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on this website I frequently find myself feeling like ron swanson at home depot
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@ the person who has a castiel cutout in their window opposite me i love you i'm ordering a dean cutout so they can stare at each other from across the road
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read somewhere that the big diff this time around is that the united healthcare CEO shooter, whether thats mangione or not, is a disaffected young man with a gun who correctly identified the guy making him miserable, instead of taking his misery out on the more vulnerable people around him. like we get a lot of shooters in the states, this iota of clarity really is something new.
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clients across the world in all trades have access to smaller jpegs than you can even imagine
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why are people pretending that sex is the only axis upon which some people willingly enjoy things that hurt/scare them
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Impeccable timing posting this more than a month after Halloween 🙃
A short comic I made in 2022 for a Horror Anthology.
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The high's starting to wear off. Someone shoot another billionaire CEO
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Hi real quick does anyone have the cat gif that goes like this
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in the year 3620 BC your ancestor set alight a field belonging to my ancestor, destroying near half an acre of good barley and causing much misery in our house. delete thy blog wretched saboteur
Can we run away together
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The Mice at Work, Threading the Needle painted by Beatrix Potter (1866 - 1943)
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Devin Drake
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oh thank god
you can all relax, I ordered pad thai
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i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman
the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.
cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.
personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.
these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.
so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.
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......everyone say thank you ariana
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