#but i will learn. eventually.

[turtleofthehollow]

I need someone to write fanfiction of Lucifer and Alastor making a deal, but Luci botches the wording of the deal so bad that they end up married instead, and neither of them know how to break the deal, so they're just stuck like this until further notice

You can't tell me it wouldn't be in character for him!

UPDATE: It has been written! Check out the reblogs for the link!

[bisexualchaosdemon]

(The Raven King, ch.14)

This one line lives in my head rent-free. Neil may be antagonistic, but he never hated Aaron. He wanted him to be happy from the beginning.

[kiisaes]

happy bkdk day! 😁 (8/9)

[vivenecii]

I combined two good omens study club themes, tartan and a movie still. I decided to choose one from Little Women, which I have yet to watch

[giantenemyrobot]

Here

[rasoyas]

@captain-silvera’s fantastic builds have me sobbing on my knees in thanks 🙏 komorebi has never looked more beautiful! 🌸

[brucewaynehater101]

Android Tim Drake AU:

Drake Industries announced they had successfully created realistic-looking androids that passed the Turing Test (and harder versions of it). They were planning to release commercial models to the public within twenty years.

To go a step farther, the Drakes wanted to ensure no one was skeptical of the androids' abilities to pass as human. Thus, Janet and Jack Drake had a healthy "human" baby by the name of Timothy Jackson Drake. The only individuals aware of this are Tim, Janet, Jack, and a small handful of engineers bound with a fuck ton of NDAs. They planned to tell the public when Tim was eighteen.

While Janet and Jack Drake are aware of Tim's ability to mimic emotions, they do not believe him to be capable of actually feeling them. This leads to Tim's childhood being lonely and neglectful. He is a robot.

At first, Tim is incapable of consuming human foods or using his touch sense. They fix his touch sense by the time he is four (and thus Dick is his first hug), and the food by the time he is six. He is constantly undergoing repairs to allow him to mimic the growth pattern of a child. It's when he is nine that he finally gets pain sensors to discourage and alert him to damage.

Tim is, for all intents and purposes, legally a human. When Janet dies and Jack gets into a coma, Tim stops receiving "growth spurts." He remains the same size even after Jack wakes up from his coma.

When Tim becomes Robin, he does not disclose his status with Bruce, Dick, or anyone else. Given that his parents treat him like an object, a machine, and incapable of feelings, Tim doesn't want to be subjected to that by his heroes either.

Instead, he gaslights the hell out of the Bats, villains, and other heroes whenever he gets hit.

["Tim! You got flung into a building. You are getting a medical exam."

Tim narrows his eyes as his eyebrows raise in surprise. "Bruce.... what are you talking about?"

"I saw you get thrown into a building. You're not getting out of this."

Tim glances to the side and then back to his mentor. He carefully places a hand on Bruce's shoulder. "B... Maybe we should have Alfred check you over."

Bruce blinks in shock as his brows furrow. "What?"

Tim purses his lips and shakes his head in pity. "It's okay, B. We'll figure it out. Whatever is going on, we'll fix it."

Bruce is so confused and concerned he doesn't ask Tim to get a medical check and agrees to be checked over instead.]

Tim becomes an expert at repairing himself because he can't explain to the engineers (most of who were let go after Janet died) how he got damaged. He spends a lot of nights alone in his room turning off his pain sensors (which isn't an automatic process and is difficult to reach)in order to fix the mangled hand, the gaping gash, the crooked foot, etc.

Kon, and conversely YJ, are the first to find out about his status (darn x-ray vision and super hearing). This encourages Tim to create artificial sounds within himself to fool Superman when they first meet. This also forces Tim to wear a long-sleeved uniform and a hood to hide from x-ray vision.

Tim finds comradery with Red Tornado.

When Jack wakes up from his coma, he originally treats Tim as he did before: an object. Dana, though, changes this. Jack can't explain why he treats his "son" that way and slowly morphs into becoming a good father.

It starts as only occurring when Dana is in the room and ends with a very bitter and antagonistic Jack when she leaves. He is initially disturbed by how much Tim is "faking" emotions, particularly because Tim learned to conceal his emotions from his parents as a coping mechanism (not that Jack knows this).

As they start spending more and more time together, Jack begins accepting the idea that Tim is capable of emotions. He starts caring and loving the kid as his own.

Because of this, Jack becomes fearful for Tim. When he learns that Tim is Robin, he is both jealous of Bruce's relationship with Tim and absolutely terrified for his son (what happens if people find out that Tim is an android? How would they treat him? Tim told Jack the Waynes don't know about his status. What if Tim gets injured too badly during a mission and they find out?)

This is why Jack initially forbids Tim from being Robin. There is way too much at stake for Tim if he continues (even though, theoretically, Tim can't die. Jack can keep saves of Tim and import him into a new body if necessary. They both don't want to do this, however, because Tim's body is his. It would feel weird and wrong to put him in another one).

While Tim is prohibited from being Robin, Jack bankrupts his company in the process of getting Tim rights. He bribes the hell out of judges, law makers, etc. to subtly put I'm rights for androids. He wants Tim to have full access to his inheritance, to freedom, and to everything humans can do. He doesn't want Tim to be without it.

Tim doesn't understand why Drake Industries is going under and is pissed at Jack for preventing him from being Robin. Robin is everything to Tim. It allows him to be treated as human. It connects him to so many people.

It's only afterwards, when Tim is finally allowed to be Robin again (and Jack has ensured he did everything he could for now for Tim's rights), that Tim fully understands how much Jack loves and cares for him.

Then Jack dies.

Tim is able to hide the fact that he's an android up until a Red Helmet asshole breaks into the Tower. While YJ whisk him away before the Bats can find out, Jason knows. Jason found out.

[tcustodisart]

Whenever I drew Connie with a single dandelion behind his ear this scene was playing in my head like wii channel music.

[junkybot]

9 days till TF: ONE

i think!!

[z-1-wolfe]

And who will you be in your death?

[assassin-artist]

what ive learned so far

[maskofnova]

I think its a rite of passage to make an au at least once, and ive been thinking super hard about how Sonic raised tails lately. So obviously an age swap au had to happen. Aka, the au in which they are both team turbo nerd and Tails needs a Vacation as a dire medical suggestion. (more rambling in tags)

[sunlit-mess]

If Alastor bottoms, do you think that he might be a total pillow princess?

[senipsenipsenip]

The Pines family sat at the table, quietly eating their breakfast, when Mabel slammed her hands on the table and shouted “KERMIT THE FROG”.

Dipper leapt forward to right his orange juice glass, gathering nearby napkins to sop up the puddle. “What?”

“Kermit the frog! He plays the banjo!”

“Yyyyes?”

Ford raised his hand. “Who’s Kermit the Frog?”

Stan snapped his head up from his plate. “Who’s Kermit the Frog? The Muppets, Pointdexter, you were around for The Muppet Show. They had a movie and everything.”

Ford frowned. “Muppets.”

“Yeah, they’re a riot! There’s this Bear whose got some great puns and this pig who really know how to throw a punch. You’d love it, they’ve even got a scientist!”

Ford raised an eyebrow. “I didn’t realize you were such a fan of children’s television.”

“Children?!”

Dipper stirred his cereal. “I’m just impressed you remember all that. Yesterday you forgot you were married.”

“That’s because The Muppets are forever!” Mabel exclaimed.

“Wait, Stanley you were married?”

“Yep. Actually, unless I’m forgetting a divorce, I might still be married.”

“You didn’t,” Mabel chirped. “I’d have it on my Romance Chart if you did. You’ve missed a lot of anniversaries.”

“So has he!” Stan argued. “I’m not the only bad husband here!”

Ford spluttered. “Husband?”

Dipper frowned. “I think we’re getting a little too far away from why Mabel screamed Kermit the Frog and knocked my orange juice over.”

Mabel nodded. “Right, so, I was thinking of Mr. McGucket -

“Stanley you have a husband?“

“I was thinking of Mr. McGucket,” Mabel interrupted. “And how he could maybe help around the Shack. And he plays banjo! He could play banjo and people could put money in his lil banjo case like a real musician.”

At the mention of money, Stan leaned forward.

“But like, no one knows banjo music,” Mabel continued. “So I was like, maybe pop hits banjo? But then BOOM! Kermit the Frog! People love that frog. He could play the rainbow song. He’d be a hit!”

“Interesting,” Stan muttered. “Preying on people’s nostalgia to milk them for cash. I love it!”

Ford hummed. “Actually, that’s not a bad idea, Mabel. Activities like playing musical instruments have been proven to help patients with Alzheimers and dementia. Not that Fiddleford’s condition has the same root cause, but it may prove beneficial to memory recovery.”

“Eugh, don’t ruin this for me.”

“If playing an instrument helps with memory loss, maybe Grunkle Stan should learn an instrument,” Dipper suggested.

“Ooo!” Mabel squealed. “What about guitar? Or the piano? OH!” She clutched Stan’s arm with a fervor. “The triangle!”

Ford grimaced. “Maybe not that one.”

“Sorry, kid. I’m not exactly a music guy,” Stan shrugged out of Mabel’s grasp. “Let’s leave that to the professionals.”

Mabel frowned, but let the topic go.

Ford stood from the table. “Well, I happen to be visiting Fiddleford this afternoon. I can broach the topic and see what he thinks.”

Fiddleford, as it turns out, loved the idea. To the surprise of everyone, Fiddleford admitted that he had always wanted to play in a jugband when he was younger, but could never get over his stage fright enough to audition for the local band. Then he went off to college and then…everything else.

“Maybe I zapped away that scared bit enough to play!” he had cackled, knocking at the side of his head with his knuckles.

It was settled. “Fiddlin’ Fridays at the Mystery Shack with Fiddleford McGucket”. Dipper tried to point out the title didn’t make sense since it was a banjo, not a fiddle. Stan argued that “customers are suckers for alliteration”. The set up was just Fiddleford dragging an old rocking chair onto the porch and opening up his banjo case. Mabel had made a large glittery banner, but it was quickly absconded by Fiddleford’s raccoon.

“Tell your wife to give me back my banner!” Mabel had yelled, chasing the raccoon into the bushes.

“Ex-wife,” Fiddleford sighed sadly. “Apparently I was too emotionally available.”

Ford pulled at his hair. “Did everyone get married without telling me?”

“Excuse me?” A voice piped up. Fiddleford and Ford turned to see a little boy standing at the bottom of the porch. He was dressed in hiking clothes that were obviously new. In the distance, a young woman was unstrapping a baby from its seat in an SUV. Obviously city folk coming to the “wilderness” for the first time.

“Are you a real hillbilly?” The boy asked. Suddenly the door slammed open, Mr. Mystery striding through, eyepatch in place.

“Sure is!” Stan grinned. “Our very own genuine hillbilly just waiting to play you a tune! All you gotta do is put some of your mom’s money in his case there.”

The little boy’s eyes widened, turning around to race towards his mother.

“Stanley,” Ford admonished. “Fiddleford isn’t some show monkey to throw money at.”

“During work hours he is.” Stan turned to Fiddleford. “So, did Mabel teach you that song she was so excited about?”

Fiddleford sat frozen, watching the little boy yank at his mothers pants to try and get her attention, the baby beginning to fuss.

“Well…” Fiddleford cleared his throat. “Some good news and bad news fellas.”

Ford furrowed his brows. “What is it?”

“Good news is, my mind ain’t all broken.” Fiddleford hugged his banjo and turned to look up at Ford. “Bad news is I knows it ‘cause I still got stage fright.”

Stan scoffed. “Stage fright? C’mon it’s one kid and a couple o’ city slickers who would probably think you playing three wrong notes and spitting is ‘authentic’.”

“Stanley, be supportive.”

“I am! Look I’ve been at this job forever. All you gotta do is smile and if something goes wrong, you blame a ghost or something. They eat that up.”

Fiddleford shook his head. “But this is music. If’n I mess up music, ‘specially somethin’ they know. Music is real special to people, I can’t spoil it.”

Ford knelt down next to Fiddleford’s chair. “You don’t have to play that song Fiddleford. You don’t have to play at all.”

Fiddleford looked anxiously between Ford and the family. It seemed the little boy had finally gotten his mother’s attention and was excitedly pointing toward the porch.

“I…” Fiddleford shook his head. “I can’t let the little ‘uns down. ‘Specially not those ones.” As he said this, he gestured with his chin towards the other end of the porch where Dipper and Mabel sat bickering in lawn chairs. Mabel had returned from her raccoon chase covered in twigs and holding a surprisingly docile raccoon. Dipper was leaning away from the pair while trying to convince Mabel to stop feeding it gummy worms before it developed a taste for human food and tried breaking into the Shack.

Ford's gaze drifted to the twins. "Alright," he relented. "But you still don't have to play Mabel's song."

Fiddleford bowed his head.

"Yet!" Ford offered. "Not yet. She'll understand I'm sure."

Fiddleford frowned, looking unconvinced.

"Of course not yet!" Stan interjected. "You can't go playing the grand finale right out of the gate! You gotta warm 'em up first, keep 'em wanting more." Stan slapped his hand on Fiddleford's back. "If you give 'em what they want right away, they won't come back! Hold that one off until tomorrow or...uh...next week. Tease it or something."

Stan had started rubbing the back of his neck with his other hand as he spoke, a tell Ford was quick to recognize. It was the same one he did when he would "begrudgingly" let Mabel choose the movie for movie night or let Dipper rope him into another game of Dungeons, Dungeons, and More Dungeons. Covering the most vulnerable part of his body while he let his emotions go soft.

Fiddleford seemed to perk up at Stan's words.

"Well," Fiddleford offered. "I do know some proper jugband music. Only, it don't have the same ring to it without a jug."

"We've got a jug!" Mabel cheered from the other side of the porch. It seemed the raccoon argument had reached enough of a truce that the twins were once again paying attention to the concert. "I used to keep pond water in it, it's in the kitchen!" She hopped off of her chair, lugging the racoon along with her like it was a rather expensive lap cat.

Dipper followed her. "Why did you have a jug of pond water?"

"Because, dummy, if I met a frog prince he would need something in the shack to remind him of home."

"Aren't you supposed to turn him into a person though?"

Whatever Mabel's retort was to be was cut off by the door swinging shut.

"There ya go," Stan grumbled. "You're getting your jug. Just in time too." He gestured toward the SUV. The mother was walking toward the Shack, one hand holding the baby, the other gripping tightly to the little boy's hand. The little boy gripped a few dollars in his fist, eyes alight with excitement.

Fiddleford looked frantic. "I can't sing and play the jug at the same time!" He gripped at his hat, pulling it down over his ears.

Ford sighed. "Then don't play the jug."

"It won't be the same!" Fiddleford shook his head. "A jugband without a jug that's...that's like a body with no heartbeat!"

The door swung open and Mabel emerged with an old ceramic jug.

"Here it is!" she exclaimed. "And it only sort of smells like pond scum."

"I don't think that will be necessary," Ford smiled gently. "It seems Fiddleford can't play both simultaneously."

Mabel frowned. "But it's a jugband. It's in the name!"

"How about we wait another day," Ford offered, patting Fiddleford awkwardly on the back. "Maybe someone in town will join you."

"Oh for Pete's sake, give it to me." Stan snatched the jug out Mabel's hand, sniffing at the top and giving a grimace.

Fiddleford stopped pulling at his hat, peeking out from under the brim. "You'll play?"

Stan grunted. "I'm not missing out on good money just because you have a case of the heebie jeebies. Besides, how hard can it be? It's like blowing on the top of a beer...er...I mean soda bottle."

Dipper crossed his arms. "Grunkle Stan, we know what beer is."

"Not from me you don't."

Mabel squealed. "It's happening! Grunkle Stan is learning an instrument!"

"It's not an instrument, Pumpkin. It's dishware."

"It's a scrapbookortunity!"

Mabel dashed into the house once more, leaving Dipper to grin at their Grunkle Stan.

The family was only a few yards away now. Fiddleford looked between Stan, Ford, and Dipper, and straightened up in his seat.

"Alright. Alright!" He clapped his hands together. "Stanley, you get down here with me, otherwise your feet are gonna get mighty sore from standing." He yanked at Stanley's hand until he sat beside the rocking chair with a grumble.

"Now when I tap my foot," Fiddleford instructed. "You blow on the jug. One short note at a time." Fiddleford tapped his foot in demonstration. "You got that?"

Stanley rolled his eyes. "Gee, I don't know. Seems pretty complicated for the guy without a PhD."

Mabel burst through the door, camera clutched in her hands. "Got it!"

"Excuse me?"

The little boy stood on the porch, approaching the banjo case with far more trepidation than before. Eyes darting between the assembly, he dropped a few dollars in the case.

"Is this enough to play a song?"

Fiddleford didn't bother looking at the money. He turned his gaze to Stanley, who shrugged and raised the jug to his lips.

Fiddleford grinned. "You know ‘Boodle Am Shake’?"

The little boy shook his head.

"Well you're about to!" And with that he was off.

By Fiddleford's standards, it wasn't a horribly complicated tune. Ford had heard him pluck out more complex riffs while waiting for the coffee pot in their dorm room to brew. But Fiddleford was smiling. His shoulders had dropped from around his ears, and he was nodding at the little boy to tap his feet along with him. Ford hid his smile behind his hands as he watched Stanley, eyes focused on Fiddleford's bare foot with as much attention as one would give to diffusing a bomb. Next to him, Mabel was snapping pictures of the pair. Dipper stood on his other side, wearing the small smile he tended to get when feeling introspective. Ford laid his hand on Dipper's shoulder, and Dipper leaned into the touch.

The mother was smiling at her little boy, her baby having finally stopped fussing. Maybe it wasn't the grand attraction Mabel had planned, but Ford thought it was worth far more than those few dollars anyway. Nothing could be worth more than his family standing around him, his closest friend singing again.

I know this song, it don't mean a doggone thing. Just do that good old Charleston swing. When you sing...

[acoraxia]

Rule #34 on Blast or whatever

[sweepingboy]

ZHANMADAO IS THE ONLY SPIRITUAL WEAPON WITHOUT A NAME IN TGCF AND I ALWAYS WONDERED WHY MU QING DECIDED TO KEEP IT LIKE THAT.

Like, the cultivation and training meant a lot to him, he always tried to act properly regardless of his status AND YET HE DIDN'T GIVE HIS SABER A NAME??? naming a weapon is a big thing for a cultivator, the sword have spirits, yet he keeps calling it by its type???

NEED YOUR THOUGHT ON THAT