're sure?"

"Yeah, I saw her walk clear through that light grid you put up, actually," Druig narrated. He paused and then continued, "Kari saw'er goin' down the far stairwell."

"You mean the one to your left?" Gil asked, rushing down the main stairs so quickly he almost tripped at the very bottom. But he took off, full on sprinting.

"Yeah?"

Based on where they had set up, there was no way Thena could be on the stairwell to their left, because it led to absolutely nowhere, just a collapsed hallway downstairs and a boarded up room at the top. Whatever they had seen wasn't Thena.

"Keep your nightvision cam on, okay? And you two stay there--and stay close together!"

"Gil, man, you okay?" Ikaris asked a little more sympathetically, obviously hearing the urgency in his voice over the loud and static-y walkies. "Like Sersi said, I'm sure Thena's just fine."

"I'm on my way to you, just sit tight," Gil huffed. His chest felt tight, like it was on fire. He looked around, only now on the second floor. This place was such a massive hell hole, who knew what kind of malevolent spirits were in here. "Guys?!"

"Hold yer bloody horses, man, hell," Druig flashed his light at him from within the main hallway of the floor. As soon as Gil rounded the corner, though, Druig was already on his feet. Despite his words, his face was dead serious, "she really not with you?"

Gil gulped. Tears sprang to his eyes, although he knew this wasn't the time. He shook his head, trying to catch his breath. The light grid they had set up to pick up any kind of movement was still shining into the closed off areas ahead.

He jumped, but Makkari rubbed his back with a reassuring smile. Druig shone the light a little closer to them to illuminate her words. This place is like a maze, I'm sure she's looking for you too.

That was actually what worried him. He had screamed for her, at the very top of his lungs. And not only had he not heard anything back, but apparently none of their friends had heard him either, which seemed impossible.

And if he couldn't hear Thena, then how would he know if she needed his help?

"Where did you see her?" he asked, shining his own light closer to his face for Kari to read his lips.

She pointed. I swear I saw her walk through the grid. I thought she saw something in the window.

Thena would never walk through the light grid herself; it would compromise any evidence they got of a spectral figure. Still, Gil moved closer to it. He shone the flashlight into the corridor, through the propped open door. It was hard to tell with the light in the window reflection, but he was pretty sure it was just a boarded up, empty room through there.

Druig took the liberty of packing up the light grid and putting it back in his bag. "Take a look."

Gil slid closer to the darkened hallway. Despite never having been on one of these hunts before, all their friends were far less scared than he was. Maybe because they definitely didn't believe in ghosts. His heart hammered as he entered the suffocating dark of the hallway. He pressed his flashlight to the window of the door that was boarded closed. If something jumped up at him he might have a heart attack.

It was just a closed up room, full of evidence of fire damage. He angled the light around as best he could without giving himself nothing but reflection to look at. He jumped as some kind of movement caught his eye. He tried to follow it but it was gone as soon as he saw it. But he knew it moved towards the other door to the room.

And it looked blonde.

Druig and Makkari made room for him as he started running towards the main stairs again. "Come on!"

"If she's messin' with us she's makin' us go through a hell of a workout," Druig felt the need to chime in, following him down the stairs.

But Gil knew that wasn't the case. Maybe - maybe - she might mess with Ikaris a little, possibly Druig, all in good fun. But she would never make him worry about her like this, she just wouldn't. She would never scare him like this, not when it was always her calming him down on these hunts.

It really was like a labyrinth in this place. Gil leapt down the last two stairs and whipped open the doors to the main floor. "Did you see her?!"

Ikaris and Sersi both jumped off the bench of the entrance hallway. They looked at each other and then at him. They still had most of the equipment set up around them, and a floodlight pointed at the ceiling for a little more illumination of the area.

"What the hell are you talking about?" Ikaris growled at him for storming in the way he did. "Didn't you see her on your level?"

Druig shrugged, "thought we did."

But Gil rushed past all of them, taking a right and pulling open the doors. This place was so massive, it was hard to keep track. But if the figure he had seen in the other room had been Thena, or worse, something else, it would have ended up in here. "Thena!"

Still, nothing but his own voice. It didn't echo like it did upstairs, though. He moved his flashlight around, seeing all the junk that was pushed into this empty but undamaged area of the building. He moved more slowly.

His heart was still hammering, but he made himself take each next step. He couldn't stop until Thena's hand was in his again. "Thena, are you in here?"

He could have sworn a voice whispered back to him. It would have been great potential evidence if he had any equipment or was recording anything. But for now, he took the potential whisper of 'she's mine' and scowled. "No, she's not."

Whatever whispered at him didn't have another reply to that.

Gil slid around a corner constructed of old office furniture, flashing his light in every nook and cranny. "She's my girlfriend! Whatever you are, find someone on your own plain of existence!"

Something rattled in a far corner. He really was going to have a heart attack in here. But he gulped, re-grasping his flashlight in his sweaty palm. No ghost was getting his precious Thena--not tonight.

He moved closer to the rattling. It was a doorknob turning. Okay, so he might die in here tonight. He hoped his friends would escape, at least. But if he did die, then maybe he could be with Thena. If she had died alone in here, he would never forgive himself.

There was a door, and the doorknob was turning.

Gil let out a breath and steeled his resolve again. He could do this. He would do this! He could do anything if it was for Thena. Thena, he repeated to himself as he reached for the doorknob, Thena, Thena, Thena.

As soon as he touched the doorknob, it was no longer locked, and flew open. Thena tumbled into the room, straight into his chest as he caught her. Both of their flashlights fell and rattled on the ground as they held onto each other.

"Gil!" Thena gasped into his shirt, burying her face in it as soon as she knew it was him. "I-I-I didn't--I-I thought-!"

"It's okay, it's okay," he gulped, holding her as tight as he could without hurting her. It was really Thena in his arms, small and warm, blonde hair under his chin. His tears came again, and he didn't force them away, "you're really here."

Thena held onto him just as tightly, clawing at the back of his shirt so she could hold fistfuls of it. "I-I turned around and you were gone--just gone! And I tried shouting for you but I couldn't hear anything around me but silence. And then I thought I saw this--th-this thing-!"

"It's okay, I'm here," he whispered. He couldn't process any of what she was saying right now. All he could think about was the comfort of having his Thena in his arms again.

Slowly, they released one another. Thena sniffled, laughing as she put her hands on his cheeks. "I'm supposed to be the one here for you."

He laughed as well, just as watery and tearful. He put his hands on her cheeks as well, "I can be here for you, just this once."

She leaned into him again as he kissed her.

"You two okay?!"

Thena pulled back and picked her flashlight up first. She shone it around the room, "where are we?"

Gil frowned as she handed him his flashlight as well. "We're on the ground floor, in that side room we checked out first thing tonight."

"The ground floor?" she repeated, looking completely baffled. "We were on the third floor. I-I felt something pull me and I thought it was you, then I was in this completely other room. I was trying to find my way back to you in the hall."

Nice try, ghost creep; Gil took her hand, weaving their fingers together. He could carry his flashlight in his mouth if he had to.

"Gil," Thena continued to frown as he guided them back towards the entrance, "I didn't go down any stairs. We can't possibly be downstairs again."

"It's okay, Thena," he reassured her blindly. It didn't matter. None of it mattered, now that his fear was lifting. He waved as a flashlight circled from where the door was. "I got her!"

Collective sighs of relief were had. Ikaris was the first to bark at them, "what the hell, Thena?! You nearly scared the big guy half to death--that's not funny!"

"Shush," Sersi soothed the beast beside her, as she always did. "We're just glad you're both okay."

Druig and Makkari gave them both more curious looks, "where the hell were did you go?"

"I-" Thena looked at each of them, seeming completely stunned. "I don't know."

"Doesn't matter," Gil spoke up, more sure of this now than he had been about anything all night. "We're getting out of here--now."

He pushed through them, pulling Thena to the door to the outside, hand in hand. He could hear their friends packing up all the equipment behind them.

"Yappin' orders at us now, is he?" he could hear Ikaris gripe behind them.

"Stop it, they've been through enough." How did Sersi put up with him?

Finally outside, Gil took a deep breath. He put his hands on Thena's cheek again, urging her to do the same. She did, but she looked up at him. "Really Gil, I thought I was making my way back to you. I didn't even see any stairs, there's no way I could have-"

"We'll figure it out later," he resolved. They could do that in a safe place, where there was overhead lighting, and a warm mug of her favourite tea. Maybe he'd even have a blanket around her shoulders and massage her feet. "All that matters is you're safe."

Thena's face shifted to something like guilt. She looked down at their joined hands. "I thought I saw you."

"What?"

"What lured me away," she admitted quietly, and maybe with the first bit of true fear he had heard her voice all night. "I thought I saw you in one of those other rooms. That was what made me follow...whatever it was in there."

It had lured him the same way. But, again, that could wait until they were in a brightly lit space with firmly locked doors.

Gil kissed her forehead and pulled her into his arms. "I found you again, so it doesn't really matter."

"Hm," she sighed, nuzzling her face into his chest again. "I knew I'd find you, I guess you finding me is okay, too."

Ah, his invincible Thena. She was the truly unshaken of the two of them. But he had to admit, he was assured by tonight that he had what it took to square up if he really needed to. If it was for the woman he loved, at least.

[fideidefenswhore]

the downfall and execution of a tudor queen (2023) / the boleyns: a scandalous family (2021) / the king's pearl: henry viii and his daughter mary (2017), melita thomas / anne boleyn (tv miniseries 2021) / the mirror and the light (2024) / elizabeth (1998)

[shaymiens]

i watched kimmy's bye smosh video and tbh i don't think much of it. it reads a touch bittersweet but kimmy doesn't seem to be wording things in a way that implies something more nefarious behind the scenes. she said she "decided to transition" to producing. she missed performing and an opportunity came up that led to her leaving smosh; none of this really indicates to me that she wasn't allowed to do what she truly wanted at smosh. to me it just sounds like the timing was right for her and it made more sense for her to move on rather than try and change up her role in smosh again.

the only thing that was interesting to me upon first watch was when she says she won't spill any tea, then right after she details that some of her best friends *still* work at smosh, which to me gives off the impression that she won't share anything because she still has emotional stake in the company.

i think kimmy is a strong, capable woman who would speak up about her horrible experiences had they happened, but her making a mostly upbeat and positive-leaning update video tells me that the split was likely more amicable than not.

[reikunrei]

okayyyy so i made a post abt this last night that was just a short ramble trying to piece my thoughts together but basically... i’m just really curious how will’s (possible) powers might manifest and what they might be, and i’m trying to like. reason out how i feel about them and what i personally think would be cool or fitting...

lots of people have talked about this before (like user pinkeoni has made some really good posts abt it, and i think heroesbyler has had good discussions abt it too) and what his powers might be, and a lot of them revolve around creation or light, both of which i’m very fond of

this isn't so much a theory or prediction as it is a "these are things i noticed and i think this would work well with the themes of the show" type of spiel. it ended up way longer than i wanted it to and goes off on multiple tangents because i can't stop myself, so i'm putting it under the cut lol

it's more just for me to try and articulate what i'm feeling about it, but if anyone actually reads this mess, you're more than welcome to share your thoughts :3

with the creation stuff, it automatically makes me think of the UD taking the shape of hawkins... because we know that henward grew to hate that town so why would vecna shape the UD to look like the place he hated? i suppose it could be bc he wanted to take revenge on the town, so why not daydream about it and destroy your scale model of it to get some catharsis, right? but... then it's frozen on the night will went missing? it’s possible that the UD could have simply taken the shape of hawkins when the s1 gate was opened and made the two worlds touch, thus making the UD a true "mirror" dimension of hawkins. but i also really like the idea of will getting sucked into the UD, panicking, wishing he had his hiding places to go to to escape from this monster chasing him, and poof! now he's in hawkins and all of his hiding places are there (he's good at hiding!) but it's still the "wrong" hawkins

but anyway, i want to move on to the "light" angle because there's so many things that i love about the possibility of will's powers taking the form of some kind of light to counteract the darkness created by vecna and the UD ("hide in the light" thank u max)

i especially think it would be cool for it to take the shape of some kind of fire or flame, even if the powers themselves don't behave like fire, like it's just a stylization choice to give some sort of visual that the characters and audience can see

i don't recall if there's any specific moment where any version of henward/vecna/001 or other characters talk about burning or fire as a form of destruction in a metaphorical/symbolic sense, but we see it enough of it literally throughout the show. fire is a means of causing pain, of killing, of destroying

season 1, nancy and jonathan think to burn the demogorgon to a crisp because, hey, that'd be a pretty effective way to kill something, right? so they carry that theory over into all the other seasons

season 2, we see hopper using his lighter to maneuver through the tunnels below hawkins, and the vines flinch away from the flame. we see owens and the lab using fire to cull the "weeds" still growing out of the gate. we see will react physically to the burning, feeling the pain through the link with the hivemind, and requiring it to be cold in order to not be in physical agony

season 3, uuuh i can't remember any direct usage of fire against the fleshflayer other than the fireworks, but that's more about the explosions than the flames imo lol. but we do get the sauna test (best s3 episode hands down mwah love it) and the aversion to heat that we see in billy and also in heather, though less prominently

season 4, we get murray's killer flamethrower scene and hopper using the flaming spear to keep the demogorgon at bay. our hawkins crew relies heavily on use of fire (flambé) in order to take out vecna's physical body

so there's just a lot of fire and fire as a means of destruction. but i can't help also thinking about how fire isn't purely a means of harm. fire keeps us warm, it brings us light in the darkness, it cooks our food and brings us health. the sun, a giant ball of fire, is essential for life to exist on earth. i especially keep thinking about how wildfires are a necessity to the planet, and in places like healthy grassland ecosystems, fires are crucial to burn out old growth to make way for new, fresh green, which the animals there then rely on. letting old growth continue to sit and dry out and die isn't good. it has to be removed completely so that new grass shoots can take over

(not to mention that allowing for controlled burns and letting wildfires run their course in a regular system ultimately allows for fewer, less destructive wildfires to happen. if there's no old, dry growth to burn, then there's less stuff to catch on fire)

how does this tie into the show, though?

to me, it makes me think of the concept of simply living with your trauma, not talking about it, and pretending everything is fine, when all that's doing is creating more kindling for a bigger, more destructive fire. it makes me think of season 2 and the conversation will has with jonathan about how everyone keeps treating him like he's gonna break, and the instructions joyce and hopper got from owens to just "treat him how you normally would." you can ignore trauma all you want and pretend everything is fine, but it's going to be more destructive in the long run. instead, letting him talk about it, listening, letting him burn things down a little bit, will be healthier because it'll clear out that old, dry grass clogging everything up and leave a clean patch of earth for him to build back up with new, healthier growth. you can take a weed wacker to it all you want, but those old roots are still there

not to mention the way they get rid of the mind flayer is to "burn it out of him." they literally let the "fire" run rampant, cranking up the heat to make his body inhabitable to the mind flayer, clearing out those nasty "weeds" so will can grow on his own (more or less) unimpeded

and then there's the s1 flashback scene between will and joyce where he's drawing will the wise shooting green fireballs. joyce asks, "why does he need fireballs if he's so wise? can't he just outsmart the bad guys?" but will explains that sometimes the bad guys are smart too, so he needs the fireballs

only here, they're green because he doesn't have a red crayon. this specific tidbit makes me think of how will's powers are currently repressed in some way. at that time, it was possibly because his powers "hadn't come in" yet, if we want to follow the idea that powers are a symbol for puberty or coming of age

he hasn't "found his flame" yet, so to speak (which is what got me thinking about all of this at all last night bc of the song 'find your flame' from the sonic frontiers ost the absolute slapper that it is) and at this point it's obvious that any awakening of his powers will happen in s5 when he's no longer being suppressed, much like how he currently has to suppress his true feelings, or how he's been unable to move on from what happened to him in s1 and 2

he has to use "fireballs" because sometimes the bad guy is smart. sometimes the bad guy has a trick up his sleeve (like *checks notes* literally not being able to die) and your original plan won't work. you can stock up on weapons, you can create as many sneaky ambushes as you want, you can solve all of the bad guy's riddles, but sometimes you need the fireballs

and, once again, we come back to how i feel like will's powers won't be literal fireballs, or something he physically wields. when it comes to el, henward, and kali, as well as the other powers that we see from other subjects, it's all something that they do. and here's where i start to struggle with how i want to articulate what i think about will's powers...

to me, will's possible powers aren't a weapon in the way that we've seen other powers used, or at least framed as, a weapon

like... i guess i do think that it's something that he can "do," but it's less "i'm going to move this thing with my mind" "i'm going to go into your head and walk through your memories" "i'm going to make you see something that isn't really there." like, he himself, his person, his mind, his essence, his intent, is the power. will byers is the light. why else constantly bask him in rays of sunshine, hm?? lol

again, i want to touch on the possibility of the UD hawkins manifesting simply because he wanted it to. he didn't think about it, he didn't deliberately go like "okay and now this house is here and this place is there" it simply... was. it just happened without much of his input other than a vague wish and panic

if we want to make it into something more deliberate, it makes me think of lio fotia in promare. the movie is basically about this group of people who suddenly developed "burnish" abilities, where they contain fire and have some sort of fire powers. they're persecuted by the rest of the planet, and are treated as terrorists and locked away in prisons and experimented upon. the fire, or "promare," inside of them is a double-edged sword, where they supposedly rejuvenate their bodies, but if they don't let it burn, it instead kills them and they turn to ash. spoilers i guess (you should definitely go watch this movie i highly recommend it), but near the end of the movie, lio is taken captive by the antagonist, kray foresight, and our other main chara galo thymos tries to save lio. kray lashes out using his burnish powers and tries to burn galo, but lio launches his own flames toward galo to protect him. when galo's firefighting team finds him, he's on fire, but he doesn't notice because the fire doesn't hurt him. it's a special kind of flame that doesn't burn! in the end, in order to save the world, they have to let it fully burn one last time, and galo and lio work together to wrap the entire earth in a massive wave of fire, and it's fire that takes the form of water. it engulfs everyone, but everyone realizes that it doesn't actually burn

i'm getting off topic but !! now we start getting less into "will has fire powers" and more "his powers are light and warmth" instead. like lio and galo's combined powers and intent (that's the other thing, that final big burn is different than the rest because of the intent behind it), it's not actually about the fire, it's about its purpose

he needs the fireballs to fight the bad guys, but in the case of our "bad guy," literal fireballs don't work. henward's past is a complicated one, and a lot of where he's been led was caused by his lack of a proper support system. he was villainized for being different. even when he was found by someone who "cared" for him, it was for that man's own personal gain, not because he actually cared about henward

henward was only ever burned and then left in the cold. nobody gave him a second chance like el, nobody listened to him like will. he was forced to fend for himself on his own in the darkness. he came to rely on the darkness. vecna literally focuses on the darkest thoughts of his victims in order to gain enough power to open gates. and sure, focusing on negative emotions gives all of our characters with powers some burst of strength

but then we're shown that love is what makes them even stronger. focusing on happy memories, memories of friends and loved ones, memories of the love itself, is what allows el to overpower 001 in the lab and to close the gate in s2 and to break billy out of his tether to the fleshflayer. and even in that final showdown in s3, she's not using her powers. she's burned out. in that moment, it's not the powers themselves that save them, it's the message behind it

will's whole character is about love and understanding. he puts himself last consistently, he puts the needs of others above himself, and he does not know how to be a little bit selfish when it comes to his feelings. he's sensitive, he's kind, he's artistic, he cries easy, he relies on his friends and family to feel safe and loved, and without them, he feels lost and hurt and alone. and there might be ups and downs, but he gets that love and support from them. they always have his back. he knows what it's like to feel pain and to suffer, but to have people who will stay by your side unconditionally through it all

and that's something he can offer to vecna and his alternate versions. he can offer that love, and that warmth, and that light in the darkness. and once again, i think it would be neat if it was less of a literal flame or source of light, and that it was will who is the source of light. like, he is the example for henward/vecna to see. he's the proof that despite all the bad shit there is in the world, there are people who will still love you anyway. there's people who will listen to you and care for you even if everyone else shuts you out

and even if it does take the form of something literal, of an actual flame or glowing ball of light or more of those glowy particles, it's not a weapon like the other powers we've seen

it's also about just shining a light on all the good stuff that's mixed in with the bad stuff. again, there is no black and white (thanks brenner, you fuck). henward was miserable in his life, he hated it and was frustrated that he felt trapped in a cage, and he only saw all the bad in the world. he couldn't see any of the good mixed in (ie. the possibility that he was friends with scott clarke as a kid, or even the fact that victor was really so caring and loved his son so much) because he just assumed it was all bad and he'd have to start from scratch to get any of the good he wanted

even focusing on the negative thoughts and feelings of his victims, vecna was able to be evaded by thinking of happy memories that took place at the same time as the bad ones. "hide in the light." again and again, we see max use memories, both past and present, to free herself from his clutches. good memories that still exist alongside the bad ones. and if vecna acknowledges that there's still good mixed in among the bad, his whole source of power, the foundation for his plan, completely crumbles

if will's power has to do with light, then he'll be the one to shine the light on all of the good memories that henward had mixed in among the bad. and this isn't to victim blame this 12 year old boy who was miserable and didn't know what else to do, but it's instead about his lack of support system, and how it's understandable to have grown so jaded, but that doesn't mean everything is bad, and there's still a chance for him to come back from it and change his way of thinking

henward was a wildfire waiting to happen, and rather than having someone to let him burn a little, to let out his anger and listen, he was trimmed back and suppressed. he had his old growth left there to dry out, which only added more kindling. he was never given the room to bring in new growth

and then to really tie in the use of fire to match the theme of "no black and white," i think about avatar the last airbender, and specifically the sun warrior temple that aang and zuko visit in the final book. in book 1 of atla, aang tries to learn firebending and jumps in too quickly, ends up burning katara's hands, and swears off ever learning firebending because he doesn't want to hurt anyone with it. in book 3, zuko offers to teach him, but aang is still very timid about it because of that incident in book 1. zuko also finds his firebending ability diminishing, and they surmise that it's because he no longer has this drive to find and capture the avatar. that was his source of power, his purpose, and now that it's no longer his purpose, he has to find the true way to master firebending. so, the two boys travel to the sun warrior temple to try to find answers. there, both zuko and aang admit that they really only see fire as something destructive, but the sun warriors remind them that fire is warmth and light and life. fire can be destructive, but it is not only destructive. it's something beautiful and necessary, you just have to respect it

feels pretty fitting for stranger things, yeah?

so, to wrap this all up before i go fucking crazy:

i personally think that will's powers will predominantly take the form of fire or light

i do also still adhere to some of the creation power theories, but it also wouldn't be crazy for him to have more than one power, right? after all, el can use telekinesis, track someone's physical location, and go into their minds. that's 3 pretty different things that she can do!

will is directly tied to the behavior of the lights in s1 and called back to in s4. throughout the show, and especially in s4, will is basked in sunshine on multiple occasions. sure, those instances are mostly about his bond to mike, and how mike sees him in this halo of light all the time...

but that still ties into the theme of love. those rays of light are about mike's love for will, and vice versa. but that kind of unconditional love and acceptance is something that will have to be extended to henward and vecna. therefore: light is the key

and again, it just feels very fitting to have the key be something like fire. something that's so often villainized and only seen as bad and destructive, when it truly is something that's misunderstood. unchecked, it can run rampant and cause pain and grief, but when respected, it can bring life and healing, for lack of a better word

so far, we've only seen fire used as a means of harm. it does keep our characters safe (ie. hopper's flaming spear, the flame thrower, the moltovs, etc.) but it is wielded as a weapon first, when it doesn't have to be

fire can cause pain, yes, but fire is also passion and love. light is something to be extended, to help people find their way out of the darkness, and i just think it would be really cool to see vecna, who's always shrouded in darkness, or henward who hid away in the dark attic surrounded by candles, to have a ray of warm sunshine like will byers hold out a hand to him and try to help

[nonbinaryaubrey]

wait actually. since we r talking rn. thoughts on this specific Basil design. he appears directly before the truth sequence actually starts.

[menciemeer]

It's interesting to me that (unless I really missed something) after the point where Hannibal sends Dolarhyde after Will's family, Will stops framing his work on the Red Dragon case as something altruistic.

Prior to that, Will talks about saving people. He even, immediately before the attack on his family, tries to convince Hannibal to help him via an appeal to his better nature (!!!)

WILL GRAHAM Do you know who they [the family that Dolarhyde is going to target] are? HANNIBAL Yes. WILL GRAHAM You're willing to let them die. HANNIBAL They're not my family, Will. And I'm not letting them die. You are.

(Which, just, listen. Hannibal is maybe the single least likely person, ever, to be swayed by the argument "maybe it would be better if fewer people died." Honestly.)

I just think it's interesting that after the attack on Will's family, that whole motivation (or pretense-at-motivation) is quietly dropped. It's not about saving the next family and it's not even really about the fear that Dolarhyde will try to finish the job. ("I can't go home until the Red Dragon is out of the way" reads more psychological to me than a statement of actual physical danger, although the viewer does also have more direct insight into Dolarhyde than Will does, and we know that he doesn't really seem interested in trying again...)

Will starts drifting further into Dolarhyde's mindset right at the end of the season, and by the time the final fight at the cliff house happens, it doesn't really feel about anything other than self-actualization. Will enacts his own becoming upon Dolarhyde. It's not about who Dolarhyde is or what he might do in the future so much as it is about Will, and what Will wants.

Anyway. The whole point of this is that it's a fun alternative (and, yes, compatible) motivation for Hannibal to direct Dolarhyde at Will's family in the first place. Will came back to the FBI and he came back to Hannibal, but he wrapped himself in a shroud of morality that doesn't align with Hannibal's view of Will's underlying self. Beyond the jealousy angle, Hannibal is making Dolarhyde bad in a way that is immensely personal to Will, so that Will can't deny that how good it would feel to hurt him.

[cisthoughtcrime]

I know this is probably not anything profound and maybe people have already said the same thing... But in regards to you talking about your creative writing struggles, just write it. Yeah maybe it sounds stiff and shitty. Doesn't matter. Just write it. Speaking from experience, if you always let that get in the way you'll never actually write and get better.

So just write it, even if it sucks. That's what editing is for.

This is my weird attempt of encouragement but seriously I really hope you can reach a point where the creativity is flowing freely and you enjoy it :)

thanks for this 💖😄 genuinely encouraging

[robinsnest2111]

also having second thoughts about spending so much time with the band. I was probably awkward as hell, I probably overshared and made everyone uncomfortable, 3 out of 4 bandmembers following my Instagram account now is kinda scary and it all makes me wanna disappear off the face of the earth for some reason

[sensitivegoblin]

....I've been questioning my gender for over a year?😭

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[jaewritesfic]

Melon!AU

Actual writing now, based on this post:

“What,” Tim breathes out faintly, “the fuck is that?”

Language, Bruce thinks faintly, though he doesn't manage to get it past his lips.

He is a man who prides himself on being ready for anything, but he most certainly didn't expect something like this when responding to the Batsignal tonight.

“That is a Pit Demon,” Damian's voice asserts through comms, grave in a way that betrays his collected mask. He's unnerved. “There is nothing else that could be.”

Bruce is unnerved too, though he refuses to show it.

Gordon had half the block cordoned off so no civilians would come through by the time Bruce and Tim - the closest at the time - had arrived on scene. The alley itself is blocked in by police cruisers, though the officers are staying very firmly behind the line and not approaching.

It's no wonder why.

The…thing backed into a dead end alley looks like it's made of smoke and shadow, all long sinuous lines and dangerous angles.

It's vaguely Humanoid in the sense that it has a long torso, arms and a head. The arms are too long, the fingers curved and wickedly sharp. The face is a well of deep shadow, a smooth slate broken only when it opens its jagged mouth to show off a full arsenal of fangs.

The only other facial features are the solid, glowing Lazarus green eyes. Wide and lamp-like, they give the distinct feeling that the creature's sights will not miss anything.

There are no legs. Just the sinuous curves and overlaps of a long smokey tail. It whips about with agitation.

Floating like mist on the water is a head of white hair, edges fuzzy and undefined like it can't decide whether it's a solid or a gas.

The creature lays with its chest nearly flat to the ground, propped up only by those horrifically sharp hands and poised like a predator ready to push off into a sprint.

Glowing Lazarus water seems to pool slowly beneath it, streaked here and there as evidence of past movement.

Bruce finally finds his tongue to question Damian. He can see his youngest standing on the opposite roof of he and Tim, the two buildings that form the alley their perch.

“You've seen something like this before?”

Damian hesitates. “...no. But there are stories of things coming out of the Pits. I doubt I need to explain why this seems to be one of them.”

With that color green shining out of its face and streaked across the alley? No. No, he doesn't.

“Do your stories have any clues on what to do when one shows up?” Tim asks, unable to tear his eyes away from the creature.

Damian scoffs. “Close your eyes and hope your end is quick.”

“Lovely,” Tim bites out, voice a little higher pitched than normal.

“We won't be doing that,” Bruce responds dryly, two taps coming through the comms notifying them of Black Bat's arrival.

Bruce looks up and has to search for her for a few seconds before he can make her out in the shadows of Damian's rooftop.

“I'm still five minutes out,” Dick comms in. “What exactly are we looking at here? Can Oracle give a visual with any cams?”

“I wish,” Oracle chimes in. “Even through the mask footage I have no idea what they're seeing. The feed is corrupted to hell and back whenever it's in frame.”

“Really? In person it looks like-”

Tim is cut off when the officers below make some kind of movement the monster clearly takes issue with, the snarl that almost physically ricochets off the brick walls making everyone wince.

It's like TV static and the crackle of lightning striking a tree, like glaciers cracking and shifting underwater all rolled into one.

The hair on the back of Bruce's neck stands on end.

“Fuck. It's like a living shadow, but all sharp and wrong and angry-”

“No,” Cass cuts in quietly, silencing everyone.

“...Black Bat?” Bruce questions lowly.

“Not angry,” she responds, as sure as ever when assessing a target - no matter what kind of target.

“Scared, hurt. Guarding chest, trying to hide it. Wants to scare us away, but making no move to attack. Posturing.”

The thing about Cass is that they trust her reads implicitly - her reads of people.

She wouldn't speak up if she wasn't certain, and she wouldn't be certain if she didn't see something painfully human in the creature below.

“...what do you suggest?” Bruce asks after a moment of tense silence, trying to reassess the creature and see what she sees.

He at the very least wants her opinion, so they can weigh it in formulating a plan here.

Cass keeps looking for a long moment, before she looks across the gap at him. “Needs help. Reach out - at least try.”

Masterpost