#btw ‘my fans’ refers to the 2 people who like my posts consistently

[charmykidd]

Hello to all my fans sorry for not posting consistently that’s my bad

Have chiikawa Graham as an apology

[systematicallycapricious]

Ultimax English Volume 3, coming hot at'cha from me, who did the read-y thing!

Gonna repeat it for the folks who might be landing here for the first time: I've written up my initial impressions and observations below the cut, as well as sprinkled in some pictures comparing the three versions of the manga (OG-Jap, official-Eng translation, and fan-Eng translation). And if you don't see something there that you'd like to know more about, you can always hit me up with requests and I'll see what I can do for ya!

Oh– and of course, spoilers are no holds barred. So if you want to read the manga blind, then this is not the review post for you. Nor are my other ones.

So without further ado... The post!

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Main Opinions (5)

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[1]

Like the volumes before it, I continue to both agree and disagree with the various translation choices. Using the page above as an example: I think that translating 道化 as “cabbage cop” rather than the literal meaning of “jester/clown”, especially after using the latter translation before in Vol 1, wasn't the best choice. On the flipside, I think that choosing to retain the presence of the “俺が...!” by including “I still...!” in the translation was a good call, because the specific ways that characters speak are a quintessential window into who they are as people.

(Re: "cabbage cop"; the translation also just suddenly spikes in referring to Adachi as “cabbage” in the aforementioned chapter and the one immediately following it, lol. Sho says “I wanted to help even a loser like you have a good time... So I went outta my way... to keep your lame... cabbage ass alive...”, though nothing in the Jap text even makes mention of “cabbage”, much less Adachi's ring title.)

[2]

Though I don't think I mentioned it in my previous posts, I also retain my opinion that the onomatopoeia in this translation is on point. Much like the original Japanese version, the chosen sounds make sense for the actions they're supposed to be accompanying. And this has been consistent throughout all volumes, rather than having ups and downs of quality... at least from what I can recall.

[3]

However, in reading this volume, I have come across my first genuine critique of the translation: in all the volumes thus far, quotation marks that should be carried over from the Japanese text are often ignored, to the immense detriment of the English reading experience. Fortunately, this problem hasn't extended to text emphasis (e.g. bolded text and bōten) or the rest of the punctuation, as they have been relatively good at preserving and employing those. But, to exemplify what the lack of quotations does to the text...

...just read through the side-by-side page examples I edited above. The difference should be apparent, hopefully. (Btw, edits are in the middle and on the bottom, respectively. Jap text is also included for quotation placement reference.)

The thing that baffles me about the lack of quotations, though, is that the translation does use them on rare occasion. For example, when Minazuki says “Welcome to 'his' world.”, and “Oh yes. You call those shackles 'bonds', don't you.”, those quotations exist in the Japanese text as 「“彼”」 and 「”絆”」. But in the vast majority of cases, even sometimes when the usage in Japanese is back-to-back, they're just kinda... glossed over? I really don't get it. ^^;

[4]

Moving on to a semi-related topic... The 皆月・ミナヅキ naming differentiation... uh... yeah. That's a weird thing. The simple part is that both are continuously referred to as “Minazuki”. The weird part is that the translation seems to want to refer to them as a "single but plural" entity? For example;

“I sat back and let Minazuki do their thing and they just wasted time forever.”

“There's much to sympathize with in their past. And they're clearly a victim of the Kirijo Group's darker side.”

"But we're gonna get back at that jerk. Both of 'im!".

"We can't let Minazuki get what they want! Stop 'em, Narukami!"

Which, in all fairness, the Japanese version is partially responsible for. Since [plural nouns are implied more than said outright in Japanese], and there are some occasions of 「皆月達」 (Minazuki-tachi; look under "Plural Suffixes" in the linked article) interspersed within the writing, I can understand how the "single but plural entity" translation came about. I'm not knowledgeable enough to know if interpreting just "皆月" as plural is always correct or not, but I can see why it might be tricky to interpret, at the very least.

So personally, my gripe with it is just the lack of distinction between instances of ミナヅキ and 皆月, as when which one is used is extremely important for story context. The characters awkwardly referring to Sho and Minazuki as singular but plural (in a purely-Eng reading) seems logical enough, since none of them have experience with plurality up until this point, and it's not like they're getting the opportunity to ask the system in question what form of address they prefer.

[5]

Oh, and while we're within the topic of “things that could be better off if a guide of important pre-established terms was implemented”...

Y'all might think “holy heck, why did they turn Minazuki's edge factor up to 11 here?” with a slow cringe of disturbance or disgust. (Or maybe the laughter of vicious mockery. What do I know? Lol.) I concur! So I did what I do when I'm confounded by something: question everything about it. In doing so, I thought to myself; 'Hey, isn't that "hero" one one of Minazuki's VLs from Ultimax?' The answer was yes, it was, although it goes slightly differently. And what had the manga done back in previous volumes? Quote combat-VLs from the game during battle scenes.

So after transcribing the Japanese text of the lines in question into Jisho and Google Translate, as well as listening to the Jap versions of the EngVLs that I thought were similar enough, this is what I got:

“Writhe in pain!” = “Struggle. Suffer.” (「もがき　苦しめ」, [VL nb315a])

“Did you think you could become a hero?” = “Did you think you were some kind of hero? No. You're just the loser.” (「（君は敗者だ）英雄になれるとでも思ったか?」, VL nb342b)

(Note: The “No. You're just the loser.（君は敗者だ）” portion isn't a part of the VL in Ultimax, and aside from Adachi's Winner's Interview line for defeating Minazuki, I couldn't find anything similar in any of Mina's non-Story Mode Eng VLs. (I didn't check their Jap equivalents, as I still need to compile those lines into a searchable resource. >_>) So unless it's somewhere in Story Mode, it may have been ad-libbed in by the author.

“Let despair swallow you.” is less cut-and-dry. The Japanese text is 「絶望へ堕ちろ」; but when I listened to similar VLs (nb313a: “It's time to despair.”, nb317a: “Fall into darkness!”, nb320a: “Descend into the abyss!”), I only ever got partial matches. Nb313a has 「絶望」, while nb320a might have 「堕ちろ」, but my auditory comprehension of Japanese still needs a lot of work, so I may be mistaken. And nb317a matched nothing, from what I can hear. So unless this comes from a story VL, or a VL that isn't translated closely enough for me to sleuth back to the Jap VL... then I guess this might also be ad-libbed or frankensteined by the author?

Also, I'm not sure if it's coincidence or if there actually was some knowledge of the pre-existing translations, but the translator got “God and Demon Annihilation” correct, lol.

So yeah. "Edginess"? Not really more than normal when you have the context; but as a standalone experience, a great deal more than normal and would have realllllllly benefited from referencing the pre-established translations. The translator can take stylistic liberties with the whole rest of the translation, so I really don't think that employing such a small list would compromise their freedom?

(And if you want to see how the fan-Eng version handled it for comparison...)

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Additional Thoughts (6)

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Alright, let's see, what else do I have left to cover...

[1]

Labrys doesn't talk a ton in this manga, so her “Southern, not Brooklyn/Boston accent” issue, while still there, isn't too glaring or easy to spot in a lot of lines. However... Honestly, I think it's just the translator's style overall to use a more 'Southern USA dialect' in their wording. Please note that I'm not an expert on this matter what-so-ever! But that's just the vibe I've been getting from how all of the characters have been speaking across the official-English volumes (and which isn't present in the fan-Eng translations).

[2]

I referenced the line briefly before, but the translation of Minazuki saying “...Yu Narukami. How about you throw away those shackles you cling to? They're dead weight to you. You can hardly fight, or even run, while you carry them. […] Oh yes. You call those shackles 'bonds', don't you.” in reference to Chie and Yosuke being incapacitated is brutal and I love it.

[3]

Before learning Kagutsuchi's name, Adachi calls Kagutsuchi "Mr. Crazy-Pants", lol. ("That's why you set up your whole little plan to use the power inside me to control that. And that means you've only been pretending to be best buds with Mr. Crazy-Pants.")

(Or in Japanese: つまり　君らは凶悪なクマ君に従っているフリをしていたってワケか || Though, I'm not sure if 'vicious Bear-kun' has a similar vibe to "Mr. Crazy Pants" in Japanese or not?) (Also fun note: Adachi's 「君ら」 (kimi-ra) is another pluralized address of Minazuki and Sho, so it's not always just their direct name getting that treatment.)

[4]

Labrys is secretly Elvis confirmed. Also, the author comics are to be found on the inside covers for the Eng translation, versus being on the outside covers (and obscured by the book jacket) in the original Jap print. This is something that only Vol 3 and Vol 4 do, as Vol 1 & 2 had enough space left to print the author comics on actual pages.

[5]

I think some of the gikun nuance might've been glossed over, but I honestly still don't know whether it's the subtitles or main words of gikun that are supposed to be "spoken" in-story. I only just found out the proper name for them while making this post, and the things I've read about them so far contradict each other, lol. Also, the official-Eng translation takes the third example below and translates it as both "Minazuki"(Sho) and "this child" at different points in Vol 3, which doesn't help my confusion, lmao.

(Checking out an instance of the first example as well, it gets translated from "ジュネスでミナヅキ[あの男]に襲われもしたが" to "That man. Minazuki? He attacked me at Junes...", occurring when Labrys and Naoto save Chie and Yosuke from Minazuki's attack in the faux-Tartarus lobby.)

E.g. "ミナヅキ　[あの男]" ("Minazuki" subtitled with "that guy") - "皆月達　[あのコら]" ("Sho & Minazuki" subtitled with... my guess is "those kids", but the 'ko' is katakana and not kanji, soo...) - "皆月　[あの子]" ("Sho" subtitled with "that boy")

[6]

Take this with a huge grain of salt, because I don't know enough Japanese to certify that the official-Eng translation shouldn't be pluralized the way that it is, but, uh... the possibility that there's more than one hidden server and more than just Sho as attempted Plume-implantation subjects??

If the translator had been reliably sticking to the pre-established translations, I would give more weight to the possibility of it being a retcon of how the game presents the information. But since it doesn't seem like the translator is familiar with the original material... I'll personally just add this one onto the “fan-characterization fodder” pile and continue hoping that P3RE might give us more clarity on what exactly the experiments of 1995-1999 entailed, lest my fluency in Japanese reach the point that I can ascertain the answer. TuT

For anyone who wants the Japanese lines in transcribed form:

先日　エルゴ研の隔離サーバから　幾月修司のパーソナルファイルが発見された

その中に”人形使い計画”と名づけられたデータが隠されていた

それは皆月翔という少年が”黄昏の羽根”を使った人体実験の最年少被験者であったことを記したものだ

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Misc. Pics

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(If you wanna see the fan-Eng in higher quality than the screengrabs I used, you can find it on Mangadex [here].)

[sprinklesandshatters]

A Review on NCT 127′s 3rd Album <Sticker>

So NCT 127 just came back with their 3rd Full Album <Sticker> and this is my first 127 comeback since I became a fan last year! Neozone is such a special album for me as it was their first album that I explored entirely. I've known NCT as the group who never fails any expectations so I've kept mine up although I know they'll exceed it anyway. And guess what, they did! I absolutely love their new album hence this review~

This isn't a technical music review—as I am not a musician myself—but rather a listener's honest takes, goofy notes, and interpretation on each of the tracks in the album. I admit I've also struggled to build my own opinions on some of the tracks until I listened to them over and over again.

I have also heard there are mixed opinions on the title track <Sticker> and a lot says it's another acquired taste. But I think it's not just that, as it can be a grower, just like how most of NCT's songs were for me. Maybe after a few listens and a right passage of time, it will grow on those people. The bottom line here is, I like it a lot! 😛

So I listed down the songs according to their respective track numbers and followed each with a bulleted list of my opinions and interpretations.

(Viewer/reader discretion: before you continue, minors, do not interact as there are few 18+ contents under the cut. Thank you.)

1. Sticker

THEY DIDN'T JUST PUNCH A NEW NOTCH ON THE BELT LIKE THAT

THIS SONG SLAPS, LITERALLY SLAPS… AND WHIPS 

The recorder at the intro boyyyy I thought something was wrong but then I remember it’s NCT lmao

It already stuck in my head from my first listen from the Instagram audio.

With Taeyong opening the verse with his divine rapping, I knew I'm in for a new ride.

STICK-UH STICK-UGH STICK-UGHGHGH

To those complaining it sounding like noise music, imagine it sounding generic. I don't think it would fit as the title track. Not a b-track or in their repertoire, even. They are called NCT because they define the NEO in the music culture and music technology!

It honestly was an unorthodox, just like all of their title tracks, which I’m inherently here for.

Literally, no one does it like them!

The growls and the vocal flexes and adlibs! (You can tell it has Yoo Youngjin's brand.)

The crisp metronome sound that’s consistently ticking except for the pre-chorus and the dance break adds depth to the soundscape. I love how it’s used instead of the usual snaps.

The production quality blew my mind. Like how can someone think those melodies would sound so exquisite? CAN I CALL THEM GENIUS?

The piano at the back, oh my God—Yes! It adds this mystifying element to the song.

I'm not sure if it's a midi violin at the pre-chorus, but it added thrill to the song. It was a great transition from the bass line in the verses to the combination of the flawless harmony with the same instrumental.

"You treat me like a boy, like a grown-up child chasing a dream" JUNGWOO BABY NO MORE HUH

Taeil, Doyoung, and Haechan—the bridge vocal trinity!

But why the heck are they cowboys? I dig the concept, but why? LMAO

BTW GUNSLINGER MARK I’M ON MY KNEES YEEHAW

This is easily one of my favorite tracks from NCT 127's entire discography 💚

2. Lemonade

(⌐■_■)

Jaehyun starting off this song with his deep voice eee

The song opens to a verse oozing with chill confidence. They're like, yeah you're lurking because we’re cool.

This is such a huge slap to their haters. NCT's not chillin' like a villain, nah they're the main characters!

Well maybe they’re villains, but still ya not cooler than them ¯\_(ツ)_/¯

Funny enough how they could have just referred haters as simply lemons whose sour/bitter to the taste, but 127 squad's success is sweeter than all the haters' spiteful remarks so yeah, SIPPY SIPPY LEMONADE 🧃

"WOOF"

I might have just barked too wOW

Yuta’s vocals hooooO his voice just sounds so glamorous mhmm

Also Mark referencing their previous title tracks such as: Firetruck, Cherry Bomb, and Regular (it's Irregular in the lyrics) in his rap part 👌💅

I just love Mark's energy when he raps. HE RESOLUTELY BITES AND STRAIGHT UP EATS EVERY TIME HE DOES.

3. Breakfast

Now breakfast time, oh jeez!

AAAHAHFU—

Summer 127's bestie!

If Summer 127 talks about dancing all night long, Breakfast is the morning after.

You know what it is.

"Even if I gulp and drink you, it's not enough for me." oho Taeyong no you ha—STOP

Sexual innuendos aside, isn't it just sweet if someone tells you they'd want to have breakfast with you every day?  Okay maybe I'm melting at the thought 😩🙈💞

And I can see myself dancing to this song as I make breakfast (in the afternoon or at midnight bc I’m crazy)

This was an okay b-track for me at the first skim on the album, but boy it grew on me wildly.

Honestly one of my favorite tracks in this album.

4. Focus

Did I just invade a private call? LMAO

The analog voice filters make it like so.

Dude, this feels intimate in the level of eavesdropping a phone call between seasoned lovers. Then you realize you hear them whispering their kinks over the line and you're ooh, that's sexy! hfgklhfhf

My first listen to this, I almost went feral because,

"I can't wait to eat you…" when it's actually "I can't wait 'til we chill…" aahaha

"Baby call me when you want me." OKAY!

This sounds relaxing and chill. I'd love to play this on a late night drive or just before bed time along with Fly Away With Me, Sun & Moon, My Youth, and Long Flight.

Belongs to ‘make out session’ playlist  ( ͡° ͜ʖ ͡°)

That was lowkey a playlist recommendation, huh?

I'd be kidding if I don't say I could touch myself while listening to this song AHAHAFGHFJFJ

I didn't know this would grow on me this much lol I love love LOVE THIS!

5. The Rainy Night

Ooh, the holy melancholy!

Piano at the intro—I knew I'd cry to this.

This song isn't just about break-up, but the heartbreak after one.

The yearning; the remnant pieces from the shattering of what was once there.

I think I crumbled from this one.

This hit so hard I felt like I fit in the shoes with the lyrics throughout the entire song.

What’s fascinating is I clearly forgot the title when I mentally said this sounds like a sad rainy day song from the first listen.

Something I’d turn up when it suddenly rains, just because I want to feel the blues.

Taeil and Haechan singing in lower register? I wanna cry :( they’re just one of the best vocalists in K-music industry right now.

Could have been also nice if they added Yuta to the vocals.

"My selfish heart who waits for you to come back," OKAY WHO HURT THEM?

And the fact that they sang it so good that it translated every ounce of the emotions well even before I looked up for English translations is the reason why I love this song too.

6. Far

Hmm… What the hell?! Do I like this? Wait...

Alright!

The jumpy vibe from the first verse to the pre-chorus set the mood for this song. It sounds merry and heavy. It was honestly too much to take until I’ve reached the chorus part.

Honestly, I think this song could fit NCT Dream better, as it gives off a vibe similar to Hello Future's b-tracks. If some credible source say this could have made HF’s track list, I might believe you too fast.

Also Dream’s Deja Vu where they go na nananananana na na na~

Playful yet confident! That’s what I mean!

As usual, the vocals are insane! Vocal flex from left to right!

I swear Jungwoo sounded a bit like Taemin at the second verse that I had to replay it hahaha

I love hearing Johnny as a vocalist! SM, how many signs do you need until you utilize his vocal talent???

Taeil's part where he sings, "go nuts, go nuts, 'til we go bust, go bust" IDEK BUT I SNORTED A LAUGH AT FIRST LISTEN HFCAHKFHK

Not my favorite, but still great though!

But wait it’s actually stuck in my head???

7. Bring The Noize

Yes, they never beat those noise music allegations

HERE'S SOME NOIZE, BITCHES

I love me some noisy percussions. AND THE BASS YO

This screams so much confidence!

The build up from the pre-chorus to the chorus—FIRE!

This song reminds me a lot of SuperM's Super Car, especially with the engine roar samples and the battle cry-like singing at the chorus.

JAEHYUN RAPPING? You mean Jaehyun the visual, the vocalist, the actor, the model, the funny dude, aka my everything?! (markie bb look pls look away for a moment)

THEY DELIVERED IT STRAIGHT FROM NEOCITY THAT'S SOME NCT MUSIC RIGHT THERE NO ONE DOES IT LIKE THEM

When I said I'd play Focus on a late night drive, and if I add this in the playlist, VROOM VROOM SPEED LIMIT WHAT

OUTTA MY WAY

“We got no shame” ouh TAEYONG’S FLOW IS JUST VERY HIM AND HE’S IN A LEAGUE OF HIS OWN

You know what's so clever about this song? It's how it ended with Mark's final rap without any instrumental, leaving you  standing there with a doppler effect-like post experience.

A super car on a super speed just whooshed past you and you look its way as it zips through the road. It's gone in an instant but you're floored dumbfounded at a sidewalk. That's how I describe this song.

8. Magic Carpet Ride

This song… Wow. Oh gosh it's so beautiful.

Their harmony in the chorus—it makes me want to kiss someone so passionately that I'd cry.

This makes me want to feel love that transcends the universe. Literally, just please take me on a magic carpet ride :(

The background harmonies too oh my goodness—HEAVENLY.

Jaehyun's voice is so warm and soulful it fits perfectly with songs of this genre.

Okay alright Doyoung Grande!

And Taeil makes me feel like I'm listening to old school R&B.

The first time I heard this from the track video, I can't stop replaying because it's just that great.

This makes me want to love. I think that sums it up.

9. Road Trip

This is such a soothing song for me, especially how I easily become nostalgic thinking about the road trips I've had.

Whenever I listen to this, my brain immediately conjures up thoughts of my ideal getaways. Gazing at the sky through the car window, stirring up from a nap in the middle of the ride, and   eventually reaching your destination.

Oh, to travel around anywhere... (curse you covid-19)

Okay that's it. I'M PACKING UP.

But where do I go—

I could also imagine Mark playing this on the guitar and the other members sing along together, something like that.

Just Wholesome™ vibes.

I love how it evokes such a nice emotion within me effortlessly.

This isn't my favorite, but I still love this.

10. Dreamer

Eyyyy such a refreshing song!

This song is so bright it makes me want to dance. I play this first in the shower!

It reminds me so much of Elevator (from Neozone)

The horns make it more lively I think!

Yuta and Jungwoo's voice suits lively songs like this.

The background vocal in low register in Taeyong's part in the first verse is so good ahhfhf

Taeil, the R&B vocal king you are...

There's this part where Doyoung and Johnny harmonized, that at first listen they seemed to clash, but it sounded actually fine after a few listens. Maybe it's just that I've never heard them do it before.

And I think it's Doyoung's laugh at the end of the bridge? Oh my goodness I really love this too!

11. Promise You

MY FIRST LOVE AND MOST FAVORITE SONG IN THE ALBUM!!!

The first time I heard this from their NCIT Sharehouse Sitcom, I fell in love with the song already.

It sounds like something you'd feel from a warm, welcoming hug.

The lyrics are so beautiful and endearing. It's definitely a be-there-for-you type of song that will touch your heart.

It definitely sounds like a promise.

A song about platonic intimacy.

This really fits to be the closing song of the album. It's like the end of it but holds a promise that says “see you soon.”

Because they cherish their fans like that.

It's also like I've watched a movie with a happy ending, where the camera pans up to the clear sky and this song starts playing.

Speaking of ending, I would love to hear them sing this as an encore stage in their concert. You know, that moment just before the stage lights die down at the end of the concert where they send final blows of flying kisses to NCTzens. Then you come home smiling and crying.

This wasn't supposed to be this long since I originally planned to write this with just simple phrases and emojis but I got too engrossed lol. I also meant to include my own ratings but I figured it’s pointless since I can’t really decide about them hahaha

I really enjoyed the whole album and I love how they're progressively defining what NEO means by breaking through standards. It's not NCT music if it doesn't make you say "WHAT THE HECK WAS THAT?" But then you realize it’s stuck in your head and you’re enjoying it already.

✨ OVERALL RATING: 127/10 💚

if you’ve reached until here, thank you for letting me share you a braincell or two 💞

[avauntus]

Supernatural - a retrospective

This is super self-indulgent, and I have so much else I’ve promised-- I owe a long-fic rec post, and ao3 comments, wip work, and that’s just my fandom stuff I’m behind on. *sigh*

But it’s late on a Saturday and now I’ve finished Supernatural, I want to share what I think are my top few eps, and a few other comments. I promise some of this will be different from the “greatest hits” you probably usually see, and I’ll try to make it worth your time. *wry smile*

Look, we have to have categories like: “Most Likely to Live in My Head Rent-Free for the Rest of my Life” and “Most Likely to Inspire Unnecessary Fanfiction” that are different from “Favorites,” because that’s just the cursed energy this show has. ;-)

My top five

#5 - 13.01 - “Lost and Found”

Written by: Andrew Dabb | Directed by: Phil Sgriccia

In fandom, this is most often referred to as the start of the “Grieving Widower” arc, tongue-in-cheek. Also has Alexander Calvert (Jack) walking around completely in the nude for the first third of the ep. (Neither of these are why this is in my top 5, but he has a good story about wardrobe for his ‘first day.’) 

I didn’t expect much out of this episode the first time I watched it, but I’ve gone over this ‘section’ of the show maybe 3-4 times in my Netflix catch-up, and I watch this one in full every time. From Jack being...not at all what anyone expected and an unsteady vindication, to the stunning cinematography (there’s a post that compares shots to Brokeback Mountain, but I think the shots here might be better), to the sheriff who takes the time to remind her deputy that “...there’s no such thing as ‘weird.’ Everyone’s normal in their own way,” to the slow reveal of exactly how hard the events of the previous night (12x23 - All Along the Watchtower) are hitting Dean and Sam and in different ways...(how long the episode takes to reveal to you how Dean fucked up his hand, and what he was saying when he did. Augh!) The Winchesters are trying to rally, but they have been taking hits for a long time, and the cracks are showing.

 #4 - 15.06 - “Golden Time”

Written by: Meredith Glynn | Directed by: John F. Showalter

Supernatural  has a terrible track record with representation in all stripes. It is infamously consistent in killing off anyone minority, female, or non-White. One of the interesting things about the chaotic meta-narrative of season 15 is you can see the lack of fucks some of the writer’s room had to give about not even being subtle about tearing down that type of ‘White-male-hero-journey” now that they were in a literal “what will they do, fire me?” situation.

I’m a Cas fan, and this episode, which gives him an actual, ‘case-of-the-week’ hunter’s narrative where he gets to save the day on his own, successfully, was wonderful. I love that for him! But more than that, for me, this episode is emotional to me for other reasons-- the way Dean and Cas circle around each other on their angry phone call (with the body language! They are broadcasting so LOUD and neither can see because they’re on the phone!), Sam’s story here, where he’s inheriting things from Rowena that allow him in turn to save Eileen, to Cas’ speech and quick anger at the lake when you reflect on his entire journey of self-realization from a soldier of blind faith to an agent of free will... “You selfish little men in your positions of authority...” I just... *clears throat, grabs tissue* 

#3 -  6.20 - “The Man Who Would Be King”

Written & Directed by: Ben Edlund

Speaking of Cas’ journey... I know some folks don’t like the angst and drama of the ‘Heaven and Hell’ plots of Supernatural, but I am here for it. Oh, did we need another reason to include this episode? This has some of the most metal quotes I have heard from any TV show. Ever.

I mean, look at this:

“If I knew then what I know now, I would have said: Freedom is a length of rope. God wants you to hang yourself with it.”

“Explaining freedom to angels is a bit like explaining poetry to fish.”

The delivery of: “It's not too late. Damn it, Cas! We can fix this!” “Dean, it’s not broken!” is one of those Supernatural bits that will live in my head until the end of time. All of Edlund’s episodes are among my favorites, but this (along with “5.04 - The End”) was on another level. 

#2 - 5.16 - “Dark Side of the Moon”

Written by: Andrew Dabb & Daniel Loflin | Directed by: Jeff Wollnough

I think of this episode every time  I hear Bob Dylan sing “Knockin’ on Heaven’s Door.” This is kinda a giant montage episode, but the connecting concepts are so...satisfying. 

“Heaven is your favorite memories.” “ It’s called the axis mundi. It’s a path that runs through heaven. Different people see it as different things. For you, it’s two-lane asphalt.” “This is your idea of heaven? Wow, this was one of the worst nights of my life.” “I don’t think I realized how long you’ve been cleaning up Dad’s messes.” “It’s awesome to finally have an application—a practical application—for string theory.” “Everyone leaves you, Dean. You noticed?” “Why is God talking to me? Gardner-to-gardener, and between us, I think he gets lonely.” “You son of a bitch, I believed in... ” Whoosh.

#1 - 4.01 - “Lazarus Rising”

Written by: Eric Kripke | Directed by: Kim Manners

So...this is the episode where Castiel, angel of thee Lord, shows up. And that’s primarily why it earns the no. 1 spot, because 80% of my enjoyment of Supernatural from this point on was Cas-adjacent. Plus this entire episode just hits. ALL OF IT. Dean’s homecoming. Ruby, my darling. Bobby’s entire vibe. Pamela Barnes, easily one of the most interesting women Supernatural ever introduced. Cas being so hot to say “Hi” to Dean he forgets he wounds people. 

But beyond that-- the way the show writes their ‘oh, by the way, angels’ narrative! If you haven’t seen this episode, would you believe me if I told you that THIS EPISODE, the episode where Supernatural said “canonically, Judeo-Christian Heaven is real, btw” involves no churches but does involve a séance, a soulmark handprint brand, and a himbo angel that “gripped you tight and raised you from Perdition”...but they were all “no homo, guys” for years?

Truly no one was out here doing it like Supernatural even back in 2008.

Others--

15.18 - “Despair” 

“Most Likely to Live Rent-Free in My Head for the Rest of my Life”

Written by: Robert Berens | Directed by: Richard Speight, Jr.

You know why this episode is here. It broke reality. I could be wrong-- but I’d put good money on this episode being the subject of academic theses in the future. That doesn’t automatically make for interesting story, but...

Has there ever been a case, in a mainstream US TV show where a major lead character (Cas) came out as queer so late in the game in a narratively-important way? I’m not aware of it, but I might just be behind on my television.

This episode has great writing, and (blessedly) amazing direction and blocking anyway. Check out the above gif - that is some next level foreshadowing going on in the cinematography, and this isn’t even the most remarked upon shot in this episode. (Seriously, I had to search for 40 minutes for this gif, please respect my game, lol.) Everyone who was involved in 15x18 is giddy talking about their investment, from the costume designer to the actors to the director to the writer...

...And then a bunch of them steadfastly have avoided posting much Supernatural-related since. So that’s...loud. There is a bunch of subtext in this episode that is screamingly loud; there is a bunch of text in this episode that makes several things clear fandom has been chattering over for years and years. The meta-commentary around this episode continues, months later. There are over 700 fics on AO3 with this episode tag.

I have more to say about the themes of ‘free will’ and ‘love’ and ‘identity’ tied to this episode, but seriously-- you’ve probably read 17 versions of it on Tumblr already, so.

This is the last time we see Cas, and the last time Supernatural can claim anything close to narrative consistency. For that alone, it’d earn free head-space.

Runners-up: “4.20 - The Rapture”; “5.04 - The End”; “7.21 - Reading is Fundamental”; “8.21 - The Great Escapist”; “9.06 - Heaven Can’t Wait”; “12.19 - The Future”; “14.08 - Byzantium”

6.17 - “My Heart Will Go On”/8.07 - “A Little Slice of Kevin”

“Most Likely to Inspire Unnecessary Fanfiction”

Written by: Eric Charmelo & Nicole Snyder (6.17); Brad Buckner & Eugenie Ross-Leming | Directed by: Phil Sgriccia (6.17); Charlie Carner (8.07)

Usually the show kills off it’s “one-episode” female characters, but do you know one time it didn’t? When the Moirai (the Fates - specifically Atropos, the shearer of the Threads of Fate) showed up in canon in 6.17. She was posited to have “two older sisters that were bigger than her- in every sense of the word,” ...and Castiel had to back down when she challenged him to a cosmic game of chicken over the Winchester’s lives.

Then they never returned to that idea again. 

“A Little Slice of Kevin” is on here for the opposite reason -- an amazing idea that was really underwritten in the episode it showed up in. Dean Winchester has been dragging himself across the fabric of universes; the literal Word of God is in play in a warehouse in Middle America; Cas is back from Purgatory, but what does that mean, micro and macro? As a person on the street, what would it mean, or feel like, to learn you were a Prophet of the Lord, uncalled? That what you are, everything you are, is a cosmic contingency?

Maybe Fate has an opinion on all these shenanigans?

Perhaps all that doesn’t make sense, but it certainly made an impression on ~2012 me. To this day, it remains the WIP I can open up and fool myself with the ‘twist.’ I wish I remembered where I was going with it so I could finish it.

Runners Up: “2.20 - What Is and What Should Never Be”; “5.04 - The End”; “6.15 - The French Mistake”; 12.12 - “Stuck in the Middle (with you)”; “13.05 - Advanced Thanatology” “14.03 - The Scar”; “14.10 - Nihilism”; “15.15 - Gimme Shelter” ... and “15.20 - Carry On” (obviously)

Fifteen seasons. There were plenty of other episodes I loved that didn’t make these limited lists. But overall -- thank you, Supernatural, for the run. Even if I’m upset at the ending, I can appreciate the game. If you watch the show, what were your favorite episodes?

[pyrokinesis]

So I lost the patience and watched Kizuna

! Major spoilers ahead !

Listen, I know I said I will wait until the Blu-Ray comes out, but I was impatient little bitch and I found a working Sample 3 link with English dub, so I said, fuck it! My brother joined me 20 minutes in, lol. Anyways, onto the movie.

I don't really know what to say, Digimon Last Evolution Kizuna was exactly what I expected from the movie of such name, a movie that promotes end of relationship between Digimons and their human partners.

I kinda didn't have my hope up, mostly because I rewatched Adventure & Adventure 02 last week and finally watched Tri, and the whole point of Digimon has always been, no matter what happens, Digimons and their humans will always stick and stay together, I think the quote goes "humans and Digimons forever" (?). I kinda was hyped up though, partly because of art style (it was much better than Tri, less dark and more symmetrical when it comes to faces and bodies, Tri was annoying at times with weird asymmetrical faces; also Yamato!!!! Yamato is so hot and pretty in Kizuna, wtf Toei leave this poor lesbian alone), partly because of Adventure 02 kids (my brother is so annoyed with me, but I'm a huge 02 fan, Wormmon is my baby and I can rewatch 02ep25 anytime, Stigmon's first appearance is fucking iconic).

Adventure 02 kids got much more screentime than I expected, especially Iori/Cody because he is sometimes really put aside. I love how they were staying in touch with Original Six/Eight through Yamato, and how Hikari and Takeru stayed part of their team (Tri lacked this so much, it was so weird to have Hikari and TK not knowing what happened to their friends when they were supposedly a new team/best friends). Also my baby Ken's hair (*le cries*), I miss his long hair. Both my brother and I expected Paildramon to appear near the end, but there were no DNA/Jogress evolutions besides Omegamon/Omnimon.

Yamato was so fucking hot it's unbelievable, he's become top Digi-destined to me, 2D character or not. He was so smart, so persistent, so consistent, so selfless, so cute, itty-bitty blind (those cute glasses that appeared on his face for a mili-moment during him being in uni classroom panel, all of my uwus gone), still has one of the best relationships with Gabumon (he plays harmonica for Gabumon, even after all these years, he keeps Gabumon by his side, and they both tried to find that bad-guy-turned-FBI-agent-guy sneakily, so so cute). Overall, Yamato is a emotionally much more main character than Taich is, probably because emotionally, Taichi was the main character of Tri.

Now onto our second main, Taichi. Honestly, technicall, both Yamato and Taichi are Kizuna's main guys, but emotionally, Yamato left much bigger impact. Taichi was the main character in the beginning, but as the story progressed, I could feel Yamato much better. Still, Taichi isn't left aside (like all other Original Eight kidz/people). He is a struggling university student who has no idea what to do with his life (my brother sorta compared him to me, LMAO). This is very consistent with Tri's Taichi, who is full of self dubts, abstract ideas of future, and melancholy when he thinks about his future self. Toei nicely showed it when they let us know Tai earns for his future by working part-time as a waiter (?) in an automat casino. He is kinda really down all the time when he starts realising he has to make huge choices about the future, even though he has no bloody idea or genuine thought what to do (also his porn stash, LMAO what was that Taichi, who even uses porn magazine after the age of 14).

Thinking back about it now, it's kinda underwhelming with how it actually, emotionally, focuses on the whole "Digimons have to leave their partners" philosophy. Like, it barely shows interactions between humans and Digimons (which Tri did at least, with I think all characters, so I would expect at least some focus on Yamato and Taichi). There were some interactions between Taichi and Agumon, and Yamato and Gabumon at the end, but it just felt uncomplete and unfullifying. Also whole concept is bullshit (did I mention it? Because if I didn't I will, because this whole thing really is). It all started with Tri, which felt like it was produced by random people who watched Adventure & 02 after fifteen years and decided to make their own spin on it, without actual respects for stories and characters Adventure & Adventure 02 were trying to make us feel and understand (though feelings of OOC-ness Tri had at the times were minimal in Kizuna, thank goodness for that).

Then, Kizuna continued it with the concept of "when Digi-destined grow up, their Digimon partners disappear because they are not on the same mental wavelengths anymore" which is the complete opposite of one of like three main Digimon philosophies, "Digimon and Digi-destined, together and forever"; like while I disliked 02 epilogue, it showed us that after all hardships, Digi-destined and their Digimons get their happy endings, together. Both my brother and I (we watched it together) groaned at the whole concept (along with predictive bullshit plot and plotholes).

While I understand the reason behind this (I read some spoilers on here afterwards, to broaden my post-Kizuna horizons), that humans/Digi-destined grow up, and Digimons kinda don't, it still makes me really dissatisfied. Tri showed us in flashes that, when given time spent with their and other humans, Digimons can grow and become mentally wise adults (cue to the cutest scene when Patamon closes his one eye because he understands the tension between Hikari and Takeru, as in, that they like each other and they might need some time "alone"), so Kizuna kinda fucked up all previous Adventure works by telling us everything is in vain, Digimons leave, their connection to humans they had will become meaningless and humans will have to move on. Bullshit plot(hole), but whatever.

The amount of screentime non-Taichi&Yamato characters can be underwhelming, especially if you don't read spoilers like I did. The movie starts with Takeru and Hikari as important as Yamato and Taichi, but as the movie progresses, they just fade in the background. Kinda happens to everyone else except Koushiro/Izzy, who kinda has a really leading role, considering how much screentime Taichi and Yamato have (I feel like wordcount apps will find Yamato&Taichi as my most used words in this rant review), and he is probably third most important role, until he undramatically disappears because of psycho main lady.

Now towards real ranting. I'll try to keep it short because I have no real emotions behind it and I feel some other rants might articulate it better. Anyways, the plot of the whole movie is so goddamn predictable. It starts so weirdly, with Taichi, Hikari and Takeru fighting Parrotmon (what the fuck was that even, btw???). Like, Parrotmon, again? It feels just very reused, and that feeling that doesn't leave even during the credits. Soundtrack—while nice, nostalgic, and very fitting—is also just reused Adventure 01 soundtrack, and it just brings kudos from my memory lane road nostalgia. Deja Vu is the feeling that sticks to your skin and bones, if you like me, watched Adventure 1-3 just before Kizuna, and understand how so many scenes are just reused wanna-be old seasons references.

From two older adults (I honestly thought there will be two goverment agents, again, and mentally groaned) sticking up into Digi-destineds' business like some omni-knows creature, same as agents from Tri, fucked up (female) main antagonist who pretends to be a good guy (lady?) for the sake of gathering intel and trust, who is a complete nutjob (full-time pyscho in Kizuna lady's case) because of the loss of her Digimon partner, to bullshit powered-up Digimon created from human coding (my brother pointed this one to me, and honestly, half of this movie is both Diaboromon movies rehashed/redone in 2020 shine), Omnimon fighting in some weird Digital World room powered-up creature (first Diaboromon movie straight up scene for scene), even that first scene with Parrotmon and this time completely unexplainable appearance of a Digimon in the real world, and Digi-destined having to fight it, and of course, bullshit new unexplained Digi-evolution with new (human???) mega forms of Agumon and Gabumon. All in all, it just feels very forced and all very already seen.

Now onto the less main, even less supporting characters. 02 teens are amazing, considering they have barely any lines and some little fighting moments. I love them, and I'm happy they got this, considering how they were blatantly forgotten in Tri, and how obviously nobody in the production of Tri even cared to hide that. Wormmon and Stigmon are my babies and I'm happy to see them have some screentime.

Original Six/Eight (excluding Taichi and Yamato) are kinda disappointing, though. I read some spoilers, so I knew Sora wouldn't appear much, but damn, even that was much compared to her actual screentime in Kizuna. She is almost as forgotten as 02 kids were in Tri. I get that she is shown to have moved on faster than other Original Eight kids, but still, they didn't even show her losing Piyomon (which did happen, and it was emotionally, overwhelming, in a fucked up sense when you realised Piyomon wasn't by her side). Jou, Mimi, Takeru, and Hikari were shown at the beginning of movie with so much potential screentime, but in the end they mostly were there for the dramatic cliffhangers (I didn't understand at the beginning what happened to Mimi and Jou, and I thought Hikari was murdered and that the FBI agent straight up shot Takeru), during that mini battle scene sometime in the Neverland, and of course, during the end credits. It was kinda really both overwhelming and underwhelming to see them during the credits when they could've had much more moments during the movie (I sorta had some hope because the movie is almost 2 hours long, and usually movies are like 20, 30 minutes long, but even during those one-episode-length movies there is more of main-supporting characters shown).

As mentioned, the ending is bullshit (my brother ended up crying and I had to put Adventure OST on to calm him down), Agumon and Gabumon dying is literally the most senseless thing ever since both Taichi and Yamato love their partners so much, and even among all the adulting and hassles in their lives, they try to make time for their Digimon partners (during their time in the restuarant, Yamato and Taichi literally talk how they don't have time for even their closest friends, hell Hikari even mentions Taichi should give their mother a visit, but Taichi still finds time for Agumon), so in the end both Taichi and Yamato were among the last people to lose their Digimons and I'm really disappointed in this concept, especially how they didn't show Gabumon and Agumon disappearing, Taichi and Yamato deserved explicit goodbyes.

Uh, I don't think I have anything much to add anymore. I read spoilers and some are pretty much novels from how much people put their thoughts in, this is just my ranting review, tbh. I dived into this hoping to get my heart mended from Tri (say what you want about Tri but it was too bad for six hour and half movies, especially general Adventure constistency-wise), but not with high expectations, having seen the trailer and having some spoilers read. All in all film wasn't too bad, but it wasn't too good, solid 6/10 rating from me, mostly for the animation and nostalgic soundtrack, but the whole plot was shit as fuck and the philoshophy behind it.

(Random, but I noticed straight people/shippers liked the movie better than gay people/shippers, is there any correlations between that)

ALL IN ALL, Digimon: Last Evolution Kizuna wasn't the best nor the worst Digimon movie/work, but it probably isn't something I will rewatch or recommend anytime soon (also wtf were those humanoid mega forms, like W T F).

[theanimeview]

The Summer of Online Anime Cons - Review!

By: Peggy Sue Wood | @peggyseditorial​

OKAY. This review has been way overdue, but in my defense, I wanted to wait until Summer was officially over, and for me, that meant the Crunchyroll Expo needed to happen before making this post. So let's get into it:

This summer, in addition to the Big Three Anime Weekend (where people could attend Anime Expo Lite, Funimation Con 2020, and Aniplex Online Fest all at once), we also had Comic-Con, the Virtual Crunchyroll Expo, and several other small conferences happening online like the Toonami special. 

The events I "attended" happened to all be free (woohoo!), and to be perfectly honest: I LOVED it. I hope that they have more virtual conventions like these in the future.  It's not because I don't love in-person and live conventions. I mean, anyone that knows me personally knows that I love conventions, traveling, dressing up, and more. I am a massive nerd for literary/professional/writing conferences and actively seek them out to attend throughout the year (if not present at them). I love anime conventions just as much and see them as a way to geek out with people from all over the world who share the same interests I do (and often know the niche anime/manga/webcomic/etc. that so few of my regular friends know about or have any interest in seeing!). 

However, I think that Anime Expo has seriously fallen apart in recent years. It's something I've been more than vocal about in the past, like last year. Last year, as much as I did have fun, the convention space was overly crowded. AX is one of the largest anime conventions in the US, and overcrowding isn't unexpected given the size of it; however, since 2017, the convention has gone from simply full/crowded to claustrophobia-inducing. Enough so that someone like me, who had never felt claustrophobia before in their life, became overwhelmed and physically ill due to the number of people touching me on all sides as we attempted to shimmy down packed hallways. As a reference, I usually love enclosed and or crowded spaces--like, my mom and I frequented packed swap-meets as a child that I loved navigating. I also grew up with six older siblings, in a home next to Disneyland... so, like, crowds are not an issue for me, which is why I never expected to feel the level of anxiety I did in that horrible 2017 crowd, which repeated in AX 2019.

Add on to that panel experience: whereas before people could and would regularly slip in and out of panels with lines sometimes being outside the door for smaller rooms with more popular content, now the lines for most programs are often placed outside, in the heat, with attendees asked to line up sometimes hours in advance to have even a chance of attending. To my knowledge, Sakura-Con and several other conventions I've gone to in the last few years don't have that problem, and it's a fair guess as to why but let's leave that topic for another day.

By comparison, the virtual convention was a breeze! Yes, sometimes I had to sacrifice going to one panel over another, but who hasn't had to do that at conventions before? Ultimately, I could enjoy the panels from the comfort of my own home in PJs. I didn't need to worry about food, overheating in the sun, or finding the bathroom while at my house. I didn't get to meet new people (😥), but I did get to "attend" with friends of mine that can't go to conventions regularly for health reasons.

My major criticism of the virtual conventions can be summed up pretty easily. One issue I found was that the scheduling of three digital-conventions in one weekend was far too tight, but that was quickly mediated by the Funimation and Aniplex groups banding-together and merging the events so that Day 2 of FC2020 was a split with AOF2020. Another criticism I had is the lack of shopping--but I'm sure my wallet and bank account were relieved to find that I was much too entranced in panels to care about putting my cards through a ringer. I thought I would be upset by panel cancellations, but since virtual conventions are new and since panel cancellations happen at live conventions too, I can't say I'm all that upset by them. Not to mention how easy it was to handle such cancellations online when you have many more panels to attend freely.

What was probably most upsetting was, at times, the layout. Of all the conventions, I think AX and Comic-Con did the best job with panel layout. AX used Twitch live streams, YouTube, and a handful of unique call-in panels that were easy to navigate. More frustrating was the ever-changing schedule times at AX, but that happens (mainly when you are one of the first conferences navigating the online-field and thereby making all the first mistakes). Ultimately, it was EASY to get to the right "room" for the right panel. It helped too that their schedule was frequently updated, so it was rarely a question of "which room?" and "when does this thing start?" Comic-Con, which featured all their panels on pre-scheduled youtube posts, was similarly easy to navigate and enjoy. Frankly, I preferred the use of YouTube as Comic Con's primary platform for distribution more, but that's just because I enjoy being able to go back and rewatch things later.

Funimation and Aniplex suffered a bit by not updating their schedules consistently. For example, Funimation kept listing panels for Day 2 in the room merged with the Aniplex Online Fest live-stream, leaving me (and I'm sure a few others) to wonder what in the world happened to all those disappearing panels. Though, I'm sad to say that Crunchyroll Expo had it way worse. Their different "rooms" attempted to allow for many panels and multiple languages, and it suffered due to the way they handled this, among other complications. The way things were labeled for different languages meant you either had to search through the individual tabs to make sure you wouldn't miss anything, or sift through all of it at once. There was no in-between. You also wouldn't know which panel was whereafter it aired, meaning things got lost easily. Sometimes I wouldn't even know what panel was canceled, rescheduled, or entirely overlooked by me! This issue is difficult for me to find acceptable, as the Crunchyroll Expo happened months after other conventions and had arguably more time to review platform options and layouts for their digital conference. It almost felt like they were aiming for a "different just to be different" feel ultimately at the cost of user experience, which is crazy since Crunchyroll is one of the largest online anime streaming platforms in the US abroad. It would have been better for them to publish their pre-recorded panels similar to episodes of a show that people could scroll through than the disorganized mess that their expo "stages" tried to do.

With that said, let’s focus on content. 

Panels were the main focus of these conventions (obviously), and content-wise, they did NOT disappoint. AX hit HUGE on the industry panels from major licensing and publishing companies in the US and Japan. They also had the most in terms of interesting focuses. There was a healthy mix of fan panels, culture panels, industry panels, and such, meaning someone could find something of interest in nearly every hour. In fact, at the time, Casea (@madamekrow) and I were in a real panic about how to watch everything we wanted to watch. You could tell that a lot of thought had gone into making this thing work given how quickly they had to switch from live to digital, and I appreciate that. FC2020 and AOF2020, by comparison, were not as reliable in terms of those profession-based and fan-based panels, and given that they are mainly licensers of anime rather than convention planners, it makes sense. They were also up against a convention with a long history (BTW, AX celebrates 30 years in 2021). That's not to say they didn't come to the table without the cards. 

FC2020 brought it home with premiere screenings of animes to come. My favorite of their premiere list is By The Grace of The gods, set to come out in October of 2020. Meanwhile, AOF2020 lacked premieres, professional and fan-based panels but made up for it with entertainment of a different kind. They hosted all-night marathons of popular works they license, held a digital concert, and unintentionally perhaps, generally gave a place to "chill" between the stressful jumping from panel to panel. In conclusion of the Big Three Weekend, they gave the summer a phenomenal start!

Next up is Comic-Con. In my opinion, their panels were heavily movie-based as opposed to print-media comics, manga, or anime. Yes, of course, there were plenty of comic panels too, but they weren't the same as what we saw during AX, FC2020, or AOF2020. The feel was different--maybe because of content. Regardless, it was interesting. I enjoyed much of the industry-related panels, like "Manga Publishing Industry Roundtable" and "How to Thrive as an Indie Comics Creator Now!" (I mentioned before I'm a publishing nerd, right?) Perhaps most preferable to me is that the Comic-Con panels are still available on their YouTube channel, which means that unlike many other conventions, I can share the panels with friends interested in a particular series, subject, or person. I LOVE that. Share-ability is huge, and I think Comic-Con was smart to make their content available moving forward. It has certainly been great for my film-loving friends and our team members here at The Anime View (like Jenna @jkmorgan-media​).  

Lastly, Crunchyroll Expo. What can I say about this one? The panels were huge variables. I know that everyone on our team found them to be a mixed bag, myself included, as Crunchyroll opened up to fans hosting panels. This was great, in my opinion, but with that comes a bit of criticism. Some fan panels were polished, exciting, and engaging. I loved many of the mecha panels. I also loved some that were engaging discussions of a topic between people that were close friends. HOWEVER, with that came just as many who were new to public speaking, hadn't prepared much of anything and just recorded an awkward Zoom call, or worse (it's hard to describe how).

As for the smaller conferences like the mini-Toonami Con during Adult Swim’s digital conference, I don’t really have anythings specific to say so I’ll be leaving them out of this review. 

I don't want to shoot down any of the fans that hosted panels despite this negative review. It's HARD to present at conferences, and for some, it's even harder when they know they are being recorded. I remember my first conference where I stared at my paper the whole time and had to be asked to raise my voice twice for people to hear, while my friend aimed my phone at me to record the mortifying presentation for my mother. I don't blame the people that had a hard time doing this, and I fully support Crunchyroll for giving fans, particularly young ones, the platform and experience to do this. Some of those panels were very interesting, despite the presenter's awkwardness. Controversially, the handful that made no effort (and you could tell which), I don't extend that empathy.

For me, panels quality has nothing to do with camera work, lighting, or even sound in some cases (for the most part, as long as you can hear the words--awesome). I didn't need to see spot-on PowerPoint slides, anime clips to fit the conversation or hyperactivity. To me, it was all about what was being said or not said. One panel that comes to mind that I aimed to attend was about picking the right anime for you or a friend. I ended up ditching half-way through. It was, sorry to say, terrible. The hosts definitely had the energy and passion to discuss anime and interesting subjects beyond their approach to the idea of recommendations. 

For example, they spent a reasonable amount of time comparing how they grew up experiencing anime to how many people now entering the fandom have come to know it. They started by describing how they watching anime on a handful of VHS rentals from BlockBusters, while many people in my (Peggy's) "anime generation" grew up in the age of fansubs and illegal uploads; meanwhile, my (Peggy's again) niece grew up experiencing all of her anime through legal online licensing services like Netflix, Funimation, Crunchyroll, etc. After discussing that difference, they mentioned briefly (as in one time in a single sentence) that the popularity of a particular genre in anime when you entered may affect what you find most interesting before completely undercutting themselves to say that you can't recommend anything to anyone because people always think about what they like first. (I hate to break it to them, but I find it pretty easy to recommend things based on my friends' stated interests in past series. Maybe that's because I watch almost everything of every genre in anime, but also--it's not rocket science. If your friend likes thrilling action movies, you can probably name a few thrilling action animes to satisfy their interest.) It felt as though the panel's title was misleading when the answer to recommending anime is "you can't." (when, in fact, you can with little to no complications!)

Overall, for me, AX takes the crown in terms of content. They had a fantastic mix of everything you hope to see at a comic convention in addition to making it fun. Comic-Con takes the crown for best platform use and layout (AX takes a close second and Aniplex/Funimation sharing third)... Crunchyroll doesn't rank in this category. Aniplex/Funimation shares the title of Best Entertainment. Crunchyroll takes the crown for fan inclusion into the presentation spotlight. They're all winners, but if I really had to rank them, it'd be this:

Anime Expo - Title: Content is King  👑

Comic-Con - Best Platform/Layout

Aniplex/Funimation (Sharing is caring) - Best Entertainment

Crunchyroll - Best Fan Inclusion

With that, I conclude my long drafted review. Thank you for your patience, and I'll see you all next week in another post!

[phoenotopia]

2019 October Update

Woops, I slipped by my stated blog date since I thought September had 31 days for some reason. So here's the end of September update, 1 day late.

--------------------------

Writing... And more writing.

That captures the majority of what transpired the last 2 months. The biggest cutscenes have been scripted as well as most towns, so we're really close... I estimate that the writing will conclude within the next 3 *weeks* and we will actually have a game that can be played from start to finish... Don't get too excited though, because then begins the game's vigorous playtesting phase and more polish. And since I've never launched a commercial game before, the next steps (PR, marketing, lot checking, ESRP rating application, trailers recutting, release date finding, etc) are uncharted territory. The only experience I have is launching a flash game 5 years ago, and that was a lot quicker and a lot less complicated... And so, I can't gauge how long it'd take nor give an accurate release date yet. However, as soon as I do know, it'll be sure to post it here first!

--- COMPUTER BROKE DOWN ---

Among the events that transpired in the last 2 months, my computer actually broke down. It would manifest as the computer shutting off about 10 minutes after turn on. And this was really worrisome because if my computer croaked, it would be a huge blow to the game's development. The time it would take to restore the specific dev environment I had set up would be considerable...

Luckily, it was repaired after 4 days of intense troubleshooting. I'll spare you the long list of events that transpired, but eventually my brother and I were able to narrow the problem down to non-spinning fans on the graphics card. I was able to zippo-tie two chassis fans together, and insert them below the Gfx Card's heat sink. Much cheaper than replacing the whole graphics card!

(please hold until the game's done)

--- MORE PLAYTESTING CHANGES ---

I'll discuss here some additional fixes/changes to the game based on my brother's previous playthrough (still going through that list, heh...)

F. Remember you can climb roots

I remember from a public demo I attempted (3 years ago?), that a lot of people got stuck at these roots, not realizing they could be climbed. Since then, we did a few things to ensure that the first encountered roots would be climbed. The roots' colors were brightened so they would stand out. A character, Ernest, comments that others have climbed the roots. And finally, standing in front of the roots will cause the "Press UP" tutorial prompt to appear.

So how did my brother fare when I did the playtest 2 months ago? He climbed the roots, thankfully. He climbed the next few sets as well. However, later on, in a dungeon, he forgot that climbable roots were a thing. Back to square one. So there's a lesson here... Even if you teach a player something, there's no guarantee that it'll stick.

So in the picture above, you can see my next attempt at an invisible hand to remind the player. In the red circle, notice there are 4 blue dots. These blue dots pulsate wherever there are climbable roots (They're a lot more visible in motion). The idea is to tie an unusual image to an action. I anticipate when the player sees 4 pulsating dots, they'll react by attempting a variety of actions, before eventually concluding that you can only climb them. And that this experience will be more memorable for it - to be conjured up whenever the player sees 4 blue dots. I look forward to observing what happens with the next blind playtester. (Btw, in reading this blog, you have disqualified yourself from playtesting :P)

G. Instant Food Eating

As stated in a previous blog post, the player can't eat from the menu. Food must be eaten in real-time. It's up to the player to find a safe spot to eat, away from interruptions. Some foods can be eaten more quickly, proving more valuable in a fight.

However, what about on the world map?

You can't use tools or items on the world map, which means no healing at all! I saw my brother opening the menu and tinkering around, confident that it could be done. Because why couldn't you?

Indeed... he didn't say anything, but I wrote it down as a feature to be added. And after adding it, found that eating from the menu was  fun! After years of using the new system, to have the old flash system's implementation of healing again was refreshing.

And so I decided to add it as a possible new characteristic of food. There's now a special class of food, "candy", that actually can be used from the menu (world map or no). Rest assured, candy items will be balanced - costing more than regular food, and their healing effects will tend to be less than other more timely items.

(the “eat” subcommand appears for "candy" class items. The candy icon on the bottom-right denotes a candy class item)

H. Fishing Hud finally updated

This wasn't something discovered through playtesting, more of an unfinished task that sat around for far too long. 

(Old fishing hud on left. New fishing hud on the right)

In the old fishing hud (perhaps an example of minimalism taken too far), the fish's health is represented by 10 white dots. In the new fishing hud, the fish's health lines up and mirrors the player's own stamina. Whoever outlasts the other wins!

I had actually been sitting on the finalized graphics for over a year. For some reason, the last 10% implementation of a feature tends to be the most boring. In game development, I find myself jumping around often, working on whatever can catch my interest. That's good for ensuring that the game's development is always moving forward in *some* capacity. But now at the tail end of development, only the most boring tasks are left...

--- WRITING ---

So I mentioned writing. One of the things written in the last 2 months was the entirety of the "monster" village's NPCs. This time I also roped in Pirate (formerly artist, now also writer), since she's quite familiar with their lore having drawn them and their town.

When I wrote trolls, I wanted to give them a unique speech, not unlike the Mr. Saturns from Earthbound. My idea was to capitalize all words and then strip away as many unnecessary words as I could, while keeping the meaning identical.

Pirate then took the result and improved upon it, establishing rules their language could follow to be consistent:

Simplified negatives (no instead of not/don’t/can’t/etc);

Object pronouns replace subject, possessive and reflexive pronouns (me/name instead of I/my/mine/myself). 

No ‘be’ verb or it’s conjugations (am, is, are).

No verb conjugation.

No articles.

(A sample of troll language. Harpy language is similar, but no caps, and a few other variations.)

Another neat thing that happened naturally over the past two months was a construction of a "timeline". The timeline takes the form of a 2D chart, with the major players lined up on the left, and the years up top. There are new characters this time around, and having the timeline as a reference, helps to make sure the lore is on point.

(the timeline, blurred. An internal tool to aid writing)

--- FIVE YEAR ANNIVERSARY ---

Speaking of which, it was the game's 5 year anniversary this past August 20th. Thank you to Firana for reminding me!

Five years... Five Years... T_T (I thought I'd be done by now)

It'd be neat to do a longer in-depth retrospective on this game's long development, but I'll wait for the game to be properly finished first.

--- FAN ART ---

We have 3 lovely fan arts that came in the past 2 months.

(Art by Amaury Lorin)

I like how this picture selectively colors the night sky, comet, and fire. Very artistic! Amaury also submitted a poem (in French). Here it is!

Parmi cette clarté que la nuit seule émet, Au-dessus des radis géants qui s'épanouissent, Nonobstant sans souci les herbes qui frémissent, Sous un ciel calme et sombre, un village dormait.

Éprise de liberté, une puki part Là-bas, quelque part où des prés plus verts la tenant. "Oh, s'écrie un enfant, une étoile filante!" Veille, enfant : pour tes grands yeux curieux seuls, ce soir,

Indifférente au sol précipité sur elle, L'étoile tombe... Écoute, enfant, elle t'appelle; L'étoile : "Suis-je un ange, un messager du ciel?

Avec mes feux, suis-je augure, ou suis-je étincelle? Gloire d'un monde haut, d'une nuit éternelle... Et j'arrive!" --Dors, enfant, tes yeux ont sommeil...

                                                         ...mais demain...

(Art by LittleLys Owo)

Gale smiling and flashing the peace sign. Nice! I like the skillful use of vectors to draw the lineart.

(Art by Shafiyahh)

Shafiyahh, who also drew fanarts in the last update, returns with this cool picture of Gale sporting the katana, a hidden weapon that... JK. I Love the composition of characters, and the flashy background - very anime-esque!

That's all for now. Next update will come at the end of November!

[migleefulmoments]

I love that Abby criticises the bar for having Disney themed nights as if little kids are going to show up or something. It's still a bar that serves alcohol, children will never know that a bar which has burlesque nights also hosts Disney nights and when they are old enough to realise they probably won't care.

Oh Lord, I can’t with this argument that the bar has a personality disorder and that it is a big problem.  She always says 

ajw: “The personality disorder is precisely as you describe, you can’t claim D/isney and Br/aodway and then do some variety of “burlesque.”  It is one or the other, both do not work”. 

 NEWSFLASH...it’s an over 21 Bar in progressive CA...it’s not Cinderella’s Castle at Disney World catering to families with preschoolers dressed in princess dresses. 

I would say the bar has a very defined personality- it’s a fun piano bar for everyone but it is reaching out particularly to the LGBTQ+community to be a safe space for top-notch, fun theme-nights for the LGBTQ entertainment.  Every bar in the world is allowed to define who they want to be and then if it is interesting to customers, they will come. If it isn’t, they won’t and they will either amend their business model or go out of business.  It’s as simple as that. No bar can make everyone happy -nor should it strive to. But to be angry because it is bawdy and gay is really rich of Abby-and don’t get it twisted- she is pissed because it celebrates the LGBTQ community and it’s sexy.  The community is more sexually liberated than the average straight American as they aren’t beholden to the bullshit patriarchal rules of sex in America. They have less shame and guilt about their own sexual pleasure. The Christian message straight America mostly lives by “sex is bad but reproduction is good” is not something they concern themselves with because sex and reproduction are not related in same-sex couples. From my position on the outside of the community, I see joyous sex and pleasure without the guilt or limits and slut-shaming as long as both adults are consenting. Nobody is doing purity hyman checks in the LGBTQ community!  All of this raw sexuality and openly gay people expressing their sexuality makes Abby upset and anxious because she has hard and fast rules for relationships and sex.  The only gay couple she “knows” had sex by touching noses to toes and prefer holding hands. That makes gurlesque WAYYYYY too much for her little heart to hold and naked women on the walls? NO f’ing way. We cover ourselves in public.    

****My comments in italics & parenthesis******

Anonymous asked:

The bar makes me angrier than it should, I'll admit. Like if you want to be a sexy, cabaret lounge, more risque piano bar, then that is fine. Be that. I am not offended by nudity on the walls or even naked women on the bar. But then don't call it family friendly and start having Disney nights in the next breath. It's so bizarre. I'm all for having theme nights, but it needs to be in line with the establishment. Not this identity crisis this venue seems to have. It's so odd and unappealing to me.(Parroting back Abby’s words perfectly)

ajw: There are two issues with the bar, it has multiple personality disorder, utterly and completely and a lot of it is offensive.  (She finds female sexuality and LGBTQ sexuality “offensive” b/c she can’t understand they are taking back the words that men use to define us and belittle us as sluts and whores).  

The personality disorder is precisely as you describe, you can’t claim D/isney and Br/aodway and then do some variety of “burlesque.”  It is one or the other, both do not work. (Yes, yes you can.  If it’s your business you can do whatever the market will bear). 

No, I am not saying every pic of a naked woman is offensive, to each their own, not my taste, but I know many people do like this sort of thing.  But they have theme nights with offensive Names (d*ke night and corporate ladder/Corporate hoes), they use derogatory stereotypes (flannel shirt night), they have drink names that are misogynist (ones referring to large breasts, others calling women sluts), and the one picture i posted i think is body shamming as it is depicting 2 perfect women and telling us to achieve greatness. (Here her homophobia is on full blast. Straight women don’t get to decide what is offensive to lesbian women and since a lesbian woman hosts Open Dyke Night and Flannel shirt night, Abby needs to back off the generalizations about how offensive it is and admit that SHE”s offended by lesbians acting like lesbians.  She prefers them to blend in with straight women). 

And that doesn’t address the immature and childish touches that are plentiful. Or the rude bar staff. Or that there is an upcharge for ice.  Or that the AC has been broken for over a year. (Here we have Abby’s tendency to read something once- whether it is from a credible source is irrelavant0 and then turn it into a never-ending consistent thing. Rude bar staff? There are one or two fake Yelp reviews about rude bar staff and lots of comments on social media about how great the bar is as well as the staff gushing about working there. The AC was broken the first night. I have seen no credible proof that it continued but again, customers can choose to either go there or not go there knowing AC doesn’t work. You can’t vilify a bar you will never go to because they don’t have AC.   The upcharge for ice story isn’t very credible either and it was one Yelp review. I suspect the individual was a Darren fan who got a drink that was more expensive than they used to and they freaked out and wrote a nonsense reivew after being embarassed.) 

Anonymous asked:

What's the Cinderella thing

ajw: Just a joke about the sex club nonnie, contrasting D/isney night with the decor.

Anonymous asked:

You don't remember when Cinderella stripped down to pasties and a thong at the ball, but fled at midnight, leaving the prince to scour the land for the girl who fit her 8-inch platform stripper-heel shoe? Tbh, his trips to the bar don't bug me anymore. He only goes when there is a celeb or a vip who pays (the orig post of Sat's pics thanks a guy who is an Apple exec who, I am guessing, paid for D's "random" appearance that night). His "I'm there most nights I'm in LA" days are long gone.

ajw720 answered: Hahahaha!  Oh Nonnie I love you.  Now that i think about it, i recall that story well, if I remember correctly, before she stripped down, she was in silver sparkles, beads and feathers.  Now remind me, was she more of a gyrating with the beer tap on top of the bar kind of princess or one that simulates sex with an innocent teddy bear?

On D, you are right, at this point, he goes when there is a special guest.  He really has cut it down a ton, which considering he has an actual job makes sense.

Just discovered this trip to the bar, that featured ERW and a British music exec Rob D/ickins may just have been to promote a B/owie cover band featuring ERW that is going on tour. And guess who is another member of the band?  Ding Ding Ding, Platonic Roomie B/enny!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! (x). What a surprise!

flowersintheattic254

I love this type of coincidence @ajw720. You couldn’t make it up 😂.

Will M will be congratulating B publicly again on his success and will they use D’s SM so D can congratulate him personally. I’m eye rolling

notes-from-nowhere

She is so proud of her ma… oh, sorry, I got confused.

leka-1998

Gotta support his straight 🔥 music.

****************

Btw-Mia didn’t post this for Ben. It’s Ben’s own post but once again Mia is demonized for behavior she’s going to possibly maybe might do.

[zeravmeta]

Ok so, my thoughts on the VR ending and VR overall as the 6th entry.

Also because most of my thoughts aren't...complimentary im editing the names so they dont appear in the general tag. This also got LONG so readmore.

The Good:

- A//i's character still managed to be the one thing that saves VR as a show for me. Even with all the weird...contradictory plot issues, A//i still manages to be a compelling character who brings up the question of the right to live. I actually do like how he made it so itd be an ultimatum that he loses in either way, even if the ending kinda ruins the weight behind the action (which I will get to in a bit).

The meh:

-the ending was left somewhat open to interpretation which for a show as...empty as this was works out but honestly it was so vague as to A//is fate is that it may as well not exist.

The Bad:

-The main conflict behind the entire show is...simulations. No joke. Every conflict in the show can be traced back to someone doing a simulation and deciding to lose it. Even if they gave the (rather stupid) explanation that AI experience simulations like actual life (which btw the first villain wasnt an AI so this reason doesnt work), the fact that Yu//sa//ku took a bullet for one of A//is robot bodies that he literally has millions of is...just stupid and there solely for the "uwu drama".

-They actually killed A//i off but wait hes actually alive, so like the final duel literally had no purpose aside from...drama??? The episode is called Compromise and yet A//i had to lose just to keep Yu//sa///kus win streak and theres no compromise whatsoever. Yu//sa//ku litetally destroys the CompromA.I.se card so its just, no comrpomise in any way.

-This....wasn't a happy ending??? I have no idea why both the show and the fanbase frame this as a happy ending bc think about it in context: A//i pretty much loses everything, so does Yu//sa//ku who just isolated himself from everyone else for 3 months in order to comb the network for whatever remnants of A//i exist.

- So many of the supporting characters are just...there. Like, there is no side/supporting character who actually has a character arc in this show. Lets go through the list: Ao//i is pretty much the same character as when she started and goes through 2 unnecessary costume changes for a character growth that isnt there because she has literally ONE victory against an opponent that was stated multiple times to be weak and faulty and have her lose and tortured multiple times for no reason whatsoever, G//o had this weird deterioration that may have lead to something but ultimately didn't, Ak//ira is pretty much the same, J//in has ALL HIS TRAUMA ERASED SO THERES THAT, literally the only side characters who have some sembalnce of an arc are Sho//ichi (the best one anyways) from his "betrayal" in S2, and E//ma with her reconciliation with her brother. Outside of that, nothing. Yu//sa//ku, Re//volv//er and Ho//mu//ra are pretty much the only characters with an arc and even then they're not too solid? Which brings me to-

- Yu//sa//ku has been so wildly ooc since the end of S1. Ive seen so many say that his enphasis on bonds and friendship are character growth but actually looking at the sequence of events he suddenly just like. changes completely around his first duel with Ea//rth. Plus, the message of "revenge is good" was always so weird? Like, he got his revenge so all his trauma is ok now and never brought up or explored again aside from within the first 20 episodes. Theres nothing about it after that and its never built upon. The whole point of a revenge arc is to show that its BAD and yet he starts preaching that revenge is wrong AFTER he successfully gets revenge??? And even then its not exactly a revenge as it is more lashing out since it was Ko//ga//mi who was behind it all. Yu//sa/ku was definitely at his strongest characterization in S1 where we see how badly the Lo//st Incid//ent hurt him but S1 had its own share of problems that led into S2 and so many random plot threads that never went anywhere (such as the Anot//her Incid//ents, the Cy//berse deck being irl despite that A//i didnt have a physical body before then, The Bl//ue Mai//den meetup that was repeated by Nao//ki like 10 times in S2 which seemed to be leading up to something but never did, and the fact that theres 4 recap episodes in S1 already spelled some early problems). So much of the supporting cast function to just say "he turned this whole situation around...with ONE card..." i kid you not watch back every Yu//sa//ku duel I GUARANTEE you'll see someone saying hes a great duelist and serve only that purpose. ALSO THE END OF THE SHOW IS JUST MORE DRAMA?? They make him suffer for no reason other than that they can??? What purpose does his suffering at the end serve aside from just "uwu...poor baby..."???

-Re//volv//er is not a good rival. At all. He's so incredibly bland because much like Yu//sa//ku he was at his strongest characterization in S1 where he actually had some solid motivation in continuing his fathers work and being unable to accept that his dad was evil, yet most of that just flies out the window with all the collateral he's willing to inflict with the K//O//H?? All his character amounts too post S1 is "yeah i told you robots are evil and YOU didnt believe me". The most we got of him growing out of this mindset was calling A//i by his name exactly one time and nothing ever again. Also the fact that in the end we see him and his crew working for S//O//L despite the fact that they were gonna turn themselves in for their crimes just. leaves a rotten taste in my mouth. hes not a good rival at all. All he proves to me is that a good design can get anyone to like a character.

- Ho//mu//ra is...there. I literally cant say anything about him because he absolutely has the strongest motivations of the three but then the show jumps through hoops to push him to the back of the other two. He also has a bunch of early victories I do feel are undeserved (ESPECIALLY the A//oi duel that one pissed me off so much). Also the fact that the show just made him Yu//sa//kus friend immediately whereas it took Sho//ichi several months to get Yu//sa//ku to warm up to him just had me :/.

-The speed duels were a cool concept but they just became these huge cheat fests? Seriously Play//Maker uses StAccess literally every speed duel to pull out a new monster from whatever plot holes the writers need to patch up. I am not kidding. You can go back to every single speed duel Yu//sa//ku was in and youll see this. Skills just werent a good mechanic because when a protag pulls a new card its supposed to be representative of some growth/characterization but he stays the same pretty much throughout the entire show up until S2 where he wildly just switches personality. Plus the fact that Que//en could literally use a skill whenever just shows that it was cheating???

- The villains were overall lackluster. Boh//man was the best because Re//volv//er is just flat whereas A//i struck me more as an anti hero. And again: simulations are the enemy. Light//ning ran one and decided to go ham. Kog//ami ran one and decided to go ham. A//i ran one and decided to go ham. The conflicts are all the same and it just makes things happen rather than following a consistent plot thread? I will say that Boh//mans characterization of a hive mind to become perfect does strike my tastes but thats more my personal preference in villains rather than any merit he has.

- This is a bit of a personal pet peeve but I've seen some of the praise to this show about being the "darkest Y//G//O to date so therefore its good" and im just...no? Edge does not make a good show and just because they lightly focused on the tragedy in Yu//sa//kus life (and it IS lightly because its barely touched upon after mid S1) most of the stuff that happens in this show is pretty tame in comparison? The most that happened here was an attempted global hack of everyones minds from S2 and destroying the internet in S1, with a few references to the torture that happened during the Lo//st incid//ent. To compare: the previous series had this huge interdimensional war that, even if they could reverse the carding of people (which makes Den//nis' attempted suicide even more tragic), ended with an entire dimensions full of brainwashed soldier children, a dimension with huge class inequality that was still being heavily worked upon since there were canonically slaves, and a dimension that was savaged by a genocide and total global destruction. Hell, the series before that had a huge war where the arc actually did focus on the tragedys the characters faced and held consequence (even if they pulled a dbz revive everyone at the end). And as far back into the very first series there were even more graphic depictions of war and death? Idk i feel like people are overplaying the edge here just to find a way to complement this show.

Overall:

I'm...genuinely dissappointed. VR really had so many strong starting points but it all just fell apart at execution. Really the only reason I even bothered to watch it as kong as I did was because Im a longtime fan of the series and wanted to give it a chance rather than jump on whatever love/hate train the show has. Its been rated poorly on the JP side and most of the approval is a vocal minority. Just to be clear: this isnt me bashing the show, my opinions are mine and you can agree or disagree to any capacity, and even if a show isnt well written you can still find a reason to enjoy it despite the flaws.

But if Im being perfectly honest? I do not like this show. It's rushed, choppy, has no consistent or clear plot threads, most of the genuinely interesting characters are wasted for the protagonist to look better and he never really does because he ALSO has an interesting idea behind him but it never goes anywhere. It started strong but ended so poorly. Id be angry but im more dissappointed because Ive watched this show from day 1 and wanted to see the good things it has rather than focus on the negatibes but. yeah. This show really had potential and yet it just fell flat.

[sillyfudgemonkeys]

Princess is Hamu, or at least her reincarnation (part theory)

Minor spoiler warning (about how the PQ2 cast feels about the PT in PQ2), will be marked, at the VERY end, with lots of space before and after if you want to miss it.

Ok with Princess showing up I noticed some interesting similarities between her and Hamuko. Under the cut cause of pictures/length

First off it’s the color scheme, yes I know her hair is reddish, but they also aren’t consistent with her hair and eyes (funny cause people made a stink when I said Makoto stole Hamuko’s hair and eyes cause they both have brown hair and they were like “NO IT’S AUBURN! SHE HAS REDDISH-ER HAIR” and now that Princess has red hair y’all are sleeping smh, btw her hair was orange for some reason in PQ2 so yeah point still stands, not consistent). Her eye’s flop between red and brown all the time too, even within P3P (same with Goro) so that’s no surprise either. (if you don’t believe me here’s a comparison of FeMC’s ever changing colors)

Plus, tbh, her hair and eyes are very.....reddish-brown in certain shots so color shouldn’t be the deciding rule. (also they both rock the eyelashes, Hamuko is known for rocking eyelashes the most in P3, I guess Soejima didn’t know how to do those till post-P4)

Now let’s look at a few other things, such as the way she stands....it’s very similar:

Her knees tend to angle in and her feet close together. Also:

Very similar pose (also the only time we really see her outside of combat).

I know what you are thinking, I’m crazy, I’m looking too much into animations. But....I’ve always liked looking at the animations and the similarities (like how Yukari, Rise, and Anne have at least one pose where they have legs standing wide apart). And Atlus has shown to pay attention to this detail (as seen with Ren/Goro having Minato/Souji animations) it really feels like they are trying to draw a parallel here as well.

I also found that Princess bare’s a similar resemblance to the P3 Hero and Heroine aka Minty and Hamu’s (as well as Yukari’s, cause Soejima effed up not realizing the Heroine and Yukari were two different characters when he first started apparently 8U) beta design (bottom left one of the second pic to be exact):

There’s a few other things I want to point out that draw a connection, and that’s the title “Royal” and the connection to the FeMC. So like, I know I liked to make the joke (at least to myself) and other FeMC fans did this as well, but we’d say “FeMC isn’t a Princess, but a Queen!” (One reason I’m upset Makoto got that tbh) as it’s a reference to her song Wiping All Out. Now I think you can draw the conclusions to that so I’ll move on.

The last one is....a Theory, but hear me out it involves fall perfectly on the timeline in P5!

So I was very much a stickler for figuring out the P5 kid’s birth dates because of the lack of year in P5 (wow odd sentence there). And there’s something I noticed, Princess is a first year!

(oh would you look at that they have similar lips ah wait focus) So what does that mean, well it means she was born sometime between  April 2nd 2000-April 1st 2001 (follow that link above to find out where I got this), btw Futaba is Feb 19, 2001 (at the time I posted that one post above, we hadn’t gotten the birthday dates yet). 

What year did the Moonlight Bridge incident take place? 1999 according to every word every spoken in P3 (or 2000 if you want to go off Aigis’ birth year in the artbooks and fight game’s loading screen because ahahaha THAT’S NOT AN ISSUE AT ALL ATLUS AND I HAVEN’T BEEN TEARING MY HAIR OUT ABOUT IT AT ALL! ;W;), so...what am I saying? Princess is Hamuko’s reincarnation from the Bridge incident. When Minato was chosen, Hamuko died that night and was reborn a few months later as Princess (which means vice versa happened on Hamuko’s side in P3P). 16ish years later, boom we are in P5. 

So what does this mean? Well 1) I might’ve been right that the other P3MC exists on the other’s timeline even if they aren’t MCs (tho I didn’t consider reincarnation tbh), 2) It’d probably be a great way to capitalize on PQ2 and compare and contrast those two things. 3) It means I get Hamuko again~! :D

As for the voice, which seems a little higher/younger than Hamuko’s, it could be that it’s the same VA just making it higher/younger because she is a year younger than Hamu. Buuuuuuut it could also be a new VA.....not the first time they changed VAs even if it’s for a similar character (DramaCDs state Metis has Labrys’ mother’s face, but she and Labby have different voices, and then Labby/Labby’s mom and Metis have different VAs compared to Rei who is hinted to be the dead mom and alkjsdkl yeah). But I’m not the best with JPN VAs, but it sounds like Marina Inoue imo.

But other than that, yeah that’s what I squeezed out of it.

Oh yeah in relation to PQ2 btw, btw spoiler warning:

________________________________________________________________

In PQ2 the PT only say they are thieves, they don’t explain WHAT they steal in PQ2, thus no one really has an issue with them. Which means they get along, not exactly the hardest hitting game, but that’s fine as long as they utilize the animosity with the Arena games (or in this case, Royal). So yeah that’s why Hamu and everyone is pretty chill with the PT in PQ2. And it’d be a great juxtaposition with Princess if she was the FeMC, since they meet her but it’s not REALLY her (because they met her when she didn’t/wasn’t reincarnated). And it’d be a great time to utilize that connection, esp since she expressed having fun “being like a thief” in the first dungeon. 

________________________________________________________________

End spoilers

[travllingbunny]

The 100 rewatch: 1x04 Murphy’s Law

I’m a new fan of The 100, who first binged it last year, August to November. This is my first full rewatch of the show. I was planning to start it anyway and finish it before the season 6 premiere on April 30, and when I saw that Fox Serbia was airing a rerun (Monday to Friday, 40 min. after midnight, with repeats the next day), starting on 1st February, it was a great opportunity to start my rewatch in HDTV on my beautiful new TV. I decided to do write-ups and tag other fans on SpoilerTV website, as I did when I was first watching the show. But my posts turned into full blown essays. So, finally, after over a week, I’ve realized: Why don’t I post them on my Tumblr blog, too? I’ll copy my write-ups of the first 7 episodes, and then I’ll post my rewatch posts after I watch each episode. (The next one, 1x08, is on Monday’Tuesday.)

Spoilers below for all 5 seasons of the show. I go of on a tangents and make a lot of references to future events.

Rating: 7/10

The first 3 episodes took place over something like a day or two, This one happens a week later. Which is a way to avoid having to show Clarke's immediate reaction to Wells' death, and to have to spend a lot of screentime on her mourning, because most of it took place off-screen (we just see her at his grave, and later talking to Finn about him and how good he was to her while they were growing up). At least Finn got an entire episode, even though it lasted just about a day in-universe. This is something that TV shows like to do - have the characters mourn for an episode or a few scenes for a dead character and then never have them mention that person again. Well, at least they did have Wells' father see apparitions of his son multiple times and mention him several times, including when he was dying.

This episode instead isn't at all about Wells, but starts with the Delinquents learning that he wasn't killed by the Grounders and that it was instead one of them, using Murphy's knife. The title of this episode, Murphy's Law, aside from being a pun, also describes the chain of events not just in this episode, but the show in general: everything that can possibly go wrong, will go wrong. This a really good episode right until the last 5 minutes or so. The interactions between Clarke, Bellamy and Murphy are really interesting. Murphy is at this point at his peak obnoxiousness. He's basically acting in the textbook "How to make enemies and alienate people" way. In the first couple of episodes, he was only antagonistic towards Wells, but now he's using his position as Bellamy's sidekick to bully other Delinquents for no reason at all, to try to make himself feel bigger, out of his own envy and hate and resentment, and his inferiority complex. To use a Buffy reference, if Murphy was a high school Mean Girl, he wouldn't be "Queen C" Cordelia Chase, he would be one of the Cordettes - people who latch onto someone more powerful and popular (in this case, Bellamy) and then bully others through that newfound 'power'. The infamous scene where he urinates on another Delinquent happens when he's overseeing the work (the Delinquents are building a wall to have a defense against a possible Grounder attack, since they still have almost no weapons) after he's first mocked that guy for not working hard enough (implying 12 year old Charlotte would work harder), and then mocked him when he said he needed water, but then Bellamy told Murphy to go and get him water. And that's probably why Murphy then urinated on the guy, he couldn't take it when Bellamy took the guy's side, so to speak, and cut down his position of power (or what Murphy sees as such) by sending him to fetch water. Hey, look, here's Manny Jacinto as one of the boys bullied by Murphy. Of course I didn't notice him before, he appears for like a second. Even with knowing Murphy's later development, there's no two ways about it, he was a total dick at this point. Which makes the situation more ambiguous when he's blamed and almost lynched for something he didn't actually do - Wells' murder - though he had threatened to do it, and together with Clarke jumping to conclusions and accusing him of it, because Wells was murdered by Murphy's knife, and the fact that most Delinquents obviously really dislike Murphy at this point (no surprise) leads to that result. What happens to him is wrong, and someone should have apologized for it. But that doesn't excuse him at all for what he does next, trying to make people kill Charlotte instead, after she has confessed, and then, after realizing no one is supporting him, doing his best to kill her, including threatening Clarke's life at one point. I wouldn't think this needed to be pointed out, but I've seen some people in comments to YouTube reaction videos to this episode actually, in all seriousness, argue that he was right and that Charlotte should have been killed. WTF? What's wrong with people that they don't get the whole being 12 year old thing? I know that USA has the weird habit of putting minors on trial as adults, but even then, I'm pretty sure even US legal system doesn't go that far to execute 12 year olds. At which point did the writers and viewers decide that Clarke was "the Head" and Bellamy "the Heart" (which the show made explicit in the season 4 finale, and then overturned in season 5)? I've always felt that was a huge oversimplification and I'm generally not too fond of it. Season 1 Clarke was pretty impulsive in some situations, especially in this episode (it was her best friend who was murdered, after all), immediately deciding that Murphy is the killer and should be punished, while Bellamy argued that this would be a bad idea, because it would create unrest and make the Delinquents turn on each other, and that it was better for them to keep thinking it was the Grounders who did it. Which was maybe cynical, but pragmatic and rational. (BTW, I don't think Bellamy made a connection that Charlotte was the killer - he probably forgot about giving her Murphy's knife or thought someone else took it, but in any case, I don't think it would have occurred to him that she would do it.) Then Clarke actually confronts Murphy angrily in front of everyone, which causes the avalanche of disastrous events, as the boy that Murphy bullied earlier and a bunch of others immediately decide to hang Murphy and ask Bellamy to do it. 

Clarke had a lot of moral certainly at this point (which will be eroded slowly over the course of the show) but sometimes it was a bit too straightforward (she didn't stop to think how people will react - you could say, she didn't know her audience that well as Bellamy did), and here she realized that things weren't that simple - she wanted to get some kind of justice, but didn't want Murphy killed, and seeing what she had caused, she admits to Bellamy "I was wrong earlier, you were right". 

But where Bellamy goes really wrong in 1x04 is decide to "give people what they want" - in this case, a culprit they want and his death. It's one of his biggest mistakes in S1 and one that will come to bite him in the a.$s, especially at the end of the season when Murphy starts his revenge spree, which will be directed at the guys who first wanted to hang him, but most of all at Bellamy himself. And Bellamy will learn his lesson, an opposite one from Clarke, that you need to do the right thing and not just give the crowd what they want (in 1x12 he tells Clarke "Crowds make bad decisions, just ask Murphy").

The moment when Bellamy goes ballistic and starts acting on pure emotion - and tries to kill Murphy immediately - is later after Charlotte commits suicide, due largely to Murphy's pressure - because of course he would react like that to her death. Guess what, Finn acting decently (actually decently, not just on the surface) didn't last. We find out he was exploring woods by his own and found an old shelter, but he didn't tell anyone. Instead, he gives Clarke a pencil to impress her (right after she's told him about how Wells used to give her stuff when they were growing up, and that she didn't realize at the time that he was denying himself things to give them to her... hmmm). Later he reveals the shelter to Clarke when they need to hide Charlotte from Murphy and his gang. Clarke asks why he hasn't told anyone, and immediately thinks about how they could use things, but Finn tries to justify himself, saying that the food has all expired and there are no weapons, and besides, if he had told everyone, then they couldn't use the shelter now that they need it. So how does that work - he foresaw they would need to hide someone from the rest of the Delinquents?? Or he was just waiting for a chance to use that shelter to show it to Clarke and just Clarke, impress her and show her how good he is to her and how much she needs him? Am I being too harsh on Finn? He does some good things in this episode, like do his best to stop the crowd from hanging Murphy. But still... I never liked him much, my perspective on him is different now, after I have seen season 2 Finn with his "I killed all those people for you, Clarke!" thing, At the time I first watched this, I assumed that Finn was meant to be likable, but that the combination of bad writing and bad acting made him unlikable. I didn't know what it was about Finn that rubbed me the wrong way or that didn't resonate with me. But now I see more and more reasons to dislike him, and I think that his character is more consistent than I initially thought, but that he was never meant to be a really great guy, and that his romance with Clarke was just supposed to create drama and angst rather than be a great ship people would root for. (The whole thing with Raven really shows that.) Maybe I was too harsh on Thomas McDonell, though. He wasn't as good as some other cast members, but he's not that bad, now I have Tasya Teles' acting to compare it with. (I'm sure Tasya is a nice person, but she just can't act.) It's kind of funny that the climax of this episode is focused on Clarke and Bellamy being shocked at Charlotte's death in such a way that it seems like their child just died, and then arguing about leadership (it's already pretty clear that the two of them are those who decide on most things), as Finn just looks on. This may be the crucial moment where their co-leadership begins. Clarke argues "We don't decide who lives and who dies". It's so ironic that she will later during the show be expected and asked to decide just that, more than once. Meanwhile, on the Ark, we get to meet a couple of new characters - Kane's mother, a preacher, who'll be around for a couple of episodes, and Nigel, a woman at the Mecha station who runs a black market, and who, I think, won't ever appear again. But she gets Abby arrested by Kane, and also, through her, we get to learn more about Raven's backstory - that her mother was an alcoholic and that she used to prostitute herself to get stuff. Life on the Ark, especially those of lower classes, seems so freaking wonderful... The last few minutes of this episode initially annoyed me a lot, because it seemed like a return to the cheesy teen soapy bullcrap of the first couple of episodes. The love triangle was set up - Raven takes the pod by herself, since Abby can't go, and is arriving to Earth, while we get a confirmation that Finn is the boyfriend she wants to save - just as Finn and Clarke end up kissing and having sex for the first time. Now that I know and love how this triangle is eventually resolved, I don't hate this so much, but this scene is still really cheesy and feels like the classic TV insta-romance. And it's not just that, I also hated the scene where Octavia kisses Jasper, after praising his courage (for "standing up to a bully" -? I still have no idea what she was referring to, it's always confused me) and telling him that heroism gets rewarded. Ugh. And then Monty gives him a high-five. One of the things I hate the most in fictional romance is when romance/sex is portrayed as a reward that someone - usually a female - gives another person - usually a male, for performing heroic deeds. Gross. I'm so relieved, because of that, that the Jasper/Octavia ship went nowhere, even though I wasn't a big fan of how her romance with Lincoln was portrayed in S1, either.

[seriouslycromulent]

So I’m catching up on Legends of Tomorrow...

I missed the last 2 weeks because I’ve been so busy at work (still am actually), but I finally got around to watching episode 7 - “Hell No, Dolly!” 

But before I watch the midseason finale, I just want to share a few thoughts -- not related to, you know, John breaking the timeline and sending us all into a world of cheesy TV parodies.

Here we go ...

I was a bit nervous when it looked like they were going to bring Dez into the Constantine storyline on Legends. Mainly because Dez’s end in the comics is a pretty gruesome one, and it mirrors what’s been happening around the States, Brazil, and many parts of Europe with the current rise of neo-fascism. And frankly, most CW shows don’t want to touch on those heavy issues in an authentic way because it would betray their teen-friendly content that always has a happy ending with a message of hope at the end. (The only one I trust to actually give that topic its due is Black Lightning, but that’s a different conversation.)

For those who don’t know, in the Hellblazer comics, Dez gets murdered by members of the National Front. He’s literally tortured and sliced open until he bleeds to death. Like I said, it’s gruesome and John takes it hard. Now, by this time in the graphic novels/comics, John has established a reputation of getting people close to him hurt or killed on a consistent basis. He knows it and he keeps his friends to a minimum because of it ... and well, because he’s a bastard too.

So Dez’s death shakes him because there’s no two bones about it. He was killed because he was with John when the National Front picked them up and because he was black.

In a way, I’m glad that the Legends of Tomorrow’s Dez isn’t that guy. Or if he is meant to be, they changed his character’s backstory so much, devoted Hellblazer fans can pretend that it’s not the same guy. Yeah, it sucks that this Dez -- the LoT Dez -- is still killed because of John, and John knows better than to get close to someone, but I’m still glad they didn’t follow the story in the comics. 

With that being said, I’m also disappointed that they kind of shoe-horned in this romantic relationship for John that feels very much out of place for him here. John doesn’t fall for anyone easily. Not romantically. And he doesn’t rent a flat (not an “apartment,” this is JC for Pete’s sake!) to shack up with someone after a few weeks together. Not without some serious chemistry.

And that’s just it. This Dez doesn’t work for me because the actor playing Dez doesn’t seem to have any real chemistry with Matt Ryan. To be fair, we don’t get to see much of them interacting, but it still isn’t there even for what we get. It was strongest on-screen at the end of the episode when John tried to push Dez away to save him. (I say “tried” because I have a feeling how this storyline is going to wrap up.) But ultimately, I’m not believing that these 2 met and John just went against all his common sense, past experiences, and known caveats to be with Dez in a long-term relationship. I need to see more of their story or at least feel some genuine chemistry between the 2 actors before I’m buying John throwing caution to the wind.

There’s also a part of me that wishes they had kept LoT Dez and skipped the romantic relationship that doesn’t quite gel, or simply chose a different character from John’s past that he did have a romantic relationship with. Or better yet, gave him a new pre-LoT/post-NBC Constantine lover to dog his memory.

But with this storyline, it just feels like they wanted to show Matt Ryan lip-locking with a male actor and play service to those who only care about John as a bisexual character and little else. Which unfortunately, on Tumblr, is like 95% of the so-called Constantine fans. 

My point is John deserves better. He deserves to have his character treated with the full appreciation of his past and every aspect of who he is -- not just who he shacks up with. I know this is an ensemble show, so it can’t all be about John. But it has a reputation of putting people together as a couple who have no real chemistry (::cough:: Ray & Hawkgirl ::cough::). So clearly when it comes to John, I want something better for him.

I want to give the Berlanti-verse a chance here because I do believe they are trying, especially within the confines of the Legends of Tomorrow style and tone. But this piece of John’s story just didn’t work for me. I thought they did a great job a few episodes back with the scene in the pub in Liverpool where he meets his mum and tries to kick his dad in the balls. And I’m willing to give them a few credits for references and lines thrown here and there, but this LoT Dez just feels a bit too forced. (Plus, random references to bits and characters in the comics is something any poor writer with access to a Wiki can do.)

And look, before anybody comes @ me, I’m fine with changing things up. I mean, if they don’t adapt anything to fit the era we live in now, then John should still be in the UK, a good 20-25 years older, and making references to his wife by now. So please, don’t think I’m a purist.

But I really want the writers to do John justice if they’re going to spin him off to his own show on the CW like Matt Ryan said they’re considering. And I know that it’s hard to do him justice given the much lighter, frivolous tone of LoT, which I kind of like btw. In the end, Matt Ryan asked us die-hard Hellblazers to hang in there because he’s working his butt off each episode to make sure we feel that it’s the character that we know and love from the comics. And I appreciate that, so I’ll keep watching and ... hoping.

Now, about that shattering the timeline thing, John ...

[shazzeaslightnovels]

Reading Log - January 2019

A summary of all the light novel volumes I read this month - along with my thoughts on them. I bought all of these volumes from BookWalker. Most of these series will not be available in English but I’ll try to point it out when I know if one of this series has received an official translation.

Note that, obviously, the following text is just my own opinion so please respect that and if you see anything that I got completely wrong (i.e. I accidentally refer to a character with incorrect pronouns), let me know. I will avoid posting spoilers as much as possible but let me know if I accidentally slip up.

Gamers! 1 by Sekina Aoi (Light Novel):

It was a fairly enjoyable read for the most part but, by the time I had reached the second half, I had lost interest and just wanted it to end. The chapters felt so long and dull and I think shorter chapters would have worked better. The other thing that stuck out to me is that the art is very simplistic and sometimes did not match the text for the scene it was for. I didn’t feel like the art added anything to the volume though I suppose it would have been jarring without it, given the genre of the story. That being said, I liked the characters a lot, including the protagonist and I enjoyed it enough that I’ll probably check out the second volume in the future though I’ll probably watch the anime beforehand to make sure that the story doesn’t go in a direction I don’t like.

Saenai Heroine no Sodatekata 1 by Fumiaki Maruto (Light Novel):

After finishing the Koisuru Metronome spin-off manga last month (which I loved, btw), I finally had motivation to read the light novel. It is really good. The pacing is excellent, there are a lot of funny moments and I love Maruto’s writing style. I do think that this series really needs to give the reader more insight on Katou. I get that part of the charm of the first volume is reliant on Tomoya having no interest in Katou but I want to know about her family and friends (because she must have some that she hung out with before meeting Tomoya) and I want to know what she’s like with them. I watched the anime alongside reading this and I think the events flow smoother in that and there is a lot of really interestingly directed parts (I love the café scene in episode 2) but it loses a bit of funny dialogue which is a shame. I have volume 2 already but I’ll probably wait a bit to read it so that I don’t get burnt out on the series.

Monku no Tsukeyou ga Nai Love Comedy 3 by Daisuke Suzuki (Light Novel):

In my mind, this series has two main charm points: the fun dialogue and the relationship between its’ two leads and it’s the latter that is on full display in this volume. Outside of that, it’s a pretty unremarkable yet enjoyable volume from a pretty unremarkable yet enjoyable series. I have to say that the side story that came with the volume on BookWalker is adorable though. As an aside, I recommend this series for people who are learning Japanese. It’s pretty easy since most of it is just dialogue and there aren’t many places that can trip you up.

Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shiteshimatta... 2 by Satoru Yamaguchi (light Novel):

This volume is just as entertaining and hilarious as the first but it also surprised me. While the first volume could’ve been described as ‘predictable yet fun’, this volume had quite a few events that I didn’t see coming and, more than that, it was interesting. When I got to the main chapter, I couldn’t stop reading. It was that good. Katarina continues to be an amazing protagonist and the rest of the characters are just as enjoyable. In particular, this volume introduces to new characters and I won’t talk much about the second because spoilers but I loved Maria and I ship her with Katarina so much. I will warn that this series suffers from originally being a web novel will little editing been done during the conversion to being a light novel series in that most of the chapters are  episodic so, when you get to the main chapter, it feels disconnected from the rest of the volume and is way longer than any of the other chapters.

J-Novel Club is currently releasing the volumes in English under the title of My Next Life as a Villainess: All Routes Lead to Doom! so please pick it up if the series interests you.

Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shiteshimatta... 3 by Satoru Yamaguchi (light Novel):

Welp, I suppose it was about time that this series had a volume that I didn’t love. The first chapter was pretty good but there wasn’t a whole lot in the later chapters that I liked. The new characters introduced this volume were interesting enough but I’d have rather have spent time with the characters I already love. Plus, I would’ve been fine with this series ending in the previous volume though admittedly the series probably wouldn’t have been as popular if it had and I might not have read it in the first place. I’m not really a fan of romance series and I feel like this volume is trying to steer the series into becoming more of one and I hope that the following volumes bring back the things that make me enjoy this series and I love the cover for vol. 4 so I’m sure it will (Katarina, charging while Jeord and Sora are all ‘slow down, dumbass!’).

Thinking about, if Katarina ends up with anyone, I want it to be Maria. They definitely have the sweetest and cutest interactions but, if I’m being realistic because it almost impossible for this series to go the yuri route, I’d prefer Nicole over the other guys. He won me over in the first volume when he gave Katarina a necklace modelled after one that a character in a book had and he’s been consistently good since then. He really cares for Katarina and I think she’d be happiest with him. Keith and Alan are also good options but I don’t get the appeal of Jeord.

Monku no Tsukeyou ga Nai Love Comedy 4 by Daisuke Suzuki (light Novel):

Sekai doesn’t actually have a whole lot of scenes in this volume which made is boring since her relationship with Yuuki really is the stand-out of the series and Kurumi and Haruko are pretty dull. The last chapter was interesting though.

Saenai Heroine no Sodatekata 2 by Fumiaki Maruto (Light Novel):

This volume seemed to drag on longer than the first but I did really enjoy the climactic scenes with Utaha and I loved the short dialogue-only interaction between Katou and Eriri. There’s a lot that I want to say about this series but I’m waiting and hoping that the series will prove me wrong before I do so. For now, I’m just wanting for this series to show more interactions between the characters without Tomoya. I will say that I think the anime is slightly better than the light novel series so far. It has it’s problems, like it has a lot of times where a male gaze-y perspective is used and it’s unpleasant but I think it succeeds in the most important way: it makes me forget about Katou’s existence. It’s hard to make Katou forgettable in a dialouge-focused text-based series and the manga doesn’t even try to do it but the anime takes advantage of it’s format and successfully uses certain camera angles to make Katou less noticeable.

Monku no Tsukeyou ga Nai Love Comedy 5 by Daisuke Suzuki (light Novel)

Easily the most entertaining volume of the series so far, to the point where I wanted to immediately buy vol. 6 when I finished it (I didn’t because I like to wait for sales but the temptation was there). I can’t talk about this series a lot because the first volume has a twist that most readers won’t see coming so I don’t want to spoil it for them but I will say that I usually find the characters who aren’t Sekai or Yuuji to be boring but I actually liked them in this volume, probably because they interacted with Sekai while usually they just interact with Yuuji. I will also say that I think the structure of this series would have worked better in a eroge or galge. The structure actually reminds me of Asairo’s structure more than anything else and it kind of works in light novel format but it feels like it was meant for a route structure.

Saenai Heroine no Sodatekata 3 by Fumiaki Maruto (Light Novel):

My favorite thing about this volume is that Tomoya was never insulted or shamed for liking otome games. He also gets to cry a bit near the end of the volume and male protagonists showing emotions other than anger is always nice (note that the anime down-playes this and I’m super bitter about it. He hardly cries in the anime but in the light novel, he full on bawls to the point where he has trouble speaking) . Eriri got the bulk of development this time around and I think it was well done. I really liked the scene with her and Tomoya at the end. A new heroine, Izumi, is introduced in this volume and I think she has the potential to be an interesting character. She’s, unfortunately, used to generate boob physics in the anime and the manga (to be clear, the manga is much worse than the anime in this regard) and she’s a middle schooler so that’s… uncomfortable, to say the least. I hope she uses her earnings from Comiket to buy a decent bra... I didn’t care much for Iori in the volume but I thought he was hilarious in the anime adaptation and I kinda ship him with Tomoya tbh.

[notdeadjusttrash-blog]

My Friend has been Falsely Accused of Tracing So I Will Defend Him

Okay I accidentally deleted the blog I posted this one because I’m a dumbass, so I’ll just repost it here even though I don’t use this blog anymore, but apparently I still have followers. Bless caches because I was able to get this back from google caches so I don’t have to retype everything. I added further evidence and refutes to claims that were not in my original post btw.

Anyways, I am making this post to help out my good friend @5ru9 aka Falco who has been recently accused of tracing/copy pasting other people’s / official art!

I’ve known Falco for over 3 years, and we’ve grown as artists together. Once in a while we give each other advice on art (thanks for the mech and armor advice and teaching me how you line and color!), but most of the time we just meme each other.

Anyways, a lot of people have pointed out that they’ve seen him livestream before, and he’s already posted some of his block outs and other wips as proof that he does not trace in his post here:

http://5ru9.tumblr.com/post/168277137427/hello-i-have-been-informed-about-a-callout-post

To further prove his claim with solid evidence, I shall present to you!

Times he’s asked for advice on his art, or I randomly decided to mention things I notice in his WIPs!

Exhibit A-1:

A Tenkai Knight he made up! I pointed out a few things I thought were awkward about the perspective in his WIP.

Exhibit A-2:

He started working on this way back in July and didn’t finish it until much later because he was working on several other pieces at the same time. I suggested lowering the eyebrows and drawing the eyes a bit narrower to get more of the playful expression he was aiming for. In his final piece here, you can see that Falco continued to refine the piece.

By the way! The reason he sometimes posts a lot of detailed artworks one shortly after the other is because he sometimes works on multiple pieces at once! And then finishes coloring them around the same time.

Exhibit A-3

Falco and I spent good time trying to figure out why he felt like something was wrong with his sketch! I thought maybe it was the trapezius and I decided to red line (or blue line i guess) it so it’d be easier for him to see approximately where i thought the line should go to fix it.

Exhibit A-4:

The gif-ing process turned white bg into blue… anyways! Falco showed me an early version of his Tenkai Knights OC that he eventually used in an April Fool’s joke to pass off as a new character in the series. He mastered the tenkai style enough that at first glance, people really did believe it was official! Like you had to get a good look to realize Shiyu was not really a real new character! Btw I had to go into my old twitter acc to find this…. (Edit: the gif wasn’t working bc it was too big so i had to make it smaller… and choppier and stuff to fit the mb max)

Well now that brings us into!!!

Exhibit B

Some of his old art!! (I’m so sorry falco i’ll be exposing your ancient art to ppl now)

Here you can see his progress from 2014 Tenkai fan art to early 2015! It starts looking more and more like the official art, which is what he was going for.

For reference, here’s what the character Ceylan Jones/Washizaki looks like:

I blocked out fan art by everyone except falco (which i marked) that shows up in this google search. Everything else is official art. The two fan arts by falco you see here are more recent, the angel one being from 2016 and the chicken one from 2017 (i think he also made a version with sonic instead of the chicken? lol). They’re both on his dA accounts btw! The 2017 one really looks like official art, doesn’t it? But it’s his artwork! He practiced a LOT to reach that point, and I hope the earlier arts I showed above this one are enough to convince you in his art progression! Side note: i only used images w/ceylan because 1. i’m biased because ceylan is my favorite character and 2. he drew ceylan a lot because ceylan is his favorite character Also you can see his handle change from s3iwashi to burningbraven. 5ru9 is is a pretty recent handle.

ANYONE WHO HAS BEEN IN THE TENKAI FANDOM FOR A WHILE CAN VOUCH FOR HIM!!!!!

And now for the last one,

Exhibit C

WHAT? WHO IS THIS???

This is my favorite character from a Chinese series called AOTU World! His name is Grey, or 格瑞。I commissioned Falco to draw Grey for me, and let me tell you it would be IMPOSSIBLE for him to have copied any of this. Why? Because the donghua is 3D and the manhua’s art is very inconsistent!

Let me show you the reference pictures I gave him to work with!

They’re all in my gdrive folder here: https://drive.google.com/open?id=1CqwH5KS-pHX0ZqLHQpoIZBi6W-gsU_Tz

This is all official art from the manhua, except the 3D model is from the donghua. Look at how inconsistent the references are! There’s no way he could have copy and pasted or traced this! Grey doesn’t even do this particular pose anywhere. lol. I told Falco “give him a cool sword pose”. (I’m sorry for being so vague, Falco! But it turned out great!!) The style he ended up drawing in was a mixture of all of them.

Btw!! here’s the blockout and the sketch he sent me before I sent my payment for the commission!! You can see his construction in the block out!! The arm construction and leg construction is light, but it’s there. You can also see the block out below the sketch. Notice he actually fixed the leg length from block out -> sketch?

ARGUMENTS AGAINST SPECIFIC ACCUSATIONS

LOOK, thte actual drawing doesn’t even match the sprites that closely. Pay attention to the collar especially. The whole frankensteining the image and then painting over it thing is just way more effort than drawing it himself. They don’t even match that well in the overlays. Like wow it’s such a crime to try and stay on model.

WHO WOULD EVEN NEED TO TRACE A MOUTH LIKE THAT? IT’S SO EASY TO DRAW. I CAN DRAW IT PERFECTLY JUST BY LOOKING AT IT. (well i AM an animator so I also do style mimicking)

Doesn’t the fact that you have to edit the sprites to match his artwork prove that you’re just a tryhard in making up fake evidence and not a tryhard enough at art since you think it’s so impossible for people to draw characters on model?

Yes he referenced the broom and possibly the heels from this image, but your overlays for the leg and arms are disingenuous and you know it. The leg positions are different, and the overlay doesn’t even match up. Face tracing also makes no sense. You literally stretched the mouth to try and make it fit but it still doesn’t fit. Do you really think it’s that hard to draw mouths and eyes in the DR style? DR faces are really simple to emulate. Also you fool, if you follow Falco’s artwork enough, you’d realize the way he draws bodies is actually rather consistent even as he does different styles. Especially when it comes to hands. His way of drawing hands is how I recognize his art and know right away it’s his art and not official art or a trace (also his coloring style). The heels he drew are also reminiscient of how he typically draws shoes/feet. he draws them bulkier. The other art has dainty heels. At most he referenced how backside works because he’s used to drawing sneakers.

Also come on, if all you referenced from an image was a broom because you liked the style (his is also clearly drawn by himself since you can’t overlay it on the other one. like i said he mostly used the style as a reference for how-to-broom) and you referenced pieces from many other images, are you going to list every single thing you referenced? While yeah it’d be nice to, it’s a little ridiculous to expect all 5-20 references whenever they post the image. It’s a thing where, if someone asks, you’d tell them, but it’s too much to list all of it. This isn’t a 20 page thesis.

If it’s such a crime, then holy shit sue all those people who parody other people’s comics and sue everyone who dares!!! to ever draw something remotely similar to someone else. Dang.

Art doesn’t live in a vacuum.

Okay, this one is just plain stupid. You distorted the sprite to match it up with his, but what would be the point for him to distort it just to trace? Also if he traced, can you explain the rest of the fingers that are drawn nicely but clearly different from the sprite? Also the thumbs don’t even match up. His faces more downward while the sprite is facing more forward. Also explain the turned body in Falco’s sketch, then!! And the hair! OH WAIT YOU CAN’T EXPLAIN IT BY ANY OTHER WAY THAN HE DREW IT HIMSELF!!! BECAUSE NO SPRITES MATCH IT AND YOU CAN’T FIND ANY SPRITES TO DISTORT ENOUGH TO EVEN GET CLOSE TO MAKING FAKE EVIDENCE FOR IT.

By the way, the style he drew it in is closer to the drv3 than this sprite. while it’s pretty much the same style as the older games, drv3′s art is more refined than the older games. Falco’s art is also more refined as you can see. (wow not only did falco’s art improved from back when we first met; even professional artists improve. shocker. /s)

Dude what the hell? The overlays don’t even match up even ifi you tried to frankenstein them. And these are really common poses at really common angles, and once again, must every single thing we reference from be listed in the description of every place we post an image? Let me just list all 30 videos and 50 images i used as reference for one of my prints. jfc.

As for the saihara animation based on the digimon opening animation? It was pretty clear to everyone that it’s some kind of parody. Many people when making parody animations don’t mention the original video either?? It’s a fun thing for fans of the franchise to recognize the reference themselves. Yes he could have said it was the digimon opening on the description, but at least he didn’t say he thought of the idea himself? And if you talk to him about the animation, he will openly tell you it’s from digimon. And the fact that you think it’s a trace despite how much the overlays do NOT work out is practically proof that you’re just doing this maliciously and hoping that saying he traces enough with shoddy evidence will make people believe you.

ALSO PEOPLE LITERALLY TRACE ANIMATIONS TO MAKE PARODIES OF, DOWN THE STYLE WHERE ALL THEY CHANGE IS THE HAIR AND OUTFIT, AND YET SOMETHING WITH DIFFERENCES EVEN DOWN TO THE STYLE LIKE THIS IS SOMETHING YOU THINK IS A TRACE? Do you need a new pair of glasses?

I was gonna ignore this one because it was the same as a lot of the others, but you literally erased Falco’s face line so it would match the sprite, and you covered the bigger boobs Falco gave her, and totally ignored that the angle doesn’t even match properly. Like you covered parts of his sketch in your overlay just to make it look more like it matches, but if you actually fucking overlayed it correctly, even with squashing it, it won’t fit. (Also sorry to point this out Falco, but the circles on your goggle lenses are too small compared to the sprite; Maybe if you actually traced like this person claims you’re doing, they’d be perfectly like the sprite. OH BUT WAIT YOU DREW IT YOURSELF SO OF COURSE THERE’S SOME DIFFERENCES. JUST LIKE HOW EVEN THOUGH ALL YOUR OTHER WORKS ARE REALLY CLOSE TO THE STYLE AND PRETTY MUCH ON MODEL, THEY’RE NOT EXACTLY THE SAME WITH THE SPRITES! SHOCKER...!)

HOLY FUCK. I already pointed out and gave evidence that Falco started on the Nier Automata drawing waaaaaaay before he posted the actual picture. The 2 sketches are sketches! They don’t take a super long time. I busted out 10 inktobers in 1 day. (thumbnails of my artwork below)

Look I even even lined and colored 5 fairly detailed chibis in 1 day (i did the sketches earlier though. btw i hand drew the plaid on ray. it was annoying)

At the moment I have 5 wips. They’ll likely all be done around the same time. I know Falco often has multiple wips as well, and sometimes he also finishes some of them close to each other. Some artists (like my friend Fish) can pump out extremely detailed paintings in less than a day. WOW some artists can draw at a fairly fast rate. WHO KNEW? (manga artists in weekly magazines pump out 15-20 pages of manga in a week)

He’s still developing a style; he’s mostly doing style mimics of series he likes in the mean time.

At the moment he’s mostly experimenting with the drv3 style, but he was practicing p5 earlier. By the way, he DESIGNED a phantom outfit for mishima. Who the heck would he copy that from? He made it up because he loved mishima and wanted to make him part of the gang in some AU fan art. Mishima doesn’t have artwork like this for him to trace, so it should be obvious it’s his own work.

And the pokemon and crash bandicoot ones are actually not that close. The pokemon one looks like a good attempt at imitating the pokemon style, but since he hasn’t practiced it enough, you can tell it’s a little off model because, well, he drew it himself and doesn’t practice the pokemon style a lot. Same with the crash one. Had it been a trace, with his level of control over his lines (which you can’t refute), it would have been much closer.

And you act like it’s a crime to imitate others’ art style. It’s really not. What is wrong with you? Do you want to slow down animation production by only letting the character designer draw everything? Or do you want animation where the art has 0 semblance of consistency because all the artists draw in vastly different styles? lol. What do you have against artists that try to stay on model?

LOL THIS IS ONE IS SO STUPID WHERE DO I EVEN START?

Oh, I KNOW. Why don’t I do that same pose with my own hands?

IT’S A MIDDLE FINGER, YOU IDIOT.

Just because YOU don’t know basic anatomy and can’t tell a middle finger from a pinky, doesn’t mean everyone else is as incompetent as you. He wasn’t doing the rock-on hand pose (sry idk if that pose actually has a name lol), and he’s drawn the rock-on hand pose properly before.

Closing statement

I believe I covered a lot of things and provided a lot of evidence here that Falco and his other friends did not cover in his defense against the false accusations.

I even added more counter arguments in this repost because apparently my original post wasn’t enough to convince people.

Perhaps the person calling him out meant well (no, I doubt it because they made a new side blog just to diss him because they knew if they did it on their actual blog, they’d be called out for being a jerk), but they did not do enough digging to find out if their claims were true or not (and they probably know well enough that they MADE UP THEIR EVIDENCE).

If you’re going to make a call out post, please make triple sure sure of everything before you accuse people. Talk to them first. Talk to those who know them too.

Many jobs require you to be able to draw characters exactly in the style given. Animators for example! There are multiple animators working on one series, and they all need the skill to draw consistently! Some games also have teams that need to be able to draw in the same style so they don’t have to leave everything up to one person. Comic artists often have assistants that help them draw background characters, but those background characters can’t be too different from the main style either.

As for the people who believed the call out post before, it’s perfectly understandable. I am also guilty of falling for similar posts in the past. Due to that, I decided it was best to double check before retweeting (i say retweet because i use twitter far more than tumblr these days. heck i almost never post anything on this blog) things, and if i wasn’t sure, I would just leave it be.

I hope my post was able to convince you on Falco’s innocence and all his hard work. And if you already believed him but checked out this post anyways… Thanks! ObligatoryPleaseWatchAotuWorld.

And again:

Art does NOT exist in a vacuum. All artists are influenced by each other and MANY artists, especially professionals, use a lot of references, whether it be from photographers, their own pictures, others’ artwork, life, or whatever. We all use many different resources. If you’re going to say that’s wrong, you just dismissed millions of artists in the world.

[lesmotsincompris]

Thoughts on GoT S07E06

Since everybody was discussing the leaks, I decided to watch the leaked episode and almost forgot to post my thoughts here as usual.

Anyway: that was terrible, y’all. That was a whole new level of terrible.

The show was awful long before this, of course, but I think this episode perfectly encapsulates how poorly written it can be. Every scene has a lot to tear apart, but let’s try to keep it short:

Winterfell

Oh boy, did that hurt. What D&D have done to Arya isn’t simply character assassination; they murdered her character, shat on the corpse, set the poop on fire, and put the fire out with vomit.

Arya’s lines during this episode seem to come from an anti-Sansa thread on Reddit. It’s so viciously misogynystic and victim-blaming that I’m losing all respect for fans that buy this kind of bullshit reasoning (and I’ve seen them with my own eyes).

Again knitting is brought in a negative context. Again Sansa is called stupid. Again Sansa is portrayed as an ambitious bitch because she didn’t act as the ideal victim is supposed to act. Again Sansa’s forced marriages are used against her. Again we have another reminder that Sansa was raped, because gods forbid we forget it. This isn’t dealing with trauma, this is rubbing in the audience’s faces one of the most hated scenes of this show.

It’s ridiculously out of continuity too. Everything Arya herself did to survive is ignored (hanging out with Tywin on season 2, anyone?). Also she couldn’t possibly think her sister helped the Lannisters get rid of Ned, she was fucking there. If she saw Sansa’s pretty hair and dress, she must have seen her crying and screaming in despair. Watch your own damn show, D&D!

Once more I must ask: what is Littlefinger still doing in this story? He’s trying to put Arya against Sansa, but why? What does he gain with that? Why is Sansa still listening to him? You can’t give me Sansa being snarky at him in one episode and fully trusting him in another, it just doesn’t make sense.

Sansa was rude to Brienne for no reason, and sent her away purely because D&D needed Sansa alone and unprotected in Winterfell again. It’s so forced it hurts.

Apparently Jon didn’t give any news in weeks. Great job, Jon. But hey, couldn’t they use their fucking omniscient robot brother to see what stupidity Jon was up to this time?

I was giggling during the entire briefcase scene, not even The Room can aspire to be this bad.

Dragonstone

“Heroes do stupid things and they die” is the supreme maxim of Grimdark™. It’s also clearly not what GRRM is going for in the books.

We had a scene with the sole purpose of delivering exposition that Jon is in love with Dany. Is he? Why would he be? What evidence have we seen of this? Oh no, but it’s a lot easier to have a character established as "clever" saying "he loves you" than actually showing the process of two people falling in love.

For all their speech abut sparing the innocent, Tyrion says they’ll burn King’s Landing if anyone touches Dany. See, the smallfolk are only important if they bend the knee, otherwise they can die. So much for wheel-breaking.

(we still don’t know what that means, btw)

Again Tyrion tells Dany what to do and how to act; I’m gonna stab with a knitting needle anyone that calls this show feminist. I don’t think Tyrion is wrong in everything he says, but having him mansplaining Dany constantly is annoying. If he “believes” her, why doesn’t he let her to think on her own? If he doesn’t trust her to do it, then why does he follow her?

I can’t blame Dany for being hostile to the whole succession talk. Yes, it’s an important matter, and one book!Dany still has to address, but it came very suddenly and when they had other more important matters to deal with.

Tyrion doesn’t want Dany to go and she goes, and again the narrative will prove Dany wrong for not listening to a man. Fuck this show.

Beyond the Wall

Aaah, le crap de le crap. Don’t get me wrong, Winterfell stuff made me roll my eyes so hard I could watch my own brain cells dying. But Winterfell was filler, while this is supposed to be the big moment, the “go go go, shock shock shock” we’ve been told about, the core of the wham episode of this season.

And it sucks.

Tormund says that smart people don’t go looking for the dead, and I have to agree with him. The whole plan of capturing a wight and touring it around Westeros was incredibly stupid to begin with, so it’s hard to feel bad for the characters when things go inevitably wrong.

Less than five minutes into this episode they were already joking about Gendry being assaulted by Melisandre. Fuck this show.

Gendry being sold to Melisandre, much like Tyrion killing Davos’ son with wildfire, becomes a “look, those characters know each other” gag. This is a very poor choice and ignores the fact that those characters met under traumatic circumstances that deserve a stronger reaction than that.

Of course you don’t hear Beric “bitching” about being killed six times, that would mean death and trauma carry any weight and in this show they don’t. Not anymore.

I’ve been complaining for a while that the show seems to have forgotten why Jorah was exiled, so they answered me with him admitting Ned was right. That’s great, it would have been a significant character development… if we had actually seen it. Character development is a character going from point A to point B, not suddenly being on point B with no indication of how they got there.

Then Jon says he’s glad Ned didn’t catch Jorah. Why? Does Jon knows that Jorah was exiled for selling people? Is Jon okay with that? Since when? He barely knows Jorah and no relationship was portrayed on screen before this moment, why this sudden concern with him?

Sandor says he hates gingers, which is another nail in the SanSan coffin for the show. We already that’s D&D’s NOTP, but the petty ways they find to demonstrate it always amuse me.

I joked about this being the Ultimate Bro Trip - All the Extras Edition, but boy I was right. There’s everything one could expect from this sort of event: sexual assault played for laughs, dick jokes, the most disgusting reference to Tormund x Brienne, heavy-handed hints of R+L=J, lots of walking for nothing, lots of shitting all over GRRM’s careful worldbuilding, lots of dudes bonding over stuff that makes me hate them as characters, poorly executed action with no real stakes. A true winner!

There are small things that worked for me. I kinda like Beric’s speech to Jon, or Sandor turning around when they burn Thoros’ wound. It’s a simple but effective way to remind the viewer of Sandor’s trauma. It doesn’t cost much in terms of dialogue or screentime, and keeps the character consistent and fleshed-out. But those were isolated moments, and isolated moments are not enough to save us from this torture of a scene.

I like the surprise element of the bear attack, but it was too shaky and confusing for my taste. Gendry says the bear has blue eyes, but I could hardly see the bear itself? And how can I care about characters dying if I can’t even see who’s dying? After some point it was The Revenant - Westeros edition, and still not the silliest scene in the episode.

The white walkers now die like vampires from Buffy and one stab is enough to finish them. Worse, they’re following the route of 'kill the boss, every minion dies’. I hate this trope, I’m sure there’s a name for it. It’s particularly bad in this case because now the white walkers’ impressive numbers don’t mean anything; just kill the extra blue dude with a vaguely Japanese armor and presto! Also, you know, it contradicts what we’ve seen so far including in this very episode.

Despite them walking for ages, Gendry goes back to Eastwatch pretty fast. The white walkers are kind enough to wait for no fucking reason while Gendry sends a raven, the raven reaches Dragonstone, Dany gets ready, and Dany flies to the Wall and beyond. This should have taken weeks, but apparently it happens over a day or so.

Look, when people talk about ‘teleportation’ in this show, we don’t mean that the writers must depict every beat of the trip. We mean that the trip needs to make sense considering everything we know about the setting and the resources available in that world. It doesn’t have to be super accurate either, just not physically impossible like this was.

The white walkers not attacking the group makes the previous Plot Armor evolve to a Plot AT Field from Evangelion. If there was going to be battle anyway, why the waiting? You’re already bending space and time for Daenerys to arrive, so I’m sure there would be better ways to have the ice dragon scene without all this contrivance.

The dragon saving scene would have been awesome if not for all the implausibility that led to it. It’s hard to be invested when you’re already angry and disappointed. The contrivances don’t stop there, and Jon takes two levels in stupidity and keeps fighting all macho when everybody else is safe on dragon back. Also Daenerys loves him for some reason.

That spear throwing was the funniest thing. Congrats to whoever did the dragon animations and noises, though, that was a great job. Emilia Clarke’s nearly-crying face would have been a great start for one of Daenerys’ more emotional moments in the show, watching the death of one of her children. Too bad this is basically all the reaction she’s allowed to have.

Jon got Viserion killed out of sheer stupidity and stubbornness, but somehow Dany loves him even more for that! She wants to wait for him, even if that endangers her other dragons. Back at the Wall, she waits for his return, not perhaps a sign of Viserion. When he apologizes for being the worst, she’s not remotely angry at him. It was “good” that her dragon died, because now she understands. Now she knows that in this show men are always right and women pay a dear price for not listening to them.

Can’t see the narrative goal of leaving Jon behind or him falling in the water. Nobody actually expected him to die, even if he should have. Then you have Uncle Benjen Ex Machina holding thousands of White Walkers on his own, as if that somehow prevents a few of them from going after Jon. This whole scene accomplished nothing but stretching our suspension of disbelief further, as if there was any left at this point.

The walkers somehow put chains on the dragon to pull it. Why not just make the dragon fall on land? Viserion returning could have been cool if: a) it wasn’t a product of a conga line of plot contrivances; b) they didn’t take four years to show us his eyes opening, as if this wasn’t ridiculously obvious.

Daenerys can’t mourn her fucking dragon, she’s too busy finding the Ultimate Man to Listen To. What prompts Jon to decide that Dany is now his queen? Why does he call her Dany? How does Dany know the Night’s King name?

More importantly, why do I still care to ask about all this questions when the answer is “D&D are fucking dumb and they’re hoping we are too”?

Extra notes

Should we start printing Euron’s picture in milk boxes? And what happened to Theon?

Fuck this show, fuckindammit, that was a lot of time and energy wasted just to get angry.

[lotrewrite]

8/19 Chat Recap

Same as the previous recap - I'm mostly keeping the comments intact! Putting the more fun/general stuff above the cut:

SNEAK PEEK of the COLORED tarot cards: https://www.dropbox.com/sh/jq1lm3nd64sx9d3/AAC5qUDB6EvTK28tqE1zffExa?dl=0

Playlist: I think we really need an official playlist for this? There's no depression in new zealand, yo ho, come on eileen, istanbul not constantinople...POC crossed with AC Black Flag music...XD Backstreet boys in the 90s! ep. 13 playlist has to be mercedes sosa; argentinian singer who had to go into exile during the dictatorship. I’m Henry the Eight I Am for the Tudor episode, plus Pastime With Good Company someone should make a playlist for all the episodes maybe when we're posting the episodes I'll make a music suggestion post each day :) that way people can suggest songs based on the final version

INTROS:

We should try to split them up semi-evenly, but also depending on who the episode focuses on.

1 – Mick?

2 – [Ray] [proposed]

3 – [Nate] [proposed]

4 – Sara

5 – Jax

6 – Lisa

7 – [Stein] [proposed]

8 – Rip

9 – Mick

10 – Amaya

11 – Jax

12 – Gideon

13 – Len

14 – Sara

15 – Stein

16 – Hosts

17 – [Ray] [proposed]

18 – Amaya

19 – Mick

20 – [Legion] [proposed]

21 – [Legion OR Sara]

22 - Len

Thoughts? There's only one Ray one so far, despite him having several Ray-centric episodes. Not sure what we would switch, though!

General Points:

can O!Len change his clothes? He had a beer from somewhere in ep6 I think, so can he have objects? i think it'd make more sense if he's 'full ghost' so to speak; I think he can't change his clothes or interact with objects until later in the season. As much as I'd love for more dress-up for Len, I think he works best as a ghost

Interesting consistency note: Because Anne gave away the spear piece, her life went to hell. That is a terrifying but wonderful thought. we have something similar with Ching and her history, because she also suffers defeats after her spear piece is gone And technichally the ship in new zealand sinks after they take the piece, too They could have had a chance to change their fates but they lost/gave away the spear pieces and thus couldn't

Stephanie Fisher - we should at the very least give her a shout-out for all her wonderful comments. I vote we give Stephanie some kind of award, not just for the comments, but for ALWAYS catching Damien Darhk's name and correcting it!!!!!

just generally, I really love the snarky Gideon we have. And Jax. I love Jax so much this season. and I even like Stein again! I wasn't a big fan of Ray, but I think we've managed to redeem him as well and Sara is actually the badass captain we wanted her to be

Sara's journey is soooo good. Ray here is isolated, but not so terribly self centered like he was on the show. Like, as the season goes, he goes from being traumatized and lonely, to struggling with his identity, to accepting his identity and...I guess, growing more comfortable with himself and others??

Oh, question: Does Gideon still call Rip Captain Hunter and Sara Ms Lance? Or Mr Hunter and Captain Lance now? I think I went with both of them being called Captain

MaryWisdom might just do a German translation; DaughterOfScotland can help

just checking, we're all having Queen Bee use the amulet for her powers, right? Yes

Episode 9 Turncoat was my favorite canon ep and I feel like it only got better Jax and Amaya were so much better here than canon's "cuddle for warmth pwp" I feel like the rat sequence in ep 9 is actually a really great lead-up to episode 10 btw since we're talking about Ray, I really hope somebody makes one of those little things that fly across your screen with Ray and his rocket boot, and maybe the poor rat too XD

Episode 10 Because ep 10 was /also/ AMAZING that intro sequence was gold from start to finish There was so much world-building, character-building, and humor I really liked the villain sequences too There's some great exchanges there! The interactions were really in character! Oh, and the Amaya sequences with the British? PERFECT I love how Amaya continues to question her own knowledge and keeps evolving it was just such a fun ride honestly I think the lead up to Ray using the cold gun worked too? Oculus!Len giving it the tacit OK was such a balm Len is SO BORED he just wants to see Ray totally fail and laugh and Ray screwing up just worked so well as symbolism for his identity struggles also, I am so sad this isn't actually visual/audio because now I want someone to put together a short clip with the Waverider flying away, then pan down to a ship and you hear the "yo ho" song

Episode 11 I'm a bit bummed we haven't been able to fit in Stein singing, but I'll look over it again and maybe we can find a spot Maybe we could get that into episode 11? I've had there's no depression in new zealand stuck in my head for almost two days now btw episode 11, any more comments, or should we go back to it next week once people have had a chance to look it over? prob the best to look at it again tbh

Episode 12 OH MY GOD 12!!! THE TERROR! it was so good KAKO YOU MADE ME SCREAM literally, my phone rang during the Mick scene and I legit screamed the way you worked in the movie references so organically was genius THE LEN REVEAL WAS PERFECT was the ending scene of 12 okay? the scene with Mick and Sara I liked it a lot that was beautiful I knew I was gonna love this episode the moment it was pitched, but you exceeded all my expectations <3 so well done it's perfect That episode is definitely going to turn heads. It is very different compared to the rest and will stand out! perfect for the mid-season finale Is there a way we can make it a real mid-season finale? aka not post for aday or two afterwards? Well, if we start posting on the 1st and it's 22 episodes, with a month of 30 days... if we started on Sept 4 and posted every day, I think we'd end up with it falling on a weekend Sept 4, posting every day, would make 12 fall on a Friday We could then restart the next Monday

Episode 13 I LOVE THE INTRO I like the "did you learn that in school?" mention. Because the history classes suck yes that is a GREAT cold open the episode was really powerful also, the umbrella scenes were hilarious it really was, the tension followed throughout and was quite perfectly cut through with the UTTERLY FLAWLESS umbrella scenes Also, bitching Legion. This is great, seeing as we want them to implode also: the Len and Gideon scene <3 basically everything was fantastic i know we need to add the rip intro scene, but is there anything else you think we should work on? there were a few suggestions, but those are already in the google doc - overall I think it was an incredible episode, and you guys should be proud - you dealt with a really heavy topic really well Quick question to eisode 13... the Spanish they all got the pill, but we kind of wanted to show the other side of it, like what it sounded like to the woman at the bakery Like the Legends go into the bakery - then we see the woman working inside and it's from HER perspective, and there's spanish dialogue and then it switches to english and we're back to the Legends POV If you wanted it from the woman's POV, maybe start the scene with the woman? as in, she's working inside the register, and then some guys come in and buy stuff and then stay with her a second as they walk out and she's kinda wondering what's up, then shrugs and goes back to work then we jump back to the Legends talking in English she picks up on Mick being distracted by something that's not there i keep craving churros every time I look at this episode I loved how you guys mixed in the light-hearted scenes in with all the heavy stuff yeah it was really well balanced RIP EXITS, PURSUED BY MICK!!!

Episode 14 Sara saves the timeline with a threesome XD nuff said LOVED the bit where Amaya realises that Sara is dancing with the King! So fitting, too, because of my episode following with all the Shakespeare :D I think... I think I didn't actually mentioned an abberation? Just the spear piece rip found there Alternatively Rip is using his Time Master skills to find a piece before it ever causes an abberation That was what I was going for. He finds it, or thinks he did ooh. i like that. but if it is that then i don't think you should mention the witchcraft rumors The rumors that she bewitched Henry had been around for a long time already. Thy say that tht's the reason he left his wife and Rip thinks it's related to the spear piece but it's just generally people being shit can I just say, I really loved all the scenes with Amaya and Jax? seconded My only thing to add is, and I think I mentioned that in the comments, that it would be great if you could fit the Legion in somewhere Yeah, I agree with you. I'll put it in that they arrive late and Len is like "I got this", I think Before I forget: can I suggest Sara to narrate the intro? the last one she did was ep4

Episode 15 basically Kendra's Old West incarnation and the New York Riots incarnaton exist at the same time OW!Kendra doesn't have a name, so she *could* be Josephine from the NYR 8 years prior and that would make that Carter Hannibal  but then her Carter should be named Hannibal, not Shay :( his name could be Hannibal and then he goes by Shay Or he could've changed his name when they moved out west due to being wanted under his old name Just... don't explain it. Leave it for the reader to figure out. And wonder :P (for what it's worth, I thought 15 was delightful and SO GOOD at actually USING history the way a time travel story should) More next week

Episode 19 I could knight Ystina! that would be AWESOME!