#but I am also here for the characters moreso

[sheiktothepast]

Translation (localized)! Notes & direct TL below cut

(對不起我的中文不不不好My chinese is not very good, I used a dictionary to help write this. Speaker marked with whos body they are in, not who they actually are. Action descriptors are marked with [brackets].)

???: Brave one

Vile brave one

I will curse you all

I will curse your souls

L: Ah it was a dream!

[clicks tongue]

My hair is all messed up. I couldn’t sleep well at all!

[hair falls down]

Ah?

Ah?

AH AH AH

MY HAIR

IT’S PINK

W: Stop screaming! it’s still early

L: Ah! Who are you?? Why are you wearing my handsome face?? What do you plan on doing???

H: First thing in the morning and it’s so damned noisy!! Are you idiots??

What- who are you?? You made a mistake disguising yourself as me unless you’re suicidal!

First note it’s 8 am and I have not slept at all.

Second, I’ll go down from top to bottom:

First I have no clue who that shadow thing is meant to be. If it is meant to be something/one specific

Second off, due to the nature of this comic and it being an incredibly common facet of Chinese the exclamation marker of 啊 (a) was used like crazy in this comic. It is literally an exclamation. Whenever it was used for the most part it ended up translated as an “Ah!” Since that’s a decent equivalent in English, it was also used as the “are you” in what I translated as “are you idiots??” By “Warriors” as a moreso interjection thing. I also earnestly have no clue what words are actually said by him in that part, I know he’s calling them idiots but I don’t reallyy know how so. Either he’s calling them some saying I’m unfamiliar with or he’s just calling them deficient in smarts. I think. When calling someone an idiot typically I think you’d use different characters… one mostly means stick. So I assume it’s a saying, this dictionary is lying to me, or who knows.

I could’ve translated “stop screaming” as “shut up” or “stop it”… lots of possibilities.

The very last line starts with 不是!?, meaning “not is!?” (Is not, less directly) (can also mean fault/blame, I guess) and I’m not quite sure what it means here. Also the line is funny as hell to me directly translated and I don’t know why. Are you courting death by turning yourself into a disguise of me. It’s just so formal sounding.

Anywho,

(Kinda) Direct/rough translation

???: Brave one

Vile brave one

(To) curse you (plural)

(To) curse your spirit(s)/soul(s)

L: Ah it was a dream!

[tongue click (this might be after the following line imo it doesn’t matter)]

Couldn’t sleep good (exclamation)! Hair turned completely wrong now.

[droops down]

Ah?

Ah?

AH AH AH

MY HAIR

PINK

W: Stop doing that! (? or “it’d be good if you’d stop doing that” and I doubt it but “it’s easy to stop doing that y’know”) Right now it’s still early!

L: Ah who are you! Re-wearing my handsome face? What evil intentions do you have!

H: First thing in the morning it's so damned noisy!! Do you lack smarts!! (See notes above)

(Not sure how to translate, it's literally "is not!?") who are you? By turning yourself into a disguise of me are you courting death?

[tornrose24]

Holidays are coming up and after seeing one TGAMM holiday self insert au awhile ago, I decided to do one for the Nutcracker. (Though I am open to seeing anyone else be the self insert character if they so wish.) (Also, I would love to make a dark, creepy version of the Nutcracker–Disney I could give you a MUCH better Nutcracker than that in-name only film you made.)

Ok, but for some context, because I’m not sure how much certain things make sense:

-The AU is mainly based off the book, but it does contain some elements to the ballet. While Andrea is intended to be Perlipat, Molly is mainly based on the Sugar Plum Fairy but is also a princess from a neighboring kingdom. Also I loved making Molly's outfit here.

-Since Andrea also got cursed with an ugly spell like Perlipat, Molly was just trying to help a friend out while Scratch (a close friend of her and the rest of her family) was with Molly as an escort. While Molly succeded, the Mouse King managed to capture her in the process and when Scratch failed to save her, he was cursed into a form as useless as a toy.

-Which is why he’s in a bad mood for most of the AU–getting cursed, losing your friend, AND the bad reputation you’d probably get back home from losing the crown princess would NOT help your mental state.

-Libby was also there when things went down, and she’s trying to set a trap for the Mouse King by leaving the cursed nutcracker doll at someone’s house. Because if the cards are played right, there’s a way to save both Molly and Scratch. (She still celebrates Hannukah–I did not want to ignore that part of her–she just has more important things to do at a Christmas party.) She didn’t lose an eye, but her bad luck stuck her once more–literally in this case.

As to why the Mouse King would even want to kill Scratch? Partly out of spite, but probably also to make Molly suffer the consequences of her actions even moreso.

[artisticxlly]

Some (actually a lot) of my thoughts on Kagehina; the theme of soulmates

Disclaimer: I am still somewhat new to posting in this fandom. Someone might've posted these same exact takes already (I'm not well-versed in Kagehina analyses). This is just my pure brainrot (also unfiltered, so this doesn't have a ton of structure, just a collection of thoughts)!

As I'm getting more into this ship, there are a lot of things that make me emotional about them.

A thing some people point out when it comes to these two is that Kageyama's backstory is shown extremely late in the manga as a 'protagonist' (or at the least a very essential character). You can argue whether or not it's done well, but for me this is perfect to demonstrate a full-circle moment, as not only did Kageyama find this person that Kazuyo promised would find him, you as the reader only get to realise that now as well.

And adding onto that, in my opinion it also contrasts nicely with Hinata, as his backstory is shown from day one, it is one of the first things explored in the manga. It starts and ends with them, so to say.

About their backstories: As someone who is very much invested in Kageyama's whole arc of 'king of the court', here is a speculation of how he actually got to that point.

Maybe this is a bit obvious, but losing someone like Kazuyo is devastating. And at the time, Kageyama would struggle with making new friends. He always stands out in those flashback panels as someone who carries a passion for volleyball like no one else (at least for his childhood) e.g., he gets made fun of for not owning any video games.

At its core, that intense interest in volleyball is what connected him and his grandfather so deeply.

It makes sense for Kageyama to desperately dig his nails into that remainder of Kazuyo, to train more and more, chasing that feeling of connection to someone he was actively grieving.

And another point would be this famous panel:

"If you get really good". And Kageyama takes his word for it, because really, his grandfather would be one of the people he trusts more than anything. And he practices until exhaustion, until he can't, because he wants to have a relationship (no matter the nature) like that again, wants a deep connection that he gains through his passion for the sport. He wants someome to find him.

I think Kageyama would reach a point where the amount of time he invests into training would be both physically and mentally unhealthy.

And perhaps, that's what also leads to him having no compassion for the people who don't share the same fire as him on the court (which is honestly a bit of a common theme for Haikyuu and its characters). He'd probably doubt a person who is like what Kazuyo described exists.

And then Kageyama and Hinata meet for the first time one the court.

The first time you read the chapter, without knowing Kageyama's backstory, it's moreso framed that he is insensitive, a bit of a jerk too. You could even go as far as to interpret the line as "what have you been doing until now?!" as Kageyama thinking that Hinata should've just practised harder, especially when he later goes on to say that Hinata should get "better" if he truly wants to stay on the court for as long as possible.

When you reread the chapter after going through the whole manga though, these lines make a lot more sense, and - depending on your perspective - are a peek into just how taken Kageyama is when faced with someone who has an equal drive as him on the court.

"what have you been doing until now?!" turns into "why havent I met you sooner?" and "get better" turns into "get better (than me), so we can find each other again" (As Kazuyo promised Kageyama).

And actually, Kazuyo's promise doesn't become fully realised until they're both on the court again, now in different teams.

That's why the flashback to that line is used then, not when Hinata and Kageyama first bond together in Karasuno. Not when they make it to nationals. No, when they're in different teams, after you see Hinata go through a whole lot of development away from Kageyama, then the promise is finally fullfilled. You could argue back and forth which one of them ended up being "someone better" but the point is that they found each other again because of it. Doesn't even really matter that they're on different sides of the court.

That's their arc, at least if you focus on Kageyama's backstory.

In general though, they are characters that continue to parallel each other, over and over. The amount of which is honestly almost absurd.

One of the biggest ones is just how much time they invest into practicing. The manga makes it a point with both of them that the people around them don't have the same energy as them and get tired out while those two continue (like maniacs /hj).

I mean, they even like the gym for the same reason, they're fond of the smell (which makes me mushy I won't lie, these goddamn weirdos /aff).

Another one is that they both want to play as long as possible. During the first chapter of the manga, this whole theme drags through the whole chapter, as they both talk about competing to get to stay on the court longer than anyone else.

A last one, that I just find funny, is that their numbers are ALWAYS one apart and sometimes even the same as in previous teams, EXCEPT for their third year in high school.

Junior high 3rd year: 2 and 1

High school 1st year: 9 and 10

High school 3rd year: 2 and 5

Adlers/Msby: 20 and 21

National team (2021): 9 and 10

Ali Roma/Asas São Paulo: 20 and 21

Like it's not funny, how much these two share even before knowing each other. And yet, despite all the similarities, they don't immediately get along in the way you'd think. There is this weird tension where they meet, they immediately get into an argument, too. But there is nuance to it. Izumi points it out actually, that Kageyama took Hinata seriously. The rest of the people there didn't think much of Hinata and his team, and yet Kageyama seemed to have this 'innate' sense that Hinata wasn't someone you should underestimate.

And they fight again, when trying to get into Karasuno, when they're in Karasuno, etc. etc. But it's never them genuinely disliking each other, it's just bickering at most. And as you read along you grow very fond of that aspect of them.

Maybe it is an overused word, but I don't think you could make it any clearer that those two are written to be soulmates.

Anyways, those are my thoughts! I'm obviously not normal about them, but I hope someone else can agree with these takes ^^

[bluefox4]

Ok, so I'm just thinking about Young Justice (cartoon) and how season two would have been improved if there hadn't been the time skip. There is a lot about the time skip that lost people but the emotional impact that certain things could have had was just gone.

I re-watched it recently and there was a scene in the first episode that would have been so impactful if it had happen several seasons in with knowledge of these characters. It happens between Nightwing and Robin when Nightwing is assigning missions.

Nightwing: Tim, you'll be running Gamma. Robin: Me? Dick, I've never led a squad before. Nightwing: Making this a good opportunity to get your feet wet as a field leader. Robin: Because it's Gamma and you're not expecting trouble, or because we're stretched thin and you have no choice? Nightwing looks away before sighing and turning back to face Robin. Nightwing: Just don't die, ok? Robin's eyes widen as he stiffens slightly. Nightwing: And no unnecessary risks to the squad. That's an order. Robin nods.

The reason that this would have been impactful emotionally speaking is because of the death of Jason Todd. If this had happened a few seasons in we could have met Jason Todd, the second Robin. In Young Justice no one was sure if he had been a character until a hologram of him was shown in the grotto of fallen heroes.

As is, it just seems like Nightwing has been a bit protective of Tim. There's no reason for this scene to stand out. But on a re-watch my only thought was 'Oh this would have been impactful if I had actually known Jason. If there had been a arc of Tim trying to prove that he could watch out for himself and he didn't need Dick protecting him. Just don't die would have been really impactful if the death of the second Robin was known.' Which um, isn't what you want a person thinking when watching your show. It shouldn't be here is this missed chance. It should have been that emotional gut punch.

And I feel like that is part of the problem that parts of season 2 had. It expects that audience to come in with some knowledge already. I know of Jason Todd from cultural osmosis but that isn't enough to make me care about him in the context of the show that I watched. Batman the Animated Series didn't have him so he can be left out of Batman related material. My jump from 'Just don't die' isn't going to be 'oh Jason Todd must of died in this universe' its Nightwing seems a bit protective of Robin but that's probably because Robin doesn't have that much experience crime fighting either in general or in a group. Maybe he's been reckless? Maybe he's like Nightwing was when he was younger and isn't good at letting the group know the plan? But it isn't the second Robin died.

The fact that Robin doesn't really have many parts focused on him after that makes it feel like that should be a conclusion to an arc. A point where he steps out from being one of the focus characters and makes room for Blue Beetle to take over as one of the focus characters.

[suusoh]

gonna get back to writing in a bit. Gonna draw some stuff first brb. 👍 Johan brain rot is taking on in a different form.

[licorishh]

So 1.6 is here and the Trailblaze continuance is interesting. Dr. Ratio is every bit as irritating and pompous as expected. I love him

Spoilers for the continuance quest in the tags cause y'all already know I gotta say something about this dude and it's about to get real neat

[infinitelystrangemachinex]

Come on, you know you want to, give us the character bingo for Viktor.

don't mind if i doooo

[fsharp]

as i've been slowly making my way through laura lee's scenes, i've come to the realisation that her version of christianity is just ... warm. and it's fitting, with how much of the imagery + symbolism that we get with lauralee is sunlight, sunshine, heat, but like. she's not a bible thumper (excluding the very literal time she thumped lottie with a bible when she was maybe possessed). she has faith, and she's not afraid to express it, but she doesn't push it down people's necks. she doesn't insist that they practice what she does, or believe what she does. when lottie comes to her and asks about when people had visions in the bible, what lauralee says is what she was taught. even that simple way of expressing it – it's not a definitive, she's not saying it IS the case, she's saying that it's one way of understanding it, that it's her way, and i think that's just so beautiful

[transurgender]

i wish i was better at character analysis because like. kabru (dunmeshi) and enrico (gayepo) are such similar characters it makes me want to Bite someone but the moment i try to explain how i feel my brain just gets fuckin fried. i think about either of them for 0.5 seconds and i explode on the spot

[crest-of-gautier]

guys i don't remember the last time i got this invested into a game

[radrobotz]

its been forever since i first redesigned poppy but im still so proud cuz her old design(s) sucked soo bad and now shes so so cute

(old art but its still relevant loooooooook)

[rassicas]

Hello Rassicas.

I am working on a video about Nintendo’s lgbtq characters. Of course when it comes to splatoon, there’s a certain duo that comes to mind, off the hook.

The problem I’ve been having is that it seems a lot of the information, wether that be the English/japanese bits of dialogue, interviews and other bits of lore, seems to be completely scattered around.

Considering you describe yourself as the “CEO of splatoon lore” I was wondering if you could help me compile any bits and pieces of those two gay cephalopods.

(My apologies if this is moreso something I should be asking in dms instead)

i think the ask box is a good place for this, i'm not as hardcore of a shipper as other people are (more of a worldbuilding enjoyer), but i know there is so much and I don't wanna dig for all of it. I'll share a few off the top of my head. pearlina fans reading this, please feel free to share anything else in the replies/reblogs. 1. Pearl interview from Octotune: its on my mind since i just brought it up in a previous ask I think the artwork in this interview has the strongest implication that pearl and marina live together. Also the question: Q17: What is the best gift you have ever received? Pearl: The chance to meet Marina. 2. Marina's manga, "Dear Pearl". a manga that, in-universe, is drawn by marina.

genuinely i think this is one of the gayest things there is in canon like theres hearts in that LOVE letter thats directed towards pearl COME ON (i consider it canon as its drawn by seita inoue, who handles splatoon's art direction and a lot of lore/worldbuilding). you can read it here

3. Marina's tagline on Splatoon Base calls her a 恋する乙女 "young lady in love". the word for 'to love' (恋する) is specifically romantic.

4. Off the Hook didn't fight against each other in the s2 final splatfest like the Squid Sisters did because they're on such good terms with each other.

I’ve heard people saying that since the final fest for the last game was a showdown between the Squid Sisters, this time it was bound to be between Off the Hook.

Nogami: I think that’s probably the obvious conclusion, but the development team don’t actually want those two to attack one another. Since the Squid Sisters have their own talents and abilities, even though they are a duo they are also kind of rivals, so we thought we would pit them against each other. Off the Hook, though, are much more of a unit and on good terms with one another, so we didn’t want to force them to fight.

5. Marina has a photo of pearl as her desktop wallpaper. the framing of the photo very much looks romantic and intimate. there is no heterosexual explanation for this

i'll stop here, there's definitely more and I don't wanna be here for hours. I haven't even touched on any in game dialogue. again guys feel free to make additions to this with sources. is there a pearlina masterdoc or something LOL i feel like thats something that deserves to exist (someone please make it because i wont)

[whatt-the]

Gift for @uno-san

College Stanford x milf reader

Content warnings: age gap obviously, stanford is a warning because I am tired of people pretending he isn't odd as hell, fem reader

Author's note: this takes place in an AU where Stanley never ruined ford's project and he got into his dream college. He is taken under the wing of an esteemed scientist, shenanigans (cheating on ur husband in a loveless marriage) ensue.

devious devious art about this coming soon! Both targeted and about the ambiguous "reader".

This is also only part 1 and there will definetly be more to come

Imagine how Stanford felt when first being invited to his mentor's house, after a particularly lengthy discussion on whatever topic the lecture his mentor gave happened to be about. I can imagine all sorts of emotions running through his mind... anxiety, excitement, a bit of shock- he knew he was smart, but he never thought his theories were reasonable enough to challenge his mentor's views: you see, he really idolized that man. Continuing their discussions would be an honor, and the mere mention of publishing multiple papers with him had stanford's mind racing, he could barely contain his joy!

Now, understand that he had plans for the unexpected visit: he'd prove his worth, his technical prowess, anything to get more of that sweet, sweet approval. We both know he didn't have much of that in his youth, neither did he get much of it now... it seems he is always the single oddest character in any given room, even amongst other well educated, motivated students. "Teacher's pet", "tryhard", he couldn't believe it at first- such childish insults at such an esteemed institution? He thought those got left behind in high school. How innocent he is. Regardless:

His plans were to prove himself.

Well, like I said, were.

Right now? His mind couldn't be further from his studies.

He'd made it to the house alongside the professor, the discussion now spanning multiple topics- he was having fun. Rare, considering any of his other interactions with quite literally anyone else.

(Truly the outcomes are deplorable. His social skills are lacking to an astronomical degree, to the point where it is borderline comical how little he knows about human interaction. It is a cliché, the nerd who doesn't know how to socialize, but it wouldn't be so popular of a trope if it didn't often get reflected in reality. Not like he knew it was very popular to begin with: even the claim that he learned to interact with others through books would be false, since he strayed from any sort of romantic narrative. It was out of a feeling of inadequacy, really.)

Then, the door was opened.

And that's when he met you for the first time.

"You! You're Stanford right? I've heard good things from my husband here-"

"Come on, don't flatter the kid yet." Your husband spoke with a chuckle

"Hey! He deserves to hear how good he's doing! Come here." You walked forward and hugged him, it was your way of greeting people. It was warmer and more welcoming- both things the world lacked severely.

(Stanford found himself paralyzed where he stood for a few moments. He'd already found your personality endearing -your appearence even moreso-, and now you're pressed up against him? He simply must be dreaming. You felt so soft against him-- heavens, how long had it been since he'd received a hug? Far too long, clearly, but he doesn't remember them ever feeling this good)

The societal pressure to reply to this action in some way caught up to him fast, however. He was quick to place a hand on your waist, his range of motion being limited from your arms wrapping around his own. He may experience the social pressure, but he really has no clue what's appropriate and what isn't, huh? Cute.

(Had he a modicum of self control, he'd most definetly have had a much more timely and well adjusted response to your touch, but amidst the smell of your perfume, your soft arms around him, your hair tickling against his face, the feeling of your hands on his back... nothing carried the same weight as your presence did, who could blame him for doing what his mind instructed him to do and touch you back somehow? He'll come to find that he will blame himself very much for this interaction. No one more judgemental on his behaviors than the one responsible for them)

Once you pulled back from him, you were quick to usher them inside and offer them snacks, reasoning that they'd deserved something nice after studying and debating so much on so many topics. Your husband eagerly agreed and impatiently waited for your food through busying himself by unearthing blueprints and all sorts of different research papers so there would be grounds for his and ford's endless theorizing.

And thus, as you left, Stanford was left with his own thoughts. He made note of the fact that those very same thoughts were entirely consumed by you: how you dressed, how you looked, how soft your hair was, how lovely your voice sounded; all things that brought him much joy to think about, but equal parts of shame. He didn't necessarily want to have any such invasive thoughts about his professor's wife, yet there he is, with his thoughts growing more wretched by the minute. It's almost like his brain was against him: guiding thoughts that had him blushing at the very visage into his mind's eye. He wanted your hands on his back again- he wanted you to drag your nails across it-- he wanted to feel your lips on his, he wanted to feel your breath grow shaky against him--

"Here it is!! Sorry for the wait"

Papers getting dropped on the table and a thankful sigh were the next things he heard. His professor turned to him, instructing him to sit at the table, since "if you don't come quick, there won't be any left for you!"

Your food was great, simply regarded as the usual to your husband, but seen as the world's 8th wonder by Stanford. When asked if he was enjoying the food, he quickly assured you that he was absolutely enjoying it, making sure to remark that it is "the best thing he's had since he entered college", which was not at all a lie, considering he was surviving off of microwaved cup noodles and the occasional granola bar- but even he knew that was too pathetic for him to mention at all.

Your husband and Stanford made quick work of the snacks and promptly got back to... spewing big pompous words and numbers at eachother... at least it seems they were having fun, considering they'd laugh toguether on occasion. That must be a good sign? You weren't entirely sure what was happening with those 2, and you took to not interrupting them in lest you break their chain of thought.

The afternoon went by in the blink of an eye to them. Discussions on various theories followed by reading research papers followed by sketching on blueprints followed by more reading research papers. It was their passion, it seems. However, ford was greatly saddened that it was already so late- he knew full well that if he stayed any longer he'd end up spending the night on your couch, so both him and his professor agreed that it was very much time for him to go back to campus snd consequently to the dorms.

Of course, that wasn't going to happen before he got to say goodbye to you. Even if he was embarrassed to look you in the eye after a full day of... various thoughts about you, he couldn't seem to get enough of your presence. Making his way towards the front door, you were the only one who accompanied him, since your husband was quite busy organizing the mess him and his pupil had created throughout the day.

As you stood at the doorway, you saw yourself growing quite sorrowful that he'd be leaving already, he was quite interesting to you. However, nothing could have prepared neither you nor him for what he did next. He turned around to face you once more, seemingly debating something in his mind for an instant. But, just as quickly as his uncertainty was noticed, it vanished, being replaced by a conviction and fervor he didn't expect from himself -his self control seemed to disappear when he was with you- .Thus, he gently took a hold of your hand and brought it up to his height, kissing the back of it lightly. You could feel your heart skip a beat; you hadn't experienced any such romantic gestures in... god knows how long. As he pulled back, you spoke.

"I-it was... lovely meeting you Stanford." You squeezed his hand as you took a step forward. As soon as he returned your sentiment, he was gone. Though, in the look you both shared during those brief moments, you both knew this wasn't going to be the last time he'd be in this house.

You'd both make sure of it.

Stanford's professor after ford practically begged to go back to his house again: "did you really like her cooking that much?"

Stanford, sweating profusely: "yeah.. her.. . Cooking......"

[aspoonofsugar]

Hi! Where do you think Alastor's arc is going? Redemption or villainy?

Hi!

Thank you for the ask, I loved watching Hazbin Hotel and I am happy I can write for the series :)

As for now, I think Alastor will spiral and hurt Charlie very badly, but he will eventually redeem himself (probably in a key moment). That is because Alastor is framed as Charlie's Jungian shadow.

What is the Jungian Shadow?

According to Jung, the shadow is what a person represses, both positive and negative. So, it can be one's violent tendencies, but also one's potential and energy. It really depends on the person.

So, why does Alastor fit the Shadow Archetype? Well, first of all:

Alastor's powers make use of shadows. Not only that, but Alastor's own shadow is very expressive and shows the demon's repressed feelings. In other words:

On the one hand Alastor embodies the shadow, in the sense he represents what Charlie refuses to face

On the other hand Alastor himself represses his emotions behind a smiling face:

Alastor: Just because you see a smile, don't think you know what is going on underneath. A smile is a valuable tool, my dear. It inspires your friends, keeps your enemies guessing and ensures tha no matter what comes your way, you're the one in control.

This is a good characterization for a jungian shadow because the shadow grows stronger and more dangerous, when it's ignored. So, the most one refuses to face their feelings, the most these feelings fester and grow powerful and dangerous. This fits Alastor both when it comes to others and to his own character:

He takes advantage of an emotional unstable and vulnerable Charlie to strike an abimguous deal with her. Similarly, he uses Husk's gambling addiction to steal his soul. He uses people's weaknesses an unsolved problems to take over.

He suffocates his feelings, which symbolically manifest in his powerful shadow-tentacles. His design and abilities are representative of his psychological coping mechanism, which is nothing, but repression.

As written above, though, the Jungian Shadow can be both negative and positive depending on what one hides. This duality is shown in Alastor's two roles in Charlie's arc:

He is a demonic archetype (even moreso than Lucifer, the titular devil), as he waits in the shadows for a chance to manipulate Charlie

He is an evil mentor, as he genuinelly likes Charlie, sees her potential and wants to guide her towards greatness:

She's filled with potential that I could guide

This isn't a contradiction, but complexity. Alastor is chaotic and mixes negative traits and intentions with positive ones. Just like what people repress can be both bad and good, usually at the same time.

This is clear when it comes to the Princess of Hell:

Charlie to Alastor: What's that you said about smiles?

Charlie is similar to Alastor in how she represses herself behind her pollyanna persona and her smile. This doesn't mean she is faking her altruism and generosity, but that she is using these traits to hide something else:

Lute: The only reason you're still here is that Daddy gave you and your Hellborn-kind a pardon from an exorcist's blade. How does that feel? To know how little you matter.

Deep down, Charlie invests herself in the Hazbin Hotel project because she wants to matter. She feels powerless and unimportant, as a result of her parents' neglects and of Hell's difficult situation.

So, our protagonist has strong self-issues that she refuses to face:

Husk: Princess is a bleedy heart who wants to solve everybod else's problems, 'cept her own.

That said, this isn't the only thing Charlie represses. The Princess of Hell hides:

Every negative emotions she feels, like her self-hate or her anger at Vaggie for hiding her true identity:

Rosie: How does that make you feel? Charlie: Just... angry? Because we share everything! Because she always supported me, and my ideas, and now I don't know whether or not that was just more of the lies... Oh no, that's a horrible thing to think! Do I think that? Yes! No? Kinda?

Her most violent and aggressive side, which makes so she is unable to make full use of her powers:

Vaggie: Well, I mean... You're the princess of Hell, but you don't really use the power that comes with that. Mybe you can, I don't know? Command a little more... authority. Charlie: But that's so mean.

In short, by repressing her negative feelings, she also represses her potential. It is only by facing herself as a whole, that she can fully grow and bloom into her most powerful and complete self:

This is made clear in Charlie's quest in Cannibal Town. There, our girl is at her lowest, but she is pushing herself forward for the sake of her loved ones. She is trying to imitate Alastor by smiling, even if she is sour inside. However, things do not go well and it is only through her heart to heart chat with Rosie, that Charlie is able to pull herself together and inspire her people. Symbolically, she gets through them not with a 100% optimistic song like "Inside of every demon is a rainbow". Rather she opens her speech, by showing vulnerability and honesty:

It's a feeling like a rumbling in your gut That you could finally be faced with A billion needy faces I guess what I mean to say is For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this

She affirms who she is and her willingness to grow into herself:

For the first time in my life Maybe I can be ready for this I can be the marshal leading the parade I can come into my own And I think I've always known My destiny could never be postponed When Adam brings the battle here I must appear like I'm ready for this

So, it is only by tapping into her own shadow that Charlie can be successfull. It is through expression and not repression that she can reach her goals.

What about Alastor?

He is the same, but so far he has been refusing to open up to others:

Angel: He's been here a while and he's still a big, creepy mystery.

That said, his time at the Hazbin Hotel has had an impact on him. He is forced to deal with others without killing them:

Vaggie: Pentious's eggs are all over the place. I need you to get rid of them. (...) Humanely!

He is shown cutting ties with a poisonous friend:

He openly admits he likes the people of the hotel:

Alastor: Ah, an enjoyable collective to be around. I admit one could get accustomed.

However, he still refuses to openly show vulnerability and ends up like this:

Let's highlight that Charlie and Alastor are foiled in The Show Must Go On song.

Both stand in the ruins of their homes/dreams.

The Hotel:

I took a hotel, and I destroyed it I know I could have done better Better, instead of letting you down

The Radio Station:

This place reeks of death There's a chill in the air And I barely escaped being killed by a hair

And both decide not to give up and to keep pursuing their objectives. However, Charlie is framed positively, while Alastor negatively. Why?

Charlie sings about her feelings openly and is supported by her father and found family:

Alastor sings about his pain privately and even then he barely shows his desperation before going back to his villanious mask:

Symbolically the moment Alastor reunites with the Hotel Crew, he sings:

And we're doing it with a smile!

He is back in control of himself, ready to hide everything behind his neverchanging smile.

So, Alastor is both Charlie's negative foil and Jungian Shadow. As her negative foil, he is bound to spiral. As her Jungian Shadow he is bound to be saved. Why is that so? Two reasons.

The Jungian Shadow can't be killed, but needs to be integrated with.

The main themes of the series are redemption and love, so it is improbable that Charlie won't help the person, who co-founded the hotel with her.

If anything, it seems that our princess is progressively asked to forgive, inspire and see the good in more and more complex cases.

It starts with Angel, who willingly stays at the Hotel. It goes on with Pentious, who infiltrates the Hotel, but makes no real damage. Then Lucifer, whom Charlie loves, but that has been absent from the majority of her life. Finally, Vaggie, who breaks Charlie's trust.

Each conflict Charlie has challenges her in a different way and helps her discover herself and grow. She is bound to meet new struggles when Lilith becomes a broken pedestal and finally when Alastor betrays or hurts her. Still, she is going to forgive and to understand them.

Charlie is going to see the good in Alastor and to better understand herself as a result. As a matter of fact Charlie's journey is one where she is slowly discovering a world, which isn't black and white:

If Hell is forever, then Heaven must be a lie If angels can do whatever, and remain in the sky The rules are shades of gray when you don't do as you say When you make the wretched suffer just to kill them again

Just like people aren't black and white. Just like she herself isn't black and white. By saving Alastor, she is gonna save herself too. Together with the whole universe.

And what about Alastor? Well, he needs to work on himself, as well. He too must integrate with his shadow, who is embodied by a certain character:

Husk is a powerful overlord, who lost his soul to a demon. Just like Alastor:

Husk: Big talk for someone, who's also on a leash.

Alastor and Husk are both on a leash. Still, Husk admits it and starts working on his shortcoming:

Husk: You're a loser, just like me

Alastor instead affirms his willingness to be in control and to pull the strings:

Once I figure out how to unclip my wings Guess who will be pulling all the strings?

Alastor is a loser, just like Husk. Just like all the characters in hell. Sinners vs Winners. And yet, he refuses to admit it. This is why he makes no progress. Similarly, he wants freedom, but enslaves others. This isn't going to work out, which is why I am fairly certain he will eventually set Husk free. Probably by doing so, Alastor will make the first real step towards his own freedom. He will start integrating his own shadow.

Thank you for the ask!

[theoddest1]

Okay so this new episode that came out (Episode 4) was poorly handled.

TW /// SA

- No warning before the show starts...why? And even if there is no way for Viv to add one, for some stupid ass reason, why didn't she announce to the fandom properly "Hey, this will have very deep topics and imagery that may not be suitable for all audiences."? Why have arguments on threads and fail to do this very easy thing. At least if the episode came out, people would get a heads up, and the word would spread faster PLUS people would see that you at least TRIED

- The episode opens up with a scene of CNC porno played for laughs in an episode that tackles SA. Complete tonal whiplash. Why did it have to open up with Angel showing everyone a porno? It serves no purpose other than to get a cheap laugh (that never came) out of me or anyone else who watches and because of the topic of the episode revolved around it. I'msure that if the episode WASN'T ABOUT SA, that joke would not have been there....but it is. There was legit no good reason to start this fiasco off with such a tone deaf opening.

- Charlie is actually fucking useless and a burden in this episode, serving no other purpose other than being the gateway to further the issues that befall Angel when "trying" to help. This all screams forced. Worse of all, Charlie does nothing to actually HELP Angel out of this, even though he has a clear black eye thanks to it all and literal mirrors breaking as a result of the abuse. We never see an actual development between the two thanks to her foolishness and garbage writing, and it's resolved easily as if this is some early Disney cartoon season that's on a strict deadline. Regardless of whether she apologized or not, she essentially caused the issue and did NOTHING to actually clean her mess. The goddamn B A R T E N D E R had to be used to salvage the pieces. So far, Charlie, as a character, is utterly pathetic and has been a burden to the cast twice so far. Vaggie, who tried to prove herself (moreso Vaggie's fault for going the extra mile for no reason but an obstacle nonetheless), also had an issue that involved Charlie's utter lack of a backbone. Hey, what was it that Charlie said in the pilot that her dad taught her and one of the only thingsshe learned from him? "You don't take shit from other demons"

- Only one scene from the abuse shown was handled well, and it was when Charlie visited, screwed everything up, and Val asked Angel to come to his dressing room. Aside from that, the whole SA imagery is jarring. While this time, the fast pace of it all is not bad, the quick shift into it all with Angel switching from enjoying to hating, to smiling, to frowning, ALONG with the quick pace of it all with the PRIOR KNOWLEDGE SHOWN and the SONG PLAYING, I am getting mixed messages here. Imagery? Shows Angel getting assaulted multiple times with either a forced smile or for some reason ENJOYING sex with Val and the role play situations showcased, is he INTO his abuse? Lyrics? He seems to find arousal in Val controlling him. The song legit reads as follows

"Addicted to this feeling, I can't help but swallow"

This doesn't read like he is "forced" it reads like he is yearning the toxic relationship. Now if this was one of the main issues with the abusive relationship, where it was a codependency built on romanticising the abuser and Angel learning to break free from that horrible view of someone who never loved him and actively harms him, this lyric would make a lot of sense....but that's not what we are shown at all. From the jump, we are shown that Angel HATES being with Val, to the point of him straight up avoiding his texts and voice messages, they actually do an okay job (despite the shoddy voice work) on showcasing how manipulative Val is and his outright explosive temper through this scene in episode 2. We see that Angel does NOT wanna have association with Val, is tired of it all, and even got drunk to down his sorrows. Yet these lyrics present it all as though it's just a very rocky love life like those songs you hear on the radio with the singer lamenting about how awful their relationship was but still miss their toxic boo-boo. It just...doesn't read like an SA song and could mean anything regarding the type of abuse he is facing. It's kinda vague in hindsight. That's MY take on the lyrics, though.

- Husk's song is a trash fire. He sees Angel is down in the dumps and proceeds to talk shit about him pretty much relaying his sorrows, saying it's okay to feed into your vices, and downplaying the actual situation at hand. So let's get this straight.

Angel- A sexual abuse victim forced into sex slavery to appease all sorts of people's sexual desires whether he likes it or not, including pleasuring his pimp who physically abuses him often all cause he sold his soul

Husk- Gambled his life away and lost his title as overlord, serves under Alastor all cause he sold his soul.

How is this even...the same at all? Even if Husk is lacking some context, he SEES that Angel normalized drinking roofied drinks and works for Val SOMEONE HUSK SHOULD KNOW ABOUT AND WHAT HE DOES but nah, screw Angel. Even if he honest to God (irony) wanted to actually help, why tf would Husk think this was sound advice? Why does Husk just SUDDENLY care? No build up, no memorable dynamic, no nothing. Realistically, CHARLIE should be the one singing with Angel or maybe Vaggie because she heard the story from Charlie. Not Husk. He is self aware enough where he knows this "advice" wouldn't work but nah. Nothing about the song makes sense. Telling someone going through it that "you're a loser" pretty much a no one, an insignificant individual, when VAL has made it clear that Angel would be nothing without him...yeah no the only reason why this whole song "worked" was cause the writers wanted it to, so Angel is happy with being a loser for being a victim of SA and selling his soul to someone who abuses him in various ways consistently.

This episode is terrible

Jarring for any newcomers

Who have no idea who these characters are

[rennyrose]

I am very curious about 80s dystopia lore? Also very much in love with your characterization in the scribs of it! (Not to mention the very 80s aesthetic of high shine in neon light that a lot of your colored arts of it has)

(Apologies for the wait ahhhhhh been debating with myself on how much I’d like to share since I’m considering making this a whole project)

Shiooooooooooot appreciates it haha I’m still working out designs/character roles/lore but-! If I do end up going through with it more I’m thinking that WW is going to be more or less the main character, still working as a “priest” who follows around a really weird dude whos not a plant with feathers but,,, something else (insert fungi/fun guy joke here)

Moreso a “what if” scenario where the circumstances of how folks ended up on Gunsmoke led to the current setting