#but I feel like they get worked up about all the wrong stuff

[cuteandhughesy]

Please Please Please | Luke Hughes

summary: navigating a secret relationship with your brothers teammate is turning out to be a little harder than you expected. the 3 times you and luke were almost caught + the 1 time you are caught.

4.3k

warnings: NSFW! pre-established relationship | brothers teammate trope | lazar! reader | sneaking around | kissing | suggestive dialogue and scenes | the tiniest sprinkle of smut but no actual sex | read at your own discretion

a/n: formed based on this request! i’m working on a good chunk of fics and similar stuff so keep your eyes open 💕 for now…enjoy! it’s been so long since i’ve written for luke..I missed him.

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one

"we really shouldn't be doing this..." luke's hushed words trail off, whispered against your slick lips as you two move through the room, stumbling over loose shoes and discarded clothes. his hands run up your torso hurriedly—yet smoothly—squeezing your skin in his palms like he can't get enough of you, despite his words. it's a sweet gesture, one that only turns you on further.

you shush him gently, dismissing his hesitance. you pull away from him slightly, but still close enough that you could lean back in at any moment and continue your hurried kiss. "please." you pout slightly, looking up through your lashes. you're so wound up from just kissing luke, you're not sure if you'll be able to stop now—despite the circumstances.

so regardless of your own selflessness—you can understand luke's apprehension. after all, if you were in his shoes you'd probably be shitting bricks right about now. your hands fall away from luke's broad shoulders, letting them trail down his chest until you reach his hips. slowly, you slip your fingers into the waistband of luke's sweats, and begin pulling him forward. "we just have to be really quiet."

luke stumbles slightly, caught off guard by your sudden movements. regardless, he follows easily, allowing you to bring him towards the edge of the bed. in that moment you're thankful the upstairs bedroom floors are carpeted, and the wobbly footsteps are muffled by the rug under your and luke’s socked feet.

the back of your knees meet the edge of the bed, and that has you falling back into the mass of blankets, releasing your hold on the elastic waistband around luke's ridiculously attractive hips—which, before you even met luke, you didn't even think hips could be so hot, but you'd been very quickly proven wrong.

you blink up at luke lazily, making your gaze come across as sensual as possible. you bring your knees up, and slowly your legs part, revealing the thin material off your blueberry printed panties—just visible under your shifted pyjama shorts.

but luke doesn't bite. he stays stagnant at the end of the bed, shirtless and visibly turned on—the straining situation under the soft material of his sweatpants giving him away.

his brows furrow. "what if curtis comes up here." luke questions, the worry evident in his expression. he gently rubs along his growing stubble, deep in thought as he continues to eye you. "what if we get caught?" luke's hesitant eyes flicker towards your closed bedroom door—well, your brother and his wife's guest bedroom door.

you were finishing up your final year of university in jersey, and instead of paying the ridiculous residence fees, curtis offered you the spare bedroom in his families home. and with that came a lot of social situations involving your brothers teammates. whether it was team dinners at different houses, or crowded bars after games, you were there—which is where you met luke.

luke seemed to always be around, and that combined with the constant banter he has with your brother, had you feeling enamoured with the youngest hughes brother very soon after curtis introduced you two. you found yourselves drawn to one another, and if one of you was near, the other wasn't far behind. you and luke quickly started dating—behind the back of your brother of course.

curtis has always been protective of you, especially when it comes to your relationships. it all comes from a good place, even if it made dating extremely difficult for you. curtis has always made sure to drill the negative stigma around young hockey players into your head���how he would never want you to date one...especially if said hockey player was one of his own teammates.

locker room talk was inevitable, and curtis didn't want to subject you to any of that ridiculous stuff or make you uncomfortable. and you didn't mind that protective rule of curtis' because you've never had an attraction to any of his teammates—until luke.

with that in mind, you and luke found yourself involved in a secret relationship. there's many measures you'd both take to ensure your romance stayed under wraps—you'd plan your calls around schedules, allowing yourselves to talk freely without your brother listening in. as well, you and luke would always plan secret dates, giving excuses of seeing friends in the city while you're actually tangled in whoever's bed is free. during gatherings, you'd be sneaking off into dark rooms, kissing like horny teenagers—it was all a thrill, one that you and luke found yourselves growing accustomed to, and honestly preferred.

you and luke were always careful—especially if curtis was around. if your brother was near, you and luke simply wouldn't sneak away, both too worried about getting caught and loosing the excitement and intimacy of your secret life.

but tonight was different.

the devils had been away on a week long road trip, expanding along the west coast and visiting teams like the sharks and kings. with the change in time zones, sneaking calls and facetimes with your boyfriend was practically impossible, and you and luke had only texted every few days to check in.

the interfering schedules and lack of communication left you and luke missing each other more than usual, and as soon as the devils plan landed back on jersey soil, you were practically vibrating with need.

when you proposed the idea of sneaking luke into the house once everyone had gone to bed, you didn't think he'd agree, but surprisingly enough he did. luke was apprehensive at first—which is understandable— because seeing one another while you're brother was home was always a big no-no. but the combination of the time missed between you and your pouty voice, luke had no choice but to agree.

slowly you unfold your leg, lifting your foot until you meet luke's shoulder. you nudge the buff surface with your sock covered toes, pulling luke's attention away from the bedroom door and back to you.

luke's gaze moves over you, shifting from your plump, spit slicked lips, down to your barley covered core and thin tank top that gives him the perfect outline of your pebbled nipples. he swallows roughly, a blush covering his high cheek bones.

"we won't get caught." you whisper seductively, your foot slowly trailing down his arm.

suddenly luke grabs onto your ankle, bringing your foot closer to his face. "you're such a bad influence." luke presses a soft kiss on your exposed ankle, right over the beaded anklet decorating you. his eyes don't leave your face, and as he slowly pulls away, a smirk begins to pull at his lips—tempting you.

you take your lip between your teeth. "you gunna punish me?"

he breathes a laugh, and manoeuvres your leg back into his spread, bent position. "you want me to punish you?"

you watch through hooded eyes as luke crawls onto the bed, moving until he's hovering over your flushed body. instantly your hands are in hair, running through his light curls, feeling the defined pattern between your fingers. "maybe I do."

his eyes flutter closed at the feeling, a small whimper passing through his parted lips. luke's large palm runs up your side, scooping under your tank until he's feeling your bare skin—running his thumb over your nipple.

you arch into him, a breathy moan leaving your lips, goosebumps covering your skin in the wake of luke's gentle touches.

luke kisses you slowly, a deep and bruising pressure that has you tingling all the way down to your toes. your lips part instinctively, moaning into luke's mouth as his continues to kiss yours, lips passing over yours in a gentle, slick embrace.

you're so easily distracted by luke's presence and touch, and you find yourself falling into a trance like state—loosing yourself in him. you find yourself here anytime you're with luke, always so easily falling into this intimate pattern. so it comes as suprise when your ears pick up on a dull thump in the distance, almost echoing through the quiet home.

"did you hear that?" you pull away from luke hurriedly, brows furrowed as you try and concentrate and listen further—straining your ears in attempt to catch any more sounds from beyond your bedroom.

luke whimpers at the loss of contact, eyes fluttering open to reveal his glossy, lustful eyes. "hear what?"

the dull thudding noise continues, increasing as if it was coming closer— sounding like somebody is walking, moving up the stairs towards your room. you gasp lightly, and with all the strength you can find, you push luke off the bed.

your sudden actions catch him off guard, and he goes easily, tumbling onto the rug with a loud thud. he groans out, and watches as you peek over the edge of the bed—your eyes blown wide with worry.

just before he can question your behaviour, you interrupt him, your tone hushed and full of fear. "it's curtis."

luke's face falls. "it's curtis?"

you nod quickly, looking in the direction of the door anxiously, listening as your brothers steps grow closer. you look back down at luke, "you gotta get under the bed."

"i'm not going to fit under the bed." luke whispers roughly, his own gaze darting between your nervous eyes and the bedroom door.

"well you gotta make it work, luke." you whisper wildly, shooing him. "scoot under—now."

the urgency in your voice has luke springing into action. he grabs onto the wooden frame of the bed, pulling himself under your bed. the rug rubs his bare back uncomfortably and the dust under the mattress is tickling his noise dangerously. the space is limited, and dirty, but you're not even thinking about that right now.

all you can focus on is the sound of curtis footsteps right outside the door, and just as the golden handle begins turning, luke finally gets situated under your bed, hiding from not only your sight, but hopefully your brothers.

you whip around just as the hinges squeak open, curtis appearing from behind the oak door. "hey." he greets you gently, still rubbing the sleep out of his eye with the palm of his hand. "are you talking to someone?"

you can feel the colour drain from your face, swallowing roughly as you keep your gaze ahead. "no?" your voice is definitely too high—too suspicious—answering quickly.

curtis's gaze narrows. "really? I thought I heard something." you watch in horror as your brother begins to look around the room, his movements suspiciously nonchalant as he scans the area—you can only pray that luke's feet aren't sticking out from underneath the mattress

you desperately need to get your brothers attention again and stop him from snooping around your space—you're pretty sure luke's phone is on the dresser. quickly, you spin your body to fully face curtis, clearing your throat. "well, I was watching a movie."

curtis' eyes flicker back to yours and away from your desk, his brows raised questionably. then, slowly, his gaze moves towards the tv on the wall. "the tv is broken."

you curse inwardly, swallowing thick salvia. "on my phone."

"okay..."he trails off. "just coming to check on you, making sure you were alright—couldve swore I heard something." your brother doesn't look all too convinced with what you're saying, and his pointed gaze has yet to waver.

you plaster on a smile. "oh i'm just peachy, curtis. thanks."

"you're acting weird."

"am I?" you question highly, crossing your arms.

he hums in answer, eyeing you suspiciously. "must just be tired. right?"

"right." you exhale shakily, and at this point you can only pray for this conversation to come to a close. subconsciously your eyes trail towards the bed, checking to make sure luke was still hidden.

curtis hums again, pulling your attention back to him. "better get to sleep then. goodnight."

you breathe, smiling again. "night."

he sends you one more curious look over his shoulder before he finally leaves, shutting the door with a gentle thud. the entire time you feel like you're going to die.

as soon as his feet sound descending back down the stairs, you're moving, practically skipping towards the bed.

your drop down on your stomach, looking under the gap between the floor and the mattress. "luke? are you breathing?"

he exhales loudly. "barley."

you send him a guilty smile. "guess we won't try this again, huh?"

two

luke pulls his hoodie over his torso, stretching his tired muscles as he adjust the material over his body.

the practice that finished only half hour ago was a taxing one. after a rough loss the previous night—one that he'd been cross checked in the ribs three separate times without a call—coach had been extra hard on the group today, which left luke even more sore and exhausted.

he shakes out his freshly washed hair, ruffling the curls between his fingers after they'd been flatted by his devils branded hood. the fuzzy material sticks to his damp chest, as luke was too tired to properly dry his skin—he just wanted to get home and call you, letting you coo at him and call him pretty (he loves it more than he’d ever admit).

"hey rusty." curtis distinctive teasing voice sounds behind luke, and he feels the center man’s hand on his shoulder, a rough squeeze in greeting. "you heading home now?"

curtis drops down to his reprieve stall—the one beside luke's—towel still around his waist as he pulls on his t-shirt, looking at the defence man expectantly.

luke swallows gently, giving curtis a quick nod. "yeah," he grabs his duffle bag, one full of extra hockey gear he always brings back and forth to the rink. "jacks already outside, said he wanted to shower when he got home."

"right on." curtis hums, pulling on his socks.

the sporadic buzzing noise of an incoming call draws the attention of both athletes, and their eyes are pulled to luke's beaten up phone, sitting screen up on the stall seat.

it's you. you're calling him.

curtis's brows raise, and he makes a teasing noise. "russssttttyyyy, who the hell is lovey?" before luke can even react, curtis picks up the phone, inspecting the profile picture set for your contact that’s flashing on the screen. thank god it’s an inconspicuous mirror pic, one lacking your face—luke can only pray curtis doesn’t inspect that picture too hard. "I didn't know you had a girlfriend."

luke swallows, eyes darting between the centerman and the phone clutched in his calloused hands. "I don't."

"there's a heart beside the name." he deadpans. "should I answer it and ask her about it instead?"

"no!" luke lunges towards his phone, but curtis is quicker, standing from is stall and side stepping the youngest hughes.

"easy dude. what's the big deal." with a breathy laugh, curtis slides his thumb across the answer button, picking up your incoming call.

"dude." luke grabs the phone from his hands just before curtis can place it to his ear. "a little privacy." the awkward chuckle that leaves him is almost embarrassing, and the way his hands have started shaking and the blush covering luke from head to toe is also humiliating.

curtis laughs, clearly finding amusement in luke's clear embarrassment. "i'm literally standing in front of you with my dick out, but sure rusty, i'll leave your secret girlfriend alone."

luke can just hear your muffled voice through the phone, muttering his name questionably—no doubt wondering what the fuck is going on. "sorry she's just...shy. you'll meet her one day."

curtis snickers, finally pulling on his sweats. "i'm sure I will."

luke nods—unsure what to say.

"better get going, rusty. think somebody is probably waiting to hear your voice." the center man's eyes dart between him and the phone in his hands, brows raised knowingly.

"right." he swallows, "see you later." luke practically runs out of the locker room, and as soon as he makes it down the hall, he raises the phone to his ear, hurriedly explaining to you the close call he'd just encountered with curtis.

three

you didn’t mean to have that many drinks—really, you didn't. but a couple of your friends from class invited you out to celebrate the ending semester, and because you all passed, they said drinks were in order and you had to join.

a few hours and many drinks in, you were practically falling over. you had stayed out later than you originally planned on, and curtis would be long asleep by now—leaving you with limited options for getting home.

drink you—ever to clingy girlfriend—called luke almost instantly.and obviously luke picked up on the first ring, despite the early morning time, and of course he came to the bar as soon as you asked.

which brings you to right now, knees weak as you sway on the your homes front porch, pouting at your boyfriend in the cold winter night.

luke looks down at you gently, his eyes full of exhaustion. but yet, there’s a hint of amusement in them, and the edge of his mouth is turned up in a lazy smirk.

"kiss me goodnight." you drunkenly slur for the 10th time since luke guided you out of the car. you are looking at your boyfriend expectantly, an impatient whine leaving your lips. "please baby."

it's so dark outside he can barley make out your features, but he can see the way your hazy eyes twinkle at him—silently begging. luke's gaze flickers towards the ring camera quickly, praying that it's one that isn't an audio recorder, and if it does pick up sound, luke hopes you're too quiet to catch.

you’ve both always been careful with the camera before this, and if the lazar house was the only option for your…escapades, you’d both avoid the camera expertly—sneaking through windows and back doors like misbehaved children.

but you’re too drunk to even think about that, and luke’s too tired to even attempt sneaking you through the back door.

your pout turns into a smile, and your arms snake up his body, wrapping around his neck and pulling yourself up to your toes. "please please please please."

he sighs gently, glancing at the camera again. in a moment of weakness, he decides it's probably to dark too make out any kind of facial features through the camera anyway, and if he doesn't kiss you now, the camera will be the least of his worries.

so luke wraps his arms around your waist tighter, keeping your sway steady. he leans down, pecking your lips so quickly that he hopes even if the camera can see him, the affection was so brief that in a blink you'd miss it. "okay now go inside."

your grin widens, and as you finally pull away from luke, you're overjoyed and satisfied.

when you wake the next morning, you feel yourself panic—flashes of the kiss on the porch and the ring camera running through your mind.

you wait anxiously for curtis to bring it up and call you out for kissing his teammate in front of the front door...but it never comes.

the ring camera hasn't worked for a week—and that has you breathing a sigh of relief when your sister-in-law mentions it the following evening.

+one

you can't even think logically as you rush through the crowded arena, weaving through bodies as you clutch the pass around your neck, anxiously fiddling with the lanyard.

the scene in your head is playing on repeat—watching luke get thrown to the ice during the messy scrum from only minutes ago, his head slamming against the ice as he hit the ground.

you'd shot up from your seat, worry sketched across your face as you watched luke laying limp on the ice as the trainer spoke into his ear—the fear all but consumed you. jack's girlfriend tried to console you—comfort you—but nothing was helping.

you gave it 5 minutes. 5 minutes after they helped luke off the ice and down to the assessment room, before you were out of your seat, mumbling some excuse to sammy as you left.

you make your way through the tunnels easily, very much used to the area and familiar with the space after many visits with curtis. you find the assessment room easily, the door left open the smallest crack so you're able to subtly peek in—so if someone else is in there with him, you won’t be caught.

but it's just luke, sitting slumped on a doctor like bed with his eyes closed—arms crossed over his chest guard, his jerseys discarded in a sweaty lump on the metal table beside him.

with the coast clear, you push open the door fully, letting it softly swing closed behind you. the sound has luke's eyes fluttering open, and he immediately finds your worried eyes blinking back at him.

you breathe a heavy exhale, a slight wobble in the sound that portrays the emotion crawling up your throat—desperate to be let out. all the fear and stress and worry you've been feeling for the past 6 minutes are coming to a hilt, and you rush towards your boyfriend with a pout pulling at your lips. "are you okay?"

"hey." he mumbles gently, brows pulled tightly as you appear his side. "what are you doing down here?"

you gently take ahold of his face, eyes frantically bouncing around as if you're trying to locate any injuries. "luke, holy shit. I was so scared." tears begin welling in your eyes, bottom lip trembling. “you weren’t moving.”

luke slowly swings his legs over the side of the medical bed, cooing gently. your hands fall from his face in favour of wiping your own, catching the trail of water as it cascades down your cheeks.

luke's hockey pant covered thighs part, creating enough space for you to stand between them. he wraps his arm around you waist, bringing you into his embrace. you go easily, tears continuing to cloud your vision as you fall into his sweaty chest. "i'm sorry I scared you." he mumbles into your hair, pressing a lingering kiss against your forehead.

you shake your head. "are you okay?" you ask again, pulling back just enough to look into his warm eyes. “what did they say?”

"i've got a concussion most likely, but i'll be fine." luke's words are reassuring, and so is the kiss he presses against your cheek. he's coherent, and he's moving—he's okay.

"is there anything you need from me?" you ask gently, pushing his wet curls off his forehead—something you’d always find yourself doing.

luke’s eyes flutter slightly at the comforting action. his soft grin turns boyish, and silently he purses his lips, asking for a kiss.

you roll your eyes gently, but oblige, leaning in and pressing your lips to his. luke sighs pleasantly, parting his lips as he begins to deepen the kiss, pulling your body in tighter.

you smile into it, which allows luke the access to slip his tongue past your bottom lip, and you let him. his hand travels down your back, slowly tickling the expanse of your skin until he's rounding over the curve of your ass, giving your cheek a firm squeeze.

"alright rusty if you're gunna kiss my sister here, the least you could do is not play grab ass while you do it." the sudden voice of curtis has you pulling away, and you turn towards the door in record speed.

you'd been too lost in the trance luke always put you in—to absorbed in his body and lips that you'd missed not only the end of period buzzer echoing throughout the arena, but the door opening behind you.

you're too scared too move—too scared to even blink. you look at curtis with wide eyes, your face void of colour, giving you a lifeless look. and luke's no better, with his mouth opening and closing like a fish and his hand still on your ass cheek—even after you turned around.

you push his hand away and swallow roughly. "curtis...I-we can explain."

your brother shrugs. "there's nothing to explain. I know."

your brows shoot up. "you know?"

curtis nods triumphantly, looking rather pleased with himself. this time it's luke who speaks, swallowing the little salvia lingering in his dry mouth. "what-I-how?" he stutters.

"that night awhile back, when I came to check on you, luke's sweater was on your chair." he looks at you playfully, "I saw the number and I knew."

now you're going red, felling a wave of guilt and embarrassment creep in on you. "i'm sorry."

"we're sorry." luke adds gently. "we shouldn't of kept it a secret."

"I'm not mad—just a little disappointed that I was left out of the loop." then, curtis expression changes, looking at you with a gentle smile. "out of all the guys on this team you couldn't picked...rusty's the best one."

you smile, glancing up at luke.

he meets your gaze, and he wraps his arm around your waist, bringing you back into his side.

"consider yourself in the loop." you chime through and exhale, looking back towards curtis.

"good." he nods, his usual teasing expression back on his face. curtis looks at luke, a brow raised. "so, were you under the bed or in the closet?"

you feel luke stiffen beside you, and you can't help but laugh.

[moonstruckme]

Pookie! I need you to write me something pretty please :)

Can you write Remus comforting a reader with an anxiety disorder when someone told them "there's nothing to be anxious about. You just want attention" ??? Pretty please?? Love you pookieeeeeee

Thanks for requesting!

cw: mean girl stuff, social anxiety

Remus Lupin x fem!reader ♡ 929 words

“Shh.” Remus holds you close to his chest, his hand moving up and down your arm now that your crying has slowed. “It’s okay. It’s just us, yeah?” 

“Yeah,” you echo, croakily. You’re glad you can’t see your boyfriend’s face, for fear you’d die of embarrassment otherwise. The looming insecurity of your day stands over you like a grim reaper. 

You arrived home from a friend’s birthday dinner to find Remus sitting on the couch, already marking the page of his book as he turned to you with a soft smile. 

“Hi, sweetheart. How was it?” 

You replied, through a laugh that turned into a sob halfway through, “Not great.” 

The dinner had been an event of foreboding for you since your invite. You’d been determined to be a good friend by not bailing, but actually going had confirmed your worst fears; it was loud, crowded, filled with people you didn’t know and didn’t fit with. Your outfit wasn’t right, the menu was daunting, and conversation swirled all around you about things you weren’t a part of. The fallout was basically inevitable. 

You perhaps waited too long to excuse yourself. You were sweating buckets and breathing around a lump by the time you did, whispering an explanation to your friend before locking yourself into a bathroom stall to talk yourself down. You’re sure she didn’t mean anything by telling the people sitting closest to her why you were gone—you don’t think she���d do it to gossip, and she’s never talked down to you about that sort of thing, at least not to your face—but by the time you returned one of her friends—a stranger to you, who’s name you can’t even remember—had formulated a fairly decisive opinion and dubbed you an attention seeker. 

You stayed only a little longer after that. Just long enough to avoid attracting more attention. And you worked yourself up well enough on the way home that all it took was one innocent question from Remus to send you crumpling into his arms. 

You’ve tried to steel yourself more than once, but any attempts at stoicism have been foiled by your boyfriend’s tender looks and whispered placations, which only make you cry harder. If you’re an attention seeker, Remus is your holy grail. Self loathing sits lodged in your throat like a stone. 

“Whose friend was it, again?” Remus asks, stroking your arm gently. 

You take a breath, trying to steady your voice. “Does it matter?” 

“I don’t mean it’s your friend’s fault, sweetheart,” Remus says. He’s all softness and patience, better than you could ever deserve. “I just thought you might talk to her, if you want to. She ought to know her friend is going around saying cruel things.” 

“She was there.” Your throat tightens at the memory. 

“Oh. Then I don’t suppose you need to say anything; I’m sure she’s already very upset for you.” 

You try to laugh, frustrated with yourself when it only seems to spur another wave of tears. “Rem. You’re biased.” 

“What?” Remus sounds genuinely surprised. “You don’t think she’s angry with that other girl?”

“She’s her friend.” 

“So are you.” His arms tighten around you protectively, chin bumping your head. “I may be biased, but the other girl was clearly in the wrong. There’s no excuse for the way she acted.” 

A dozen rebuttals fly about your head, but you keep your mouth shut. You don’t have the energy to argue. Unfortunately, Remus hears your argument in the silence anyway. 

“Sweetheart,” he says softly, “no one puts themselves through what you do for attention. You don’t choose to feel that way.”

You hunch your back, tucking your head underneath his chin. “I do get attention for it, though.” 

“That doesn’t mean you want it.” 

“But I—”

“Do you want it?” You can’t see Remus, but you hear the hardened edge to his tone. “Did you like it, when that girl called attention to you in the middle of the dinner?” 

Your voice smalls. “No.” 

“Right.” The gentleness returns. Remus puts his lips to your head. “I know you didn’t, dovey. So don’t torment yourself, please. She doesn’t know anything about you.” 

You push your lips together. He lets you chew on your next words for a while, his thumb swiping softly back and forth over your upper arm, the sleeve of your top shifting slightly with the motion. 

“What if…” You gnaw the inside of your cheek. Remus waits. “What if everyone thinks that?” 

“Mm. Well, for what it’s worth, I don’t think most people would. Surely not anyone who knows you, or anyone worth being around.” He takes a breath, thinking. “You can’t always control what people think. I know you say I’m biased, but anyone who thinks something like that really isn’t worth thinking about at all. You’ve got enough going through that head of yours, yeah?” He kisses your hair fondly. 

“I guess so,” you admit. 

“Yeah,” Remus decides. He pulls away to see your face, pushing hair away from your tacky cheeks. “I’d say so.” 

You wonder if you look as horrendously in love as you feel. You think you must, because your boyfriend’s expression softens impossibly further as he turns his head to give you a proper kiss. You feel raw but comforted, and suddenly, totally exhausted. 

“Let the bullies worry about themselves.” Remus gives you a tender look. “I’ll worry about you.” 

You let a small smile tilt your lips. “And what am I left to worry about?” 

“Nothing,” he says solemnly. “Think you can manage that?” 

“Nope.” 

“Mm. Well, try.” 

[laprasboat]

sometimes i read posts about dan and phil's relationship and all i can think about is how it feels like the person who wrote the post has 0 examples of loving, healthy relationships around them

don't get me wrong, certain aspects of their lives/relationship are special and unique

but often people point out stuff that should be normal in relationships, i don't mean this in a "their relationship is nothing special" kind of way, but it makes me sad to hear so many people say they don't think they'll ever have something like that in their lives

having a partner who loves you, cares about you and genuinely enjoys spending time with you, someone who looks at you like you're the greatest thing since sliced bread is not an unachievable feat, a privilege reserved only for the most special people

sure, you're probably not gonna meet them as a teenager and build a career together (and not everybody wants that either) but i don't think that dan and phil's relationship would be less meaningful or beautiful if they met when they were 30 or if they never made it on youtube

i think there are just so few examples of couples (especially queer couples) both online and in media in general, that have healthy relationships, not to mention that so many of us were never taught to communicate effectively (speaking about people in general, not a specific demographic of people)

and all of this just reminds me of the numerous dating coaches on the internet (this specific rant was triggered by one of them) especially the people who treat romantic relationships like a really complicated game

i saw a video one of those "dating and love coaches" made about how your partner should not be your friend and how you shouldn't feel comfortable enough to talk to them about anything and everything, that's what your "girl friends" are for

and maybe im a bit biased, growing up i watched my parents who were (and still are) very much in love with one another and absolutely are each others best friends, but i cannot imagine anything more sad than dating being nothing more than a transactional relationship

i know im just ranting at this point and can't even tell how coherent this is, but if you're still reading this, i need you to understand

and i cannot stress this enough

you absolutely can (if you want) have a relationship that makes you as happy as dan and phil's relationship makes them

no you cannot have a relationship just like theirs, because you aren't them, what they have works for them and you need to figure out what works for you, what makes you happy

but don't let anyone convince you that you're supposed to be unhappy and that you should just settle for the relationship that makes you the least miserable

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[rafesweetie]

⋆˚࿔ the way 𝜗𝜚 ˚⋆ — jj maybank and pogue!princess!reader

“ you a princess to the public, but a freak when it’s time, “

cw ; making out, reader tries to go further, ‘mama’ and ‘princess’ nickname, drunk!reader.

jj had bought the hot tub a year ago, during a moment of rage and upset, and he thought the pogues would instantly return his reckless decision and get the restitution money back — news flash, he was wrong.

there have been many parties in the fun hot tub, getting drunk and splashing around with the pogues, tonight was no different. it started out normal and fun, sipping drinks and giggling and talking about stuff that would make no sense to a sober person. then kie and pope left to have some ‘alone time.’

“oh my god, jj, you know what that means right?” you giggling, sipping your vodka pink lemonade.

“what, mama?” he knows what, he’s just entertaining you because you’re cute when you’re drunk — not like he’d ever admit to thinking that.

“means theyre gonna go do it,” john b even laughs at that, which makes you laugh more. “thought you liked her, jayj,” you say after the giggles stop.

“who? kie?” he asks, faking obliviosness.

“mhm,”

he shakes his head. “nah. no, she’s all pope’s. plus, shes like, a bop, always going after another guy,”

“ew, jj, don’t say bop,” john b cringes.

“then who do you like?” you ask, too drunk to care that you’re prying.

“can’t tell you that, ‘s a secret,”

“jayj, thats no fun!” you pout, gently pushing his bicep which makes him laugh. “just tell me, probably won’t even remember tomorrow,”

“yeah yeah. maybe later,”

sarah whispers something to john b and he makes up some shitty excuse and leaves.

“dunno why everyone is hooking up,” you say. “‘s dumb, don’t like being the only single one,”

he rolls his eyes. “i’m single too, mama, y’not the only one, i feel you,”

“yeah, but you like someone. you always get who you like, it’s how you work,”

“what, and you don’t? huh? remember in sophomore year when you kissed topper thornton because you had that kook phase?”

“it was a peck, we didn’t even make out,” you argue. “never made out with anyone before,” you murmur under your breath.

his eyebrows furrow. sorry, did he hear you right? “what?” he asks, implying that you repeat yourself louder.

“i’ve never made out with anyone before.” you admit a bit louder.

“c’mooon,” he takes a sip of his beer. “that’s not true. you’re drunk, stop lying,”

“m’not lying!”

the water moves as he gets a bit closer to you. “y/n, im 100% sure you’re lying. i mean come on, you’re the prettiest girl on the island, you’ve even got kooks, like — rafe cameron type shit — going after you. and you’ve never made out with someone?”

you splash him with the hot water. “stop rubbing it in,”

“hey hey, not trying to be mean, mama,”

“just because you’re always making out with girls doesnt mean that everyone does. you’re a player,” the insult is obviously not said seriously.

“hey, i ain’t a player, i just..” you roll your eyes. “you’re gross,” you say, but you’re back to smiling.

“i could always help you out. i mean cmon, it would be fun, having someone you’re close to being your first. not some random kook,”

“what do you mean?”

“i’m just saying that if you need it, i got it. i got it everyday.”

so you’re not exactly sure when you ended up on your best friend’s lap, but you really like it. being on top of jj maybank, the cutest surfer and pogue in town, a literal light in the OBX. you’re having fun, giggling between kisses when he says something silly or gets dramatic when you nip his lower lip. it’s like he’s putting on a show to make you more comfortable. your hand is tracing his abs underneath the water, feeling him up, your other hand on his shoulder. his hands are everywhere — like, literally everywhere your pink bikini doesn’t cover. it’s clear he’s been wanting to do this for a while.

you two take breaks to have a sip of your drinks and get more drunk and have more fun. he tries a sip of your vodka lemonade and cringes at the sweetness, and you giggling and kiss him again. your lipgloss is making his lips and neck and jaw all sticky. he wonders where you got so good at this.

you go to feel him through his swim trunks, and he stops you, grabbing your poorly polished hand. “what?” you ask, smiling dropping.

“hey, c’mon, don’t wanna steal all your firsts in one night,” he squeezes your waist.

“when did you become responsible?”

“since now.”

you groan. “but i love the way you make me feel. do you not like me like that?”

“hey, princess, i got some feelings for you i’m not gonna get bored of. but let’s take it slow for me too, mkay mama? so it’ll be a first for me too.”

with that, you nod and go back to kiss him.

[mareastrorum]

Been chewing more on how C3 wound up here. What’s throwing me is the strange shift from the cast’s unflinching “yes, and” game in C2 to a misplaced feeling that they need to choose correctly in C3.

I want to be clear here that this isn’t a criticism post because I genuinely don’t know what’s happening here. It’s just odd behaviors that seem to signal a problem, and I don’t know what solution would resolve it. I’m not going to be so presumptuous as to hypothesize about any cast member’s thoughts.

In the Cooldown for C3E118 (and offhandedly previously), Laura and Ashley expressed some nervousness about making big decisions because they’re worried about making the “wrong” choice. Without more, that attitude alone would explain much of the party’s indecisiveness about key campaign questions. After all, their characters are the two Ruidusborn of most interest to the campaign villains, and other characters (especially Orym, Laudna, and Ashton) have insisted that Imogen and Fearne take the lead on Predathos.

But this isn’t a story in a vacuum. C2 got completely derailed multiple times. The Mighty Nein decided to steal a pirate ship and leave the continent the campaign was set on; shortly after they returned, they decided to reopen a collapsed tunnel to go the opposite side of the continent; then Caleb returned the Luxon Beacon and made themselves heroes of an enemy nation instantly. That’s not even getting into the fact that Molly died before the Nein got to Shadycreek Run (which absolutely would have been all about his backstory) or that Twiggy left an incredible magical artifact that wasn’t supposed to be given to the Nein. Each time, Matt adjusted and made it work. Granted, C2 was more of a sandbox campaign, but Matt demonstrated his flexibility as a DM time and again.

Like, as a general rule of thumb, DMs shouldn’t offer options that would torpedo the campaign. It’s rational to avoid situations that have a genuine possibility of undercutting the game. Matt has been DMing for a long time; he’s done a very good job of finding ways to make the campaign work regardless of the decisions the players make. Even when players do something directly against the signals he threw out (like Ashton trying to absorb a second shard despite consistent, dire warnings that it would kill him), he works with the players to come to a reasonable solution (Ashton survived but the shard wouldn’t take, and he got some character moments out of the failure). We, the audience, know Matt is good at pivoting when he needs to.

In addition to taking the players’ curveballs like a champ, Matt also takes big swings for the sake of the story. In C1, Matt broke his biggest city with a dragon invasion, then made a new god leading an undead titan to go stomp out the world’s oldest civilization. In C2, he let the players go off the map whenever and still made the digression relevant to their character arcs every time. Not to be parasocial, but if we can figure out that that Matt can handle this sort of thing, the players certainly have a better feel for it than us.

So what is going on in C3? We know Matt isn’t scared of breaking Exandria or destroying the pantheon: he set that possibility in motion as the default ending if the players did nothing. CR literally did a mini series about the start of the end of the world with EXU Calamity. Laura and Ashley were also in Downfall and making big choices between the gods and mortals. Breaking stuff is what they do!

Where did this idea that there’s a “wrong” choice come from? That type of thinking kills a lot of great improv, and the whole point of the “yes, and” exercise is to shake it off. While it’s incredibly obvious to say not to think that way, the real issue is sorting out why that mentality has taken hold at all. That’s a problem no amount of fan discussion is going to resolve.

[icarusredwings]

Thinking about Logan coming home early to "Pretty Woman" being played loudly from the bathroom.

"Wade?" Steps into the house, he smells perfume. The kind he only liked cause it was Wade's.

He can smell glue, chemicals and hair spray. He can smell heat. Metal, and.. joy.

It almost smells like how it did in the mansion by kittys and rouges room on calm mornings when they were doing their hair for the mall or to go on a date.

The flash of memory hurts. It tightens his frontal lobe like a migraine.

"Wade?" He asks again, knocking on the door but didn't wait to open it. Clicking it open, He peers in to see his husband sitting on the sink next to a heat curler, clips and hair spray in a blonde fluffy wig to keep them in place, the mirror open and seeming to be gluing something onto his eye.

"...Hey." He says.

Wade screams over the music, turning and covers his face, that has some creamy patch under his eyes.

The door slams, Logan being shoved out and jumping from the sudden strength. Blinking, He processed what just happened.

"Wade..??"

"NO!!"

"N-no what?" Did he do something wrong?

"Nooo!"

"Uhm.. o-Okay... are you alright?"

A whine comes from the other side of the door. "You weren't supposed to be home yet.."

"Are... Do you want me to leave?"

"No..."

"I thought you'd be happy I came home early..." Logan mutters, leaning against the doorway with his musty work clothes still on.

"I am! I-i just.. i dont want you to look at me yet."

"Why not? And if you say cause your ugly without all that shit on your face ill slice the hindges off the door and pin ya to a wall."

A very soft "ooo-" comes from him, a pause as if thinking of the consequences.

"Will you damage my hard work?"

"Oh, definitely." He smirks, shaking his head softly.

"Noo! I-.. I'll burn you with a curler!"

Scoffing, Logan snorts. "I've had worse. Now gimme my 'welcome home' kiss and maybe- Maybe. I'll let you watch me in the shower."

There's another pause, another click, and soon Wade opens the door, looking at him with such wide and pouty eyes. "...That's not fair."

"What ain't? That you're a little perv and I wanna kiss the love of my life?? Wade, I've seen you with all your bones outside of your body and magots in your stomach. You think I care abouta lil baggy undereye?"

"...No.."

"Besides. This is your own fault. You can't give a man a 'welcome home' kiss every day for 8 months and then not gimme it. Ill withdrawl!" He says, drimatically, which makes Wade laugh, giggling as he reaches up to his face.

"Oh yeah? My big strong boy gonna withdrawl from kisses?"

"Yeah."

"Really?"

"Mmh."

Scratching his chops, Logan's eyelids go half lidded, staring at him with such love and admiration. He did feel grateful for all the stuff Wade did to try to look beautiful for him, even if he didn't need any of it.

Wrapping his arms around his waist, he began to purr as Wade finally kissed him. Twice. Once for now. Once for forever. It was just something he said. Something about good luck and eternity nonsense. Either way, Logan was more than happy to get as many as he'd give him.

Pulling away, Wade goes to turn back into the bathroom to start on the other eyelash only to pause, pointing at him. "And don't you dare touch my hair, mister!"

Luckily for Wade, Logans hand was only halfway out to play with the curls, in which his eyes widded from being caught.

He chuckles, closing the door behind him. "Whatever you say, pumpkin~"

Oh yeah.. he'd be tuggin on it later.

[taldigi]

how do you feel about yu’s parents?? What do you think they’re like?

I think they're really interesting to explore- believe it or not. I've seen a lot of different interpretations of his parents, ranging from straight up negligent, to being abusive-- or just simply too busy. I've even seen interpretations where they're perfectly fine parents, and that the year abroad is an unusual circumstance.

The game itself, which is what I would consider primary canon (sequels being secondary and manga and anime being tertiary) never touches on it more than it needs to to justify Yu's presence in Inaba/being new. I think Yu's mother is briefly mentioned once or twice and they are said to have called Dojima once.

I made the observation (previously when theorizing about Ren's parents) that it's completely possible that during the downtime that you don't get to see between transition stages (where, theoretically, the main protagonists would do homework or take a shower or tend to other daily needs) it's totally possible that they call or interact with their parents.

All interpretations are possible, but I know Souji Seta's (the protagonist from the Manga) parents are always moving around- and lot of folks have taken this to heart- and yeah, I can see it and I too like this idea- even though it's worth considering the fact that the manga is mostly secondary to the games (and even the anime!) and it's not definite canon.

That being said, I definitely like the idea that they are a sort of echo of the conflict between Nanako and Dojima. Both suggest career oriented people that probably shouldn't have had a kid in the first place who prioritize their work over their family.. and that, in turn, leading to neglect- with Yu and Nanako both being self sufficient. mature for their ages, and complacent.

Behaviors Yu exhibits- like his ability to cook meals beyond what is expected of a teenage boy, becoming incredibly attached to Nanako (he is one wrong dialog choice away from killing someone over her!) and Inaba, the insatiable need to people please, his initial desire to push people away or ignore others, and his otherworldly emotional control and ability to not express himself.. -is stuff like that echos of a kid who's had to grow up way too fast and not cause any trouble and keep to himself.

So personally, I subscribe to that concept: Yu's a kid who's been raised to be seen, not heard- developing complexes and anxieties over being praised for being responsible and mature even though he's only barely meeting that expectation by the skin of his teeth. Nothing less that being perfect for the Narukamis, after all- there's no time to make friends or have many interests when time is better spent on studying.

So... the Narukamis are parents who fufill those concepts. Parents who withhold attention and praise because those are things reserved for truly impressive successes.. and when exemplary is the expected baseline, such rewards are never actually acted upon.

Yu does have a taste in cooking, though- and a selection of music he likes. He doodles in his notes and reads magazines- I feel it expresses that while his parents don't police his interests, it also means that they really care much about their son's interests... as long as they don't interfere with work (and, by extension- Yu's grades or behavior, as he can be considered an asset in said jobs)

Jobs that leave them busy more often than not, leaving Yu alone.. but he's mature for his age, so it's okay. He prolly does a fried egg and toast and then goes and sits in front of the TV to do his homework. Yu seeing this in Nanako... is a lot, and makes their relationship that much more sweet and aajhksdkjasf

His parent's cruelty is best decided on a story by story basis. The level of willfulness in their work (genuinely needed often vs choosing work over family for example) or the level of regret they express upon leaving-- informing many interesting stories.

so yeah thats my thoughts on that.

side tangent, thats why souyo's so nice tbh. Yu always has to be the inconquerable senpai, the perfect big brother, noble leader, and everyone's rock- only to have Yosuke waltz up , hang off of him like a drunk girlfriend, and go "yeah he's amazing, but he's also the world's weirdest man and he's my best friend about it."

[nicoleshifting]

persisting in your assumptions

after finally sitting down and reading more of the power of awareness by neville goddard tonight, one section really stood out to me in terms of being related to shifting.

"if you would change your life, you must begin at the very source with your own basic concept of self. outer change, becoming part of organizations, political bodies, religious bodies, is not enough. the cause goes deeper. the essential change must take place in yourself, in your own concept of self. you must assume that you are what you want to be and continue therin, for the reality of your assumption has its being in complete independence of objective fact, and will clothes itself in flesh if you persist in the feeling of the wish fulfilled. when you know that assumptions, if persisted in, harden into facts, then events which seem to be the uninitiated mere accidents will be understood by you to be the logical and inevitable effects of your assumption.

the important thing to bear in mind is that you have infinite free will in choosing your assumptions, but no power to determine conditions and events. you can create nothing, but your assumption determines what portion of creation you will experience."

let me break this down some to how I interpreted this to relate to shifting. to shift, all you essentially have to do is assume the state of the wish fulfilled, i.e. being fully aware of your dr and in your dr body. but since people, including myself, tend to overcomplicate shifting, we get too caught up in external aspects of shifting. for example, perfecting your script, worrying about how the timelines of events will go, waiting for the 'perfect time' to shift, thinking there needs to be some sort of shifting routine. nothing besides yourself is going to help you shift. drinking tea and taking a bath and having a pretty script and making a viral shifttok video is doing nothing to actually further your shifting journey. it's fun to do, don't get me wrong, but at it's core it is not necessarily helping you shift to your dr. (having fun with shifting, however, is always encouraged by me!!)

"you can create nothing, but your assumption determines what portion of creation you will experience." this!! you didn't create your dr, as we know, these places already existed. your assumption and belief that you are already in your dr, that this place exists and events are happening and you are there doing stuff as you read this, and believing that you will shift there. that is what you need to shift. literally just persist and believe that you are there and you will be there. it is inevitable.

your concept of self determines your reality. if you deep down don't think you are capable of shifting, then you probably won't shift. but if you change your self concept, you change your reality. persist. persist. persist. it may take some inner work and time to change your self concept, but once you realize that's what is holding you back, you are truly capable of doing anything. if you're like me, and you have realized you have been deep down resisting shifting since you found about it, maybe do some soul searching as to why... (I know I am).

[ideasarestuckinmyhead]

Auron and rook being parents to Charlie and Casper auron being the over protective father and rook being the cool mom

Parent like?

To me I feel like it's more of an older sibling type deal. But I can see scenarios where Auron and Rook feel like parents.

Like Auron straight up acted like a fucking dad helping Casper find Charlie again.

Ngl it'd be funny if Rook meet Charlie and helped him with having meeting Auron sprung on him.

After that Casper and Charlie kept texting the two respectfully. It was interesting especially after a fight or argument.

Casper is texting Auron calmly and Charlie is freaking out. Rook is sighing as they tell him it's normal and to just be honest with Casper.

Auron tells Casper straight up if they fucked up, but if they didn't he shows Rook the texts from Casper's pov.

Since Auron did give Casper a card (I don't remember which one but it was in the recent ep of lost n found) he checks on what they purchase once in a blue moon.

Also we all know he keeps tabs on everyone, but he double checks Casper.

Rook is more the hands off and shoots Charlie a text asking how his day was.

Giggles as Charlie tells them about the most recent date. Even suggesting spots they know to go to.

Casper does sometimes tells Auron when he's being too much. Which gets a eye roll but Auron does back up after a while. Trying to figure out what he did wrong.

Charlie honestly if he didn't have Rook would be so long in relationship stuff. Bc he didn't have anything serious like Casper.

Rook tells him he's doing fine and that they don't know what the fuck their doing too. I mean they somehow pulled Auron so.

I feel like sometimes Rook and Charlie hang out to meet face to face. It's a fun hangout gossiping about work gossip.

Casper and Auron have many conversations during rides. Sometimes Auron even asks their opinion on something he wants to get Rook.

After a talk if the other needs the information Auron and Rook tell each other what was discussed. It's really nice since Auron learn things from Charlie in a healthy way.

When Rook did finally meet Casper they gushed about how cute the driver is. Embarrassing Charlie by saying the compliments he's said before.

Auron after seeing Casper preening told Charlie bluntly how they made a poem of him. Causing Casper to snap their head to him.

There are times where Auron and Rook switch Casper and Charlie. Where Rook needs to be gentle with Casper and Auron needs to be blunt for Charlie.

Honestly the two couples help each other. It's nice when Casper has to be blunt to Auron and Charlie needs to gentle with Rook.

It's funny when Casper and Charlie have to help the two bc their not using their own policies they tell Casper and Charlie.

[genderqueerdykes]

Hey hello! this is probably a weird ask but I'm having a bit of a moral dilemma? when I've heard stuff like "you might gain weight going on T" it's been giving me nothing but joy for the future. Like I actively Want To Get Bigger? I'm really skinny now, and have been all my life, and I keep getting comments from people being like "woahh you're so thin I wish I was as skinny as you" and like. I feel bad for wanting to be larger? I know fat people face a LOT of problems and discrimination due to their size, and it's not like I'm not aware of that, but I'm worried this is some weird fetishizing thing I need to unpack. me wanting to be fat that is, and loving the idea of gaining weight on T. like, going from skinny hairless girl > fat hairy man is something I really really want, and is basically a transition goal atp. But I haven't said anything about this bc I'm worried this is disrespectful to fat folk or just downright gross?? idk

that is not fetishizing, you're okay, you should never be made to feel bad for wanting to be bigger, i'm so sorry people are treating you that way

they are objectifying your body and i am so sorry. your body is yours, not theirs. the thing a lot of people don't want to accept is that some people genuinely want to be larger, chubby, fat, and so on. some people genuinely want to be a weight that's higher than what's considered "normal" and that's genuinely not a problem. like i don't get how people don't understand that someone's weight impacts them and them alone. and no it doesn't impact their doctors, because doctors need to be open to working with all body types

people are so possessive and weird about body weight. people feel so entitled to each others' bodies that they will take someone else's weight gain personally. as if it's an affront to them. (or are they upset because this affects whether or not they're attracted to you...?) even people who claim to be fat liberation will get pissed off at people who want to gain weight on purpose. there's nothing wrong with gaining weight on purpose. it's not going to inherently cause health problems for you, and if it does, you can tackle that when it comes. but people are so weirdly possessive of others' bodies. like. i don't think this behavior comes from a standpoint of concern for that person's health.

we are so fucked up about weight that i genuinely think that when they see a well fed fat person they get pissed off because that can't be them. that person is too concerned about dieting and losing weight and toning up and cutting back calories and going without and skipping meals and ignoring cravings. like. it's a projection of how that person feels about their own weight. their taking out their issues about not being able to eat what they want and be the size they want. so much of this comes from internalized fatphobia. most people who get pissed off when fat people enjoy being fat and enjoy eating are people who desperately want to be able to eat what they want, too, but get mad when they see someone who's doing it because they just don't have the courage. a lot of the time it's jealousy

also keep in mind that a lot of people actually like being "overweight" "obese" and so on because they have issues with disordered eating, gastrointestinal issues, anxiety, personality disorders, cancer, chronic illness, or anything else that might lead someone to struggle to keep on weight. for some people, being fat is actually safer.

a lot of people who go on T do so with the goal in mind to be a big fat hairy guy. i was already fat, but i that was my goal as well. i wanted to stay fat. i wanted to add some muscle and then stay fat, which is what i'm doing. so many other trans guys want this. i'm sure many will speak up on this post!

anyways, i'm sorry people have made you feel like that. it's your body you get to choose what weight you feel the most comfortable at. ive never been bothered by my weight. i don't feel held back by it. this is just the weight ive been for almost my entire life. i don't care if the way i look offends someone else, i'm the one who sees me all day long, not them. i'm gonna look the way i want for me, not for anyone else. good luck anon, feel free to come back any time. you are allowed to do whatever you want with your body

[nonrebloggingviewerswillbeshot]

An Observation

Disclaimer: This is written by a sex(also kissing) repulsed, Asexual.

I think I finally realized what made Veilguard my favorite out of the other 3 games.

In the other 3 the precedent was set. If you wanted a relationship, sex, and its various other intricacies was a requirement.

Heck even the chantry boy was ready to go to the bone zone in no time at all.

If I could mod out the sex and stuff from the other games I would do it in a heartbeat.

Veilguard however? They took care of that for us- or me anyway!

Not to say you don't get to the bone zone at the end of the game, but at least to get a 'relationship' you didn't have to jump through the hoop of physical intimacy to get there.

They made you work for it!

Earn it!

Build a bond with the person you were interested in.

I'm so tired and bored of romance portraying the importance of sex, when some of us value a deeper emotional connection far more than any form of intimacy. I get it, I'm on the more niche end of my little spectrum, but how I feel is still important and valid.

Seeing media, in any form, push how important and expected sex is in a relationship just hurts to see, for me. I've known enough people in my life who don't understand asexuality in any way shape or form and will try and guilt you into putting out because, well, if you aren't there's something wrong with you. And I'm wasting my time with you if its never going to happen.

I'm not for everyone, and I don't expect to be. But if you're with me, you already know what to expect. I'm up front about it and am not going to hide who and what I am.

I dare say that my opinion on this translates onto my romance choice in Veilguard. Lucanis. Who was so clearly on the spectrum of asexuality it could make you cry. The fact that we, or I, got someone that just wanted to be with you without all that extra stuff... maybe I did weep a little.

Because FINALLY!!!

I refuse to believe that MK said he was Demi to, as people like to put it "pull a JK.R" because I knew what he was pretty darn quickly. And even then she responded to someone asking if he was, because clearly other people could tell too! And OMFG the Wyvern thing???

The thing about us Ace people and dragons being cooler than sex(I came into the community later than most so that was always the inside joke I remembered)? Perfection! I don't know if that was the goal, but damn did I love it regardless! It was so good!

So, all in all, I'm sorry that most of you don't think Lucanis' romance was done very well, and it needed more of something. But... you can pry his MK post confirming, slow burn, acts of service, demisexual, just let me fall asleep in your arms at the end of the day, having romance, from my Cold Dead Hands!

I've seen the cut content. I've seen the other romances in game, and I don't want his to be anything like theirs. Or change, get patched with more content, etc.

Let me, or dare I say 'Us' have this! You had 3 other games to enjoy your sex drives. Let me have just this one! He's not for everyone, and dare I say it, he doesn't need to be.

Much like how Dorian was gay, Sera was a lesbian, Cullen wouldn't date a Qunari. Solas wouldn't be with you unless you were an Elf. Not all romances need to be for everyone. And that's okay!

End rant!

Disagree with me if you wish, idrc, just be civil about it.

[thewalrusespublicist]

"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"

OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.

I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.

Hi anon! And the other anons!

Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)

From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.

A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also I’m trying my best to answer a lot of asks in one post so please forgive if I don’t fully answer your specific ask about this!

Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like there’s this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that he’s sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own ‘place’ in life as John's just-some-guy placeholder best friend. I’ve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anyway…

This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.

So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?

John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.

So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:

How long can one go on writing and writing like you. I now don’t really know who I’m writing to or why it’s quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I don’t care really what happens because when I think about it, it’s so bloody unimportant – but what is important who has the right to say that this letter is not important and this is a something any way – anyway – anyway – yeah! I wonder what it would be like to be a cretin or something. I bet it’s gear. & how are you keepin Stuart old chap are you as ok – is life as good – bad shite, great – wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu don’t write out of – er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I don’t know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I can’t remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no

Extract from a letter to Stuart Sutcliffe from John Lennon, 1961

By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:

"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."

The Beatles: The Authorised Biography (Hunter Davies)

In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:

"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."

The Gospel According To Lennon by Alan Clayson

Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.

Despite being John's best friend, Stu was teased and bullied:

"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."

The Beatles: The Authorised Biography (Hunter Davies)

Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasn’t straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)

(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)

Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but I’ve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.

John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stu’s. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:

Stu was recalled in In My Life

Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"—with its lines about "friends I still can recall/some are dead and some are living"—he revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyone—least of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."

Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time

Pete Shotton, Nicholas Schaffner, John Lennon: In My Life

In 1965 John drew Stu on a postcard

He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.

The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'

He also appears on the cover of Sgt Pepper

As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.

I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.

Stuarts presence is still felt throughout the seventies:

“He told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knew…. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasn’t a time in John’s life when he didn’t think about Stuart. He spoke always of his love and respect for Stuart.”

Yoko discussing Stu in When They Were Boys: The True Story of the Beatles’ Rise to the Top by Larry Kane

Coming to grips with his death is also present in Skywriting

SEAN O’HAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. We’ll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.

Skywriting by Word of Mouth, John Lennon

This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.

But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?

No.

How do we know? Because John told us so:

" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."

John Lennon to an interviewer, 1971

But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).

But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)

At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldn’t shut up about, the man whom he’d conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.

As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 he’s pretty clear that Paul and Yoko are their own category.

"I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice!!"

John Lennon interview with DJ Dave Sholin, 1980

There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.

Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.

Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.

[magpiemirroring]

I feel like now is a really good time for a Stepford Wives.....not exactly remake.....but like.....reimagining. We won't even call it Stepford Wives.

We've got a lot of influencers preaching very traditional women's roles (while not truly living what they preach a lot of the time) and a lot of grifters preying on very specific ideas of a purer, better kind of Femaleness that you can get in touch with if you just buy into their diet/crystals/tea/supplements/yoga/radical political beliefs.

And certain types of dudes are being very loud and disagreeable about wanting control over women's lives and bodies.

So, instead of "woman moves to Stepford with her husband who joins a Men's Club while she tries to make new friends and retain her identity and watches cool ladies suddenly become weird idealized stereotypes (and also robots)"....Let's start with a woman who is an influencer.

Maybe that's been her goal, maybe it's something she stumbled into with a bit of viral success but friends are encouraging her to network and make it like a Thing. Capitalize on the accidental success. Her particular thing is a little offbeat and quirky and needs all the help she can get to find an audience! So she starts connecting with others and decides to go to a convention or seminar (in stepford maybe, lmao) for influencers and other folks making a career out of an online presence, not only for like advice and networking opportunities but to meet up with some of the folks she's made friends with.

At the same hotel is a convention for developers of next generation AI software. Cue joke about men not even needing women these days because they have their AI girlfriends with their perfect AI generated faces and voices and who can be shaped with prompts into exactly what men want with no real inner lives or needs of their own.

The convention is a little depressing for our MC gal as some of the talks she attends advise leaping on trends and playing it safe to appeal to a wider audience. And like, she doesn't want to be a soft-spoken trad-feminine beauty blogger making "delicious" health food for her family. (She has a cat and maybe she'd prefer a girlfriend.) She just wants to know how to make it easier for people who would like her content to find her.

She goes out for drinks with her pals that night and one of them is acting a little off, different than she did earlier, but she puts that down to the same sort of "authentic identity vs brand" issues she herself is working through.

But when she's back at home struggling with her next update and sees this friend's next post or video, she is shocked to see that her friend has gone very tradwife-y all of a sudden. She reaches out to her friend to be like "oh new direction. kinda a sharp pivot....? you know you don't HAVE to change up what you're doing just because someone at the convention said so, right?" and gets back a chipper note that this friend is just SO HAPPY with her new content. She didn't realize how unhappy....how unconnected to her inner goddess she had been. Plus, like, the stuff she was doing before was hurting her husband's chances at a real political career and she real wants to live in such a way that their lives and values are perfectly aligned, a team!

Okay, a little strange, but this was a new friend and maybe our MC just never really knew the real her. That's a risk with folks you meet online.

But then more and more of her fellow quirkier influencers start shifting their content to the same sort of bland, safe feminine content that reiterates a sort of second-to-your-man (and you DO have a MAN, right?) ideology. Their videos look very polished, but sort of wrong at the same time....and they all have new sponsors.

Desperately digging for info into those sponsorships (she knows how controlling those can be), she discovers they are all linked back to one guy, a venture capitalist whose put a lot of money into shady pyramid scheme type companies and has recently also starting investing in an AI company that sounds familiar. Our MC realizes she saw a lot of their banners at the AI conference sharing the hotel with her influencer conferences and realizes that it's possible someone hacked the hotel's data for the names, addresses, phone numbers, and credit cards of all the women at the influencer conference and has been using that information to target popular women whose content he doesn't like.

He's also been donating a lot to a campaign for a guy going for a house of reps seat on a platform with a lot of Traditional Values dogwhistles.

Digging further, reaching out to more people (neglecting her update schedule!) she's found worrying signs that the women whose content has suddenly changed haven't been seen out and about in person in awhile and she can't get any of them to agree to going out for a coffee or even an in-person collab for their instas! She even finds some Missing Person reports.

The idea that someone has maybe killed these women and replaced them with AI-generated versions that are increasingly unsubtle shills for a trad-femme/anti-feminist ideology (and a bunch of bogus products) is too ridiculous to be true! But also...increasingly too plausible to deny.

Our MC gathers her evidence. She doesn't think she can trust the cops with this. She's not really in the habit of trusting them, though if these women really are missing she'll have to talk to them eventually. But not until she can convince them she's not just some crazy. Not until she's built up some outcry and support for her suspicions. So she sets up her camera and prepares to record a True Crime style video on what she's uncovered.

In the artfully blurred background of her video we see movement. A person dressed in dark clothes. They go off camera while, uneasy, but unaware, the MC continues to narrate her video, gesturing in the air to where she will edit in graphics later. Just as she starts in on her sponsorship bit, a figure in black with surgical-gloved hands steps into the frame and kills her.

Cut to black. Credits roll, interspersed with clips from her new video! Which is a safer, tamer, more male-gaze-y take on whatever she did before. Other clips also play during the credits. Slight glitchy tradfemme videos. A few short reaction video clips to same. Short clip about the politician winning his seat. His wife is so proud of him and would be here by his side if she wasn't recovering from a recent medical procedure. But she'll be back at his side soon! More unsettlingly off clips, ending with a bit from the MC's sponsor moment that just straight up advertises for a perfect AI Assistant who is just like a friend who can help you keep track of all your responsibilities and help you so you have more time for You! (tho "more time for you" is paired with an image of the MC getting a chaste embrace from a handsome man in a soft sweater, as if "you time" is not complete without a man.) We should walk away with the sense that this helpful AI assistant is gonna use a lot of personal info about you to build up a profile of users, ostensibly to personalize your New Friend, but also so it has a base on which to learn and function as a replacement for the female users eventually...

Cottagecore beauty blogger video called "How to get the Stepford Wife aesthetic!" but in between talking about where to find Gunne Saxe dresses online and how to do that 70s mascara look, there's something...off. She keeps jerking and repeating lines, like she's stuck in a loop. By the end of it, she's holding a knife to cut up heirloom tomatoes for a summery afternoon snack, but her hand is twitching and she's turning the tomato into paste with all those slices and even when she's moving on to asking you to like and subscribe she's still making slicing motions on the table.

[thezombieprostitute]

Dr. Hot Stuff

Summary: You're probably the only nurse who hasn't slept with Surgeon Johnny Storm and you're happy to keep it that way.

Warnings: Age gap, Implied smut, Medical setting, Talk about surgeries. Please let me know if I missed any!

A/N: Many thanks to @bigtreefest for help with the medical terminology and more!

A/N2: Reader is 35+ years old and female. No other physical descriptors used.

You feel like a zombie, asleep on your feet after an incredibly long surgery. As much as you liked being Dr. Beck's go-to nurse for long and complicated surgeries, it still took a hell of a toll on you. As soon as you were cleaned up and in fresh scrubs, you were headed to the sleeping area.

When the doorknob doesn't turn you blink as your brain tries to process why you're not already laying down. You try a few more times but nothing. Is it stuck? It's not supposed to be locked.

Then the sounds of giggles and moans pierce through your brain fog and you put the pieces together. Dr. Johnny Storm, aka Dr. Hot Stuff, doing his regular, pre-surgery "ritual" with one of the nurses. You roll your eyes and shake your head. You should break down the door just out of fully justified spite! But you know you won't get much support. Apparently Dr. Hot Stuff earned his nickname. If there's one thing you'll give Storm, it's that his partners have no complaints, and they are the type to complain.

You slink off to the break room to find a recliner for a nap.

You're startled awake by Johnny loudly celebrating his latest successful surgery. He's proudly proclaiming his mastery over the appendectomy to anyone and everyone who will hear. You roll your eyes and start getting out of the recliner. You should be used to these kinds of things by now. Young surgeons are always so loud and proud.

Before you can get out of the recliner, though, Johnny steps in front of you.

"If it isn't my favorite veteran nurse," he smirks.

"What do you want, Dr. Storm," you sigh.

"You know you can call me Johnny, like all the other nurses, right?" he raises an eyebrow, grin never dropping. "I'm just trying to be friendly but you keep shutting me out."

"I just woke up, Johnny. And I'm still very tired. I'd be friendlier if I could've actually slept in a bed." You give him your best glare, hoping it would get him to back off, maybe apologize.

Instead his smile widens, "oh, sorry about that. Next time I'll make sure you get to join in." He winks and you scoff.

"I'm out of here," you shake your head. "I've gotta get back to work."

"Wait, please, I wanna talk to you!"

"About what?"

His facial expression changes into puppy dog eyes that your certain would work on a younger you. "Can you put in a good word for me with Dr. Beck?"

Your eyebrows crinkle in confusion. "What?"

"I'm doing so damn well with these appendectomies and cholecystectomies that I could do them in my sleep," he explains. "I want to get into doing the interesting surgeries, the ones that'll help my career, you know?"

"You haven't mastered the mundane yet," you tell him and he rolls his eyes while giving you a groan. "It's incredibly important for surgeons, especially new ones like yourself, to get experience with the variety that can come from even a simple procedure."

"What variety?" he protests. "It's all the same procedure. The same hand motions. The same instructions."

“You’re about to sever the common bile duct but your view is partially blocked by a section of hard adipose tissue. What do you do?”

"Predict where the duct continues under the fat tissue and make the incision,” he shrugs as if it should be obvious.

“WRONG," you loudly scold. "You just nicked the hepatic artery. Your patient is bleeding out.”

He starts pouting but you continue to grill him. You can tell he's studied but he's just too inexperienced and he continually falls short. Given how red he's getting, you can tell he knows it as well. When you finally let up on the questions he backs up so you can get out of the recliner but he's definitely not happy.

"Bet you'd put in a good word for me if you helped me with my pre-surgery ritual," he grouses.

"Not gonna happen, Junior."

"You sure?" he raises an eyebrow in that way you know works on the younger nurses. "I bet I could make you feel young again."

"I'm sure. Now if you'll excuse me, I'm gonna get back to work."

"I'll get you to change your mind one of these days," he promises with a wink.

You roll your eyes and shake your head. "Whatever helps you sleep at night."

"Ooo! Giving me permission to think of you next time I can't sleep?"

You facepalm. "I walked right into that one."

Tagging: @alicedopey; @darsynia; @delicatebarness; @icefrozendeadlyqueen; @irishhappiness; @lokislady82; @ronearoundblindly; @thiquefunlover63

[klunkcat]

dialogue prompts for ~injury~

11. “I’m going to lift you up, okay? Tell me if it hurts.”

with maybe portal duo my beloved :3 💙🧡

(I don’t know what’s wrong with me but I read this and immediately thought about how cold it was outside the other day, so this got away from me a little bit <3 if you live in upstate new york and know geographically that this is impossible, know that I looked up exactly enough for this to not be nonsense and that's it so sorry in advance lmao)

tw: mild injury, some mentions of potential suffocation (does not happen), avalanches

Maybe it’s a cliche to say that ‘everything happened so fast’, but in Mikey’s defense, it was freezing and he was thinking about the hot cocoa he was going to make when he got home (with mousse, and sprinkles. Maybe the cherries April had sneakily bought him the other day), and frankly it was freezing. 

The opportunity to hang out at April’s cabin with his brothers upstate had been a dream come true. Donnie kept the train carts from getting too cold regularly, but there was a power outage issue that made things draftier than even their mounds of blankets seemed to be able to drive out these days. When it had been suggested they spend a few weeks away until the grid could come back on, it sounded like a vacation. 

Complete access to an open acre of land in the mountains complete with a two story log cabin home, with full wifi? And a full kitchen? Paradise. Easy trade. Every single one of them had yes and’ed that bit. 

Of course, it didn’t mean they’d left the winter behind. 

One second, they’d been playing ‘Free Willy-Raph’, which is to say competing over who could launch themselves high enough off a snow hill to make it fully over Raph’s head – kind of like a pole vault but with a sled and a lot more crashing limbs– and the next. Well. Mikey isn’t entirely sure what happened next.  

He’d been up the slope, maybe a bit farther than his brothers had gone just to prove a point, spiced up on the barest bit of playful spite after Leo had beat him the last four times in a row, and sure he could get it this time. His brother’s and April looked like stickmen down the ways as he’d started settling down his bright orange sled. 

Suddenly, a shout, or a rush of noise. He wasn’t sure what came first. A roll of white, and he was flying. Swimming, maybe. Then: darkness.

Mikey’s not sure if he blacks out for a second, or when he blinks himself awake it’s just fallen instantly silent, but it’s muffled all the way up to his eyes. Oh, he thinks distantly. There is stuff on my eyes. It’s really unfortunate that his arms are too tired to move anywhere at all near his face. He wiggles his hands anyways. 

It’s cold, too— his thoughts are hard to order. It’s an all over cold like Donnie had stuffed snow down his jacket again. He hopes Raph caught him doing it this time. 

“Not funny, Dee,” he mumbles, and hey. Actually, it’s hard to move his lips, too. He knows something about that— Leo had drilled it into all of their heads after he’d read through one of the big medical textbooks April ‘borrowed’ for him. 

We don’t regulate temperature like people do, Leo’d said. Which means, if you lie around in the tunnels all day or take a funky trip up to skate around without a scarf. Bam, turtle pop. 

Does that mean we can’t go up top at all? Mikey’d whined. It would be horrendous if they couldn’t visit April for a good few months; they had a tradition on Christmas eve of watching the absolute worst Christmas rom coms they could for the entire afternoon before her parents got home from work. They’d never gotten that cold before. 

Leo’d poked Mikey and leaned forwards with a sideways smile. Nah, just gotta stay warm is all, Angie. If you feel sleepy, let me know okay?

“I think I’m sleepy,” Mikey tells Leo. Except Leo isn’t actually here, he doesn’t think. It’s cold, but it’s packed all in at him like there’s something warm under the center of it. He can’t really feel his toes, he thinks one of his boots might have fallen off. April had tried really hard to find some in his size, she’d probably be sad. 

Fuck, Leo thinks. Imagines a Raph who isn’t just as mortified as he is scolding him for it, and swears again just for emphasis.

In theory, he’d known that avalanches were a thing. He’d even made a joke about it as they were driving up and noticed exactly how nestled into the mountainside April’s parents place was. He’d thought it was more for skiers, or freak accidents in ice storms, or dramatic beginnings to a meet cute made by someone who had absolutely no understanding of gravitas. 

Not for little brothers. Definitely not for his. 

The notice that the snow was giving way had been almost nothing— a faint drum sound maybe. He’d hesitated, for a second while goofing around with Don and gotten a handful of snow to the face as a result. Mikey trudging stubbornly up the marker that Leo’d set to try to get even more airtime, bright orange sled bobbing with him as he went. 

He’d looked so tiny. For all his little brother was an absolute powerhouse of a maniac when he needed to be, sometimes it hit him funny just to remember that he was little. 

Then, a cracking noise. Something rumbling— a white hill appearing behind Mikey, farther up the slope, April’s gasp of sudden realization and— 

He couldn’t find Mikey. 

“Maybe he followed it out,” April said, panic making her voice sound thready to Leo’s ears. “If he— in an avalanche, you’re supposed to swim with it.” 

Leo shook his head. Numb down to his finger tips. “He wasn’t even looking at it.” Mikey hadn’t even seen it. His baby brother was a fluid instinctive wave of thunder in motion on his worst days, but it hit him from behind. They’d never been anywhere that had so much snow. 

Donnie made a faint noise to his left, the kind of exasperated hiss that meant he was overwhelmed and shutting down. He typed even more frantically on his wrist guard. 

“He’s here,” Raph said, swallowing roughly. “We just— we just have to find him. Right?” 

Leo nodded back. “Maybe we should, um. If we split up, we can cover more area. Don, can you lend Raph your staff?”

It was a testament to how far deep into shut down mode his twin was that he didn’t even argue, passing it over without a word. Leo tried to center himself. 

“It’s. If you poke first, gently. You can find more under the snow, so it doesn’t get more compact.” Raph’s weight would be a problem in terms of accidentally standing on Mikey, if he was under him. He tried to will his brain away from the mental image and failed. “You go left, I’ll start where we saw him and work down.” 

Raph nodded, mouth set in a wobbly line. Find him Leo, he imagined Raph saying. Please.

It was a tiny one, April’d said, which was the craziest part. They’d had enough time to back up out of the way, and it hadn’t reached the house. Just a top layer shifting with the snowfall from last week, probably. Just bad timing. 

There could be another one, if they weren’t careful. Leo was the fastest, he could portal himself down the mountain if he triggered anything, but it would mean Mike potentially buried under another layer. Shit. And it was cold. He’d almost told Mikey to come back down at first, because he was the most susceptible as the smallest to bone chill and they’d been out for a good hour already, but Mike had looked so determined—

He set out up the mountain. 

“Mike? Angelo?” He called, gingerly plodding through the snow, one careful foot at a time. “Buddy, you’re scaring us a little here. Can you make a noise? Reach a hand up? Come on, I’ll even let you tell everyone you won the jump if you want. Once in a lifetime offer!” 

The wind whistled emptily back at him. He shivered. The chill was already starting to bite further through his layers, or maybe it was the shock of seeing his baby brother’s orange hat swallowed up like it was being erased in front of him. This was supposed to be fun, was the thing. A big relaxation party time after barely surviving the end of the world, again. 

Dad had stayed home to keep the lights on, and April was off school for winter break, and it was supposed to be the best time ever so that dad didn’t get a heart attack and ground them all from ever doing anything until they were forty. Fuck, he thought again, which really put a finer point on things. 

What if Mike was hurt? What if he’d hit his head, or crashed into a tree– what if he couldn’t breathe, and Leo was walking around slowly above him all the while, oblivious. What if this nice holiday trip was the last time he ever saw his baby brother, and the last thing he’d ever said was a teasing insult about being last. 

“Mikey!” He called out more urgently. It echoed back, just on the side of too loud, and he froze. Waited. One one thousand, two one thousand. 

No drum sound, no cracking. Just the potential of his brother suffocating three feet to his left. 

Dad was going to lose it. 

He scanned around, white snow and wind blurring at his vision in every direction. Panic had already settled its grip in his chest so hard it hurt, his hands thrumming with adrenaline. It seemed all dead here, frozen still life portraits of something lost years ago. Grey and white and— there! 

A peek of bright orange, barely poking out of the snow. His sled. 

Leo collapsed beside it, digging immediately, heart in his throat. “Mike! Mikey, can you hear me, buddy? Are you— can you say something?” 

He wiggled the sled free after a long frantic moment, using it like a shovel. What if Mikey wasn’t even under it, what if the sled had flung itself the opposite direction, and Leo was wasting time— 

A gloved hand reached up through the layer of snow, weakly. “Oh thank fuck,” Leo breathed, and dropped the sled to grab at it with both hands. “You okay? Can you— is anything broken?” 

Mikey’s face appeared, paler than usual. Bunches of snow tucked against his eyelids. The most wonderful sight he’d ever seen. 

“C’n get it off,” he said, barely a mumble. Leo leaned in. 

“What was that, sweetheart?” 

Mikey’s face scrunched, a barely there motion but something that shot right through Leo’s heart with every big brother instinct he owned. “Snow. M’ eyes.”

“Oh,” Leo chucked, nervous and rabbit quick with fear. “I got you, shush. Hold on, Sunshine.” He pulled his glove off with a thumb, wiping at Mikey’s eyes as careful as anything. His hands shook violently.

Mikey cautiously blinked up at him, eyes dazed. “Leo, I’m sleepy.” 

Leo shoved his glove back on, pushed the remainder of the snow off Mikey’s legs. Unburying him as much as he could. “I bet, big day for you, huh? How’s about we get you down the hill–”

“No,” Mikey’s voice got a little clearer. “I’m. You said to say. If we’re cold and sleepy. I remembered.” 

Oh. Oh, shit. Leo made himself smile. “That’s right, I did say that. Great job for telling me. We’ll get you warmed up right away, okay? But I— I need you to stay awake before that, okay? Can you do that?” 

Mikey’s eyes fluttered. “Try.” 

The whiplash of fear and relief was making Leo dizzy. He nodded frantically, made himself stop. Mikey’d landed the right way up under the snow, had almost certainly hit his head from how his pupils looked, but he didn’t know if anything was broken. He shouldn’t move Mikey until he was sure, but— there was blue, just there ever so slightly. The edges of Mikey’s lips. Shit. Shit. 

“I’m going to lift you up, okay? Tell me if it hurts.” 

“‘Mm.” Mikey’s head flopped back into the snow. His hat was missing, Leo realized. He didn’t know where Mikey’s hat went. 

“Okay, that’s– that’s good. Hey, you were saying something about hot chocolate earlier. Can you remind me? You always make it the best.” He slid his arms under Mikey’s shell, one under his legs. Mikey rolled his head towards him as he pulled him towards himself like a limp doll– Leo made himself stop noticing. 

“Mousse,” Mikey said, simply. “And sprinkles.” He added, more crossly. 

Leo chuckled, then grimaced as he carefully moved to stand. “Yum, that sounds great. Hey, nothing hurts, right? You’re not being brave on me, are you?” 

Mikey let out a vague mumble, then frowned. “Raph was. He was gunna eat all my cherries, for the hot chocolate.” 

Fifteen years of growing up with Michelangelo was the only thing that prevented Leo from freezing in sheer confusion. The best way through was with him. “Oh? I’ll tell him not to.” 

“Good,” Mikey said, with a tiny head not he seemed to regret. “You can have one, though.” 

The trek back down was going to be slow, Leo thought. He smiled vaguely at Mike, listening carefully for any angry mountain noises around them. April and Donnie seemed to have noticed him already, at least. April was sprinting back to the house. 

“I’m special? Didn’t know you liked me carrying you so much.”  

Mikey huffed, sounding more like a sniff. “Didn’t put snow d’wn my. Down my jacket.” 

“Hm. Think that might have been the mountain, Miguelito. Are you feeling sleepy still?” 

“Head hurts,” Mikey said after a moment. “Oh. We were sledding.” 

Okay, good. Leo breathed out. “Yep. You got surprise attacked a little bit there, so we’re done for the day I think.” 

“Aw,” Mikey whined. Looked up at Leo with big eyes. “I lost my boot.”

His little brother, Leo thought with a wave of fondness so loud it felt like a heart attack. He nodded seriously. “April will forgive you.” 

He hefted Mikey up higher, making sure his arms are tucked in and his face pressed to the warmest parts of Leo's jacket. Hot baths and big blankets aside, he was going to make Mikey the biggest, sweetest hot chocolate the world had ever seen.

"Big shitty rom-com marathon in your future, Angie."

Mike sighs, just there against his pocket, looking smaller than anything without his mask. "Can we play the mustache game?"

He'll tape as many fake mustaches all over the screen as the kid wants, he thinks. "Mhmm. I won't even cheat."

"Yay," Mikey said tiredly. "Thanks f'r not letting me be a turtle pop."

"You got it, sunshine." His heart right between his hands. "Anytime."