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shotmrmiller · 8 months ago

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simon who can afford a better flat than the budget friendly flat he lives in but won't move. johnny doesn't understand. he wants to blame it on simon being the enigmatic, intentionally perplexing man he tends to be but he has a flat.

he doesn't have to. he's got no significant other, no kids (that he knows of, god only knows if simon's got a bairn somewhere. it makes him heated thinking about it. he's it's uncle, damn it.) why does he rent here when living in base is free?

the question answers itself when he's over one evening, empty beer bottles on the table, amber glass reflecting the warm glow of the lone lamp overhead. the television is on, volume turned down, blending with the other sounds of the night— the distant barking of dogs, the quiet hum of simon's fridge, the occasional car passing by outside.

the conversation had died down already, not like they don't spend almost every waking breath with each other at work and they'd been sitting in a comfortable silence when there was a sudden, sharp knock at simon's door.

it startles johnny, reaction instinctive as he reaches for his hip, hand curling around the grip of his holstered gun but simon seems relaxed. he pins him with a look and mutters, "s'alrigh'."

what does he mean it's alright? it's 'witchin' hour'' as his mam calls it, who could possible be at his door? he cranes his neck to look and—

it's you, standing up here with a flour-dusted apron, small hands holding a warm pastry, the steam twisting and curling off of it. you're exude homely charm, soft face glowing from the corridor's light (or maybe it's at the sight of seeing simon, who knows?) he can smell it in the air, sweet, inviting.

what johnny finds interesting enough to send a quick text to kyle is how simon is looking at you. as if you're handing him more than just a custard tart, but also a little piece of heaven, a fragment of a dream he hopes to have one day.

"'m sorry, simon. i wasn't aware you had any company. i just really needed to stress bake or i would've gone off the deep end and end up in prison."

violent little bonnie. he can see the appeal.

simon cups his hands over yours (he definitely did it as an excuse to touch you) as he takes the treat. if you make food to unwind and give it to your neighbors, johnny oughta move in next door too. he'll never turn down free food.

"don't worry about it." johnny's eyebrows shoot to his hairline at the softness in his tone, bottle halfway to his lips.

clearly more than a passing fancy.

"i'll just uhm, if you're friend wants some too—" but simon gently interrupts you before he can ask for some of that sweet comfort too.

"he's not hungry."

cruel, cruel bastard. he'll remember this day, jot it down in his calendar. when he gets a girl of his own, he'll be sure to do the same.

johnny wonders if you've got a crick in your neck from looking up at simon as you speak hushed words, meant only for him. can he get at least a nibble of that tart?

you shoot johnny a shy ㅤsmile before turning around and simon closes the door, turning back to the warming beers, golden tart in hand.

even the plate it's on is cute.

"ah can see the hearts in yer eyes, lt."

johnny can practically hear the air parting as simon's fist cuts through it, aimed at his head. he avoids it with practiced ease. "ooh, touchy. ah'll leave ye be if i get a bite o' tha'."

he doesn't gets not even a crumb because simon is selfish.

(simon moved here purposefully because he knows you live here and can't be at peace without knowing where you are at all times. there's a tag inside your favorite pair of shoes you left out in the hall once to dry after a hard downpour. the bakery you work at is down the street, if he looks out the south facing window, he can see you going in and leaving work. he likes to let himself in your home and smell your cushions. took one of your shirts too but at least made sure it wasn't one of your faves. he has to wash it every other day)

#it's cute but it's not #sorry! he's crazy!#simon ghost riley #simon ghost riley x reader #simon riley #simon ghost riley x you

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whitehorsespaces · 30 days ago

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Contact White Horse Space for Luxury House Interior Design

White Horse Spaces offers exceptional interior design and home renovation services, delivering personalized, high-quality designs tailored to your lifestyle and space. Since 2019, we have completed over 250 projects with a focus on elegance, functionality, and timely execution. Our services include comprehensive turnkey solutions, ensuring a seamless process from concept to completion. Transform your space with our expert team and innovative designs. Explore more at White Horse Spaces.

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meridiantowers · 1 year ago

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Rockline Developers: Crafting Contemporary Living at The Meridian Towers

Introduction In the bustling city of Mumbai, finding the perfect home that seamlessly blends convenience, luxury, and contemporary design is like discovering a hidden gem. Rockline Developers, under the visionary guidance of Mr. S. L. Rawal, founder of Rockline, is on a mission to redefine real estate in India. Their vision goes beyond just scale and profitability; it's about making a meaningful impact on the lives of their customers. With over four decades of expertise, Rockline Developers is carving a unique position in the industry, committed to building sustainable and value-driven homes.

The Meridian Towers: Elevate to the Realm of Retreat Recognizing the importance of leisure in the lives of today's homeowners, Rockline Developers presents The Meridian Towers – a retreat nestled in the heart of Mumbai. The project boasts a clubhouse that offers the finest facilities, including a jogging track, yoga room, outdoor and indoor play areas, a well-equipped gym, gazebo, and a senior citizen seating area. This clubhouse serves as the nucleus of The Meridian Towers community, fostering long-term relationships among its residents.

At the Heart of Convenience What truly sets The Meridian Towers apart is its strategic location. Situated conveniently close to both the international airport and the eastern express highway, it offers unparalleled access to the city's major business districts, malls, and other essential amenities. Ghatkopar, one of Mumbai's fastest-growing hubs, is where The Meridian Towers calls home. Residents here enjoy the convenience of top-notch educational institutions, medical facilities, banks, petrol pumps, temples, mosques, malls, bus depots, and more, all within arm's reach.

Complete Contemporary Living Home is a reflection of oneself, and The Meridian Towers is designed to embody the personality, lifestyle, and ideals of its residents. This Vaastu-compliant property offers cutting-edge amenities, intelligent space design, and a sought-after location. The architectural design seamlessly blends urban and traditional aesthetics, surrounded by lush greenery – a true testament to Mumbai's 'Garden City' ethos. At The Meridian Towers, you'll find everything you desire right at your doorstep.

Amenities Rooftop Fully Equipped Gymnasium Rooftop Club House Stretching Lawn Reflexology Pathway Swing Court Outdoor Gym Open Yoga Deck Green Walkway Covered Seating Toddler's Play Area Senior Citizen's Corner Cabana/Deck Seating

Floor Plans

Each block at The Meridian Towers is carefully designed to facilitate ample sunlight, ventilation, and scenic views. Intelligent space utilization and advanced architecture make these blocks a perfect fit for contemporary living.

Specifications

Plastering: Smooth-finish plastering for internal walls, texture-finish plastering for external walls. Doors: Main door with thick veneer and a wooden frame, bedroom doors with wood frames, toilet doors with waterproof flush shutters, high-quality hardware fittings. Electrical: Compliant with ISI standards, concealed conduits, quality copper wires, elegant modular electrical switches, TV and telephone points, broadband provision. Structure: RCC-framed structure designed to authority standards. Water Supply: Adequate supply through borewells and rainwater harvesting, Cauvery water line for kitchens, CPVC pipelines. Toilets: Glazed tiles, branded sanitary ware, and CP fittings. Flooring: Vitrified flooring in living/dining rooms, kitchen, bedroom, and foyer, tiles finish in common areas. Kitchen: Granite kitchen platform with stainless sink, glazed tile dado, provisions for appliances. Lift: Reputed brand lifts with automatic doors in each wing.

Location Miles First Mile: Raheja BMC Garden, Shreyas Cinema Metro, R City Mall, Ghatkopar Rail/Metro Station, Sarvodaya Hospital, Hotels. Second Mile: Eastern Express Highway, Hiranandani Hospital, Banks, Hotels, Supreme Multi-Speciality Hospital, Nulife Hospital, Jhunjhunwala College. Third Mile: Somaiya College, Garodia School, Universal School, Phoenix Market City, Powai Lake, Eastern Freeway, Lion's Club, Jolly Gymkhana, DMart, Hiranandani Gardens. Fourth Mile: Mumbai International Airport, Eastern Freeway, IIT Powai, JW Marriott, The Leela, ITC Maratha, Bandra Kurla Complex, Neptune Magnet Mall, Seven Hills Hospital, Lokmanya Tilak Terminus. Fifth Mile: Jio Drive BKC, Swami Vivekanand College, University of Mumbai, Grand Hyatt Hotel, Westin Hotel Powai, Acres Club, Seepz Andheri, Ramada by Wyndham Hotel, Dreams Mall, GS Shetty International, Asian Heart Hospital. The Meridian Towers by Rockline Developers is not just a residence; it's a lifestyle choice. With its strategic location, contemporary design, and world-class amenities, it offers a truly elevated living experience in the heart of Mumbai. If you're looking for a place where luxury, convenience, and community come together seamlessly, The Meridian Towers is your answer. Embrace the future of contemporary living with Rockline Developers.

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red-archivist · 6 months ago

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TMAGP 23 SPOILERS!

i heard those lines and was immediately inspired to make something sad lol

Twenty years ago, Jonathan Sims quits smoking.

Twenty years ago, Martin Blackwood’s mother survives her second stroke.

Twenty years ago, Jonathan Sims quits smoking.

It’s not enough to just stop, the shakes and the headaches nip at him constantly, and he reluctantly concludes that bad habits need to replaced by better ones.

That’s where the cycling comes in, to start with.

It’s exercise, it’s eco-friendly, and he can pretend he is literally leaving his cravings behind him as he pushes hard on the pedals.

He does his homework first, researching what is the best option for city cycling, for his budget, for someone that hasn’t ridden a bike since they were nine.

He plots out his paths to the office, the shops, and the nearest puncture repair centre, just in case. He even makes a spreadsheet to keep track of them.

He is sure Tim would poke fun at him for it, if they were still talking, but the organisation keeps his twitching fingers busy and his roaming mind away from the half-finished box of cigarettes in his desk drawer that he promises he will throw away any day now.

What all that planning fails to account for, as soon as he actually gets onto the road, is the rest of the world moving around him.

Every stereotype he has heard about antagonistic drivers is proven ten-fold as he dodges swerving cars and gets sworn at for whizzing past stalled traffic. He soon learns to sneer through tinted windows.

Pedestrians are almost worse. They seem blind to him, stepping out directly in front of his wheels and making him wobble as he overcorrects. As if a bike can’t still do some damage if he were to actually hit someone. Once, he clips the edge of a pram and stops in the street to shout some sense into the careless father pushing it.

He bitches openly about this during his lunches and his coworkers only roll their eyes at him sometimes.

The cycling becomes a bit of running joke in the office when they spot him coming in with his bike shorts and change of outfit, but he ignores them. The shorts are practical. For some reason, telling them that only makes them laugh harder.

He takes the fastest route into the office and a scenic one home. It winds through quiet well-off estates, before opening out to one of the less well-known urban parks. It’s calming, almost meditative, to roll through the cool shade the cluttered trees offer after another meaningless day of data entry.

In those times, he doesn’t think of his empty flat or his dead-end job, he forgets his sniggering coworkers and his ever-dwindling contact list. It’s just him and the wind.

The only thing that could make those moments better, he admits to himself, is a smoke.

The problem with this particular path is how hard it is to see around corners in the park. There is some national re-wilding initiative in the works and the foliage looms over the roads in a way that block his line of sight.

He checks every turn, even though it is rare to encounter a car in this area. Better safe than sorry.

The night he dies is warm but overcast.

He follows his usual route and cranes his neck to see around the overgrown corner he is approaching. A drooping branch grazes his head and something falls from the tree onto his neck.

It could be a leaf, or a twig, or a ladybird, but Jon feels the whisper-touch of something small at his throat and his only thought is: spider.

He has been afraid of them since he was very young and terrified instinct immediately beats any reason. One hand flies up from the handlebars to bat away at his collar. He swerves. Fear makes him pedal faster and the bike speeds onto the junction.

He is so scared of the potential at his throat that he never even sees the delivery truck.

The bike is sent flying from the impact, Jon falls under the wheels.

The driver, to his credit, calls emergency services immediately, distraught.

The ambulance is there within five minutes, but they needn’t have bothered. Jon is declared dead at the scene with a broken neck.

What few friends he has left comfort each other with that fact.

At least it was quick.

Twenty years ago, Martin Blackwood’s mother survives her second stroke.

This is a good thing, Martin reminds himself, more than once. It is Good that his mother is alive.

It doesn’t matter that the nurses need to attend to her around-the-clock now. It doesn’t matter that the care home bills have skyrocketed. He is grateful that she is still with him.

He starts looking for a third job. The admin work during the day and the shelf-stocking at night barely covered his previous bills. He’ll have to look for some flexible positions to cram into his schedule.

In the meantime, he cuts back. Eats cheaply, eats less. Cancels overdue check-ups and doesn’t touch the heating.

His days are a current of constant worry, occasionally breached by a wave of panic that he tries to quell by hiding in the office bathroom and digging his nails into his legs.

Panic won’t pay the rent or keep the lights on or remember to call Mum every Sunday. He smothers it deep in his chest and ignores the spasm of pain he gets whenever he forces it down.

He has been getting those more often; sharp, sudden chest pains, numb fingers, dizzy spells, an aching back, shortness of breath.

He had been going to ask the doctor about it all before he cancelled the appointment but. Well. Needs must.

He has his first heart attack on the evening shift.

Pulling a box of washing up tablets from the top shelf in Aisle 4 causes such a rush of agony in his chest that he dares to ask the manager to take his 15-minute break early.

He doesn’t make it to the back room before he collapses.

In the hospital, after he wakes, the doctors ask if there is a family history of heart problems.

If he didn’t feel so weak he would laugh.

He has more in common with his mother then he likes to admit. Of course they share a bad heart.

Or maybe it came from his father. Mum always said he was heartless. Maybe there’s a hole where Dad’s DNA should be.

When the medical team leaves him to rest, all he can think is how much this will cost him.

The NHS is no charity no matter what their marketing says, not to mention how much money he will lose by recovering. He can’t afford six weeks of not working. His first job doesn’t have that much sick leave and his second doesn’t have any.

He runs the numbers in his head, tries to find what else he can hack out of his life to keep his head above water. Occasionally his thoughts swerve, self-recriminating and barbed. He is so stupid for letting this happen at all.

It’s all his fault.

Mum is going to be so angry with him.

His heart pulses in keen pain, bitter and broken.

Somehow, he drifts off, counting figures instead of sheep.

The second heart attack kills him in his sleep.

They die on the same day, at nearly the same time (Jon rushes ahead, always too eager, Martin follows inevitably after him).

Their death certificates are filed away alphabetically by a bored clerk in the dusty management system of the General Register Office.

Twenty years later, Samama Khalid exhumes them and examines them, with more curiosity than sense, only to be disappointed by the mundanity of their ends.

He returns them together, heedless of any organisation.

Jon and Martin meet, in the quiet and the dark.

The filing cabinet is a shared headstone, their names rest side-by-side.

Also on AO3

#the magnus protocol #tmagp spoilers #tmagp 23 #tmagp #jonathan sims #martin blackwood #jonmartin #is a ship a ship if its posthumous? im saying yes #tmagp fanfic #red-archivist scribbles

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thefemigirl · 26 days ago

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★ Dress Expensive Tips

Let me tell you about something that’s completely changed the way I approach getting dressed: learning how to create an elegant, elevated look—without blowing my budget.

Turns out, you don’t need a closet full of designer pieces to look (and feel) like the best version of yourself. It’s all about working with what you’ve got, adding a few chic investments, and a dash of creativity.

▸ Find Your Shape

Choosing silhouettes that flatter your body makes any outfit look intentional.

Experiment with different cuts (like wide-leg pants vs. skinny jeans) to see which shape brings out your confidence. A quick mirror check can reveal if a piece truly complements you.

▸ Discover Your Colours

Neutrals are classic, but the right pop of color can bring you to life.

Notice which hues make your complexion glow—try pastels, jewel tones, or soft neutrals. If you’re not sure, look for style inspo from people with similar skin tones and test-drive their palette. Using ▹ Pinterest ◃ can be very helpful!

▸ Accessorise with Intention

A few well-chosen pieces can completely transform a basic outfit.

Invest in simple, high-quality everyday jewellery (like gold hoops or a delicate necklace). For statement occasions, add eye-catching pieces—think drop earrings or layered bracelets.

▸ Make the Bag Count

Your purse can be the perfect accent or a major distraction.

Have a reliable everyday bag that’s very good quality. For special outings, grab a fun, budget-friendly statement bag that pops without clashing with your outfit.

▸ Elevate Your Shoes

Footwear can make or break your look in seconds.

Swap casual flip-flops for a sleek flat or kitten heel. If you prefer sneakers, pick a simple, versatile style that doesn’t overpower the outfit.

▸ Tailor and Iron

Wrinkles and poor fit can dull even the prettiest pieces.

Iron or steam your clothes to keep them looking fresh. And if something doesn’t fit quite right, consider tailoring (or learning some basic sewing skills) to make it your own.

▸ Build a Strong Foundation

Basics aren’t boring—they’re the backbone of a versatile wardrobe.

Stock up on neutral tops, flattering jeans, and a few layering pieces. Mix and match these staples with your statement items for endless outfit combos.

Looking elegant is about knowing your body, playing with colour, and being thoughtful with how you style every piece. Your wardrobe should celebrate you—every curve, every shade, and every bit of your beautiful personality.

Sending you so much love on finding your next outfits,

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andsewingishalfthebattle · 9 months ago

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SiliNOT! Testing and Review

Since I run a lot of casting workshops, I've had several people in the costuming/maker community ask me my opinion on SiliNOT!, a relatively new product advertised as a budget- and eco-friendly moldmaking alternative to silicone, urethane, and other single-use materials.

I finally bought a couple of bottles to play with, so I did a test project. My experience and findings are below! (It's not a recipe blog, but if you want to skip the play-by-play and get to the TL;DR, it's under the big "In Summary" header near the bottom.)

First, if you aren't familiar with this material, SiliNOT! is a remeltable, reusable medium for making molds. Though its exact ingredients are not disclosed, it purports to nontoxic, food-safe, and compostable. It melts in a household microwave or double boiler and solidifies at room temperature (or in a refrigerator/freezer for faster results). The website is https://silinot.com/.

(I am not an affiliate, and have no connection to this company apart from having made one retail purchase from them. I just have a lot of casting experience and like trying out new products.)

The Positive Original

I’m still in the middle of a Vincent Valentine build, so I decided to test the SiliNOT! on his custom buttons. My original is a stack of various nonporous materials: an antique (probably Bakelite) coat button, an epoxy resin dome I cast using a mold I already had in my library, and some engraved Worbla’s Pearly Art for the raised detail. The button shanks won’t be added until the final casting, so the original can be mounted flat for the moldmaking process.

Sample Worbla on the left; completed button stack on the right:

The Mold

I built the mold container the same way I do for silicone pours, with the flat back of the button fixed to a styrene plate and a cylinder (actually a small paper cup with the bottom cut off) surrounding it for the walls. The lip of the cup is sealed all the way around with Monster Clay to prevent leaks.

Heating and Pouring

The SiliNOT! didn’t take long at all to heat up; I did maybe four or five 20-second bursts before it was completely fluid. The bottle does get rather warm, so hand protection isn’t a bad idea. If you have heat-resistant gloves, you can use those; I was working in my kitchen (yay for nontoxic stuff!), so I just grabbed an oven mitt with a silicone grip.

The melted SiliNOT! looks a bit like Luke Skywalker’s blue milk. It’s about the consistency of a yogurt smoothie and likes to pour in a thicker stream compared to silicone. While silicone can be stretched into a thin ribbon for delicate pours or chemically thinned with solvent for really tricky jobs, SiliNOT!'s viscosity is dependent on temperature and never seems to get quite as thin as silicone.

I’d automatically made my mold compact to conserve material (not really a concern with a reusable moldmaking material like SiliNOT!, but after using silicone for more than a decade, I’ve trained myself to be as efficient as possible), so the walls of my mold container were only about half or three quarters of an inch from my object. Because the target was so narrow, I found it difficult to accurately fill from the lowest area of the mold with the SiliNOT! The heavier pour also means more air can get trapped in or under the material.

Bubbles are one of the areas in which SiliNOT! is decidedly inferior to silicone. SiliNOT! has higher viscosity, so bubbles don’t want to rise to the surface without vigorous tapping, which can distort the mold edges or affect leveling depending on your mold container. The bubbles that do make their way to the surface are difficult to pop, even when poked with a sharp implement. Heat gun degassing doesn’t have much effect.

Since the bubble surface cools and skins over quickly, I actually had to use a tool and scoop some large bubbles completely out of the mold to allow the surface to level. Critically, the SiliNOT! is opaque, so you can’t spot bubbles clinging to the surface of your original. (This is why my first mold was a reject, and I had to repour. More on that below.)

Hardening

Once the surface had set, I carefully moved the mold into the refrigerator to cool faster. Here’s another area where some types of silicone can have an advantage: I typically use fast-curing Smooth-On products (because I always have random quantities left to use up after our casting workshops), so I rarely have to wait more than half an hour for a silicone mold to cure, regardless of its size or mass.

The SiliNOT! has to chill completely before handling, though, and discharging that amount of heat requires a fair amount of time even in a cool environment. My mold was pretty small, maybe 2 1/2” wide by 1” deep, and it still took around 40 minutes to cool completely. A larger, deeper mold could hold considerably more energy in the center, and might have to be left in the freezer for a couple of hours before use.

Demolding the Original

When the mold was completely chilled, I removed it from the refrigerator and popped it off the plastic plate I’d used for the base of the mold. The texture was very different from what I’d expected: Unlike other meltable materials (Monster Clay, et al.) that have a firm surface when cool, the SiliNOT! remains tacky, which means it promptly collects any debris that crosses its path. In my case, this meant I had to pick dog hair off the surface throughout the casting process (and I don’t want to think about what would happen if glitter had contaminated the work space).

I’d used a paper cup for my mold walls, which usually works fine with fast-curing silicone. But the SiliNOT! must have a high oil content, because the cup absorbed some of it:

Lesson learned; use only nonporous containers with this stuff.

The SiliNOT!! really wanted to cling to the edges of my original, so I had to go slow at first to avoid tearing the thin flanges of the mold off. However, it did demold nicely from the smooth surfaces, and preserved texture very well. You can see the Worbla pebbling and the engraving channels clearly in the mold (as well as some dust and dog hair, because I made the mistake of setting it down briefly):

Unfortunately, as you can see, a large bubble had stuck to my original and created a pit in the mold, so I decided to do a second mold pour. I figured I’d tear up the failed mold and put the pieces back in the bottle to remelt… and discovered I couldn’t. The mold would stretch and twist, but not tear. It also seemed to return to its original shape relatively faithfully. Here’s a video of me manhandling the mold:

As you can see, the SiliNOT! has much better stretch and recovery than many silicone products (there are silicones that stretch well -- some of the Dragon Skin products come to mind -- but they’re not typically marketed for moldmaking). This means it’s likely well suited to casting objects with moderate undercuts or oddly-shaped bits that need the mold to stretch during demolding.

You can cut the SiliNOT! easily with scissors, which is the recommended method for getting it back in the bottle when you’re ready to remelt.

Take Two

Using what I’d learned from the first pour, I did the second one inside a hard plastic ramekin. This gave me a bit more room to pour into the floor of the mold, reducing the bubble risk, and also eliminated the porous paper cup that had absorbed oil. I still had the issue with bubbles that didn’t want to pop, but there were fewer of them this time.

The ramekin made for a much cleaner mold, buuuuut there was ANOTHER BUBBLE right in the middle of the design. >.<

Take Three

Lather, rinse, repeat. Or in this case, melt, pour, chill.

This time I heated the SiliNOT! as much as I dared and did the absolute slowest, narrowest pour I could manage, giving the air extra time to escape as the mold was filled from the bottom. The risk with stringing out the pour like this is that in a thinner stream, the heat escapes faster, leading to uneven viscosity as the liquid fills the mold. I don’t think that’s a major problem for this particular piece, but it’s something to pay attention to as regards leveling and degassing, especially for larger molds that will take longer to fill.

The result of pour three:

/siiiiigh/ Well, at least the bubbles are smaller, this time. They may not show up enough to matter in the final cast. I’ll give it a try.

Casting

I had leftover workshop resin that was getting on toward the end of its shelf life, so I used Smooth-On Smooth-Cast 300 for my initial resin trial. It’s an opaque white resin with about a 10-minute cure time (the fast turnaround is why we use it for workshops).

Before pouring, I had to do a little mold cleanup where the SiliNOT! had managed to sneak under the edge of the Worbla (I think I’d loosened the corner of the star from prying it out of so many molds), but since the SiliNOT! stretches so well, it was pretty easy to invert it to get little scissors down into the bottom of the depression.

For the first cast, I didn’t use anything but the resin in order to get a baseline. Ideally I’d like to cold cast or dye the resin so I don’t have to worry about paint chipping, but since I’m doing a trial here (and need multiple buttons anyway) I figured some plain white extras wouldn’t hurt.

So, my first cast…

…smacked into a big problem, which I probably should have seen coming: The resin I’m using is a fast cure formula, which means it discharges a fair amount of heat as it's going through that rapid chemical reaction -- enough heat to melt the SiliNOT!, as it turned out. When I tried to demold it (after giving it a few extra minutes beyond label time to be sure it was done), the surface of the mold had melted to the resin and even embedded itself in a few places. It’s difficult to see the resin detail in the photos (my camera went into white balance panic mode with all the shades of white and blue), but you can see how pitted the formerly-smooth mold surface is.

In fairness to the SiliNOT!, the bottle does say that you should put the mold in the freezer for half an hour before casting high-temperature materials. But I assumed high-temperature material was something like candle wax or melted chocolate, rather than ordinary resin. (And the mold had just come out of the refrigerator.)

So, on to pour FOUR of the SiliNOT! mold…

Take Four

NGL, this is getting a little old. >.<

Fourth mold definitely needed some cleanup around the edges, and there are still a couple of tiny bubbles I can’t seem to get rid of, but it’s good enough for a test. (I’m starting to despair of using these for actual production, given how many times I’ve had to redo the molds because of bubbles...)

Deep in the recesses of my basement, I found some transparent epoxy resin with a 24-hour cure time -- much slower and lower-temperature than the Smooth-Cast. Since it cures clear, I went ahead and mixed in some metallic powder pigment on the off chance that I get a usable button out of this one. I had excess resin after mixing, so I poured that into my first mold, which has a bubble in the design but is otherwise fine. Two test pieces are better than one, right?

Results

Here are the results of the slow-curing resin out of mold #4:

Finally, a (mostly) clean cast!

As you can see, the detail reproduction is excellent -- certainly on par with the pulls from the silicone mold I ended up making while waiting on this set to cure (purely for time reasons; I couldn’t afford five days to cast the buttons using slow-curing resin, and with a silicone mold and fast-curing resin I could get them all done within a couple of hours).

However, you can also see a few spots where bits of the SiliNOT! embedded themselves in the final cast. Part of that may be due to design flaw in the original; I didn’t want to glue anything permanently to the antique button, and that resulted in a tiny gap between the button and the resin hemisphere. Silicone has enough strength to resist tearing out in that kind of area, but apparently the SiliNOT! doesn’t. The bits of mold around the outer edge seem to have stuck just to be difficult, as there was no structural reason for those to have become embedded in the resin. This means the mold could be damaged by successive casts, reducing its usable life and accuracy.

Still, the mold definitely produced decent results for a first cast, and a different shape might not have had as much of a problem with tearing off mold parts. The slow-curing resin is a bit of a limitation, but not a unique one (I use this same epoxy resin for any glass-clear casts I do, and only use the Smooth-Cast 300 for opaque items or things I need very quickly). I don’t personally use UV resin, but I’d be curious to learn how it performs with the SiliNOT!

IN SUMMARY:

Here’s the TL;DR on SiliNOT!

Pros

Cost effectiveness. This is the most obvious advantage of SiliNOT! over silicone; it’s (theoretically) infinitely reusable, and even with natural attrition/inevitable contamination from use, you can likely get over a hundred pours out of a bottle. That's a lot cheaper per use than silicone.

Non-toxicity. SiliNOT! is touted as food contact-safe, so you don’t have to panic if you get it on your skin or kitchen counters. While platinum-cure silicone is also relatively harmless (some varieties are labeled for food or life casting), other common moldmaking materials such as tin-cure silicone or urethane are not. (NOTE: Since the company is very hush-hush about what actually makes up the SiliNOT! secret formula, I do not know if it might release any vapors or fumes that would be irritating or harmful to pet birds. In general, I advise not doing any kind of casting around birds.)

Eco-friendliness. This is the biggest draw for me personally: Given the number of casting workshops I run and all the things I sell commercially, I have constant guilt about the amount of waste I generate for creative projects. In most areas of life I’m an aggressive reduce/reuse/recycler and try to use organic materials instead of synthetics whenever possible, so a mold that’s reusable and compostable is very appealing.

Ease of use. It’s honestly pretty hard to mess this up -- just microwave according to the directions and pour. No measuring, no A/B mixture, no concerns about chemical contamination from latex or sulfur, etc.

Shelf life. Unlike silicones, which have a shelf life of anywhere from six months to three years depending on storage conditions, the SiliNOT! purports to be shelf-stable. It's compostable, so don’t bury it in your yard, but otherwise it appears that it could be kept on hand for years.

Cons

Bubbles. Honestly the most irritating thing about this stuff for me. I’m used to being able to see bubbles forming as I pour, tap them to the surface, and remove them. The fact that I poured four molds of the same object and never once got one without bubbles is super irritating.

Stickiness. I’m not a big fan of the tacky surface texture, and while I haven’t done any cold casting yet, I can imagine that it would be very difficult to clean out any pigment or mica powder that got where you didn’t want it. I probably wouldn’t use this for any kind of cold casting that required isolated colored areas or changing colors between casts.

Set time. The SiliNOT! may take longer to cool than a fast silicone would to cure when dealing with larger molds, so it’s not ideal for projects with a really tight turnaround. (But cosplayers would never be casting something the night before a con, right? We always plan ahead and never, ever procrastinate!)

Library life. The SiliNOT! may or may not structurally degrade over time the way urethane, latex, and tin cure silicones do, but I noticed even in my very limited casts that it was prone to having tiny bits of the mold (particularly at edges) stick and pull off. While I keep most of my platinum silicone molds for years and reuse them, I don’t feel that the SiliNOT! molds would hold up to repeated casting, and they’re far more sensitive to ambient temperature, so they’re probably best used for short term only. (I also wonder about the possibility of oil leaching out in long-term storage.)

Comparative Ranking

Ranking it against other mold-making materials, I’d place SiliNOT! below platinum-cure silicone in terms of performance, but maybe somewhere in the neighborhood of urethane and tin-cure silicone. It's definitely superior to latex. (Though to be honest, I'd rank Play-Doh above latex. I hate working with that stuff.)

Factoring in cost and environmental impact, it beats out urethane and tin-cure silicone. I'm still not sure if I'd rank it above platinum-cure silicone, though... Silicone costs much more and isn't eco-friendly, but the performance and lifespan is significantly better, so it still makes more sense for some projects.

Alginate is another type of material entirely, but in some ways SiliNOT! is comparable to it -- both are more cost-effective than silicone, both are biodegradable, both are skin safe, and both have long shelf lives. But SiliNOT! is easier to use for beginners than alginate, which has to be mixed to the right consistency and has an extremely short lifespan once poured.

Overall, I would recommend SiliNOT! for:

People who want accurate, non-shrinking molds but don’t have the budget for platinum-cure silicone

People who are committed to eliminating waste from single-use materials, and are willing to trade off a little performance for a more eco-friendly material

Projects with smooth surfaces and no indentations/sharp edges/undercuts where bubbles might stick (e.g. cabochons; simple geometric forms)

Projects where you need only one or two casts of something, rather than many casts from the same mold

Casting oddly-shaped pieces around which the mold needs to stretch in order to demold

Use with slow-curing resins that do not generate much heat

I would NOT recommend SiliNOT! for:

Extremely complex or detailed pieces, or pieces with a lot of surface texture that bubbles might stick to

Two-part molds

Projects requiring many identical casts out of the same mold

Molds that you intend to add to your library for future or repeat casting

Use with fast-curing resins, melted wax, melted Monster Clay, or any other material that emits heat

Cold casting with precise color application

My Overall Opinion

It's... okay? I will almost certainly keep SiliNOT! in my toolkit for certain specific applications. It's MUCH cheaper over the long term, I love the idea of recycling mold material, and there are some projects for which it will likely perform very well (those listed in the above bullet points). I will also admit that three days of working with it does not constitute a comprehensive familiarity with the product, and it might be the sort of thing that you get better at working with after more practice. (Just learning how to eliminate bubbles would go a long way toward making me adopt this for more projects!)

However, I don't quite buy the "better than silicone" tagline. It's definitely more difficult to get a perfect result, and there are some projects for which platinum-cure silicone is always going to be more reliable (e.g. high-temperature casting, mass production, large-scale life casting).

For those looking for a recommendation of whether or not to buy, I'd say look at your project budget and the applications for which you're going to be making molds, and let those factors guide which mold material you go with. People doing some kinds of projects are likely going to find this a godsend, while those doing different projects would probably hate working with it.

#silinot!#silicone #resin casting #tutorial #product review #smooth-on

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