#btw trauma can literally give you brain damage
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Can we talk about how psychiatry has a pattern of using treatments for mental illnesses and disorders that cause brain damage and then labeling the direct effects of that damage as "healing"
#antipsychiatry#antipsych#medical abuse#anti psych#text#my stuff#examples include: ECT/electroconvulsive therapy 'rewiring the brain' being seen as positive/healing despite causing memory problems#and other issues#but when disorders like depression rewire your brain it's labeled as brain damage. lmao#insulin shock treatment and lobotomies#forcibly drugging people until they have actual neurological damage#antipsychotics decreasing grey matter in patients who take them long term#mental health treatment being incredibly traumatic by nature#btw trauma can literally give you brain damage#and so on
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From someone that had no idea what slow damage was and literally just enjoys your art. The Rei drawing just threw me in a spiral. It gives me so much gender euphoria because the way you draw him (again no idea how he looks ingame) is literally how i wanna look (transmasc here just for context). Im squealing i need to check it out now definitly. So thank you, officially infected me with the brain rot.
Btw Youri gives me the same feeling just to for my inner edgy teenager that never lost the "emo phase"
-🐉
ohh uhh i def should give a warning. slow damage is a 18+ BL game and contains lots of sensitive dark themes (nitro chiral is known for making dark content BL VNs), my bby towa alone is a walking warning for himself since he desires violence and pain (it comes from his past he doesnt remember) and enjoys getting hurt and injured no matter in fights or in bed (which happens a lot that it even gets funny sometimes when hes just roaming the streets and some rando slashes him out of nowhere, he lit gets into stuff against his will and is like "ye i got stabbed again" all unbothered when taku patches him up AHHAHHA)
the game contains (obviously graphic sex), graphic injuries/body harm, physical/sexual violence, self harm (towa just cant stop getting hurt/hurting himself); ill add more warnings under the cut, please do read if you consider playing so you know what will await you
all the sensitive stuff aside, it def has fun/lighter moments. rei is a mother hen who can kick ass and look pretty (DONT LOOK AT HIS EUPHORIA END, euphoria end rei is not real he cant hurt us) - he has the biggest sweet tooth, drives a motorcycle, loves deathmatches, works part time at the clinic and the bar, does body art as a hobby, absolutely loves towas art and fusses over him all the time and is the sweetest boyfriend you can have (i love him a lot)
also this is so funny you say that bc i created youri when i was lit in my own emo era as a teen AHHAHAHAH
anw some routes contain themes like suicidal ideation (rei and madarame), assault, human trafficking, drugs (taku), grooming (taku), body dysmorphia (rei; at some point in the past he and towa tried to cut off his dick), child abuse/assault and pedophilia (mentioned in asakura chapter and towas past, no one is committing it), imprisonment (madarame), dubcon - i didnt play fujieda route (final/true route) yet but i already heard its a sad chapter bc towas past gets uncovered so theres def more warnings for that bc this boy can fit so much trauma. so much
towa barely eats/drinks and prefers cigarettes and alcohol over food; so naturally theres lots of alcohol. theres also a few times where he theres a shrill ringing noise when hes having dreams, i dunno if ppl are sensitive to that but better mention it
each route has a euphoria ending (good) and madness ending (bad); i saved the madness ones for later so i cant tell how much worse those get jkfbk
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Ok so my brain decided to deepen its own damage last night as I was rewatching The Winchesters (season 1) finale so buckle up it’s a long one fellas.
So I was listening and when I heard Keep on Rambling come on during the bar scene with Joan, my mind went huh, I wonder where this is placed in the album. So I went and checked. Mainly I was curious cuz usually an album tells a story and Jensen made it pretty clear that unlike the previous two albums where they were just trying shit out, this one was meant to be more consistent and have a clear throughline. So as I said, I checked.
It’s the 6th song btw, the 1st of the 2nd half of the album. I kind lost it after that tbh. Let me explain why ok:
So if we go by the logic that the album tells a story and we tie it to Dean (and destiel cuz duh tbh) we have this shit happening: Right Kind of Trouble - you can tie this to SPN directly, this is Dean realizing that Cas is basically it for him despite the constant fights they’ve been having and more so allowing himself to acknowledge that. Basically this is the Purgatory apology. Like legit this song is to me what Dean really wanted to tell Cas, that Cas didn’t allow him to. This is a love confession itself, one that says I know I fucked up, but If you give me a chance again I will do so much better cuz you’re it for me, we match. Like look at this shit guys:
Like this is pure divorce era Deancas and you can’t tell me otherwise, but more specifically, Dean thoughts as he eventually apologized in 15x09 The Trap.
Then we got Forever ain’t Long. This for me can of course still be about the divorce era, sure, but more so it feels like 15x18 Despair and regretting having gotten to this point and now it being too late to change anything cuz Cas is dead. Like how much clearer can it be? Like it’s literally a plea for time to turn back and for the relationship to go back to being as it was before all the mess Chuck and just the divorce era caused, but cannot since Cas is dead (Take me forever/forever ain’t long). And also, just this song screams Despair to me, it’s one of the saddest ones on the whole album, it reeks of grief. And it’s a direct call for Cas with the heaven line off the bat:
Also this part? This is mindspace for sobbing on the floor and 15x19 vibes for me.
Next is Every Light, the ultimate Dean song right? Well specifically this ties into 15x19 - telling Chuck he can just have his ending, just bring Cas back - and more importantly, and it’s also something I think we all heard, it’s about what shall not be named, the fucking 15x20 finale. I don’t need to bang on too much here but like, it’s even more than that. Because with TW 1x13 we find out he decided to stray from heaven while we were still mid ep 15x20 which means these are him going, hey I need to do sth about this, I need to figure out what’s wrong here, make sense of it and make it right cuz fuck this, I ain’t just taking this shit hand I’ve been given. Like I could literally put the whole song here but like imma put just some:
This is pure intergenerational trauma banging around in his head.
Ain’t no telling is next on the list and this is now heading into Winchester territory a bit, but not quite fully there. I see it as a continuation of the above aka I don’t want to go, but now that I’m gone and it’s not good, why is it not good, who am I after all, does anyone really know and does it really matter? And by anyone I do mean Cas tbh cuz like yea, it would make sense. The song literally says hey, you love me through all of it, despite me not always being sure who tf I am or how far away from each other we are, but we are still going to take advantage of every second we have. Basically this to me feels like a retrospective of the divorce arc put into context by the confession and this restlessness and need to find something Dean gets while in heaven. Like the 1st verse if soooo Dean I just can’t.
Ok now we get into shady waters a bit because You make me Blue is a bit of an outlier tbh, which considering I think this was written just by Steve, it makes sense, buuut I can still fit it in here seamlessly like this: this is sung to Chuck. This is the realization or resolution to the question posed by Ain’t no telling essentially. This unsureness of self isn’t lying with Dean alone, this was brought on by Chuck and his machinations so the anger in the song matches perfectly. Again, all of this til now has been gearing up to leave heaven but still on the road so to speak, still matching the 15x20 set of events, but his mind is running and trying to make sense of things. And what do we get with this song? We get “I’m finally happy being free/me”. We get a concretised sense of self once it’s been made clear in Dean’s mind just how much Chuck fucked with him (and if you’re a Chuck Won truther like me, how much Chuck is still doing, has the realisation that maybe Jack isn’t quite Jack here cuz sth is clearly wrong, but it doesn’t matter anymore, he knows who he is so Chuck/Jack’s influence can’t affect him anymore). And again this is the one song that matches least, but if we take it to be Dean having trusted Chuck to not be the villain (see him going to shoot Jack for that and promising to bring Mary back), then this still fits for me.
And now that we close this chapter we get to our 1st offender again: Keen on Rambling and the 1st one that is without any doubt taking place during The Winchesters. Like the whole song states everything that we’ve just been told happened throughout season 1. Like ok, verse 1 is deciding to leave heaven even though heaven is meant to be a place to rest (find peace whatever). Then verse 2 is giving the AU he finds himself in with the Akrida a nudge in the right direction (I’m sorry with the calvary in tow??, headed southbound for the season???) And finally we get to the last one which to me is meeting the Core 4 but especially Mary and John and giving them the journal (I have a story to tell — do tell). So yea, but he’s not done tho. The song is constantly saying to keep on rambling so there’s more to do to get to where he needs to be, he’s still restless. But it is the beginning of this next chapter and the beginning of the second half of the album like I said. It matches soo fuckign well tbh and I’m going a bit insane here so take all this with a grain of salt tbh.
Ok so now that we’ve reached the current point in the Dean story we have 4 more songs. Which to me is basically where Dean needs to get to.
And honestly a bit of Sweet Escape still fits into the finale for season 1 of TW so let’s get to it. This one is very much saying I’ve been caught red handed and people are trying to keep me contained but I refuse to stay put cuz there’s still shit I need to do/find. Like this is where my Chuck Won truthing hits worst tbh, but it could just be the Jack’s non interference thing too as well tbh, but the other voices that need to be drowned out are def Jack here, who took him back to heaven at the end of 1x13 of TW so this is basically saying you may have gotten me back here, but I’ll break outta the inclosure anyways, you can’t stop me, I’m not done. And with the 1st verse’ ending it feels like not only is he not done, but there’s a plan in motion here. Also I CANNOT overstate how much the 2nd verse makes me think of the Empty.
Return to Me is self explanatory tbh, but I’ll ramble a bit here too. This one answers the question of what he’s searching for, why he can’t stop moving, what’s missing for him to be happy. And what’s missing is a person that he lost aka Cas. Like I really don’t even need to say much here, this song is literally Dean going hey this is what I need to be happy, this is how that can happen. It fucking has the lakeside and raincoat mentions, it’s blatant tbh. And moreso, the last verse is just a reiteration of what we all lost our shit about with Watching over Me aka how did I not know you loved me back, how did I miss that until it was literally too late.
Restless Man is a prayer to me basically and also the song I relate to the most tbh. So I’ll try not to get lost in the meanings here. But basically it’s Dean asking Cas to give him the space and reason to slow down. Not stop, because it’s still Dean and he can’t do that, but to give him a place or person where he can feel safe to take a break, where he can just be, where he can learn how to just be instead of constantly needing to do everything for everyone else. To have a place where he can just focus on himself a bit and what he needs and wants and how to embrace being happy. And more than just that, it’s saying that he’s finally ready to allow someone to take care of him for a bit, to have a place where he doesn’t need to be constantly on guard.
And it wraps up with Velvet Sky which in this case is the happy ending. Happy not because there’s “peace when you are done” like Jack says, but because now they have a place of their own to go to whenever they are weary of the road. The 1st verse to me is referring to Dean travels through the multiverse - literally seen all the land, every beach and grain of sand because he literally went and saw all the possibilities for things, saw the wide expanse of the multiverse in search for this place and this person that he can now be with. And it’s not peace here, the sea is angry still, but it’s what works for them. It’ll never be perfect and it doesn’t need to be, Dean just needs this place and person to be free to just be himself and that no one else can reach or affect again, have his story be his own.
So yea, this is the insanity my brain concocted last night after rewatching The Winchesters season 1 finale and having a random thought about Radio Company. And like I could’ve left it be and not traced any connections, but they fucking used the song in the show and then used Ramble On as the song to send the episode off. I couldn’t just ignore the relevance of that.
But anyway, none of this could be accurate at the end of the day, but I had to get it out cuz it was stuck on repeat all night. Let me know what you guys think.
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i have a question about your ptsd post (the one about how a lot of people have ptsd and don't realize it). (no pressure to answer this btw!! /gen. figured i'd ask bc you seem knowledgeable)
what if something traumatic happened but i literally don't remember the events themselves; only how i felt afterwards? could that mean i have ptsd? (i personally don't really think i do but i'm kind of confused about it so)
my memories really bad (maybe it's linked to the adhd? idk) and theres so much i don't remember at all or remember VERY vaguely, but my psychology prof said that your brain makes memories with strong emotions *more* memorable and vivid (hence nightmares and flashbacks and panic attacks as responses to severe trauma).
i guess i'm mainly confused about the distinction between symptoms of ptsd and how someone without ptsd reacts to reminders of trauma
Hiiii :)
So I obviously can't say for sure whether you have trauma/PTSD or not, or what it was if you do, but not being able to remember things is a part of PTSD, especially C-PTSD. As I said in the post, in the criteria there's "inability to recall key features of the trauma". But it's also common to not be able to remember a trauma at all, or only parts of it, and then for it to come back much later. That can be part of why someone might have the Delayed Specification (full criteria not met until at least 6 months until after the trauma). I myself have experience of not being able to remember a trauma that happen when I was 7-8 at all until it suddenly came back one night when I was 14.
If you dissociate (whether you have the Dissociative Specification of PTSD, or another dissociative disorder like DID or DPDR), it's likely you dissociated during those traumas, which prevents you from remembering things properly. That could be why you can't remember, because you could've been emotionally dissociated as well as sensually.
But it's also important to remember that while cortisol (the stress hormome that produces a lot during traumatic events) can enhance your memory of an event, or a specific part of it, prolonged exposure to cortisol can have the opposite effect and damage your memory of the event. The cortisol can impair the hippocampus' ability to recall memories. The longer you're exposed to it, the more risk you're at for not being able to remember the trauma well. This is why this kind of memory loss is very common in C-PTSD, because prolonged exposure to trauma is prolonged exposure to cortisol.
However the advice that I would give to you, and I think I've said this before but I'm not sure, is not to try to force your brain to remember. If you do have trauma, it will come back to you eventually. If you try to force it, you could trigger a severe flashback, panic attack or breakdown of some kind. Your brain will let you remember when its ready.
So you could have PTSD, just depends on how your experiences fit with the criteria.
And answering that last question is a little complicated because it depends on the person, some non-PTSD having trauma survivors don't react at all to being reminded, some experience emotional distress/physical reactivity but it doesn't last that long or have a big effect on their life. It depends on the person and their specific symptoms and experiences.
Hope that helps :)
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To anyone going on about the "lore" of the Wonderland system...please stop. As someone in a system (DXd btw since that's all you guys ever seem to care about) please stop treating alters like fictional characters or role plays. Please stop treating inner worlds like fantasy worlds the host "made up".
Each part is born from stress or trauma, each part holds a certain kind of emotion within the system. We do not exist on purpose, we aren't made up, we don't exist for your entertainment. We were created to cope with repeated early childhood trauma.
Our inner worlds/headspaces are as elaborate or simple as needed to maintain order and keep our trauma, stress and feelings in general compartmentalized and in order.
I don't care if the Wonderland system is faking. I literally don't give a fuck. Even if they are, it doesn't matter. The damage you assholes have done to our communities and to other individuals with DID or OSDD far outweighs any harm they could do with some of the misinfo they spread. I have seen much more misinfo and harmful rhetoric coming from fakeclaimers than I ever saw from a system who was spreading misinfo.
Yes YOU CAN have a poly fragmented system with hundreds of alters, it is actually not as uncommon as you might think. Yes you CAN have non human alters, some systems have mostly non human alters because of their specific traumas and how their brain coped with the trauma. You CAN have alters that have racialized features that don't align with the body because alters form involuntarily. As long as white systems take responsibility and make sure their alters don't identify as a POC and don't do inappropriate behaviors it's usually okay. It is not inherently problematic especially because systems don't choose what alters you get.
Yes YOU CAN have alters in relationships with eachother-- alters can be family, friends, enemies, lovers, married, acquaintances. Any human dynamic you can think of alters can be in with eachother because they are separated parts of a whole who have their own feelings and personalities.
Even if you aren't spreading any of this misinformation, even if you aren't fakeclaiming, treating alters like OCs or inner world drama as a made up story is never okay. These are real experiences, real parts of self experiencing real emotions. The host of a system is as much an alter as a non-human fictive, no alter is more real than the others. No one is the "original" as this forms in childhood before the mind forms a cohesive personality.
If you don't understand what I'm talking about, please look at this page of compiled DID research. Also look up the theory of structural dissociation. Feel free to ask more questions if you're still confused, I'll do my best to answer them from my experience as someone in a system.
#the wonderland system#fakeclaiming#fake claiming#tw fakeclaiming#did system#osdd 1b#osdd system#trauma#multiplicity#actually plural#dissociative disorder#dissociative identity disorder#dragon talk#wonderland system#tiktok drama#tiktok
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BnHA Chapter 291: The Endeavor Pamphlet
Previously on BnHA: Dabi showed up atop Gigantomachia’s back and was all “you’ll never guess who I really am!” and the readers humored him and were all “who?” and he was all “TODOROKI TOUYA” and we were all “WOW └(・。・)┘ OH MY GOSH I WOULD NEVER HAVE GUESSED”, except for Shouto and Enji who were GENUINELY SHOCKED. Anyway so Touya was all “and guess what I’m doing right now!” and before anyone could even try, he was all, “STREAMING MY EMMY-NOMINATED MINISERIES ‘HELLO, I’M EVIL BUT ALSO TRAGIC AND SEXY, NOW LET ME TELL YOU ALL ABOUT MY DAD WHO SUCKS’’, THAT’S WHAT.” And everyone was all “oh my god” and Touya was all “ヽ(⌐■_■)ノ♪” for basically the rest of the chapter, and that’s pretty much it! Oh, wait, except for the part where he also doused himself in bleach in a fit of pure theatrics, which is actually pretty much the main takeaway from the entire chapter really because it was just wild af. ANYWAYS.
Today on BnHA: Horikoshi introduces Baby Touya, the world’s most enchantingly sweet character, and is immediately all, “I sure can’t wait to tell you guys all about how his fucking jaw burnt off.” Thankfully he doesn’t (YET), and we cut back to the present pretty quickly, where Dabi explains how he took all of his brain cells that should have been used to stop him from pouring bleach over his head, and instead put them all toward his big brain plot of releasing an elaborate video detailing Endeavor’s various abuses and crimes, and even throwing Hawks under the bus as well because WHY NOT. He then leaps off of Gigantomachia’s back (like I said, no brain cells) all set to blast them with a Prominence Burn, only to be stopped by none other than THE LEGEND HIMSELF, MOTHERFUCKING BEST, PRETTIEST, NICEST, MOST OUTSTANDING MOTHERFUCKING JEANIST. Who’s no doubt outraged by the crime against hair he witnessed only moments earlier. GO GETTIM JEANY BOI.
so I haven’t had time to answer any of them because this has been the stupidest week, but I just wanted to tell you guys that I received no fewer than nine asks about Dabi’s hair. which, in a week filled with election memes and tumblr’s most cursed fandom briefly rising back up from the dead, is a pretty impressive feat for him if you ask me. like, I know I was making fun of it basically nonstop, but it sure did generate a lot of discussion so maybe I should rethink my opinions on Dabi’s PR strategies now, idk
anyway. it’s Saturday. time to catch up on this shit. let’s see how fucked the Todorokis are
OH NO HE’S CUTE
HOLY SHIT THIS IS TOO MUCH TO FUCKING PROCESS. I’M JUST TRYING TO ENJOY MY DAY HORIKOSHI, ARE YOU REALLY GOING TO TRAUMATIZE THIS POOR CHILD RIGHT IN FRONT OF MY SALAD
“thanks for being all right” the fuck
who allowed this child to be so cute. I’m serious. who signed off on this
how could a child this adorable possibly want to murder his equally adorable baby brother. please, your honor. there must be some mistake here
guess how prepared I am to read all about Touya’s tragic past. mm. that’s right. zero ready. none ready
anyway. TWO THOUSAND DEGREES LOLOLOL. NO TRACE OF A CORPSE HOW CONVENIENT. A PIECE OF HIS LOWER JAW BONE FFFFMSGHKLSh. LOVELY. LOVELY
LMAOOOOO
listen you guys. I just want to take a moment to appreciate that Horikoshi Kouhei did one of two things here. either (1) he planned it out FROM THE VERY START that Touya would be born with red hair Because Fire Powers, but would then have his hair turn white due to trauma, thus making the Dabi/Touya connection very slightly less obvious, although Let’s Be Real Who Are We Kidding. OR, (2) the anime got it wrong and gave him red hair, and rather than allowing this plot hole to continue to exist, Horikoshi took it upon himself to concoct this elaborate storyline and pretend it was never a plot hole at all! in which case I sure hope someone at Bones is sending him a VERY nice Christmas card this year. got this man sweeping up all your messes for you. you’re just lucky he has some sort of wild compulsion to address these things
anyways!!
FATHER AND SON. how sweet. :| still zero percent ready for any of this btw
STOP BEING CUTE
THIS IS RIDICULOUS. I’M SO MAD RIGHT NOW. HE IS THE SINGLE CUTEST CHARACTER IN THE ENTIRE SERIES, and do you even know how many other baby characters I’m betraying in order to say that?! baby Kacchan, baby Deku, baby Ochako, baby Shouto, Eri, baby Hawks. I’M LOOKING YOU DEAD IN THE EYE RIGHT NOW AND TELLING YOU THAT BABY TOUYA IS CUTER THAN ALL OF THOSE PLEBS. AND YOU’RE LOOKING BACK AT ME RIGHT NOW ALL “YEAH IT SURE IS A PITY ABOUT HIS JAW MELTING OFF THOUGH.” THAT’S IT, I QUIT THE SERIES
and Enji’s smiling at him. he’s so proud of him. but then Touya won’t be able to do it, and Enji’s gonna stop training him, and Touya’s gonna feel like a failure and keep pushing himself in order to try and win his dad’s affections back, because that’s all kids fucking want, all they want is just love, that’s fucking it, you couldn’t just give him that?? and then he’s gonna immolate himself fflkdlskfh THERE YOU SEE HORIKOSHI, I KNOW THE WHOLE STORY ALREADY, YOU DON’T HAVE TO DO THE WHOLE “SHOW THEM THE DEAD DOG” THING YET AGAIN YOU PIECE OF SHIT
OH SNAP THERE GOES THE TWIN THEORY. R.I.P.
BABY FUYUMI. PRETTY CUTE. NOT AS CUTE AS TOUYA THOUGH. HEY LOOK, NO REASON TO GET MAD AT ME I’M JUST STATING A FACT HERE
YEAH THIS IS GONNA GO REAL WELL OH BOY
I keep pressing the emergency stop button but this industrial tragedy machine just keeps on chugging along anyway, I’m pretty sure this thing is not up to code
:| I am so sorry sweet boy, Horikoshi is only getting started with you
FUCKING HELL WITH THIS NARRATION
but he wasn’t actually a child to you, he was just a little puppet child for you to live vicariously through!! and then you went and did the same fucking thing with Shouto afterwards and never learned your lesson until just six months ago!! fucking hell, Enji
so now he’s all “Touya is dead, that’s an unforgivable lie” fflkdhflk motherfucker does he look dead to you. if you really think that, tumblr and twitter have got a little over five years’ worth of archived theory posts to show you
oh shit Touya’s countering with “it’s an unforgivable truth”, which, damn. I actually think Horikoshi’s dialogue is one of his weaker points as a writer a lot of the time, but that comeback was snappy as fuck
actually guys, now that I’ve seen how ridiculously fucking cute baby!Touya was, I can almost understand why Shouto and Enji never put the pieces together before lol. any passing similarities would have easily been dismissed on account of he’d need to be at least 10x more adorable in order to get the full resemblance
OH MY GOD
NOW YOU SLEEP??? SO YOU POINT BLANK REFUSED TO PASS OUT WHILE YOU WERE BUSY MAIMING ALL OF MY FAVORITE CHARACTERS, BUT NOW THAT THERE’S AN OPPORTUNITY TO SEE YOUR REACTION TO THE “YOUR LIEUTENANT WAS SECRETLY RELATED TO ONE OF YOUR WORST ENEMIES THE WHOLE TIME” BOMBSHELL, YOU FINALLY DECIDE TO GET YOUR FORTY WINKS. I SEE
WOW DABI
I’M SURPRISED YOU DIDN’T ALREADY HAVE YOUR ANCESTRY.COM RESULTS PRINTOUT READY TO FOLD INTO A PAPER AIRPLANE AND ZOOM ON DOWN TO HIM
LOL NEVERMIND
gotta say, so far The Endeavor Pamphlet is just about as spicy as I could have hoped
(ETA: Natsuo’s face as he watches his beloved dead brother come back to life only to literally and metaphorically set everything on fire in one fell swoop is :/. why must you do this to me Natsu. can’t you see I’m trying to throw a Welcome Back Jeanist party here.)
HAVE YOU READ THIS?! TODOROKI ENJI ABUSED HIS OWN HEIR, AND DABI WROTE IT DOWN RIGHT THERE
WELL HE’S NEVER GON’ BE NUMBER ONE NOW / NEVER GON’ BE NUMBER ONE NOW / THAT’S ONE LESS THING TO WORRY ABOUT / THAT’S ONE LESS THING TO WORRY ABOUT
btw I neglected to mention this last week, but yes I do recognize and appreciate that this is Can’t Ya See-kun himself whom Horikoshi has chosen to be the face of this existential crisis which the general public is about to experience. rip CYS-kun
OOF
excuse me. putting aside the implications of Dabi sharing this context-less murder video of Hawks with the entire world for a moment, I just have to pause for a sec here, because when exactly did he get a chance to edit this all in?? complete with voiceover that seamlessly ties in with the prerecorded footage of him with DNA test results sans shirt?? you’re telling me this motherfucker, with all the smoke that was in the room thanks to his own quirk, somehow got a PERFECT SHOT of the PRECISE MOMENT when Hawks drove his feather knife into Jin’s back, using his MAGIC CAMERA THAT HE I GUESS HAD THE ENTIRE TIME IN THE POUCH RIGHT NEXT TO HIS BLEACH BOTTLE, and then immediately somehow got this very next shot as well FROM AN ENTIRELY DIFFERENT ANGLE
ALL THE WHILE IMMEDIATELY RUNNING THROUGH SCRIPT REVISIONS IN HIS HEAD, WHICH HE THEN PROCEEDED TO RECORD... WHERE, EXACTLY?? WITH SKEPTIC, WHILST RIDING ON MACHIA’S BACK??
AND THIS IS ALL YOU HAVE TO SAY FOR YOURSELF???
and this after I just wrote that whole long paragraph positively GLOWING about this man’s ability to plug up a plot hole. jfc. just scratch out every damn word I said lol. just forget all of it
are you fucking kidding me, the footage was from the cameras Skeptic planted on Hawks??
that’s... actually... okay you know what, it still doesn’t make any sense in the slightest, but the determination to address it nonetheless... just, dammit... I feel like I’m constantly at war with myself over whether or not I want to shake this man’s hand or slap him lmao. whatever, then!!
anyway, since Shouto and Enji can’t actually see the damage that Touya is dealing to the hero industry even as they speak, Touya is taking it upon himself to give them the highlights
I think it’s a testament to how much Endeavor cares about Hawks that he managed to zero in on that comment even amidst all the craziness of his eldest son returning from the dead to announce how he’s been carefully plotting their destruction for years and years. like, he heard “Hawks” and his face immediately went like that. you think he’s worried that Dabi did something to him? because he’d be right to worry lol
so the Endeavor Pamphlet narration is now explaining all about how Hawks totally killed the Number 3 Hero Best Jeanist as well! yep... he sure did... totally...
OH MY GOD WE’RE CUTTING TO HIM AHHHHH
Hawks, that is. lol. not Jeanist. NO, JUST MY POOR HALF-DEAD WINGLESS BABY SON
NOOOOO HIS LITTLE WING STUMPS. BUT SOMEHOW HIS FACIAL HAIR IS STILL INTACT. OH TO BE AN ANIME PRETTY BOY BEING SET ON FIRE. “HEY, TAKE IT EASY, WATCH THE FACE”
EXCUSE ME WHAT
interesting! we suspected as much, I think, with the clues that Ending dropped, and the little flashback right after the name reveal. still not clear how Dabi found out about it though!
looooool okay here we go, breaking out the heavy-handed holier-than-thou shit now
you know, I do find it interesting how trying to model themselves after All Might’s noble Symbol of Peace image has kind of ended up being the heroes’ undoing here. like, I could write a whole essay on this, but what it basically boils down to is that they were all trying too hard to be perfect. All Might went out there and did his thing and was amazing, and so the powers-that-be built an entire system centered around this seemingly-infallible person, and they acted like the system was infallible as well. and so most of the population ended up becoming complacent over the years, and meanwhile the people who were unfortunate enough to fall through the cracks understandably wound up disillusioned and perceiving the heroes as these false idols
anyway, but I think one positive takeaway from this is that the new up-and-coming generation of heroes represent a breakaway from that system. like, imo what we’re witnessing is the downfall of the Perfect Hero, and the rise of the imperfect hero. and this new generation doesn’t shy away from their failures or pretend like they never happened. they pretty much can’t pretend, because their failures are all right out there in the open for everyone to see. Bakugou Katsuki, just to name one example off the top of my very biased head, has had his own personal character journey basically play out right in front of the media’s eyes. his humiliation at the sports festival, his kidnapping by the League, and all of the fallout afterward. this isn’t someone who can ever go out there and convince the world that he’s perfect. but what he can do, instead, is show the world that he’s trying. that he’s trying with everything he has to do his best, to be the best. rather than this untouchable godlike image, it’s instead the image of someone painfully human who is nonetheless striving with everything he’s got to keep moving forward, flaws and all, and work his way to the top
and ultimately I think that’s going to be a much more positive image to send out to the world when all’s said and done. because rather than merely inspiring awe, heroes like that inspire people to take action themselves. or at least that’s what I hope! and not just Bakugou, but the others as well. we’ve got Shouto, whose own personal trauma is being aired in front of the whole nation even as I sit here ranting. we’ve got Deku, who cries at the drop of a hat, and who fought to become a hero despite being quirkless (and I think it’s only a matter of time before that eventually becomes public knowledge as well). tl;dr because I’m getting way too long-winded here, but these kids have effectively been humanized in a way that the old generation never was, and I think that’ll go a long way towards building trust between them and the people they’ll someday be protecting, and inspiring the next generation in hopefully a much healthier way
anyway so where were we. ...oh yes, Dabi was explaining that heroes only protect themselves, and is presumably building up to his grand conclusion of “therefore you should all just let the villains take over and burn down the world”
omfg. YOU GUYS
DOES CAN’T YA SEE-KUN’S SHARK FRIEND ACTUALLY CALL HIM “CAN’T YA SEE-KUN.” HE HAS A NAME YOU KNOW!! UNLESS HE LEGALLY GOT HIS NAME CHANGED TO CAN’T YA SEE-KUN. OH MY GOD
ALSO, IS THAT CAN’T YA SEE-KUN CRYING IN THE BOTTOM RIGHT THERE OMG. GIVE THIS CHILD A HUG. EVERYONE STOP WHAT YOU’RE DOING RIGHT NOW AND HUG HIM
BAKUGOU IS BARELY HANGING ON THERE LOL. GOTTA STAY CONSCIOUS... SO MUCH TEA BEING SPILLED... FOCUS... CONCENTRATE
IIDA’S ANGLING HIS HEAD IN A WEIRD WAY, LIKE DUDE. LOOKING SUSPICIOUSLY SNUGGLY THERE. MMM THESE IIDABAKU CRUMBS
HADOU IS ALL “WHAT EVEN IS ACTUALLY GOING ON” LMAO
LASTLY, POOR SHOUTO OMFG. WHEN YOU’RE ALL FINISHED HUGGING CYS-KUN THIS CHILD NEEDS YOUR ATTENTION!!
so now Dabi’s leaping off of this ninety-foot-tall gargoyle man like that’s a normal, smart thing to do. unless he can fly too now? saw his dad doing it back at Fukuoka and was all “hmm”
OH MY GOD SOMEONE TELL ME RIGHT NOW WHAT WORD SHOUTO IS USING TO ADDRESS ENJI, THESE TRANSLATIONS LOVE TO MESS WITH MY HEAD
ENJI GET MOVING DO YOU NOT SEE THOSE TEARS!!! SNAP OUT OF IT YOU BIG TREE
AHHHHH
OH KACCHAN YOU WOKE UP A LITTLE MORE THERE, HUH
lol he and Deku both look so determined but they’re basically sitting ducks. their “oh shit” faces do look remarkably like their “TIME TO SWING INTO ACTION” faces but don’t be fooled, they have one good arm and about six pints of blood left between the two of them. looks like this one’s all on you Shouto
-- AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH --
BAH GOD... WHAT’S GOING ON HERE... THAT’S BEST JEANIST’S MUSIC
y’all. can’t even talk right now, my brain has completely shut down lol. just. ...
°˖✧◝( ̄▿ ̄)◜✧˖°
#bnha 291#dabi#todoroki touya#endeavor#todoroki shouto#best jeanist#hawks#bnha#boku no hero academia#bnha spoilers#mha spoilers#bnha manga spoilers#makeste reads bnha#you guys know that scene from the end of the lion king#the part where simba is walking up to the top of pride rock#and he lets out that roar as zimmer's score soars to a crescendo#yeah baby#that's the mood rn#welcome back king
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An analysis of the Bold Type that I need to get off my chest (it'll be worth it, I promise)
I studied English literature at university, and it has always been instinctive for me to analyse characters, storylines, bigger pictures and under the surface tensions in film & tv. Discussing emotions, motivations and themes with my gf and my pals late at night is one of my favourite pastimes ever and I love everything to do with filmography and art ahhhh. (I wrote my dissertation on David Bowie & The Artistry of Sexuality, ya feel me?)
The Bold Type isn't filmography at all, but I think Jane Sloan and Jacqueline Carlyle hit different for me, being a queer woman in my 20s and a full-time writer. I can't really explain why. I guess there are a lot of queer female characters in film & tv that don't really feel inherently queer, and even as two identifying straight women Jane and Jacqueline felt queer to me. Their connection and understanding of each other was authentic and quite complex. I think they had potential to be something that we'd never seen before in mainstream media, because of their age difference and life experiences. I thought that was so compelling and so important to talk about and to give a recognised space to.
There is one thing that struck me most about them and it's insane to me that I haven't seen a lot of analysis on it, so it's the point of this post.
To my knowledge the show or actors haven't delved too deeply into it either, and given what went down I don't understand why people AREN'T talking about it. I wanted to bring it up. Btw, this post contains spoilers.
***Sexual abuse trigger warning***
In season 1, we learn that Jacqueline is the victim of rape, and the only person she has told about it is her husband, Ian. Given that she mentions that they've been married for around 19 years and the assault happened before they met, we can assume Jacqueline has been carrying the weight of what happened to her for over two decades. During all that time she didn't talk about it with anyone else, not a single other person.
And then Tiny Jane comes along. Jane Sloan, the big swing writer who just wants to write meaningful stories that help other women and girls that need it, like she did growing up. She fucks up a lot on the way and slowly begins discarding her judgemental opinions as she grows. But when she is at her best she has genuine compassion and empathy for people, and despite her reservations, Jacqueline gives her the opportunity to write about the story of a rape survivor and performance artist. She isn't aware, at the time, what that means for her own trauma or her own acceptance of it. But she does it anyway, because she sees something in Jane and she has seen it there from the beginning.
Jane starts to write and, as we know, in the most beautiful and compelling moment at the season 1 finale, Jacqueline is confronted with what happened to her. She stands in Central Park holding these weights, and you can see the crushing pain in her eyes as the realisation descends down on her. She shares a look with Jane, and a moment of understanding passes between them at what this means.
Despite all this, she lets Jane capture her trauma. She lets her publish her untold experience of her rape from two decades gone. She lets millions of people see her story in writing, with Jane Sloan's name printed above it. She re-lives and faces up to the harsh reality of that pain and that truth, through Jane.
Can you even imagine the trust you must have in someone to do that? The sheer love that took, for Jacqueline to give Jane her voice and her truth, with all its painful and hard repercussions?
This storyline is the boldest part of the Bold Type. It's the most honest and the most authentic. It captures the raw emotion of Jacqueline, and of Jane, and the two characters really see each other for who they are. It's one of the reasons why their relationship is so central to the other's storyline.
We don't ever see Jane truly unpick in detail what Jacqueline did for her. It spoke so many volumes and ... well, isn't that what love is?
It's this storyline that sets the tone for their relationship over the course of the show. Jacqueline sacrifices herself for Jane again and again. She publishes the article about the lack of accessible healthcare at Safford and gets fired for doing so, purely so Jane can afford to freeze her eggs. Jacqueline says there were a lot of other things that contributed to it, but Jane knows her article was the final straw, the point of no return.
Over a decade of pouring everything she could give into Scarlet Magazine and it’s readers, only to be gone in a second. All for Jane.
And again, in season 4, in the few real moments we are given between them, one of their final interactions is Jacqueline giving Jane the go-ahead to explore a story of potential abuse at States & Nations, a company Ian is associated with. Ian literally asks Jacqueline to stop pursuing the story, due to the sexual relationship he had with the source when he and Jacqueline were separated. When Jane challenges Jacqueline over her reasoning for pulling the story, she asks her to give the story a chance. Jacqueline lets her, knowing full well that it could prove irreparably damaging to her marriage and her family, and she does it anyway.
Jacqueline chooses the truth, over her career and over her marriage. She chooses Jane. As humans, there isn't much more you can give to someone else. I’m wracking my brains trying to think of a way Jacqueline could portray her love for Jane more, and I’m all out of ideas.
I want to reiterate again how insane it is to me that none of this is really acknowledged, or at least not nearly as much as it should be amongst the show, its creators and its viewers, Jacqueline continually falls on her sword for Jane (weird analogy, but she does) and it is repeatedly glossed over. Their relationship is quickly dismissed as a "mother Jane never had" or a simple "boss/employee" power dynamic, and it seems so hollow, unjust and sorry - so unbelievably boring - in contrast to the experiences they have shared together and the sacrifices they have made.
I understand Jacqueline’s character was based on Cosmopolitan Editor in Chief, Joanna Coles, and therefore it makes sense that this queerness to her relationship with Jane was not intended. However, it’s there. Everything I mentioned in the post happened on the show in canon.
In 2021, the possibility that these two women could have romantic or sexual feelings towards each other shouldn't be a stretch. If either of these women were male characters with this much intertwined investment, high stakes and sacrifice, there would be no doubt they would be endgame. They would run away, have the hottest sex, all the while their reputations would be forever ruined in the name of love. And we, as viewers, would celebrate it without question - we would never dismiss it.
The concept of what they are, and what they can be as two women should be able to live and thrive. It should be given a beating heart. In the very least, the reality of it should be on the table and up for debate. But for many viewers, and the show’s creators, it just isn’t. And here lies the problem.
Jane and Jacqueline have such a beautiful dynamic, it is so deep and soul-wrenching. How can we ever limit what these two women are and what they would do for each other?
I really hope that one day we can see a relationship like theirs given the queer space it deserves. Because it would've been the bold thing (and the right thing) to do.
I'm going to publish a longer and more in-depth article about this on Medium, because as I said, analysing is my favourite pastime and I can't stop doing it. But for now, this is all I can manage.
Edit: Read my published Medium article.
Here's to Jane and Jacqueline and what could've been.
#jacqueline x jane#jane x jacqueline#janequeline#jacqueline carlyle#jane sloan#the bold type#the bold type review#the bold type edit#queer ships#otp
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Lol at me being the opposite of everyone this time around.
Full disclosure is that I did not watch 37 with subs, nor do I intend to. Also I skipped large chunks cause it was giving bsag flashbacks.
The thing is, characters, symbolism, or good music aside, 37 was still at the whims of Plot. And I. Hate. Plot.
You really, truly can't character analyze Serkan or Eda in any of the episodes 31-37, because they are less characters and more plot devices. So trying to discover character motivations for literally any of the characters in this Dark Time is an exercise in futility.
I considered writing a long winded aside about how Eda probably should have talked to him instead wasting days angsting in private before dropping it on him, having a weird goodbye dinner, and then running away, but I'll leave it simply. Serkan supposedly impregnated Selin while he was suffering from trauma and brain damage and this makes none of this his fault. And I feel like my Eda would have seen that and stood by him to figure it out together (even if she ultimately decided to leave) instead of just running, no matter how sweetly worded the letter was.
Instead, we get two more hours of "together but not together while avoiding things" which frankly, I've had my fucking fill of with these two. 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25...that many fucking episodes of "almost but not quite but kind of but not really but sort of together." And granted, 4 were Serkan's fault, 4 were Eda's, and 3 were a tangled web of "working on it" but enough is efuckingnough already. Shit or get off the pot, as the saying goes.
I would have preferred the airport scene (which was perfection btw) to come at the end of 35. She is at her wedding, he doesn't show, she realizes that he will never fall back in love with her or remember her. It's truly over. She stops the wedding ("jk this was fake"), and packs her bags to leave. Serkan, meanwhile, who did not get punched in the head in a barfight but merely remembered when faced with losing her and confronted with their memories, has remembered everything. He rushes to the venue--Eda is gone. Chases her to the airport, and everything plays out exactly as it did, from heartclutching soul-mating to dramatic collapses.
37 just felt very "here are some sweet angsty Edser scenes that will end in dramatics" that was ultimately unnecessary bc it could have been solved in ten minutes with Eda telling Serkan and an ultrasound to determine how old the kid is. But we did it for Plot and Drama, so character motivations don't matter here, as it didn't in the previous 6+. So I'm not blaming either Eda or Serkan here, they were still Pinocchio this episode.
I think this is why the promo makes me so excited. Look, they aren't going to kill Serkan (or at least I'm fairly sure they won't, lol, maybe I'm just a clown.). But at this least this Plot and Angst has Edser, together, dealing with whatever comes, and using their words and sharing their hopes for a future, together. It's not more "we kinda are but aren't also" bullshit with one or both of them keeping something from the other. So I'll take an angsty "Serkan might die so let's get rings tattooed on our damn hands" plot if it means they are actually together together. That has more meaning to me than making pizza or little black dress date nights while Eda is planning on leaving him in the morning so he can have a snake baby. Not that I blame here, I wouldn't wanna have to see Selin's face for the rest of my life either tbh
#sck#sen çal kapımı#maybe this will be my final salt post!#ill be able to happily reblog things again#make gifs#be happy#I'll retire my salt crown#miracles can happen you never know#if im still salty next week#dont mention this post okay
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I’d call these more, my own interpretations instead of just OCs
I’ll tell you how this happened tho, i was literally just comin back from a l o n g ass road trip listenin to the musical and my tired lil brain started thinkin bout these boys and i was like ...what if i just,, made my o w n versions of em? What if I just,, and then boom, out popped well, this-
| Names: Henry Jekyll and Edward Hyde
| Nicknames: Jekyll doesn’t much care for nicknames but Hyde calls him Jek, Hen or Hen-Hen, or Henny which he REALLY hates. For the other, it’s either Ed or just simply Hyde ...Jekyll has given him many ‘nicknames’ mostly they are hateful ones tbh.
| Genders: Henry goes by he/him and Hyde goes by he/him and it/its
| Ages: Unknown but they are both adults
| Heights: Jekyll is 5’7” and Hyde is like 6’6” for sure (even tho they inhabit the same body, fuck it, im makin the rules ..andchangingthemfromtheogthing but i say height changes when Hyde’s in control)
| Species/Races: Henry’s a human ofc and Hyde? Honestly, idk what this thing is, all i can tell you is he’s stinky
| Eye Colors: Jekyll’s eyes are a Baby Blue color and Hyde’s eyes are Blood Red (ooh e d g y man)
| Hair Colors: Jekyll’s hair is honestly a messy curly undercut and the color of it is a dark brown and he has gray on the sides meanwhile Hyde’s hair is Black and in a spiked quiff style and he also has gray on the sides
| Skin Colors/Body Types: Jek’s a BIT pale but Hyde’s a much more- his skin is definitely more so a Whitish Gray kinda color so it’s definitely more noticeable than Jek’s skin if you look close enough at that (things do have to change when a certain one is in control of the body, can’t be EXACTLY the same or else it might give away that their the same person hehe) and their body types don’t really change- Jek’s body type is skinny (nothing TOO bad ofc, just a tad bit) if Hyde had his own body he’d definitely be a more average kinda bulkier build.
| Appearances: Okay first things first- they both have circle beards EXCEPT Hyde’s is a LOT more scruffier (he also has thicker sideburns btw!) and a BIT more grown out than Jek’s which is trimmed a bit more and groomed perfectly.
Jekyll usually has the typical lab coat on and a baby blue turtleneck underneath it, he also has blue pants that he wears with it as well and some oxford shoes that match the outfit, he also wears circle glasses as well (they help him see a lot better p much whereas when Hyde’s in control he doesn't really need em actually) Henry has a GOOD amount of scars all over his body, whether it be by accident, inflicted on purpose, or something more… It’s partially why he keeps his turtleneck on mostly and the lab coat helps as well- he’s ashamed of the scars and he tries to hide them especially so no one will worry about him, also for some more minor details- he wears a black watch on his wrist as well (he has no piercings or nothin like that) that’s p much it for Jek tbh, his features are p much 100% human so uh yeye
Now onto Hyde’s outfit- And yes, keep in mind- he’s still kinda,, an entity or whatever the fuck he is inside Henry’s body essentially but he DOES change his clothes when going out- his main one for going out is usually a black cloak he wears around himself (the outfit underneath is a black suit vest with a long dark red tie (his shirt underneath the suit vest is a dark red long sleeved shirt), he also wears black pants, and dark red oxford shoes, and of course he’s got a black top hat on (the band on it is red, definitely keeping a black n red themed appearance here aint he?) (his other outfits, hm I can leave up to the imagination tbh this is just for when he’s travelling around and so other people don’t spot him nearly as easily, especially when it’s n i g h t t i m e…) he’ll wear whatever the fuck he wants, and it doesn’t have to be fancy in the s l i g h t e s t- he has a variety of options.
He also has pointed ears, razor sharp teeth (got them bear trap teeth but not only that, he’s got a lot more s e c r e t teefs than that ;) he’s a lot more monstrous on the inside than the outside i’ll say that much, Jek’s n Hyde’s anatomy does change and transform depending on who gains control ...honestly it probs hurt to have your body transform and shift like that ouchie) he also has multiple tongues, he has claws that he painted black and red for the a e s t h e t i c s ya know- and hell at this point he might as well have tentacles ...He might- but I mean if you really wanna know, fuck around and find out for yourself and fuck it- he also has a dark red devil style tail since he wanna act like fuckin Satan himself smh
...I made him a lot more monstrous than originally planned but eh its fitting- bc this is Jek’s body even with a LOT of changes in these regards, he’s got the same scars n such as that, he also wears black and red spiral gauges in his ears (I should also say, he can technically hide these features to make himself appear more human, i didnt originally intend on giving him any actual monstrous features except maybe sharp teeth, claws, n the pointed ears but here we are, he still gotta not arouse suspicion around him too much tho) also his eyes have dark circles around them, not because he’s a tired man he’s just a fucking- hellish bastard who loves to look intimidating.
| Personalities: Let’s uhh start off with Jekyll because he’s better and nicer and not nasty and gross n smelly looking- He’s kind, sweet, compassionate, caring, honestly wouldn’t hurt a fly himself- could never willingly hurt someone! A sweet babey man! He’s very intelligent- I mean,, he IS a Doctor after all, he takes pride in his work but it’s not that overbearing narcissistic type pride, he’s just proud of the breakthroughs he’s made ...Granted, there is one “breakthrough” he wished he could take back .. -glancing slowly at Hyde in the reflection of the mirror- ahem- but he’s always been pretty outgoing but a lot has changed since, that abomination came into his life, sure he still tries his best to be a good person, he tries his very damnedest to find some sorta way to separate or better yet a way to destroy this evil vile beast that plagues his and everyone else’s lives! He’d rather destroy Hyde than separate from him because even then, it's still back to square one only with worse damage since he’d be of his own free will now.
He shuts himself away in his Lab a LOT, as much as he can anyways to avoid going out and risking something more happening to anyone else, of course…
There is no avoiding the outside world forever, he needs things to eat and drink, he needs things to keep his body functioning and not to mention not going outside could drive him, well, more insane than he already feels he is- He just tries to be as quick as he can about it before the other takes control or tries to, Jek definitely has a lotta anxieties and fears, and ya know at this point I mean,, hell- the man’s got trauma- Sometimes he wonders if any of this is actually real, if he had just gone insane and was just imagining all this, sometimes his head hurt because of all the thoughts and potential scenarios along with their outcomes plagued his mind, he feels a lot of things he never thought he’d feel towards anyone, he feels anger and hatred toward Hyde but in a way aside from feeling so negatively toward the other, he can’t help but admire the way Hyde wishes to just simply l i v e, and even before this beast became apart of him… He was always anxious deep down and almost scared to take that jump when needed.
But Hyde? Hyde doesn’t seem to even c a r e! That thing lives it’s life without any care whatsoever, he doesn’t have any anxieties or fears at all it seems! In a way, Henry might even be a lil envious toward the other’s carefree attitude and that he’s free of anxieties and fears ...H-He still doesn’t want the other around, he still wishes to destroy Hyde of course, even with the envy and maybe a slight bit of admiration he has his morals and principals, and if Hyde continues to exist or w o r s e gets his own body it could prove v e r y perilous.
Now onto… Eugh, Hyde- The bastard man himself- He’s stinky- an evil bastard who really needs just a good punch in the face (god don't do it yourself tho, he’ll probs eat ur entire arm) Hyde’s absolutely disgusting, will do ANYTHING to get what he desires, he can be narcissistic in some regards, VERY prideful and greedy in many ways, he isn’t above committing murder like really, was he EVER above it? If he wanted, he’d literally murder you not even for a bag of corn chips but literally just one, psh- selling you to satan for one? Bah that’s amateur’s work! He’s somehow a minor inconvenience who can commit REALLY nasty and horrible atrocities at the same time if he feels like it, if he finds out something annoys you or REALLY pisses you off he’s going to keep doing it, he will literally try driving you insane just for the fun of it, really at this point it doesn’t seem like he HAS much of a goal but to just l i v e and cause chaos, destruction, and mayhem wherever he goes, he despises Jekyll in many ways, one being for trying to destroy him first and foremost but also Henny is just s o fucking weak, such a weak man with far too many anxieties, fears, etc- He’d be SO much better of a man if he’d simply let Hyde take control and STAY in control!
It’d make everything a lot easier, then Jek wouldn’t have to worry about ANYTHING ever again! No more of that pathetic nonsense! If it were possible, Hyde would absolutely l o v e to have his own body, separate from Jekyll, that way he could have his own life separate from that pathetic weakling’s! But… Even then, Jekyll and Hyde are one, in many ways they are absolutely apart of one another, two sides of the same coin, even with their MAJOR differences in personality and Hyde almost seeming like an entirely different entity just merely possessing Jekyll, after all, Hyde will admit it himself, he spawned from deep within Jekyll’s mind, he’s tried to get the other to see time and time again that he’s always been apart of the other deep down, Jek’s always had a more mad and evil side to him! Even if the other will deny this and take the denial to his grave, Hyde always persists in trying to get the other to see the truth in front of his eyes!
Aside from that tho, Hyde is just generally a dick and loves to mess with Jek and terrify him sometimes for literally no reason, hell he could be bored one day and decide “Hey Henny, fuck you, you suck” he loves to start drama, he loves to cause problems on purpose- Both of them would give anything to separate from each other, even if Hyde knows the truth deep down bout the both of them, even if he were always originally a part of Jekyll, it didn’t matter, that doesn’t mean he wouldn’t jump at the opportunity to get his own body, away from that pathetic coward of a man!
| Side Facts: Jekyll rarely ever gets to relax or any free time, he’s too worried to give himself that in fear he’ll lose control, he’s almost CONSTANTLY fighting to keep control over the other, even though he knows it's physically impossible to do so, after all, he can’t stay awake forever, sure that doesn’t stop him from trying to stay awake as long as he can before his body practically forces him to pass out and he’s MUCH weaker than he used to be, I mean hell, given how long Jekyll seems to have been around, fighting SO much and almost EVERY single day has practically worn his body down but whenever there is an opportunity for any “free” time he usually spends it trying to figure out an antidote or a way to get rid of Hyde (I will say, before Hyde REALLY started doing bastardous n horrendous things, Jek would still get annoyed with him bc he was always that way but he actually, I’d say tolerated him more so than he does by now) and Hyde even- well, he still disliked Henry IMMENSELY so, but he definitely wasn’t as bad or as awful as he is to the other now, it was more so I tolerate you and we dont have to seriously fight or struggle with each other for control and back then Jek would even sometimes let Hyde have control.
But then… A serious incident (I wont name what exactly) but a serious incident that happened caused the two to absolutely despise each other (i didnt say up there, yes, Hyde absolutely despises Jekyll but there is some heavily hidden admiration in regards to the other’s determination, his persistence, and even somewhat of his creativity, Jekyll despite being an annoying nuisance in Hyde’s way, he does have some admirable things about him) but anyway- ever since that incident occurred, Jek has tried almost EVERYTHING he knew of to get rid of Hyde, even if separation from his body would still be bad bc that could mean Hyde would obtain his own body honestly? I believe Jekyll would still take that opportunity if he were given it, if he needed, he’d try and find someway to stop Hyde’s evil, maybe it’d be easier even if the other had his own body, he didn’t know, he just wishes he could be free from all this torment and agony like gosh damn give this man a b r e a k. Give him some fruit gummies and an appy juice carton and leave him be!
When Hyde is in control he wastes little time in finding things to do, being able to be out, to see the world, the world ripe for chaos and destruction, he wastes little time in getting straight to work with whatever his devious lil mind wants to think of- also for more monstrous purposes, back up there, I was p vague with the mention of teeth on his insides- p much teeth going down his throat and hell who knows, the bastard probably has teeth on the inside of his stomach at this rate- Another not so fun fact, this man can unhinge his jaw! Yaaay so u can see sharp teefs! ...He does have to kinda set his jaw back in place though bc god forbid Jek takes control then.
Smh imagine taking back control of your body only to have a fucking dislocated j a w wouldn’t that be hellish?
Hyde rarely ever does this for a few reasons- he only does it if he’s in the mood for just takin a big chomp outta someone (big chompy) just, just please- lock this thing away- or kill it, it's a menace to society and deserves nothing good- two more things btw, tbh I genuinely wasnt even considering inhuman features at first but ya know, I compromised- he has them he just chooses to hide them more often and speaking of, while Hyde says he’s always been apart of Jekyll (well this version I made anyway) that deep down their two sides of the same coin, can you really believe him? I mean, I’m not going to spoil it and tell ya anything in that regard, but who knows, who knows what Hyde REALLY is, whether or not he’s always been apart deep down inside of Jek or just some form of entity that spawned via that wonderful little formula.
And the final thing is, their voices are p much based on the musical ones' voices- Hyde’s is that deeper n raspier kinda voice while Jek’s is much softer and ya know POLITE sounding.
#my own versions#im not gonna tag them as OCs or anything like that#so they get an entirely different tag#jekyll and hyde#we have one himbo doctor who honestly shoulda known better smh and then we have one bastard#who needs to be put on a fucking leash
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One of my triggers is when someone says that villain cannot be or deserve to be redeemed. Like they acknowledge the tragic circumstances, but they say like the villain show no remorse for killing innocent people or just want to destroy everything. I really don't like people saying they want the villain have some naruto's redemption. But I feel like they missed point of why many of us want it. The villains never had a choice unlike endeavor or afo.
Agreed.
I think some people dont understand the meaning of redemption. Redemption means facing with what you did, taking responsibility and this is the best thing that person can do. To me, there is no such thing that great villain or best villain, something like improving yourself to be better villain cause being a villain is literally comes from choosing to not improving yourself to be better person. People dont choose to be evil or bad, they learn all bad things from their environment. They just simply dont choose to be better person and thats the flaw of "villains" have. Choosing to do wrong things usually comes from lack of goodness, lack of empathy.
Like, Overhaul was abandonded and traumatized by it. He was used as a tool by Yakuza. They used a child. And Overhaul became a yakuza and he truly wanted to pay his boss for taking him in. But what makes overhaul “bad” guy is not choosing to be yakuza cause he was groomed to be, his flaw was choosing to not changing. He could’ave emphatize with his underlings and could connect with them. He could emphatize with Eri cause Eri is just like her, she was abandoned and taken by Yakuza. Overhaul went to school and had people around him, instead of obsessing with past, he could open himself to new people. he could gain new different perspectives, he could at least try. Overhaul didnt suddenly decide to destroy little girl, he learnt those horrible things from Yakuza but when he could choose to be better person, he didnt.
There is a reason that Shigaraki is meant to be parallel with him. Unlike Overhaul, Shigaraki didnt go to school and he didnt have people around him, he was isolated but when he met with other people, he chose to care, listen their needs.
This shows that Shigaraki choosing to change but there are villains who doesnt want to change. I dont know that what kind of person Overhaul would be, if he had better life or if he could ever change for better but for now, he doesnt seem to want to change and story didnt give any hint about it.
There is a reason that some characters get redemption but some do not. The characters/villains who dont get redemption or who dont want to change is not cool or “loyalty to their evil cure” or something like that. They are people who choose easy ways cause redemption means taking responsibility and trying to be better person, improving yourself as person is not easy at all.
Murder is bad, wrong, yes but we all are humans equally and people dont just suddenly decide to doing worst thing. And sometimes, people dont have too much choices, sometimes they can be in hard situtions, sometimes they do things to survive, many reason can be, we cant know that. So yes, murder is bad but that doesnt mean that murderer is bad person.
The thing that many people ignore is anyone could do those horrible things. Lets say, you are in hunger game. If you dont kill, other person will kill you. Many people would choose to kill. Or lets say, if you dont kill, they will your family or you are hungry and if you cant kill that person, you wont get food. blah blah. Point is what importance is not the degree of crime.
Most important thing is How aware is the perpetrator of what he is doing? Under what conditions did he make this choice? when and where did he make this choice?
Abuse, rape, murder. These things are all bad things (i wont talk about rape cause i dont have enough information about it cause it mihgt relate a lot of things.).
For example, Endeavour abused his family, Shigaraki killed people. Many people wouldnt care abuse or bullying cause “its not like they died”, most people tell them to get over it and they ignore all the effects of abuse. (This is actually what bnha focus on. Abuse.) Well, of course killing is pretty bad though.
Now, we can ask the questions.
-What Endeavour did?
Violence towards his family
When Endeavour made this decision?
He was grown man, basically when he was an adult, an age that you are responsible for your actions cause you can see the difference between right and wrong and you are capable of holding yourself
Under what conditions did he make this choice?
He did work so hard to be No 1 hero but he failed, um, he has money, access to a lot of things, good education so of course, when you worked hard and you dont get results, you will be so upset, it would be hard. But we can say that Endeavour wasnt even really in hard sitution at all.
What kind of choices he made?
He chose his ambitions over well being of his family. So basically he made very selfish decision with his own will for the sake of selfish desires and it resulted with other people’s getting hurt and Endeavour didnt even care about that.
How this selfish decision affect other people?
His wife became unstable and stayed in hospital for 15 years, she is still in there
Shouto lost his all childhood, he was traumatized and still having flashbacks from his trauma
Fuyumi had to act like a parent since her young age, Natsuo has anger issues cause of all this stuff
Touya/Dabi literally dealing with mental issues, identify disorder cause of abuse effects
So basically, Endeavour is fully responsible for what he did.
Btw for the people who dont know, this is a crime in real life, he should be arrested but look at what he got. He decided to change, like 6 months ago or something. Except of his hero job, he apologised and left the house for them and thats it. Rei and Fuyumi already is ready forgive him cause Rei wants his children to be happy cause Endeavour took that hapinness from them, Fuyumi just wants happy normal family cause Endeavour took that normal family life from her, Shouto is forcing himself to forgive cause to be able to be hero, he needs to work with his father and his all family wants this. From people’s eyes, Natsuo seems “someone who couldnt get over past” just because he didnt forgive his father or just because he didnt act like nothing happenned, he gets social pressure from it. This probably didnt happen, if Endeavour wasnt prohero.
Now, lets look at Shigaraki.
What Shigaraki did?
Murder, kidnap, threatinning, violent behaviours without hesitations
When Shigaraki made this decision?
Lets look at how it all started.
When Shigaraki chose to kill people?
when he was 5 years old? when he was 7-8 years old when Afo manipulate him to kill people? or when he became an adult and continuing this murder?
Point here is; children cant be responsible for crimes for a reason cause they dont have ability to understand what is right what is wrong.
so when he killed his family; it was accident except his father.
But with his father, it was self defense. Many people want to believe that it was intentional but its not, his father hit him and he reacted to violence, thats it. There is also other fact that children can not able to hold theirselves, especially like when you just watched all your family s death in front of your eyes.
So, logically he can not be responsible for his family’s death.
When he was 7-8 years old, Shigaraki is making a decision here and from this moment, he continues the murder but what kind of decision he is making? Under what conditions did he make this choice?
He was traumatized and he is dealing with abuse effects, his anger, negative feelings that he has no idea to how to deal with, he didnt get any education, he doesnt have people who will give him a different choice or people who wil give him some kind of affection, he is literally with Afo all alone, isolated, dont know what to do, doesnt know what is right and Afo says him “you have two choices”
1- suffer lonely forever like this while others are having fun but just you know, you will be disappointed for me-the person who saved you, if you stay like this
2- destroy anything you dont like and make me proud
This didnt happen right when he was 7-8,
Shigaraki is with Afo since he was 5, he listened those words for years and he hold himself back. Then the decision Shigaraki make was first one, he hold himself, until the moment holding himself is not an option. This is why he became a murder. Let me remind you, he was 7-8 so he still wasnt responsible for killing at that age.
so you can say, now Shigaraki became an adult so he can choose but we all know that people dont grow, if they dont have a chance to grow.
People kill to survive, this is not to justify murder, this is understanding of that sometimes some people can not really make choice in some situtions.
If a person is not given growth conditions, children cannot grow.
Shigaraki may have grown biologically, but mentally, he was not given the opportunity to grow. What makes us humans human is our interaction with other people.
If we do not interact with anyone, we lose our identity or in the case of Shigaraki, our personality does not occur. If Shigaraki has not grown, how can he be considered an adult?
We know that many terrible events such as trauma and violence can cause long-term damage to people's brains regarding mental health. So, how can Shigaraki's trauma be responsible for what she does, given his mental health?
We know that it is impossible not to lose mental balance in conditions of Shigaraki, it is impossible to grow, it is impossible to protect his mind against manipulation at the age of a child. So how exactly could Shigaraki cope in these conditions?
This is the problem. He cant not be able to handle it. Impossible.
You might say you could choose not to kill, but while the only adult who was with him showed him that it was true, and how he could otherwise deal with these feelings he had accumulated in him, what else could Shigaraki do?
Shigaraki kills without hesitation because killing is all he knows, the only thing he has been taught.
That's why Shigaraki's interaction with his team is important because it was the first time in his life that he met different opinions and people.
So he started to heal throughout the series. He chose to improve, to be a better person. So this character can get redemption.
And he feels guilty about what he does, but he does not show it by crying, he shows treating his own life as nothing and harming himself. Shigaraki may have begun to develop herself, but it does not mean that his trauma will cure magicly and he will suddenly getting away from Afo manipulation, he cant because he still hasn't given her another choice. No one was able to show him another way to survive both without suffering and having to kill. That's why it's important for a hero to reach out him.
Yes, Shigaraki killed a lot of people and they didnt deserve it, of course but whether he killed one person or killed million people, he had no choice. Everyone wants this character to pay the price because they want to blame someone for those much death, whereas like Afo and Ujiko who made Shigaraki suffer, those who choose not to reach Shigaraki when they can reach like Gran Torino etc, are more responsible than Shigaraki for what they did because they choose. But Shigaraki is just putting into practice what he has been taught, thats all he knows.So people really want to blame someone, they should blame people who could do something about it but choosing not to, they could blame the people who hurt this kid for their selfish reasons, they shouldnt blame the kid who is just reacting his pain cause he doesnt have a choice, he is not making a decision and people REACT.
Shigaraki can not understand his actions of how he effect other people / effect of his actions cause he is hardly be able to see them as an indiviluas, thats what happens, when you live your life as isolated. Shigaraki cant care other people s life while his own life was treated as worthless, they literally ignored his pain, even when he was a child. Shigaraki cant emphatize with people in society who have good lifes cause he never felt a safety his all life, there is no way he can understand their comfort. So basically, in those conditions, its not that Shigaraki doesnt want to emphatize with them, he CANT.
(This is why he asked Deku cause he is trying to understand at least to be able to improve himself for better which is the most important thing).
This is why people like Afo, Ujiko, Hero commity, Endeavour, they are worse than people like Shigaraki, Dabi, Hawks, Toga etc cause those people who created these “monsters” with their full will for the sake of their selfish desires. They are more responsible for monster’s actions than monsters casue they are the one who groomed them, rebuild their mindset.
That was also the subject of the Frankeinstein story. The monster may have killed a lot of people, but who created the monster? How does the monster become guilty when there are people who can teach him the truth, but don't choose to teach it, while the monster doesn't know what it's doing is right and wrong? However, he was not taught better. So how can he choice better, if he hasnt taught better? HE CANT.
As many as people want, may think Shigaraki is making a choice right now and that he's a bad guy, but in those circumstances, it was impossible for Shigaraki to choose a better option.
What do you expect to happen when you close someone in a room for years, stop him from talking to people and subject him to constant violence?
Do you think that person will not react to this violence?
Do you expect that person to behave like human while that person lives away from all kinds of human conditions?
Under these conditions, it is nonsense to expect better than Shigaraki.
In other words,
murder is apparently worse than violence, but an adult like Endeavor, who chooses exactly what he is doing without caring about the harm to other people, is fully responsible for what he does. Shigaraki, on the other hand, cannot really be held responsible for what she did, as it is impossible to act otherwise under these conditions.
So i understand that people are upset with death of people which is normal, those people who were killed by Shigaraki didnt deserve it at all but people need to understand that Shigaraki didnt have better choice, path than this. People say “this doesnt justify” cause they are scared of that the person will get away from what he did but point here is he doesnt get away from anything, he is victim whose all choices and humanity taking away from him so treating this victim as villain who just should defeated is NOT justice. If people want to blame someone, they should blame the people who are TRULY responsible for this, not the victim whose humanity stolen from him. Thats the point here.
By the way, not everyone has to be like Shigaraki. Shigaraki is already a character designed to be the ultimate victim. The reason it parallels with Deku is not because they are both heirs, but because they are both essentially the same kind child. But not everyone could be this kind, they could react worse and they might not have adapted to change that much. Shigaraki is just a tragic example of even you are the kindest person in the world, in terrible conditions, you would be just like Shigaraki or probably worse. He is a tragedy character, symbolize the victimhood that shows untentionally with most unpleasant ways. (Toga, Dabi, Shigaraki etc they all symbolize effects of violence though, they are not choosing a decision but actually just reacting the violence they endured, thats all, maybe i can make analysis about it later.)
Redemption is not about deserving or not. It's about wanting to be a better person but facing your creations or not. And if a villain receives redemption, it already shows that he has this potential from the very beginning, potential to be a good person, actually he was not as bad as that was thought, that is. Well at least, well-written redemptions work like this. In other words, villains such as Joker or Ujiko that will not receive redemption have nothing to admire. Choosing to be a villain until the end of your life is not something to be proud of, it is something to be ashamed of, because this is proof that you don't want to improve yourself.
I was just gonna say “i agreed” and make it short but i guess, i am kinda bored and this post became my rant, lol. Thank you anon btw.
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rank every year of the 2010s from best to worst i want some pochapal lore
[warning for discussion of my fucked up mental health and my myriad traumas. we’re really opening the pandora’s box here gang]
ok time for me to overshare on the internet again! super long post because i can’t shut up and you asked for it. anyway, by objective ranking:
#1: 2012 - halcyon era, my personal peak. spent the whole year writing hunger games oc fics with my deviantart fanfiction besties whom i still think about all the time and always hope are having the best possible day. if you were here for this era understand i still hold you so closely and dearly in my heart <3.
#2: 2013 - god i was such a good example of a human being back then. was the year my writing like actually took off and i had a healthy balance between creative stuff and a social life (said social life consisting of spending lunchtimes at school breaking into classrooms and discussing fandom shit with five other people. reading homestuck updates in the music room on one person’s really shaky mobile data...legendary). highlight of the year and maybe my life was in the april of 2013 when i got out of failing to submit a hard deadline essay by telling my english teacher i wrote a whole novel over the two week break and then producing said novel. god i wish i had that level of like. fucking confidence back me back then knew what i wanted and how to get it.
#3: 2010 - the last year of childhood. i was 12 and played pokemon all the time with my friends and went places and had a moderately successful youtube channel and it didn’t matter that i was bullied so badly at school because i was basically high off life. summer of 2010 was so good specifically. i’d used to get the bus with a friend and go see movies and break into historical sites and get into normal childhood mayhem and maxed out my pokewalkers twice a month and i was buzzed because i had two (2) whole friendship groups to choose from and that was such a huge deal to me the terminal social outcast. it was so simple and carefree and even though everything and everyone involved in this era grew up to suck except for one specific person i kinda really miss it.
#4: 2018 - this was the first year i wasn’t depressed to the point of nonfunctioning. it was 20gayteen, i was on antidepressants, i was as close to thriving as i got at uni (going into town with people once a week, attending art and culture events, getting good grades across the board), i started to write for fun again, i got my cat whom i love dearly, i was exhibited in my uni’s city’s literature festival, GOD i actually nearly attended a pride event that year can you imagine. this year was basically my life’s second peak. miss getting the 8am train and daintily sipping on a cherry coke to keep me from passing out. wish this time could have lasted longer.
#5: 2019 - kinda absolute middle of the road year not for lack of anything happening but because the overwhelming amount of good and bad things cancelled each other out. so like there’s the fact that i was at the top of my uni game this year, was basically making the first steps into a professional writing career (covid i will never forgive you for killing all that dead </3), finally saved up enough to buy myself a gaming pc, and the summer after the homestuck epilogues, but equally 2019 was the start of the Pochapal Gender Fiasco which is by far the most horrible thing i am still currently undergoing and i burnt myself out mentally about halfway through the year (being stuck overnight in a hospital for a panic attack absolutely horrible horrible irredeemable) and then got like super death plague flu that i was sick with for three months (literally recovered less than a month before rona hit. god’s cruel karma.). so like...it kind of averaged out? the good shit was good but not as great as other years and the bad shit was awful but nowhere near as terrible as it could have been. gotta give a shoutout to 90% of my current mutual cohort for following me in 2019...omelette route gang make some noise !!
#6: 2014 - oof. this year essentially marked the start of a four year long downward mental health spiral because everything fell into awful alignment. i’d just turned 16, finished secondary school, had all my friends up and ditch me at once, was home alone for a whole summer, and was hit with Sudden Intense Body Image Issues that i couldn’t explain until uh. after very recent developments lmao. this one goes out to the me of july 2014 who did nothing but lay in bed and listen to the same two marina albums on a loop because fuck i’m attracted to men and also my facial and body hair are really starting to come in and if i think about this for too long i will literally kill myself because oh god i can’t handle getting older which is clearly and definitely the issue going on here. my brain fucking broke super hardcore and it’s a miracle that an overeating disorder was like the worst thing i walked away with.
#7: 2015 - downward spiral year two!! i was so volatile this year it was such a mess. i was totally socially isolated after a brief stint of falling in with a group of people at the start of my first year of sixth form until january where in quick succession a) it turned out every single one of these people was friends with the person who sexually assaulted me whom i obviously had a lot of complicated feelings towards and b) baby’s first crush came out as bisexual but in the “women and also trans women” kind of way which tore me up so terribly in ways i couldn’t begin to understand. no words for the experience of seeing a girl kiss a boy and crying so hard at night you threw up because you could never be her no matter how much you wanted it. actually kinda get the sense what was going on there was bigger than just some crush lmao. then after that i was so mentally ill i basically attended school less than half the time and it was the only year in my life i failed my exams. i ended up having to resit my entire set of first year a level exams because jesus christ was i in such a bad way it was a miracle i even showed up to them. all i did was either have anxiety attacks or enter bedbound depressive slumps for weeks at a time. but it’s okay because it gets worse.
#8: 2016 - downward spiral act iii: the spiralling. prefacing this by saying that i actually had two whole good months (april - may) in that i was functioning enough to do my exams and finish school with decent grades. the rest was super extra mega terrible. my school attendance for year 13 dipped below 65% and literally the only thing that kept me from being kicked out was the fact that i was naturally smart at the subjects i took and also because the school would have a lot to answer for after letting me get to that state despite having a hefty file on how damaged i was. keep in mind every single part of this was fully untreated btw - i was just floundering around and letting it all fester. i spent three solid weeks going to school but locking myself in the bathroom all day every day and having mental health episodes then going home like nothing else happened only to continue the breakdown that night. then things got kicked into fucked up overdrive when i moved out to uni and was cut off from what little support structures i did have. it was so bad all i did was cry all the time and never went anywhere to the point where three separate sources recommended me to the wellbeing and crisis counselling service that i stopped going to after two sessions because i was fucked up in ways cbt techniques could not even touch. at least i tried to make an effort for the first two months of uni which like. good for me?
#9: 2017 - what lieth at the base of the spiral. helltrench year. i was at literal rock bottom. i stopped going to class, i didn’t hand in a single piece of work. i lied to my parents and would book trains each day only to go back to my student flat and sit there and contemplate suicide. like i would just slump on the floor in a catatonic state and vividly contemplate one of four or so ways i could end my own life. i only didn’t because i wanted to wait until the summer to collect my last student loan and transfer it to my parents as an apology for my death which obviously didn’t end up happening. honestly i can’t remember much of the first half of 2017 that’s how bad it was. i remember taking a gender studies class and the teacher made it Weird that i was the Only Male Student in the room and then she sent me a scolding email after i walked out halfway through a class and never returned. apparently i got into a lot of online discourse in this year but i don’t remember anything other than being put on a blocklist by the milkfic author over ace discourse which is funny if you have the context. mostly i just baited terfs and weirdo freaks to get them to say horrible things to me as what i guess amounts to some kind of digital self harm. anyway breaking point came in late august when i got kicked out of university and then nobody could ignore it any more so there was no choice left but for me to seek out help and recover enough to function which luckily i did. i really Do Not remember 2017. you could tell me anything about that year and i’d probably believe you.
#10: 2011 - extra circle of hell for this little fucked up gem of a year. on the surface it wasn’t actually that terrible, until the Summer 2011 Domino Effect Of Bad Shit. up until like may/june it was a pretty all right year! i was 13 and had a surprisingly successful youtube channel uploading pokemon soundfont remixes to an audience of i think ~350-400 subscribers at my peak? anyway then i got hit with the early summer triple combo of childhood friends moving away, cute and quirky sexual assault at the hands of a person in my friend group, and then having some Really Great and Super Appropriate interactions with adults on deviantart. like obviously there’s the actual ptsd-inducing event which totally disrupted and killed the person i was right up until that moment and reshaped every facet of my life for better or worse (there’s an alternate timeline where that didn’t happen and i got into electronic music and/or coding instead) but really it’s the events that followed in its wake which were kind of more fucked up. so like all of a sudden i was super aware of my body and me growing my hair out and being mistaken for a girl in class suddenly became this Less Innocent thing and i ended up spending hours overnight going to transgender questioning forums and looking up hrt timeline videos and having the wikipedia article on tracheal shaving saved because it was a life raft to me whose voice was imminently gonna deepen and i was simultaneously reeling with constant trauma flashbacks and the whole thing was so so fucked up. then i was on deviantart and i don’t remember exactly how but a small group of furry guys ten to fifteen years older than me started messaging me and encouraging and requesting me to produce nonsexual fetish stuff for them and talking to me about stuff like if i’d ever thought about growing up to be gay and i didn’t think anything of it for a long while because they called me a very talented writer and it felt so good to have someone be nice to me after being so alone and isolated for months on end. anyway the only reason i got out of that before it got bad was because they invited me to one of the big furry sites and i was weirded out because i thought it was a porn site and thinking about sexual stuff was a huge trauma trigger so i just ended up blocking them all and pretending like it didn’t happen. at the time half this shit didn’t bother me but in retrospect holy fuck 2011 was such a damaging year. to think if like three events didn’t happen i wouldn’t be the fucked up mess you see before you today.
god fuck this turned out super long but i’m not apologising because this was a therapeutic exercise for me and also constitutes as one of the biggest pochapal lore dumps of all time. come get your food or whatever.
#Anonymous#long post#read all of this if you have vested interest in knowing intimate details about my life or whatever
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And I hate to do this- So on that thread, not that he's as bad, why do you think Michael is redeemable? (and also Frank) Especially by his main victim? :? I hope that isn't as bad or as judgmental as I think it sounds... - Sleepy (its like 5am here :3 living up to my name i see)
So, these I gave a short and a long answer for under cut, but forgot I’m on mobile and can’t do that. I can tag it “long post” but uhhh, sorry about this. Anyway, thats why Frank comes in two chunks. I wrote it expecting to be able to use a read more. :’-] also ya fine. And I hope you’re in bed 🤣 now. Okay so. Here’s my reasons:
For Michael, to start, Halloween is complicated af. You have to know what timeline people are talking about, because there are like 8+ and Michael has been written as a wildly different character by wildly different content creators, and I would not feel the same ways towards them all. They’re not the same character. When I talk about Michael, unless I’m going on about a specific other film, I mean either H20 canon, or DbD canon, which are in line with each other when it comes to characterization. (This also includes Halloween’s 1 & 2 in the H20 line, and Halloween 1 at least in DbD). In those timelines, Michael has like at best 2% agency and choice in his own life and what he becomes. That’s why I am sympathetic. I still root for Laurie to nail his ass to the wall of course, and everything he has done to hurt someone isn’t okay just because his life is unfair & awful & out of his control, but I still find him a very tragic character. He was canonically suffering violent psychosis his parents refused him treatment for, isolated with a monster as his doctor & only human contact for 15 years from age 6 on, overdosed on medications that when OD’d worsen psychosis symptoms and can cause permanent brain damage, and stuck like that until escaping briefly when he turned 21.
In Halloween canon, Michael tells his parents he hears voices telling him to do bad things like hurt people, but they tell him he is imagining stuff, and ignore his attempts to get help. The voices say they will be quiet, which is what he desperately wants, if he kills his sister Judith. So he does, at age six. Scientifically speaking, that’s literally too young to really have a complete grasp on death and mortality itself, let alone complex ethics. He immediately goes to his parents after doing the deed, so they can do whatever they need to do. Instead of getting him help, he is sentenced to 15 years in a 1960s American sanitorium (hell), until he turns 21 and can be tried for murder as an adult (fucking ridiculous and unfair?? Tried as an adult is for like, upper teens who commit heinous murders. How tf you justify trying a six year old literally too young to really understand murder as an adult for murdering someone??). They give him to Dr. Sam Loomis, a fucking horrible person, who says he spends 8 years trying to help Michael (a fkn lie), but canonically by only a few months of meeting the kid is thoroughly convinced he is evil, the devil or a demon in human form, faking his psychosis and side effect symptoms (trauma induced mutism from killing his sister, onset of catatonia/motion loss symptoms, etc, all of which are common with his disorder & trauma), desperate to kill again, and an evil mastermind doing the devil’s work, and says so. Spends four hours every day accusing Michael as a six year old child on, of planning to do horrible things and faking his illness and being a demon and not a human, and Loomis, from age 6 to 21, is this kid’s only human contact. And the staff knew it and how wrong and disturbed Loomis was, but did nothing. So from age 6 to 21—barring one or two visits from his mom & Laurie before his dad beat 4 year old Laurie for saying Michael’s, who he hated after Judith’s death, name—until she trauma blocked out having had a brother or sister at all, and then both parents died in a car crash—his only human contact in complete isolation was an adult man who told him for four hours a day he was an evil lying demon faking his symptoms and plotting murder and not a human and promised he would kill Michael and stop him, from childhood on, and that was it. He was never given an understanding of what was medically wrong with him, or that anything was at all. He was threatened and abused and kept overdosed on drugs for 15 years since early childhood, and his only understanding of the world taught in that absolute isolation, was that he was a demon who wanted to get out and kill again. And the violent psychosis, telling him if he killed both sisters, they would go away and leave him in peace with no more constant noise. With no normal understanding of the world or people or life like he was owed ever given to him, no understanding at all of what you were going through or were aside from the promise drilled into your head you were a monster who wanted to kill every day for 15 years while drugged up? Like, I’m a firm believe people are responsible for their own actions, but in a case as extreme as that, honestly, how else was that ever going to even be able to end? You forget, as a child. Who you used to be. That’s beyond grooming even, it’s being grown in a lab for the sole purpose of someday walking out, taking a large kitchen knife, and killing Laurie Strode. And it’s tragic. It’s unfair. Halloween is a tragedy, not a horror film. It didn’t have to be that way. He wanted help. He asked for help. Loomis is directly and pretty much solely responsible for the lives lost in 1978. You know he won’t even call Michael “him”? The only human he contact he had since age six on called him “it.” And no one stopped any of that. And even then. Even then, even with all that. With the drugs, and the lab grown killer, and all of it? Michael is pretty much the single least sadistic slasher killer there /is/.
Everyone he kills in Halloween? He kills fast. It’s actually kind of boring if you’re expecting a scary slasher, because there’s no chase until Laurie. He just appears, runs you through, and you die. Very fast. And if there is any emotion expressed towards the act of killing or aftermath, it’s not pleasure or hate or happiness, it’s curiosity, because literally everything is something he wasn’t allowed to experience growing up and just has no practical experience with yet. And on top of all that, he also just doesn’t kill people he doesn’t have to. He kills one man for clothes, kills Annie to re-do Judith’s murder since it didn’t work the first time and he needs both sisters for the voices to stop, and he kills Bob and Lynda becuase they stumble onto where he is & are a threat to success. (This + Judith 15 years prior is all the deaths in Halloween period, btw). Michael routinely only kills his target, and anyone who is a threat to success. Literally doesn’t even jump out to kill Bob or attack until Bob opens the door to the closet he was hiding in, and he has been seen. Walks past a security guard and lets him go in H20 becuase he doesn’t see him, steals keys from a mom with her 4 year old kid and doesn’t even hurt them because they don’t see him really either, steals a knife from an old lady making a sandwich who is one foot away but looking the other direction, so he lets her go. Even with all the possible stakes against him, really, Michael is like, the least cruel and most sympathetic and merciful version of that lab grown killer possible, which can only be a testament to the person he was initially/still somehow has managed to keep faint traces of alive inside.
As for Laurie finding him redeemable, answer is threefold I guess, and I’ll start with the most important. 1: in Halloween canon, Laurie cares for Michael and is incredibly sad about what he turned into and wishes he could be different (once she remembers who he is). That’s established canon, not a choice of mine. In Halloween 2, she tries to talk him down before shooting him, and he hesitates when she says his name and lowers his weapon for a moment. In H20, she talks about him a lot & even asks her boyfriend (a psychologist) if he thinks something so traumatic can happen to someone that they can never recover, bc even though she hasn’t seen him in 20 years, he’s still on her heart. She hesitates to kill him once she has him helpless in the finale, and when he reaches out for her hand, she almost cries and starts to reach back because it’s what she has truly wanted for so long. 2: Michael & Laurie are siblings, and that’s a very important relationship to me. Obviously, there’s lines where you cross, it’s fkn over, but it is special, and I’m weak for it. They were both cheated of the good family life they could have had, and I like characters I care for getting recovery and rehabilitation, and I would like them to be able to recover and have whatever fragments of the lives they wanted which are still possible. And then 3: Laurie is his victim, but they’re also both victims of Loomis, and the system, and her parents, and if she does /wish/ for him to be okay and things to be like they were, which was canon before me, so she does, then I think them finding happiness and her relief and new hope in regained family and him redemption and rehabilitation through the quite literally only person he has /ever/ known who treated him well or like even a human at all & is still living, that’s so good. It’s sweet, and it makes sense. I like broken people putting the pieces together and finding ways to be okay. None of the shit that happened to either of them was okay, and Michael sure did fucking do it, but it’s about as “it’s complicated” as literally possible, and Laurie wants him to be her brother again, and Michael deserves a chance to experience personhood enough to want anything like that again too, and I think it’s sweet. To be able to find happiness and peace and a new life in that rubble. It shouldn’t be possible, because Halloween is a tragedy that never gets a happy ending, no matter how many timelines they create or versions they tell, but I wish it could have one. It needs one. At least one, among all the fated tragedies for those two cruelly cursed siblings. They both had their lives stolen. Michael by Loomis, and Laurie by Michael. And I want them to find those stolen lives again. And if they can do it together, that’s a very odd and unusual set of circumstances for that kind of thing, but it’s a very complete way to tell the story. He tried to kill her, but if she asked him to stop and he stopped, if he himself chose to change on his own, when it really, really mattered—decided that it was what he wanted more than all the things he was before, and she decided that was enough, and they could both have a future as family? I like that. It’s a happy ending stolen back.
Long Frank Answer, in case you /have/ read ILM & thus short answer did not answer your question: So. Again, for me, I always talk about Frank as in the version of him I myself write, and I wrote ILM before the archives retcon, and also just ignore them because they’re usually dumb and blatantly contradict well established and longstanding canon. Even then, I usually don’t like Frank though—didn’t like him when I started writing ILM. But Frank has very little established canon character. All there is for sure is he was a foster kid that went through some bad stuff, he met Julie and changed his mind about desperately trying to be homed somewhere other than with Clive bc he liked Julie a lot, he met Susie and Joey, they became a gang chilling in Ormond’s abandoned lodge, then tried to rob a store Joey was fired from, were surprised by a cleaner who grabbed Julie, and Frank impulse stabbed him, freaked, and ordered the others to finish it with him and be in it together. Then before they’d even really finished burying the body, they got snagged. That leaves a whole lot of personality and thoughts and motivations and future choices and person wildly undetermined. Writing, sometimes characters just do their own thing completely out of my control, and I have to adapt. Frank chose not to kill Meg at the end of Tenacity, Adrenaline, & Grit, which surprised me, because he’d been nothing but a dipshit asshole bastard till one minute ago, but I knew it was because he recognized what she’d tried to do at great pain to herself because she wouldn’t bow down and die, and he connected/empathized or sympathized on some level. He also couldn’t go through with killing Quentin immediately after being helped by him in Distortion/Iron Maiden. Neither was like, planned. It’s just who the character was. I was frustrated. I did not want to like or feel sympathy for Frank at all. Then in The Lost, Jeff just fkn hijacked the whole plot and added 20 pages not in the outline because he wanted to be kind to Frank & it’s not like I can stop characters when they do whatever they do. And while writing it, I got to know that the version of Frank Morrison in the world I was writing—which is always the version I refer to/think of him as & write now myself—was not somebody past saving. He’s a piece of shit and he’s done fucked up and inexcusable stuff, and he pays for it. In many ways, Frank gets away with a lot over the course of ILM, but it’s always because characters choose on their own to forgive him, not because they or he doesn’t think it was fucked. And Frank suffers—a lot—for his choices, and has to live through appropriate and large amounts of regret and remorse about stuff he did before the end. He gets the chance to make better choices several times, and mostly he doesn’t. He continues to fuck up. But right near the end, he makes a couple good decisions when it’s down to the wire, sees where his bad choices got him and what he has to live with, and then he does live with it. He almost dies, and then ends up falling on Jeff’s mercy, which he knows he doesn’t deserve and doesn’t expect to get, for a last chance to make it, and because Jeff is an ungodly kind and forgiving soul, he makes it.
Frank isn’t a good person, and he does a lot of stuff that isn’t remotely okay or justified or excused, but he /is/ a kid—the upper end of it, but he’s not a full grown adult. He has every reason to believe nothing of himself or others, a fucked up childhood and life which isn’t his fault, and the Entity got all four Legion kids before they’d even had time to process the one and only violent crime they did (which was unplanned), and it is historically running a PHD in psychological warfare vs everyone. Absolutely none of that excuses or justifies him, but it is an explanation for some of it that is not as bad as say, doing that shit for fun or cruelty or hate or what have you, which makes him a bad person, but one with a lot more humanity left than say, Kenneth. Who is at -100 or something. If he’s still got a lot of humanity left, that means he could be redeemed, and he eventually chooses that path for himself and hits the appropriate “I did something horrible. Fuck. It was really bad. I should not have done it.” “I am really sorry I did this. I feel awful. I’m sorry.” “I cant change it, but I can try to do better and make whatever reparations I can.” “I want to be better, and I am going to try.” necessary stages of actually trying to improve. So, I like him. He did a lot of really awful shit that wasn’t okay, but he was never without sympathetic elements. He does love his friends and his girlfriend, he is a good boyfriend to Julie and selfless towards her and his crew (overall anyway—has even risked death for them very willingly, even the one who was fighting with/kinda hated him), will keep his word in deals and has some semblance of both sympathy and honor, feels guilt, is a kid, did not choose this life but was rather catapulted into it and too weak to climb out once he landed in the mud. All of that together makes him someone I feel sympathy towards and find quite redeemable, so long as he will decide he wants that, which, in ILM, he does. If you just meant Frank in general then idk how to answer because there’s not much established Frank period it’s kinda a shell like all original dead by daylight characters, and I have no thoughts on it by itself because it’s not a whole person, and so I really only think of Frank as ILM verse Frank now.
#ask#sleepy#hope this is coherant. I love answering but I’m also on vacation trip rn so I’m not proofreading & u get what u get 🤣 adds flavor#in living memory (fic)#in living memory#spoilers#ILM spoilers#Halloween#dead by daylight#long post#Michel is not the villain of Halloween: he and Laurie are both the victims & it’s a fkn Greek tragedy#they both deserved so much more than the lives they were thrown into#: (#sad now just thinkin bout it
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Go Hellnalysis (aka : hydradrive gets mad at the fanbase for ignoring go’s ongoing 2 season long breakdown for like, 5+ paragraphs)
We are talking S1 foreshadowing as it relates to the facts of S2. As already mentioned, I think it sucks of the writers to do it to him like how it sucks how they treated Emma and Aoi throughout the entire series and reeks of colorism like. having your two darkest skinned characters be actively antagonistic as s2 goes on is a bad fucking look.
But it’s there, and I am not happy that people defend Lightning weirdly when he treats people he knew for years badly, and then turn around and say wildly fucked up shit about Go.
I guess today is the day i Get Into It Again. I’ll be rehashing some of my points from my old thread on nac, so strap in i guess.
This is said to Playmaker in season two.
‘After i lost to you’.
So, by episode 4. And the text backs this up. The text in season one aligns.
In Go Onizuka VS Genome :
[ transcript for subbed text:
Dr. Genome : Did your defeat at Playmaker’s hands force you to evolver?
Go Onizuka : As much as I hate to admit it, yes. That was when everything changed.
/end text screenshot id ]
That was when everything changed.
Let’s look at the rest of it, then. How it affected him, in the long-term. The Go Analysis... Is here.
MASSIVE CWs for discussion of canonical weight loss, brief discussion of disordered eating in the context of that, and a whole bunch of other stuff re: the brain hack that I don’t even know how to tag, really. medical? Basically, if you have any triggers relating to that, please exercise due diligence because I will not pull any punches about the implications.
tldr version :
This is real dialogue from Go Onizuka’s first (and only) duel against Revolver.
No matter what he says trying to spin it a different way after this segment of text, that it’s about fighting for yourself, these statements exist, and they exist with the context given by his own words; that he was struggling, mental health-wise, when he said these words.
[ transcript for subbed text:
Go Onizuka : Until now, I’ve battled in front of huge crowds. (There is a single beat frame, to indicate silence.) But I realized I’m all alone. There are no fans rooting for me here. I realized... We always duel alone. We fight for ourselves, not for anyone else.
/end text screenshot id ]
But perhaps this isn’t compelling enough for people. Fine. Let’s go even further back.
[ transcript for subbed text for screen readers : Go Onizuka : It’s my fault that Makoto is in this condition. /end text screenshot id ]
Go has an easily seen habit of assuming the worst, and with regards to stuff like Makoto, blaming himself, to the point that if his manager hadn't said more on Makoto, he would've been going into VS Genome blaming himself for Makoto getting into duel monsters in the first place.
In episode 5 it was shown that with one loss he was entirely certain that nobody would care about him in any capacity:
But why?
... It’s brought up in one of the first episodes of the entire series.
[ transcript for subbed text for screen readers :
Go Onizuka’s Manager : That’s exactly it. It’s a winner-take-all world, after all.
/end text id. ]
And given an even more... depressing? Spin later, when Go thinks about it throughout S1 and S2 during his duel with Takeru:
[ transcript for screen readers :
Before I was placed in the orphanage, I only relied on myself. The world I lived in was all about survival of the fittest. “You must protect yourself” was my credo.
/ end text screenshot id ]
It’s genuinely that simple. He slipped back into his old way of surviving because the way he did in season one didn't. save him. it didn't save him from a duel he needed to win, not just for himself necessarily. he would have died if playmaker had lost. a lot of people would have. He was already starting to have these doubts about his entire reason d’etre for dueling, and his loss only further spurred it on.
It’s repeated, again and again:
[ transcript for screen readers :
Go Onizuka : For everyone to appreciate me, I must win!
/end text screenshot id ]
That sentiment. “People won’t like me if I lose.” “People will abandon me, if I lose.” In his own words, his losses, losses in duels that were important, rotted him. And it /is/ true. His manager said he’d leave if he went to try and stop the Tower Of Hanoi and lost. And he followed through with it, by all implications. He didn’t come back until season 3. Keeping in mind that Go’s self-hatred spiral regarding guilt over in his mind dragging Makoto into the mess that was season one-era Hanoi shenanigans was only cut off because his manager and other people talked him out of it... Yeah.
This is before we bring in the other complicating factor : a certain little company, who never did anything good for anyone. A man, who despite supposedly being well-intentioned, did very little to help, until it reached the darkest point.
[ transcript for subbed text for screen readers, since that’s the primary important stuff :
Akira Zaizen : But we don’t intend to acknowledge that the network was on the brink of destruction. So I ask you don’t cause the press to delve into this.
/end text screencap id]
People focus so much on him yelling at the press because they keep asking about Playmaker but with this context?
[ transcript text for screen readers:
Akira Zaizen: You’ll continue to be the focus of the press. /end text screenshot id ]
He’s not allowed to talk about how you nearly died.
He’s not allowed to talk about what really was at stake.
In fact, he’s not allowed to even act in a way that makes people even a little suspicious about what happened.
And yet.
‘But he could just ignore this advice’ . Not really. Go Onizuka’s platform was built in Link Vrains. Being the whistleblower about the actual danger of Link Vrains would not endear him to Sol, and potential backlash from Sol, from everything we know about the company? Hmm, gosh, wonder why that might be bad. Almost as if Go is basically a livestreamer who is at risk of having the video platform he exists on die.
It would be incredibly difficult to continue working under the public eye like that. The stress from that alone would start tearing someone to pieces.
Ergo, his decision to work for Sol Technologies as a bounty hunter. Both jobs now hinge on him currying favor with a horrible megacorporation, one just has less baggage from his past way of surviving and gives him the ability to talk a tiny bit more freely about things.
This is all the leadup, of course, to the ultimate lowest point. The duel chip. Brain hack.
[ transcript text for screen readers: ‘By implanting this duel chip, the brain’s thought capabilities expand.’ /end text screenshot id ]
[ transcript text for screen readers:
Akira Zaizen: You can always refuse.
Go Onizuka : Your methods are dirty. You guide me to the gates of hell, but you don’t care what happens afterwards. /end text screenshot id ]
Let’s talk about the physical side-effects of the brain chip on Go Onizuka.
Me, personally? I genuinely wonder what came first; the most severe physical side-effects or a worsening of Go’s mental health that made him stop eating.
It’s never stated what came first. We only see the mental health side effects of the chip in flashbacks initially.
I looked at one of the instances where Akira pulled go out of the sim wrt: the listed sys/dia ratios on-screen. They have those in certain shots, btw! They’re consistently really fucked up!
Here’s what those were, in one very notable instance:
... So, right off the bat, a heartrate of 195, huh.
And a sys/dia of 187/112 with a mean of 136. Wow! I wonder what that means for him!
I can tell you.
He statistically would be in the range of having a hypertensive emergency. Having rates like this can damage your heart muscle when you don’t literally have a heart attack, hypertensive encephalopathy, ( which can cause dizziness and altered levels of consciousness, if we are getting into it.), kidney failure, coughing up blood...
I don’t want to speculate too much about why the Duel Chip caused this, but I will note that blood pressures like this sometimes come about as result of issues with the neuroendocrine system. This would tie in with a loss of appetite and some of the other things Go seems to canonically have had from the getgo of having the chip installed, and probably added on to his already pre-existing mental health stuff which I personally parsed as depression.
... I think this mostly covers the main points of what gets missed. Aka, literally all of his arc. Just, literally every piece of his arc. People miss all of it.
Also, to reiterate : it is NOT GOOD the way this is framed by the writers. it is loaded to, in a series heavily informed by the main character’s trauma, have a teenaged darker skin character ( Go is 19!! ) be portrayed as more erratic, etc etc. I do Not care about Lightning. He is a little robot, and while there is probably some ableism in the way trauma is represented therein as a corrupting force, it is far more worrying how Go is treated in terms of representation, and I am not going to bat for the guy who treated Haru like dogshit lmao.
The fact that one of the two darker skinned MOC is given more obvious mental/physical illness signifiers in terms of symptoms to mark them as antagonists (when, again, Yusaku literally CANONICALLY HAS PTSD) fucking blows, and I’m going to personally fight the writers.
But. I am also laying the blame at the fanbase’s feet for this shit, too. They literally ignored this to coo over Lightning. I’m going to bite them.
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Let me be as obnoxious as possible and ask for Cleric + as much of the Arnora cast as you can stomach. pwease.
roman u amazing beautiful human come catch this kith!! <3 just for u i shall do the main cast + everyone’s fave trio of side characters!
tw for very brief mentions of religious trauma
Cleric: What does your character place their faith in - a deity, universal energy, themselves, the government, etc.?
no one places their faith in the government bc it’s uhhhhh v corrupt lol
Vanna: at the beginning of Arnora, Vanna definitely places her faith in others, and not even necessarily her friends. she trusts easily and deeply and while this is a good thing in some ways, it really gets her hurt at times, so a big part of her character arc is learning how to place more faith in herself first. she’s definitely the kind of person to see the best in others though so i don’t think she will ever completely “grow out” of placing a bit too much faith in those around her.
Xalia: she’s a bit the opposite of Vanna, honestly (heck yeah character foils!!). in the beginning she only places faith in herself (even though she works for Verena she does not trust her at all). but throughout the story she will start to open up to others a little more, which she is v grumpy about lol :)
Silaesan: the concept of deities is weird in Arnora, magic and religion are v much separate but some people choose to intertwine them. as a Time Magister, Silaesan has a better grasp of magic than just about anyone in Arnora. but he is not religious at all, especially after some uhhh....events....that happen at the beginning ;p but there’s also some stuff that happens that changes who/what Silaesan places his faith in but if i told u it would literally spoil the entire plotline lol so for now i shall just say that Silaesan places his faith in the Pillars of Time and the magic he manifests from them
Tilaraen: this is another one that’s really tricky to answer without giving spoilers lol (btw if anyone would like spoilers i’m always down to spill the beans i just don’t wanna put em up on my blog) but Til either places their faith in Verena, themself, or Silaesan depending on which point in the plot we’re talking about. As far as religion, the best way I can think to describe it is that Silaesan is the Arnoran equivalent of agnostic, while Til is just flat out atheist. They believe that the best, and worst, things in life are products of humanity and humanity alone.
Verena: she places faith in herself but also,,,,the moon?? sort of?? and also Til?? it’s complicated lol. if you asked her she would say herself 1000% bc she would like to pretend that she doesn’t need anyone or anything. but actually her and Til are really close (can’t say much more atm) and the moon has always been a sort-of deity for her, i talk more about her connection to the moon here if ur inch rested!! Verena very much rejects formal religion tho
Ari: idt i’ve talked about this much but Ari comes from a clan of artificers that live in the desert. the clan is broken up into sub-groups based on what class of artificer you are, so Ari grew up with others who could transmute metal like him (ari is a metalbender confirmed skdjfskldf) but each sub-clan thingy (i haven’t named them yet ok 🙈) has their own patron deity that they worship. Ari is also huuuuuge on family so (even tho it’s technically against his upbringing) he places faith in his family over his patron deity
Mikah: his relationship with faith is incredibly complicated and damaged. he wants to believe in something, but every instance of religion he saw in his childhood was a perversion of it used to hurt him (i’m not using him to process religious trauma wym). Mikah seems like the character who would place his faith in others, but ultimately he places it in himself because every time he’s placed it in others he’s been let down. a big part of his arc is going to be him opening up to other people, and recognizing that sometimes people will let you down and you have to process that and move on rather than internalizing it and shutting out everyone in the future.
Dorian: i’m sensing a pattern here of my characters changing who they place their faith in lol but Dorian is definitely the lone-wolf, “i work alone,” “people will always let you down” broody type in the beginning since he got kicked out of the Thieves’ Guild, and thus only places faith in himself (and Tov, she’s the one thing he can rely on). by the end he learns to be a lot more open and is much more comfortable placing faith in his close friends. he’s not really religious, but he doesn’t mind it, he just is kinda neutral about it. not necessarily agnostic just literally does not feel like committing the brain cells to figuring out how he feels about it lol.
Matthias: matthias is religious! he doesn’t really place his faith in a specific entity, just more a sort of cosmic substance if that makes sense?? it started as him just praying while he was in the Aemornian Army as a way to pass the time and try to process some of the stuff he saw. but he found that the meditation and contemplation really did wonders for him, so he keeps up a habit of going to shrines in Aemorn to meditate. he doesn’t have a particularly deity he associates himself with, he’s just generally religious in the sense that he hopes there’s a benevolent higher power out there that can make some sense of all the chaos in the world
Tov: Tov is similar to Vanna in that she places her faith in a looot of people, but she’s also much healthier about it. she’s an incredibly positive person and she tends to attract positive people because of that. she places her faith in humanity and people not because she is blind to the bad things they can do, but because she truly believes that when you help people and give them the opportunities and chances they need they will choose to be good. i just,,,,i really love her okay i’m too soft for her T^T also she places so much faith in Daisy, like Daisy can (just about) do no wrong in her eyes <3
Daisy: daisy is religious and worships uhhhh a deity i haven’t named yet lol but she’s like Arnora’s version of Artemis basically, the goddess of women and the hunt. she worships this goddess specifically because she has dedicated herself to protecting people, especially women who cannot fight for themselves. she also does enjoy hunting but in a very fair, use-everything-and-thank-nature sort of way. so i would say that Daisy primarily places her faith in this deity,,,,which shall be named soon,,,but she does also trust her troop with her life, and ofc she will place her faith in Tov endlessly
some of these got a bit rambley lol my brain cells are not aligned today but i hope u enjoy!! thank u so much roman!! ☺️💜
dnd themed character asks!
#roman rlly askin me for every arnora character and making me cry T^T#tysm!!! <3#kit answers#dnd ask game#arnora
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About the mirror scene in SPN 14.10 and Dean’s battered but powerful sense of self
Don’t think I talked about this yet...the Dean in the mirror scene. OMFG.
The ep reiterated 3x, from Jack, from Sam, from Cas, that Dean is strong, with Cas adding a variation that Dean is “more than strong” which I think reflects the admiration Cas has always had for Dean, and even more, the more he knows Dean. This ep was very much about--literally--going into Dean’s head and what makes him tick. It continued the season thread about what does Dean really want, it address Dean as more than just the blunt instrument, some sense of purpose beyond just hunting but without getting out of the world of hunting, it nodded to some of Dean’s personal wants with his own brain writing subtext for that, it had--literally--Sam and Cas surrounded by Dean’s traumatic memories and Sam and Cas commenting on their understanding of what makes Dean tick (and they were pretty astute). There was so much about how loved Dean is by Sam, Cas, and Jack and how much they want him back, and how they see him as strong.
This isn’t anyone putting too much on Dean or expecting him to shoulder it all, it’s an accurate acknowledgment of an inner strength--something demonstrated when, with the help of his family, Dean traps Michael in the storage closet of his mind and then it’s Dean himself who holds the door closed as Michael rages and throws things and bangs and bangs at the door. The smooth, elegant, vicious Michael losing it like that, showing in the end even if he’s AU Michael, he’s cut from the same cloth as Lucifer. His rage is frightening.
And that’s what Dean by sheer force of will locks away in a box in his mind (oh which btw, one of my early season specs wondered if Michael might be locked away inside Dean’s mind...he wasn’t yet, but now he is). Michael’s strength and rage vs. Dean’s mental strength.
Dean’s sense of self is damaged from all the trauma, from John’s conditioning, from being parentified from the age of four, from being taught he’s worthless outside of saving his little brother, but his sense of self has also always been powerful. It’s always fought back. Dean’s ability to love is massive and it’s a strength and a weakness. His sense of independence and free will, which was at times at odds with his hero worship of his father, and Dean’s persona being constructed in part based on John. But Dean also built his own persona and his own mask and developed his own interests as much as he could, within the limits of the life and what trauma and abuse did to him. Dean’s tastes and wants and needs and fears and sense of humor and dorkiness and badassery are stand-outs.
Now he’s got a monster trapped inside of him he has to keep contained as long as he can. That mirror scene. Giving himself a pep talk. It’s just you. It’s all you. Trying to drown out Michael’s screaming and the bang-bang-bang of Michael rattling at the door.
It’s a battle of wills and Dean’s sense of self, as it did with the MoC, can hold its own, but not forever.
The fact is Dean’s sense of self is very powerful, but it’s battered, and he often has to use it to fend off the wolves. It gets buried and lost at times. But it’s there and it is strong.
But think how much worse things would be if Dean didn’t have such a strong sense of self.
We’ve seen Sam do it at moments. I’ve got him. We’ve seen Cas do it, when he pushed down Lucifer so he could save Sam and save Dean, while Cas was in such a despairing place at that point and mostly passive, he also was determined to carry through this mission and he could push down Lucifer at moments. Also Lucifer, with Cas, used the method Michael finally learns to use with Dean--he uses contentment, a sense of safety. Cas in the bunker kitchen watching TV. Lucifer used a different method with Sam, demoralization, persuasion. Michael drowned Dean in his own trauma, and then on the second try, used contentment. Sam and Cas have strong sense of selves too, and like Dean, they are damaged, but powerful.
But I think Dean of the three is the one most able to keep up this sustained inner battle longer. This isn’t just breaking free of possession for a few seconds for what’s needed. Dean’s got Michael locked inside there and can keep this up continuously for...a while. Days, weeks at most, I’m guessing. Or indefinitely but if it’s indefinite Dean will lose his mind. He will lose his sense of self and the containment of Michael will break.
All this time, many of us, including myself, we look at the damage in Dean’s sense of self and how that could be repaired and that’s valid and that is I think a thread spn has been doing, but all this time, also, this part of the story is also about how strong Dean’s sense is. The story is often about Dean’s mighty sense of vs. all that assails against it. Dean containing Michael is a main event smackdown for that. I’ve got him.
It’s just you...it’s just you...it’s all you. Dean moves from a self-encouraging mantra to Dean feeling the full weight of what he has to hold off the monster screaming and pounding trapped in his head, and his head bows as he feels the weight of it.
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My psychological model of magick
I am actually really disappointed to discover that apparently most people who promote a psychological model of magick seem to use it to invalidate magick as a phenomena. I am a trained scientist and psychologist and it was studying psychology that added sense and validation to the magickal experiences I had already had. (This is just a bare bones description btw, I honestly don’t have the time to write my whole thesis on the matter and encompass everything).
I learnt that all reality is perception. With enough time and tools a person could literally put an electrode into my brain and change the way I experience the world, changing my identification of colour, taste etc. As shown by brain damage studies, even a slight shift to the grey matter can change a whole person.
I also learnt that we do not experience the same things as anyone else. Cognitive bias, the amount of cones in your eyes, social and cultural upbringing and chemical balance (plus pretty much every other extraneous variable) mean that you and your friend can be looking at the same thing and experiencing it completely differently. The only reason we seem to experience the same things is down to communication and the use of common language. It is through language and society that we construct general realities on various scales and levels. None of them universally true, everything just the constructed stories of the people experiencing it.
So considering that your reality is literally whatever you brain perceives and that can be manipulated, and it is entirely different for each person, your personal reality isn’t real. There is no universal truth. I don’t mean this in a nihilistic way, I mean that you are ultimately in control of what you choose your reality to be. Change the way you think about a thing and it creates new pathways in the brain. Make it a habit and you get strong connections of neurons. These connections feed your confirmation bias. Want the world to be a nicer happier place, start believing it is and you will start to pick up on all the good things. There are studies that show that when depressed, access to positive memories is difficult and confirmation bias is skewed heavily towards negative experiences. Want more magick in your life, start practicing and it will come.
The advantage that I find in the theory that all reality is subjective is that it doesn’t matter if other people think that magick or my God is real, all that matters is how I interpret my experiences of them. I do magick, it works, I believe, I continue to practice. I am touched by my Deity, I believe, I worship, I get gifts and knowledge. Doesn’t actually matter if my God is a positive delusion, or my higher self, or a transdimentional alien or me from the future or the actual God of Magick. What matters is how I choose to interpret them as I am the one experiencing it. It is my life, my perception, my reality. I can turn fear into glorious enlightenment, sadness into lessons, anger into wisdom and peace simply by changing my perception. It leaves no room for doubt but loads of room for questioning and exploration.
You experience everything through your brain and thoughts, change them and you change your whole reality. For me, God is real, magick is real and I have met others who experience these things. We don’t experience stuff in the same way, and the use of language for such paranormal experiences is often diverse and lacking universal conformity, but description of experience is similar enough for me to know that these are things within the realms of human reality as well as personal reality.
For me this is the true psychological model of magick. I never said that living this way was easy though and I have had a lot of therapy and a lot of shadow work to get to this point. I am not neurotypical and I am also a spoonie as well as an abuse survivor, so I do understand the struggles of rewriting how you think. But I find that spiritual practice aids in that, it gives purpose and hope and is very empowering. I do love Jung and would suggest the Red Book to everyone, even if in the end he tragically rejected the deep magick within himself.
For anyone looking for more info on the concept described here go to Google Scholar and type in things like Social Constructionism, Cognitive Bias, Personality and brain trauma, etc. If you really want then DM me and I will go dredge up some references.
( @justinbthemagician I’m tagging you because it was something you posted that prompted me to write this :) )
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