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jk-kiwi · 22 days ago

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The 90’s case

The 90’s case (18+)

Characters - assistant detective JK x detective Y/N reader (Woman)

Summary - Another case in your pocket, but this time, solving it could grant you everything you’ve ever wanted.

Genre - Crime investigation, suggestive/smut, maybe slight angst, the action takes place in the 90's, THIS is fiction!

Warnings - a dead body, cheating!, the reader is married to Namjoon, they investigate a crime, fictional characters, mentions of diabetes, autopsy and overdose, some swear words.

Warnings for the not so holy parts (18+) - I’ll try to detail, so… kissing, mentions of arousal, mentions of female and male body parts, unprotected (please be safe!), he cums inside…(PLEASE BE SAFE!), he’s a little possessive, I think, a little rough, hitting your sweet spots and all, not much detailing.

MINORS PLEASE STAY AWAY!

Author’s note - This is a story I wrote in 2020. I refined it and reposted it here with some extra spicy stuff. Y/L/N is your last name. Enjoy!

Word count - 4.1k

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“What do you think about this, Miss Y/L/N” one of the cops asks, while dozens search for clues in the house. A normal death as supposed by the covers. “Interesting indeed.” you say, looking through the magnifying glass, taking in every detail.

“How long do you think it's been like this?” he asks with disgust, looking at the poor man. He was dead. “Oh, I assure you Mr. Choi hasn't been dead for more than 5 hours.” you say confidently.

“Do you think it was a heart attack?” you humm curiously, staring at the lifeless body that sits in the bathtub.

“Ask for some tissue samples, I’ll definitely come with a response after I get the autopsy reports.” you yawn tiredly, all the work you have been doing recently piling up on your body.

Since when did crimes became so popular?

“Let’s do a good job, just as always.” he says, taking off his glove to shake your hand, before exiting the bathroom.

“And, any news from the expert?” says the man waiting for you outside, his body resting on the wall. “Let's not rush to conclusions, Jungkook. For now we know very little about the victim.” you smile at him, patting his arm in order to follow you down the stairs.

The place was packed with police since this morning, when the Choi family found out about the tragic incident. “What do we know about the victim until now?” Jungkook asks, opening the door of his Trabant 600, letting you hop on the right seat before taking off, him driving.

“Name:Dong-He Choi, age: 57, medical report shows that the only problem he had was diabetes?” you question, the report, poor in details. “Too much insulin?” He interupts. “Don't interrupt me, Jungkook.”

“Although I don't think he took too much insulin, his family said he took great care of his health.”

The man keeps silent, letting you cross over the details listed. “Family of 5 members, wife and 3 children along with him. It says here that his mother also lives there, the place estimated to cost around…10 million dollars?!”

Jungkook whistles in disbelief. “Wow, no wonder they live in that huge mansion.”

“Don’t worry, that’s just their main house, it says here that they also have a vacation home in Manhattan, two in Japan and a condo in China.” you exclaim.

“It smells more like murder to me, he was packed, filthy rich!” You sigh, already knowing this was going to be a huge pain that you will have to deal with. You were the main detective after all.

“I don’t know what to say, he had no signs of abuse or struggle other than the injury on his head, probably from falling face first into the tub.” all the details crossing your mind, trying to picture what happened.

“I didn’t find anything unusual at the crime scene.” you throw the pieces of paper in the backseat closing your eyes in annoyance, why now out of all times. Why would your life get so busy the moment you were close to your lowest?

“Did you speak with the family, maybe they gave some relevant info.” the man glimpse slightly over your tired figure before answering.

“His mother was in shock. Oldest son with his girlfriend, allegedly on a date, his daughters went to bed at 9, didn’t hear anything unusual during the night.” you hum, useless information once again.

“How about the wife, what’s her alibi?”

“She found him in the morning, they were sleeping in separate rooms recently, apparently their married life was not as sweet as it appeared.” you turn your head to look outside the window, the situation seemingly familiar leaving a feeling of bitterness crawl down your throat.

“We’re almost at your house. Looks like your hubby is here too.” Jungkook notices, his car parked in your driveway. “What’s he doing here at this hour, he should’ve been at work.” you mumble making Jungkook shrug.

“How long are you going to keep doing this?” he questions, you remain silent for a moment before looking eyes with the boy. “My personal life is not your business.” you reply coldly. “I would say otherwise…hey!” he tries to argue, but you get out of the car waving at him, loving how annoyed he’s gotten.

Your steps take you closer, taking in a deep breath and preparing your forced smile before entering the house. “Hey sweetie!” his melodious voice greets you, a gentle smile tugging at his lips.

The man comes closer to you, his lips leaving a small peck on your forehead. “Back already? Didn’t you have a new case?” he questions with a raised brow. “I could ask the same thing, shouldn’t you be in the office?” you reply, taking off your jacket, placing it on the rack.

Namjoon looks at you a little stunned before composing himself, a chuckle escaping his lips. “I forgot something important, I was about to go back anyway.” he takes his paperwork, key and jacket before throwing you a last glance, exiting the house.

You sigh, the smell of strong woman perfume lingering around. Her perfume.Your husband has been cheating on you for a while with his secretary, a woman 10 years younger than him, you already knew. He kept excusing himself with “business meetings” out of town and all the late night working under the pretext of “I just had so much paperwork to do.” his actions were obvious.

You were a detective after all, it was your job to be observant, years of practice bringing you to the point you were seeing through people like through crystal clear glass. Plus, he was “your” man, you knew him better after all these years you’ve been together.

And even if you didn’t want to believe it at first, the traces of red lipstick, one that you never wore, were far more evidence than needed.

You were stuck, you knew he was cheating but you also couldn’t bring yourself to leave him. You were to people with important jobs and bigger concerns than love, too different from the beginning but way to blind to see. In any case, the divorce would only bring more trouble into your busy lives.

You didn’t even feel that hurt about his actions, the love between you not existing anymore. That’s why you kept going like this, letting him meet her knowing they were far more suitable for each other.

It’s not like you were better anyways. You felt devastated when you found out, although it was expected, the only person bringing you comfort in that situation being none other than your assistant, Jungkook.

He already knew you well enough, and you’ve told him all kinds of stories along the years you’ve worked together. It was easier to forget what was happening when he was holding you close in his embrace.

The first time you gave in and stepped wrong, cheating on your husband with him, felt wrong, guilty even. But the man knew how to bring you back to him, to his bed, way too good.

Maybe it was the shared passion for crimes and mysteries, or the fact that he always listened to your worries, ending up caring for you better than your own husband.

You lay on your bed, the curtains closed. You try to get some sleep, but the case keeps you awake. It felt weird, not like sudden death, but murder.

You could not focus on anything when a case was feeling like this, so you get your phone, ready to dial his number, in a sudden being interrupted by the heavy knock on your front door.

Rushing downstairs, you think it’s Namjoon again, coming to get some other stuff he’s forgotten about, but to your surprise it’s Jungkook.

“Jungkook, what are you doing here?” you ask surprised, seeing him scratch the back of his neck shyly. “I thought we could work some more on the case.” did he even leave in the first place? That was the question you couldn’t bring to ask.

You smile, raising a brow, making way for the man to get inside, his grin brighter than ever. “I think we both know we're not gonna end up talking about the case.” you tease, making him look at you with lustful eyes.

“What do you mean?” he asks, stepping closer, your fingers caressing his chest. “You and me, alone. My husband…at work.” you whisper seductively.

“And what’s so wrong with that? He’s a jerk anyways.” he says, arms wrapping tightly around your waist. You play this game further, slowly unbuttoning his shirt.

“That’s what I was thinking too, and it’s not like you can keep your hands away from me for a second either. Let's not forget I'm a married woman, Jungkook.” your eyes scan him, he’s already way to worked up, you take it above one more step wrapping his arms around his neck.

“You husband is busy, but I’m not. I can take better care than him.” he says, his lips leaving slow, lingering kisses around your neck. “I think the case can wait, I have other important business I need to take care of.”

Jungkook lifts you up making your feet wrap around his torso, his lips never leaving your neck. And you know that once again you commit the same crime, letting this man in your house, in your bed, but the worst…in your heart.

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Wrapped in a blanket, both trying to catch your breath after solving the “case” found in Jungkook’s pants.

He takes a big gulp of air, leaning back on your pillows, arms spread, his face showing pure bliss.

“Wow, this was breathtaking.” he says while watching you. “It’s not my fault you’re getting old.” you respond, leaning to get the files scattered on the floor, finally working on something that’s important.

“You still have work on your mind after all of this?”

“Yes” you respond, getting out of the bed “I think we should work on it, isn’t this why you came?” you pick up his shirt, dressing yourself in it.

“Hey, that’s mine! What am I supposed to wear?” he asks in an upset tone, but with a shit-eating grin on his face making you roll your eyes.

“You don’t have to wear anything, I like it better anyways.” you wink before leaving the room, hearing the boy whine.

“This woman is gonna kill me one day…” he thinks before gathering his belongings, following you to the kitchen.

You were focused, munching on a biscuit, your eyes scanning the report papers up and down.

“Something’s not right here.” Jungkook suits himself too, grabbing a cup of water before chugging it down in one go.

“Why do you think that?” he asks, looking over your focused figure. You throw his shirt off going back to your room to properly dress up before tossing him the car keys. “We need to go back to the Choi mansion, I have a bad feeling.”

Jungkook complies, knowing your judgement is never wrong, taking no time in dressing up and in just mere seconds you were in the trabant, rushing to the Choi mansion.

Soon you arrive, the big gates opening like already expecting you. Getting out of the car you knock on the door, the air feeling eerie around.

“Oh, detective Y/L/N?” the woman who opened the door, Miss Choi, asks surprised. “We’re sorry to interrupt so soon, but is it okay if we look through your husband’s belongings? It’s important to the case.” Jungkook says in a sensitive tone.

She nods, tears gathering in her eyes at the mention of her dead husband. You two enter with her following behind, leading you to the lounge. “There’s not much left, the police already took most for the investigation, but you can have a look around if you want to.”

She takes you to her husband’s room, leaving right after to get some drinks and snacks.

“They were not joking when he said the cops took everything.” your remark while looking under a desk.

“What are these?” your assistant asks while pulling something from under a shelf. “Just some old magazines, where did you get them?” he points to the place making you go and inspect.

“Let’s move this.” you both get your hands on the shelf dragging it away, a mountain of old newspaper and wrappers falling from behind it.

“Chocolate?” you say after picking up one from the floor. “Wow, that’s a lot of candy for a diabetic.” you shoot him a look gathering more from the floor.

“They are not even expired, they must have been consumed recently.” you stuck some in your purse before moving everything back to place. You look around for some more information before something in the distance catches your eye.

“Jungkook, look at this.” you motion to the backyard, approaching the window for a better look. “It’s smoke.” he says, sitting next to you. “Yeah, definitely someone started it not long ago, I’m going to investigate.”

You rush out of the room with the boy following your steps. “Y/N, this is dangerous, I’m coming with you!” he says while catching your arm, concern plastered all over his face.

“You stay here, we can’t bring too much attention. If they ask, I'm in the spare bathroom.” you say before sneaking out the house, your phone ringing in your purse.

“Y/L/N on the phone.” it’s the policeman on the other line, the guy you talked with this morning. “The autopsy results are in. He had an insulin overdose, felt sick and then hit his head on the bathtub.”

“Yeah, great, I’m a little busy so I’ll call you later.” he doesn’t get to say another word, you end the call, getting closer to the smoke source.

“What even? That’s weird.” in front of you, laying in dim fire, a bunch of papers and documents. You put it out the best you can trying to save what’s left before your foot stomps onto something hard.

A watch.

You pick it up, scanning it before a chill of realisation hits you, making you rush back inside knowing you left Jungkook there all alone.

“Hi, this is Y/N Y/L/N on the phone. Get the guys and come to the mansion, Choi was murdered.” you manage to say to the police officer before barging in, surprising Miss Choi and Jungkook in the process.

“Don’t drink that!” You rush towards the man hitting the cup from his hands, making it hit the ground breaking in thousands of shards.

“Y/N what the hell! You spilled all the tea on me! What's wrong with you?” but you’re too focused on his well being, cupping his face in your palms, forcing him to look into your eyes, heart racing in fear.

“Tell me you didn’t drink it.” you ask with worry “No, you just threw it out of my hand!” you sigh in relief, composing yourself in order to confront Miss Choi.

“Miss Choi, where was your son the night your husband died?” you harshly question. “With his girlfriend? Why are you acting so strange?” she looks taken aback.

“Because he killed his father, along with you. Am I mistaken?” you look at her, dead in the eyes, her posture stiff. “That’s nonsense!” she raises from her chair in disbelief.

“You know what, that’s it! This conversation is over, please get out of my house!” She comes closer to push you out, but Jungkook is quick to act, shielding you.

You hear the police sirens ring, the doors of the mansion opening in a rush. “I hope you have a great explanation for this, detective.” the police officer says while pointing his gun at Miss Choi.

“I found this in your backyard, Miss Choi.” you start, pulling the burned pieces from your bag. “The true medical records of your husband and some other interesting details. You must have loved him…or should I say his money?” you browse through the burnt papers, pointing once you find the important section.

“Aha, there it is! If the two of you were to divorce you would not get any fortune? This must be your prenup. But! If it was for your husband to pass away as a natural cause…you would inherit everything. Does this sound familiar?” you look at the woman, her face showing pure horror.

“Oh, what is this? Divorce papers, all signed up just for you, but I guess your signature is not on them.” the woman gets pale as a ghost, her hands trembling.

“T-this, this is not true! Are you trying to frame me?!” she stutters while trying to keep herself composed.

“Not at all, they have sigils, stamps and original signatures, easy to check for fakes. But I suppose you need to wait a little longer, we’re just getting to the highlight of the story. The medical reports.” You throw the pieces of paper on the coffee table, keeping only the most important one.

“Mister Choi has never had diabetes.” you say with a smile on your face. “He just wanted to divorce you, and you couldn’t accept it.” the woman starts to pant for air, her hands gripping her chest.

“Miss Choi, is this true?” the policeman asks. “I didn’t want to come to this! He, he was divorcing me! I was about to lose everything!” she shouts in despair, uncovering her sick actions.

The police man gets his cuffs, putting them around her wrists.

“Miss Choi, you are under arrest for the death of Mister Choi, everything you say is and will be used against you.” she starts crying, sobbing while shouting that she didn’t want to do all this.

You throw the watch to one of the police assistants. “Get his son as well, his watch was near the pile of burnt paper.” you say staring at the scene unfolding in front of you, some realization hitting you as well.

You sigh relieved, happy that you managed to successfully solve yet another case. Jungkook drives you home, the peace around you a little too peaceful.

“Why did you hit my hand?” he asks, breaking the silence. “I was afraid she was going to put something in your tea.” you admit hearing him hum before stopping in front of your house. The atmosphere around you is quiet, the dusk setting in.

“Your husband got home.” he mentions. “Yeah, he has.” you sadly acknowledge.

You say goodbye and enter the house, your husband in the kitchen. “I heard you solved the case! Congratulations!” Namjoon says, coming closer to you, a glass of wine in his hand.

“Yes, I did.” you take the glass, swirling it around before placing it on the counter.

“Namjoon, we need to talk.” you say while looking into his eyes, it was time.

-----------------------------------

Your heart was pounding in your chest sitting in front of the door, wondering if you should knock or not. “Come on Y/N, you can do it.” you say before knocking once, your heart exploding while hearing his voice on the other side.

“Coming!” You fix your hair and put up a big smile when Jungkook opens the door, dressed only in a pair of gray sweatpants, his skin smelling like fresh soap from a mile away.

“Y/N? What are you doing here?” he asks, confused. “I figured we could work on some cases, mind if I come in?” you rush to say, feeling slightly embarrassed.

“Yeah, sure, but…is everything okay?” he asks while letting you inside, putting a black t-shirt on.

“Do you love me?”

“What question is that?” his cheeks get brighter at your sudden boldness.

“I just want you to be honest with me, do you love me or not?” you ask again, looking at his rigid form.

“Well…I want to say yes.”

“Then say yes.”

“You are married, Y/N.” he finally lets out, a pang tugging at his heart knowing he souldn't feel the way he’s feeling.

“Not anymore.” you whisper, showing your ringless finger. “I’m divorcing.”

“What.” he lets out in disbelief.

“Mister Choi’s case made me realize something, you can’t stay with a person for what he has or what he can give you. I want someone that loves me and knows how to cherish me.” you shyly say before locking eyes with the man in front of you.

“Then yes, I love you. So, so much. I’ve loved you for the past years, ever since I got assigned to be your assistant.” he comes closer to you, sticking his chest to yours, but not touching further.

“You drive me crazy in so many ways, you’re smart and can unravel even the most tangled cases. You’re to die for pretty and so sexy when you look at me with those eyes of yours, it makes me jealous to know I couldn’t find you first.” he finally touches you, his fingers gently cupping your waist.

“I’m so mad when I think of that stupid ex husband of yours managing to have you all for himself just to cheat and leave you weak and exposed. Or when I think of way too many ways to make you look at me, to let me claim you.” his face comes closer to yours, many emotions erupting between the both of you.

“Or when I get that sweet taste of your lips, and I rip those moans out, making me so fucking proud to please you, even if it’s wrong.” he kisses you, slow and tangy, but not for long, letting you desire for more.

“I love you. I’m greedy and I want you all for myself.” your eyes get teary, a feeling of comfort, safeness getting into you. You felt at home.

Wrapping your arms around the man you bring him close enough to whisper onto his lips. “Then have me for yourself.” you say, enough words for Jungkook to comply. Shoving your clothes off in no go, leaving you exposed only for his eyes to see, passion burning around the apartment.

His hands lead you to his bedroom, shoving you in his bed, not breaking the hot kiss he’s gotten you trapped in.

He pulls the t-shirt over his head, his pants following right after. You look with so much love and lust at him, your hands bringing him closer by the band of his boxers, making him whine.

“Pull them off, baby.” his tone, seductive, encouraging you to touch him further. You do it, taking off his boxers, letting his cock spring free in front of you.

“Y/N, if you keep looking at me with those eyes of yours, I’ll cum right now.” he admits, slightly embarrassed, face flustered, aching member leaking with arousal.

“Should we get to the good part then?” you question, biting your lip.

“All of this is the good part…”

You lay down, not breaking eye contact, letting him climb on top. His hands rest on your thighs spreading them nice and wide. “You’re drippin’ baby.” his eyes never leave your sloppy count.

“Just do something, Kook, I’m dying here.” he chuckles before gripping his cock, giving it a few tugs before bringing it closer to your entrance.

“From today, only I get to see and touch this.” he possessively says, licking his lips before pushing his tip inside of you, making you moan.

“You’re so hot and tight.” he whimpers, bowing his head at the sensitivity. “Please move.” you mewl, waiting for him to start pounding you the way you deserve.

He starts off slow, wanting the moment to last, but in a couple of minutes his peace gets faster and faster, making you see stars in the process.

You whine and cry underneath him, feeling so full and so good, his cock hitting all the right spots inside of you, letting you know you made the right choice to leave your husband for him.

He was pulling your strings so well, grunting every now and then when he touched that sweet spot of yours making you squirm or when you moaned too loud, knowing he'd hit your cervix just a little too deep.

“Jungkook! I’m close!” you shout, the ceiling above you turning from black to white. He keeps his rough pace, hitting deeper and deeper if possible.

“I’m close too, baby.” he whispers before giving one last thrust, spilling his hot seed inside of you, claiming you as his.

You reach your high as well, fingers clawing at his back, trying to bring him in for some closure, both of your arousal slipping your fluttering core. He rests his head on the crook of your neck, inhaling your scent, kissing your neck every now and then.

You raise his head, swearing you could see an entire galaxy into his eyes. He was yours now, and you were his, both of you ready to throw everything aside for each other.

You smile lovely at him, knowing he will forever be your happy place, your passion, your crime.

#kpop imagines #jungkook #bts jungkook #kpop fanfic #bts #bts imagines #jeon jungkook #jungkook fanfic #jungkook x reader #jungkook x y/n #jungkook smut #bts smut

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flamingpudding · 1 year ago

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Fictober23 Prompt: 4 - "Do you even know what this means?"

Fandom: DPxDC

Rating: G

Warnings: -

Tim stared at his family with pure exhaustion before letting out a sigh while covering his face with his hands because of the worried looks they were sending him after his long rant.

It had all started with a stupid school project. It was just supposed to be a stupidly simple school project. Did he think of the whole thing as the greatest nonsense project his school has ever come up with? Yes. Did he still do it? Yes. He needed the extra credits, because of some stupid meetings he had missed other projects which was the entire reason he took part in this one.

Maybe he should have tried buying his grade out of it like all the other snobbish rich kids but then he would feel guilty and the moment Alfred found out, he would have to life with the disappointed™ look. Something he really didn't want to deal with. So instead he took part in this stupid ancestry project his school had organized.

But when he had allowed the school to send in his DNA he certainly did not expect the result he got back. Because when he opened the email, he noted that it was addressed to someone named Danny Fenton not Tim Drake, he didn't even read the rest really. That should have been his first warning.

His second warning was when he had hacked into the that DNA testing facility to actually get his results back and then found a note on his data file about a near 100% DNA match to one Danny Fenton which caused them to assumed that Tim was Danny and just had sent in his DNA a second time after, he peaked through his finger onto the screen, 5 years. That should have been his second warning.

But no, Tim had actively ignored all the warnings and decided to dig into who this Danny Fenton was. Because there were so many possibilities of how they could match but only so little to explain the time difference between them sending in the DNA samples. For dear good Tim hoped to all things that there wasn't someone else to have attempted to clone him before Ra, no worse even, he hoped HE wasn't the clone in this situation.

Really he didn't want to add existential crisis to all the problems and cases he already had to deal with.

So what does one do best when they learn there was someone with nearly the same DNA you have? He looked that someone up. So that was what Tim did next. He had spent nights looking up anything he could find, summarizing all the information he found, branching off when he found other concerning stuff and then stewed in some frustration of the incompetence of some people when discovering other facts.

In the end Tim compiled all the data he had found into a 30 slides long power point. That he had presented to his family and was awaiting their reaction. Bruce had grunted earlier and the demon brat had huffed out something in between slight 25 and 26 earlier. Jason had muttered something right at the beginning and Dick had stayed quiet the entire time, so did Cass. Steph hadn't said a thing either and Duke looked just puzzled.

"Do you even know what that means?" Demon brat finally broke the silence, causing Tim's eye to twitch before aggressively pointing to his last slide still on the presenter.

"Yes, I do know what this means. I have listed all possibilities right here if you haven't noticed. And i explained possibility three, four and six on slide-"

"Replacement. I don't think that's what the brat means." Jason cut in and Tim glared at him.

"Timmy, when was the last time you slept?" Dick carefully asked and Tim directed his glare at him.

"I believe Master Timothy hasn't slept for about 72 hours now." Alfred added in with that disapproving stare of him and time looked away stubbornly. How was the amount of sleep he got relevant right now? There was a possibility of him being a clone or someone having cloned maybe even years before he started to follow B around as a kid with a camera.

Bruce let out a sigh and Steph appeared to try to hide a chuckle leaning on Cass shoulder. "He must be lacking sleep if he doesn't see the most obvious possibility considering the time line he presented on slide 18."

"Oh so, I am not the only one thinking he is missing another obvious possibility?" Duke asked and once more Tims eye twitched. Getting fed up with his family, Tim huffed and crossed his arms, glaring at them all.

"And what is it that I am obviously missing?"

"The screenshot of the mail you put in slide 3 stated that it's not a 100% match but 89%. In addition it stated in the last line a suspected possibility of a familiar relation. I am disappointed, Drake. That you would miss something this obvious."

"What?" Tim whirled around going to the slide to reread the mail.

"Considering that I am pretty sure, we don't have any sort of cloning case here Tim." Dick started his voice now slightly laced with Humor and Tim narrowed his eyes at his older brother over his shoulder. "You just discovered that you had a twin, that we probably still go to rescue."

Tim's mouth opened and closed like a fish out of water. He did not know what to say and before he could even catch up with what his brothers had said Alfred was already behind him pushing him towards the elevator.

"It is time for you to get some sleep Master Timothy. I am sure Master Bruce and the others will be perfectly able to handle the rest of the situation with the information you compiled. You can join them after you have rested."

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purinfelix · 29 days ago

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can we get more pilot!charles please 🥹🥹🥹

pilot! charles leclerc headcanons ˎˊ˗

a/n: ok consider this sort of a follow on from this piece bc i didn't feel like writing a whole new part, forgive me ....

✦ it's almost impressive how he manages to balance being so bashfully polite yet so cocky

✦ like, obviously, he's an amazing pilot and has every right to be a total dick about it but the minute he steps out of the cockpit, hair a little tousled and face a little flushed he's just ... nice? and congratulates you on being a great copilot?

✦ it irritates you a little because you can't really fault him for anything serious

✦ at least you get to tease him about absolutely sucking at pool, but the whole team joins in on that whenever you visit the bar

✦ El Predistinato used to be his old call sign but it became a bit of a mouthful and he got annoyed by everyone butchering it - and so that's how 'Prince' became his new one (that, and the fact that every higher-up is just enamoured with his charms)

✦speaking of call signs, for some reason, he insists on just using everyone's actual names (he says he finds it easier than the nicknames) which catches everyone completely off guard

✦ notoriously bad at replying to messages, to the point where you've had conversations about potentially removing him from the unit group chat ... in the group chat ... with him in it (and he still has no clue)

✦ pretty obvious that he so badly wants to be one of those pilots who is a little reckless (in charles' words ... do some "crazy shit") but he's just a goody two shoes and physically cannot bring himself to take any risks

✦ never takes any of the safety training seriously but is still able to do it completely flawlessly

✦ like he's goofing off during first aid training so a superior will pick on him to come and demonstrate on the doll and he manages to do the entire CPR procedure perfectly first try

✦ gets way too chatty during practice flights - like not even about relevant stuff

"Weather's looking good this morning," you hear him hum from behind you as you try your best to focus on the path in front of you. You only let out a soft grunt to let him know you've heard him. "I wonder if it'll stay sunny for long, I mean we are going into summer but who knows it might get a bit rainy." You're silent, trying just to block him out and focus. "You ever wonder what bad weather must be like for animals? Like if I were a bird maybe I wouldn't mind the rain because I could just fly wherever I want-" "Charles shut up." "Got it."

taglist: @multifan-idk @presleycaudle

#charles leclerc x you #charles leclerc fluff #charles leclerc x reader #charles leclerc oneshot #charles leclerc imagine #charles leclerc #purinfelix #jet writes ★#ferrari #ferrari f1 #formula one x reader #formula one fanfic #CL16 #fanfic #charles leclerc headcanons #jet answers ✧

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beenbaanbuun · 10 months ago

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after sex w/ yunho

wrote this while i should’ve been getting ready for work lmaoooo

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yunho groaned from where he lay beside you. “up you get, little one,” he said, voice hoarse from where he’d been barking instructions at you for the past hour or so. you pout at him, really not wanting to leave his warm embrace and face the cold word that awaited outside your bed, “don’t give me that look.”

“what look?” you furrow your brows at him.

“that one right there,” he grumbles, “the one where you look like a homocidal chihuahua - all pouty lips and angry eyebrows and not a thought between them.”

he smirks as he you slap his chest. the sound reverberates around the room and it stings a little, but yunho can take a lot more than that. he’s pretty sure his back is bleeding in more than a few places from where you’d been clawing at it. maybe you were more like a chihuahua than he originally thought.

“i think,” you argue, “i think so much!”

he hums.

“you think too much,” his eyes land on your flaming eyes and he struggles to hold back a laugh. even when you’re trying to seem intimidating, he can’t help but find you adorable. you’re like a cute puppy that has a penchant for ankle biting - your expression of frustration only made you that much more sweet, “and nothing you think about is ever relevant. face it, pipsqueak, you’re a chronic overthinker; now get up, will you?”

he has you dead to rights there, shutting you up before you can even slip another word through your lips. instead you scrunch your face up and cross your arms in one last act of defiance. you don’t want to get up, and even though you know he’ll make you, you can at least make it difficult for him.

a small shove against your shoulder is immediately followed by another one, and if yunho’s tactic is annoying you into getting up, you’re afraid he might be successful. the first two pushes are nothing you can’t live with, but then he pushes you a third time, and then a forth, and then you let out an annoyed groan. clearly yunho wasn’t going to stop any time soon.

“why do i have to get up anyway?” you say as you roll a couple of inches away from him. of course, he just follows and continues his prior annoyance on you, “i’m comfy here in your arms, and you promised we could be ‘gross and shower in the morning’.”

“we can be gross and shower tomorrow,” he replies, “but you know well and good that we pee after sex in this household, missy. being gross and sweaty for a night is completely different to getting a UTI, don’t you think?”

you mutter some expletives under your breath, because fuck him for being right. always so smart, and always so smug about it too. you give him a single petty shove back before rolling to the edge of the bed and standing up. your limbs feel heavy, and you almost wish you could rewind a few seconds and beg yunho to carry you instead. he’d probably have done it, too, but it’s too late now. with you already standing next to the bed, achy limbs and all, he’d probably just shoo you away if you asked.

you go to walk away, managing to take a single step before he grabs you by the wrist. you turn to him, noticing the sly smile he wears, and cock a brow.

“what?” you ask.

“you know what.”

“yunho, they’re covering in my cum,” you groan, “that’s so gross.”

he scoffs.

“you’re covered in your cum too, but i don’t think you’re gross.”

again, you groan. you know exactly what he’s asking for, and you know he’s not going to give up until he gets it. with a sigh and a slow, disgruntled hand, you pick your abandoned panties off of the floor and throw them at him. they hit his chest with a slap, and he can’t help but giggle to himself as he lifts them to his face and takes a sniff.

“thanks, hot stuff,” his voice is muffled by the material, “now hurry up and pee so you can come back and cuddle.”

you sigh.

“fine, but you better not have a boner when i get back!”

#ateez x reader #ateez fanfic #ateez oneshot #ateez scenarios #ateez fluff #ateez smut #ateez headcanons #yunho fanfic #yunho scenarios #yunho x reader

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megalony · 3 months ago

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Little Flirt

It's been a while, but this is a new Nick Amaro imagine, requested by the lovely @ilikestuffs-stuff. I hope you will all like it, please let me know what you think.

Taglist: @justagirlthatlovedtoread @musicistheway @avada-kedavra-bitch-187 @luula @missdreamofendless @bradleybeachbabe @woderfulkawaii @amberpanda99 @daggersquadphantom @marvel-and-chicago-fan @angryknightstatesmantrash @minjix @lyje @kmc1989 @itsmytimetoodream @noonenuts @hiireadstuff @ashie-babie @classyunknownlover @jayyeahthatsme @sp1ritssz @dumb-fawkin-bitch @oliverstarksbae @gimatida @heart-35 @supernaturalstilinski @kyky9103 @wutheringhearts2275 @gay4hotmilfs @itshamleth @chaoticnosleepinfluencer @gs29 @wh0reforsmutstuff @mel-vaz @natashamea18 @chrisevansdaughter @alexandra848484 @deena-beena-weena @targaryenluvs @kpoplover-19 @marvelmenarebeautiful @gillybear17

@zoeybennett @mrspeacem1nusone @zephyrmonkey @estella-novella @eleventhdoctorsangel @kniselle @senjoritanana @shauna-carsley @dottierose @cfdhouse51 @darkfemme1 @rainechase45 @lolalolsstuff @jupiter1700 @ashdoctor @an-aliens-ghost @lunaroserites @houseoftwistedspirits @callsignwidow @winterreader-nowwriter @reneinii @bellsbomb @western-pyro @itsgigikay

Masterlist

Summary: Nick is about to head home when he realises he's left some stuff at the precinct. So he takes his daughter with him to retrieve them, and the team meet his little girl.

Enjoy.

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"Alright beautiful," Nick murmured softly as he kissed the top of Sophie's head, brushing his thumb across her rosy cheek when she leaned into him.

He bounced her on his hip, grinning to himself when she cosied up further into his chest like it was the middle of winter and she was trying to keep warm. Her hand was clutching his overcoat and her face was nuzzled down against his shoulder.

When he moved his hand from her cheek to rub up and down her back, she let out a content hum and started tapping her hand against his chest, still clinging to edge of his coat.

It wasn't often that Nick finished early enough to pick Sophie up from daycare, but today had been a half day since he had done the last three days in a row and worked late into the night on each shift. Leaving earlier meant he could pick Sophie up on his way home rather than (Y/n) having to come out and collect her and it meant Nick got a bit of time with his girl, one on one.

He reached the car and sat Sophie in his right arm so he could open the door and lean in to buckle her in. He clipped her in and pressed a sloppy kiss to her cheek which caused her to squeal.

She was only eighteen months old, but she was as cheeky as a ten year old and she knew just how to get Nick round her little finger. She was the apple of his eye.

"Are you ready?" He grinned when she smiled and nodded, not knowing what he was asking, only understanding his smile that radiated down at her.

Once she was in, Nick headed round and climbed in the driver's seat. He had livened up when he went in to get Sophie, but now he was starting to feel drained again. He knew once he got home he would be having something to eat and then he would spark out for a nap with Sophie. Neither of them would be doing much for the rest of the afternoon.

He turned on the ignition and glanced to the right when he got his phone from his pocket and tossed it on the passenger seat.

Where were his case files?

A deep frown set in his brow and he leaned across, moving his badge, the few takeout coffee cups and the pacifier and toys he had cluttering the seat. He stretched across to reach into the passenger footwell which seemed to tickle Sophie who giggled like he had just fallen over.

He needed those files. He had to up early in the morning to go down to court and be a witness. He had to have those files so he knew all of the relevant information and he needed the release papers for a suspect. After court Nick was meant to pick up a suspect from the cells. All those documents had to go with him so he could prepare tonight and then take them tomorrow to get the suspect, he couldn't get them released without the paperwork.

"Fuck." He tossed the empty cups and sat back in his seat, closing his eyes as he threw his head back.

Did he even pick them up from his desk? He had been in a rush to leave. The moment Liv said he could go home early, Nick packed up, grabbed his keys and shot out the squad room. He sent (Y/n) a quick message saying he would grab Sophie and would be home soon and came down here.

He didn't remember grabbing those files from his desk drawer.

Turning in his seat, Nick looked into the back where Sophie had her hand stuffed into her mouth, drooling happily as she wriggled from side to side along with the music on the radio.

"We're gonna make a detour to daddy's office, how's that sound?"

When she grinned, Nick reached out to shake her foot playfully before he spun round and put the car into gear. He didn't want to go back. He just wanted to go home, but the station was only ten minutes away and he could be in and out in two minutes. All he had to do was grab the files from his drawer and be right back out again.

He could hear Sophie giggling in the back and it made a smile light up his face. He leaned his elbow on the door and dragged his hand through his hair, brushing the forming curls back and causing them to stand on end in waves. He could feel a headache forming behind his eyes. He needed a drink and something to eat. He needed to sit down with his girls rather than work twenty hours a day on this case.

By the time he got back to the station and parked out front, Nick didn't feel like he had any energy within him to get out, let alone drive back home after he'd grabbed what he needed.

But he pushed himself out the car and ran his hands up and down his face before he opened the back door. No way was he leaving his toddler in the car, even if it would only take him a minute to grab what he needed. Someone snatching his daughter wasn't a risk he would ever take.

"Come're beautiful." He cooed, unstrapping her and cuddling her to his chest once again.

She was at the stage where she could walk now, not amazingly well, Sophie tended to keep her legs straight and kick her feet out a lot. But she could still walk, and if Nick had the time and the energy he would have put her down and let her walk for a bit. But that would take time and he didn't want to risk anyone knocking into her.

People were always rushing around, places to be and interviews they were late for. It wouldn't take much for someone to bump into her and send her flying or step back and stand on her without realising.

He loved the way Sophie looped her arm around the back of his neck and started to kick her legs that were settled around the side of his torso. When he felt her hand begin to bash on his chest as he walked into the reception, he reached up and took hold of her hand.

He swayed their hands back and forth as he headed straight down the hall towards the stairs at the back. He couldn't be bothered to wait for the lift.

"Where are we going? Daddy's work, yeah?" He murmured against the side of her head as they headed up the stairs and he bounced her in his arm just so she would giggle and wriggle against his chest.

The squadroom didn't look as empty as it did when he left. A few people were milling about, waiting for someone to take their statements and to have official interviews. There were more officers in here than usual and the phones were ringing and everyone was moving about trying to answer them.

For a dreaded moment, Nick thought walking back in here might make Liv change her mind and ask him to stay on until late. But when Sophie tapped his chest to get his attention, a wave of ease overcame him. He couldn't. He couldn't be asked to stay when he had his daughter here in his arms. She was his ticket back home.

"What, baby?" He whispered, leaning his head to one side as he tilted back to look at her properly.

His cheeks creased as a wide smile took over his features when his girl patted her hand on his cheek and leaned close. Nick obliged, leaning forward so he could kiss her. She was being sweet. Usually when she wanted a kiss, Sophie would just grab his face roughly in her hands and drag him close so she could get what she wanted.

Once he'd kissed her, twice, Nick smothered his lips against her temple and walked into the room.

He weaved around two officers stood talking to who he presumed would be a new case victim and his hand moved to rub up and down Sophie's back soothingly. He wasn't too sure if the noise in the station and the tense atmosphere might make her uneasy, but she seemed very content and eager to look around.

Once he was stood in front of his desk, Nick leaned forward and pointed towards the photo frame next to the phone.

"Who's that?"

A quiet "Mama," passed Sophie's lips as she grinned, showing off her little teeth and her tongue that poked out and made her look positively devilish.

It was one of Nick's favourite photos from his birthday two years ago, showing him with a dark pair of sunglasses, a beer raised in his hand and his arm around (Y/n). She had the brightest smile he had ever seen and Nick's chin perched on top of her head because (Y/n) always said they were 'like two pieces of a puzzle that slotted together just right.'

Keeping Sophie tilted into his chest, Nick leaned back and bent his knees so he could open his top desk drawer. He rummaged around and nodded to himself when he saw the files he thought he had picked up earlier. Those were what he needed; they could go home now.

Just as he shut the drawer, Nick leaned up straight and his eyes widened when a loud squeal passed Sophie's lips. She started to wriggle and her hand patted against her mouth, making a loud popping sound as she continued to squeal and laugh.

Nick cast his wide eyes around the station, trying to find what had caught his daughter's attention. And a soft sigh passed his lips that curved into a tepid grin when he looked and noticed Amanda heading right in their direction.

She had seen the girl in his arms and was making grabbing hands with wide eyes and an open mouth in shock.

Nick had never brought Sophie down to the station before. He never actually told the rest of the team that he had a little girl waiting at home for him. It never came up. Not everyone divulged personal information until they got to know everyone, and Nick was no different.

He didn't want to talk about Sophie. He never knew who might be listening and with the kind of people they brought in for questioning and had in custody around here, talking about his daughter didn't feel safe. It was easier not to.

She was his little girl and he liked having her as his secret, his and his alone, waiting at home for him.

He let a smile pull at his lips and he leaned Sophie back against his chest when he watched Amanda hurry over towards them.

"Who is this cutie?" Amanda's eyes danced between Nick and the little girl in his arms who she had never seen before. She held her hand out to which Sophie instantly took hold of and began swaying it back and forth in front of her like it was a toy to mess with.

"This is Sophie." He moved her a little bit higher on his hip and braced his other hip against the counter when Sophie started to move.

She began to wriggle around in his arms, swaying from side to side but she kept her left arm looped around Nick's neck like an insurance policy. Making sure he wasn't about to let her go or hand her over to someone she didn't know.

"I didn't know you had nieces."

Amanda smiled and leaned her right hand on the desk while she let Sophie sway her other hand in the air. She smoothed her thumb over the back of her hand and grinned across at her. She had no idea Nick had any kids in his family. She knew he had a little sister and that he was close to all the women in his family, but she didn't know much other than that.

"Uh, I don't. This is my baby girl." It was as if Sophie understood every word he said because she flashed her pearly whites and let go of Amanda's hand to grip the collar of his shirt instead. "Careful," He murmured, leaning his head forward towards her so she didn't strangle him with the force she yanked on his collar.

"Oh, wow." The surprise was evident in her eyes but her smile never wavered as she folded her arms over her chest and perched on the edge of his desk.

This was a new development.

Nick pressed a kiss to Sophie's cheek when she began tugging on his collar, subsequently undoing the first few buttons in the process. When she wriggled again, Nick sighed through a smile and leaned down, letting her stand on her own two feet.

There weren't many people nearby so she wasn't in danger of bumping into anyone or getting in the way. He would follow right behind her like a shadow if she tried to wander off and he would scoop her up if needed.

He could see she was excited at the prospect of being able to toddle around, her wide eyes were roaming around as if she was searching for trouble to scout out.

"How old is she?"

"Eighteen months." Nick folded his arms over the back of his chair but when he clocked his eyes on the files he had placed on his desk, he moved one hand to his pocket. He fished around for his keys and placed them on top of the file of documents, that way he wouldn't forget them for a second time.

His eyes followed Sophie as she started to bend her knees like she was doing a little dance. And when she twisted her head to look up at her dad like she was searching for approval, Nick grinned down at her and poked his tongue between his teeth.

A loud babble left her lips and she turned around, stomping her feet down on the spot before she looked in the other direction near the coffee station.

Nick looked behind him to see what had caught his daughter's attention and he sighed, rubbing the back of his neck when he realised she was looking over at Carisi.

Well, he knew bringing Sophie into the squad meant them all finding out about her, and it was too late now anyway. Amanda had already seen her and would no doubt fill in the rest of the team if he left now. He may as well let his girl wander round and see the team for a bit before they headed back home.

And it was endearing to see the way Carisi rose a brow and planted his hands on his hips when he saw the little girl staring intently at him.

She grinned, tangling her hands in front of her as she slowly trotted towards him, kicking her feet rather than properly bending her knees as she walked. Nick was rather surprised that she was so eager to go up to him, she was usually a little nervous and apprehensive around people she didn't know.

But with a wide grin that showed off her teeth and her tongue poking out, Sophie headed over to Carisi who squatted down to be level with her. He clasped his hands together between his thighs and smiled sweetly at her when she got close.

"Hi there sweetheart, where'd you come from?" When she tapped on his arm, Carisi held his hands out to see what she wanted. He let her take his hand but he was more than surprised when she shuffled forward to stand up close to him so their noses were almost touching.

A little babble left her lips and her eyes creased when she grinned which caused her nose to crinkle. She patted her hand down on his and said something else that Carisi couldn't make head nor tails of.

His eyes widened when her arms suddenly looped around his neck. She tugged and pulled until he realised she wanted to be picked up.

"Ahh…" His eyes scanned around, trying to see whose child she was so he wasn't overstepping any boundaries.

She could be the kid of a victim who had come in to make a statement. Carisi doubted she would be a suspect's child or in a suspect's custody or else the protective services would already be here to take her somewhere safe. And uniformed police wouldn't come here with their children, so he figured she was either a victim's child or one of their own detective's kid.

He narrowed his eyes when he caught Nick and Amanda both watching him and when Nick nodded, Carisi gingerly lifted the little girl up and stood back to his feet.

He walked over towards them, looking between them and the little girl who seemed to have taken a liking to him.

"What's your name?" He murmured softly, raising a brow when all he got in return was a quiet but rather chirpy 'fee'.

"Sophie." Nick corrected, emphasising the first syllable which his girl hadn't managed to master yet. He found it rather endearing the way she could only say the last syllable of her name, but they were working on pronouncing as she was finally starting to get some vocabulary.

"Don't tell me she's yours." Carisi bounced her in his arms, admiring the way she started to giggle and how it caused her to look rather devilish when she squinted her eyes and flashed her front teeth.

"My baby," He confirmed, holding his hands out to take her back into his arms. He kissed her cheek and rubbed his hand up and down her back, but he rose a brow when she kept looking over towards Carisi.

Her hands gathered against her chest like she was praying and when Carisi leaned down a little to look at her, she burst into a fit of giggles. She buried her cheek into her dad's neck, half hiding her face as she cuddled into him, clearly flustered at the attention. She had found a new friend.

"You're a little flirt, you know that?" Nick commented with a huff of indignation as he looked at his little girl.

Of course she didn't know what he was saying, but she knew enough to tilt her head up and kiss his cheek like she was buttering him up. Sophie already knew all she had to do was kiss Nick or cuddle up to him and she would have him wrapped around her finger.

"She's adorable, why didn't you tell us you had a little girl?"

"Just never came up." Nick murmured back while he smothered his lips against the top of his girl's head.

He bounced her in his arms and swayed from left to right as she cuddled into him again. He could tell that she was getting tired, she would be due a nap soon and Nick was already running on his last energy reserves. They both needed to head home for the afternoon and recover.

"Who let you two back in the building?"

Liv's voice rung out through the air and pointed across to her so Sophie would look and see who was heading their way towards the middle of the squad room.

"Hi Sophie, hi." A bright smile lit up Liv's face and she reached her hand out to brush Sophie's cheek. "How are you?" Her other hand tucked into her pocket and she leaned her head to one side as Sophie nodded. The happy expression on her face told Liv that she was okay and had been since the last time she had seen her.

"You knew, about her?"

"Of course I knew."

Nick could hardly keep this kind of information from Liv when she was his partner at work. She had seen him take a few worried calls from (Y/n), regarding their daughter. She had also seen Sophie on a few occasions. And now Liv was their Captain, she had to know who Nick's emergency contacts were and any dependants he had back home that relied on him.

She needed to know about his family in case anything happened to him on the job and she had to alert his emergency contact. Or if something happened at home and Nick would need to leave work to be with his family.

"Do you want a chocolate, sweetie?" Reaching behind her, Amanda scoured her desk until she found the bar of chocolate she hadn't opened yet. She was more than willing to share with the newest member of their team.

Nick turned to look at Amanda, a tender smile on his face but he shook his head.

He looked down at his girl, dragging his hand softly up and down her back while he murmured "What do we say?" against her temple and shook his head again.

All eyes fell onto Sophie when she lifted one hand and gently shook her index finger along with twisting her head from left to right. A quiet round of "No, no no," left her lips which caused a few soft laughs to befall the group as they watched her.

"She's allergic to milk, aren't you baby?"

They had to be cautious what they gave Sophie, she was allergic to most types of milk, even the baby formula. They had to buy a special product that didn't flare her skin up in blotches or make her throat swell or cause her to be sick. It meant no cheese, no regular drinking milk, no chocolate and they had to check all the treats and food they gave Sophie to try since she was able to eat little bits of normal food now.

When she got older they would have to buy her special varieties of chocolate that was made without milk and find biscuits and lots of snacks that she would be able to have.

"Oh, sorry. I'll find you some milk-free treats next time, honey." Amanda tossed the bar back on her desk before Sophie set her sights on it and got upset if she couldn't have it. She would get some little treats in for whenever Nick decided to bring her by the station next.

"Alright, we're gonna go home now, we only came back in for these." With his keys hooked onto his thumb, he grabbed the file he needed and eased Sophie back down to her feet so she could walk for a little bit and tire herself out. He held his hand out in front of her and traced his thumb over the back of her hand as she leaned into his leg.

"Bring her back to see us soon, won't you?" Amanda patted his shoulder and waved at Sophie who grinned, but it was clear she was starting to get tired.

"You saying bye?"

He motioned the file out towards the team, grinning softly when Sophie started to wave and babbled something akin to bye-bye.

Carisi leaned against his desk and crossed one leg over the other and when he waved, he muttered a soft "Bye cutie." And he couldn't help but laugh when she grinned and cuddled closer to Nick. She bounced up and down, bending her knees again and leaning back and forth until Nick started to walk, encouraging her to walk with him.

She kept looking back over her shoulder, grinning and babbling as she looked back at the team until she was finally in the corridor, out of sight. It was safe to say she had made some new friends back there.

***

A tender look crossed (Y/n)'s face when she padded into the living room. Reaching over, she softly turned the volume down on the tv that was playing an old Disney movie in the background, but her eyes were solely focused on the sight on the sofa.

Nick was in his slacks, a pair of grey joggers and a matching hoodie that looked a size too big for him. He had his feet hanging over the arm of the sofa, one arm bent behind his head which would surely make his hands and fingers go numb. And there on his chest, was Sophie.

The toddler was curled up on his chest, her head tucked into the crook of his neck with Nick's chin perched on top of her head. He had his left arm curved around her frame that looked small and petite with her knees tucked into her tummy and her frame as small as possible on his chest.

Moving over to them, (Y/n) gently squished down on the edge of the sofa, bumping into his hip as she did. She pulled the blanket from the back of the sofa and draped it across the pair of them before she slowly leaned forward and pecked his temple.

Her lips curved into a grin when Nick tilted his head back with a quiet grumble and he smiled. His eyes stayed closed, but he expertly tilted his head until he could brush his nose against hers and capture her in a kiss.

"You two look comfy." (Y/n) murmured against his lips as she moved her hand to hold his shoulder, steadying herself above him so she didn't fall down onto him and crush him or their girl.

She could see how tired he looked when he finally opened his eyes that were glazed and hazy as he looked up at her.

Nick unhooked his arm from behind his head and grazed his tingling fingertips across her cheek and down her skin so he could cup the back of her neck.

"Hm," He glanced his eyes down to Sophie who was dead to the world, breathing softly into his hoodie and creating a damp patch where she was starting to drool around her pacifier. "There's room for one more." Nick murmured.

He kept one arm looped around Sophie, making sure she didn't move or become disturbed while he inched to the left. He pressed his hip up against the back of the sofa and twisted a little so there was more room beside him for (Y/n).

He and their girl were too comfy to move at the moment. He wasn't sure what time it was, but Nick knew he would have to take Sophie upstairs and settle her to bed soon. But not yet. He had gotten showered, had tea and changed Sophie into her pyjamas before they sat down to watch a movie. He didn't intend to fall asleep but he couldn't help it. Once Sophie dozed off, Nick wasn't far behind.

He trailed his hand down (Y/n)'s neck and along her side until he tugged her back so she would take the hint and lie with them.

(Y/n) smiled and shuffled around, trying to lay on her left side without toppling backwards and falling off the sofa. She hooked her right leg over Nick's leg, pressing her knee into his, practically straddling his thigh. Her right arm looped over Sophie's back and she smiled when Nick draped the blanket over her too.

She nuzzled her head into his shoulder, smiling to herself as she cosied up into the hood of his hoodie that was scrunched up around his neck. It smelled of comfort and his aftershave and Nick was as warm as a hot water bottle.

She loved the way he started to drag his fingertips up and down her side, along her hip and over her thigh like he was drawing patterns into her skin and writing secret messages to her.

"This is nice." She whispered into his hoodie, closing her eyes that suddenly felt overwhelmed and tired. The three of them might just ending up sleeping down here if none of them had the energy to move soon.

Nick pressed a soft kiss to the top of (Y/n)'s head, keeping his lips there for a while as he breathed in the scent of her raspberry shampoo. His eyes fell closed and he could already feel himself on the verge of falling back asleep.

This was what he liked the most. After being stuck in the squad room for hours on end going through paperwork and case files and finding links and information and names. After seeing things he wished he hadn't witnessed and supporting victims who were broken, sometimes beyond repair, this is what kept him going.

This is what kept Nick going through those moments that stretched into days. He blundered on so he could have moments like this, with one of his girls in each arms. Laid out, no worries, no problems, no victims flashing before his eyes, no screams rattling around in his head. No danger, no paperwork, no stress.

Just him and his girls.

#imagine #law and order #law and order svu #nick amaro x reader #nick amaro imagine #nick x reader #nick amaro #olivia benson

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vidavalor · 3 months ago

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The Devil Takes The Hindmost

The Big Damn Post I've promised for ages on all the stuff suggesting that what we're watching in S2 is Aziraphale's mental health crisis leading to his fall...

...with a focus on a religious concept that intersects with secular ideas about mental health-- The Devil Takes The Hindmost-- that was unintentionally mentioned by Mrs. Sandwich and might be what's going on in The Final 15.

Plus, a look at the possible purpose of The Whickber Street Shopkeepers and Traders Association in the story and a dive into the symbolic role in Aziraphale's story played by Muriel... the most adorable Angel of Death anyone's ever seen.

@ao3cassandraic @komorezuki @kayleefansposts @masnadies -- This is basically what I was starting to talk about the other night, if you're interested. @ochre-sunflower -- the meta I mentioned.

TWs: suicide; depression; PTSD; negative self-thoughts... It's optimistic by the end but it's a look at some darker stuff in the story so please take care.

In GO S2, we have a lot of stressors building and overlapping for Aziraphale, with each episode adding new ones, all boiling hotter and hotter until we reach the The Meeting Ball. There, everything stops for the arrival of Shax at the door.

When she turns up, all the other plots cease to be relevant in the moment because the whole story's stakes upon her arrival now come down to a single, pivotal question:

Are these demons going to get into the bookshop?

On the surface, in our plot, Shax, Eric and the smallest number of completely ineffectual demons that a redemptive Furfur could get away with sending without looking like a traitor 😉 are interrupting Aziraphale having turned his first pass at hosting the monthly meeting of The Whickber Street Shopkeepers & Traders Association into a party.

Why is he doing that? For a dizzying number of reasons. So he can try to protect Gabriel by getting Maggie and Nina together and try to be part of his community by using the party to get Maggie and Nina together which is also so he can protect Gabriel... but, let's be real, it's really all so he can dance with Crowley...

Our heads are spinning as much as Aziraphale's is by this point and it's exhausting just to try to recap everything he's dealing with by The Meeting Ball... which is why it probably isn't surprising that all of that story just stops when the brick goes through the window and Shax is at the door. Because, symbolically...

...this is an anxiety attack.

Shax and the demons are Aziraphale's inner demons and they're trying to force their way past the threshold to take control of the bookshop the way that darkness can consume a person...

...as they're trying to take control of the bookshop that is what, symbolically?

Aziraphale, yes.

Aziraphale and Crowley. (And, as we looked at recently, also Maggie, on account of her family's history with it.)

Why this bookshop attack that is a metaphorical anxiety attack at this point in the story?

Because a lot of what Aziraphale wants out of life was happening before the demons that represent his inner demons showed up at the party.

For the first time ever, Aziraphale was no longer compartmentalizing his worlds and hiding parts of his life from people. He had Maggie and Gabriel under the same roof-- his human and angel families together. He had neighbors over and felt brave enough to call himself one of them by hosting the meeting. He was impacting the society around him in a big way by unifying Whickber Street's black market with its "legitimate" front by inviting Mrs. Sandwich to join the group. He was helping Maggie and Nina fall in love.

Most importantly, there was what the whole thing was really for: having all that happen with Crowley there, too, and everyone knowing they are together. Being able to dance with him and be a couple openly like everyone else. This Jane Austen cotillion coming out ball for ladies Maggie and Nina is really a coming out party of sorts for Crowley and Aziraphale. This is like the Christmas party of Aziraphale's dreams here. The one he's never, ever been able to have.

It's a wonderful thing when people who are in a great deal of emotional pain decide they've just had enough and want to break free of their misery and allow themselves to work towards being happier.

It's just a very delicate period because it can go either way, in a hurry. One minute a person can be thinking they're on top of the world and starting to live the life they've been dreaming of but the next minute find themselves freefalling emotionally. This is especially true of people who feel they have to present as cheerful and optimistic for everyone else and who hide their pain behind a smile.

They are some of the most at risk of their lives becoming like the Salinger short story about trauma and suicide referenced in S2-- "A Perfect Day for Bananafish"-- in which a man suffering from PTSD is believed to be fine by himself and those around him, has a nice day at the sea and chats with a symbolic daughter-like character and then, unceremoniously, goes to his hotel room and shoots himself dead.

As Maggie shows us during The Meeting Ball when she parallels Aziraphale's struggle, people get tired of being afraid and want to live-- want Nina, who is coffee, which is freedom-- but they can overdo it, if they're not careful, and wind up taking steps backwards.

Sometimes, the thrill of feeling like they might be on the edge of something good can cause someone to go too far, too fast, and, without the right support, they can find themselves going faster than a rollercoaster-- and right off a cliff as a result.

These people might look at their inner demons and think they're fine, now, actually, and that the darkness doesn't frighten them at all and they're all over their negative stuff-- all good now. No problems here.

Problem is that, sometimes, in the process, they might realize they're lying to themselves when they suddenly tell those inner demons that they can come in and say all that pathetic shit to their face... before they're really ready for that. Maggie, paralleling Aziraphale here, shows that with Shax during the bookshop attack. Not the best way to deal with inner demons, that.

And one person's inner demons can be an unintentional trigger for others, which is one of the things that started off Aziraphale's mental health crisis boiling up into a breakdown earlier in the season.

Aziraphale was already having a terrible week and then he projected his own issues all over his adopted goddaughter when she was having a moment and wound up accidentally saying something about himself that she took to mean about her and that came out sounding incredibly hurtful in a way that Aziraphale didn't mean for it to be. He then sought to make it up to her by finding a way to make her romantic dreams come true but was, all the while, silently berating himself for not having handled it flawlessly in the first place.

And when that got mixed in with trying to *checks Aziraphale's S2 list*... Jesus...

...recover from PTSD, manage all the anxiety and depression that comes along with it, deal with the fallout of his relationships with his abusive family, save his losing it brother from a religious cult/fascist regime trying to kill him and figure out why he's lost his memory, assuage his guilt over the memory-wiped angel that he feels he failed to save that showed up at the door, figure out wtf to do with the bookshop/embassy he's never wanted to run but that has become the M-25 that he's built and is now stuck in and that just reminds him that he hasn't any family to pass it onto, and, most importantly?

Tell his partner that he would like to live openly with him in the a little cottage by the sea in the South Downs...

I mean, by the time Mr. Vacuum showed up and suggested that Aziraphale add to the list that this week also be the first time he's ever hosted the monthly meeting of the business organization of the street he's basically founded but doesn't let himself really feel like he belongs to?

Sure, Mr. Carpet. Sure. Bring it on. Why not, at this point?

But Mr. Vacuum's idea actually caused Aziraphale to think he had the perfect solution-- continue to do what he was doing all week and combine this shit together! Protect Gabriel by tying him to Maggie and Nina and solve Maggie and Nina through the Whickber Street meeting and, well, if he's going to make it romantic for Maggie and Nina, well...

...maybe this is how Aziraphale can solve his biggest problem-- finding more of a way to just be forever near that one, particular person who makes everything okay.

So, by the time we get to The Meeting Ball? Aziraphale is pretty much losing his damn mind.

The heebie jeebies that Crowley gets in the street? It's not the low-rent demons. He knows what they feel like. He can't identify it but the thing that is really, really wrong is Aziraphale himself, in a dark reverse of Aziraphale feeling Crowley's love in S1.

Thousands of years of feeling a lack of enough control over his life have basically led Aziraphale to snap. Parts of it are very funny. Gabriel dressed up as Liberace circling with temptation trays of vol-au-vents is as hilarious as it is loony. Miracling the room so that everyone speaks like it's the 19th century causes a lot of humorous scenes, especially with Mrs. Sandwich... but is also a horror show. Justine loses her ability to speak English well and others have trouble understanding one another. It's like a zanier, more comedic version of Aziraphale's parallel antichrist, Adam, taking over The Them and deciding how, when, and if at all, they could speak.

It's a person in Aziraphale, who is normally very kind to others but not really to themselves, whose pain and anger have built within them to a breaking point and caused them to take that out on others and become, for a moment, almost the exact kind of person from whom he tries to protect others.

During this part of the season, Mrs. Cheng and Mrs. Sandwich have some dialogue that I think might be the whole rest of the season's plot in a nutshell. It happens here:

Mrs. Sandwich being unaware that "seamstress" is a 19th century-era euphemism for a sex worker means that she doesn't realize that she actually is, on one level, telling Mrs. Cheng what she does for a living. Her frustration is coming from the fact that Mrs. Cheng also doesn't know this euphemism and so thinks Mrs. Sandwich is a literal seamstress-- someone who sews and mends clothes-- and not a figurative/euphemistic one. While that and the rest of this scene is worth a whole deep dive in and of itself, it's not the bit I want to focus on here. That bit is what Mrs. Sandwich says as she gets increasingly upset.

Keep in mind as we look at this that the person who is the literal seamstress in this scene is not Mrs. Sandwich. It's the person whose magic is inhibiting her speech-- so, who is speaking, in a roundabout way, through her-- and who is the one changing everyone's outfits as they come through the door.

The seamstress really of note here is Aziraphale.

In the midst of her frustration, Mrs. Sandwich is trying to curse in 2023 terms but they are coming out in 19th century-era equivalents and this means that she says the following things when cursing:

She insists that she's not a godforsaken (abandoned by God; left to Satan) seamstress, that she's not a benighted (taken by darkness) seamstress, and, finally... while probably trying to say "what the hell"... winds up saying the whole season's plot in response to Mrs. Cheng asking her the also rather meta question of "what, in short" the problem is in that moment.

What, in short, is the plot?, asks Mrs. Cheng, on a meta level.

What the fuck is going on in this story?

To which Mrs. Sandwich replies:

"The Devil take it."

The curse "The Devil take it"-- meaning you give so little about something or someone that Satan can have it-- comes from a religious teaching (that works very well from a secular perspective, too) known as "The Devil Takes the Hindmost". It's this teaching that I think is extremely important to S2 and is arguably around what the story is structured.

This teaching argues that people who are excessively self-sacrificing are putting themselves at risk of being taken by darkness/Satan because of the cumulative effects of the anger, anxiety and depression that comes of denying that they are people with wants and needs of their own for too long.

It's about the people who go beyond kindness. It's about those who don't see themselves as part of the pack of people and think that the world isn't for them. They believe that their needs and wants don't matter as much as the need to prove to themselves that they aren't a horrible person-- which they do, in their minds, by denying themselves a full life of their own.

Sound familiar? It should. It's Aziraphale to a T.

Why are these people in "The Hindmost" for Satan to take when they're not terrible people?

Because they fall to the back of the pack of humanity.

Because they are left open to the darkness because they do not allow themselves to have what they work so hard to help others make for themselves.

The pain of that eventually renders them as bad off emotionally as those they counsel, or worse. The more they deny themselves, the more that pain builds and it can push them down dark paths.

They're in "The Hindmost" not because anyone left them behind, exactly, but because they've shut out the people around them.

They aren't letting people in.

It's about here that we can bring up that Good Omens is built around doors and all of S2 is basically about getting in the bookshop that is Aziraphale. It's here that we can mention Shax-- the darkness-- repeating demands to Aziraphale, to Crowley, to Beez to be let in. It's here we can mention The Final 15 and the world's most depressing kiss-- the literal embodiment of "let me in" as a theme-- and the horribleness that followed.

So, if S2 is The Devil Takes the Hindmost and he's headed Aziraphale's way the whole season with a large oat milk latte with a hefty jigger or dash or whatever of almond syrup and the job (the Job...) offer from Hell to tempt him, then we're watching (for now) the last days of the angel Aziraphale because a fall is a form of death.

It doesn't mean it's the end entirely because, as Gabriel discovered, everything goes down but flies? They go up.

Flies are the product of letting someone in and not shutting out the love and care you need. That can only be done through accepting, at least for a little while, that you are allowed to be a person and deserve to be cared for the way you care for others. If a person does that, they can fall but they'll have what they need to get back up and to help them stave off future falls.

Letting people in and talking to people about how you feel-- figuratively: feeding your fellow ducks your frozen peas and listening to theirs--- is how we all defeat the darkness together and make it so that Satan never shows up at any of our doors.

Yes, it is, Crowley. Would have been helpful if you had mentioned any of your own Hell-and-Book-of-Life frozen peas at all to anyone but the audience all S2 but this meta isn't really directly about you so you get a pass for now 😂 Back to your partner...

So, this The Devil Takes The Hindmost stuff? Almost immediately after Mrs. Sandwich says it, the story begins to have the characters literally act it out.

Shax is The Devil in that she's a devout diabolical minister of Satan so she's representing Satan at the door.

First up? Gabriel.

Gabriel mirrors Aziraphale's excessive self-sacrificing. It doesn't matter to him that he just met most of the people in the bookshop an hour or something ago. If that angry mob outside wants him for who fucking knows what reason as this poor bastard can't remember anything 😂 then Gabriel is happy to throw himself on his sword for them.

In reality, no one in the shop should have let Gabriel go out there alone. The whole point of "The Devil Takes The Hindmost" is that if everyone looks after each other the best that they can?

There won't *be* any hindmost.

There will just a pack of people who are all keeping each other safe from the darkness.

Jim is ultimately fine to tussle with Shax, though, because that is the part of the teaching that he exemplifies.

Gabriel has been protected. He's not completely fine-- who ever is, really?-- and he's still not really over this current bout of depression but he's safe from Satan and the darkness.

He's safe because he has Beez, Aziraphale, Crowley, and his new friends on Whickber Street.

Gabriel has a pack and is allowing himself to be part of it. As such?

The Devil can't touch him. Shax can't recognize him and sends him back inside. Gabriel is not in The Hindmost because he's been hidden, safely, by his group.

Gabriel goes back to the middle of the pack where he spends the rest of the attack, helping Aziraphale fight off his metaphorical inner demons by way of aiding Maggie and Nina to save the bookshop.

It's the next to the door, though, who is not so lucky, and gets to be the first example of The Hindmost.

From the way, way back of the pack that has formed of the humans, Gabriel, Crowley and Aziraphale in the middle of the bookshop pushes forward our beloved Mr. Brown of Brown's World of Carpets.

The President of The Whickber Street Shopkeepers and Traders Association-- the Gabriel of the humans-- feels it's his job to sort out this mess... only he has even less clue as to what's going on than Gabriel did... and he's much, much more vulnerable.

Mr. Brown tells Shax that he doesn't know why she is "interfering" with the people in the shop, unknowingly using the word used in religious circles to talk about The Devil coming after people. Mr. Brown is a guy at real risk here. Going into the circle and getting discorporated if you're not prepared? Facing The Devil at the door without preparation is the same, terrible thing. Mr. Carpet has no idea wtf he's up against here and his motivations for going to the door are the heart of The Devil Takes The Hindmost.

What does our lionhearted Mr. Brown do for a living? What is he, symbolically?

He sells carpets, right? What are carpets?

Well, they're rugs, for one thing. They're found in every business and home in existence. They are necessary for living and also an example of having comfort in your life. (They're also walked on and taken for granted, like our Mr. Brown is quite a bit.) You pick out carpets on your own or with the people with whom you are making a life-- and they tend to symbolize that life.

We see, in 2.06, the shot highlighting the lotus flower carpet that Crowley and Aziraphale have in the bookshop, that they use to cover up the Heavenly circle in the floor-- the one they put Gabriel on to do the protection miracle. It symbolizes the life Crowley and Aziraphale have made together to which they've now let Gabriel in.

What else are carpets? In Good Omens' use of language, they're also cars and pets. Rugs, cars and pets... three of the most common things owned by people living a life on Earth, with the word own itself in Mr. Brown's name.

Brown's *World* of *Carpets*... this dude is, symbolically, everyone.

He's life itself.

That's why it's Mr. Brown who gets taken by the demons and, later, saved by Crowley and left in the care of Mutt, who is human magic-- the character who symbolizes the wonder and mystery and joys of being alive.

Mr. Brown-- an extremely common name for a man whose pain is extremely common. He's lonely. He's overlooked. He's the president of this group of apostrophe and Christmas lights-obsessed, irritating and wonderful, typical, human people because he's unflappable and no one else wants to do it. No one else will do all the boring work and hear all the complaints the way he will and he's made that his role and he hates it. In that way, he's the Beez of Whickber Street-- as desperate for appreciation as Aziraphale. He's Burbage and Shakespeare, wanting an audience that isn't sleeping, drunk, or flirting their way through Hamlet. He's Crowley and Aziraphale:

Mmm, good job... Oh, do you really think so?

Mr. Brown of Brown's World of Carpets is a professional carpet salesman. He spends his days selling everyone what they need to make lives of their own but his own life is far lonelier and smaller than he would like it to be. He doesn't have a partner or true friends, just the people of the group into which he's struggled to really fit, despite running it. He's nerdy and awkward. His over-the-top, affected manner of speaking belies the fact that he feels like he's jiggery pokery, through and through. If I took Mr. Brown's name and profession out of this paragraph, I could be describing Aziraphale just as easily, but for the fact that Aziraphale does have Crowley, if not in the open way he wishes for. Because of that, Mr. Brown being taken by The Devil is also foreshadowing the end of S2 for Aziraphale.

Like most, Mr. Vacuum has got some surprising resolve-- some unexpected moxie-- but, fundamentally, this man has spent S2 showing that he is one more papercut away from a nervous breakdown.

So, when he tries to prove his worth to the group by putting himself at risk, it's excessively self-sacrificing. While there are some titters of alarm and warnings to him not to leave the pack, the one who objects the most is Crowley. Mr. Brown, though, doesn't let Crowley in. He doesn't recognize him because it's partially to look good in front of Aziraphale that Mr. Brown has jumped to the front of the pack. It's his loneliness, his lack of his own life, his need to be part of the group and appreciated. His need to be the hero.

Only, Mr. Vacuum is what happens when you aren't prepared for the darkness and you haven't let anyone in to help you. Shax, realizing that Crowley has been lying to her about the threshold by the way that all the humans have been backed into the living room, tests the theory and Mr. Vacuum gets taken by The Devil.

The Devil Takes The Hindmost.

Mr. Brown went from the literal hindmost of the pack inside of the bookshop up to the front to self-sacrifice excessively, got taken by Satan, and then, in a darkly amusing turn, got tossed back through to the hindmost of the pack of demons outside. He's also near the back of the line for coffee the next morning at Nina's.

If The Devil can come for Mr. Carpet, we see, he can come for anybody. Now this lingering and malignant sense of unease we've been feeling throughout The Meeting Ball tips here into real horror.

Crowley is up next to evacuate the rest of the humans in the shop. He's going to walk them all in a pack past The Devil. They go out in mini-groups within a larger pack. He tells them that they need to all stick together and mind each other, not the demons.

If they do that, they live. If they don't, they won't.

It becomes that simple because it is that simple.

Crowley doesn't just tell The Whickbers how to do this, though-- he leads them out. Because he's one of them, too... but really also because this is all a metaphor for Aziraphale's mental health breakdown getting going and what happens when you are having an anxiety attack or a depression episode?

What goes out the door?

The things that keep you alive, right? The good stuff in life. That is defined differently for everyone but a lot of it overlaps for many of us. Many of those things are what The Whickber Street group characters stand for in the story. Aziraphale owns the land for most of Whickber Street so, in addition to being characters in their own right, all of the members of The Whickber Street group represent Aziraphale.

They're all the things he loves the most-- his reasons for living, and what helps keep the darkness away for him. This is really why, symbolically, neither they nor Crowley (symbolically, love) can be present in the shop when Aziraphale is melting down at his worst.

Crowley leads the pack out with Mrs. Sandwich up front. He is allowing himself to be part of the pack here. He might be supernatural and the group human but it doesn't matter. They're all people and there's more to it than miracles. Crowley can't face the darkness on his own-- and neither can Mrs. Sandwich. Neither of them should have to. So, they don't. They choose to be each other's friends and let each other in and they're both better for it and so is the rest of the pack. This is an example of how to deal with darkness in a positive way.

Crowley trusts Mrs. Sandwich in general but for this task, in particular, because who knows best how to deal with the darkness?

Survivors of prior run-ins with darkness, that's who. His fellow "fallen woman", Mrs. Sandwich, has got her hat pin and his back and Crowley has hers.

So, out the door of the bookshop that is Aziraphale goes love, friendship, sex, romance, healthy communication, human magic, community, food, music, and so much more... because not taking care with our mental health issues rob us of what we love.

Left in the shop? Maggie and Gabriel-- Aziraphale's past and his family... and Nina-- the possibility of freedom (her American-themed coffee shop) and what's left of Aziraphale's hope for the future. Nina's decision to stay symbolizes Aziraphale hanging onto some hope.

After Crowley and The Whickbers leave and Maggie accidentally lets in Shax, the demons have gotten in and are advancing. Without those who are no longer in the shop and with Crowley missing, Aziraphale's anxiety ratchets up and the demons-- his inner demons-- gain ground. The goal becomes keeping them from getting into the residence floor upstairs-- to the place to which Aziraphale has let hardly anyone in. The parts of himself that are not public-facing or for acquaintances but only for those he allowed himself to get close to. Maggie and Nina can be on the landing up there. Gabriel can stay in the guest room. They're family. Only Crowley is allowed free reign in the whole of the bookshop.

For the first time, we have an angel not named Aziraphale teaming up with humans to fight for a place on Earth. The start of the 'all of us versus all of them' that Crowley foreshadowed as still to come at the end of S1? It isn't some big battle for the planet. It is a battle for the life of a single person in Aziraphale because every person matters.

It's The Commander of The Heavenly Host rooting around the upstairs rooms of the bookshop collecting all the fire extinguishers bought to help Crowley deal with his trauma that he can find to supply his troops-- the human Maggie and Nina-- on the front lines.

It's Aziraphale's loved ones coming together to fight to save the bookshop that is, symbolically, Aziraphale himself.

Ultimately, though? Crowley, Gabriel, Maggie and Nina can help hold off the demons that are symbolically Aziraphale's inner demons but it's ultimately going to come down to Aziraphale and Aziraphale alone whether or not these demons are going to overrun the bookshop.

We reach the point where Aziraphale has to choose-- is he going to let the demons take him over or is he going to send them back? He decides, in this moment, to blow up his halo.

We learn that Aziraphale's halo isn't divinity floating atop his head-- it's a tight, hard band around his mind. It's mental health issues, in physical form. He is in visible pain and breathing shallowly as he struggles to take it off. If you took away the halo from the picture, it's visually very much like someone having an anxiety attack. He uses it to discorporate the demons-- to send his inner demons packing.

Well, almost all of them...

Shax, the one that voices his darkest inner thoughts, remains. She's unconscious for awhile, lying dormant on Crowley's couch.

Aziraphale tells Maggie and Nina that he thinks blowing up his halo might have "just started a war" and, symbolically, it did.

Because when you blow up your halo, it can work for awhile but if you still aren't able to address the underlying, fundamental issues at the root of why you have a halo in the first place, those dark thoughts will come back.

Those demons are coming back and, sure enough, Aziraphale's bookshop is full of plenty of voices by early the next morning. While he won The Battle of The Bookshop, he loses The Battle of The Bananafish the next morning.

While Aziraphale stopped the attack on the shop-- his anxiety attack-- with the halo, we learn the next morning that then something else happened the prior night that we didn't see that is affecting the rest of 2.06. We hear about it from Aziraphale after Satan shows up in this bit here:

What's this, now? Aziraphale doesn't want to chinwag with The Metatron because they already chatted the night before and our angel doesn't think there's anything left to be said. Our angel says he's made his position quite clear.

So, The Metatron got on the circle thing zoom after Aziraphale discorporated demons with it and blew up his halo and, by that point, Aziraphale had had enough.

Aziraphale told The Metatron, in so many words, to go fuck himself.

This is really what Aziraphale is trying to say when he tells Crowley that he "did the thing with The Halo." Yes, he literally blew up his halo to discorporate the demons and stop the bookshop attack but the halo is his the weight of all of his cumulative trauma from Heaven... which makes it also, symbolically, The Metatron. Aziraphale blew up his ties to Heaven by telling off The Metatron. He told off the floating head hanging over his head as part of blowing up the halo crushing his mind.

So, Aziraphale then spent the whole night assuming correctly that, if you yell at Head Office, he's going to tell Satan that you're fair game.

Aziraphale doesn't want to fall. He doesn't want to be a demon-- not because he thinks of them as lesser beings because he doesn't think of them that way. Because being a demon is a terrible existence and Aziraphale would rather not have his soul be owned for all eternity by his partner's assailant who is also, literally, The Devil. He's a hard pass on that and had a plan to have Crowley help him avoid it.

Satan and other events made sure that he and Crowley couldn't communicate what they were thinking and feeling to one another openly from the time that Crowley left the bookshop with The Whickbers through the end of S2. If they had been able to and if Crowley had any idea what was truly going on, things would have been very different. The story is Aziraphale's fall, though, so it has to be bad for now to improve in S3.

Because it's Satan at the door with the coffee, he uses Crowley to identify him as The Metatron to everyone else and, so, has convinced Crowley that he *is* The Metatron and that Satan is nowhere in sight. Crowley doesn't see Aziraphale's fall coming, as can be the case with many people-- even those who know of the mental health challenges of those close to them.

Crowley thinks that the biggest threat to Aziraphale in The Final 15 is The Book of Life-- and, I suppose, in a symbolic way, it is.

The Book of Life-- in the way that Crowley thinks it exists-- is not real. It's his and Beez's anxieties from when they were angels manifested as a ghost story to tell more impressionable angels. Yet, as a concept? It kind of is sort of exactly what Aziraphale goes through in S2. He feels erased into non-existence by Heaven already and he's fighting for his life.

Right, so, a hundred years ago lol, I mentioned that Muriel is key to this idea. Let's look at how their presence is highlighting Aziraphale's issues and ushering him closer to death/falling.

While two angels with memory issues show up at Aziraphale's door in S2, Gabriel is a tale of hope while Muriel is a cautionary tale.

If your memories are "all your you"-- your sense of self, formed through your history-- then, while Gabriel was preserved in The Fly, the example of what can happen without one?

The horror show of a total and complete, catastrophic loss of a sense of self? So... death?

That's Muriel.

There is an angel named Muriel in some Western Christian traditions who becomes a figure called The Abaddon, which is The Angel of Death. The Abaddon factors into different takes on Revelations and apocryphal Biblical stuff. There are several different ideas on who The Abaddon is, though my understanding is that their role as The Angel of Death who brings souls to their final judgement is pretty universal throughout.

In some traditions, The Abaddon is seen as the antichrist. In others, it's Satan. In S1, Good Omens played around with some characters seeing the role of The Abaddon in these ways during Armageddon: Round One through how the Satanic nuns referred to the antichrist baby and Satan as "The Angel of The Bottomless Pit", which is the descriptive phrase given to The Abaddon in multiple different religious writings.

In other religious traditions, though, The Abaddon is thought to be an angel of Heaven or a trio of angels of Heaven. It's these ideas that I think Good Omens is playing with in S2 with, I feel, the heavier emphasis on the true Abaddon being the one most frequently referred to that way-- Muriel. Also supporting the idea of Muriel as Death is that there is also that a character in Salinger's "A Perfect Day for Bananafish" with that name. Muriel is the one set to inherit the main character's wealth and property after he kills himself at the end of the story.

So, how is our lovebug Muriel The Angel of Death?!

For that, we have to look at what a fall is.

Consider that The Metatron can tell Satan that an angel is fair game but, in order for that angel to actually fall to Hell, they have to fail to resist Satan's temptation. What the show is subtly saying is that every angel who is a demon is not just an angel who got caught out saying or doing something that threatened The Metatron's power but, also, an angel who was also already falling into despair and, so, couldn't resist Satan when he came to claim their soul.

The literal fall that happens-- the "freestyle dive into a pit of boiling sulphur", as Crowley called it-- is a symbolic thing that happens after an angel has been unable to resist Satan and, so, is now considered by Heaven and Hell to be a demon.

If you consider that the way the literal fall has been described-- going off a cliff; the parallels to Gabriel nearly jumping out a window-- all of these are images of ways that people sometimes kill themselves. Heaven and Hell come at angels and demons from a place of abuse that pushes them towards suicide. Even in S1, it wasn't straight out murder that Crowley and Aziraphale faced-- they were both forced into what, to Heaven and Hell, would have seen as committing forms of suicide. Crowley getting into a bath of holy water; Aziraphale stepping into hellfire.

So, we're saying that the physical fall happens after an angel has already fallen, and that, in order to fall to Hell, an angel has to have already first fallen into despair.

If the show wants Aziraphale to fall in the Heaven/Hell sense of it, he has to have a mental health breakdown and I'm reminded that the opening credits of this show are Crowley and Aziraphale walking the Earth with all of their history layering up behind them and following along with them and then they go up and up and up on a track in S2 and stop just prior to?

Falling off the edge. The literal fall is what we've stopped just short of but, all along so far, we've been watching the fall in progress build.

The reason why we've never been "shown a fall" on Good Omens is actually because the whole story to date is Aziraphale's fall. It doesn't even really start with S2-- it started long, long ago. It also, though, really kicked into gear just prior to the start of S2, as is noted a bit in this moment here:

Nina asks if everything being weird started the prior week when the power went out and Aziraphale replies:

Trauma is like that. It can be things that happened in your metaphorical 2500 BC that are coming back to bite you in your 2023 AD. It's cumulative. It builds and pushes. You can go and go and go and then, one day, your power just goes out. Your energy to fight is just gone and a storm is brewing. A series of events can push someone who is in an already vulnerable mental health state towards a full on fall into despair and that is what I think S2 is fundamentally about.

S2 is a suicide narrative. Our Clarence Aziraphale is going a bit George Bailey. Even as, on the one hand, he's taking big steps forward to claim more of the life he wants, it's the underlying trauma that he hasn't yet been able to fully deal with that is making him also, at the same time, begin to quietly wonder if those around him would be better off if he were not in their lives.

This is why the most dangerous character in S2 is not Satan or The Metatron.

It is, quietly, Muriel.

How so?

Because when people begin to have more frequent suicidal thoughts, their reasons for living that usually keep them going begin to change to being more of a list of obstacles that are preventing them from death. As a person falls into depression to a point that they begin to feel like maybe everyone around them would be better off if they weren't there, they begin in their minds to try to "solve" the problems that are keeping them from dying. They try-- not always super-consciously-- to set things up in such a way so as to convince themselves that their ties to the Earth will be neatly resolved with minimal bother for anyone else and, more importantly, that all their loved ones will be set up to be fine without them.

People in despair can-- and will-- come up with what are, objectively, absolutely bonkers rationales because, ultimately, they want coffee but they are in such despair that they thinking about ordering death.

Muriel's arrival means that Aziraphale then basically has a solution to every obstacle in his mind in such a way that he clears a path straight to taking his life. They help solve two of his "obstacles": Crowley and the problem of the bookshop.

Muriel is dangerous because they show up at the door with the same curious, upbeat, enthusiastic personality and sense of wonder at the magic of the world that Crowley both loves in Aziraphale and needs in his life.

Muriel is also who can take the bookshop. They're an angel who needs an escape and who loves books and Earth. They're perfect for it. Aziraphale is also horrified to realize that Muriel doesn't recognize him and what the implications of that are and he feels guilty about not having saved them somehow. They begin to represent his self-determined failures and giving them the shop would be, in his mind, making some of that right.

To Aziraphale, Muriel is the cheer and hope that Crowley needs in his life and they've taken to each other like ducks to water, which is then also coming after Aziraphale has subtly been pairing up his partner with the also-immortal-and-traumatized archangel with whom Crowley has much in common and whom we are told in S2 that Aziraphale knows that Crowley finds attractive.

Shax pops up throughout to help show some of Aziraphale's dark thoughts about himself.

What are you, Aziraphale? Crowley's emotional support angel? The one who went native? Do you need more big, human meals, Aziraphale?

The comments in Edinburgh that are not really about the car. It's really more like Aziraphale calling himself "an old piece of junk" and thinking Crowley deserves the chance to get an upgrade to someone better. Gabriel's good-looking and has been through much of the same as Crowley. Muriel is upbeat and makes Crowley smile. Crowley having friends who are supernatural is a great thing but, under the surface, it's also leading Aziraphale to create an inner narrative where he's telling himself that he's replaceable in parts by Gabriel and Muriel and that he wouldn't be leaving Crowley alone if he were to take his own life.

Aziraphale is telling himself that maybe the best way to love Crowley is to make it so that Crowley doesn't have to deal with him.

What did Crowley say about his stars once? The first time they met?

Six thousand years-- that's nothing.

Engine won't even have properly warmed up by then.

Crowley's borderline-immortal. He'll live forever. Six thousand years is a blink of the eye to them. He'll get over me, Aziraphale is telling himself, and find someone worth spending eternity with.

Aziraphale didn't see a path towards death until Muriel's arrival because he didn't fully have a solution to the bookshop and Crowley. That's what makes that adorable moppet of an angel the deadliest character in S2.

The reason why Muriel leapfrogs over every other character and makes it down to the last, pivotal minutes of Crowley and Aziraphale's story in The Final 15-- in a part of the story where even Gabriel is gone-- is because Muriel is death.

It's because this is all about whether or not Aziraphale is going to take the freedom of coffee from Mr. Six Shots of Espresso and live or whether he's going to take the false freedom of the lies he's telling himself from Satan and die.

Is he going to try to take his own life or is he going to find a way through this time, as he has before?

"It's just you and me, Aziraphale." What a statement that is.

It's both true and a complete lie.

Crowley and Muriel are both still in the room when Satan says that so, objectively, it's not really just him and Aziraphale... except that he is controlling Muriel and Crowley in different ways. In that way, it really is only Satan and Aziraphale left by this point. It's down, by that point, to just whether or not Aziraphale is going to live and since Satan is here for him, it's not looking great.

Satan is the embodiment of Aziraphale's life or death choice here and that choice, in many ways, is the only two other beings left in the shop at that point.

It's Crowley or Muriel. It's life or death.

Satan also as Aziraphale's darkest thoughts, really... as Aziraphale's internal dialogue playing out.

What about my bookshop? he asks himself.

Really: What about my life?

Muriel, replies Satan... replies the darkness... replies Aziraphale to himself.

You could entrust it to Muriel.

They need an escape. You'd be doing them a great favor. You'd be sacrificing yourself for them and redeeming yourself for failing to save them. It'd make what you're thinking of doing noble, actually. It'd make it okay. It'd make you a good person.

Aziraphale struggles, right? He almost doesn't do this. He almost says he thinks he's making a mistake because he knows he is. It's just that his every conflict has come up all at once and overwhelmed him.

Even still, the darkness has him pretty solidly-- but not completely-- until this moment right here:

Aziraphale is no fool and he's questioned the idea that this is The Metatron; he's actually trying to tell Crowley that he thinks it's Satan for much of That Scene in the bookshop and to get Crowley to see it and help him, in case it is. Aziraphale hopes he's wrong, though, because he wants it to be The Metatron because he thinks that is the way to fix things but it's not and he knows it, deep down. He doubles down because he's embarrassed, because he feels foolish and afraid and like he has nothing to offer Crowley without the power he thinks he lacks.

Satan's temptation, though, ultimately works because of the final of the death by a thousand cuts here in the whole "Second Coming" moment.

After Satan gets Aziraphale to leave the shop with him to head to Heaven, he, as The Metatron, flatters Aziraphale a bit. He says the things that Aziraphale has always wanted someone in Heaven to say to him. He tells Aziraphale he's needed and that they specifically need and appreciate who he is-- an angel who knows how things are done on Earth. It's validating who Aziraphale is and who is he proud of being in the way that Aziraphale has always wished would happen.

Aziraphale is hurting so much that he starts to wonder if maybe he was wrong about all of this. He was pretty sure before but, maybe, just maybe, he was wrong and he wants to be wrong because then it means maybe that he'd know who he is. Maybe it would mean he would no longer have to be an angel who goes along with Heaven as far as he can because Heaven would be finally starting to see the light.

Maybe this isn't Satan. Maybe it really is The Metatron. Maybe all of this is real. Maybe he can go to Heaven and take this job and really have the power to protect Crowley and they won't have to be afraid anymore.

Then, Satan drops the bomb. He fires the killshot.

He lets Aziraphale hear him say "we call it 'The Second Coming'" while pretending he didn't mean for Aziraphale to hear it.

This is the moment that Aziraphale knows it was all a lie.

He knows for sure who that is now. He has gone from being 98% sure to a full 100%. He knows that it's not The Metatron but Satan holding open the elevator.

Satan had to tell him, as it's the only thing Satan has to do in some form at the end-- because it has to be Aziraphale's choice. Satan sure as fuck doesn't have to be fair about it-- and he definitely wasn't-- but it's at this moment that Aziraphale knows with absolute certainty that there isn't a job offer.

How could there be if The Second Coming is on the table? They'll never put Aziraphale in charge of Heaven with Armageddon as the agenda. He's the angel who stopped it the last time. It means that Aziraphale knows for sure that, if he gets into the elevator, he's effectively killing himself, because this is all to entrap and kill him, not to promote him.

Satan sets it up so that the final things Aziraphale is thinking about when he makes the choice are that there is no chance that Heaven will ever improve and that they're going to do Armageddon again and just keep doing it until it happens and it's all hopeless and Aziraphale will never have the power to protect Crowley and they're going to just keep living this nightmare forever and he's been doing this for thousands of years and he can't take it anymore.

People who are suicidal are stuck in cycles of their lives they feel they can't get out of and that's exactly what Aziraphale is reminded of in the moment before he gets into the elevator.

He doesn't want death-- he wants coffee.

He wants Crowley, standing appropriately in front of Give Me Coffee or Give Me Death, with the coffee art and the blues and greens of Earth all around him. The canopy plants in the backseat. This is what Aziraphale wants but he just doesn't know how to get there anymore and the darkness wins out. The villains always win a battle at this part of the story or else there's no plot left going forward and there is a forward because it's Aziraphale. There are ways back from this but that's for S3.

Give Me Coffee or Give Me Death, as we know, is substituting the word coffee for the word liberty in the original quote and that's exactly what happens in Aziraphale's decision to get into the elevator. The truth is revealed-- there is no job, which makes him feel like there is no way to ever be free while living. He's exhausted by fighting the same battles, over and over, with no way to escape in sight, and takes what he thinks is the freedom of not suffering anymore.

He chooses the false freedom of death over the true freedom of living-- Satan's coffee over Mr. Six Shots of Espresso in a Big Cup-- because Aziraphale loves that espresso more than anything but he struggles to love himself. He thinks, in that moment of despair, that the best way to love Crowley is to set him free by leaving life.

It's the Job minisode foreshadowing all of it and going back to the start of his story for the end.

It's nothing important, Aziraphale, don't worry...

Just your kids, your house, your businesses, your money, your neighbors, your street, your car, your books, your friends, your community, your Earth and the love of your life.

Just all the love and magic of the world.

Just all your you. Just your life...

When the first shot of the season was the skies sweeping down towards the front of the shop door... and the final shot of the shop in S2 is The Angel of Death-- Muriel-- entering it alone, claiming it and closing the door? When the light goes off in the bookshop window?

When Aziraphale-- after running around with a paralleling clipboard for half an episode-- leaves a note on the dash for his wife, like International Express Delivery Dude did in S1? When his "I love you, Maud" is the car playing Crowley "A Nightingale Sang in Berkeley Square"? That's when we can see why Death appeared to Aziraphale at the end of S1 and has been headed his way since.

Satan's temptation, yes, but executed with the help of The Angel of Death, who helped push Aziraphale into the lift with The Devil and not towards Crowley and The Bentley, where Aziraphale's love has always been willing to give him a lift, anywhere he wants to go.

In a show where people are symbolically what they profess that it is that they do-- midwifery/cobblering, conjuring, "seamstressing" and so on... all of those things are positive. They're about helping others and loving the world. With that in mind?

Go back and look at Muriel's arrival at the bookshop again...

What is adorable is, also, a fucking horror movie of a declaration:

Muriel is a human police officer.

Friends... that's Death.

Muriel is the only one with a horrible self-declared profession. They're not helping birth ideas and babies and art and mending everyone's pain. They're not a working, professional magician helping to develop the street. They're not a healing seamstress. They don't sell old films and records and books. They don't feed anyone at their restaurant or sell musical instruments to nourish their lives. They aren't the best guy on the block-- Mr. Brown and his World of Carpets, giving people what they need to outfit a life of their own. They're the not a member of The Whickber Street Shopkeepers and Traders Association-- like their paralleling Jim becomes as he begins to regain the will to live.

Crowley is worried about caring for Gabriel being too much for Aziraphale but it's really Muriel that is a walking trigger for him.

Gabriel is a character people think is a villain who is really a lovebug; Muriel is a character people think is a lovebug but who is, symbolically, the worst possible thing to ever show up on your doorstep.

Gabriel is saying books are keen and hot chocolate is amazing and live, live, live, live, Aziraphale...

He's the part of Aziraphale's mind that is trying to save himself while Muriel is the part that is luring him towards death.

Muriel is saying the best part of a cupperty is to look at it, Aziraphale.

It's not for you. You're an angel. You aren't supposed to want to live your own life. You aren't supposed to have wants and needs at all. Even if you go into that back room to be with Crowley alone and try to shut me out, I will break down the door and come after both of you before too long is up.

Muriel is cosplaying Earth's most invasive and violent profession and they're so sweet about it that it tends to bury the eeriness of their arrival. In Muriel, Aziraphale is confronted with his paralyzing perfectionism, his negative self-worth, his rampant imposter syndrome, and his excessive self-sacrificing-- all at once.

All his negative feelings are here at the door in the form of this fun house mirror version of himself-- a cheery and also clinically depressed angel, who is actually cosplaying humanity the way Aziraphale always feels like he is, even if he knows at the core that he's every bit as human as the billions on Earth.

The world is for the professional conjurers, for the humans, for everyone but Aziraphale, in his mind. He is supposed to be above needing any of it. He is supposed to never be angry, anxious, tired, depressed, hungry. He isn't supposed to need the home and books and music and food and sex and magic that he lives for. This angel isn't supposed to be a member of The Whickber Street Shopkeepers and Traders Association but he founded the street, let alone the group, and he'll die trying to host a meeting because nothing makes him feel more himself than when he lets himself be a part of the world.

Muriel's presence worsens his depression spiral, which we've seen is what happens when the negative thoughts get to be too much.

In S2, he goes a sherry-and-stomach-settling-drop diet. He doesn't eat the eccles cakes. He doesn't slow down and enjoy much of anything. Part of the joy of the ox rib scene is that Aziraphale isn't really enjoying himself that much in the present in S2 and it's the only thing like it in S2. Aziraphale, in S2, has put himself and his demon on half-rations and talks about his frozen peas to his fellow duck less. He goes back and forth between trying to self-care (Shostakovich and going to the Gabriel statue and brief moments of flirting with Crowley) and self-neglect (the entire rest of the season lol). Mix in too many additional stressors like what S2 had and it goes from the anxious period of fasting in 1967 to the cause for big time alarm that is S2.

Intellectually, Aziraphale knows that mindful human living is prescriptive. He saves Gabriel by starting to teach him what he knows about it. There's always been a little voice whispering at Aziraphale, though, that it might be right for others but that doesn't mean he's supposed to feel or need those things. He should be above it because that, apparently, would make him the good person that he doesn't often believe he is. His feelings aren't even about being an angel in the Heaven sense so much as in the human anxious perfectionist sense, in that he's excessively self-sacrificing because he doesn't fundamentally believe he's a good person.

There's nothing wrong with being as kind and generous to people as you can. It's when you're doing that while also not acknowledging that you are a person with wants and needs at the same time that you can self-sacrifice yourself right off a cliff as a way of trying to convince yourself that you're not a bad person.

You can deny yourself the life you want out of the excuse that it's your purpose only to care for everyone else but it's not really virtuous. It's a form of self-harm.

What hurts so much about S2 is 1941 because the minisode then gives us Crowley and Aziraphale slaying demons left and right. It gives us what a good day looks like in a whole season that is, otherwise, a series of bad days mixed with things that are also not within their control that then lead to the worst, possible ending.

We see, really, how good they are at caring for one another. The kiss scene is made infinitely more painful by us having seen in the 1941 minisode another conversation in the same spot in bookshop when Aziraphale was struggling with these same issues that went so very differently.

Crowley is very good at gently reminding Aziraphale that, not only is he wonderful, but that he's a person, too, and that everyone feels like they are jiggery-pokery sometimes. Everyone struggles with the voices of others and themselves trying to judge them and how that impacts a sense of self. That fighting through that to be able to live and love is, unfortunately, a pretty common experience of being a person.

This is not new for Aziraphale. It's so very old, stirred up hardcore in S2, now that it's been four years since Heaven contacted him. Aziraphale doesn't know that it's because Gabriel is trying to protect him. He thinks he's so inconsequential that Heaven couldn't even be assed to send someone to formally fire him and take the bookshop embassy that, despite being something of an albatross around Aziraphale's neck, he's also really proud of having built.

Aziraphale wants Heaven to fuck off but he also feels embarrassed by the fact that Heaven could fuck off so easily and that he feels like he doesn't have a friend there to speak of after thousands of years. He is ashamed of it needing to be Crowley who gets them a contact for info in Shax because he sees it as more dangerous for Crowley to need to be in contract with the demons and as a failure to protect him-- the thing that's at the core of Satan's temptation at the end of the season. (Also why Crowley is trying not to tell him about Shax taking his job and his conversation with Beez, which is a huge mistake but it's coming from a good place.)

Surely, Aziraphale thinks, if he hasn't fallen and he's still an angel... if he still is one, he's not really sure, as what is a non-working angel?... then, if he were good, there'd be some angel up there who would still be talking to him. He knows Heaven isn't good, exactly, but not all of the angels are terrible. As anyone who has ever had to go no contact with an abusive family knows, the illogical doubts that creep up can make a person think that maybe they're the wrong ones. At your worst, you can wonder: if the whole family thinks you're wrong, are you really right? Aziraphale knows he is right but it gets complicated.

Add to that the stress of worrying that something will happen to Crowley every time he goes out the door (part of Aziraphale's own trauma for millennia, made worse by 1827), and Crowley's PTSD exacerbated by the fire in S1, and Aziraphale's negative self-thoughts are being triggered even worse than usual. He's blaming himself for them not being safe, when that's not fully within his control... which, in Aziraphale's mind, is the whole problem and an example of how he is failing Crowley.

This is all long before Gabriel shows up at the door and the season gets started with a series of events that then worsen Aziraphale's state of mind. By the time Muriel shows up at the door, these negative kinds of thoughts out in full force in Aziraphale and Muriel represents them.

Muriel might be cute as a button and, as a character in their own right, being used left and right by Heaven, but it doesn't change the fact that Muriel is, symbolically, a mashup of the human and supernatural cops trying to kill them that Crowley and Aziraphale have been outrunning their whole lives.

The Angel of Death is a cop because of course they are, right? What other group of people has been existing to entrap, imprison, torture and kill people for eons?

From the book: If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.

S1 was summer. It was the nightingales.

S2 is the lingering doom of preparations for Christmas lights. It's the days getting shorter and colder. The nightingales have flown to warmer climates. Because this is Good Omens so the season of Aziraphale's fall is set in the season of... well, the fall.

The good news is that, both literally and metaphorically?

Summer is always just around the corner.

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